Ernie Hudson Archives – CULTURE MIX

Review: ‘Ghostbusters: Frozen Empire,’ starring Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Ernie Hudson and Annie Potts

March 20, 2024

by Carla Hay

Carrie Coon, Finn Wolfhard, Paul Rudd, Annie Potts, Mckenna Grace, Logan Kim, Dan Aykroyd, James Acaster and Celeste O’Connor in “Ghostbusters: Frozen Empire” (Photo by Jaap Buitendijk/Columbia Pictures)

Directed by Gil Kenan

Culture Representation: Taking place in New York City, the comedy/horror film “Ghostbusters: Frozen Empire” features a predominantly white cast of characters (with some African Americans and Asians) representing the working-class and middle-class.

Culture Clash: The Ghostbusters (a ghost-fighting team) battle against an ancient demon with freezing powers, as the mayor of New York City wants to shut down the Ghostbusters for causing destruction and violating various laws.

Culture Audience: “Ghostbusters” will appeal primarily to people who are fans of the “Ghostbusters” franchise and the movie’s headlines, but the movie doesn’t have a good-enough story to justify its weak new characters and how the movie sidelines too many of the franchise’s likable familiar characters.

Dan Aykroyd and Kumail Nanjiani in “Ghostbusters: Frozen Empire” (Photo by Jaap Buitendijk/Columbia Pictures)

Unfocused and overstuffed, “Ghostbusters: Frozen Empire” is proof that fan-service nostalgia and too many underdeveloped characters cannot make up for a shoddy story. Bill Murray has the worst jokes in the movie. The fact that the Murray’s Peter Venkman character—who is supposed to be the funniest person in the “Ghostbusters” franchise—is stuck with uninspired, unfunny and embarrassing lines of dialogue in “Ghostbusters: Frozen Empire” tells you all you need to know about what a terrible, wasted opportunity this mess of a movie is.

“Ghostbusters: Frozen Empire” is the follow-up to 2021’s “Ghostbusters: Afterlife,” a somewhat flawed but still fun reboot of the “Ghostbusters” movie series. Both movies were co-written by Jason Reitman and Gil Kenan. Reitman directed “Ghostbusters: Afterlife.” Kenan directed “Ghostbusters: Frozen Empire.”

The “Ghostbusters” series began with 1984’s “Ghostbusters” (still the best movie in the series) and continued with 1989’s “Ghostbusters 2,” with both movies directed by Ivan Reitman (father of Jason Reitman) and written by Dan Aykroyd and Harold Ramis, two of the original “Ghostbusters” co-stars. There is also director Paul Feig’s divisive 2016 “Ghostbusters” reboot, led by an all-female Ghostbusters team, starring Kristen Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon.

The screenwriting is the weakest link in “Ghostbusters: Frozen Empire.” New characters are introduced but they are mostly hollow and have shallow personalities. The “sidekick” teenage characters who were introduced in “Ghostbusters: Afterlife”—Podcast (played by Logan Kim) and Lucky Domingo (played by Celeste O’Connor)—have their roles and screen time reduced in “Ghostbusters: Frozen Empire,” thereby robbing audiences of getting to know Podcast and Lucky better. And the franchise’s original characters from the first two “Ghostbusters” movies are given flat and unimaginative things to do in “Ghostbusters: Frozen Empire.”

“Ghostbusters: Frozen Empire” begins by showing that the core four Ghostbusters, who became a team in “Ghostbusters: Afterlife,” have relocated from Oklahoma, and are now living at the firehouse that is the Ghostbusters headquarters in New York City. The core four are seismologist and former science teacher Gary Grooberson (played by Paul Rudd); Callie Spengler (played by Carrie Coon), a divorcée who began dating Gary in “Ghostbusters: Afterlife”; Trevor Spengler (played by Finn Wolfhard), Callie’s impulsive 18-year-old son; and Phoebe Spengler (played by Mckenna Grace), Callie’s intelligent 15-year-old daughter.

Callie is the daughter of Egon Spengler (played by the late Ramis), who was a member of the original Ghostbusters team. Ramis died in 2014, at the age of 69, from complications from autoimmune inflammatory vasculitis. Phoebe is supposed to be a lot like a young, female version of Egon. She is a self-admitted “science nerd,” who is also a quick problem solver and the person most likely in the group to come up with invention ideas.

