Review: ‘Strange World’ (2022), starring the voices of Jake Gyllenhaal, Dennis Quaid, Gabrielle Union, Lucy Liu and Jaboukie Young-White

November 23, 2022

by Carla Hay

Callisto Mal (voiced by Lucy Liu), Jaeger Clade (voiced by Dennis Quaid), Searcher Clade (voiced by Jake Gyllenhaal), Ethan Clade (voiced by Jaboukie Young-White), Meridian Clade (voiced by Gabrielle Union) and Legend in “Strange World” (Image courtesy of Disney)

“Strange World” (2022)

Directed by Don Hall; co-directed by Qui Nguyen 

Culture Representation: Taking place on and below Earth, the animated film “Strange World” features a cast of racially diverse cast of characters (white, African American, Asian) portraying the working-class and middle-class.

Culture Clash: A farmer, his wife, his 16-year-old son and their dog go with a friend on an underground mission to find out why a powerful plant that is an energy source for Earth has been infected, and the farmer’s long-lost estranged father, who lives in this unusual underworld, joins them on this mission.

Culture Audience: “Strange World” will appeal primarily to people interested in formulaic but enjoyable animated films about family, self-identity and Earth’s ecosystem.

Pictured in front row, from left to right: Ethan Clade (voiced by Jaboukie Young-White), Meridian Clade (voiced by Gabrielle Union) and Legend. Pictured in back row, from left to right: Callisto Mal (voiced by Lucy Liu), Searcher Clade (voiced by Jake Gyllenhaal) and Jaeger Clade (voiced by Dennis Quaid). (Image courtesy of Disney)

Pleasant and mostly predictable, “Strange World” is a solid option for people who want to watch an animated film with dazzling visuals and a good story about family unity and environmental protection. Disney’s “Strange World” is saved from complete mediocrity by a surprise reveal in the last third of the movie, as well as a talented voice cast that brings charisma to what otherwise would be a cookie-cutter group of characters. It’s the type of movie that people of many different generations can enjoy, but “Strange World” might bore some viewers who are looking for a more sophisticated or more complex Disney animated film.

Directed by Don Hall and co-directed by Qui Nguyen, “Strange World” (which was written by Nguyen) thankfully does not fall into the trap of overtsuffing the movie with too many characters or too many subplots. “Strange World” is a very straightfoward story that’s easy to follow. The movie is formulaic for being yet another animated film where the main character has “daddy issues.” Disney’s animated films are notorious for taking the angle of protoganists’ emotional baggage being traced back to problems with a father, whether it’s an absentee father or a father who causes conflicts.

In “Strange World,” the central character is 40-year-old farmer Searcher Clade (voiced by Jake Gyllenhaal), who lives with his family in the fictional U.S. city of Avalonia, which is described in the movie as “a modest civilization surrounded by mountains.” Searcher owns and operates a small farming operation called Clade Farms, where he lives with his smart and loving wife Meridian Clade (voiced by Gabrielle Union) and their 16-year-old son Ethan Clade (voiced by Jaboukie Young-White), who is curious, friendly and adventurous. The family also has a three-legged dog named Legend.

Searcher is a kind and emotionally supportive husband and father, but Searcher’s biggest insecurity has to do with feeling abandoned by his own father. A flashback in the beginning of “Strange World” shows a glimpse of what life was like when 15-year-old Searcher knew his father Jaeger Clade (voiced by Dennis Quaid), a macho adventurer who is obsessed with exploring Earth, especially the world’s mountains. Searcher is not as inclined to enjoy these adventures, but Jaeger makes Searcher tag along on these missions anyway. Jaeger’s wife/Searcher’s mother Penelope is briefly in the movie and doesn’t have anything significant to say.

One day, when Searcher and Jaeger are on an adventure mission together, Jaeger saves Searcher’s life from deadly stalacites that almost fell on Seacher. It’s a moment when their father-son bond seems to be strong, because Searcher is grateful that Jaeger saved his life. But the ongoing tensions between Searcher and Jaeger flare up again when Jaeger discovers a mysterious, glowing green plant, which is later called pano. Jaeger and Searcher argue about if and how this plant should be researched.

Flashing forward to the present day, viewers find out that pano has been deemed a “wonder plant” that is the source of energy throughout Avalonia. Pano has essentially eliminated the need for energy from gas or other fossil fuel. Jaeger has become a heroic legend for discovering pano. There’s one big problem though: Not long after discovering pano, Jaeger disappeared while on one of his adventure trips, and he hasn’t had any contact with anyone during those 25 years.

Many people, including Jaeger’s wife Penelope, assume that Jaeger is dead. However, Searcher believes that Jaeger is still alive and made a deliberate choice to abandon his family so that Jaeger could go on his adventure trips without the responsibility of being at home with his family. This feeling of abandonment has haunted Searcher and made him emotionally damaged. Searcher made a vow to himself to never be like his father.

