Review: ‘Janet Planet,’ starring Julianne Nicholson, Zoe Ziegler, Elias Koteas, Will Patton and Sophie Okonedo

July 2, 2024

by Carla Hay

Zoe Ziegler and Julianne Nicholson in “Janet Planet” (Photo courtesy of A24)

“Janet Planet”

Directed by Annie Baker

Culture Representation: Taking place in 1991, in western Massachusetts, the dramatic film “Janet Planet” features a predominantly white cast of characters (with a few black people) representing the working-class and middle-class.

Culture Clash: An 11-year-old girl and her single mother have various uncomfortable adjustments as the girl learns to be more independent and not as tolerant of the people who come in and out of her mother’s life.

Culture Audience: “Janet Planet” will appeal primarily to people who are fans of star Julianne Nicholson and don’t mind watching a slow-paced but well-acted movie about mother-daughter relationships.

Julianne Nicholson and Zoe Ziegler in “Janet Planet” (Photo courtesy of A24)

Thoughtful and with nuanced performances, “Janet Planet” can be recommended to people who don’t mind watching slow-paced “slice of life” movies. This realistic drama shows the gradual shift in a mother-daughter relationship. Usually movies with this sort of topic has a lot of melodrama or plot developments that are often seen in soap operas. “Janet Planet” isn’t that type of movie. Rather, it shows how relationships can change during when life is mundane and uneventful.

“Janet Planet” is the feature-film debut of writer/director Annie Baker, a Pulitzer Prize-winning playwright. The movie had its world premiere at the 2023 Telluride Film Festival and screened at other festivals, including the 2023 New York Film Festival and the 2024 Berlin International Film Festival. “Janet Planet” takes place during the summer of 1991, in rural western Massachusetts.

The movie’s opening scene shows 11-year-old Lacy (played by Zoe Ziegler) calling her single mother on a pay phone while Lacy is at summer camp. Lacy wants to go home and makes an alarming statement when she tells her mother: “I’m going to kill myself if you don’t get me.” By the time that Lucy’s mother Janet (played by Julianne Nicholson) arrives to pick up Lacy, Lacy has changed her mind and wants to stay at the camp.

However, Janet has another reason for Lacy to come home: Janet’s live-in boyfriend Wayne (played by Will Patton), who’s about 15 to 20 years older than Janet, has had a motorcycle accident and is recovering at home. Lacy actually doesn’t need to be at home, but because Janet insists that Lacy come home, it’s an indication that Janet wants Lacy there for emotional support. Lacy’s father is not seen or mentioned in the movie.

Lacy doesn’t want to introduce Janet to the other people at camp, which is the first sign that things are somewhat tense between Lacy and Janet. Lacy tells Janet that she wants to stay at camp. But Janet says, “I already convinced them to give me part of the deposit back.”

Lacy, by her own admission, is an introverted loner who has a hard time making friends with people. She likes to read and draw in her spare time. Lacy also takes piano lessons from a an elderly woman named Davina (played by Mary Shultz), who is kind and patient. Lacy is not rude but she doesn’t have a “cute and cuddly” personality either. “Janet Planet” is about how Lacy stops blindly worshipping her mother and sees Janet for the flawed human being that she is.

Janet is a self-employed licensed acupuncturist who has a home office. The name of her business is Janet Planet. Unlike Lacy, who has a very independent personality, Janet constantly craves approval and companionship. It’s one of the reasons why Janet lets people into her life who might not be good for her. At one point in the movie, Janet makes a comment that she’s not beautiful but she can get people to fall in love with her.

Janet and Lacy have the type of household where when they have meals at the same table as other people, there is little or no conversation. When Janet and Lacy (who often sleep in the same bed together) have any heart-to-heart talks, Janet gets uncomfortable if Lacy says things that Janet doesn’t want to hear. Janet gives the impression that she’d rather not hear about any angst that Lacy might be feeling.

Here’s an example of one of their conversations: Lacy tells Janet, “You know what’s funny? Every moment in my life is hell.” Janet replies, “I don’t like it when you say things like that. You seem pretty happy.” Lacy says, “It’s hell. I don’t think it will last though.” Janet admits, “I’m actually pretty unhappy too.”

