Review: ‘Death on the Nile’ (2022), starring Kenneth Branagh, Gal Gadot, Armie Hammer, Annette Bening, Sophie Okonedo, Letitia Wright and Jennifer Saunders

February 7, 2022

by Carla Hay

Letitia Wright (second from left); Armie Hammer and Gal Gadot (center); Dawn French (fifth from right); Ali Fazal (fourth from right); and Kenneth Branagh (far right) in “Death on the Nile” (Photo by Rob Youngson/20th Century Studios)

“Death on the Nile” (2022)

Directed by Kenneth Branagh

Some language in French with subtitles

Culture Representation: Taking place primarily in 1937 in Egypt and England (and briefly in 1914 in Belgium), the dramatic film “Death on the Nile” features a predominantly white cast of characters (with a few black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Celebrated detective Hercule Poirot gets involved in a murder mystery that happens during a glamorous newlywed couple’s honeymoon trip to Egypt, and all of the suspects are the couple’s friends, associates and enemies who are on the trip.

Culture Audience: “Death on the Nile” will appeal mainly to people who are fans of Agatha Christie novels, murder mysteries and the stars of this movie.

Gal Gadot, Emma Mackey and Armie Hammer in Death on the Nile” (Photo by Rob Youngson/20th Century Studios)

Stylish and suspenseful but with some occasional missteps, the 2022 remake of “Death on the Nile” should satisfy fans of retro murder mysteries. The movie stands out for giving famed detective Hercule Poirot more of a personal backstory. Kenneth Branagh, who stars as Poirot and leads the all-star cast, is the director of the 2022 version of “Death on the Nile,” which was written by Michael Green and is based on Agatha Christie’s 1937 novel of the same name. The book was also made into a 1978 movie that also had a star-studded cast that included Peter Ustinov, Bette Davis, Mia Farrow, David Niven, Maggie Smith, Angela Lansbury and George Kennedy.

“Death on the Nile” centers on a murder mystery that takes place during a wealthy newlywed couple’s honeymoon cruise to Egypt. The 2022 movie version of “Death on the Nile” makes some significant changes in the cast of characters from the book and the 1978 movie. There are slightly less people in the group of suspects, and the group has racial diversity that was missing from the book and the 1978 movie. Branagh, Green and most of the same team of producers (including Branagh) who made 2017’s “Murder on the Orient Express” (another movie remake of an Agatha Christie novel starring Hercule Poirot) are also behind the 2022 version of “Death on the Nile.”

Belgian detective Poirot has been a bit of a mystery himself, but the 2022 version of “Death on the Nile” makes a bold move to expose his vulnerabilities, by opening with a flashback scene that shows his personal life before he became a famous private investigator. It’s October 31, 1914, and Poirot is on a World War I battlefield with a group of soldiers near the Yser Bridge in Belgium. Through his highly intelligent deduction skills, Poirot is able to suggest an attack strategy that ends up saving the lives of his military comrades.

Captain Rens (played by Orlando Seale), the group leader, praises Poirot, by saying: “You were right, Poirot. You’re too smart to be a farmer.” But then, tragedy strikes when Captain Rens walks somewhere on the battlefield that accidentally triggers a booby-trap bomb, and he is instantly killed.

Poirot is severely injured in the blast, and he ends up in a hospital. A bedridden Poirot is visited in the hospital by his fiancée Katherine (played by Susannah Fielding), who comforts him because Poirot blames himself for Captain Rens’ death. There’s another reason why Poirot is so despondent: The right side of face has been severely disfigured.

Poirot, who had plans to be a farmer after he got out of the military, tells Katherine that he will understand if she no longer wants to marry him and end their relationship. Katherine professes her undying loyalty to Poirot and tries to cheer him up. She says about covering up his large facial scar: “Simple: You’ll grow a moustache.” And in that moment, it’s explained why Poirot has an unusually large moustache that curls over his face cheeks.

The movie then fast-forwards to London in 1937. A famous nightclub frequented by celebrities is having an eventful night. World-famous socialite/heiress Linnet Ridgeway (played by Gal Gadot) has arrived at the nightclub to much fanfare and media attention. Also at the nightclub are an attractive, newly engaged couple named Jacqueline “Jackie” de Bellefort (played by Emma Mackey) and Simon Doyle (played by Armie Hammer), who both love being in glamorous company but are struggling financially.

Jackie and Linnet have known each other since they went to the same high school, but they haven’t stayed in touch and haven’t seen each other in a while. Simon is unemployed and looking for work. Jackie is hoping that Linnet will offer Simon a job in Linnet’s real-estate ventures.

When Jackie and Linnet see each other for the first time in years, they greet each other warmly. Jackie introduces her fiancé Simon to Linnet and boasts about how intelligent and capable he is in real estate development. Jackie asks Linnet to hire Simon. And as encouragement for Linnet to see how charming Simon is, Jackie tells Simon that he should dance with Linnet.

As soon as that happens, you know what’s going to come next: Simon and Linnet dance together, and there’s noticeable chemistry between them. Jackie notices it too, and she looks a little bit wary and uncomfortable.

The nightclub’s entertainment for the evening is an American blues singer named Salome Otterbourne (played by Sophie Okonedo), a talented entertainer who hides her streetwise toughness behind a seductive Southern drawl. (Okonedo is a very good singer, by the way.) Salome’s manager is her niece Rosalie Otterbourne (played by Letitia Wright), who is first seen demanding that the nightclub owner/manager Monsieur Blondin (played by Rick Warden) pay Salome’s entire fee up front, before Salome performs.

Monsieur Blondin tries to act like he won’t pay until after the performance, but Rosalie stands firm and gets what she wants. Rosalie tells him that nightclub owners have a way of suddenly being “broke” and unable to pay an entertainer who performed in the club. This exchange is a nod to what many entertainers had to go through to avoid getting ripped off by unscrupulous promoters and venue owners who tried to cheat entertainers out of their rightful payment. No one brings up race in this movie, but the implication is that these ripoffs happened to black entertainers more than white entertainers.

The characters of Salome and Rosalie represent two of the biggest changes in the 2022 version of “Death on the Nile.” In the book and in the 1978 movie, Salome and Rosalie are both white characters, with Salome being a romance novelist and Rosalie being Salome’s daughter. The 2022 version of “Death on the Nile” presents Salome as very forward-thinking and progressive to make her niece her manager, since it was very unusual in 1937 for a young black woman to be a talent manager in the entertainment business.

