Esai Morales Archives – CULTURE MIX

Review: ‘Mission: Impossible – The Final Reckoning,’ starring Tom Cruise

May 14, 2025

by Carla Hay

“Mission: Impossible – The Final Reckoning”

Directed by Christopher McQuarrie

Some language in French with subtitles

Culture Representation: Taking place in various parts of the world, the action film “Mission: Impossible – The Final Reckoning” (the eighth movie in the “Mission: Impossible” movie series) features a predominantly white cast of characters (with some black people, Asians, Latin people and Native Americans) representing the working-class, middle-class and wealthy.

Culture Clash: American rogue superspy Ethan Hunt and his international allies race against time to stop a massive artificial intelligence force called the Entity from destroying the world.

Culture Audience: “Mission: Impossible – The Final Reckoning” will appeal primarily to people who are fans of the movie’s headliners, the “Mission: Impossible” franchise and action movies that are over-the-top spectacles.

Nick Offerman, Angela Bassett, Mark Gatiss and Janet McTeer in “Mission: Impossible – The Final Reckoning” (Photo courtesy of Paramount Pictures)

“Mission: Impossible – The Final Reckoning” is overstuffed, goes on for too long, and comes dangerously close to the ridiculousness of the “Fast & Furious” franchise. However, the engaging characters and superior stunts outweigh the movie’s flaws. It’s by no means the best “Mission: Impossible” movie in the series, but it’s certainly the one that expects viewers to think the hardest about a convoluted plot that doesn’t deserve overthinking.

Directed by Christopher McQuarrie, “Mission: Impossible – The Final Reckoning” (the eighth movie in the “Mission: Impossible” series was written by Erik Jendresen and McQuarrie. “Mission: Impossible – The Final Reckoning” had its world premiere in Tokyo and its European premiere at the 2025 Cannes Film Festival. McQuarrie also directed and co-wrote 2015’s “Mission: Impossible – Rogue Nation,” 2018’s “Mission: Impossible – Fallout” and 2023’s “Mission: Impossible – Dead Reckoning Part One,” whose title was later shortened to “Mission: Impossible – Dead Reckoning” after the movie underperformed at the box office. The “Mission: Impossible” movie series is inspired by the TV series “Mission: Impossible,” which was on the air from 1966 to 1973.

“Mission: Impossible – The Final Reckoning” is essentially “Mission: Impossible – Dead Reckoning Part Two,” but you don’t need to see “Mission: Impossible – Dead Reckoning Part One” to understand “Mission: Impossible – The Final Reckoning.” That’s because “Mission: Impossible – The Final Reckoning” is filled with exposition dumps of characters explaining what happened in previous “Mission: Impossible – Dead Reckoning Part One” and other previous “Mission: Impossible” movies, as well as over-explaining what they’re about to do in “Mission: Impossible – The Final Reckoning.”

One of the most unintentionally laughable things about “Mission: Impossible – The Final Reckoning” is how the characters take turns in their exposition-dump dialogues by each saying things with perfect timing, as if they know each other’s lines and never talk over each other or interrupt each other during these overly choreographed conversations. It never looks like real conversations, especially in the high-pressure situations that these characters experience. There are also several flashback montages for nostalgia’s sake and to inform viewers who might not have seen or who might have forgotten some key moments in previous “Mission: Impossible” movies.

At the end of “Mission: Impossible – Dead Reckoning Part One,” American rogue superspy Ethan Hunt (played by Tom Cruise)—an operative of the secret agency Impossible Missions Force (IMF)—escaped from with one of two keys that have the power to destroy a massive artificial intelligence villain called the Entity, which is intent on taking over the world. The Entity is not physically embodied in any one being because the Entity is a virtual enemy that can spread wherever and whenever it chooses. However, the biggest human enemy in the “Mission: Impossible – Dead Reckoning Part One” and “Mission: Impossible – The Final Reckoning” is Gabriel (played by Esai Morales), an assassin liaison for the Entity.

“Mission: Impossible – The Final Reckoning” begins with an outer-space galaxy image and a male voice intoning the “Mission: Impossible” movie motto that gets repeated multiple times throughout this film: “We live and die in the shadows of those we hold close and those we never meet.” The voice adds, “The world is changing. War is coming.”

The praise gets a little corny and starts to deify Ethan as a female voice thanks Ethan for hs service, as several scenes from previous “Mission: Impossible” movies are shown like a greatest-hits playlist. The voice adds: “Every personal sacrifice you made has brought us another sunrise,” she says. “And although you never followed orders, you never let us down.

