Review: ‘Y2K’ (2024), starring Jaeden Martell, Rachel Zegler, Julian Dennison, the Kid Laroi and Fred Durst

December 17, 2024

by Carla Hay

Jaeden Martell, Rachel Zegler and Julian Dennison in “Y2K” (Photo by Nicole Rivelli/A24)

“Y2K” (2024)

Directed by Kyle Mooney

Culture Representation: Taking place in an unnamed U.S. city from December 31, 1999 to January 2, 2000, the sci-fi/horror/comedy film “Y2K” features a predominantly white cast of characters (with a few African Americans, Latin people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A group of high school students and other people battle against machines and gadgets that have become homicidal on January 1, 2000.

Culture Audience: “Y2K” will appeal primarily to people who are fans of the movie’s headliners, filmmaker Kyle Mooney, and silly horror comedies where teenage characters are the main focus.

Fred Durst, Lachlan Watson, Jaeden Martell, Daniel Zolghadri and Rachel Zegler in “Y2K” (Photo by Nicole Rivelli/A24)

The horror comedy “Y2K” is about people versus machines that go on a homicidal rampage during a Y2K electronic crisis. The real haywire mess is this entire dimwitted movie that cares more about resurrecting Limp Bizkit’s old hits than having a good story. Unfortunately, “Y2K” takes what could have been a potentially great concept for a horror movie and squanders it on a bunch of mindless scenes, most of which are neither funny nor scary.

Former “Saturday Night Live” cast member Kyle Mooney makes his directorial debut with “Y2K,” which he co-wrote with Evan Winter. “Y2K” had its world premiere at the 2024 SXSW Film and TV Festival. The movie takes place in an unnamed U.S. city but was actually filmed in New Jersey, in Ringwood, Chatham Borough, and Clark.

“Y2K” is based on the real-life scare that people around the world had in the late 1990s, when computers and other electronic-operated machines were predicted to malfunction on January 1, 2000, because the machines supposedly weren’t programmed for any year past 1999. That massive electronic meltdown didn’t happen in real life, but the plot of “Y2K” speculates what would have happened if machines didn’t just melt down but also went on a killing spree. The production notes for “Y2K” say that Mooney thought of the movie’s concept “in the haze of a New Year’s hangover.” And unfortunately, the ends results are “Y2K” looks like a movie that was written and directed in a brain-addled haze.

“Y2K” uses a lot of the same, tired clichés that are found in many horror movies where the main characters are teenagers. Cliché #1: A nerdy and introverted protagonist with a more outgoing best friend both want to be accepted by the “cool kids” in their school. In “Y2K,” these two outsiders are shy Eli (played by Jaeden Martell) and goofy Daniel “Danny” Bannon (played by Julian Dennison), who are both juniors (16 or 17 years old) at the same high school. Eli and Danny share a passion for pop, rock and electronica music, so expect to hear a lot of songs that were mainstream hits in the 1990s, such as Chumbawamba’s “Tubthumping” and Fatboy Slim’s “Praise You.”

Cliché #2: The geeky protagonist has a secret crush on a pretty and popular student, who already has another love interest. In “Y2K,” the characters who are the couple in this love triangle are Laura (played by Rachel Zegler) and Soccer Chris (played by the Kid Laroi), who are supposed to be the “it couple” of the school. Chris (who is called “Soccer Chris” because he’s a star on the school’s soccer team) is predictably an arrogant jerk, while Laura is predictably nice to everyone. It’s all a movie contrivance for audiences to root against Chris and root for underdog Eli to get together with Laura.

Cliché #3: The protagonist and his sidekick are bullied by other students. In “Y2K,” the school bullies are a bunch of stoners who listen to hard rock/heavy metal. They include a loudmouth leader named Farkas (played by Eduardo Franco) and an androgynous follower named Ash (played by Lachlan Watson), who is an aspiring filmmaker and an avid fan of rock band Limp Bizkit. Ash constantly carries a portable video camera, which becomes a source of contention later in the movie.