Jaeger is such a sore subject with Searcher, he doesn’t even want to talk about Jaeger. Searcher’s son Ethan sees a photo of Jaeger and asks Searcher why he seems to be ashamed of Jaeger, even though Jaeger has the image of being a legendary adventure hero. Searcher replies bitterly, “Everyone thinks he was an amazing hero. To me, he was a really bad dad. He only cared about conquering those mountains.” Searcher tells Ethan, as if to make a statement about how Searcher wants to be different from Jaeger: “I only care about you.”

Searcher is such a caring father, he wants to give fatherly advice to Ethan about dating, but Ethan has typical teenage embarrassment whenever Searcher wants to talk about Ethan’s love life. Ethan, who is openly gay or queer, has a not-so-secret crush on a fellow classmate named Diazo (played by Jonathan Melo), who seems to be attracted to Ethan too, because he openly flirts with Ethan. Ethan is at the stage of his crush where he’s afraid to reveal his feelings to Diazo. Ethan is normally talkative and extroverted, but Ethan tends to get shy when he’s with Diazo.

The Clade family’s routine life will be interrupted when they get a surprise visit from Callisto Mal (voiced by Lucy Liu), the leader of Avalonia. Callisto, who used to be on Jaeger’s adventure team, has arrived by spaceship to ask Searcher to help her on an expedition to find out why a massive crop of pano has been infected. The infection is spreading rapidly and could wipe out pano as the energy source for Avalonia and beyond.

Callisto says that scientific research has revealed that pano is a singular organism growing on Earth and originating from the same root underneath the Earth’s surface. “Pano is dying,” Callisto tells Searcher. “We have to save it.” At first, Searcher immediately declines Callisto’s request to join her on this mission. However, he eventually changes his mind because he knows that people, including his family, will suffer if pano dies off and becomes extinct.

It just so happens that Meridian has skills to pilot the spaceship that will be used for this underground expedition. And, of course, Ethan wants to go along for the ride. (Ethan’s passion for adventure ends up becoming a problem for Searcher later in the movie.) And so, off the Clade family members (including Legend the dog) go on the expedition, which includes Callisto and her crew of five other people. The only crew member who has a distinctive personality is over-eager Caspian (played by Karan Soni), who is mild comic relief in the movie.

Not long after the expedition goes underneath Earth’s surface, the explorers find an underground world that’s never been discovered before. Without question, one of the best aspects of “Strange World” is that it’s a sumptuous feast for the eyes. The underground “strange world” has vibrant hues and some fascinating creatures, some of which are based on real-life creatures. There’s also a walking land mass with legs, as well as cliffs that seem to be alive.

According to the “Strange World” production notes, the filmmakers purposely made the creatures in this underworld look very different from most creatures in animated films. Nguyen says in the production notes: “We decided that these characters would have no eyeballs, no noses, no mouths—no Disney eyes or Disney smiles—all that goes away.” The production notes has this description of some of the creatures: “The lineup includes reapers, which are aggressive, translucent and tentacled; goblinswills, abstract flocks that are reminiscent of dolphins but without structure; transportasaurses, giant ropes designed to collect and throw things; and the cloud o’war, a lizard-shaped cloud with an inflatable top.”

Imagine if a psychedelic candy shop exploded, and you have some idea of what many of the landscape visuals in “Strange World” looks like. It’s not a cutesy and safe world, however. There’s a large body of water that is acidic, as well as hostile creatures that attack. It’s because one of these attacks that the spaceship crashes. The front window shield gets broken during the attack. And as a result of the crash, Ethan and Legend get separated from the rest of the group. Searcher is also separated from the expedition team.

While Ethan and Legend try to find their way back to the spaceship and the other expedition members, they meet (cliché alert) a cute being that becomes their sidekick. It’s a blue-shaped blob that Ethan has named Splat, which does not speak but makes adorable noises. Splat has a personality that is both goofy and helpful.

Meanwhile, (another cliché alert) Searcher ends up finding his long-lost father Jaeger, when Jaeger saves Searcher’s life (again), this time from a creature attack. Jaeger has a flamethrower shotgun, and he’s very trigger-happy with it. It’s not spoiler information that Searcher and Jaeger have reunited, because the trailers and other marketing materials for “Strange World” clearly show that Jaeger is part of the expedition team. In the movie, Jaeger explains to Searcher that he’s been “stuck” in this underworld (in more ways than one), and he needs a way to get back above ground.

It’s also not spoiler information to say that the entire Clade family and Callista end up gong through this adventure together, under circumstances revealed in the movie. The obstacles they face are what you might expect from a movie of this type. It isn’t until the surprise reveal that viewers will find out that “Strange World” has a lot more to the story than just finding and destroying a plant virus.

“Strange World” aims to be a socially conscious movie and does better in some areas than in others. Ethan’s sexuality is treated matter-of-factly by the characters and with total acceptance and no homophobia. When Ethan’s grandfather Jaeger finds out that Ethan has a crush on someone and gets Ethan to tell him who it is, Jaeger has no hesitation or surprise when he finds out that Ethan’s crush is a guy.

Even with its open-minded attitude about LGTBQ people, “Strange World” still falls into old patterns/stereotypes of animated films giving much more importance to male characters than female characters. (Disney princess movies are an exception.) In “Strange World,” Meredian and Callista are strong female characters, but they are very underdeveloped and underused. Viewers of “Strange World” will find out almost nothing about Meredian and Callista, whereas a lot of screen time in “Strange World” is devoted to the personalities and interpersonal relationships between the male characters.