It’s also explained in the beginning of the movie that every corner of cyberspace has been corrupted by the Entity, which has inspired a doomsday cult. These fanatics have infiltrated every level of law enforcement, government bureaucracy and the military. “Mission: Impossible – The Final Reckoning” doesn’t do a lot with this “worldwide cult” plot development, because most of the movie shows Ethan mostly hanging out or fighting against a small group of people, most of whom are familiar characters.

Ethan is under orders to surrender to the U.S. government and hand over the Entity key that Ethan has in his possession. Ethan as other plans. His first order of business in “Mission: Impossible – The Final Reckoning” is to a prison break of former Gabriel cohort Paris (played by Pom Klementieff), a French assassin who is currently in prison in Austria because of the events that happened in “Mission: Impossible – Dead Reckoning Part One.”

This review won’t go into too many more details about what happens, but it’s enough to say that “Mission: Impossible – The Final Reckoning” has a lot of dazzling action scenes but the story doesn’t do much that’s surprising. Ethan is joined by Ethan is joined by his two most loyal sidekicks: IMF computer technician Luther Stickell (played by Ving Rhames) and IMF technology field agent Benji (played by Simon Pegg), who have opposite personalities. Luther is laid-back and cool. Benji is high-strung and nervous.

Also along for the ride are Paris and two other of Ethan’s enemies-turned-allies who first appeared in “Mission: Impossible – Dead Reckoning Part One”: arms dealer Alanna Mitsopolis (played by Vanessa Kirby); former U.S. intelligence agent Degas (played by Greg Tarzan Davis); and masterful thief Grace (played by Hayley Atwell), who has a mutual growing attraction to Ethan. Alanna is the daughter of illegal arms dealer Max Mitsopolis (played by Vanessa Redgrave), who died in 1996’s “Mission: Impossible,” the first film in the “Mission: Impossible” movie series. “Mission: Impossible – The Final Reckoning” reveals that another character in the movie has a parent who died in the first “Mission: Impossible'” movie.

Erika Sloane (played by Angela Bassett), who was the director of the CIA in “Mission: Impossible – Fallout,” is now the president of the United States in “Mission: Impossible – The Final Reckoning.” Field agent Jasper Briggs (played by Shea Whigham) also returns and continues to hunt Ethan. He has a much smaller role than he did in “Mission: Impossible – Dead Reckoning Part One.”

Other government officials who are featured in the movie are U.S. Army General Sidney (played by Nick Offerman), who is chairman of the Joint Chiefs of Staff; U.S. Secretary of Defense Serling (played Holt McCallany); Walters (played by Janet McTeer); CIA director Eugene Kittridge (played by Henry Czerny); U.S. Navy Admiral Neely (played by Hannah Waddingham); U.S. Navy Captain Bledsoe (played by Tramell Tillman); and National Security Agency chief Angstrom (played by Mark Gatiss). They mostly just stand around and worry about decisions they have to make because of Ethan’s actions.

“Mission: Impossible – The Final Reckoning” has a lot of expected globetrotting, mostly in Europe, North America and Africa. (The movie was actually filmed in South Africa and England.) The trekking includes a stop in Alaska, where CIA analyst William Donloe (played by Rolf Saxon) and his wife Tapeesa (played by Lucy Tulugarjuk) play crucial roles in the story. William was previously seen in the first “Mission: Impossible” movie. It’s explained in Mission: Impossible – The Final Reckoning” what William been doing since then.

The expected fist fights, explosions and gun shootouts occur, but the two most impressive action sequences involve (1) a deep-sea dive to go inside a shipwrecked submarine and (2) a battle to reach Gabriel flying in a single-passenger plane. (These action sequences are glimpsed in the movie’s trailers.) The deep-sea sequence is marred only by unrealistic-looking actions where Ethan does certain things without an oxygen tank or pressure suit, which would definitely kill someone in real life in a deep-sea environment.

Cruise famously does many of his own stunts. But the visual effects in these fake-looking scenes don’t look convincing because they make Ethan look superhuman, which defeats the “Mission: Impossible” purpose of showing Ethan as a flawed human being. The filmmakers should’ve left it so Ethan could be a superhero without superpowers that go beyond human capacities.

And in case it wasn’t clear enough, even though it’s repeated enough times in the movie: It’s up to Ethan to save the world. And if he doesn’t save the world, as someone in the movie quips, it’s all Ethan’s fault. The elevating of Ethan to almost messianic levels becomes a running joke in the movie. The concept of Ethan being a superhero is obvious and doesn’t even need to be said out loud. However, it’s good to see that the movie is in on the joke and doesn’t take itself too seriously.

