2018 New York Film Festival: main slate announced

August 7, 2018

Carey Mulligan and Jake Gyllenhaal in “Wildlife” (Photo courtesy of IFC FIlms)

The following is a press release from the Film Society of Lincoln Center:

The Film Society of Lincoln Center announces the 30 films for the Main Slate of the 56th New York Film Festival, September 28 – October 14.

Secure your seats with a Festival Pass.

NYFF Director and Selection Committee Chair Kent Jones said, “Francis Ford Coppola said that the cinema would become a real art form only when the tools of moviemaking became as inexpensive as paints, brushes, and canvases. That has come to pass, but at the same time it’s become increasingly tough to do serious work that is beholden to nothing but the filmmaker’s need to express these emotions in this form in moving images and sound. So if I were pressed to choose one word to describe the films in this year’s Main Slate, it would be: bravery. These films were made all over the globe, by young filmmakers like Dominga Sotomayor and masters like Fred Wiseman, by artists of vastly different sensibilities from Claire Denis to the Coen Brothers, Jafar Panahi to Jean-Luc Godard. And the unifying thread is their bravery, the bravery needed to fight past the urge to commercialized smoothness and mediocrity that is always assuming new forms. That’s what makes every single title in this year’s Main Slate so precious, and so vital.”

This year’s Main Slate showcases films from 22 different countries, including new titles from celebrated auteurs, extraordinary work from directors making their first NYFF bows, and captivating features that wowed audiences at international festivals. Five films in the festival were honored at Cannes, including Hirokazu Kore-eda’s Palme d’Or–winner Shoplifters; Jean-Luc Godard’s The Image Book, awarded a Special Palme d’Or; Cold War, which took home the Best Director prize for Paweł Pawlikowskiand Alice Rohrwacher’s Happy as Lazzaro and Jafar Panahi’s 3 Faces, which shared the Best Screenplay award. Returning to the festival for the sixth consecutive year is Hong Sangsoo with two new films, joined by his fellow NYFF54 filmmakers Olivier Assayas and Barry Jenkins. Frederick Wiseman makes his 10th appearance at the festival, while other returning filmmakers include Joel & Ethan Coen, Alex Ross Perry, Claire Denis, Ulrich Köhler, Lee Chang-dong, Jia Zhangke, and Christian Petzold. Making both their directorial and NYFF debuts are Paul Dano and Richard Billingham, and Louis Garrel makes his first NYFF showing as a director. Other filmmakers new to the festival include Dominga Sotomayor, Christophe Honoré, Tamara Jenkins, Mariano Llinás, and Ying Liang, as well as Bi Gan and Ryûsuke Hamaguchi, both alumni of New Directors/New Films 2016.

As previously announced, the NYFF56 Opening Night is Yorgos Lanthimos’s The Favourite, Alfonso Cuarón’s ROMA is Centerpiece, and Julian Schnabel’s At Eternity’s Gate will close the festival.