After this nightclub scene, “Death on the Nile” then fast-forwards six weeks later. Simon and Linnet are now newlyweds who are honeymooning in Egypt. (The movie never shows their courtship.) The honeymoon includes a cruise on the Nile River. What happened to Jackie? She’s become a bitter and jilted ex-lover who has been stalking Linnet and Simon.

Poirot is in Egypt too, traveling alone. He’s taking in the sights of a pyramid when he sees his young friend Bouc (played by Tom Bateman) flying a kite on the pyramid. (Bouc was also in “Murder on the Orient Express,” since he is the nephew of the Orient Express’ owner.) Bouc and Poirot are happy to see each other and marvel at how much of a coincidence that they are both in this remote area.

Poirot’s encounter with Bouc is how he finds out that Bouc and his domineering, wealthy mother Euphemia Bouc (played by Annette Bening) are guests who were invited to be on Linnet and Simon’s honeymoon party trip. All of the guests have gathered at the same hotel before they embark on the cruise on the Nile.

And what a coincidence: Poirot is staying at the same hotel too. And he gets invited to be a part of this honeymoon party. Also invited are Salome and Rosalie, because Linnet was so impressed with Salome’s nightclub performance, Linnet hired Salome to be the entertainment for this honeymoon trip. Another member of this honeymoon entourage is Linnet’s loyal business trustee Katchadourian (played by Ali Fazal), who was a white man named Andrew Pennington in the book and 1978 movie. In the 2022 version of “Death on the Nile,” Katchadourian is also Linnet’s cousin.

Also along for the trip are Linnet’s quiet and timid maid Louise Bourget (played by Rose Leslie); Linnet’s feisty socialite godmother Marie Van Schuyler (played by Jennifer Saunders); Marie’s dutiful nurse Miss Bowers (played by Dawn French); and Linnet’s ex-fiancé Dr. Windlesham (played by Russell Brand), a medical physician whom Linnet dumped to be with Simon. When Poirot later asks Dr. Windlesham why he agreed to go on this potentially awkward honeymoon trip, Dr. Windlesham replies that Linnet invited him and he couldn’t say no to her.

Bouc introduces Poirot to Simon and Linnet. In a private conversation, Linnet tells Poirot about the stalking problem that she and Simon have with Jackie. Linnet wants to hire Poirot to get Jackie to stop stalking the couple. However, when Poirot asks Linnet if Jackie has made any threats, Linnet says no and admits that all Jackie does is show up in the same places and Simon and Linnet and stare at them.

Poirot is candid in telling Linnet that Jackie technically isn’t breaking the law, because Jackie hasn’t made any threats and because Jackie is not trespassing in the public places where she follows Simon and Linnet. However, Poirot agrees to talk to Jackie the next time that he sees her and promises to try to convince Jackie to stop following Simon and Linnet. Somehow, Jackie found out about this cruise, so she’s booked on the same cruise ship as the honeymoon party group.

Linnet also confides in Poirot that she doesn’t feel safe in this group of people she’s invited on her honeymoon. “When you have money, you have no friends,” Linnet says with jaded sorrow. Linnet tells Poirot that she constantly feels as if she’s in danger. It’s a foreshadowing of what will eventually happen to Linnet.

When Poirot meets Jackie for the first time, it’s on the cruise ship. He finds out in their private conversation that Linnet has outshined Jackie, ever since they were in high school together. As an example, Jackie remembers how Linnet replaced Jackie in the Cleopatra role of a school production of “Antony and Cleopatra.” Poirot tactfully tells Jackie that she should move on with her life and let Simon and Linnet be happy together. But Jackie insists, “Simon loves me! A love that fierce doesn’t vanish!”

Poirot then opens up to Jackie about his own heartbreak, when he talks about how he thought he couldn’t live after the end of a love affair with a woman he considers to be his soulmate. He’s obviously talking about Katherine, but what happened to Poirot and Katherine is hinted at and not fully divulged in the movie. Poirot’s eyes tear up when he talks about her, and it’s a rare moment when he shows how emotionally damaged he’s been by this heartbreak.

You don’t have to be a psychiatrist to speculate that Poirot’s eccentricities and his decision to go into detective work instead of being a farmer perhaps had a lot to do with how he was affected by the end of his romance with Katherine. Poirot is famously obsessive-compulsive. His insistence on sticking to certain habits and believing in certain superstitions are indications that he wants to maintain some type of control in his life. There’s a scene in the movie where Poirot is given seven tiny desserts to eat at his dining table, and he asks that one of the desserts be taken away because he only wants to have an even number (not an odd number) of dishes on the table.

And who gets murdered in “Death on the Nile”? It’s not spoiler information (since it’s common knowledge) that Linnet is found dead of a gunshot wound, in her bed on the cruise ship. A valuable necklace of hers also goes missing around the same time. (In the book and 1978 movie, it’s a pearl necklace. In the 2022 movie, it’s a yellow diamond necklace.) And Poirot immediately begins his investigation to find out who’s responsible for Linnet’s murder. Linnet won’t be the only person to die during this ill-fated trip.

The 2022 movie version of “Death on the Nile” takes some liberties with reality, because during this entire investigation, the ship’s officials aren’t shown getting involved in this murder investigation. And for the purpose of streamlining the story, there are less people who are investigated than there would be in real life, when anyone on the ship could be considered a person of interest, until proven otherwise. Conveniently, Linnet reserved the entire ship for herself and her entourage. But unrealistically, no one in the ship’s staff is questioned during this investigation.

The 2022 “Death on the Nile” eliminates, condenses or makes other changes to certain characters that were in the book and the 1978 movie. What hasn’t changed is that all of the suspects are people who knew Linnet. In addition to having more racial diversity, the 2022 version of “Death on the Nile” has LGBTQ representation in a subplot that won’t be revealed here. It should come as no surprise that Poirot is the one who figures out certain people’s secrets.

In the book and in the 1978 movie, Marie Van Schuyler and Miss Bowers are American, but they are British in the 2022 version of “Death on the Nile.” The book and the 1978 movie both had a character that’s not in the 2022 movie: an outspoken Communist named Mr. Ferguson. In a divisive political climate, it’s easy to see why the filmmakers of the 2022 “Death on the Nile” wanted to avoid politics in this movie remake.