“Janet Planet” is divided into three chapters, with each chapter focusing on how a different person enters the lives of Janet and Lacy and how each person’s presence affects Janet and Lacy. The first chapter is about Wayne’s effect on this small family. The second chapter is about Janet reconnecting with a long-lost friend named Regina (played by Sophie Okonedo), an actress in a puppet theater collective that has a hippie lifestyle. The third chapter is about Janet spending time with Avi (played by Elias Koteas), the cult-like leader of the puppet theater collective.

Wayne is sullen and keeps mostly to himself, but he has a nasty temper that affects his relationship with Janet. Wayne also seems to have mental health issues because he is seen wandering around aimlessly on the front lawn at night. Regina is friendly and quirky and doesn’t talk down Lacy. Regina needs a place to stay, so Janet lets Regina temporarily live in the household. Avi, who is Regina’s ex-lover, thinks of himself as an intellectual philosopher, but everything about him seems like he’s a con artist. It isn’t long before Avi makes it known to Janet that he’s interested in getting romantically involved with her.

“Janet Planet” doesn’t always have clear resolutions for the dilemmas and conflicts presented in the story because people tend to drift in and out of Janet’s life without necessarily having closure. Lacy is not shown bonding with anyone her age except for a day when Wayne’s daughter Sequoia (played by Edie Moon Kearns) spends time with Wayne, Janet and Lacy at a shopping mall. Wayne has a visitation rights arrangement with Sequoia’s mother, who is briefly heard but not seen in the movie when Sequoia leaves for this visit and her mother says some words of greeting in a friendly tone. Lacy and Sequoia get along with each other almost immediately and have some fun inventing their own language.

After this get-together, Lacy asks Wayne why Sequoia doesn’t live part-time with him. Wayne refuses to answer the question and gets upset, which obviously means that it’s a sore subject for him. Very little is mentioned about Wayne’s family history except that Wayne has grandchildren and he has a 20-year-old son named Eric, who “lives in California and Iraq,” according to Wayne. Wayne’s grandchildren and Eric are not seen in the movie. It can be presumed by Wayne’s statement that Eric is in the military and is stationed in Iraq.

One of the best things about “Janet Planet” is the talented performance by Ziegler, who makes her feature-film debut in “Janet Planet.” This movie is named after Janet, but it’s through Lacy’s perspective that the story has its heart and soul. Ziegler’s performance is very natural and never once looks like she’s trying too hard to be a good actress. “Janet Planet” doesn’t have any grand, sweeping statements about life but it does offer some pointed observations about the time in everyone’s life when a child begins to see parenthood in less idealistic ways.

A24 released “Janet Planet” in select U.S. cinemas on June 21, 2024, with an expansion to more U.S. cinemas on June 28, 2024.

Review: ‘The Baker’ (2023), starring Ron Perlman, Elias Koteas, Joel David Moore, Samantha Kaine, Dax Ravina, Emma Ho and Harvey Keitel

July 28, 2023

by Carla Hay

Ron Perlman and Harvey Keitel in “The Baker” (Photo courtesy of Falling Forward Films)

“The Baker” (2023)

Directed by Jonathan Sobol

Culture Representation: Taking place in unnamed U.S. cities, the action film “The Baker” features a predominantly white cast of characters (with some Latinos and African Americans) representing the working-class, middle-class and criminal underground.

Culture Clash: A mysterious baker, who is a military veteran with a shady past, goes on a vigilante rampage, with his 8-year-old granddaughter, against the drug dealers who killed his son.

Culture Audience: “The Baker” will appeal primarily to people who are fans of the movie’s headliners and predictable “shoot ’em up” action flicks.

Emma Ho and Joel David Moore in in “The Baker” (Photo courtesy of Falling Forward Films)

If you’ve seen any forgettable vigilante action flick, then you already know what to expect from “The Baker,” which is formulaic nonsense about a troubled baker who has his 8-year-old granddaughter tagging along for his violent revenge spree. The reason for this rampage is because the baker’s son has gone missing after getting mixed up with a drug deal gone bad. You know where all of this is going, of course.