Cruise and the rest of the cast members are serviceable in their roles. But there’s sort of a cold disconnect in how most of the characters don’t mention the human stakes of saving their loved ones in this possible apocalypse. The only hints that any of these characters have lives outside of their work are brief glimpses of Erika showing affection and concern for her unnamed adult son (played by Kwabena Ansan), who’s in the U.S. military. William and Tapeesa are the only couple shown in the movie.

One of the drawbacks of making the chief villain an abstract virtual enigma instead of something tangible: It removes the possibility of having a villain with a unique personality. Human villain Gabriel is not in the movie for very long, considering the 169-minute runtime. Although there’s nothing wrong with Morales’ performance, Gabriel is an underdeveloped character and comes across as an inferior imitation of a villain in a James Bond movie.

Does anyone with knowledge of the movie business really believe that “Mission: Impossible – The Final Reckoning” is the last “Mission: Impossible” movie? No. “Mission: Impossible – The Final Reckoning” is not a great movie, but it’s good enough in delivering what fans expect. And what people can expect is for this franchise to continue in one way or another.

Paramount Pictures will release “Mission: Impossible – The Final Reckoning” in U.S. cinemas on May 23, 2025.

Review: ‘Crescent City’ (2024), starring Terrence Howard, Esai Morales, Nicky Whelan and Alec Baldwin

August 24, 2024

by Carla Hay

Terrence Howard, Esai Morales and Nicky Whelan in “Crescent City” (Photo courtesy of Lionsgate)

“Crescent City” (2024)

Directed by RJ Collins

Culture Representation: Taking place in Little Rock, Arkansas, the dramatic film “Crescent City” features a predominantly white group of people (with some African Americans and Latinos and Asians) representing the working-class and middle-class.

Culture Clash: Two macho cops reluctantly work with a new female partner in their hunt to find a serial killer who beheads the murder victims.

Culture Audience: “Crescent City” will appeal mainly to people who are fans of the movie’s headliners and enjoy watching low-quality murder mysteries.

Alec Baldwin in “Crescent City” (Photo courtesy of Lionsgate)

Trashy and idiotic, “Crescent City” is an embarrassment to crime dramas. This awful and stupid movie is filled with substandard performances in a poorly written story about police on the hunt for a serial killer. A plot twist at the end is laughably bad.

Directed by RJ Collins and written by Rich Ronat, “Crescent City” is an example of lazy filmmaking combined with cast members who mostly look like they don’t really want to be there but they need the money. The entire story is creatively bankrupt and just plods along with gruesome discoveries of beheaded corpses in between the movie’s tawdry scenes where people spew unrealistic and flat-sounding dialogue.

“Crescent City” takes place in the capital city of Little Rock, Arkansas, which had a population of about 202,000 people, as of the 2022 census. (“Crescent City” was filmed on location in Arkansas, which is probably the most authentic-looking thing about the movie.) What’s weird and off-kilter about the marketing of “Crescent City” is that this description is in the movie’s synopsis: “When a small Southern town is terrorized by a serial killer everyone becomes a suspect … including the police.”

Since when is a city with a population of about 202,000 people considered a “small town”? It’s almost as if the studio’s marketing people couldn’t even bear to watch this movie and decided any old generic synopsis would do. For anyone who has the misfortune of watching this tacky film, “Crescent City” is just a pile-on of mindless scenes and unappealing characters.

The beginning of “Crescent City” shows a TV news report that there have been three murders in Little Rock in two months. It’s later revealed that the police suspect the same person is causing the murders because all of the victims are found decapitated with a mannequin’s head placed near each dead body. This murderer has been targeting men and women between the ages of 20 and 40.

One of these murders is shown near the beginning of the film. An unidentified man in his 30s (played by David Lipper) is shown standing near a house’s swimming pool. He appears to be in a stupor from drugs and/or alcohol. A mystery woman is seen emerging from the pool. She walks up behind the man and then slits his throat. It’s revealed at the end of the movie who this person is.

The lead investigator in the Little Rock Police Department is Brian Sutter (played by Terrence Howard), who seems to be an upstanding family man, but he’s got some disturbing secrets. The first time that Brian is seen in the movie, he’s sitting in a church pew with his wife Elena (played by Reema Sampat) and their daughter Mila (played by Madonna Akhtar), who’s about 5 or 6 years old. Brian is unnerved during the church service because he keeps having flashback visions to a drug bust that went terribly wrong.

