Review: ‘Oh, Hi!’ (2025), starring Molly Gordon, Logan Lerman, Geraldine Viswanathan, and John Reynolds

July 23, 2025

by Carla Hay

Logan Lerman and Molly Gordon in “Oh, Hi!” (Photo courtesy of Sony Pictures Classics)

“Oh, Hi!” (2025)

Directed by Sophie Brooks

Culture Representation: Taking place in upstate New York, the comedy/drama film “Oh, Hi!” features a predominantly white cast of characters (with one multiracial/Asian person and one African American) representing the middle-class.

Culture Clash: During a romantic getaway trip during a weekend, a woman finds out that the man she’s been dating doesn’t want a serious relationship with her, so she ties him to a bed and tells him to give her 12 hours to change his mind.

Culture Audience: “Oh, Hi!” will appeal primarily to people who are fans of stars the movie’s headliners and quirky romantic satires.

John Reynolds and Geraldine Viswanathan in “Oh, Hi!” (Photo courtesy of Sony Pictures Classics)

“Oh, Hi!” would’ve been better as a short film. However, this dark comedy is an effective satire of desperation to be in a committed love relationship. This movie is a counterpoint to reality dating shows that force happy endings for questionable romances. “Oh, Hi!” isn’t for everyone. It’s the type of movie that people who dislike it will really hate it. It’s not a movie that’s easy to love, but it’s best appreciated by people who are more likely to tolerate or like unconventional dramedies about romance.

Written and directed by Sophie Brooks, “Oh, Hi!” had its world premiere at the 2025 Sundance Film Festival and its New York premiere at the 2025 Tribeca Festival. The movie takes place in upstate New York, where “Oh, Hi!” was filmed on location. It’s a movie that could easily have been a play because most of the story takes place at one house and has a very small number of people in the cast.

“Oh, Hi!” begins by showing the two people at the center of the story as they take a romantic getaway trip by car to the lakeside farmhouse that they’ve rented for a three-day weekend. Iris (played by Molly Gordon) and Isaac (played by Logan Lerman), whose occupations aren’t mentioned in the movie, have been dating each other for four months and seem to be very happy together. During the car ride, where they take turns driving, they sing along to “Islands in the Stream,” the 1983 hit duet recorded by Dolly Parton and Kenny Rogers.

On the way to the house, they stop to buy strawberries from an outside stall. The seller is a farm vendor named Syd (played by Diana Irvine), who openly flirts with Issac, who also flirts back. Iris notices this flirtation and looks a little uncomfortable. It’s the first sign that Isaac might not be as enamored with Iris as she is with him. When Isaac drives away, he accidentally knocks over the vendor stand.

At the lake house, things start off very well. Iris and Isaac are sexually intimate, they have fun frolicking in the lake, and they cook meals together. They have playful conversations about a variety of topics.

While Iris and Isaac are swimming and kissing in the lake, they have a tense encounter with a grumpy neighbor named Steve (played by David Cross), who stands at the edge of the lake and scolds them because he thinks they’re having sex in public and tells them it’s illegal. Iris and Isaac deny this false accusation, as Iris points out that she’s wearing a one-piece swimsuit, so it would be hard for them to be having sexual intercourse at that moment. Steve walks away but still acts as if he’s the self-appointed neighborhood watch patrol.

When Isaac and Iris first arrived at the house, they noticed that the bedroom closet had some sex bondage gear, including a bondage outfit and handcuffs. Iris and Isaac decide to try out some of this bondage in their next sexual encounter. Isaac agrees to be have his hands handcuffed to the bed.

After they have sex, Iris tells Isaac: “I didn’t expect things to be this easy. Our first trip as a couple.” Isaac shakes his head as if he can’t believe what he’s hearing. He tells Iris, “I think you’re great. I’m just not looking for a relationship right now.” Isaac quickly finds out that this is not the smartest thing to say to Iris while he’s handcuffed to a bed.

Isaac and Iris then argue about their expectations for the relationship. And it’s obvious there was major miscommunication between them. In a previous conversation that’s not seen in the movie, Iris had told Isaac that she wouldn’t have unprotected sex with him if he was sleeping with other women. Isaac thought Iris meant she wouldn’t have unprotected sex with him if he was having unprotected sex with other women. He didn’t think Iris meant that she expected Isaac to be in an exclusive relationship with Iris.

