Review: ‘All the Bright Places,’ starring Elle Fanning and Justice Smith

July 10, 2021

by Carla Hay

Elle Fanning and Justice Smith in “All the Bright Places” (Photo by Michele K. Short/Netflix)

“All the Bright Places”

Directed by Brett Haley

Culture Representation: Taking place in an unnamed Indiana city, the dramatic film “All the Bright Places” features a predominantly white cast of characters (with some African Americans and Asians) representing the middle-class.

Culture Clash: Two troubled teenagers—one who’s grieving over the accidental death of her older sister, and the other who’s dealing with mental health issues—try to avoid their emotional problems by finding comfort with each other. 

Culture Audience: “All the Bright Places” will appeal primarily to people who are interested in watching teen dramas that tackle heavy issues.

Elle Fanning and Justice Smith in “All the Bright Places” (Photo by Walter Thomson/Netflix)

If you’re not in the mood to watch a movie about people suffering from anxiety, depression and suicidal thoughts, then you might want to skip “All the Bright Places.” The movie might seem like it’s about a cutesy teen romance, but it’s not. It’s about very real and very dark issues of mental health and coping with grief. There are moments of levity, but the film’s main characters always have an underlying internal threat to being truly happy.

Directed by Brett Haley, “All the Bright Places” is based on Jennifer Niven’s 2015 “All the Bright Places” novel, which was inspired by real events that she experienced as a teenager. Niven and Liz Hannah co-wrote the “All the Bright Places” screenplay, which makes some changes from the novel but is compassionately enlivened by memorable performances by Elle Fanning and Justice Smith. Although “All the Bright Places” won’t be an easy film to watch for people who are triggered by the same issues that the movie’s teen characters are coping with, the movie’s intention is to help bring awareness to these issues so that people can get and give help in real life.

One of the biggest changes from the book is the movie’s opening scene. In the book, teenagers Violet Markey and Theodore Finch meet when they both end up on the ledge of their high school’s bell tower, as they both contemplate suicide. In the movie, Violet (played by Fanning) and Theodore (played Smith), who prefers to be called Finch, meet when Finch sees Violet standing on the wall of a bridge, as if she’s thinking about jumping at any moment.

Violet and Finch are both in their last year of the same high school in an unnamed city in Indiana. They know about each other, since they’re in the same graduating class and have classes together, but this is the first time they’ve actually met. Finch jumps on the bridge wall to join Violet and reaches out his hand to help bring her off of the wall. Violet seems a little embarrassed and downplays her apparent contemplation of suicide. Finch seems to understand, and they make some small talk before going their separate ways.

On the surface, Violet and Finch couldn’t be more different. Violet is a classic “good girl” who does well in school, is obedient and well-liked by her peers. Finch is a classic “bad boy” who’s disruptive at school, is rebellious and a social outcast. Slowly but surely, it’s revealed how Violet and Finch have more in common that it first appears. It’s why they eventually become close and fall in love.

Violet is overwhelmed with grief over the death of her beloved older sister Eleanor, who was killed in a car accident where Eleanor was hit by a drunk driver. Violet was in the car with Eleanor and feels survivor’s guilt. And the reason why Violet was thinking about jumping off of the bridge that day was because that day would have been Eleanor’s 19th birthday, and that bridge was the site of the car accident.

Violet’s depression has caused her to become withdrawn to the point where she’s lost interest in a lot of social activities that she used to do, and she spends most of her free time by herself. Violet’s parents Sheryl (played by Kelli O’Hara) and James (played by Luke Wilson) gently suggest to Violet that she get back into more social activities, but she ignores their suggestions. Her parents are going through their own grieving process, so they don’t pressue Violet into doing anything that she doesn’t want to do.

In an early scene in the movie, Violet’s close friend Amanda (played by Virginia Gardner) asks Violet if she wants to hang out with her, but Violet says no. There’s an arrogant pretty boy at school named Roamer (played by Felix Mallard), who has a romantic interest in Violet, but she brushes off his attempts to impress her. When she finally decides to go to a party, she mopes and feels very insulted when Roamer tries to tell her, without saying the words, that she needs to get over Eleanor’s death and go back to the way she used to be.