The information about this drug bust gradually comes out during the movie, until the full truth is revealed. It’s enough to say in this review that a known drug addict/drug dealer in the area named Mrs. Crawford was being raided in her trailer park home for possession of meth and cocaine. She had a 17-year-old son named Benjamin Harrison, who was shot to death during this drug bust.

Brian’s cop partner is Luke Carson (played by Esai Morales), a misogynist who is loyal to Brian and has some serious anger issues. The boss of Brian and Luke is Captain Howell (played by Alec Baldwin), who is as cliché as cliché can be. Captain Howell’s role in the movie consists mostly of sitting at a desk and giving orders.

One day, Brian is in a public restroom when he sees a graffiti message written on a wall: “For sexual salvation Secrets666.com.” Brian tries to wipe off the graffiti until a janitor named Gopal Sharma (played by Anjul Nigam) enters the room and tells Brian that he will remove the graffiti because it’s his job. This scene is so awkwardly staged, you just know that the graffiti message will play a role later in the movie.

Meanwhile, another murder victim is soon found. His name was Richard “Ricky” McCallum (played by Eduard Osipov), who was discovered beheaded in his car, with a mannequin’s head on the front passenger seat. Ricky’s grieving wife Marcy McCallum (played by Nikita Kahn) is questioned by Brian and Luke. Brian asks Marcy if Ricky had been cheating on her because condoms were found in the car. Marcy says no and insists that she and Ricky had a good marriage.

With no progress being made in this serial killer investigation, Captain Howell tells Brian and Luke that they will have a new partner who has been assigned to help. Her name is Jaclyn Waters (played by Nicky Whelan), a detective who has transferred from Tulsa, Oklahoma, but she’s originally from Australia. Brian and Luke don’t like being forced to work with this “outsider,” but they have no choice.

Their mistrust of Jaclyn grows even more when Brian and Luke find out that she’s really an investigator from internal affairs, as already revealed in the “Crescent City” trailer. The trailer also reveals that Brian and Jaclyn begin having an affair with each other. It’s really just an excuse to show Whelan in cleavage-baring lingerie in fake-looking sex scenes.

Soon after Brian, Luke and Jaclyn begin working together, a young woman named Sabrina Harris (played by Rose Lane Sanfilippo) is at the police department to report that her roommate Vanessa Perkins (played by Ciel Shi) is missing. Sabrina says that Vanessa used a Sex Addicts Anonymous website called Secrets666.com. Brian recognizes that name because he saw it on the graffiti in the bathroom just a few days before.

Brian, Luke and Jaclyn are then shown breaking into an abandoned house without a warrant. And what a coincidence: There’s a decapitated body in a bathtub, which has a mannequin’s head nearby. The murdered person is Vanessa. With no explanation whatsoever, Brian concludes that the serial killer is also a sexual sadist.

The owner of the house is listed as Robert Hedges, who was also beheaded. He was murdered 20 years ago. The prime suspect in Robert’s murder was his adult son Charlie Hedges, who has been missing ever since Robert’s murder. When Robert’s name is mentioned, Luke says to Brian and Jaclyn that he knows what it must feel like to want to get rid of a father because his own father was abusive to him when he was a child.

The rest of “Crescent City” is just one ludicrous scene after another, with many plot holes and obvious red herrings. Jaclyn creates an escort website to go “undercover” as a sex worker. It leads her to encounter a suspicious creep named Travis Reed (played by Weston Cage Coppola), who wears a mask that covers the lower half his face.

The detectives also question a shady-looking clergyman named Pastor Lawson (played by Michael Sirow), a preacher for the Methodist church where the Secrets666.com sex addicts have their meetings. And there’s a scene in a bar with Luke picking up a stranger named Tanya Nelson (played by Danielle Druz) and having sex with her in a bathroom at the bar. It won’t be the last time that Tanya is in the movie.

As already shown in the movie’s trailer, Brian and Jaclyn—at separate times—look like they could guilty of being involved in the murders. And as soon as they come under suspicion, you know that the truth isn’t that obvious. Still, even with these attempts to introduce multiple possible suspects, it’s fairly easy to figure out who the real culprit is, based on how the evidence is planted to frame certain people who are not guilty.

In a movie that is dragged down by several lackluster performances, Howard’s acting in “Crescent City” is possibly the worst of the bunch. He shows no emotional connection to his character Brian, who is supposed to be complicated and morally conflicted. Howard looks extremely bored for most of the movie. And when he does have to show any emotions in a scene, it looks forced.