The 1978 movie and book had a character named physician Dr. Bessner (who was Austrian in the book and Swiss in the movie), but the Dr. Bessner character is not in the 2022 movie. The Dr. Windlesham character seems to be a substitute for the Dr. Bessner character, since Dr. Windlesham is the only one on the ship who can determine the cause of death and the estimated time of death. Meanwhile, the book has other characters that aren’t in either movie, such as attorney Jim Fanthorp, Italian archaeologist Guido Richetti and Marie’s cousin Cornelia Robson.

Branagh’s 2017 version of “Murder on the Orient Express” got some criticism for having a group of suspects that was too large and unwieldy. It might be why his 2022 version of “Death on the Nile” has a smaller ensemble cast that’s less likely to confuse or distract movie audiences, compared to a murder mystery with a larger group of suspects. Fans of Christie’s “Death on the Nile” novel shouldn’t be disappointed by these changes. Having a smaller ensemble cast than “Murder on the Orient Express” and the 1978 version of “Death on the Nile” gives the 2022 version of “Death on the Nile” more room to focus on the individual personalities of this intriguing group of suspects.

Viewers find out that Bouc, who is a friendly and open person, is in love with someone he wants to marry, but his paramour doesn’t have his mother Euphemia’s approval. Bouc is a self-admitted “mama’s boy” who desperately craves his mother’s approval and relies on her money for financial support, which she threatens to cut off if he marries the woman he loves. Euphemia is extremely bitter and cynical about love and marriage, because she repeatedly says that there’s no such thing as a happy marriage, and love usually ends in heartbreak.

Salome knows a thing or two about failed marriages, because when Poirot asks her about her personal life, she has this sassy reply: “I’ve had a handful of husbands. My husbands were a handful.” It eventually becomes obvious that uptight Poirot and free-spirited Salome have “opposites attract” feelings for each other. Whether or not it turns into a romance is hinted at in a “to be continued” manner. It’s another way that this movie shows Poirot as someone other than the rigid, enigmatic, asexual investigator that he’s presented as in the books and other movies about him.

As a movie that’s set mostly in Egypt, “Death on the Nile” has some visually stunning scenes of pyramids and the Nile River. The cinematography and production design are above-average for the most part, but sometimes the lighting is uneven or unflattering. For example, there are several interior scenes where the cast members’ faces look too shiny, as if they’re about to break out into a sweat. These are noticeable flaws that don’t take away from the overall enjoyment of the movie.

Viewers will find plenty of entertainment and thrills in “Death of the Nile,” although some of the characters aren’t fully developed. Linnet’s maid Louise often fades into the background. Linnet’s ex-fiancé Dr. Windlesham literally is a silent observer in the background for half of his screen time, until after Linnet’s murder when he suddenly becomes a talkative medical examiner.

Branagh authentically shows more emotional depth as Poirot, for the reasons stated earlier, which makes his performance in “Death on the Nile” much more interesting than in “Murder on the Orient Express.” Mackey handles her complex role well as Jackie, who is someone whom audiences can either pity or dislike, sometimes at the same time.

Gadot’s performance as Linnet is a little on the shallow side, while Hammer gives Simon a “plastic playboy” vibe of someone who’s accustomed to being the heartbreaker in a relationship. Are they believable as a couple who fell so passionately in love with each other that they got married within six weeks of meeting each other? Not really, but anyone who breaks off a marriage engagement to marry someone else within six weeks is someone who probably has self-centered tendencies. In that regard, Linnet and Simon are a superficial and vain couple that this story intended them to look like.

The rest of the cast members are perfectly fine in their roles. Some of the movie’s best lines are said by Salome, Euphemia and Marie: three strong-willed and outspoken women who, under different circumstances, might’ve had a great time together if they became friends. “Death on the Nile” has most of the main characters, including Poirot, rethinking perceptions of themselves and other people. It’s why this movie is more than a murder mystery. It’s also a thoughtful commentary on how death can change people’s life priorities.

20th Century Studios will release “Death on the Nile” in U.S. cinemas on February 11, 2022.

Review: ‘Zack Snyder’s Justice League,’ starring Ben Affleck, Gal Gadot, Ray Fisher, Ezra Miller, Jason Momoa and Henry Cavill

March 15, 2021

by Carla Hay

Ray Fisher, Ezra Miller, Ben Affleck, Henry Cavill, Gal Gadot and Jason Momoa in “Zack Snyder’s Justice League” (Photo courtesy of HBO Max/Warner Bros. Pictures)

“Zack Snyder’s Justice League”

Directed by Zack Snyder

Culture Representation: Set in several fictional DC Comics places such as Gotham, Metropolis, Central City and Atlantis, “Zack Snyder’s Justice League” has a predominantly white cast of characters (with some African Americans and Asians), ranging from superheroes to regular citizens to villains.

Culture Clash: An all-star group of superheroes called Justice League gather to do battle against evil entities that want to take over the universe.

Culture Audience: “Zack Snyder’s Justice League” will appeal primarily to people who are fans of epic superhero movies that have a dark and brooding tone.

Steppenwolf (voiced by Ciarán Hinds) in “Zack Snyder’s Justice League” (Photo courtesy of HBO Max/Warner Bros. Pictures)

“Zack Snyder’s Justice League” is a four-hour superhero movie that can be summed up in four words: “definitely worth the wait.” Also unofficially known as “The Snyder Cut,” this extravaganza is the director’s cut of 2017’s “Justice League,” an all-star superhero movie that was panned by many fans and critics. Even though Snyder was the only director credited for “Justice League,” it’s a fairly well-known fact that after Snyder couldn’t complete the film because his 20-year-old daughter Autumn committed suicide, writer/director Joss Whedon stepped in to finish the movie. Whedon made some big changes from Snyder’s original vision of “Justice League.” (There’s a dedication to Autumn that says “For Autumn” at the end of “Zack Snyder’s Justice League.”) The “Justice League” that was released in 2017 had a lot of wisecracking jokes, and the violence and language were toned down to a more family-friendly version of the movie.

Since the release of “Justice League” in 2017, fans of DC Comics movies demanded that Warner Bros. Pictures “release The Snyder Cut” of the film. And due to popular demand, Snyder was able to make the “Justice League” movie he originally intended to make. “Zack Snyder’s Justice League” is part of HBO Max’s lineup of original content.

As promised, “Zack Snyder’s Justice League” is a darker and more violent version of the 2017 “Justice League” movie, but it also has a lot more emotional depth and gives room for more character development and intriguing possibilities within the DC Extended Universe (DCEU). “Zack Snyder’s Justice League” was written by Chris Terrio, with Snyder, Terrio and Will Beall credited for the story concept. Terrio and Whedon were credited screenwriters for “Justice League.”

