Review: ‘Greyhound,’ starring Tom Hanks

July 10, 2020

by Carla Hay

Tom Hanks in “Greyhound” (Photo courtesy of Apple TV+)

“Greyhound”

Directed by Aaron Schneider

Culture Representation: Taking place primarily in the northern Atlantic Ocean in 1942, the World War II drama “Greyhound” has a predominantly white cast (with a few African Americans and Latinos in very small speaking roles) portraying military men fighting at sea.

Culture Clash: A U.S. Navy veteran must command a ship called Greyhound that is protecting 37 other ships carrying much-needed supplies through a treacherous area of the Atlantic Ocean called the Black Pit, where Nazi German U-boats are known to attack.

Culture Audience: “Greyhound” will appeal primarily to World War II enthusiasts, while everyone else might be easily bored by the generic way that this story is told.

Tom Hanks in “Greyhound” (Photo courtesy of Apple TV+)

There have been so many movies made about World War II, that any new movie about this subject matter needs to bring something interesting and compelling in order for the story to have a memorable impact. Unfortunately for “Greyhound,” a World War II drama written by and starring Tom Hanks, this movie ends up being a formulaic and predictable vanity project for Hanks.

Sony Pictures was originally going to release “Greyhound” in cinemas. But due to the coronavirus pandemic, Sony shifted the movie’s release exclusively to Apple TV+, perhaps because Sony executives came to the correct conclusion that “Greyhound” (directed by Aaron Schneider) really looks like a TV-movie instead of a full cinematic experience.

In “Greyhound,” Hanks portrays the fictional Captain Ernie Krause of the U.S. Navy in such a generically stoic manner that by the end of the film, people wouldn’t be able to tell you much about his personality at all. That’s not a good sign when Captain Krause is supposed to be at the center of the story.

The way that Captain Krause is written, he’s the American hero who’s able to save everyone else because of his quick thinking and fortitude. All the other characters in the movie are written as backdrops to Captain Krause. These supporting characters are so forgettable and written in such a vague way that people watching “Greyhound” wouldn’t be able to remember the names of five characters who aren’t Captain Krause in this movie. The names of the ships in this movie are more memorable than the names of the people.

“Greyhound,” whose main action take place over five days in February 1942, is about the newly appointed Captain Krause leading his first team of ships during the war. Captain Krause’s three ships that he’s commanding are escorting a convoy of 37 Allied ships carrying soldier supplies across the Atlantic Ocean to Liverpool, England. To get there, the ships have to pass through a dangerous area called the Black Pit, where Nazi German U-boats have been known to lurk. The Black Pit is also in an area of the Atlantic Ocean that’s beyond the range of protection from aircraft that usually escorts these ships.

Krause’s ship is named Greyhound. Some of the other ships that are part of the story include two British destroyer ships named Harry and Eagle; a Canadian corvette named Dicky; a U.S. rescue ship named Cadena; and a Greek merchant ship called Despotiko. This is a very U.S.-oriented story, since the non-American characters are not actually seen on camera. Only their voices are heard, such as when Captain Krause communicates with them by the ship’s radio transmitters.

Before the Greyhound ship embarks on its journey, the movie shows a little of bit of Captain Krause’s “tough but merciful” leadership style. Two subordinates named Flusser (played by Matthew Zuk) and Shannon (played by Jeff Burkes), who’ve obviously been in a fist fight with each other, are brought to Captain Krause to be disciplined.

“I will tolerate no more fisticuffs on my ship,” Captain Krause tells them in a stern manner, like a father lecturing his sons. Captain Krause tells the two men to resolve their differences. Flusser and Shannon say that they regret the incident. And then Captain Krause utters this pretentious line as a warning to the two men: “Repetition will bring hell from down high.”

During the mission, there a lot of shouting and repeating of Captain Krause’s commands. Captain Krause’s subordinates don’t get enough screen time to make a lasting impression during the mission, except for Charlie Cole (played by Stephen Graham) and Lieutenant Nystrom (played by Matt Helm), who don’t really do much but wait for Captain Krause to give them orders.