Podcast (whose real name is never revealed) and Lucky, who met Trevor and Phoebe when they all went to the same school together in Oklahoma, have also relocated from Oklahoma to New York City. “Ghostbusters: Frozen Empire” never explains why Lucky’s parents (who are never shown or talked about in the film) agreed to this move. Podcast is shown having a brief phone conversation with his parents, who think he is way at summer camp. Podcast and Lucky, who are supposed to still be under 18, are never shown in school in “Ghostbusters: Frozen Empire.” Podcast and Lucky are only in the movie to show up and give occasional help to the core four Ghostbusters.

An opening action scene “Ghostbusters: Frozen Empire” show Gary, Callie, Trevor and Phoebe chasing a sewer dragon ghost through the streets of New York City. This chase causes a lot of destruction and infuriates Walter Peck (played by William Atherton), the grouchy mayor of New York City. Mayor Peck despises the Ghostbusters and wants to shut down the entire Ghostbusters operation. In the meantime, he punishes them for violating child labor laws, because Phoebe is underage. Gary and Callie are forced to sideline Phoebe from Ghostbuster work. Phoebe is predictably unhappy about this decision, but she finds a way to rebel against her Ghostbusters ban anyway.

One night, Phoebe is playing chess by herself in Washington Square Park (why is she playing chess alone?), when she meets a ghost named Melody (played by Emily Alyn Lind), who died at the age of 16 in a tenement fire. Melody (whose ghostly body can light up in flames because of her fiery death) begins playing chess with Phoebe, who is never afraid of Melody and ends up becoming friendly with Melody. “Ghostbusters: Frozen Empire” drops major hints that Phoebe and Melody could have a romance—Phoebe, at least, is obviously romantically attracted to Melody—but the movie doesn’t go there, probably because Phoebe is only 15 years old. Phoebe’s sexuality could be addressed if this character continues in the “Ghostbusters” franchise as an adult.

Meanwhile, original Ghostbusters member Ray Stantz (played by Aykroyd) now owns a store called Ray’s Occult Books. On the side, Ray hosts a YouTube show produced by Podcast. One day, a man named Nadeem Razmaadi (played by Kumail Nanjiani) comes into to store to sell some family artifacts that used to be owned by his recently deceased grandmother. One of these artifacts is a dark gold brass orb, about the size of a grapefruit or bocce ball.

The movie has a long-winded way of revealing the obvious: The orb has trapped an evil demon named Garraka, which has the power to freeze things and people. Garraka wants to raise an army of the undead, according to librarian Hubert Wartzki (played by Patton Oswalt, in a quick cameo), who works at the New York City Library’s main branch. The branch’s famous lion statues Patience and Fortitude come to life n an action sequence that’s already revealed in the movie’s trailers. The way that Garraka looks is also revealed in the move’s trailers.

Winston Zeddemore (played by Ernie Hudson) is now a philanthropist who has opened the Paranormal Research Center. A somewhat snooty British parabiologist named Lars Pinfield (played by James Acaster) works for the Paranormal Research Center and is a completely useless and annyoing character. Original “Ghostbusters” character Janine Melnitz (played by Annie Potts) gets to wear a Ghostbusters team outfit but she isn’t gven much to do in her unnecessary cameo.

Grace and Nanjiani (who has talent to give charisma to even the most moronic lines of dialogue) give the best performances in this muddled movie. As for Murray, his Howard character is reduced to testing Nadeem to see if Nadeem is really human when Nadeem is suspected of possibly being a demon. He asks Nadeem a series of stupid questions, such as if he likes puppies or not. The movie makes half-hearted attempts at family sentimentality in showing how never-married bachelor Gary adjusts to being a father figure who is technically not a stepfather because he’s not married to Callie.

The adorable and mischievous Stay Puft marshmallows are barely in the in the movie. A mid-credits scene with the marshmallows is meant to be comedic but is very bland. The vibrant enthusiasm and engaging dialogue of “Ghostbusters: Afterlife” are missing in “Ghostbusters: Frozen Empire,” with many of the cast members giving “going through the motions” performances. “Ghostbusters: Frozen Empire” (which has mediocre visual effects) is a jumble of not-very-funny scenes that reach a very formulaic conclusion that you don’t need to be a ghostbusting psychic to easily predict.