Does “Zack Snyder’s Justice League” live up to the hype? Mostly yes. The scenes with the main characters are of higher quality and are more riveting than in the original “Justice League.” The action scenes are more realistic. The overall pacing and tone of the story are also marked improvements from the 2017 version of “Justice League.” However, the reason for the cameo appearance of The Joker (played by Jared Leto) in the movie’s epilogue isn’t what it first appears to be, so some fans might be disappointed. And the appearance of Ryan Choi/Atom (played by Ryan Zheng) is very brief (less than two minutes), and he doesn’t talk in the movie.

Many people watching “Zack Snyder’s Justice League” have already seen “Justice League,” so there’s no need to rehash the plot of “Justice League.” This review will consist primarily of the content in “Zack Snyder’s Justice League” that was not in “Justice League.” For those who have not seen “Justice League,” the basic summary is that an all-star group of superheroes have assembled to battle an evil villain that wants to take over the universe by gathering three mystical Mother Boxes, which are living machines that have enough energy to cause widespread destruction.

The superheroes are Batman/Bruce Wayne (played by Ben Affleck), Superman/Clark Kent (played by Henry Cavill), Wonder Woman/Diana Prince (played by Gal Gadot), Cyborg/Victor Stone (played by Ray Fisher), The Flash/Barry Allen (played by Ezra Miller) and Aquaman/Arthur Curry (played by Jason Momoa)—all seen together in a live-action movie for the first time in “Justice League.” The villain is Steppenwolf (voiced by Ciarán Hinds), but “Zack Snyder’s Justice League” features the first movie appearances of two arch villains that have more power and authority than Steppenwolf: DeSaad (voiced by Peter Guinness) and the supreme villain Darkseid (voiced by Ray Porter).

“Zack Snyder’s Justice League” is divided into chapters with these titles:

  • Part 1 – “Don’t Count On It, Batman”
  • Part 2 – “Age of Heroes”
  • Part 3 – “Beloved Mother, Beloved Son”
  • Part 4 – “Change Machine”
  • Part 5 – “All the King’s Horses”
  • Part 6 – “Something Darker”
  • Epilogue

In “Zack Snyder’s Justice League,” Steppenwolf is more of a sniveling lackey than he was in “Justice League,” because there are multiple scenes of him acting subservient to DeSaad. Steppenwolf is still aggressive against his foes, while DeSaad is sinister and imperious, and Darkseid is fearsome and unforgiving. In a new scene between DeSaad and Steppenwolf, DeSaad scolds Steppenwolf for betraying the Great One and Steppenwolf’s own family. Steppenwolf replies with regret, “I saw my mistake!”

When Bruce goes to Iceland to recruit Arthur, their confrontation is a little more violent and Bruce flashes a wad of cash to entice Arthur to join Justice League. This scene is extended to show some Icelandic women singing on the seashore after Arthur declines Bruce’s offer, Arthur takes off his sweater, and swims away. One of the women picks up Arthur’s sweater and smells it, not in a salacious way, but as a way to give her comfort.

Back in Metropolis, there’s previously unseen footage of Daily Planet newspaper reporter Lois Lane (played by Amy Adams) getting coffee for a local cop. It becomes clear that this was a routine for her, since she’s seen doing this again in the scene where she finds out that Superman has come back to life. It gives some depth to Lois trying to have a normal routine after the death of her fiancé Clark Kent/Superman. It’s mentioned in the movie that Lois took a leave of absence from the Daily Planet after Clark died.

And there’s an extended scene of Wonder Woman fighting off terrorists in a government building. “Zack Snyder’s Justice League” has less shots of Wonder Woman fighting in slow motion and more shots of her speeded up while she’s fighting. And in the terrorist scene, “Zack Snyder’s Justice League” puts more more emphasis on Wonder Woman saving a group of visiting schoolkids (who are about 10 or 11 years old) and their teachers, who are taken hostage during this fight.

After Wonder Woman defeats the terrorists, she says to a frightened girl: “Are you okay, princess?” The girl replies, “Can I be you someday?” Wonder Woman answers, “You can be anything you want to be.”

Victor Stone/Cyborg gets the most backstory in “Zack Snyder’s Justice League.” Viewers will see the car accident that led to his scientist father Silas Stone (played by Joe Morton) deciding to save Victor’s life by using the Mother Box on Earth to turn Victor into Cyborg. The love/hate relationship that Victor has with his father is given more emotional gravitas in “Zack Snyder’s Justice League.” Viewers see in the movie that even before the car accident, there was tension between Silas and Victor because of Silas’ workaholic ways. There are also never-before-seen scenes with Victor’s mother Dr. Elinore Stone (played by Karen Bryson), who died in the car crash.

And speaking of car crashes, there’s an added scene of Barry Allen /The Flash applying for a job as a dog walker at a pet store called Central Bark. Before he walks into the store, he locks eyes with passerby Iris West (played by Kiersey Clemons), in the way that people do when they have mutual attraction to each other. Iris gets into her car to drive off, but a truck driver (who was distracted by reaching for a hamburger he dropped on the floor of the vehicle) slams into Iris’ car, and Barry rescues her.

During this rescue, Barry grabs a hot dog wiener from a food vendor cart that was smashed in the accident and gets back to the pet store in time to feed the wiener to the dogs. Barry then quips to the store manager, “Do I start on Monday?” It’s an example of the touches of humor that the movie has, to show it isn’t completely dark and gloomy. By the way, this car accident/rescue scene is the only appearance of Iris in the movie.

“Justice League” got a lot of criticism for the movie’s corny dialogue that many viewers thought cheapened what should have been a more serious tone to the movie. And even the parts of “Justice League” that were supposed to be comedic were slammed by fans and critics for not being very funny. “Zack Snyder’s Justice League” removes a few of the most cringeworthy lines that “Justice League” had.

For example, in the “Justice League” scene where Barry/The Flash and Victor/Cyborg are digging up Superman’s grave, Barry makes an awkward attempt to bond with Victor by extending his hand in a fist bump toward Victor, but Victor doesn’t return the gesture. Barry then makes a remark that the timing might be off and the fist bump might be too racially charged for the moment. These lines are completely cut from “Zack Snyder’s Justice League,” but the movie still has The Flash/Cyborg fist bump after the group showdown battle with Steppenwolf.