That does not mean a movie like “Strange World” needed to have “forced diversity.” However, it’s very noticeable that the female characters are somewhat used as tokens, with the filmmakers giving less consideration and lower priorities in showing audiences more of who Meredian and Callista really are. As far as the movie’s message about strengthening family bonds, it’s all about the male characters in “Strange World.”

This gender-bias flaw doesn’t ruin the movie, but it’s an example of how filmmakers need to do better in representing the female gender, which is 51% of the human population. “Strange World” is very imaginative in its world building of objects and creatures, but it could have had many improvements when it comes to originality in telling the human aspects of the story. Even with its flaws, “Strange World” is entertaining enough, as long as people don’t expect it to be a Disney classic.

Walt Disney Pictures released “Strange World” in U.S. cinemas on November 23, 2022. Disney+ will premiere the movie on December 23, 2022.

Review: ‘The Inspection,’ starring Jeremy Pope, Raúl Castillo, McCaul Lombardi, Aaron Dominguez, Bokeem Woodbine and Gabrielle Union

November 18, 2022

by Carla Hay

Jeremy Pope and Raúl Castillo in “The Inspection” (Photo by Patti Perret/A24)

“The Inspection”

Directed by Elegance Bratton

Culture Representation: Taking place in 2003, on Parris Island, South Carolina, and briefly in New York City, the dramatic film “The Inspection” features a racially diverse cast of characters (African American, white, Latino and Middle Eastern) representing the working-class and middle-class.

Culture Clash: Based on a true story, a 26-year-old African American gay man enlists in the U.S. Marines to escape from homelessness, and he has to deal with rampant homophobia and bullying during his boot camp training. 

Culture Audience: “The Inspection” will appeal primarily to people who are fans of stars Jeremy Pope, Gabrielle Union and well-acted dramas about LGBTQ people in the U.S. military.

Bokeem Woodbine and McCaul Lombardi in “The Inspection” (Photo by Josiah Rundles/A24)

Even when “The Inspection” becomes a little too repetitive in its drama, the movie shines brightest where it matters the most. Elegance Bratton tells a very authentic, heartfelt story of homophobia that he experienced inside and outside the U.S. military. The movie is based on Bratton’s real-life triumphs and traumas during his boot camp training in the U.S. Marines. There have been other movies about LGBTQ people who tried to hide their sexualities in the military, but “The Inspection” is a rare movie were the gay protagonist in the military is an African American cisgender man.

Bratton wrote and directed “The Inspection” as a semi-autobiographical film where the protagonist goes through many of the same things that Bratton went through in real life. Several characters are based on real people, while some characters are fictional. “The Inspection” had its world premiere at the 2022 Toronto International Film Festival and its U.S. premiere at the 2022 New York Film Festival.

The movie takes place in 2003, during the era when the U.S. military banned any sexuality that isn’t heterosexual, but there was a “don’t ask, don’t tell” policy when it came to disclosure of the sexualities of people in the U.S. military. In the beginning of the movie, Ellis French (played by Jeremy Pope), who prefers to be called French, is a 26-year-old homeless man. He lives in New York City, and he has been homeless for about 10 years. When he was 16 years old, his very homophobic mother Inez French (played by Gabrielle Union) kicked him out of their home because French (who is an only child) is gay. All of this happened to Bratton in real life, as he has said in many interviews.

French has no other relatives he can turn to for support. He never knew his father, who abandoned Inez when she was pregnant with French. French has a tight-knit group of friends, many of whom are also openly queer, but he’s become tired of having an unstable and dangerous lifestyle on the streets. It’s mentioned at one point in the movie that some of his friends have died from violent crimes, while others have died from AIDS, and others are in prison.

French doesn’t want to end up in any of these situations. His mother Inez works as a corrections officer at a prison, and she already thinks that French is a major disappointment. French does not want to risk doing anything that could further alienate his mother. French goes to his mother’s apartment unannounced to ask her for his birth certificate. Why? French has decided that he’s going to enlist in the U.S. Marines to receive training in a career so he won’t have to be homeless anymore.

Inez and French have been estranged for years, but French never stops wanting his mother’s love and acceptance. When he shows up at her door, she’s not happy to see him, because she knows he’s homeless. Inez immediately asks French, “Are you in trouble?” Inez mentions that she’s been getting “notice to appear” courtroom documents addressed to him in the mail. He tells her about his life as a homeless person: “You have no idea how hard it’s been … Something has to change.”

When French tells her the reason for the visit, Inez laughs at the thought of French committing to something as demanding and strict as the military. She is also skeptical that French will be able to hide the fact that he’s gay. “What about your lifestyle?” she asks, as an indication that she thinks homosexuality is a choice.

At first, Inez doesn’t want to give him his birth certificate, but she eventually does when she sees that French is serious, and he’s not going to change his mind. Even though the vast majority of “The Inspection” takes place during French’s training on Parris Island, South Carolina, he continues to make attempts to connect with his mother in New York. His attempts are usually rejected.