Columbia Pictures will release “Ghostbusters: Frozen Empire” in U.S. cinemas on March 22, 2024.

Review: ‘The Retirement Plan’ (2023), starring Nicolas Cage, Ashley Greene, Ron Perlman, Jackie Earle Haley, Grace Byers, Ernie Hudson and Lynn Whitfield

September 19, 2023

by Carla Hay

Nicolas Cage in “The Retirement Plan” (Photo courtesy of Falling Forward Films)

“The Retirement Plan” (2023)

Directed by Tim Brown

Culture Representation: Taking place primarily in the Cayman Islands, the comedy action film “The Retirement Plan” has a white and African American cast of characters representing the working-class, and middle-class and wealthy.

Culture Clash: A seemingly mild-mannered retiree is really a former assassin for the U.S. government, and he has to rescue his granddaughter when she is kidnapped as part of an elaborate theft of a classified flash drive.

Culture Audience: “The Retirement Plan” will appeal primarily to people who are fans of star Nicolas Cage and Cage’s action movies that follow a familiar but tired formula.

Ronnie Hughes, Ashley Greene and Ron Perlman in “The Retirement Plan” (Photo courtesy of Falling Forward Films)

“The Retirement Plan” isn’t nearly as funny as it’s hyped up to be. Nicolas Cage portrays a world-weary ex-government assassin caught up in a hunt for a flash drive. He looks bored for at least half of this predictable action flick. Viewers will be bored too.

Written and directed by Tim Brown, “The Retirement Plan” certainly has a well-known cast that might attract viewers to this comedic action movie. However, the increasingly convoluted plot starts to wear thin, while the so-called jokes are very stale. If you think it’s hilarious to see Cage (or hs stunt double) running around in a bad wig in predictable chase and fight scenes, then “The Retirement Plan” might be your kind of movie.

“The Retirement Plan” has a story where several people are trying to get possession of the flash drive that has “powerful secrets” that can make people rich. The beginning of the movie shows three people stealing this flash drive and then getting shot at while making their getaway in a car. The three people are Ashley (played by Ashley Greene); her husband Jimmy (played by Jordan Johnson-Hinds); and Jimmy’s friend Mitch (played by Jerry Zavadlaw), who gets shot and dies as a result.

With Mitch dead, Ashley and Jimmy are now concerned for the safety of their daughter Sarah (played by Thalia Campbell), who’s about 11 or 12 years old. Jimmy tells Ashley to take Sarah to the Cayman Islands, where Ashley’s estranged, widower father Matt (played by Cage) is living as a retiree. “The Retirement Plan” was filmed on location in the Cayman Island. Jimmy is certain that no one will be looking for Ashley and Sarah in the Cayman Islands.

But there would be no “Retirement Plan” movie if Jimmy was right about Ashley and Sarah being safe in the Cayman Islands. A crime thug named Donnie (played by Jackie EarleHaley) is looking for the flash drive sends two of his goons—Bobo (played by Ron Perlman) and General (played by Ronnie Hughes)—to the Cayman Islands. Matt is about to get his life turned upside down.

Donnie has to answer to a crime boss named Hector Garcia (played by Grace Byers), who owns the flash drive and tells Donnie that Donnie has 24 hours to find the flash drive. And there are federal agents named Fitzsimmons (played by Joel David Moore) and Drisdale (played by Lynn Whitfield) who are also looking for the flash drive. Matt eventually finds out about the flash drive too. A running “joke” in the movie is that Matt is so behind-the-times, he keeps calling the flash drive a “disk.”

Ashley gets detained by Bobo and General on the way to the Cayman Islands, but Ashley anticipated this might happen and arranged for Sarah to take a separate plane trip by herself from Miami to the Cayman Islands. Sarah meets her grandfather Matt for the first time and has a lot of questions that he doesn’t really want to answer.