And here comes another teen horror movie cliché: The teen house party that goes horribly wrong. “Y2K” begins on December 31, 1999, when Eli and Danny plan to crash an unsupervised house party held at Chris’ house. Eli, who is an only child, lives with his parents Robin (played by Alicia Silverstone) and Howard (played by Tim Heidecker), who are in the movie for less than 10 minutes. Eli gets embarrassed and uncomfortable when his parents reminisce about how Robin taught Howard how to French kiss during the couple’s college romance.

Even though Eli and Danny are best friends, Eli is still hurt by something cruel that Danny did to Eli: In a desperate attempt to get attention from the “cool kids,” Danny told a lie to other students that Eli drank Danny’s urine. Danny told Eli that he was sorry for fabricating this disgustng story, but Eli is still being bullied over this lie. It’s a sore spot in the otherwise solid friendship of Danny and Eli.

Before Eli and Danny go to the house party, they visit their older friend Garret (played by Mooney), who is a clerk at their favorite video store. Garret openly abuses drugs (he has a fondness for marijuana and psychedelics) and is a walking stereotype of a spaced-out weirdo. Garret is harmless, but “Y2K” viewers have to sit through many bad jokes that Garret tells in this movie. Danny smokes some marijuana with Garret in the video store’s storage/employee room, while Eli declines the offer to smoke and only seems interested in drinking alcohol.

At the house party, many of the teens are aware of the Y2K scare but are unconcerned about it. Danny tries to liven things up by playing a homemade CD of his favorite songs and dancng to the music. Danny’s fun-loving personality attracts the attention of a pretty girl named Madison (played by Ellie Ricker), and it doesn’t take long before Danny and Madison start kissing each other. Eli somewhat mopes around and tries not to notice how the relationship between Laura and Chris is still going strong. Chris has figured out that Eli has a crush on Laura and angrily tells Eli to not make any moves on Laura because “you’re a dud.”

As the clock strikes midnight for January 1, 2000, all hell breaks loose in the house. Machines and gadgets—such as a microwave oven, a toy jeep and a blender—suddenly turn deadly. This review won’t go into too many details about who gets killed and who survives. However, it’s enough to say that there’s a “chief villain” machine that can best be described as looking like the original “Lost in Space” robot, with a computer monitor for a head.

Some of the teens escape from Chris’ house, including Eli, Laura, Ash and an aspiring rapper named CJ (played Daniel Zolghadri), who says he’s in a hip-hop group called Prophets of Intelligence. And you know what that means: Expect to see a scene in “Y2K” of CJ and his horrible rapping.

The teens spend most of their time outside, trying to hide from the chief villain robot and other deadly machines that could be on the loose. The teens bicker over things such as whether or not Ash’s portable video camera will turn against them as a weapon. And then, they encounter Limp Bizkit lead singer Fred Durst (who plays a version of himself) hiding somewhere by himself, and “Y2K” continues its downward spiral into stupidity and plot holes.

During all of this chaos, the teens don’t think about seeing if they get help from authorities. They also don’t try to get in touch with their parents or other family members. Is it because there’s no electricity or phone communications during this apocalypse? No, because a pivotal scene in the movie shows someone being able to easily use the Internet on a desktop computer. Remember, this movie takes place during a time when accessing the Internet was done mostly by dial-up phone connections.

Because “Y2K” is partially a tribute to Limp Bizkit (Ash’s devotion to the band is a huge part of Ash’s character), it should come as no surprise that Durst performs Limp Bizkit songs from the late 1990s, such as “Break Stuff ” and Limp Bizkit’s cover version of George Michael’s “Faith.” These performance scenes will no doubt have “Y2K” viewers rolling their eyes at the cheesiness of how these scenes are staged. Everything looks forced and phony.

The cast members perform adequately, but the “Y2K” screenplay is so relentlessly sloppy and moronic, there’s almost no suspense or real amusing moments. “Y2K” also has some empty preaching about the dangers of becoming addicted to electronic devices/machines. If this “Y2K” movie were a computer, it would be a computer afflicted with a bug that causes it to repeatedly malfunction.

A24 released “Y2K” in U.S. cinemas on December 6, 2024. The movie will be released on digital and VOD on December 24, 2024.