Luke is such a repulsive and soulless character, Morales doesn’t have much to work with in depicting this obvious cretin. Whelan seems to be in the movie to portray the filmmakers’ sexist stereotype of a female cop whose character is defined by sleeping with a married co-worker and going undercover as a sex worker, so she will be in scenes where she’s scantily clad. In addition to the rotten plot and idiotic dialogue, “Crescent City” has sloppy editing and horrible audio dubbing. If the “Crescent City” filmmakers didn’t care about making a good movie, then you shouldn’t care about watching this garbage.

Lionsgate released “Crescent City” in select U.S. cinemas, on digital and VOD on August 16, 2024.

Review: ‘Mission: Impossible – Dead Reckoning Part One,’ starring Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby and Henry Czerny

July 5, 2023

by Carla Hay

“Mission: Impossible – Dead Reckoning Part One”

Directed by Christopher McQuarrie

Some language in Italian and French with subtitles

Culture Representation: Taking place from various parts of the world, the action film “Mission: Impossible – Dead Reckoning Part One” features a predominantly white cast of characters (with some African Americans, Latinos and Asians) who are connected in some way with government operations or criminal activities.

Culture Clash: IMF (International Mission Force) rogue agent Ethan Hunt is once again on a mission to save the world from deadly villains.

Culture Audience: Besides appealing the obvious target audience of “Mission: Impossible” fans, “Mission: Impossible – Dead Reckoning Part One” will appeal primarily to people who are fans of Tom Cruise and spy thrillers with death-defying action stunts.

Pom Klementieff in “Mission: Impossible – Dead Reckoning Part One” (Photo courtesy of Paramount Pictures)

By now, most movie fans know that the “Mission: Impossible” movie series, starring Tom Cruise as IMF rogue agent Ethan Hunt, will have a lot of amazing stunts and action sequences. Cruise famously does his own principal stunts for these films. The “Mission: Impossible” movie series (based on the TV series of the same name) began in 1996. Instead of slowing down with these movies, Cruise seems determined to do even more outrageous stunts. In “Mission: Impossible – Dead Reckoning Part One,” the stakes get even higher when Ethan and all the main characters face the challenge of an entity that can create false images and alter people’s perceptions of reality.

As already shown in the movie’s trailer, Cruise’s biggest stunt in the film is driving custom-made Honda CRF 250 off of Norway’s Helsetkopen mountain, where he fell 4,000 feet into a ravine before opening his parachute about 500 feet from the ground. There are more stunts (some using obvious visual effects) involving planes, trains and automobiles. The movie also introduces a few intriguing new characters who will be appearing in more than one “Mission: Impossible” movie.

Directed by Chistopher McQuarrie, “Mission: Impossible – Dead Reckoning Part One” is the seventh film in the “Mission: Impossible” movie series and the third consecutive “Mission: Impossible” film that McQuarrie has directed, following 2015’s “Mission: Impossible – Rogue Nation” and 2018’s “Mission: Impossible – Fallout.” Cruise and McQuarrie are the producers of “Mission: Impossible – Dead Reckoning Part One,” which was written by McQuarrie and Erik Jendresen. It’s the same writing, directing and producing team behind “Mission: Impossible – Dead Reckoning Part Two,” which is set for release in 2024.

“Mission: Impossible – Dead Reckoning Part One” is the most ambitious of the “Mission: Impossible” movie series so far but in some ways is also the most ridiculous. In trying so hard to outdo its predecessors, the movie gets into cartoonish territory when characters don’t get any injuries in crashes and explosions that would kill or maim most people in real life. Some of the plot also gets too convoluted. Despite these flaws, what a thrill ride it is. This action-packed and suspenseful film mostly earns its total running time of 156 minutes, even though “Mission: Impossible – Dead Reckoning Part One” still could’ve benefited from tighter film editing. (For example, the movie’s opening credits don’t happen until 28 minutes into the film.)

“Mission: Impossible – Dead Reckoning Part One” opens with a Russian submarine getting blown up after getting hit with a torpedo. The submarine’s video monitors and other computer systems were hacked by a mysterious entity that can create illusions to confuse the submarine’s occupants. These illusions caught the occupants off guard, which led to the torpedo destroying the submarine and everyone inside.

This all-powerful hacking tool is essentially on a computer flash drive, which is called a key. It should come as no surprise that every major terrorist group and every major governmental superpower is looking for this key, which is being sold to the highest bidder. Ethan works for a secretive government operation called International Mission Force (IMF), which gives him a new task in each “Mission: Impossible” movie. In “Mission: Impossible – Dead Reckoning Part One” Ethan and his team have been tasked with finding the key before it gets into the wrong hands.