When French is at his former home with his mother, she tells him exactly what she thinks about French: “I made peace with losing you.” When she gives him the birth certificate, Inez tells French: “This piece of paper is all I have left of the son I have birth to. If you don’t come back, consider this birth certificate void.” There are indications that Inez has misguided hope that somehow, being in the military will turn French into a heterosexual.

French is so determined to leave his homeless life behind, before he leaves for boot camp, he gives his cell phone to an elderly homeless man named Shamus (played by Tyler Merritt), who was French’s friend on the streets. Shamus, who calls himself an “old queen,” comments to French about French’s enrollment in the U.S. Marines: “You don’t have to do this. You can be anything you want to be.” French replies, “You and I both know that’s not true.” Shamus adds with stern words of encouragement, “I better not see you back here.”

French’s boot camp training is depicted exactly how you think it will go, based on how boot camp has been portrayed in many other movies and TV shows. There’s the shouting, macho drill sergeant, who uses his superior position to bully new recruits, especially those he thinks are the weakest emotionally and physically. This cruel tyrant is named Laws (played by Bokeem Woodbine), who constantly hurls abusive insults and who looks the other way when his underlings physically assault each other in their attempts to impress Laws and each other.

Laws, who is in his 40s, served in Operation Desert Storm. He the type of drill sergeant who snarls at his underlings: “I hate recruits, but I love Marines.” Later, in another scene, Laws says, “We don’t make Marines. We make monsters.” Although “The Inspection” has many emotionally raw and realistic-looking scenes, the movie occasionally falters with these types of corny statements from Laws.

Even though the U.S. military has a “don’t ask, don’t tell” policy in 2003, Laws breaks that policy by yelling at French in front of his fellow recruits: “Are you now or have you ever been a homosexual?” French is afraid of “outing” himself, so he shouts back, “No, sir!” It’s a lie that will eventually be exposed.

In addition to having a mean-spirited drill sergeant, another predictable aspect of “The Inspection” is the protagonist having a jealous rival, who is also a bully. His name is Harvey (played by McCaul Lombardi), who is very competitive and wants to be the “alpha male” of the recruits. Harvey expresses his homophobic views early on in the boot camp process. There are also big hints that Harvey (who is white) is racist against people who aren’t white. Harvey’s ego gets even more inflated when Laws appoints Harvey as the squad leader of the recruits.

At first, French thinks he can hide his sexuality, in order to avoid homophobic bullying and possible expulsion from the military. When the other recruits talk about their girlfriends and wives, French pretends that he has a female love interest too. The “special woman” he’s writing letters to is really French’s dismissive mother Inez.

French’s secret about being gay is eventually revealed when he and several other recruits (ncluding Harvey) are in a public shower. French starts thinking of a sexual fantasy about a good-looking drill sergeant in his 40s named Rosales (played by Raúl Castillo), who is Laws’ second-in-command. And the next thing French knows, his fellow recruits have noticed that French has an erection. French makes a half-hearted attempt to deny that he’s gay, but the secret is out. It gives Harvey and the rest of the homophobes even more of a reason to target French.

And so, for most of the movie, French is either shunned or abused (including beatings) by Harvey and some other recruits for being gay. Laws finds out and does nothing to stop this cruelty. In fact, when French tries to stand up for himself and threatens to report this abuse, Laws lets it be known that he hates snitches. Considering that Laws will be the one to decide which recruits will graduate from the training program, it puts French in a very precarious and vulnerable situation.

There are some bright spots to French’s traumatic and bleak experiences as a bullied recruit. He befriends another “outsider” recruit named Ismail (played by Eman Esfandi), who is harassed and insulted for being of Middle Eastern/Islamic heritage, during a time after 9/11 when hatred against Middle Eastern and Islamic people was encouraged in the U.S. war against Iraq and Afghanistan. Ismail is one of the few people who’s willing to stick up for French when things get very rough.

Another recruit named Castro (played by Aaron Dominguez) doesn’t really befriend French, but Castro doesn’t fully participate in the bullying against French either. Castro is someone who “goes along to get along” and tries to stay under the radar and not alienate anyone. But there’s a pivotal scene in the movie where Castro is forced to take a side, and he has to make a decision that will test his ethics and show his true character.

The person in the Marines who has the biggest emotional impact on French is drill sergeant Rosales, who is battling some personal demons of his own. Rosales wants to be a friendly mentor to French. However, French is sexually attracted to Rosales and wants a physically intimate relationship with him. Rosales is in a troubled marriage to a woman and is conflicted about his own sexuality. You can probably guess what that means in terms of the movie’s plot development.

French is often underestimated as being a “sissy,” but he proves to be a resilient and physically adept recruit who’s a fast learner. As his skills improve in the boot camp challenges, so does his confidence. And that’s a problem for Harvey, who doesn’t like to see French excel. Harvey is a stereotypical “villain” in this movie that doesn’t give him much of a backstory.