There are hints that because Violet isn’t as sociable as she used to be, her popularity in school has declined. For example, she eats lunch in the school cafeteria by herself. When she walks into a classroom and accidentally drops her books, most of the other students laugh. Violet’s body language and facial expression show that she feels humilated and doesn’t want to call attention to herself. As a show of solidarity, Finch overturns his desk as a distraction so that people can laugh at him. It’s later revealed in the movie that many of the school’s students call Finch a “freak” behind his back.

Why does he have this reputation? It’s because in the previous year, Finch had a violent outburst where he physically attacked a teacher. Due to this incident and a few other unnamed disruptions that Finch has caused, Finch is now on probation and is in danger of not graduating. When he meets with a concerned teacher named Embry (played by Keegan-Michael Key), Finch is sarcastic and dismissive when Embry tries to talk to Finch about Finch’s problems.

Although Finch is treated like a pariah by most of the school’s students, two fellow students are his close friends and have stuck by him through good times and bad times. Charlie (played by Lamar Johnson) has been Finch’s friend longer than anyone else. Charlie, who is easygoing and very loyal, knows that Finch can be unpredictable and can have extreme mood swings. Finch’s other close friend at school is Brenda (played by Sofia Hasmik), who’s smart with an acerbic wit. Finch, Charlie and Brenda have lunch together at school and spend some time together outside of school.

Finch’s home life is very fractured. His backstory is revealed in bits and pieces. Finch’s father, who left the family when Finch was very young, was mentally and physically abusive. Finch’s mother, who isn’t seen in the movie until toward the end, has a job that requires her to travel a lot. Finch is essentially being raised by his understanding older sister Kate (played by Alexandra Shipp), who works as a bartender.

Based on conversations that Finch has with people, he has an undiagnosed mental illness that sounds like bipolar disorder. It’s hinted that Finch’s father, who’s never seen in the movie, might have had the same mental illness, because Finch expresses a fear that he will turn out like his father. Finch’s teacher Embry encourages Finch to join a support group for people coping with various mental and emotional issues. The movie shows if Finch ends up taking this advice.

The walls and ceiling of Finch’s bedroom are covered with color-coordinated Post-It notes of random sayings and thoughts that he writes to himself. Some of the words on the Post-It notes are “Breathe Deeply” and “Because She Smiled at Me.” During the course of the movie, Finch mentions that he often has trouble keeping up with his racing thoughts. He also has a habit of randomly cutting off contact from people and sometimes disappearing for unpredictable periods of time.

Meanwhile, Finch seems infatuated with Violet, ever since their first conversation. He tries to talk to her at school, but she’s withdrawn and aloof, as she has been with almost everyone around her. On social media, he tags her with a video of himself playing acoustic guitar and singing a song that he wrote about her. She’s creeped out and asks him to remove the video immediately, and he grants her request.

But one day, Violet and Finch’s sociology teacher Hudson (played by Chris Grace) gives the class an assignment called the Wandering Project. The assignment, which must be done in duos, requires the students to write about two or more wonders in Indiana that they have seen in person while traveling. Finch immediately knows that he wants Violet to be his partner, but she declines his request because she doesn’t feel ready to do this type of social assignment.

Violet’s mother doesn’t think it’s a good idea to back out of the assignment, but she’s willing to write a note so that Violet can avoid doing the Wandering Project. However, Hudson the teacher won’t allow Violet to back out. And so, Violet reluctantly agrees to be Finch’s partner on the assignment. She has one major condition if they travel together: “No cars. I’m not getting into a car.” (She’ll eventually change her mind about that too.)

There’s many scenes in All the Bright Places” that have all the characteristics of a sappy teen romance. Violet and Finch read Virginia Woolf quotes and other literary quotes to each other over the phone. Finch gives Violet a quote from “The Waves” that reads, “I feel a thousand capacities in you, even if you don’t think so.” Finch adds, “You’ve got at least a thousand capacities in you, even if you don’t think so.”

Violet and Finch see an outdoor art wall with chalk writings that say “Before I Die, I Want to….” and people can fill in the blanks. Finch completes the sentence by writing, “Stay Awake,” Violet answers, “Be Brave.” As they get closer, they eventually open up to each other about their hopes, fears and traumas that haunt them. They find a secluded wooded area near a lake that becomes a special place for them.

“All the Bright Places” sows the tender blossoming of Violet and Finch’s romance. However, there are parts of the movie that might irritate some people who will think that Finch is yet another “angry young black man” stereotype that’s seen in many other movies about troubled young people. Finch could have been played by an actor of any race. This movie obviously wants to be “color blind.”

