Review: ‘Teri Baaton Mein Aisa Uljha Jiya,’ starring Shahid Kapoor and Kriti Sanon

March 11, 2024

by Carla Hay

Shahid Kapoor and Kriti Sanon in “Teri Baaton Mein Aisa Uljha Jiya” (Photo courtesy of FunAsia Films and Nirvana Cinemas)

“Teri Baaton Mein Aisa Uljha Jiya”

Directed by Amit Joshi and Aradhana Sahy

Hindi with subtitles

Culture Representation: Taking place in India and in the United States, the sci-fi comedy film “Teri Baaton Mein Aisa Uljha Jiya” features a predominantly Indian cast of characters (with some white people) representing the working-class, middle-class and wealthy.

Culture Clash: A robotics engineer, who works for his aunt’s company, finds out that the woman he has fallen in love with is a robot that was programmed by his aunt to seduce him. 

Culture Audience: “Teri Baaton Mein Aisa Uljha Jiya” will appeal primarily to people who are fans of the movie’s headliners and silly romantic comedies.

Dimple Kapadia in “Teri Baaton Mein Aisa Uljha Jiya” (Photo courtesy of FunAsia Films and Nirvana Cinemas)

“Teri Baaton Mein Aisa Uljha Jiya” is an overly long, repetitive movie that not only does not justify being 143 minutes, but the film also does not justify its entire existence. This unimaginative comedy relies too much on clichés about a guy falling in love with a “perfect female,” who happens to be a robot. This vapid movie becomes increasingly foolish until it becomes a very bad joke on viewers expecting it to get better.

Written and directed by Amit Joshi and Aradhana Sahy, “Teri Baaton Mein Aisa Uljha Jiya” (which means “got s tangled n your words” in Hindi) runs its weak slapstick jokes into the ground very early and then repeats them to irritating levels. Viewers who watch this onslaught of terrible filmmaking will be subjected to watching people in the movie act even worse than their bad dialogue. About the only thing that this time-wasting movie can brag about is that it has pretty scenery and physically attractive leading cast members.

In “Teri Baaton Mein Aisa Uljha Jiya” (which takes place mostly in Mumbai, India), playboy bachelor Aryan Agnihotri (played by Shahid Kapoor) is a robotics engineer who works for Robotex, a company owned by his aunt Urmila Shukla (played by Dimple Kapadia), who is demanding and impatient. Two of Aryan’s co-workers are flirtatious Myra (played by Amisha Thakur) and married man Monty (played by Ashish Verma), who gives Aryan simplistic relationship advice, such as “Everything is a compromise.”

“Teri Baaton Mein Aisa Uljha Jiya” is so inept and repetitive in its storytelling, it opens with a scene that’s a too-early foreshadowing of the rest of the story. In this first scene, Aryan’s family has arranged a marriage for him that he does not want. When he meets his bride-to-be for the first time, she is wearing a long veil over her face. And he finds out that she’s a robot that malfunctions. But surprise! It’s just a nightmare that Aryan had.

In reality, Aryan’s parents are very worried that he isn’t married yet. When Urmila reminds him that Aryan’s parents are eager to see him settle down and get married, Aryan reminds Urmila that she didn’t get married until she was 40 years old, and she got divorced six months later. Aryan will soon find out that Urmila is more of a meddler in his love life than she appears to be.

One day, Urmila tells Aryan to go to the United States on business. He stays at a luxury villa that the company uses for high-ranking visiting employees. Aryan is greeted at the villa by a woman named Sifra (played by Kriti Sanon), who tells him that she works for Urmila and has been tasked with taking care of all of Aryan’s needs during his stay. Aryan is immediately attracted to Sifra, who seems to seems to “have it all,” in terms of looks, intelligence and personality. Aryan and Sifra become lovers after some flirtations and romantic dates.

The trailer for “Teri Baaton Mein Aisa Uljha Jiya” already reveals about 80% of the movie’s very thin plot: Aryan finds out that Sifra is a robot made by Robotex. Her name is actually spelled SIFRA, an acronym for Super Intelligent Female Robot Automation. And she was programmed by Urmila to seduce Aryan as an experiment to see if a human being could fall in love with a robot. When Aryan asks SIFRA how she can so respond so well to his needs, SIFRA says that she can expertly read people’s facial expressions and body language and react accordingly.

What’s a playboy bachelor to do when his family is pressuring him to get married and he’s found his “ideal woman,” but she’s a robot? In a moronic movie like “Teri Baaton Mein Aisa Uljha Jiya,” he takes her home to meet his family, introduces her as a girlfriend he’s in a serious relationship with, and then he proposes to her, as they plan a wedding that the family wants to happen as soon as possible. The majority of “Teri Baaton Mein Aisa Uljha Jiya” is about Aryan trying to keep it a secret from his family that SIFRA is a robot.