Review: ‘I Saw the TV Glow,’ starring Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Fred Durst and Danielle Deadwyler

May 3, 2024

by Carla Hay

Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow” (Photo courtesy of A24)

“I Saw the TV Glow”

Directed by Jane Schoenbrun

Culture Representation: Taking place from 1996 to 2004, in an unnamed U.S. state, the dramatic film “I Saw the TV Glow” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A lonely teenage boy befriends a teenage girl, who gets him hooked on a fantasy TV series starring young people battling a villain named Mr. Melancholy, and the show affects what happens to them as they get older. 

Culture Audience: “I Saw the TV Glow” will appeal primarily to people who are fans of the movie’s headliners and are interested in watching symbolic-heavy movies about depression and queerness.

Ian Foreman in “I Saw the TV Glow” (Photo by Spencer Pazer/A24)

“I Saw the TV Glow” isn’t as scary as it seems, but it’s a very original film about obsessive escapism and denial of one’s true identity. The plot has more mystery than suspense. Viewers must be willing to interpret the movie’s LGBTQ symbolism. “I Saw the TV Glow” had its world premiere at the 2024 Sundance Film Festival and later screened at the 2024 Berlin International Film Festival and 2024 SXSW Film and TV Festival.

Written and directed by Jane Schoenbrun, “I Saw the TV Glow” explores themes about depression and queerness that are presented in ways that might be too abstract for viewers. “I Saw the TV Glow” has been described as a horror movie, but it’s really a psychological drama. There are a few brief horror-like images, in addition to one scene where someone has a mental breakdown. That does not make it a horror movie.

“I Saw the TV Glow,” which is told in chronological order, takes place from 1996 to 2004, in an unnamed U.S. state. (The movie was actually filmed in New Jersey.) “I Saw the TV Glow” begins by showing clips from a U.S. TV network called the Young Adult Network, which has a combination of original and acquired programming. One of the network’s more popular original shows is a weekly fantasy series called “The Pink Opaque,” which is set in America in whatever year that the show is on the air. “I Saw the TV Glow” pokes some fun at 1990s television, music and fashion in clips of “The Pink Opaque.”

It’s later explained in the movie that “The Pink Opaque” (and the show’s title characters) are two American teenage best friends named Isabel (played by Helena Howard) and Tara (played by Lindsey Jordan), who live in a typical suburban area but live secret lives where they battle a demonic force called Mr. Melancholy (played by Emma Portner), the show’s chief villain who gives Isabel and Tara an obstacle in each episode. Isabel is the more prominent person of this teenage duo. She is described as an “expert in demonology.”

In “I Saw the TV Glow,” the protagonist and narrator is shy and quiet Owen (played by Justice Smith), who narrates the movie in hindsight as an older teenager and as an adult. Sometimes, he talks directly to the camera during his narration. Sometimes, Owen’s narration is a voiceover. The movie also has captions spelled out in handwritten pink letters.

When Owen is first seen in the movie, he is a seventh grader (about 12 or 13 years old) and played by Ian Foreman. It’s during this period of time that Owen meets someone who will change his life. Seventh grader Owen is shown accompanying his mother Brenda (played by Danielle Deadwyler) to a polling place on Election Day. The polling station is in a gym of a local high school where Owen will be a student in two years. Brenda takes Owen into the voting booth with her and shows him how to vote.

It’s at this gym where Owen meets sarcastic Maddie Wilson (played by Brigette Lundy-Paine), who is a ninth grader (freshman), about 14 years old, at the high school. Maddie is sitting on the gym floor, reading a book about episodes of “The Pink Opaque.” Owen soon finds out that Maddie is an obsessive fan of “The Pink Opaque,” which airs on Tuesdays from 10:30 p.m. to 11 p.m. in the time zone where Maddie and Owen live.

Owen and Maddie start talking about “The Pink Opaque,” a show that Owen has not seen at this point because he’s not allowed to stay up past 10 p.m., especially on a school night. Owen (who is an only child) lives with his married parents in a stable, loving and middle-class home. His father Frank (played by Fred Durst) is not as close to Owen as Brenda is.