The gravedigging scene in “Zack Snyder’s Justice League” is changed to Barry saying to Victor: “Wonder Woman: Do you think she’d go for a younger guy?” Victor replies, “She’s 5,000 years old, Barry. Every guy is a younger guy.”

Another removal from “Justice League” are some words that Lois utters when she and a resurrected Superman are reunited, and he takes her to a corn field on the Kent family farm. In the original “Justice League” Lois tells him, “You smell good.” And he replies, “Did I not before?” In “Zack Snyder’s Justice League,” Lois’ line is changed to “You spoke.” And Superman gives the same reply, “Did I not before?”

But make no mistake: Even though “Zack Snyder’s Justice League” has some dialogue that’s intended to be funny, the movie definitely has a heavier and edgier tone than “Justice League.” Aquaman still does some joyous whooping and hollering during the fight scenes with Steppenwolf, but it’s toned down in “Zack Snyder’s Justice League” so he doesn’t sound so much like a happy guy at a frat party. And these superheroes say occasional curse words that wouldn’t make the cut in a movie that’s intended for people all ages.

Even the music that plays during the end credits reflects this more somber and more reflective tone. In “Justice League,” the music playing over the end credits was Gary Clark Jr.’s bluesy-rock, upbeat version of The Beatles’ “Come Together.” In “Zack Snyder’s Justice League,” the music that plays over the end credits is Allison Crowe’s raw and soulful version of Leonard Cohen’s “Hallelujah,” which is a song that’s often played at funerals in tribute to someone.

In “Zack Snyder’s Justice League,” there’s a lot more screen time devoted to showing the aftermath of death and how the loved ones left behind are grieving, including extended scenes of how Superman’s adoptive mother Martha Kent (played by Diane Lane) and Lois are dealing with Clark/Superman’s death. Arthur/Aquaman keeps going back to the deep ocean to spend time with the preserved body of his father. Victor visits the gravesite of his mother. And then later, Victor goes to the gravesites of his mother and his father, who was killed when a STAR Labs building exploded. Wonder Woman and Aquaman discuss a past war between the Amazons and the Atlanteans and how there are still lingering repercussions of that destruction.

“Zack Snyder’s Justice League” also delivers more details on what happened in the STAR Labs building during the part of the movie where Superman was resurrected and Steppenwolf stole the Mother Box that was hidden by humans on Earth. This new scene gives more context and shows that Steppenwolf did not get the Mother Box so easily. Victor made a decision that cost him his life, while certain members of Justice League were inside the building soon after the Mother Box was taken.

There are also extended scenes with Mera (played by Amber Heard), Nuidis Vulko (played by Willem Dafoe), Alfred Pennyworth (played by Jeremy Irons) and Deathstroke (played by Joe Manganiello). And the epic battle with Steppenwolf toward the end is truly a spectacle to behold. Viewers will see DeSaad’s and Darkseid’s reactions to this fight. The movie’s epilogue includes a conversation between Bruce and Martian Manhunter that strongly indicates that fans should look for Martian Manhunter to play a major role in another DCEU movie. Simply put: “Zack Snyder’s Justice League” is mostly a triumph and can easily be considered one the the best DCEU movies of all time.

HBO Max will premiere “Zack Snyder’s Justice League” on March 18, 2021.

Review: ‘Wonder Woman 1984,’ starring Gal Gadot, Chris Pine, Pedro Pascal and Kristen Wiig

December 24, 2020

by Carla Hay

Gal Gadot in “Wonder Woman 1984” (Photo by Clay Enos/Warner Bros. Pictures & © DC Comics)

“Wonder Woman 1984”

Directed by Patty Jenkins

Culture Representation: Taking place in 1984, primarily in Washington, D.C, plus other parts of the world, the superhero action flick “Wonder Woman 1984” has a predominantly white cast of characters (with some Latinos, African Americans and Asians) representing different classes of people.

Culture Clash: Diana Prince, also known as superhero Wonder Woman, battles against a power-hungry business mogul who wants to rule the world, while one of her female co-workers falls into the mogul’s seductive trap and becomes his ally.

Culture Audience: “Wonder Woman 1984″ will appeal primarily to people who like family-friendly, comic-book-based movies that blend action with social issues and goofy comedy.

Pedro Pascal in “Wonder Woman 1984” (Photo by Clay Enos/Warner Bros. Pictures & © DC Comics)

“Wonder Woman 1984” could have been subtitled “Be Careful What You Wish For, You Just Might Get It,” because by the end of the movie, this old adage has been pounded into viewers’ consciousness to the point of being almost numbing. “Wonder Woman 1984” is the sequel to the 2017 blockbuster “Wonder Woman,” which was a less bloated, less sociopolitical movie than “Wonder Woman 1984,” but the original “Wonder Woman” movie took itself more seriously as an action film. Both movies (based on DC Comics’ “Wonder Woman” series) were directed by Patty Jenkins, who did not write 2017’s “Wonder Woman,” but she co-wrote the “Wonder Woman 1984” screenplay with Geoff Johns and Dave Callaham.

The results in “Wonder Woman 1984” are mixed. On the one hand, the movie aims to be a crowd-pleaser appealing to various generations of people. In the first half of the movie, Wonder Woman has the type of fun-loving superhero action that’s almost cartoonish. In a chase scene that happens fairly early in the movie, Wonder Woman (played by Gal Gadot), also known as Diana Prince, thwarts a heist in a shopping mall by singlehandedly apprehending the four thieves who robbed a jewelry store in the mall. She gives a wink and a smile to some awestruck kids who witness this spectacle. There are also several campy moments in the movie with the character who ends up being the story’s chief villain.

But on the other hand, in the second half of the movie, there are some heavy-handed issues about the nuclear arms race, greed and political corruption that overwhelm the plot. And the plot goes a little bit off the rails because it involves people worldwide having to agree to undo a lot of things that already did significant damage. Not even Wonder Woman is that much of a superhuman political diplomat, but “Wonder Woman 1984” tries to bite off more than it can chew with this concept.

The movie’s total running time is a little too long, at two-and-a-half hours. The tone is very uneven, because “Wonder Woman 1984” has some problems balancing the comedic moments with the serious moments. And the visual effects are hit and miss. (Some of the human characters look very fake in CGI action scenes.) Despite the flaws in “Wonder Woman 1984,” it’s still a fairly enjoyable superhero movie, because of the convincing interactions between the characters and because it mostly succeeds as an entertaining story that holds people’s interest.