“The Inspection” greatly benefits from having a very talented cast, with Pope, Union and Castillo giving the standout performances. Their respective characters are also the best-written in the movie as fully formed human beings, instead of shallow stereotypes. Even with all the blood, sweat and tears that French experiences during boot camp, Pope’s soul-stirring performance never lets viewers forget that French’s real heartbreak comes from being rejected by his mother.

Union doesn’t have very many scenes in the movie, but when she’s on screen, she brings depth to her Inez character. Inez has self-righteousness about her homophobia because Inez genuinely believes that French’s sexuality means that he’s doomed to be in hell on Earth and elsewhere. Her anger toward French has other reasons too: As a single mother who had financial struggles in raising him, she somewhat blames him for giving her a harder life than she thinks she deserves.

Castillo’s Rosales character doesn’t talk much, but Rosales does a very credible job of expressing Rosales’ inner turmoil. Rosales is a good listener and observer who, unlike Laws, has a compassionate side. One of the best scenes in “The Inspection” is when Rosales asks French why French puts up with all the abuse he’s getting in boot camp and why French wants to be a Marine. This scene is partially shown in the movie’s trailer.

French candidly replies, “I’ve been raising myself since I was 16. My mom won’t even talk to me, If I die in this uniform, I’m a hero to somebody.” Although the story in “The Inspection” is mostly limited to French’s boot camp experiences, the movie shows some hints that French is a talented camera operator—a foreshadowing of Bratton’s future career as a filmmaker. In real life, Bratton got his first experiences in filmmaking as a camera operator in the U.S. Marines.

“The Inspection” doesn’t have a lot of dazzle or artsiness in the movie’s cinematography because this emotionally gritty film doesn’t need it. This is not a movie where people should expect to see a lot of insight into anything other than the world as French sees it in this specific period of his life. Viewers will feel his isolation in the midst of being surrounded by people.

This movie isn’t about how U.S. Marines prepared for war in the Middle East in the early 2000s. It’s about how people can be at war with themselves and their insecurities. “The Inspection” has moments of despair and hope in telling this memorable story. The movie also effectively shows how sometimes a person’s biggest strength is having nothing left to lose.

A24 released “The Inspection” in select U.S. cinemas on November 18, 2022, with an expansion to more U.S. cinemas on December 2, 2022. The movie will be released on digital and VOD on December 22, 2022.

Fashion to Figure launches Gabrielle Union x FTF collection

December 5, 2019

Gabrielle Union x FTF Collection (Photo courtesy of Fashion to Figure)

The following is a press release from Fashion to Figure:

Fashion To Figure, (FTF) one of the first fashion retailers catering to the plus-size market and specializing in on-trend clothing and accessories, announces a partnership to offer Gabrielle Union in plus-sizes 12-24. The first Gabrielle Union x FTF Collection features holiday styles curated to reflect Gabrielle Union’s glamour and edge paired with FTF’s unapologetic celebration of curves.

“My line’s availability at Fashion To Figure is a critical and personal moment for me. This is for my family and all the plus-size women who have messaged me asking for Gabrielle Union. This partnership goes beyond offering a more inclusive and extended size range, it was a deliberate effort to focus on a technical fit that celebrates curves.”

Gabrielle Union x FTF Collection (Photo courtesy of Fashion to Figure)

“It was a natural first step to offer the size range that FTF currently offers, but we are also working on getting the fit right for sizes beyond a 24 for future collections. I am so excited to be on this fashion journey, every collection levels up and I am closer to my personal goal of having a brand with bomb clothes that fit all bodies.”

Gabrielle Union has an amazing fashion sensibility and we are so excited to welcome her to the FTF family,” said Nick Kaplan, president and co-founder of Fashion To Figure. We are thrilled that Gabrielle choose our fit and brand to continue to evolve her collections with.”

Gabrielle Union x FTF Collection (Photo courtesy of Fashion to Figure)

The Holiday 2019 Gabrielle Union Plus-Size Collection available at FTF.com includes:

  • 13-pieces featuring sequins and bold holiday separates in plus-sizes 12-24
  • Price points range from $69.95$199.95

Follow the conversation @FashionToFigure, @Gabunion and #GabunionxFTF

Gabrielle Union x FTF Collection (Photo courtesy of Fashion to Figure)

About Gabrielle Union
The Gabrielle Union Collection was launched exclusively by New York & Company in Fall 2017. In partnership with the Company’s senior designers, Gabrielle’s vision was to create apparel for the modern woman that included a range of sizes and affordable price points while still offering styles that are COOL, FLY, and DOPE. The collection includes a range of dresses, tops, bottoms, denim, outerwear and accessories. Known for supporting and advocating for women, Gabrielle has invited her friends and cast mates to participate in several campaigns since the collection’s inception. Previous campaigns have included: Ajiona Alexus, Essence Atkins, Margaret Avery, Raven Goodwin, Valarie Pettiford, and more. In Spring 2019, Gabrielle launched the Kaavi James capsule collection, inspired by her daughter, Kaavia James. The capsule featured a variety of unisex baby clothes from 0-24 months. In Fall 2019, Gabrielle launched the Red Carpet Collection—a capsule of limited-edition, high-fashion pieces made with elevated fabrics at a higher price point. Gabrielle is also the face of New York & Company’s 7th Avenue Design Studio Collection.