Directed by Jonathan Sobol, “The Baker” uses the same old tiresome clichés about a grumpy loner with a shady past who goes on a killing spree to avenge something wrong that happened to a family member. “The Baker” takes place in unnamed U.S. cities but was actually filmed in Canada. Paolo Mancini and Thomas Michael wrote the lazy and unimaginative screenplay for “The Baker.”

The movie’s title character is Pappi Sabinski (played by Ron Perlman), a U.S. military veteran who often has nightmares from his post-traumatic stress disorder and other bad memories from his past. Pappi is a bachelor who lives by himself and owns a small business called Pappi’s Bake Shop, where he is the only employee. Pappi is estranged from his only child: a son in his 40s named Peter (played by Joel David Moore), who has a lot of resentment toward Pappi because he doesn’t think Pappi was a good father.

Peter is a single father to an 8-year-old daughter named Delphi (played by Emma Ho), who is mute and who is enrolled in a private school where the students are required to wear uniforms. An early scene in the movie shows a drug deal turn deadly in a nearly deserted parking garage, where all four men involved in the drug deal have a violent fight and end up dead. Peter just happens to be in a parked car nearby and witnesses this fatal conflict. The heroin that was part of this deal is in a duffel bag that is near the dead bodies.

Peter is no stranger to doing shady things to make money. And you know what that means in this story. Although “The Baker” tries to play coy about what Peter did after witnessing this deadly shootout, it’s very obvious. Peter is seen making an urgent phone call where he leaves a message for someone named Milky to call him back. Milky (played by Dax Ravina) is shown later in the movie.

Peter suddenly arrives at Delphi’s school, barges into one of her classes, and abruptly tells her that she has to leave with him to take a father/daughter trip. During their road trip, Iggy Pop’s “The Passenger” is playing in the car. It’s a song that is heard again for a pivotal moment toward the end of the movie.

Peter shows up with Delphi at Pappi’s place of business, after Peter and Pappi have not seen or spoken to each other in years. This unannounced visit is the first time that Pappi and Delphi meet each other. Peter quickly tells Pappi that he recently started a limousine-driving business, but Peter got stuck with a bunch of run-down limos. However, Peter says his financial fortune has suddenly changed for the better, and it won’t be long before he will be the one being driven in limos.

Peter tells Pappi that he needs Pappi to look after Delphi while Peter sorts out some unnamed business matters. Not long after Peter drives away, Pappi gets a frantic phone call from Peter, but then a gunshot is heard in the background where Peter is, and the call is disconnected. Pappi then takes Delphi on a road trip in Pappi’s delivery truck to find out what happened to Peter. (What happened to Peter is exactly what you think happened to Peter.)

The rest of “The Baker” is just a mindless series of scenes where Pappi gets into shootouts and other fights with the goons who work for the drug lord who’s looking for his stolen heroin. The drug lord’s name in the movie is Merchant (played by Harvey Keitel), and his chief henchman/enforcer is Vic (played by Elias Koteas), who goes on a mission to find Pappi. The two main police detectives who investigate this murder spree are Petra Weintrager (played by Samantha Kaine) and Luca Rispoli (played by Paolo Mancini), who are as generic as generic can be.

The gimmick of a mute granddaughter accompanying her vengeful grandfather on his murder spree fails to be believable in “The Baker.” The movie has Pappi give a ridiculous order to Delphi to just put on some goggles so she won’t witness any murders. Of course, Delphi sees things that she’s not supposed to see and are traumatic for any human being.

“The Baker” heinously brushes off this child abuse as justified, because Pappi cannot be stopped. Don’t you know that an unhinged vigilante just doesn’t have time to find a babysitter? “The Baker” continues to spiral downward as it has some forced-looking “cutesy” scenes of Delphi trying to get her grouchy grandfather to loosen up a little, when she’s not dodging bullets and not trying to get killed in other ways.

“The Baker” has absolutely no creativity or wit in the action scenes either. All of the performances are mediocre, with longtime actors such as Perlman and Keitel (who have both been typecast as tough guys in their movie roles) just going through the same motions that they’ve done dozens of times before in other unremarkable action movies. “The Baker” can’t even be considered half-baked. It’s like raw sewage that leaves a stinking mess of idiotic filmmaking.

Falling Forward Films released “The Baker” in select U.S. cinemas on July 28, 2023.

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