Review: ‘Until Dawn’ (2025), starring Ella Rubin, Michael Cimino, Odessa A’zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell and Peter Stormare

April 24, 2025

by Carla Hay

Odessa A’zion, Belmont Cameli, Ella Rubin, Michael Cimino and Ji-young Yoo in “Until Dawn” (Photo courtesy of Screen Gems)

“Until Dawn” (2025)

Directed by David F. Sandberg

Culture Representation: Taking place in the fictional town of Glore Valley, Pennsylvania, the horror film “Until Dawn” features a predominantly white cast of characters (with one Asian person and one multiracial person) representing the working-class and middle-class.

Culture Clash: Five young people go searching for the missing sister of one of the group members when they find themselves trapped in a haunted house, where they are killed and revived and can only escape if they survive until dawn.

Culture Audience: “Until Dawn” will appeal primarily to people who are fans of the “Until Dawn” video game and mediocre-to-bad horror movies.

Peter Stormare in “Until Dawn” (Photo courtesy of Screen Gems)

The horror film “Until Dawn” starts off as suspenseful but goes downhill into being a gory and repetitive bloodbath with a weak ending. This story (about young people stuck in a loop of being murdered and revived) has minimal connections to the video game. Considering all the possiblities for the “Until Dawn” movie to be a cinematic step forward from the video game, it’s disappointing that the “Until Dawn” movie ends up relying on the same old slasher film clichés.

Directed by David F. Sandberg, “Until Dawn” was written by Blair Butler and Gary Dauberman. The movie is based loosely on the “Until Dawn” horror video game, which has the same “survive the night” concept, with players of the video game choosing from numerous possibilities for various scenarios. People don’t need to know anything about the “Until Dawn” video game to see the movie.

These are the main similarities between the movie and the video game: One of the villains from the video game is a character in the movie and is played by the same actor. There are creatures running around called wendigos. There’s a backstory about a psychiatric facility and a deadly mining disaster.

“Until Dawn” (which takes place in the fictional town of Glore Valley, Pennsylvania) begins by showing a woman in her 20s named Melanie Paul (played by Maia Mitchell) crawling out of a hole in a ground in a remote wooded area. (“Until Dawn” was actually filmed in Hungary.) She is quickly killed by an unidentified man (played by Tibor Szauervein), who’s wearing a mask that resembles the mask worn by serial killer Michael Myers in the “Halloween” movies. In “Until Dawn,” Melanie gets hacked to death with a machete.

The movie then fast-forwards to a year later. Five people, who are all in their early 20s, have gone on a road trip and arrived by Jeep to Glore Valley to look for Melanie, who has been missing for the past year. Based on a cell phone video that Melanie sent before she disappeared, Melanie was last seen at a gas station/convenience store in Glore Valley, which is an isolated town surrounded by woods.

These are the five travelers who end up getting trapped in a sinister place:

  • Clover Paul (played by Ella Rubin), Melanie’s grieving younger sister, is the only one in group who thinks that Melanie could still be alive.
  • Max (played by Michael Cimino), Clover’s ex-boyfriend, is sensitive and has unresolved feelings for Clover.
  • Nina Riley (played by Odessa A’zion) is a tough-talking rebel who clashes with Max because Nina taunts Max about still being hung up on Clover, while Max taunts Nina about her most recent dating relationships lasting for only a few months.
  • Abe (played by Belmont Cameli), Nina’s current boyfriend, is a university student who has a tendency to be an arrogant know-it-all (he likes to remind people he’s a majoring in psychology), and he wants to be the “alpha male” of the group.
  • Megan (played by Ji-young Yoo) has psychic abilities and is the person in the group who does things like have the group members form a circle to do breathing exercises.

At the gas station/convenience store where Melanie was last seen, Clover shows a photo of Melanie to the creepy owner/manager (played by Peter Stromare), who’s behind the counter. He tells Clover that if Melanie is missing, she most likely went missing in the part of Glore Valley were other people have gone missing. He points in the direction of where it is.