Gabrielle Union x FTF Collection (Photo courtesy of Fashion to Figure)

About FASHION TO FIGURE
Fashion To Figure, founded in 2004 is a leading retailer of on-trend, plus-size apparel and accessories, operating 11 stores nationwide as well as a substantial eCommerce business. Following the brand’s relaunch in 2018 as part of the RTW multi-brand portfolio, Fashion To Figure has accelerated its growth by capitalizing on its fashion heritage while also executing against the brand’s strategic vision, resulting in a double-digit comp rate year-to-date driven by growth in the eCommerce channel. RTW Retailwinds, Inc (NYSE:RTW) includes New York & Company, Fashion To Figure, Eva Mendes Collection, Gabrielle Union Collection and Happy x Nature by Kate Hudson alongside its subscription services, NY&Company Closet and FTF Closet. Its branded merchandise is sold exclusively at its retail and outlet locations and online at www.nyandcompany.com, www.fashiontofigure.com, https://www.happyxnature.com/, www.nyandcompanycloset.com, www.fashiontofigurecloset.com

2018 CinemaCon: What to expect at this year’s event

April 23, 2018

by Carla Hay

CinemaCon

CinemaCon, the annual convention for the National Association of Theatre Owners (NATO), will be held April 23 to April 26, 2018, at Caesars Palace in Las Vegas. About 5,000 people attend the event, which gives movie studios the chance to showcase what they expect to be their biggest hits of the year.

Movie studios scheduled to give their presentations at the event are Sony Pictures Entertainment on April 23; Walt Disney Studios, STX Films and Warner Bros. Pictures on April 24; Entertainment Studios, Universal Pictures, Focus Features and Paramount Pictures on April 25; and 20th Century Fox, Amazon Studios and Lionsgate on April 26.

One of the highlights of CinemaCon 2018 will be the 2018 Pioneer of the Year Award Dinner on April 25. The event will honor Tom Cruise, the first actor to ever receive the award. Tony-and-Grammy-Award-winning “Hamilton” star Leslie Odom Jr. will perform at the event, which will include a special presentation from Cruise’s “Jack Reacher” director Christopher McQuarrie, who also directed Cruise in 2015’s “Mission: Impossible – Rogue Nation” and 2018’s “Mission: Impossible – Fallout.”

CinemaCon culminates with the CinemaCon Big Screen Achievement Awards ceremony, which will take place April 26.

Here are the announced winners of the awards:

CinemaCon Lifetime Award
Jodie Foster

Jodie Foster (Photo by Paul Drinkwater/NBCUniversal via Getty Images)

Jodie Foster has been one of the most critically acclaimed actors in movies since made her big-screen debut in 1972’s “Napoleon and Samantha.” Her most famous movies include 1976’s “Taxi Driver,” 1997’s “Contact” and 2002’s “Panic Room.” She has two Oscars for Best Actress: for  1988’s “The Accused” and 1991’s “The Silence of the Lambs.” In 2018, her thriller film “Hotel Artemis” is set for release. Foster has also become a respected director and producer, having helmed several feature films, including 1991’s “Little Man Tate,” 1995’s “Home for the Holidays,” 2011’s “The Beaver” and 2016’s “Money Monster.”

CinemaCon Icon Award
Samuel L. Jackson

Samuel L. Jackson (Photo by Charley Gallay/Getty Images for Paramount Pictures)

In a career spanning more than 45 years, Oscar-nominated Samuel L. Jackson has appeared in more blockbusters than any other actor. His hit films include 1993’s “Jurassic Park,” 1994’s “Pulp Fiction,” “Star Wars” Episodes I II and III, 2004’s “The Incredibles,” 2012’s “Django Unchained” and several Marvel Studios films, such 2010’s “Iron Man 2,” 2011’s “Captain America; The First Avenger,”  2012’s “The Avengers,” 2014’s “Captain America: The Winter Soldier,” 2015’s “The Avengers: Age of Ultron.” The prolific Jackson has several movies scheduled for release. In 2018, his movies include “The Last Full Measure,” “Incredibles 2” and “Life Itself.” In 2019, he has three movies that are predicted to be big hits: “Glass” (the hybrid sequel to 2000’s “Unbreakable” and 2017’s “Split”), “Captain Marvel” and a remake of “Shaft.”

CinemaCon Visionary Award
Jack Black

CinemaCon Vanguard Award
Jonah Hil

Jack Black and Jonah Hill (Photo by Michael Kovac/Getty Images for Grey Goose Vodka)

Jack Black and Jonah Hill are co-stars in 2018’s “Don’t Worry, He Won’t Get Far on Foot.” Although they have appeared in dramas, they are mostly known for their comedic roles. Black’s biggest hits include 2017’s “Jumanji: Welcome to the Jungle,” the “Kung Fu Panda” movies, 2003’s “School of Rock” and 2005’s “King Kong.” His other 2018 movie is “The House With a Clock in Its Walls.”