Iris is reeling from finding out that Isaac doesn’t want the type of relationship with her that she wants to have. She refuses his repeated requests to uncuff him. Instead, Iris leaves the room to call her unnamed divorced mother (played by Polly Draper) to tell her that the man she thought was her exclusive boyfriend doesn’t want to have that type of relationship with her and doesn’t even want them to be considered a “couple.” Iris’ mother tells Iris that men sometimes don’t know what they want, and she advises Iris to convince Isaac to be in the type of relationship that Iris wants.

And then this is the part of the movie that people will know if they want to continue watching: Iris takes this advice too far by telling Isaac that she won’t uncuff him because he needs to give Iris 12 hours to try to change his mind. Most of “Oh, Hi!” shows what happens during the time that Isaac is handcuffed to the bed. If that doesn’t spark your curiosity, then “Oh, Hi!” is definitely not the movie for you.

The movie’s opening scene actually shows what happens 33 hours after the car trip, when Isaac is already unwillingly handcuffed. Iris’ loyal best friend Max (played by Geraldine Viswanathan) shows up at the house for a friendly visit. When Iris answers the door, Max says, “Oh, hi!” A worried-looking Iris confesses to Max: “I did something bad.”

The movie then circles back to that moment when Max arrives and finds out what Iris did to Isaac, who is still handcuffed to the bed. Max has brought her laid-back boyfriend Kenny (played by John Reynolds) with her. After some debate and discussion, with full knowledge that this situation is the crime of unlawful imprisonment, it’s decided between Iris, Max and Kenny that it’s better for them not to risk letting Isaac go because they know he will report this crime to law enforcement.

Any comedy in “Oh, Hi!” is intentionally cringeworthy and not traditional laugh-out-loud joking. Lerman is entirely believable as the perplexed and increasingly alarmed Isaac, while Gordon (who is one of the producers of the movie) handles the role of unhinged Iris with a certain aplomb. Although the movie has a scene where Iris and Isaac briefly talk about past heartbreaks, there’s nothing in that conversation that could prepare or warn Isaac about what Iris ends up doing to him.

“Oh, Hi!” isn’t a horror movie. It’s very much a satire that makes some sly digs at the age-old romantic movie stereotype of someone in a relationship who doesn’t want to be fully committed to the relationship, while the other person in the relationship wants a full commitment. Many people in these situations feel trapped and forced to make a decision within a certain time period. And there are many reality dating shows that create the same scenario that Iris creates for Isaac, except these shows don’t handcuff people to beds.

The most ridiculous part of “Oh, Hi!” involves a spell ritual where Max contacts a self-described witch friend named Cynthia (played by Sabrina Friedman-Seitz) for assistance. It’s a distracting detour that thankfully does not take up most of the movie. “Oh, Hi!” is a somewhat strange and often-unpredictable film that’s mostly watchable for anyone who is interested to see how this story ends. Don’t expect anything too extreme, because even among the absurdity, “Oh, Hi!” still has some uncomfortable truths that are grounded in reality.

Sony Pictures Classics will release “Oh, Hi!” in U.S. cinemas on July 25, 2025. A sneak preview of the movie was shown in U.S. cinemas on July 7 and July 23, 2025.

Review: ‘Good One’ (2024), starring Lily Collias, James Le Gros and Danny McCarthy

February 15, 2025

by Carla Hay

Lily Collias in “Good One” (Photo courtesy of Metrograph Pictures)

“Good One” (2024)

Directed by India Donaldson

Culture Representation: Taking place in New York state, the dramatic film “Good One” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A 17-year-old girl goes on a camping trip with her father and his divorced best friend, and something inappropriate happens that opens her eyes to how adults often deal with inappropriate actions that are reported.

Culture Audience: “Good One” will appeal mainly to people who are interested in watching a “slice of life” independent film about power issues for a teenage girl experiencing something inappropriate in a male-dominated environment.