The five travelers end up driving to what looks like a bed-and-breakfast house because there’s a Welcome Center sign outside. As soon as they get out of the Jeep, they notice that misty rain is surrounding them on all sides but only in a limited area around the house. Abe has been filming everything on his phone. And because this is a predictable horror movie that takes place in a remote area, you already know that the victims will be stuck in a place where they can’t get cell phone signals or any WiFi/Internet service.

When they go inside, they see the house is abandoned. (Or is it?) There’s a very large hourglass in the foyer. There’s also a guest book where Melanie’s signature is the last signature in the book. Her signature is written 13 times in a column, with each signature looking scragglier than the previous signature. This seems to be proof that Melanie was there, but where is she?

The five members of the group are then alarmed to see a bulletin board with several missing-person flyers tacked on to the board. The people in the flyers are of various ages. Melanie is on one of the flyers, but no one in the group made these flyers.

A lot of what happens next is already revealed in the trailers for “Until Dawn.” It’s enough to say that the masked murderer goes on a rampage, and the five vistors get killed. However, the five murder victims find out that every time the hourglass turns around, they are resurrected but have sustained certain injuries and have other changes to their bodies that they don’t understand. The trapped victims also see that they are now on missing-person flyers on the house’s bulletin board. When they try to leave the house, they still die in various ways.

A smaller run-down house suddenly appears from across the street from the main house. As if to make things too obvious, the smaller house has a door that’s spray-painted with the words “Fight the Glore Witch.” And sure enough, inside the house is the Glore Witch (played by Mariann Borbala Hermányi), who tells certain trapped characters that there’s only one way to leave: “Survive the night or become a part of it.”

“Until Dawn” can’t overcome a big plot hole that lingers throughout the movie like the stench of a rotten screenplay: When the five trapped people wake up, they repeatedly say they can’t remember anything. Some of them can’t remember how they previously died or how long they’ve been trapped. And yet, they somehow remember the “rule” of what they need to do to escape every time they are resurrected. This lack of consistency ultimately sinks the movie.

There’s also a scene where Abe remembers filming videos on his phone. When the group goes to look at the videos, it’s just a bunch of time-wasting, gross-out videos that show body infestations and infections. This scene just brings up a question that viewers might wonder about but the movie never answers: “Why can Abe show videos on his phone but they can’t use his phone to keep track of the time?” The jumbled timeline makes the movie very incoherent.

Meanwhile, “Until Dawn” devolves into a tedious splatterfest, as the movie becomes enamored with showing the characters’ bodies spontaenously exploding as ways for them to die instead of being murdered. The first few times an exploding body is shown, it’s effective. After the fifth time and beyond, it’s annoying. The acting performances in “Until Dawn” are very typical of horror movies where a bunch of young people are the targets of terror.

There are numerous chase scenes that are plagued with sloppy film editing. Why all of this terror is happening just becomes increasingly irrelevant by the time the movie comes to its atrocious end. And like all substandard horror movies that rely too much on over-used stereotypes, the end of the movie shows that the story could be continued—although the “Until Dawn” movie doesn’t leave enough intrigue at the end for most viewers to want a sequel.

Screen Gems will release “Until Dawn” in U.S. cinemas on April 25, 2025.

Review: ‘The Idea of You,’ starring Anne Hathaway and Nicholas Galitzine

April 14, 2024

by Carla Hay

Anne Hathaway and Nicholas Galitzine in “The Idea of You (Photo by Alisha Wetherill/Amazon Content Services)

“The Idea of You”

Directed by Michael Showalter

Culture Representation: Taking place in California and various parts of Europe, the comedy/drama film “The Idea of You” (based on the novel of the same name) features a predominantly white cast of characters (with some black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A divorced American mother, who is an art-gallery owner and who turns 40 years old in the story, has a controversial romance with a British pop star, who is 16 years younger than she is. 