“Teri Baaton Mein Aisa Uljha Jiya” fills up some of its time with stereotypical musical numbers that have forgettable music and generic lyrics. Aryan’s family is a predictable clan that is usually found in romantic comedies: large, loud and intrusive. These squawking family members include Aryan’s father Jai Singh Agnihotri (played by Dharmendra); Aryan’s mother Sharmila Agnihotri (played by Anubha Fatehpuria); Aryna’s teenage sister Tim Tim (played by Maahi Raj Jain); and assorted grandparents, aunts, uncles and cousins of Aryan.

As the wedding of Aryan and SIFRA approaches, “Teri Baaton Mein Aisa Uljha Jiya” becomes a pile-on of ludicrous “close-call” scenarios that usually involve whether or not SIFRA’s battery is charged enough for her to function, or how much memory she has. The worst part of the movie is in the last half-hour when it really goes off the rails with violence. And there’s a misogynistic tone to the plot, because it revolves around objectifying the main female character. An over-used gag in “Teri Baaton Mein Aisa Uljha Jiya” is showing what happens when SIFRA malfunctions, but this dreadfully unfunny movie is nothing but a giant malfunction.

FunAsia Films and Nirvana Cinemas released “Teri Baaton Mein Aisa Uljha Jiya” in U.S. cinemas on February 9, 2024, the same day that the movie was released in India.

Review: ‘Tu Jhoothi Main Makkaar,’ starring Ranbir Kapoor and Shraddha Kapoor

March 10, 2023

by Carla Hay

Ranbir Kapoor and Shraddha Kapoor in “Tu Jhoothi Main Makkaar” (Photo courtesy of Yash Raj Films)

“Tu Jhoothi Main Makkaar”

Directed by Luv Ranjan

Hindi with subtitles

Culture Representation: Taking place in India and in Spain, the romantic comedy film “Tu Jhoothi Main Makkaar” features a predominantly Indian cast of characters (with some white people) representing the working-class, middle-class and the wealthy.

Culture Clash: A 30-year-old wealthy heir, who has a secret business where he is paid to help people break up with their love partners, has a passionate, whirlwind romance with a woman he met during a vacation, and she unknowingly hires him so that she can break up with him. 

Culture Audience: “Tu Jhoothi Main Makkaar” will appeal primarily to people who are fans of the movie’s headliners and don’t mind watching predictable and long-winded romantic comedies where almost everything looks phony.

Anubhav Singh Bassi, Ranbir Kapoor, Shraddha Kapoor and Monica Chaudhary in “Tu Jhoothi Main Makkaar” (Photo courtesy of Yash Raj Films)

“Tu Jhoothi Main Makkaar” is so formulaic, you can predict within the first 15 minutes what’s going to happen and how this romantic comedy is going to end. The entire movie is built on the shaky foundation that two lovers wouldn’t know each other’s undisguised voices over the phone. There’s no originality at all in this tiresome romantic comedy. And the 150-minute total running time is just too long for plot this lightweight and stupid.

Directed by Luv Ranjan (who co-wrote the movie’s terrible screenplay with Rahul Mody), “Tu Jhoothi Main Makkaar” (which roughly means “You Liar Main Mecca” in Hindi) has the biggest clichés possible for a romantic comedy and does nothing clever with these stereotypes. The would-be couple have a “meet cute” moment. The male protagonist is good-looking, has a tendency to be arrogant, and he’s shocked when his would-be female love interest plays hard-to-get. They end up having a romance, which is then damaged because of a big secret. This dishonesty or lack of trust causes the couple to break up. But will they get back together? You already know the answer.

In “Tu Jhoothi Main Makkaar” the cocky playboy is Rohan “Mickey” Arora (played by Ranbir Kapoor), the wealthy heir to a multifaceted business that was co-founded by his parents Ramesh Arora (played by Boney Kapoor, who is not related to Ranbir Kapoor) and Renu Arora (played by Dimple Kapadia), who have let Mickey take over the business. Mickey has an MBA degree, and his family’s company has thrived under his leadership. However, Mickey’s mother Renu is worried that Mickey’s partying lifestyle is a distraction that could ruin the business.

Mickey lives in a mansion in Delhi, India, with several of his family members: his parents, who own the house; his sister Minny (played by Hasleen Kaur); Minny’s daughter Sweetu (played by Inayat Verma, an adorable scene stealer), who is about 6 or 7 years old; Minny’s husband; and Ramesh’s mother (played by Jatinder Kaur). Renu is constantly scolding and lecturing Mickey to be more responsible. She’s also eager for Mickey get married and start a family of his own, so that he will move out of the house.

Even though he is a successful businessman with his family’s company, Mickey has a secret business with his best friend Manu Dabbas (played by Anubhav Singh Bassi): The two men are consultants for people who want to break up with love partners. The way that the business works is that Mickey and Manu usually hire people to “tempt” someone to committing infidelity, which is then documented as proof that the cheating happened. It’s all part of a set-up so that the partner who was cheated on can use the infidelity as an excuse to break up with that person.