Charlie is the one whom Krause trusts and confides in the most, but his character is written as a shell of a man who just kind of stands around as an echo chamber for Krause. These supporting characters on the Greyhound ship were not written to have distinctive personalities from each other.

And since Hanks wrote the screenplay (which is adapted from C.S. Forester’s 1955 novel “The Good Shepherd”), it seems as if Hanks didn’t want to write any other characters in a way that they could possibly stand out and steal scenes from him. That’s why “Greyhound” looks like such a vanity project.

And when the inevitable happens—attacks from Nazi German U-boats—the movie’s suspense gets a lot better. But the action scenes overall are very formulaic and hold no surprises. We all know how this movie is going to end anyway.

The visual effects in “Greyhound” won’t be nominated for any awards. Some of the visuals are believable, while some are not. For example, there’s a scene were a ship gets blown up in the water. And although blood is shown in the water after the explosion, there’s no ship debris that’s shown in the bloodied water right after the explosion—as if the exploded ship just vanished into thin air. It’s an example of some of the unrealistic visuals that cheapen this movie.

Elisabeth Shue and Rob Morgan are listed as co-stars of “Greyhound,” but they really have cameos in the film that last less than 10 minutes each. Shue (the only woman with a speaking role in “Greyhound”) plays Captain Krause’s girlfriend Evelyn, nicknamed Evie. She has a brief flashback scene early in the film when Captain Krause and Evie exchange Christmas gifts in December 1941 when they meet up in a San Francisco hotel lobby.

Krause has even bought Evie a ticket to be with him in the Caribbean, where he’ll be training for his next mission. Krause tells Evie, “Come with me, so I can ask you to marry me on a tropical beach.” Evie politely declines, knowing that Krause is going into war combat, and tells him: “Let’s wait until we can be together.”

Morgan also has a thankless background role as a character name Cleveland, one of the African American subordinates on Greyhound who dress in formal waiter uniforms and serve food to Captain Krause. The only purpose these waiter characters have in the story is to fret about how Captain Krause hasn’t been eating the food that they serve him. It’s also mentioned multiple times in the film that Krause is such a brave and diligent captain during this mission that not only has he been too preoccupied to eat, he also hasn’t been sleeping either.

“Greyhound” is not a bad movie. But compared to gritty and classic World War II films such as “Saving Private Ryan” and “Dunkirk,” it’s just a very disappointing and trite film, where the action and character development are far inferior to other World War II movies. “Greyhound” wastes the talent of actors such as Shue and Morgan, and it elevates Hanks’ Captain Krause character to such a lofty and squeaky-clean level that it scrubs all of the personality out of him.

Apple TV+ premiered “Greyhound” on July 10, 2020.

2019 Tribeca Film Festival pilot episode review: ‘The Boys’

May 1, 2019

by Carla Hay

Jack Quaid and Karl Urban in "The Boys"
Jack Quaid and Karl Urban in “The Boys” (Photo by Jan Thijs)

“The Boys”

Pilot episode/Season 1, Episode 1

World premiere at the Tribeca Film Festival on April 29, 2019.

Amazon Prime Video’s “The Boys” series couldn’t have come at a better time, when superhero movies have been dominating the box office, and the lead characters in the movies have legions of devoted fans around the world. “The Boys,” based on the graphic-novel series of the same name, explores what it would be like to live in a world where over-worshipped superheroes abuse their fame and power. Based on the pilot episode of “The Boys” that had its world premiere at the Tribeca Film Festival, Amazon Prime Video could have its first big superhero-themed hit.

The main protagonists of “The Boys” aren’t even superheroes. They’re mere mortals who want to expose the corrupt superheroes because of personal vendettas they have against them. Hughie Campbell (played by Jack Quaid) is a mild-mannered employee of an independent electronics store in New York City. It’s the type of store that’s rapidly disappearing in a retail economy that’s killed Radio Shack. Hughie seems to have a safe and predictable life. He and his girlfriend Robin (played by Jess Salgueiro) are very much in love, and although Hughie’s job doesn’t pay too well, it’s enough for him to get by comfortably, even if he still has to live with his single father (played by Simon Pegg).