“Wonder Woman 1984” begins where “Wonder Woman” began: in her female-only Amazon homeland, the island nation of Themyscira, which is supposed to be a place that has secretly existed on Earth for eons. The actresses who portray the Amazons of Themyscira have a mishmash of European accents. A young Diana (played by Lilly Aspell), who’s about 9 or 10 years old, is seen in an intense athletic competition with adult Amazon warriors. There’s no explanation for why Diana is the only child in this competition, which involves several obstacle courses of running, riding horses and shooting arrows through giant circles placed on top of tall structures.

As a princess, Diana is expected to win for her team. But when she falls off of a horse and lags behind her competitors, she decides to take a shortcut to make up for lost time. She ends up finishing ahead of her competitors, but her mentor Antiope (played by Robin Wright), who’s also the competition’s judge, disqualifies Diana as the winner, because Diana cheated and therefore she’s “not ready to be a true winner.”

Diana’s queen mother Hippolyta (played by Connie Nielsen) comforts a disappointed Diana by telling her: “One day, you’ll become everything you dream of and more. And everything will be different. This world is not ready for all that you will do.” In case people don’t know about Wonder Woman already, she seems to be immortal, because as an adult, she’s able to live through several centuries and still look like she’s in her late 20s/early 30s.

The movie then fast-forwards to 1984 in Washington, D.C., where Diana is working at the Smithsonian Museum as a cultural anthropologist and archaeologist. She is grieving over the death of her American pilot boyfriend Steve Trevor (played by Chris Pine), who (spoiler alert) died during a heroic feat in the first “Wonder Woman” movie, which took place in 1918 during World War I. And now, Diana is moonlighting as Wonder Woman, who is only known to the public at this point as a mysterious crime fighter who’s recently been sighted in the D.C. area.

The four thieves who were apprehended by Wonder Woman in the shopping mall weren’t doing a run-of-the-mill theft in a jewelry store. The store had a hidden room with stolen treasure items that were being sold on the black market. One of the items stolen was a citrine, a classic stone used in fake gems throughout history.

A pointed citrine stone that was part of the stolen haul makes its way to the Smithsonian Museum, where the FBI has asked Smithsonian experts to help identify the origins of some of the stolen treasure. One of the Smithsonian experts enlisted for this task is Barbara Minerva (played by Kristen Wiig), a meek and socially awkward nerd who works in geology, gemology, lithology and cryptozoology.

Barbara is someone who is routinely ignored and/or disrespected by her work colleagues. Her co-workers barely acknowledge her presence when she greets them. Her supervisor Carol (played by Natasha Rothwell) doesn’t even remember interviewing Barbara, or even meeting Barbara, before she asks Barbara for her help with the FBI investigation.

The only person at the Smithsonian who treats Barbara like someone worthy of their social time is Diana, and the two women end up becoming work friends. Barbara and Diana meet when Diana helps Barbara pick some paperwork that Barbara accidentally dropped out of a briefcase on a lobby floor at work. Barbara is desperate for a friend, so she asks Diana to lunch, but Diana says she’s too busy.

However, Diana and Barbara end up in the same room with the stolen treasures in the FBI investigation. And the two women find out that they both have a shared passion for ancient artifacts. The citrine stone is not considered one of the more valuable items, in terms of monetary value. And during their conversation, it’s mentioned that the legend of the stone is that it can grant one wish to the person who holds the stone. Diana holds the stone and silently wishes for Steve to come back to life.

Diana and Barbara have dinner together that day. And over dinner, they talk about their lives. Barbara is a stereotypical middle-aged spinster who lives alone, has no kids and has no love life. The only cliché about this lifestyle that Barbara doesn’t have is a pet cat. But she actually does become a “cat lady” later on in the story.

When Barbara asks Diana if she’s ever been in love, Diana tells her that she used to be in love with an American pilot, who died. Diana doesn’t give any further details, but she makes it clear that she’s still heartbroken and not ready to move on to someone else. Barbara is very insecure about her looks and her prospects of finding love, but Diana tries to give Barbara a confidence boost throughout their conversation.

Diana compliments Barbara by telling her that she’s one of the most natural and funniest people she’s ever met. Barbara is surprised because she’s not used to hearing flattering remarks about herself. She tells Diana, “People think I’m weird. They avoid me and talk about me behind my back and think I don’t hear them.”

After this friendly dinner, Barbara is walking through a park by herself and gives her dinner leftovers to a homeless man. And soon afterwards, a middle-aged drunk and disheveled man (played by Shane Attwooll) accosts her and tries to get her interested in him. Barbara rebuffs his advances and he gets physically aggressive with her. It’s about to turn into a full-blown assault, but Diana comes to the rescue and pushes the man away with such force that he’s thrown to the ground and becomes temporarily incapacitated. Barbara thanks Diana for helping her, and this incident further strengthens their trust in each other and their budding friendship.

When Barbara goes back to her office, she sees the citrine stone and holds it. She says out loud, “I do know what I wish for: I wish to be like Diana: strong, sexy, cool, special.” The stone glows and there’s a slight wind that passes through the air. These visual effects are kind of cheesy, but they work.

Diana goes home and finds out that Steve is there and he has been reincarnated in the body of an unnamed handsome man (played by Kristoffer Polaha), who seems to have no idea that his body is now inhabited by someone who died in 1918. The rest of the world sees the unnamed man as his actual physical self, but Diana only sees Steve when she looks at the man. And that explains why actor Pine is shown as Steve during this reincarnation. (It’s not a spoiler, since Steve’s return was already shown in the trailer for “Wonder Woman 1984.”)

Meanwhile, there’s a slick and sleazy business mogul named Maxwell “Max” Lord (played by Pedro Pascal) who’s all over TV with commercials for his company Black Gold Cooperative, which is described as “the first oil company by the people, for the people.” It should come as no surprise that this company and this mogul are not at all what they want people to think they are.

Maxwell’s real last name is Lorenzano, and its later revealed that he’s an ambitious Latino immigrant who changed his last name and appearance (he dyed his hair blonde) to appear more Anglo. He’s also a divorced father who has weekend visitations with his son Alistair (played by Lucian Perez), who’s about 7 or 8 years old. Maxwell is shown to be a very neglectful father, and his bad parenting is used as a “pull at your heartstrings” plot device in several scenes in the movie.