It’s a horrible and sleazy way to make money (and Mickey certainly doesn’t need the money), so the movie is already off-putting in how it expects audiences to root for Mickey, who willfully participates in hurting people and ruining relationships. Somehow, Mickey thinks there’s nothing wrong with what he’s doing because the people who are his clients are strangers to him. Of course, the table turns on Mickey when he becomes the target of a breakup scheme—and his breakup business is the one hired to instigate the breakup.

Before that happens, the movie wastes a lot of time showing the antics of Mickey and Manu. Manu is engaged to a woman named Kinchi (played by Monica Chaudhary), but he wants to break up with her before their upcoming wedding. In a poorly written sequence, Manu asks Mickey to do something to get Kinchi to break up with Manu. Mickey’s ill-conceived plan doesn’t work. And it all happens at the funeral of Manu’s grandfather. It all looks so bizarre and unbelievable.

Mickey, Manu, and Kinchie then travel to Spain for Manu’s bachelor party. They stay at a luxury resort near a beach. It’s a fateful vacation, because it’s where Mickey meets 27-year-old Nisha “Tinni” Malhotra (played by Shraddha Kapoor, who is not related to Ranbir Kapoor and Boney Kapoor), who is a friend of Kinchie’s. There’s an elaborate musical sequence that takes place in a nightclub, Tinni and Mickey end up being backup dancers to the singer who’s performing. Yes, it’s that kind of movie.

It’s attraction at first sight for Mickey who doesn’t waste time in asking Tinni if she’s single and available. The answer is “yes,” but that doesn’t mean that Tinni will make it easy for Mickey to court her. However, when they start dating, things heat up between Tinni and Mickey so quickly, by the end of the vacation, he’s ready to marry her. The movie has a lot of repetitive music video-styled scenes of Tinni and Mickey in romantic bliss.

Things for this new couple also go smoothly when it comes to their families meeting each other. Tinni’s father (played by Rajesh Jais) and Tinni’s mother (played Ayesha Raza Mishra) are thrilled that Tinni is headed toward marriage to a handsome and rich businessman. Mickey’s parents approve of Tinni. When both sets of parents meet each other for the first time, Mickey uses the occasion to propose marriage to Tinni, who says yes.

But there would be no “Tu Jhoothi Main Makkaar” if this romance didn’t have any problems. Mickey has a tendency to be clingy with Tinni, who worries about losing her independence in this relationship. Mickey also expects his future wife to live with him and his parents in the family mansion, and Tinni doesn’t like that idea. Tinni secretly decides she wants to break up with Mickey, but she doesn’t know how to do it on her own. And who does she call for help? She heard about a certain breakup consulting business that has been successful in helping people end relationships.

When Tinni calls this business, using an undisguised voice, Mickey gets the call. And like a fool, he doesn’t recognize Tinni’s voice because he can’t even comprehend that Tinni would ever need this service. Likewise, when Tinni is on the phone with someone she doesn’t know is Mickey, she doesn’t recognize his undisguised voice either. Does any of this sound believable or logical to you? If you’re willing to let this idiotic part of the movie slide, then you might enjoy “Tu Jhoothi Main Makkaar” more than it deserves.

During this ridiculous charade of hidden identities, Tinni’s London-based co-worker Anya (played by Nushrat Bharucha) is enlisted to tempt Mickey into cheating. Mickey is the one who anonymously hired her, not knowing that he was the target of this infidelity temptation. Kartik Aaryan has a cameo as Tinni’s former college boyfriend Rahul. The rest of the movie wastes more time with more lies and deception, which make Tinni and Mickey look even more idiotic at how long they haven’t figured out each other’s secret.

Probably the best thing about “Tu Jhoothi Main Makkaar” is Santhana Krishnan Ravichandran’s cinematography, which makes the musical numbers and vacation scenes look fleetingly fun and glamorous. But these are visual elements that can’t cover up the rotten storytelling that’s at the core of “Tu Jhoothi Main Makkaar.” And it’s kind of pathetic that these characters in their late 20s and early 30s are acting like immature teenagers.

To make matters even more tedious, all of the principal characters are rehashed versions of many other romantic comedy characters. No one does a particularly outstanding job with the acting, although Verma as precocious Sweetu has a delightful screen presence as a child actress. The overly long run time of the movie (which has a lot of musical numbers as filler) will just add to viewer irritation, unless watching a subpar romantic comedy is how the viewer wants to waste two-and-a-half hours. “Tu Jhoothi Main Makkaar” has a lot of pretty locations and pretty people, but the movie is ultimately superficial and boring junk.

Yash Raj Films released “Tu Jhoothi Main Makkaar” in select U.S. cinemas and in India on March 8, 2023.

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