Lily Collias in “Good One” (Photo courtesy of Metrograph Pictures)

People who watch “Good One” should not expect a lot of action or suspense. This well-acted “slice of life” drama (about a 17-year-old girl on a camping trip with her father and his best friend) quietly depicts the loss of innocence when a child learns that adult authority figures will not always protect children. A melodramatic and unrealistic film would not be subtle with this message. What “Good One” does so well is show how these moments can sneak up on people who learn this harsh life lesson by being blindsided by it and having to quickly make certain decisions on how to deal with it.

Written and directed by India Donaldson, “Good One” is her feature-film directorial debut. “Good One” had its world premiere at the 2024 Sundance Film Festival. The movie is filmed like a cinema verité documentary that chronicles this three-day camping trip in New York’s Catskill Mountain area (als known as the Catskills) in upstate New York. (“Good One” was filmed mostly in Ulster County, New York.) “Good One” doesn’t have anyone’s narration of inner thoughts or hindsight reflection. “Good One” doesn’t have exposition-dumping dialogue.

Instead, what “Good One” has are many conversations and situations that offer clues to who these campers are and the dynamics of their relationship with each other. “Good One” begins in the New York City apartment where 17-year-old girl Sam (played by Lily Collias) lives with her father Chris (played by James Le Gros) and Chris’ wife Casey (played by Diana Irvine). Chris and Casey have been married for an unnamed period of time.

Chris is divorced from Sam’s mother April, who is mentioned but never seen in the movie. Sam does not have any siblings. The movie does not mention what any of the parents do for jobs or how they make money. However, all the main characters in the film are middle-class.

Sam, who is intelligent and introverted, has a very close relationship with her best friend Jessie (played by Sumaya Bouhbal), who is visiting her at the apartment. They have the type of friendship where they both lie on Sam’s bed and look at their phones. The movie leaves it open to interpretation if Sam and Jessie have a sexual attraction to each other.

There isn’t enough shown of their relationship to make that judgment, but someone else in the movie assumes that Jessie is a lesbian without knowing Jessie at all. Jessie will start attending New York Unversity in the upcoming autumn season. It’s an indication that Jessie is probably about one year older than Sam because Sam appears to be someone who will still be in high school during that time period.

Near the beginning of the film, Sam and Chris go in Chris’ car to pick up Chris’ best friend Matt Carter (played by Danny McCarthy) at Matt’s brownstowne apartment in New York City. Matt is first seen at the building’s front door when he’s arguing with his teenage son Dylan (played by Julian Grady), who is about the same age as Sam. Dylan was supposed to go on this camping trip, but Dylan changed his mind at the last minute and refuses to go. Matt is very upset about this change of plans, but there’s nothing he can do about it.

On the way to the Catskills, the trio stops off at a diner, where Matt laments that Dylan isn’t with them for this camping trip. Matt is the most talkative of the three travelers. And it’s obvious within the first few minutes that he’s not feeling good about his personal life.

Later on the movie, Matt complains that he and Dylan aren’t getting along because Matt believes that Matt’s ex-wife/Dylan’s mother Stephanie has turned Dylan against him. Matt will mention sadly a few more times during the camping trip that he wishes Dylan was there. Matt is clearly taking Dylan’s rejection very hard.

Conversations also reveal that Chris and Matt (who have known each other for at least 30 years) have very different personalities. Chris is a meticulous planner and wants to be as prepared as possible for this camping trip. Matt is impulsive and doesn’t really care about being prepared.

For example, when Chris, Matt and Sam go hiking, Chris remarks out loud that Matt is wearing heavy jeans instead of wearing lightweight shorts, which Chris says is better-suited for this type of hiking. (Chris and Sam are wearing these types of shorts, of course.) Matt also overpacked his backpack, which a slightly annoyed Chris unloads to take out unnecessary items before they begin their hike.

Later, when the three campers arrive at the campsite to set up their tents, Chris notices that Matt forgot to bring Matt’s sleeping bag, which is still in Chris’ car. Chris expresses frustration because he had warned Matt that it was necessary to have a sleeping bag because of how cold it would get at night.

What Matt brought instead is a flask of liquor (the movie doesn’t say what type of liquor), which leads Chris to remark to Matt: “Interesting that you managed to bring booze and didn’t bring a sleeping bag.” Matt shrugs off the need for a sleeping bag and says of his liquor: “I figure I needed it for the cold.” There are other hints that Matt abuses alcohol and could possibly have alcoholism.