Maddie tells Owen that she and her best friend Amanda (also played by Portner) watch “The Pink Opaque” together at Maddie’s place. Maddie invites Owen to join them and suggests that Owen lie to his parents by saying he’s spending the night at a male friend’s house. Owen takes that advice and sneaks over to Maddie’s place to watch “The Pink Opaque” for the first time (in a basement room), as Maddie explains the complex world building that the show has. Maddie later tells Owen, “Sometimes, ‘The Pink Opaque’ feels more real than real life.”

Maddie’s parents are never shown in the movie. However, Maddie mentions that her parents “don’t give a crap” when she goes to bed. She also says that she has an abusive stepfather. When Owen spends the night at Maddie’s place for the first time, he has to sleep in the basement. Maddie tells Owen that Owen has to leave by dawn because if Maddie’s stepfather sees Owen there, “he’ll break my nose again.”

After Amanda has left for the night, Maddie also tells Owen that Maddie thinks Isabel from “The Pink Opaque” is “super-hot,” and Maddie “likes girls.” Owen doesn’t have any reaction to Maddie telling him that she’s a lesbian, but he does get confused when she asks him if he likes boys or girls. He tells her he doesn’t know but he knows he likes “The Pink Opaque.” When Owen is a teenager, he mentions “The Pink Opaque” to his father Frank, who replies, “Isn’t that a girl’s show?”

Owen explains in a voiceover that over the next two years, Maddie gave VHS tapes of “The Pink Opaque” episodes to Owen so he could watch the show without having to stay up past his bedtime. However, Owen and Maddie don’t become close friends until 1998, when Owen (played by Smith) is a freshman (about 14 years old) in the same high school where Maddie is now a junior (about 16 years old) and is now a loner at the school.

Maddie and Owen reconnect at her place to watch “The Pink Opaque” together. It’s during this reconnection that Owen finds out that Maddie and Amanda stopped being friends about two years earlier because Amanda told people that Maddie touched Amanda’s breast without Amanda’s consent. Maddie denies this sexual harassment happened but she was then shunned by many people because Maddie was “outed” as a lesbian. Maddie is still bitter over how the friendship ended and also seems angry that Amanda would rather spend time on the cheerleader squad than watch “The Pink Opaque.”

The rest of “I Saw the TV Glow” is about how Owen’s friendship with Maddie and how their fixation with “The Pink Opaque” affects their lives. Without giving away too much information, the movie is full of metaphors and symbolism of Owen’s self-discovery of his sexuality, even though he is not shown dating anyone in the movie. There’s a scene early on in the film of seventh grader Owen in an inflatable planetarium that has colors reminiscent of the LGBTQ Pride flag.

“I Can See the TV Glow” has some scenes that go on for a little too long. For example, there’s a nightclub sequence that starts to look like a music video because it shows the full song performance of rock band Sloppy Jane. Better editing was needed for this scene because it doesn’t fit the flow of a conversation that Owen and Maddie are having in a nearby room at the nightclub.

“I Saw the TV Glow” might get some comparisons to Schoenbrun’s 2022 feature-film debut “We’re All Going to the World’s Fair,” another psychological drama (with some horror elements) about a teenage loner who gets caught up in something on screen that becomes dangerous. “I Saw the TV Glow” obviously has a bigger production budget and a larger, more well-known cast than “We’re All Going to the World’s Fair.” However, “I Saw the TV Glow” has a more abstract plot than “We’re All Going to the World’s Fair.” Some viewers will be puzzled over what “I Saw the TV Glow” is trying to say.

In the role of Owen, Smith is once again doing a character who is whiny, insecure and often looking like he’s confused or about to cry. Owen is not a bad person, but he can be annoying. Lundy-Paine gives a better performance as Maddie, but there comes a point in the movie where Maddie’s personality becomes almost numb, so the movie loses a lot of Maddie’s initial spark and charisma. “I Saw the TV Glow” can be recommended to people who don’t mind watching offbeat movies with a unique vision and a heavily symbolic story about how secrets and lies can kill a soul.

A24 released “I Saw the TV Glow” in select U.S. cinemas on May 3, 2024, with an expansion to more U.S. cinemas on May 17, 2024.

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