One thing that Sarah and Ashley eventually find out is that Matt is a former government assassin, who still has his combat skills. Predictably, Sarah gets kidnapped during this mess. Matt comes to the rescue and gets help from a pal named Joseph (played by Ernie Hudson), who also has combat skills. Many chase scenes and fight scenes ensue. The movie’s action scenes have slapstick tone that doesn’t work very well when the jokes in the movie fall flat. The acting performances in the movie are mostly unimpressive.

Most audiences already know that Cage has made a lot of bad movies in his career. “The Retirement Plan” isn’t the worst of Cage’s movies, because there are some moments in “The Retirement Plan” that can be considered entertaining to some viewers. However, these moments don’t add up to a completely enjoyable film. Instead on laughing at a lot of the intended comedy, many viewers will probably be cringing.

Falling Forward Films released “The Retirement Plan” in U.S. cinemas on September 15, 2023.

Review: ‘Prisoner’s Daughter,’ starring Kate Beckinsale, Brian Cox, Christopher Convery, Jon Huertas, Ernie Hudson and Tyson Ritter

July 21, 2023

by Carla Hay

“Prisoner’s Daughter”

Directed by Catherine Hardwicke

Culture Representation: Taking place primarily in Las Vegas, the dramatic film “Prisoner’s Daughter” features a predominantly white cast of characters (with a few African Americans, Asians and Latinos) representing the working-class and middle-class.

Culture Clash: An elderly man, who’s been in prison for violent crimes, is released early after he is diagnosed with cancer, and he goes to live with his estranged daughter and her son, while she has problems with her ex-husband, who’s a drug addict.

Culture Audience: “Prisoner’s Daughter” will appeal primarily to people who don’t mind watching formulaic dramas about estranged family members reuniting.

Kate Beckinsale and Tyson Ritter in “Prisoner’s Daughter” (Photo courtesy of Vertical)

“Prisoner’s Daughter” holds viewers hostage with its relentlessly maudlin and predictable story. Brian Cox and Kate Beckinsale go through some very drab motions in this trite drama about a terminally ill criminal living with his estranged daughter. The movie is supposed to be emotionally intense, but the tone often veers into hokey melodrama, with much of it not believable at all. The movie’s dialogue is pedestrian at best. “Prisoner’s Daughter” had its world premiere at the 2022 Toronto International Film Festival.

Directed by Catherine Hardwicke and written by Mark Bacci, “Prisoner’s Daughter” (which takes place in Las Vegas) becomes more about the “prisoner” and less about the “daughter” as the movie lumbers along until its very sappy conclusion. Cox is the “prisoner”: a gruff cynic named Max “Buddy” MacLeary, who has been in and out of prison for violent crimes for most of his adult life. Max’s most recent stint in prison has been his longest: 12 years.

The story’s “daughter” is Max’s daughter Maxine, nicknamed Maxi (played by Beckinsale), who is an embittered, divorced mother who has cut off contact with Max for years because he’s been an irresponsible, mostly absentee father for most of her life. Maxine’s mother is deceased. Maxine, who works as a food server at a casual restaurant, is financially struggling and living in a modest house with her son Ezra (played by Christopher Convery), who’s about 13 or 14 years old. Maxine’s ex-husband/Ezra’s father is a drug-addicted musician named Tyler (played by Tyson Ritter), who’s a drummer in a rock band that’s going nowhere.

Near the beginning of the movie, it’s shown that Max has been diagnosed with cancer, so he is granted an early release from prison, but he’s still supposed to be under house arrest. In other words, the prison system didn’t want to pay for his cancer treatment, so prison officials let him go, but still want to have some control over him. Max is required to wear an ankle bracelet to keep track of his whereabouts. Jon Huertas has a small supporting role as the prison’s warden, whose name is Joseph.

Now that Max knows that he has a terminal illness, he wants to make amends with Maxine. As soon as Max is released, he pays an unannounced visit to Maxine, who is very unhappy to see him. Max expresses remorse for not being a good father. Max tells Maxine that he’s in the final stage of cancer, and he asks to live with her and Ezra. Maxine dislikes the idea, but agrees only if Max pays her rent.

Max, who used to be a semi-pro boxer in his youth, gets the money by going to his old boxing friend Hank (played by Ernie Hudson) and asking Hank to repay the money that Max lent to Hank years ago, so that Hank could open his own boxing gym. The gym is still operating. Hank is the chief trainer at the gym.