The 56th New York Film Festival Main Slate

Opening Night
The Favourite
Dir. Yorgos Lanthimos

Centerpiece
ROMA
Dir. Alfonso Cuarón

Closing Night
At Eternity’s Gate
Dir. Julian Schnabel

3 Faces
Dir. Jafar Panahi

Asako I & II
Dir. Ryûsuke Hamaguchi

Ash Is Purest White
Dir. Jia Zhangke

The Ballad of Buster Scruggs
Dir. Joel Coen & Ethan Coen

Burning
Dir. Lee Chang-dong

Cold War
Dir. Paweł Pawlikowski

A Faithful Man/L’Homme fidèle
Dir. Louis Garrel

A Family Tour
Dir. Ying Liang

La Flor
Dir. Mariano Llinás

Grass
Dir. Hong Sangsoo

Happy as Lazzaro/Lazzaro felice
Dir. Alice Rohrwacher

Her Smell
Dir. Alex Ross Perry

High Life
Dir. Claire Denis

Hotel by the River
Dir. Hong Sangsoo

If Beale Street Could Talk
Dir. Barry Jenkins

The Image Book/Le Livre d’image
Dir. Jean-Luc Godard

In My Room
Dir. Ulrich Köhler

Long Day’s Journey Into Night
Dir. Bi Gan

Monrovia, Indiana
Dir. Frederick Wiseman

Non-Fiction
Dir. Olivier Assayas

Private Life
Dir. Tamara Jenkins

RAY & LIZ
Dir. Richard Billingham

Shoplifters
Dir. Hirokazu Kore-eda

Sorry Angel
Dir. Christophe Honoré

Too Late to Die Young
Dir. Dominga Sotomayor

Transit
Dir. Christian Petzold

Wildlife
Dir. Paul Dano

NYFF Special Events, Spotlight on Documentary, Retrospective, Revivals, Convergence, Shorts, and Projections sections, as well as filmmaker conversations and panels, will be announced in the coming weeks.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.

Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Opening and Closing Night. Learn more here.

2018 New York Film Festival: ‘At Eternity’s Gate’ is the closing-night film

August 1, 2018

Willem Dafoe in "At Eternity’s Gate"
Willem Dafoe in “At Eternity’s Gate” (Photo by Lily Gavin)

The following is a press release from the Film Society of Lincoln Center:

The Film Society of Lincoln Center announces Julian Schnabel’s “At Eternity’s Gate” as Closing Night of the 56th New York Film Festival (September 28 – October 14), making its North American premiere at Alice Tully Hall on Friday, October 12, 2018. CBS Films will release the film in November 2018.

Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh, and in the process revivifies our sense of the artist as a living, feeling human being. Schnabel; his co-writers Jean-Claude Carrière and Louise Kugelberg, also the film’s editor; and cinematographer Benoît Delhomme strip everything down to essentials, fusing the sensual, the emotional, and the spiritual. And the pulsing heart of At Eternity’s Gate is Willem Dafoe’s shattering performance: his Vincent is at once lucid, mad, brilliant, helpless, defeated, and, finally, triumphant. With Oscar Isaac as Gauguin, Rupert Friend as Theo, Mathieu Amalric as Dr. Gachet, Emmanuelle Seigner as Madame Ginoux, and Mads Mikkelsen as The Priest.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “’At Eternity’s Gate’ is such a surprising film, for all kinds of reasons. Julian Schnabel makes use of the most up-to-date information about Vincent van Gogh, altering our accepted ideas of how he lived and died; he grounds the film in the very action of painting, the intense contact between an artist and the world of forms and textures colored by light; and he gives us Willem Dafoe’s performance as Vincent—acting this pure is endlessly surprising.”

“I would like to say thank you to Kent Jones and the NYFF selection committee on behalf of Willem Dafoe, who is Vincent van Gogh in the film, and the cast and crew, who I have been so privileged to work with, for choosing At Eternity’s Gate for Closing Night,” said Schnabel. “It is a profound honor to be included with the other films and to be part of the history of Closing Night films that came before us. Looking forward to sitting in the audience with everybody.”

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.

Earlier this summer, NYFF announced Yorgos Lanthimos’s “The Favourite” as Opening Night and Alfonso Cuarón’s “ROMA” as the Centerpiece selection. This year’s gala screenings, including Closing Night, will be held on Fridays instead of Saturdays.

Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Closing Night.

FILM SOCIETY OF LINCOLN CENTER
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The Film Society receives generous, year-round support from Shutterstock, the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of the Film Society of Lincoln Center.

Support for the New York Film Festival is generously provided by Official Partners HBO® and The New York Times, Benefactor Partners Dolby and illy caffè, Supporting Partners Warby Parker, MUBI, and Manhattan Portage, and Hospitality Partner Hudson Hotel. JCDecaux, Variety, Deadline Hollywood, WABC-7, WNET New York Public Media, and The Village Voice serve as Media Sponsors.

 

 

2018 New York Film Festival: ‘The Favourite’ announced as opening-night film

July 23, 2018

The following is a press release from the Film Society of Lincoln Center:

The Film Society of Lincoln Center announces Yorgos Lanthimos’s The Favourite as Opening Night of the 56th New York Film Festival (September 28 – October 14), making its New York premiere at Alice Tully Hall on Friday, September 28, 2018. The Favourite is a Fox Searchlight Pictures release and opens November 23, 2018.