Ethan agrees to accept this mission, but he disagrees with the U.S. Director of National Intelligence, whose last name is Denlinger (played by Cary Elwes), who is also the head of a mysterious spy group called The Community. Denlinger (who is based in Washington, D.C.) thinks the U.S. government should be able to control this entity. Ethan thinks that the entity should be destroyed. Denlinger doesn’t know that IMF exists until he meets Ethan.

For this mission, Ethan is once again joined by his two trusty sidekicks who are computer technology experts and hackers: Luther Stickell (played by Ving Rhames), who is calm and logical, is Ethan’s oldest friend. Luther’s nicknames are Phinneas Freak and The Net Ranger. Benji Dunn (played by Simon Pegg), who is jumpy and neurotic, often follows orders from Luther.

Returning to the “Mission: Impossible” franchise are mercenary Ilsa Faust (played by Rebecca Ferguson), who has complicated relationship with Ethan; Eugene Kittridge (played by Henry Czerny), who was in 1996’s “Mission: Impossible” movie and who is now the director of the CIA; and the morally ambiguous Alanna Mitsopolis (played by Vanessa Kirby), also known as The White Widow. There’s a very memorable sequence on a train that involves Alanna/The White Widow.

During this globetrotting hunt, Ethan and his team go to various places, including the Arabian Desert, Abu Dhabi, Amsterdam, Rome and the Austrian Alps. They are being hunted by operatives from the U.S. government agency Clandestine Services. A Clandestine Services operative named Briggs (played by Shea Whigham) is leading this hunt. Briggs is a gruff taskmaster who likes to bend the rules, while his relatively new subordinate Degas (played by Greg Tarzan Davis) is very by-the-book and wants to follow the established protocol.

The movie’s chief villain is a mysterious agitator named Gabriel (played by Esai Morales), who has his ruthless sidekick Paris (played by Pom Klementieff) do a lot of his dirty work. Ethan and Gabriel share a past that has to do with a woman named Marie (played by Mariela Garriga), with this shared past explaining some of Gabriel’s motivations. Paris is the one who is most often seen trying to kill Ethan and a cunning thief named Grace (played by Hayley Atwell), who becomes Ethan’s reluctant and often untrustworthy accomplice in this race to get possession of the key.

One of the ways that “Mission: Impossible – Dead Reckoning Part One” stands apart from so many other action films is that it doesn’t play into tired stereotypes of having a principal cast of people who mostly under the age of 40. Likewise, “Mission: Impossible – Dead Reckoning Part One” also defies that action movie stereotype of having just one leading actress (usually someone’s love interest in the movie) among a slew of male leading actors. In “Mission: Impossible – Dead Reckoning Part One,” there are four strong women who have prominent roles in the movie.

Klementieff is a standout among “Mission: Impossible” villains. Her menacing Paris character is in stark contrast to the sweet-natured outer-space alien Mantis that Klementieff played in Marvel Studios’ superhero “Guardians of the Galaxy” blockbusters. In many ways, Paris outshines Gabriel, since Gabriel is more of a psychological villain than someone who can barrel through streets in a high-speed car chases or cause mayhem with an arsenal of weapons.

Atwell also holds her own in the action scenes, although some viewers might find Grace’s intentionally duplicitous personality a little annoying. Rhames and Pegg continue their sometimes-amusing rapport as Luther and Benji. Cruise does some of his best stunt work ever in the movie. If stunt work had a category at the Academy Awards, then Cruise would be a certain nominee if not winner for “Mission: Impossible – Dead Reckoning Part One.” It’s a breathtaking thriller that delivers beyond expectations for action scenes and spy intrigue. However, the “Mission: Impossible” filmmakers need to remember to have some of these action scenes more grounded in the reality of human frailties and the realistic consequences of being in these death-defying situations.

Paramount Pictures will release “Mission: Impossible – Dead Reckoning Part One” in U.S. cinemas on July 12, 2023, with sneak previews on July 10, 2023.

Review: ‘Master Gardener,’ starring Joel Edgerton, Sigourney Weaver and Quintessa Swindell

May 30, 2023

by Carla Hay

“Master Gardener”

Directed by Paul Schrader

Culture Representation: Taking place in New Orleans, the dramatic film “Master Gardener” features a predominantly white cast of characters (with some Latin people, African Americans and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A horticulturist at an elite garden estate gets emotionally involved with the grand-niece of his wealthy employer, while he tries to move on from his criminal past as a murderous white supremacist.

Culture Audience: “Master Gardener” will appeal primarily to people who are fans of stars Joel Edgerton and Sigourney Weaver; filmmaker Paul Schrader; and solidly acted movies about people seeking redemption through reinvention.