However, it’s an artistic choice that brings some flaws when race is never even mentioned at all in the movie. And that’s very unrealistic for interracial couples, especially a couple still in high school and not old enough to have their own homes. Amanda warns Violet to stay away from Finch because he has a reputation for being “dangerous.” But Violet ignores this warning

Violet’s protective and loving parents seem very unaware of Finch’s troubled past. The parents’ ignorance or unwillingness to find out more about the teenage guy who’s been spending time with their daughter could be explained by speculating that Sheryl and James are so relieved tha Violet has found a new friend who’s bringing Violet out of her grief-stricken shell, they don’t want to find out anything bad about Finch.

And, for a while, things do go well for Violet and Finch, as they become each other’s close confidants. But the cracks in the relationship begin when Finch pulls a disappearing act. Violet is not prepared for dealing with Finch’s unpredictability, and she takes it very personally when he doesn’t respond to her messages for days. Violet has an insightful conversation with Charlie about how Finch has always been this erratic, but somehow Violet thinks that her love and friendship will be strong enough to help Finch improve.

What this movie shows, in very layered ways, is that signs of mental illness can be right in front of a loved one to see, but people often ignore these signs, or they think that with enough love, they can “fix” the person with the mental illness. It’s a common trap for people who end up being co-dependent in unhealthy ways. What Violet doesn’t understand is that she’s also vulnerable and hasn’t healed from her own emotional trauma (her grief has obviously made her depressed), so she’s not fully equipped to deal with Finch’s mental illness. It’s no one’s fault. That’s just the way it is.

Fanning (who is one of the producers of “All the Bright Places”) is extremely talented at conveying emotions that look so authentic that they don’t look like acting. Smith is also convincing in his role, but the movie has a tendency to give more weight to Violet’s perspective than Finch’s perspective. The technical aspects of “All the Bright Places” work best in Rob Givens’ cinematography, which gorgeously captures the landscapes of a Midwestern autumn. (The movie takes place in Indiana but was actually filmed in Ohio.)

But this movie wouldn’t work as well without Fanning’s and Smith’s admirable performances. Is there some typical teen melodrama in the movie? Absolutely. But in other ways, “All the Bright Places” is not a typical teen movie. It will make people feel a range of emotions that might cause discomfort but also a renewed appreciation for the fragility of life.

Netflix premiered “All the Bright Places” on February 28, 2020.

Review: ‘A Rainy Day in New York,’ starring Timothée Chalamet, Elle Fanning, Selena Gomez, Jude Law, Diego Luna and Liev Schreiber

November 5, 2020

by Carla Hay

Timothée Chalamet and Selena Gomez in “A Rainy Day in New York” (Photo by Jessica Miglio/MPI Media Group)

“A Rainy Day in New York”

Directed by Woody Allen

Culture Representation: Taking place in New York City and in upstate New York, the romantic comedy “A Rainy Day in New York” features a predominantly white cast of characters (with a few Latinos) representing the upper-middle-class and wealthy.

Culture Clash: A college student and his schoolmate girlfriend spend the day in New York City and experience unexpected entanglements with other people.

Culture Audience: “A Rainy Day in New York” will appeal primarily to die-hard fans of writer/director Woody Allen and star Timothée Chalamet, because this movie is clearly not their best work.

Timothée Chalamet and Elle Fanning in “A Rainy Day in New York” (Photo by Jessica Miglio/MPI Media Group)

“A Rainy Day in New York” is writer/director Woody Allen’s very misguided attempt at making a teenage romantic comedy, but the results are as phony and pretentious as many of the characters in the film. Movie aficionados who are familiar with Allen’s work already know that he sticks to certain formulas and themes in his movies. His movies are usually about privileged people in a big city who are preoccupied with their spouses or lovers cheating on them. There’s usually at least one much-older man in the story who makes sexual advances toward a much-younger woman—or the older man at least makes it known that he’s sexually attracted to her. And there’s always jazz in the soundtrack because Allen is a big fan of jazz music.

And even though Allen’s movies usually take place in the racially diverse city of New York, he excludes African Americans and Asians from being in his films in any significant speaking roles. Occasionally, as he did in “A Rainy Day in New York” and in “Vicky Cristina Barcelona,” he might have a few Latinos in his films. The elitist and pseudo-intellectual worlds that Allen has in his movies are usually filled with people whining about personal problems that they create for themselves because they are addicted to self-sabotage.