Secure your seat at Opening Night with a Festival Pass.

In Yorgos Lanthimos’s wildly intricate and very darkly funny new film, Sarah Churchill, the Duchess of Marlborough (Rachel Weisz), and her servant Abigail Hill (Emma Stone) engage in a sexually charged fight to the death for the body and soul of Queen Anne (Olivia Colman) at the height of the War of the Spanish Succession. This trio of truly brilliant performances is the dynamo that powers Lanthimos’s top-to-bottom reimagining of the costume epic, in which the visual pageantry of court life in 18th-century England becomes not just a lushly appointed backdrop but an ironically heightened counterpoint to the primal conflict unreeling behind closed doors.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “The Favourite is a lot of things at once, each of them perfectly meshed: a historical epic; a visual feast; a wild, wild ride; a formidable display of the art of acting from Rachel Weisz, Emma Stone, and Olivia Colman, abetted by a brilliant cast; a tour de force from Yorgos Lanthimos. And… it’s a blast. We’re very excited to have it as our opening night film.”

“It’s a great privilege to be showing The Favourite for the opening night of the New York Film Festival, which is a very special place for the film,” said Lanthimos. “I had a wonderful experience screening The Lobster at this distinct festival and I’m looking forward to sharing The Favourite with audiences in New York. I was envisioning this film for many years and eventually had a lot of fun making it.”

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.

Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Opening Night.

Photo credit: Yorgos Lanthimos.

New York Film Festival Opening Night Films

2017    Last Flag Flying (Richard Linklater, US)
2016    13TH (Ava DuVernay, US)
2015    The Walk (Robert Zemeckis, US)
2014    Gone Girl (David Fincher, US)
2013    Captain Phillips (Paul Greengrass, US)
2012    Life of Pi (Ang Lee, US)
2011    Carnage (Roman Polanski, France/Poland)
2010    The Social Network (David Fincher, US)
2009    Wild Grass (Alain Resnais, France)
2008    The Class (Laurent Cantet, France)
2007    The Darjeeling Limited (Wes Anderson, US)
2006    The Queen (Stephen Frears, UK)
2005    Good Night, and Good Luck. (George Clooney, US)
2004    Look at Me (Agnès Jaoui, France)
2003    Mystic River (Clint Eastwood, US)
2002    About Schmidt (Alexander Payne, US)
2001    Va savoir (Jacques Rivette, France)
2000    Dancer in the Dark (Lars von Trier, Denmark)
1999    All About My Mother (Pedro Almodóvar, Spain)
1998    Celebrity (Woody Allen, US)
1997    The Ice Storm (Ang Lee, US)
1996    Secrets & Lies (Mike Leigh, UK)
1995    Shanghai Triad (Zhang Yimou, China)
1994    Pulp Fiction (Quentin Tarantino, US)
1993    Short Cuts (Robert Altman, US)
1992    Olivier Olivier (Agnieszka Holland, France)
1991    The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990    Miller’s Crossing (Joel Coen, US)
1989    Too Beautiful for You (Bertrand Blier, France)
1988    Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987    Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986    Down by Law (Jim Jarmusch, US)
1985    Ran (Akira Kurosawa, Japan)
1984    Country (Richard Pearce, US)
1983    The Big Chill (Lawrence Kasdan, US)
1982    Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981    Chariots of Fire (Hugh Hudson, UK)
1980    Melvin and Howard (Jonathan Demme, US)
1979    Luna (Bernardo Bertolucci, Italy/US)
1978    A Wedding (Robert Altman, US)
1977    One Sings, the Other Doesn’t (Agnès Varda, France)
1976    Small Change (François Truffaut, France)
1975    Conversation Piece (Luchino Visconti, Italy)
1974    Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973    Day for Night (François Truffaut, France)
1972    Chloe in the Afternoon (Eric Rohmer, France)
1971    The Debut (Gleb Panfilov, Soviet Union)
1970    The Wild Child (François Truffaut, France)
1969    Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968    Capricious Summer (Jiri Menzel, Czechoslovakia)
1967    The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966    Loves of a Blonde (Milos Forman, Czechoslovakia)
1965    Alphaville (Jean-Luc Godard, France)
1964    Hamlet (Grigori Kozintsev, USSR)
1963    The Exterminating Angel (Luis Buñuel, Mexico)


The Film Society receives generous, year-round support from Shutterstock, the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of the Film Society of Lincoln Center.