Hill, who received Oscar nominations for supporting roles in 2011’s “Moneyball” and 2013’s “The Wolf of Wall Street,” has appeared in a number of hit movies, including 2007’s “Superbad,” 2012’s “21 Jump Street,” 2013’s “This Is the End,” 2014’s “22 Jump Street” and the “How to Train Your Dragon” movies. He’s also reunited with his “Superbad” co-star Emma Stone in the Netflix series “Maniac.”  In 2019, “How to Train Your Dragon: The Hidden World” is due out in cinemas.

CinemaCon Award of Excellence in Acting
Felicity Jones

Felicity Jones (Photo by Christopher Polk)

Felicity Jones had carved out a niche in independent films (usually dramas) before she was nominated for an Oscar for her supporting role in 2014’s “The Theory of Everything.” Since then, her career has grown by leaps in bounds, including starring roles in 2016’s biggest blockbuster, “Rogue One: A Star Wars Story,” and 2016’s “Inferno.” In 2017, she starred in the critically acclaimed “Breathe.” She plays U.S. Supreme Court Justice Ruth Bader Ginsburg in 2018’s “On the Basis of Sex.”

CinemaCon Male Star of the Year
Benicio Del Toro

Benicio Del Toro (Photo by Richard Foreman Jr.)

Benicio Del Toro won an Oscar for his supporting role in 2000’s “Traffic.” He has developed a reputation for playing brooding, often mysterious characters in critically acclaimed movies that range from ,ow-budget independent films to major blockbusters. Del Toro’s best-known movies include 1995’s “The Usual Suspects,” 2013’s “Guardians of the Galaxy” and 2015’s “Sicario” and 2016’s “Star Wars: The Last Jedi.”  His movies set for release in 2018 are “Sicario: Day of the Soldado” and “Avengers: Infinity War,” which is expected to the biggest box-office hit of the year.

CinemaCon Female Star of the Year
Dakota Johnson

Dakota Johnson (Photo courtesy of Universal Pictures)

Coming from from a family of famous actors (her parents are Don Johnson and Melanie Griffith; her maternal grandmother is Tippi Hedren; and her former stepfather is Antonio Banderas), Dakota Johnson has forged her most recognizable identity in movies as the star of the “Fifty Shades” trilogy. She has four very different movies in 2018: S&M-themed romantic drama “Fifty Shades Freed,” the horror movie “Suspiria” and the thriller “Bad Times at the El Royale.”

CinemaCon Director of the Year
Ryan Coogler

Ryan Coogler (Photo by Han Myung-Gu/Getty Images)

After directing just three feature films (2014’s “Fruitvale Station,” “2015’s “Creed” and 2018’s “Black Panther”), Ryan Coogler has become one of the hottest filmmakers in Hollywood, thanks to the blockbuster success of “Black Panther,” which broke the record for the highest-grossing film to open in February. The movie also earned rave reviews from critics, and “Black Panther” is set to be in the Top 5 of the highest-grossing movies of 2018.

CinemaCon Breakthrough Producer of the Year
Gabrielle Union

Gabrielle Union (Photo courtesy of BET)

Gabrielle Union is not new to making movies (she’s starred in 2000’s “Bring It On” and 2012’s “Think Like a Man, among other films), but she is relatively new to producing movies. Union was an executive producer of her 2016 comedy film “Almost Christmas,” and she’s a producer of her 2018 thriller “Breaking In.”

CinemaCon Action Star of the Year
Taron Egerton

Taron Egerton (Photo by Larry Horricks)

Taron Egerton is best known to movie audiences as the star of the “Kingsman” movies: 2014’s “Kingsman: The Secret Service” and 2017’s “Kingsman: The Golden Circle.” His 2018 movies are the big-screen version of the true-crime drama “The Billionaire Boys Club” and as the iconic title character in “Robin Hood.” Egerton is also set to star as Elton John in the biopic “Rocketman,” whose release date is to be announced.

Cinema Spotlight Award
Anna Kendrick

Anna Kendrick (Photo courtesy of Universal Pictures)

Anna Kendrick is best known for starring in the “Pitch Perfect” comedy/musical movies, but she is equally adept at doing dramas, such as her Oscar-nominated turn for her supporting role in 2009’s “Up in the Air.” Her 2018 movie is “A Simple Favor,” a mystery thriller

CinemaCon Female Star of Tomorrow Award
Tiffany Haddish

Tiffany Haddish (Photo by Michele K. Short)

Tiffany Haddish is a longtime stand-up comedian, but she had a major breakthrough in movies with her much-talked-about role in the 2017 comedy smash “Girls Trip.” Since then, her career has been on a hot streak, with starring role in TV and movies, including four films due out in 2018: “Uncle Drew,” “Night School,” “The Oath” and “Nobody’s Fool.”

CinemaCon Breakthrough Performer of the Year
LilRel Howery

LilRel Howery (Photo by Jason Lubin)

LilRel Howery made movie audiences stand up and take notice as the wise-cracking TSA worker in the 2017 horror blockbuster “Get Out.” It was a small but memorable role for the actor who was previously known on screen for starring as Bobby Carmichael in “The Carmichael Show.” Howery’s 2018 movies are the comedy “Uncle Drew” and the sci-fi thriller “Birdbox.”