Maxine has been having conflicts with Tyler, who wants to spend more time with Ezra, but she thinks Tyler is too dangerous and too flaky to get more visitation rights. Expect to see several scenes of Tyler being aggressive and unstable while he’s high on whatever drugs he’s been taking. One of the few things that Maxine and Max agree on is that they both despise Tyler.

Meanwhile, Ezra happens to be living with epilepsy. He is a bright and sensitive child who is bullied at school. What’s an ex-boxer with a violent criminal record to do when his best friend trains boxers and his grandson is being bullied? You know where this is going, of course. Max is vague with Ezra about all the crimes that Max committed, but Max does admit to Ezra that he used to make money by beating up people for mobsters. Max also doesn’t deny it when Ezra asks if Max ever killed anyone.

The rest of “Prisoner’s Daughter” is a back-and-forth slog showing arguments of Max versus Maxine; Max versus Tyler; Maxine versus Tyler; and Tyler versus Max and Maxine. Ezra is often caught in the middle, while the adults often forget that Ezra’s needs, not their egos, should come first, although Maxine does make the best efforts out of the three adults to be a good parent. And you just know that big epileptic scene is coming, long before it happens.

Cox is doing yet another “tough old man” role. Beckinsale, no matter how hard she tries, is just not entirely convincing as a down-on-her-luck, working-class mother. Her scenes with Cox look too much like forced acting instead of being naturalistic. In real life, Ritter is the lead singer of the rock band The All-American Rejects, so he didn’t have to do much acting in portraying a musician. All of the cast members are, in one way or another, depicting not-very-interesting stereotypes with their “Prisoner’s Daughter” characters. It doesn’t help that the cast members have to say a lot of idiotic lines from the low-quality screenplay.

“Prisoner’s Daughter” is not the worst movie you could ever see. It’s just so lazy and unimaginative in its dialogue and story. The direction of “Prisoner’s Daughter” also lacks creativity and makes “Prisoner’s Daughter” look like one of those movies that gets dumped on a streaming service or third-tier cable network and is quickly forgotten. There are absolutely no surprises in “Prisoner’s Daughter,” which lays the melodrama on thick toward the end, but didn’t bother to make everything look authentic.

Vertical released “Prisoner’s Daughter” in select U.S. cinemas on June 30, 2023. The movie was released on digital and VOD on July 18, 2023.

Review: ‘Champions’ (2023), starring Woody Harrelson

March 7, 2023

by Carla Hay

Kevin Iannucci, Kaitlin Olson, James Day Keith, Madison Tevlin, Cheech Marin and Woody Harrelson in “Champions” (Photo by Shauna Townley/Focus Features)

“Champions” (2023)

Directed by Bobby Farrelly

Culture Representation: Taking place in the Iowa city of Des Moines and in Winnipeg, Canada, the comedy film “Champions” (a remake of the 2018 Spanish film “Campeones”) features a predominantly white cast of characters (with a few African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: A problematic basketball coach, who was recently fired from a minor league team, takes on coaching duties for a group of young adults who aspire to compete in the Special Olympics.

Culture Audience: “Champions” will appeal primarily to people who are fans of star Woody Harrelson, director Bobby Farrelly and formulaic comedies that aren’t very funny.

Alex Hintz, Casey Metcalfe, Matthew von der Ahe, Ashton Gunning, Tom Sinclair, Joshua Felder, James Day Keith, Madison Tevlin, Kevin Iannucci and Bradley Edens in “Champions” (Photo courtesy of Focus Features)

The intentions might have been good, but “Champions” is mostly cringeworthy comedy about a grouchy coach and his basketball players, who aspire to compete in the Special Olympics. This misguided movie is an awkward mixture of sappiness, crudeness, bad jokes, and negative stereotypes. To put it bluntly: “Champions” is not a movie that can be considered a worthy showcase for people with various disabilities. Most of the movie is just downright embarrassing for everyone involved.

Directed by Bobby Farrelly and written by Mark Rizzo, “Champions” is yet another “underdog team” sports movie, where the coach (usually middle-aged, usually cynical) is hoping for a personal and professional comeback/redemption by coaching a group of misfits (usually young, usually unruly) who are on a losing streak. “Champions” is a remake of the 2018 Spanish film “Campeones,” and it’s another example of a Hollywood remake that is inferior to the original movie. A remake is supposed to be a chance to improve on the original movie. In that regard, “Champions” is an utter failure.