Hughie’s world turns into a nightmare when his girlfriend is killed right in front of him in a freak accident. It’s because a lightning-speed superhero named A-Train (played by Jessie T. Usher) literally runs right through her while chasing a robber, and that leads to Robin’s gruesome death. A-Train runs so fast (just like DC Comics’ The Flash) that he didn’t even notice that he killed someone until he sees the bloody aftermath, and he makes a quick excuse that he has to leave in order to keep chasing after the robber.

A devastated Hughie tries to get justice from Vought International, the mega-corporation that manages and secretly covers up for the world’s top superheroes, including an elite group called The Seven. (The Seven is written as an obvious satire of DC Comics’ supergroup Justice League.) Vought is run by Madelyn Stillwell (played by Elizabeth Shue), a ruthless executive who puts on a façade of doing what’s best for the world, while hiding superheroes’ dirty secrets. Vought offers Hughie a $45,000 settlement to not sue over Robin’s death, but he refuses. A-Train gives a half-hearted public apology, but Hughie is not convinced the apology is sincere. Hughie isn’t so mild-mannered anymore. He’s heartbroken, bitter, and out for revenge. He just doesn’t know what to do about it yet.

Meanwhile, in Des Moines, Iowa, a naïve young woman named Annie January (played by Erin Moriarty) is training to become a superhero, much like a girl would train for an event that’s a combination of an athletic competition and a beauty pageant. She’s hoping she’ll be the chosen one to replace Lamplighter, one of the superheroes who is retiring from The Seven. What happens to this young superhero will set in motion much of the action for the rest of the series. She joins The Seven under the new identity Starlight, a character clearly inspired by Supergirl.

Not long after Starlight joins The Seven, Hughie unexpectedly meets Billy Butcher (played by Karl Urban), a no-nonsense badass who crashes into Hughie’s store. Billy says that he’s part of a secret vigilante group called The Boys, whose goal is to hold law-breaking superheroes accountable for their misdeeds. Hughie wants in on the action, but Billy wants Hughie to prove himself first.

Billy tells Hughie that all of the superheroes are corrupt except Homelander (played by Antony Starr), the leader of The Seven, an alpha-male, patriotic type who has the superhero ability to fly, just like Superman. But is Homelander really a good guy or has Billy been fooled into thinking he is?

Other characters from The Seven that are introduced in this pilot episode include The Deep (played by Chace Crawford), an Aquaman-type heartthrob who’s secretly a creep abusing his power through sexual harassment; Black Noir (played by Nathan Mitchell), a mysterious silent type; Translucent (played by Alex Hassell), who can make himself invisible, similar to the DC Comics character Negative Man, and uses this ability to be a perverted Peeping Tom; and Queen Maeve (played by Dominique McElligott), a tough-but-tender alpha female, similar to Wonder Woman, who shows signs that she’s not as committed to The Seven’s corrupt ways as the rest of the group.

Translucent is not in “The Boys” comic books, so his storyline in the TV series is the least-easiest to predict. Advance teaser footage of “The Boys” shows Translucent imprisoned in a cage. The Amazon Prime Video series also has some other differences from “The Boys” comic books (which were created by writer Garth Ennis and illustrator Darick Robertson), but that spoiler information won’t be included here.

Seth Rogen, Evan Goldberg, James Weaver, Ori Marmur, Ken F. Levin and Jason Netter are among the executive producers of “The Boys.” They previously adapted a popular graphic-novel series to television with AMC’s “Preacher.” Other executive producers of “The Boys” are Eric Kripke (“Supernatural”), Neal H. Moritz (“The Fast and the Furious” franchise) and Pavun Shetty (CBS’s “S.W.A.T.”).

Based on the pilot episode of “The Boys,” this series is going full-throttle with sex, drugs, adult language and violence. Now that Amazon Prime Video has canceled the superhero comedy series “The Tick” (which didn’t really click with audiences, after two seasons), “The Boys” can step in and fill that superhero series void with a rip-roaring abandon that’s a satirical kick in the face to superheroes who are too popular for their own good.

Amazon Prime Video will premiere the first season of “The Boys” on July 26, 2019.