Maxwell finds out that the citrine stone is at the Smithsonian Museum. And so, he shows up at the museum one day, under the pretense of wanting to possibly donate millions of dollars to the department that has the stone. Barbara is immediately charmed by Maxwell’s flirtatious manner, while Diana is coolly skeptical.

Maxwell can see that Barbara is a lonely woman who’s desperate for attention, so he continues to flirt with her and makes it clear that he wants to date her. People who aren’t familiar with the “Wonder Woman” comic books can still easily figure out where the storyline is going to go with Barbara, because it’s similar to the more famous Catwoman story arc in DC Comics’ “Batman” series. And the trailer for “Wonder Woman 1984” already revealed the result of Barbara’s metamorphosis when there’s a showdown between her and Wonder Woman.

Not all of the action takes place in Washington, D.C., because there’s a subplot that takes Maxwell, Steve and Diana/Wonder Woman to Egypt, where an oil baron named Emir Said Bin Abydos (played by Amr Waked) has a pivotal role in the story. There are also many scenes that are supposed to take place simultaneously in different areas of the world, during the last third of the movie when the plot becomes a bit of a mess. “Wonder Woman 1984” falters when it becomes a little too much of a political statement about the nuclear arms race in the 1980s. The movie redeems itself when it focuses more on human interactions that are more relatable to everyday people.

The romance between Diana and Steve picks up right where it left off, but in “Wonder Woman 1984,” it’s more playful and amusing than it was in “Wonder Woman.” Steve’s culture shock of living in 1984 is used for great comical effect, as he marvels at 1984 fashion and other things that didn’t exist in 1918, such as escalators, breakdancing and computer-controlled planes. And the rampant materialism and capitalism that defined the 1980s in the United States are shown in not-so-subtle ways throughout the movie, as exemplified in everything from crowded shopping malls to the greedy villain Maxwell Lord.

Fans of Wonder Woman in the DC Comics, the 1970s movie series and as part of the DC Extended Universe will find plenty of things to like about “Wonder Woman 1984.” There are references that stay true to Wonder Woman canon, with a few tweaks here and there. (For example, in the comic books, Barbara Minerva is British, not American.)

And there’s a mention of Asteria, a legendary Amazon from Themyscira who was the first owner of the Golden Eagle armor that Wonder Woman wears in “Wonder Woman 1984.” It’s explained in the movie that Asteria sacrificed herself by wearing the armor while holding off the men who invaded Themyscira. Look for a cameo during the movie’s end credits that will delight a lot of Wonder Woman fans.

Gadot’s portrayal of Wonder Woman/Diana Prince can sometimes be a little wooden, but her best moments in the film are in expressing Diana’s grief over the death of Steve. At times, she looks more like a model playing dress-up as Wonder Woman rather than a bona fide action hero, but the visual effects go a long way in adding excitement to the action scenes. Gadot and Pine’s chemistry together isn’t very sexy or passionate, but it is fairly believable in their portrayal of two people who respect each other and were friends before they became lovers.

And for someone who died in 1918 (when women in the U.S. didn’t even have the right to vote), Steve is extremely enlightened in how quickly he adapts to feminist ideals of gender equality. He doesn’t feel threatened or act offended in situations where Diana/Wonder Woman has more abilities and greater strength than he does. At the same time, he doesn’t shrink from expressing his masculinity and showing his talent and skills.

It should come as no surprise that Steve gets to fly a modern plane. One of the best visual scenes in the film is when Steve and Diana fly in an invisible plane through a stunning display of Fourth of July fireworks. Nitpicky viewers will have to assume that the plane has an invisible shield to protect it from the firework explosions.

Because “Wonder Woman 1984” takes quite a bit of time developing the dramatic storylines for Barbara and Maxwell, there might not be as much action in the movie as some people might expect. Most of the suspense comes in the last third of the movie. To get to that point, viewers have to sit through seeing Maxwell become increasingly unhinged in an over-the-top way that often veers into being unintentionally comical.

Pascal’s portrayal of Maxwell as the chief villain is done in broad, over-the-top strokes. Viewers know from the beginning that he’s corrupt, and there’s almost no humanity in this character for most of the movie as he gets more and more maniacal. Wiig fares much better with her portrayal of the emotionally wounded and ultimately misguided Barbara. Her character can be viewed as a symbol of the negative effects of “silent bullying”: when people are treated as outcasts not by insults in their face but by being shunned and ignored.

It’s clear that the filmmakers of “Wonder Woman 1984,” just like the 2019 film “Joker,” wanted to have something more to say about society’s problems and international politics instead of being just another movie based on comic book characters. However, unlike “Joker,” which had an unrelenting but consistent dark and depressing tone, the tone of “Wonder Woman 1984” jumps over the place—and that inconsistency lowers the quality of the movie. Sometimes there’s nothing wrong with being a lighthearted superhero movie instead of trying to tackle heavy social issues. And sometimes “saving the world” in a superhero movie doesn’t mean you have to get bogged down in international politics over weapons of mass destruction.

“Wonder Woman 1984” was released in cinemas in various countries outside the U.S. on December 16, 2020. The movie’s U.S. release date in cinemas and on HBO Max is December 25, 2020. In the United Kingdom, “Wonder Woman 1984” is set for a VOD release on January 13, 2021.

Revlon names Gal Gadot as a global brand ambassador

January 9, 2018

Gal Gadot
Gal Gadot (Photo courtesy of Revlon)

The following is a press release from Revlon:

Revlon announces Gal Gadot as new Global Brand Ambassador, and the embodiment of what it means to Live Boldly, Revlon’s new campaign designed to inspire women to express themselves with passion, optimism, strength and style. Revlon’s new Live Boldly campaign will launch later in the month. The new multi-media campaign will be brought to life through a series of experiential activations and cultural immersions designed to bring women together around powerful conversations, shared experiences and a celebration of diverse beauty.

“Revlon is such an iconic and groundbreaking brand, a champion of women, and I am so happy to be part of this family now,” says Gadot. “There’s a cultural shift happening, which Revlon celebrates, where feminine power is recognized, and I’m so proud that I get to witness and live this amazing change.”

“Revlon has always celebrated and championed strong, independent women in its iconic campaigns and in its philanthropic initiatives.  Gal captures the beauty, strength, modernity and boldness that Revlon represents,” said Fabian Garcia, President & CEO of Revlon.  “Gal, and all the new Revlon brand ambassadors are emblematic of the beauty, determination and attitude that reflect what it is for women to live boldly in today’s world,” said Garcia.