In “Champions” (which takes place mostly in Des Moines, Iowa), the jaded coach is Marcus Markovich (played by Woody Harrelson), who gets fired from his job as an assistant basketball coach for a minor league team called the Iowa Stallions. Marcus was ousted from the team for instigating a physical altercation during a game with head coach Phil Perretti (played by Ernie Hudson), because Marcus disagreed with a game strategy that Phil wanted. Marcus was also recently arrested for crashing his car into a police car while Marcus was drunk.

In other words, Marcus (who wants to eventually become a National Basketball Association coach) has a bad temper, and he’s a screw-up. In court for the drunken car crash, Judge Mary Menendez (played by Alex Castillo) sentences Marcus to 90 days of community service. As part of his community service, he’s ordered to work at a non-profit community recreation center, which just so happens to have a group of young adults with “intellectual disabilities” who need a coach for their basketball team. In front of the judge—and to the embarrassment of Marcus’ attorney Charlie McGurk (played by Mike Smith)—Marcus calls these disabled people the “r” word.

And so begins the predictable journey of Marcus trying to train this team into going from a losing streak to achieving the goal of competing in the upcoming Special Olympics, which will take place in the Canadian city of Winnipeg. (“Champions” was actually filmed in Winnipeg.) Marcus gets some coaching help from an acquaintance named Sonny (played by Matt Cook), who has NBA connections. This basketball program is overseen by recreation center manager Julio (played by Cheech Marin), who is as reliable and even-tempered as Marcus is unpredictable and a loose cannon. Julio tells Marcus, “They don’t have to be champs. You just have to make them feel like a team.”

The team that Marcus coaches is called the Friends. The team member who gets the most screen time and personal backstory is Johnathan (played by Kevin Iannucci), nicknamed Johnny, who is living with Down syndrome. In the beginning of the movie, Johnny is afraid of taking baths or showers. Guess who’s going to help Johnny overcome this fear? The movie’s jokes and gags about Johnny’s body odor get tiresome very quickly. Johnny works at an animal shelter, so the movie can have some contrived cutesy moments with pet animals.

Also on the team is Benny (played by James Day Keith), who lives on his own and works in a restaurant that’s owned by a jerk named Frank O’Connolly (played by Sean Cullen), who is corrupt and a bigot. Another member of the Friends is Marlon (played by Casey Metcalfe), who is color blind and appears to be an idiot savant, because he rattles off encylopedic trivia and facts about various things. Cody (played by Ashton Gunning), who has multicolored hair, works at a dye factory, is a part-time musician as a guitarist in a rock band, and has to let everyone know repeatedly that he has an active sex life that includes threesomes.

Darius (played by Joshua Felder) doesn’t want to be a part of the team at first, but he eventually changes his mind. Cosentino (played by Madison Tevlin) is the team’s token female. Showtime (played by Bradley Edens) is the team’s tallest member. Craig (played by Matthew von der Ahe) is a welder in a vocational school. The other members of the team are Arthur (played by Alex Hintz) and Blair (played by Tom Sinclair), who are mostly overshadowed by the louder and more extroverted members of the team.

And it wouldn’t be a formulaic movie about a hardened sports coach who finds his soft and sensitive side without the coach having a love interest. In this case, her name is Alex (played by Kaitlin Olson), who is in the movie’s first scene, which shows Alex and Marcus the morning after they had a drunken hookup. Alex (who is sarcastic and sassy) starts off thinking that Marcus is just a meaningless one-night stand. But, of course, their relationship turns out to be something more, especially after it’s revealed how Alex has a personal connection to someone on the Friends team.

“Champions” has some entertaining basketball scenes and good comedic timing from the more experienced cast members. But the movie is a huge letdown in the way that the team members are often written as buffoonish stereotypes. And almost all of the movie’s jokes (for people with or without disabilities) are irredeemably awful. For “Champions,” the real losers are viewers who lost any time or money by watching this messy and very unfunny film.

Focus Features will release “Champions” in U.S. cinemas on March 10, 2023.