You don’t have to see the poster for “A Rainy Day in New York” to know exactly who’s going to end up together by the end of the story. But until viewers get to that point, they have to sit through about 92 minutes of college-age people in their late teens and early 20s talking as if they’re about 10 years older, with very affected mannerisms. Unfortunately, much of the movie’s screenplay sounds exactly like what it is: dialogue written for young people by a senior citizen who doesn’t know how today’s young people really talk. Even though these young people are supposed to be privileged and well-educated, they still sound like an old person wrote their words for them.

All of the actors in “A Rainy Day in New York” are very talented, but they perform in this movie as if they’re all too self-aware that they’re in one of Allen’s films. And so, they all act is if they’re trying to conjure up the same neuroses and quirks of characters that were in classic Allen films, such as 1977’s “Annie Hall” and 1986’s “Hannah and Her Sisters,” which are considered two of Allen’s best movies.

“A Rainy Day in New York” follows the usual Allen formula of having the male lead character act like how a young Woody Allen would act, by being neurotic and showing some kind of intellectual snobbery. In this case, Timothée Chalamet plays the Allen surrogate with a character whose name is as pompous as his personality: Gatsby Welles.

Gatsby sees himself as quite the rebel because he dropped out of an unnamed prestigious university (presumably an Ivy League university) and is now enrolled in a small liberal-arts college in upstate New York called Yardley College. He likes to sneak off on a semi-regular basis to gamble with older men of dubious occupations. In reality, Gatsby isn’t that rebellious. He’s spoiled, a bit wimpy, and way too impressed with himself for someone who really hasn’t accomplished much and doesn’t know what he wants to do with his life.

Viewers can immediately see how self-absorbed Gatsby can be, but there’s no subtlety at all in this film. Allen over-amplifies Gatsby’s personality because he makes Gatsby have a constant stream of voiceover narration every time Gatsby is on screen. Other characters talk out loud to themselves when they wouldn’t need to do that if Allen trusted the actors enough to express emotions with their faces and body language.

In the opening scene, which takes place on the Yardley campus, Gatsby says in a voiceover: “This is Yardley, which is supposed to be a very good liberal college, which is supposed to be tony enough for my mother, which is total bullshit, because you get ticks [from] walking in the grass.” Gatsby further comments about his mother: “She says I have a high IQ and I’m not living up to my potential, even though last weekend I made 20 grand playing poker.”

Viewers will hear quite a bit about Gatsby’s domineering mother, because Gatsby can’t stop talking about her, even as he tries to avoid her. Gatsby’s parents (played by Cherry Jones and Jonathan Hogan) don’t have names in the movie, but viewers soon learn that Gatsby’s parents and his older brother Hunter (played by Will Rogers) live in New York City. Gatsby’s mother is a high-society influencer who’s presenting her big annual charity gala that Gatsby desperately does not want to attend.

There’s a scene in the last third of “A Rainy Day in New York” where Gatsby and his mother have a heart-to-heart talk, and it’s the best scene in the movie. Jones is fantastic in this role. Her performance is one of the few highlights of this meandering and often-dull film that recycles a lot of the same love-life problems and dilemmas that have been in other films by Allen.

Gatsby has a girlfriend named Ashleigh Enright (played by Elle Fanning), who also attends Yardley. On paper, Gatsby and Ashleigh both seem like a great match for each other. They both come from well-to-do families (Ashleigh’s father owns several banks in Arizona) that are politically conservative and white Anglo-Saxon Protestant. Gatsby and Ashleigh are both very intelligent and curious. However, Ashleigh tends to be very giggly, forthright and effervescent, which is in contrast to Gatsby’s more brooding, secretive and angst-filled personality. Ashleigh is a movie buff, while Gatsby is more of a literature enthusiast.

Gatsby and Ashleigh have been dating each other for a few months. He says in a voiceover that he’s in love with Ashleigh and she’s perfect for him. Gatsby also says that Ashleigh is the type of girlfriend his mother would approve of, which is why he plans to introduce Ashleigh to his mother for the first time at the big gala event.