Joel Edgerton and Sigourney Weaver in “Master Gardener” (Photo courtesy of Magnolia Pictures)

“Master Gardner” has a simmering intensity that show signs of boiling over into an intensely memorable film, but the movie puts restraints on itself. This restraint is not going to satisfy many people who see this movie, which is mostly about two people who are trying to forget their past while they have a growing attraction to each other. Some of the dialogue and scenarios are a little too trite for what this drama is trying to say about redemption, but the story and performances overall have enough to maintain the interest of most viewers. Some viewers might expect more melodrama and more suspense.

Written and directed by Paul Schrader, “Master Gardener” (which was filmed on location in New Orleans) has a trailer that reveals about 80% of the movie’s plot. The movie had its world premiere at the 2022 Venice International Film Festival, before making its way to other film festivals that year, including the New York Film Festival. It’s a movie that falls right in with Schrader’s pattern of directing films about somber male loners who are looking for some kind of redemption. (See 2018’s “First Reformed” and 2021’s “The Card Counter.”)

In “Master Gardener,” middle-aged bachelor Narvel Roth (played by Joel Edgerton) has a solitary and quiet life as the live-in horticulturist of Gracewood Gardens, located on a lavish estate. Narvel supervises a small staff of about four people. His employer is the haughty and demanding Norma Haverhill (played by Sigourney Weaver), the sole owner of the estate.

Narvel is not a highly educated or intellectual person, but he is a very knowledgeable horiculturist. In the beginning of the movie, he’s seen looking at pictures of flowers and gardens in the bedroom of his modest guest house on Norma’s property. In voiceover narration, he recites the differences between French gardens (also known as formal gardens), English gardens (also known as informal gardens) and wild gardens.

In this voiceover narration, Narvel shares his philosophy on horticulture: “Gardening is a belief in the future—a belief that things will happen to plan, that change will come in due time.” Narvel is not someone who is talkative or who shows his emotions easily, except when he’s talking about gardening. It’s his passion, and he lights up whenever he gets a chance to talk about anything related to gardening.

Narvel channels his energy into being the best gardener that he could possibly be. However, as already revealed in the “Master Gardener” trailer, Narvel has a very ugly past: He used to belong to a white supremacist militia group. And he used to murder people just because they weren’t white. Narvel also murdered people in his own white supremacist group if any of them did something that angered him. Narvel’s chest and back are covered with tattoos, including multiple Nazi swastikas on his back.

Flashbacks and current scenes reveal that Narvel ended up becoming a star witness in the prosecution of many of his former cronies in the militia group. As a result, Narvel went into the FBI’s witness protection program, where he got an entirely new name and identity. Narvel’s birth name is briefly mentioned at one point in the movie. The FBI agent who has been assigned to keep in touch with Narvel is Oscar Neruda (played by Esai Morales), who has built a trustworthy relationship with Narvel.

Very few people in Narvel’s current life know about his disturbing past. Norma knows that Narvel is an ex-con, but she doesn’t really want to know the details. Every year, Gracewood Gardens has a big spring charity auction on the premises. One day, Norma tells Narvel that this year’s auction will probably be her last because she’s having some “health issues.” (Norma doesn’t elaborate, and Narvel doesn’t ask for more information.)

Norma does not have any children, so her thoughts have been preoccupied with who will take over Gracewood Gardens if she is dead or unable to oversee the estate for other reasons. She wants to keep the property in the family. Norma tells Narvel that she has invited her estranged grand-niece Maya Core (played by Quintessa Swindell) to live and work on the estate. Narvel has been tasked with teaching Maya how to be a horticulturist.

Norma explains to Narvel that Maya is the daughter of Norma’s deceased niece, who was also named Norma. Norma Jr., who died of a drug overdose, was the daughter of Norma Sr.’s sister Betty. Maya, who is in her 20s, grew up in a single-parent household, dropped out of school. and “fell in a with a bad crowd,” according to Norma. Maya’s father is described as a deadbeat dad, who abandoned Norma Jr. and Maya when Maya was very young.

During this apprenticeship, Maya lives in a small guest house on the property. Norma tells Narvel that Maya will be given a minimum-wage salary and car service. Maya will have to provide her own lunch when she’s on the job. Norma says that Maya will get incremental raises to her salary. Norma is subtly racist and doesn’t seem entirely comfortable with the fact that Maya is biracial. (Maya’s father is apparently African American.)