Support for the New York Film Festival is generously provided by Official Partners HBO® and The New York Times, Benefactor Partners Dolby and illy caffè, Supporting Partners Warby Parker, MUBI, and Manhattan Portage, and Hospitality Partner Hudson Hotel. JCDecaux, Variety, Deadline Hollywood, WABC-7, WNET New York Public Media, and The Village Voice serve as Media Sponsors.

2018 New York Film Festival: ‘Roma’ announced as centerpiece film

July 18, 2018

Alfonso Cuarón and Yalitza Aparicio on the set of "Roma"
Alfonso Cuarón and Yalitza Aparicio on the set of “Roma” (Photo by Carlos Somonte/Netflix)

The following is a press release from the Film Society of Lincoln Center:

The Film Society of Lincoln Center announces Alfonso Cuarón’s ROMA as Centerpiece of the 56th New York Film Festival (September 28 – October 14), making its New York premiere at Alice Tully Hall on Friday, October 5, 2018. Produced by Esperanto Filmoj and Participant Media, ROMA is a Netflix release and will launch globally and in theaters later this year.

Secure your seat at Centerpiece with a Festival Pass.

In Alfonso Cuarón’s autobiographically inspired film, set in Mexico City in the early ’70s, we are placed within the physical and emotional terrain of a middle-class family whose center is quietly and unassumingly held by its beloved live-in nanny and housekeeper (Yalitza Aparicio). The cast is uniformly magnificent, but the real star of ROMA is the world itself, fully present and vibrantly alive, from sudden life-changing events to the slightest shifts in mood and atmosphere. Cuarón tells us an epic story of everyday life while also gently sweeping us into a vast cinematic experience, in which time and space breathe and majestically unfold. Shot in breathtaking black and white and featuring a sound design that represents something new in the medium, ROMA is a truly visionary work.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “I was absolutely stunned by ROMA from beginning to end—by the craftsmanship and the artistry of everyone involved, by the physical power and gravitational force of the images, by the realization that I was seeing something magical: a story of ongoing life grounded within the immensity and mystery of just being here on this planet. Alfonso Cuarón’s film is a wonder.”

“I am honored ROMA has been selected for the Centerpiece slot at this year’s New York Film Festival,” said Cuarón. “NYFF has a longstanding history of celebrating meaningful and compelling filmmaking and it felt right to return to the festival with ROMA—an incredibly personal, illuminating, and transformative project for me.”

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.

Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Centerpiece.


The Film Society receives generous, year-round support from Shutterstock, the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of the Film Society of Lincoln Center.

Support for the New York Film Festival is generously provided by Official Partners HBO® and The New York Times, Benefactor Partners Dolby and illy caffè, Supporting Partners Warby Parker, MUBI, and Manhattan Portage, and Hospitality Partner Hudson Hotel. JCDecaux, Variety, Deadline Hollywood, WABC-7, WNET New York Public Media, and The Village Voice serve as Media Sponsors.

Saoirse Ronan and Greta Gerwig soar with the coming-of-age film ‘Lady Bird’

November 3, 2017

by Carla Hay

Saoirse Ronan and Greta Gerwig on the set of "Lady Bird" (Photo by Merie Wallace)
Saoirse Ronan and Greta Gerwig on the set of “Lady Bird” (Photo by Merie Wallace)

In “Lady Bird,” actress/screenwriter Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (played by Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (played by Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (played by Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, “Lady Bird” is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. “Lady Bird” also stars  Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Stephen McKinley Henderson, and Lois Smith.

Greta Gerwig at the 2017 New York Film Festival press conference for “Lady Bird” (Photo by Carla Hay)

“Lady Bird,” which is generating considerable Oscar buzz,” had its New York premiere at the 2017 New York Film Festival, where Gerwig sat down for a Q&A a press conference after a press screening and also did a Q&A as part of the main festival program.

Here are videos and photos from “Lady Bird”:

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