It just so happens that Ashleigh, who’s a journalist for the Yardley student newspaper, has landed an interview with a famous New York City-based film director named Roland Pollard (played by Liev Schreiber), and she couldn’t be more ecstatic about it because she’s been a longtime fan of his. Ashleigh tells Gatsby that she’s going to New York City to interview Roland, so Gatsby decides the time is right to go to the city for a couple of days with Ashleigh and make a romantic trip out of it.

Gatsby takes charge of their trip. He tells Ashleigh that they’ll be staying at the Pierre Hotel, and he’s made plans for them to have dinner at Daniel, an exclusive, five-star French restaurant. It’s implied that Gatsby is so well-connected that he can easily get reservations at Daniel, which is a restaurant that’s known to take reservations weeks in advance. Gatsby also wants to possibly stay at the Carlyle Hotel, or at least have lunch there, during the trip. 

Ashleigh’s meeting with Roland isn’t really an interview as much as it is a talk session where she nervously gushes over him like a fangirl. Based on how Roland’s movies are described, he’s an “auteur” who prefers to direct creatively challenging films instead of crowd-pleasing blockbusters. Roland is flattered that this young reporter knows a lot of about his work, but he’s wracked with insecurities about his latest film. He also mentions to Ashleigh that his ex-wife’s name was Ashley and she also went to Yardley.

Because Ashleigh is so nervous around Roland, she starts babbling some “too much information” personal details to him. For example, she tells him that she starts to hiccup when she’s anxious. “When I’m sexually anxious, I’ll hiccup indefinitely,” she adds. And, of course, that’s a signal that this nervous tick will definitely happen later in the film.

Ashleigh is such a neophyte journalist that when Roland tells her that he’d like to give her a scoop, she naïvely asks, “A scoop of what?” When Roland explains that a “scoop” is a journalist term for exclusive information, she can’t believe her luck that he chose her. Roland says that the “scoop” he wants to give Ashleigh is that he’s not happy with the film he’s working on, and it might be the last film he directs because he’s thinking of quitting the movie business.

Ashleigh is shocked and tells Roland that he shouldn’t quit. Roland invites Ashleigh to go with him to a private screening room to watch a rough cut of the film and to tell him what she thinks of the movie. The only problem for Ashleigh is that the time it would take to watch the movie would conflict with the lunch date that she made with Gatsby.

The offer from Roland is too good to pass up, so Ashleigh apologetically cancels her lunch date with Gatsby and explains why. Gatsby is disappointed, but he understands why Ashleigh wants this opportunity to get a great interview with one of her idols. And so, Gatsby and Ashleigh make plans to meet up later.

Gatsby now has unexpectedly a few spare hours of time where he’s free to do what he wants. He wanders outside the hotel and happens to see a former classmate from high school: a gossipy jerk named Alvin Troller (played by Ben Warheit), who is an elitist snob yet he has no manners. Gatsby isn’t too enthusiastic about seeing Alvin, but they make some small talk where they give updates on what they’ve been doing with their lives and why Gatsby is visiting in the city. Alvin tactlessly insults Gatsby and some other mutual acquaintances who are mentioned in the conversation.

Alvin tells Gatsby that a mutual former classmate from high school is directing a student film outside on a nearby street and that Gatsby should check out what’s going on with this movie if he’s curious. Before they part ways, Alvin tells Gatsby that if he were Gatsby, he’d be nervous about having his girlfriend alone in a room with a powerful movie director. It plants a seed of doubt in Gatsby about what might happen during the interview with Ashleigh and Roland.

When Gatsby arrives on the film set, the former classmate, whose name is Josh (played by Griffin Newman), is happy to see him. Josh convinces a reluctant Gatsby to make a cameo in the movie. Gatsby doesn’t feel comfortable about being in the movie because he tells Josh that he’s not an actor, but Gatsby agrees to the role only because it won’t take long and he won’t have to say any lines. All Gatsby has to do in the scene is kiss a young woman in a car.

And who is this young woman? Her name is Chan (played by Selena Gomez), and she happens to be the younger sister of Gatsby’s ex-girlfriend named Amy, whom Gatsby briefly dated when he was 16. Chan, who is a student at the Fashion Institute of Technology, is dryly sarcastic and comes from the same well-to-do type of family that Gatsby has. Before Gatsby and Chan start filming their kissing scene, Gatsby and Chan exchange the kind of teasing banter that makes it obvious that they’re thinking, “I’m attracted to you but I’m not going to admit it.” And you know what that means for a romantic comedy like this one.