Later, Chris loses his temper at Matt because Matt left food in Matt’s tent overnight, going against Chris’ explicit orders to not do that, because Chris said that exposed food in tents could attract bears. Chris is angry that Matt could’ve put their safety in jeopardy and is especially incensed that Sam could’ve been harmed if a bear invaded their campsite. Matt thinks Chris is overreacting but says he’s sorry and he won’t do it again. Chris also makes an apology for yelling at Matt.

The conflict is resolved, but it’s another indication of what’s really going on in the friendship of Matt and Chris. Chris is happily married and has a good relationship with his only child. It’s in contrast to Matt, who is upset about his own divorce and strained relationship with his only child. Chris acts as if he’s intellectually and morally superior to Matt, who is clearly dealing with self-esteem issues.

At one point, Matt confides in Sam about how he feels hurt by the way Dylan has been shunning Matt. He wonders aloud when Dylan will stop hating him. Sam advises that Matt should only say positive things about his ex-wife Stephanie to Dylan.

Matt compliments Sam by telling her she’s wise beyond her years. Matt also says about how his divorce his affecting him: “I haven’t lived alone in 30 years.” (It’s an indication that Matt doesn’t have full custody of Dylan.)

“Good One” gets its title from a conversation where Matt is once again talking about his rocky relationship with Dylan. Matt tells Chris with a tinge of envy when commenting on Chris’ being Sam’s father: “Look at what you made. You made a good one.” Chris replies, “I tried not to fuck her up.”

During this trip, Sam occasionally wanders off by herself. During one of these solo excursions, she sees three guys in their late teens horsing around in a nearby pond. These three guys are Zach (played by Sam Lanier), Andy (played by Eric Yates) and Jake (played by Peter McNally), who later encounter Sam, Chris and Matt at the campsite. The three guys are invited to have a campfire meal with Sam, Chris and Matt.

The inappropriate incident that happens to Sam in the last third of the movie is an incident that is not illegal but it’s a verbal comment that is a big red flag of intentions that are more ominous and would be illegal. The person who makes this inappropriate comment is clearly testing Sam to see how she will react and to see what her boundaries are. Sam is in shock when it happens.

This review won’t reveal spoiler information with all the details. But it’s enough to say that what happens to Sam is a gray area and a “he said/she said” situation of sexual harassment where, if reported, whatever happens as a result will depend on which person is believed more. Sam sees firsthand that she doesn’t get the protection that she assumes that she would get when she tells an adult what happened. It’s a reality check that alters her perception of the world and will probably affect Sam for the rest of her life.

All of the principal cast members do well in their roles, but the obvious standout is Collias. She gives an admirable performance where she convincingly portrays quiet Sam’s inner thoughts and feelings, sometimes without saying a word. The inappropriate incident that Sam experiences in “Good One” is not a crime but it’s a test that sexual predators often use to see how far they can go with their intended targets. This test, when reported, is often dismissed as a comment that was a “joke.”

It’s why Collias does a fantastic job of portraying Sam’s inner conflict on whether or not she should tell a trusted adult about the inappropriate thing that she experienced. In the space of a few minutes and for the rest of the trip, Sam has to question everything she knows and was probably taught about who to trust and whom she can turn to for real help. Sam feels powerless, but a brief moment toward the end of film shows how she tries to take back control and have some power that she feels she lost when she became a target of covert sexual harassment.

Because “Good One” is a conversation-driven film where not much happens until the movie’s turning point, some viewers of “Good One” might lose interest in the movie long before Sam experiences this moment of truth. Viewers with patience to watch “Good One” until the end might also be frustrated by how the movie ends. Anyone who hates the ending of “Good One” is probably conditioned to believe that movies are supposed to end with all of the story’s issues wrapped up with definitive answers. “Good One” is a solid statement that life doesn’t always work that way, and bad experiences can be learning experiences on how to handle certain problems.

Metrograph Pictures released “Good One” in select U.S. cinemas on August 9, 2024. The movie was released on digital and VOD on December 6, 2024.

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