Culture Audience: “The Idea of You” will appeal primarily to people who are fans of the movie’s headliners and well-acted movies about romances where there’s a big age gap between the love partners.

Ella Rubin and Anne Hathaway in “The Idea of You (Photo by Alisha Wetherill/Amazon Content Services)

“The Idea of You” is utterly formulaic, but the movie benefits from Anne Hathaway’s radiant and realistic performance as a divorced mother in love with a pop star who is 16 years younger than she is. Nicholas Galitzine also shines as a charismatic charmer. One of the refreshing things about the movie is that it doesn’t try to pretend that the two lovers at the center of the story are meant to be married soul mates who will live happily ever after. This movie is a celebration of living in the moment and embracing happiness where you can find it.

Directed by Michael Showalter, “The Idea of You” is written by Showalter and Jennifer Westfeldt. The screenplay is adapted from Robinne Lee’s 2017 novel of the same name. Fans of the book might want to know that although the movie’s overall plot is the same as the book, the ending of the movie is different from the book’s ending. The tone of the movie is also more comedic than the much more serious tone of book. “The Idea of You” had its world premiere at the 2024 SXSW Film and TV Festival.

In “The Idea of You,” Solène Marchand (played by Hathaway), who turns 40 years old during this story, is the owner of a successful and progressive art gallery called Marchand Collective, in Los Angeles’ Silver Lake district. Solène is a divorced mother of a vivacious 17-year-old daughter named Izzy (played by Ella Rubin), who is in her third year at Campbell High School. Solène has primary custody of Izzy, while Solène’s ex-husband Daniel (played Reid Scott) has visitation rights. Daniel is a lawyer who is married to his second wife Eva (played by Perry Mattfeld), a lawyer who’s about 15 years younger than Daniel.

The movie begins in the spring season. Izzy and her two close teenage schoolmates—flamboyant Zeke (played by Jordan Aaron Hall) and mild-mannered Georgia (played by Mathilda Gianopoulos)—are planning to go to the annual Coachella Valley Music and Arts Festival in Indio, California, which is about 129 miles southeast of Los Angeles. Daniel has promised to drive Izzy and her pals to the festival and be their chaperone. During this weekend excursion while Izzy is away, Solène plans to take a camping trip by herself. Solène has friends, but her life mostly revolves around her job and Izzy.

On the day that Daniel is supposed to take Izzy, Zeke and Georgia to Coachella, Daniel finds out that he has to go to Houston on a sudden business trip. Daniel persuades a reluctant Solène to be the Coachella chaperone. Daniel already bought the festival VIP tickets, as well as a VIP meet-and-greet experience for August Moon, a superstar pop singing group performing at Coachella.

August Moon used to be Izzy’s favorite group when she was in seventh grade. Izzy feels that she now outgrown August Moon, which has a “teen idol” boy band image. Izzy is now into more “serious” music, not teenybopper pop. The fact that Daniel doesn’t know Izzy’s current taste in music (and didn’t care to find out) is an indication of how he’s out-of-touch with who Izzy currently is. By contrast, Solène knows Izzy very well because they are very close. Solène and Izzy are sometimes mistaken as sisters. Izzy is at a stage in her life when she wants to assert her independence from her parents.

At Coachella, Izzy and her pals go somewhere to see a performance, while Solène is by herself in a VIP lounge area. She asks someone where the nearest restroom is, and she’s pointed in the direction of some unmarked trailers. And here comes the “meet cute” moment. Solène accidentally goes in the trailer of Hayes Campbell (played by Galitzine), the British lead singer of August Moon.

Hayes is in the locked restroom when Solène knocks on the door, just as he is leaving the restroom. They both look startled to see each other there. Hayes doesn’t ask who Solène is and what she’s doing there. When Solène comes out of the restroom, she sees Hayes lounging right near the restroom door. She makes a snarky comment to Hayes that if he’s one of these ASMR people who likes to listen to people urinate, it’s a privacy violation. Hayes informs Solène that this is his private trailer.