When Maya arrives at the estate, Narvel is cordial and professional with her. Norma avoids interacting with Maya as much as possible. As far as Norma is concerned, Maya is someone who is “the help,” not a family member whom Norma fully accepts. Norma thinks that Maya needs to earn her trust and at least become a skilled gardener if Norma is ever going to consider leaving any care of Gracewood Gardens to Maya. Norma eventually invites Maya to have dinner with her and Narvel inside the estate’s main house, but control freak Norma has chosen the dress that she wants Maya to wear during this dinner.

Narvel soon finds out that Maya has a drug problem, just like Maya’s mother. Although it’s never shown in flashbacks, Narvel has a history of drug abuse too. He lives a very clean and sober life now, but he and Maya both easily figure out that they’re no strangers to drug use. Maya’s risky lifestyle ends up catching up to her, and Narvel gets involved in her problems.

What isn’t really shown in the trailer for “Master Gardener” is that Maya has been trying to avoid two sleazy drug dealers who hang out with each other. The leader of this duo is Robbie Gomez, nicknamed R.G. (played by Jared Bankens), who was also the drug dealer for Maya’s mother. R.G.’s sidekick is a guy named Sissy (played by Matt Mercurio), who is R.G.’s constant companion. R.G. is very possessive of Maya and is practically stalking her.

Maya was living in a run-down, crime-ridden area before she moved to Norma’s estate. Maya doesn’t tell Narvel the details of her relationship with R.G., but she insists that R.G. is not her boyfriend. Based on the way R.G. is acting, it’s implied that Maya has a history of having sex with R.G. for drugs, but he wants to control her like a possessive lover. And when Maya shows up to work one day with fight injuries on her face and confesses to Narvel that R.G. caused those injuries, it’s also very easy to predict how Narvel will react when he sees R.G. and Sissy.

As already shown in the “Master Gardener” trailer, Narvel gets romantically involved with Maya, but it doesn’t happen right away. At first, he resists Maya’s attempts to seduce him, partly because he doesn’t want to get in trouble for crossing certain boundaries, and partly because he doesn’t want Maya to see his neo-Nazi tattoos. But eventually, Maya and Narvel become sexually intimate, after he tells her that he used to be a racist. This sexual consummation scene is meant to show Narvel completely vulnerable and submissive to Maya, as a way to contrast with the life he used to have as a violent white supremacist.

It’s a complicated situation for Narvel, because he has been having sex with Norma, who considers their sexual trysts as part of his job requirement. It will make some viewers uncomfortable to see the messiness of these boss-subordinate sexual relationships, with big age gaps for these sex partners. However, “Master Gardener” isn’t intended to be a glossy romance story. If Norma finds out about Narvel and Maya’s growing affection for each other, things might not end well for Narvel and Maya. This part of the movie is very easy to predict.

What the movie conveys with considerable autheticity is how lonely and emotionally damaged people find ways to connect with each other. Narvel, Maya and Norma are each struggling with their personal issues. And each person, in his or her own way, is trying to put up a façade of “I can handle it” toughness. Maya and Narvel’s relationship doesn’t come across as “soul mates forever,” but more like, “I want to be with this person at this point in my life, and we’ll see what happens.”

Edgerton’s performance might strike some viewers as being very dull, but it’s actually a very accurate depiction of someone who has had to numb his emotions for a very long time. Considering that Narvel had to completely change his identity, there’s a somewhat silent identity crisis that Narvel goes through in the movie. Maya awakens some feelings in Narvel that Narvel hasn’t had for a very long time. And he’s decided he’s not going to run away from those feelings.

As for Maya, her personality is combination of being street-smart and being immature. Swindell’s performance looks authentic in how she portrays this complex character. The title of the movie is “Master Gardener,” so everything is told from Narvel’s perspective. However, the movie could have explored a little more about Maya and the life she had before she met Narvel. Weaver is solid in her role as prickly Norma, but Weaver has played this type of domineering snob many times before in other movies.

“Master Gardener” has some fantasy sequences involving flowers blooming in a heightened reality that’s almost psychedelic. These whimsical scenes don’t quite fit the gritty tone of the rest of the story. It’s also an uneven film, in terms of how much it wants to reveal about Narvel’s past. Viewers find out if Narvel ever got married or had children before his identity was changed.

The main reason why “Master Gardener” doesn’t sink into complete mediocrity is the principal cast members’ talent in handling their scenes. Ultimately, “Master Gardener” is worth watching as a character study of a violent ex-con who can’t entirely leave his thug ways behind. However, the movie doesn’t have much that’s insightful about the extreme changes in lifestyle and mindset that Narvel had to go through to become a former racist.

Magnolia Pictures released “Master Gardener” in select U.S. cinemas on May 19, 2023.