Gatsby and Chan’s kissing in the scene starts off being very awkward. But then, eventually Gatsby and Chan become more relaxed with each other before the director tells them that he has the footage that he wants. Gatsby and Chan go their separate ways. But what do you know, they happen to see each other again when it starts raining and they both end up hailing the same taxi for their second “meet cute” moment. Gatsby and Chan decide to share the taxi ride, and then they have more banter filled with sexual tension.

During their conversations, Gatsby tells Chan that he’s in New York City with his girlfriend Ashleigh because Ashleigh is interviewing Roland Pollard for the Yardley student newspaper. Gatsby somewhat brags about Ashleigh coming from a wealthy family, but Chan shows some East Coast snobbery when she hears that Ashleigh and her family are originally from Arizona. Chan then proceeds to mock Ashleigh, whom she hasn’t even met, with jokes that imply that Chan thinks Ashleigh is an unsophisticated hick, even if Ashleigh’s family is rich.

It should come as no surprise that for the rest of the day, Chan and Gatsby find themselves spending time together, while Ashleigh gets more caught up in hanging out with Roland and his associates. Various hijinks ensue as Gatsby and Ashleigh make plans to meet up multiple times, only to have those plans changed because of a variety of circumstances. It’s all very predictable and formulaic because people who’ve seen enough romantic comedies know exactly what’s going to happen at the end of this movie.

At the screening room to watch the rough cut of Roland’s latest movie, Ashleigh meets Ted Davidoff (played by Jude Law), the screenwriter of the movie. Roland gets so distraught by what he sees in the rough cut that he storms off. Ted and Ashleigh take off in Ted’s car to try and find Roland. During this hunt for Roland, Ted sees his wife Connie (played by Rebecca Hall), who appears to be on a date with Ted’s best friend Larry Lipshitz. Connie told Ted that she was going to be hanging out with one of her female friends, and now Connie has been caught in a lie.

And so, Ashleigh finds herself tagging along and observing some of this marital drama, as Ted tries to find out if Connie is cheating on him or not. And speaking of infidelity, Ashleigh gets caught up in a situation where she has to decide if she’s going to be faithful to Gatsby or not. During the search for Roland, Ashleigh goes to Kaufman Astoria Studios in Queens, where she meets and is immediately dazzled by a sex-symbol movie star named Francisco Vega (played by Diego Luna), who’s almost twice the age of Ashleigh.

Francisco, who is in Roland’s latest film, doesn’t waste time in asking Ashleigh out on a dinner date. Francisco says he’s recently broken up with his actress girlfriend Tiffany (played by Suki Waterhouse), and when he and Ashleigh go outside together, they’re surrounded by paparazzi and news cameras. You don’t have to be psychic to know who will eventually see this footage.

During the time that Gatsby and Ashleigh are apart, there’s a minor subplot of Gatsby visiting his older brother Hunter and Hunter’s fiancée Lily (played by Annaleigh Ashford) in their spacious home. The wedding invitations have already been sent out, but Hunter confides in Gatsby that he doesn’t want to marry Lily. Why? Because Hunter says he doesn’t like Lily’s laugh, which Hunter describes as “a cross between Dad’s sister Betty and Lenny from ‘Of Mice and Men.'” 

It’s yet one of numerous examples of how superficial, status-conscious and image-obsessed so many people are in this story. And it’s why this so-called romantic comedy isn’t very romantic when almost everyone in the story does not seem capable of loving anyone but themselves. Anyone who doesn’t meet their standard of wealth just isn’t worthy enough of their time.

Chalamet and Fanning do their best to bring some relatable humanity to their roles. But Gatsby is just too conceited and Ashleigh is just too fickle to go beyond the “spoiled rich kid” caricatures that writer/director Allen has constructed for them. Gomez doesn’t have much to do with the character of Chan, whose personality is just an empty shell that only exists to lobby semi-insults back and forth with Gatsby as they pretend they’re not attracted to each other. A good romantic comedy will have audiences rooting for the protagonists, but most of the characters in “A Rainy Day in New York” are so insufferable that audiences will wish these people would just shut up and go away.

MPI Media Group and Signature Entertainment released “A Rainy Day in New York” in select U.S. cinemas on October 9, 2020. The movie’s digital, Blu-ray and DVD release date is November 10, 2020. “A Rainy Day in New York” was released in several countries outside the U.S. in 2019.