And when he introduces himself as Hayes Campbell from August Moon, it’s Solène’s turn to be embarrassed. She tells him that she’s at the festival with her daughter Izzy, who used to be a fan of August Moon. Hayes seems a little embarrassed to hear this information but doesn’t take it as an insult. Solène explains that Solène’s ex-husband bought August Moon meet-and-greet passes for Solène, Izzy and Izzy’s two friends, so she will probably see Hayes later. By now, it’s obvious that Hayes is attracted to Solène, and she’s feeling the same way but trying to hide it.

The conversation between Solène and Hayes is cut short because he has to go on stage soon for August Moon’s performance. August Moon is portrayed in the movie as being very much like One Direction, but with much more generic songs than One Direction. Just like One Direction, the five members of August Moon didn’t know each other before auditioning to be in the group.

But unlike One Direction, the members of August Moon don’t all come from European countries. Hayes lives in London. Hayes’ closest friend in August Moon is Oliver (played by Raymond Cham Jr.), an outgoing American. Hayes describes the other August Moon members to Solène this way: Oliver has “swagger”; Rory (played by Dakota Adan) is the “Aussie rebel”; Adrian (played by Jaiden Anthony) has a heartthrob smile; and Simon (played by Viktor White) is a “brooding poet.”

Hayes might describe Rory as the group’s heartthrob, but the reality is that Hayes is the member of August Moon who gets the most “heartthrob” attention. (Hayes is August Moon’s version of Harry Styles from One Direction.) In other words, anyone who dates Hayes will get a massive amount of scrutiny from fans and the media. You know where all of this is going, of course. Luckily for Solène, Rory was always Izzy’s favorite member of August Moon.

Solène, Izzy, Zeke and Georgia are in the audience during August Moon’s Coachella performance. Izzy and her pals are mainly there for nostalgia reasons, not because they are huge fans of the group. Hayes changes the rehearsed set by singing “Closer to You” and adding a dedication before the song by saying, “I met someone today.” Solène is close enough to the stage for Hayes to make eye contact with her and to let her know that he’s dedicating the song to her. (Galitzine does his own singing in the movie and on the soundtrack album.)

Solène is aware that most of the fans in the audience would love to have this type of attention, but she feels a mixture of embarrassment and flattery. Later at the meet-and-greet event with August Moon, Hayes flirts with Solène some more. Solène doesn’t think of it as more than harmless flirting that will go nowhere.

Shortly after her 40th birthday party (where Solène met some incompatible bachelors), she gets a surprise when Hayes shows up at her art gallery and buys everything in it. Hayes flatters Solène and continues to flirt with her. His vocabulary is pretty limited—he tells Solène, “I think you’re smart and hot”—but she finds his attention pretty irresistible. She agrees to spend time with him but says she’s not looking to “date” him.

Hayes has some time in Los Angeles before August Moon begins a European tour. Hayes and Solène go on some platonic dates, but their attraction to each other grows after they open up to each other about their personal lives. Solène, who studied art history in college, tells Hayes that she and Daniel met when she moved from the East Coast to Los Angeles because she couldn’t afford to be an artist in New York.

Solène and Daniel got married after they became parents to Izzy. Solène is candid about how she has a hard time believing in love because she thought she had a solid marriage before Daniel left her for Eva, who was a junior attorney at his law firm at the time. Solène (who is no longer in love with Daniel) was the last person in their social circle to find out about Daniel’s infidelity. Solène and Daniel got divorced about three years ago.

As for Hayes (who is an only child), he mentions that his parents split up when he was young, he was raised by his mother, and his father was mostly absent from Hayes’ life. Hayes’ mother is now remarried (Hayes doesn’t say when she got remarried), but Hayes is not close to his stepfather, whom Hayes describes as traditional and boring. Hayes doesn’t go into details about how his mother’s current marriage has affected him.