CinemaCon Comedy Star of the Year
Kate McKinnon

Kate McKinnon (Photo by Adam Rose/ABC)

Kate McKinnon has already won multiple Emmys for her work on “Saturday Night Live,” but she has also made her mark on the big screen, with scene-stealing roles in 2016’s “Ghostbusters” remake, 2017’s “Rough Night” and 2017’s “Ferdinand.” In 2018, her comedy movies set for release are “Irreplaceable You” and “The Spy Who Dumped Me.”

Other awards that will be given at the ceremony:

  • CinemaCon International Filmmaker of the Year Award: J.A. Bayona, director of 2018’s “Jurassic World: Fallen Kingdom”
  • CinemaCon Passpartout Award: Kurt Rieder,  20th  Century Fox International executive VP for theatrical in the Asia Pacific region
  • NATO Marquee Award: Alejandro Ramírez Magaña, Cinépolis CEO/general director
  • Career Achievement in Exhibition Award: Robert Carrady, Caribbean Cinemas president

Gabrielle Union and ‘Being Mary Jane’ co-stars featured in Union’s spring 2018 campaign for New York & Company

February 1, 2018

Gabrielle Union
“Being Mary Jane” co-stars in Gabrielle Union’s Spring 2018 Collection for New York and Company. Pictured from left to right: Lisa Vidal, Gabrielle Union, Margaret Avery, Raven Goodwin (Photo courtesy of New York & Company)

The following is a press release from New York & Company:

New York & Company (NYSE: NWY) has unveiled a sneak peek of Gabrielle Union’s newest campaign, featuring the four leading actresses of BET’s hit show, Being Mary Jane: Gabrielle Union, Lisa Vidal, Margaret Avery, and Raven Goodwin. Aptly titled, #AllTogetherNow the campaign celebrates diverse body types and inclusivity of women of all ages. The full collection will be available to purchase in stores and online beginning Saturday, February 3.

The campaign aims to create a dialogue between customers, followers, and fans. New York & Company encourages users to post photos of friends, family, celebrity role models, and anyone else who inspires and motivates them. By utilizing #AllTogetherNow on social media, New York & Company intends to bring women together to lift each other up and support each other. The new campaign attests to the New York & Company mission of embracing diversity and inclusivity while offering affordable, on-trend styles that empower customers to look and feel their best.

Gabrielle expressed her ideas behind her most recent campaign citing that women must unite to lift each other up and support each other through adversity. “We need to come together. Rise up. We will not be defeated.”

This collection will start at $34.95 and will include sizes 0-20 and XS-XXL. Beginning in April, the Company will expand the collection to include additional sizes of plus, petite, and tall. Gabrielle spoke with InStyle.com revealing, “People were like, ‘We need extended sizes, we need more diversity of sizes,’ and I heard you loud and clear, and I’m offering it.” She continued, “I want to make easy-to-wear, easy-fit, comfortable clothing that you can wear from work to the club, and it doesn’t feel like it’s attacking you.”

Fans of Being Mary Jane can look forward to seeing their favorite actresses throughout Gabrielle’s spring and summer campaigns.

 

New York & Company partners with Gabrielle Union for fashion line, brand ambassador deal

March 31, 2017

Gabrielle Union
(Photo courtesy of New York & Company)

The following is an excerpt from a New York & Company press release:

New York & Company has partnered with actress Gabrielle Union to be the face of the Company’s 7th Avenue Design Studio beginning in April and will launch her own namesake collection, exclusive to New York & Company, in August.

The 7th Avenue Design Studio is a sub-brand within New York & Company that includes chic dresses, modern suiting, and versatile separates. Customers will see Gabrielle’s campaign in stores and online as well as in print advertising, digital marketing, and social media.

The specialty retailer’s 7th Avenue Design Studio collection was largely inspired by hit show “Being Mary Jane,” a TV series produced by and starring the award-winning actress. Gabrielle’s character, Mary Jane Paul, embodies a specific New York & Company customer—the career woman who needs easy and effortless styles that are polished and on-trend. “Mary Jane’s style reflects power, leadership, and risk taking. She wears classic styles but with a twist, which is why I think she’d definitely shop at New York & Company,” Gabrielle explains.

Later this year, New York & Company will expand the partnership further by introducing an exclusive namesake collection designed by Gabrielle. New York & Company CEO Greg Scott stated, “Our customers will relate to Gabrielle. She has worked hard to establish a successful career and is both, aspirational and inspirational to our consumer. Gabrielle’s collection will be unlike anything our customers have ever seen from us. Adding her brand to our portfolio will strongly appeal to our loyal clients and will also attract new customers to our brand. It will be significant to our growth strategy in 2017.”

The launch of this partnership is a “whole new game” for Union. She shares, “I am excited to work with a brand that’s known for embracing diversity and that caters specifically to women—especially women who want to look on-point without breaking the bank. I can’t wait to show everyone what I’ve been working on!”

 

https://www.youtube.com/watch?v=PuAHyvsvwMc

Copyright 2017-2024 Culture Mix
CULTURE MIX