Hayes’ biological father didn’t reconnect with Hayes until after Hayes became rich and famous. Hayes has mixed feelings about his father but is open to having his father back in his life, even if it’s a troubled relationship. One of the flaws in “The Idea of You” is that there is absolutely nothing that shows how Hayes is with his family, nor does Solène seem interested in meeting any of his family members.

Hayes essentially begs Solène to go on tour with him in Europe. The tour conveniently happens during the same time that Izzy will be away at summer camp. Solène is hesitant and comes up with all types of excuses not to go on tour with Hayes. One of them is that she’s too old for him. Another is that she can’t take time off from her job. Another is that she doesn’t know if she can handle his lifestyle of intrusion by media and fans, because she is accustomed to being a private person.

But you already know the decision that Solène makes. It’s the start of a hot and heavy affair between Hayes and Solène that’s kept a secret from everyone in Solène’s life except her best friend Tracy (played by Annie Mumolo), who approves of Solène having fun with a younger man. At first, Solène and Hayes tell his entourage that she’s on the tour as Hayes’ “art consultant,” but it isn’t long before Solène and Hayes show public displays of affection with each other on the tour’s private jet and in other places.

Hayes and Solène certainly have a physical attraction to each other. Their mutual emotional attraction is also obvious. But other things in the relationship indicate trouble ahead that have nothing to do with their age differences. For starters, Solène and Hayes both have very different lifestyles and incompatible social circles. In his free time, Hayes only seems to hang out with the other members of August Moon and their groupies. Solène’s friends are mature people in her age group.

Solène and Hayes also live in two different countries. In order for the relationship to last, compromises have to be made. And when someone who isn’t rich and famous is in a relationship with someone who is rich and famous, the wealthy celebrity is usually the one whose partner ends up making the most sacrifices and compromises.

Hathaway does a very good job in expressing the nuances and inner conflicts of someone who considers herself to be an independent feminist but who is caught up in a romance where she is perceived as someone who is very much not an equal to her love partner. As for Hayes, there are hints that he’s been a promiscuous “bad boy” in his recent past, but he’s ready to settle down in a monogamous relationship. However, is Solène “the one”?

“The Idea of You” has the expected sexy scenes (there’s no nudity) of Hayes and Solène in passionate trysts, as well as glamour shots of Hayes and Solène on romantic dates. And then there are the predictable scenes of Solène getting humiliated by people who want her to feel like she’s a predatory “cougar” who’s out of her league. Solène realistically vacillates between feeling shame and feeling defiance over the 16-year age difference between her and Hayes.

However, some things in “The Idea of You” are missing and prevent this movie from looking completely authentic. Hayes and Solène are supposed to be “in love,” and Hayes makes it clear he wants a long-term relationship with Solène. However, Solène and Hayes are never seen talking about they want or don’t want for their futures, in terms of marriage and parenthood. The parenthood issue is especially time-sensitive, since Solène is getting close to the age range when women begin menopause.

It’s also glaringly obvious that Hayes and Solène don’t have much to talk about outside of a few common interests in art or entertainment. The movie shows that because their relationship started off as a secret, it was built on lies of omission that required Solène to betray the trust of her loved ones. The consequences of these lies are shown in the movie. As the character of Solène, Hathaway skillfully expresses a balancing act between Solène’s vulnerabilities and Solène’s strengths. The character of Hayes is much less layered, but that’s probably because Hayes still has some growing up to do.

“The Idea of You” allows viewers to weigh the pros and cons of this couple who have the odds stacked against them in many ways. Solène likes the idea of being “swept off her feet” by a handsome and caring heartthrob, but she also wants the freedom to make her own life decisions without being overshadowed by celebrity trappings. Hayes might not be Mr. Right for Solène, but he’s Mr. Right Now—and sometimes that’s all that’s needed for people at certain times in their lives. “The Idea of You,” for all of its Hollywood movie moments, shows the reality that some love is unpredictable and might not last, but if it makes you a better person, it’s probably worth experiencing.

Prime Video will premiere “The Idea of You” on May 2, 2024.

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