Gadot – actress, wife, mother, former soldier, former Miss Israel, and advocate for women – will be joined by four additional brand ambassadors, to be announced later in the month, who powerfully represent the ethos of living boldly and will be featured as part of the Revlon’s Live Boldly campaign.

Gadot will begin appearing on behalf of Revlon across all media platforms beginning January 2018.

For additional information on Revlon and to view behind-the-scenes content and additional announcements surrounding the Live Boldly campaign, visit www.Revlon.com , #liveboldly and follow @Revlon on Facebook, Twitter, Instagram, YouTube and RevlonSnaps on SnapChat.

2017 ACE Comic Con Long Island: ‘Justice League’ stars confirmed to attend

September 19, 2017

by Carla Hay

"Justice League" stars
“Justice League” stars Ezra Miller, Gal Gadot, Ray Fisher and Jason Momoa (Photo by Kevin Winter/Getty Images)

“Justice League” stars Henry Cavill, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher and Ciarán Hinds are all confirmed to attend the inaugural ACE Comic Con Long Island, which is set to take place  at Nassau Veterans Memorial Coliseum on Long Island in New York from December 8 to December 10, 2017. The event is produced by ACE Universe. In the superhero movie “Justice League” (which arrives in cinemas on November 17, 2017), Cavill is Superman, Gadot is Wonder Woman, Momoa is Aquaman, Miller is The Flash, Fisher is Cyborg and Hinds is the villain Steppenwolf.

According to an ACE Universe press release: “ACE Universe will be the first to provide free global live streaming to fans with wall-to-wall coverage of the entire Comic Con. Now, all fans can enjoy access to top-tier talent, breaking news and on-site programming as every aspect of the show will be fully streamed, social media friendly and available on mobile devices.”

“We revolutionized the Comic Con industry in the 90’s, and we’re thrilled to do it all over again in 2017,” says Gareb Shamus, ACE Universe Chairman & CEO. “We believe this is the optimal time to shake up the industry and recalibrate with a complete and total emphasis on the fan experience. Our new platform is centered on creating an unforgettable experience for fans by featuring meet-and-greets with stars from the latest hit superhero movies, quality vendors, professional creators, superior venues and immersive programming.”

“We can’t wait for seasoned Comic Con fans to experience our events, and we’re excited to introduce all new types of fans into this incredible world, many of whom have never enjoyed a Comic Con before,” says Stephen Shamus, President of ACE Universe. “Families can now enjoy a curated experience with access to top name Film and TV talent, artists, writers and other creative professionals.”

In addition to the Long Island event, there will be an ACE Comic Con  Arizona at the Gila River Arena in Glendale, Arizona, from January 13 to January 15, 2017.

General Admission tickets for NYCB LIVE will go on sale Friday, September 22, all via www.aceuniverse.com on Ticketmaster.com, nycblive.com, or by calling 1-800-745-3000. Tickets can also be purchased at the Ticketmaster Box Office located at the Coliseum.

October 30, 2017 UPDATE:  These celebrities have been added to the lineup of ACE Comic Con Long Island: Charlie Cox (star of Netflix’s “Daredevil”), Jon Bernthal (star of Netflix’s “The Punisher”), WWE Legend The Undertaker and WWE Superstars the Bella Twins and the Hardy Boyz

Wonder Woman-inspired fashion hits retail to help promote ‘Wonder Woman’ movie

May 19, 2017

Hot Topic Wonder Woman Jacket
Hot Topic Wonder Woman Jacket (Photo courtesy of Warner Bros. Consumer Products)

The following is an excerpt from a Warner Bros. Consumer Products press release:

As one of the world’s most iconic Super Heroes prepares for her first solo feature film—coming to cinemas worldwide June 2, from Warner Bros. Pictures, Tencent Pictures and Wanda Pictures—Warner Bros. Consumer Products (WBCP), in partnership with DC Entertainment (DCE), celebrates Wonder Woman with an extraordinary collection of trend-driven fashion lines inspired by DC’s Amazon Warrior. From world-renowned fashion house icons to new and emerging designers, to global specialty stores and mass market retailers everywhere, WBCP’s fashion collections’ distinctive styles have been created to reflect that every woman can feel like Wonder Woman in her own right – from the catwalk to the boardroom to the playing field. And with the participation of such lines as Hero Within and Ukonic, there’s something for men of all ages who aspire to feel like Super Heroes, too.

A global cultural touchstone and beloved symbol of empowerment, justice, equality and peace for 75 years, Wonder Woman is inspiring designers from the most coveted fashion houses to lend their talents to benefit the LemLem Foundation, founded by international model and advocate Liya Kebede, whose mission is to improve African women’s lives by promoting access to healthcare and economic opportunities.

Prêt-à-porter pieces from such celebrated designers as Louis Vuitton, Versace, Givenchy, D-Squared, Karl Lagerfeld, Stella McCartney, Kenzo, Lanvin, Roland Mouret, Tommy Hilfiger, Tory Burch, and many more, will be included in this tribute to Wonder Woman, and showcased and auctioned off during an intimate event taking place in Paris, France, on June 7, with all proceeds going to the LemLem Foundation.

An array of designs inspired by Wonder Woman’s unparalleled power, beauty and grace will also be available to the fashion world and fans worldwide as WBCP partners with admired designers and brands to offer up a dynamic lineup of limited-edition collections – from high-end to fast-fashion and everything in between – allowing trendsetters everywhere to channel their inner DC Super Hero.

Collaborations inspired by the effortless style of Wonder Woman, embodied in the film by Gal Gadot, have followed suit, empowering women to take on each day by expressing their own personal style. Collections include the innovative athleisure wear from nuyu, bringing consumers an elevated, luxe and chic performance-fitness line, while Under Armour celebrates Wonder Woman with the roll-out of sleek, high performance wear for every strong woman.

Men’s style is also celebrated with outerwear collections from high-end labels such as Hero Within designed by influential Comic-Con blogger Tony Kim, emerging brand Ukonic, breaking-out in the ecommerce space; to fan-favorite collectibles like New Era, and mass-market licensees including Bioworld, inspiring men of all ages who aspire to feel like Super Heroes, too.

As Wonder Woman is well-known for her iconic silver gauntlets and gold headdress, WBCP has also teamed up with leading accessory and jewelry brands to create fashion-forward bracelets, headbands and more. Nanette Lepore Brand and A Classic Time Watch Co. showcase Wonder Woman’s timelessness with an extravagant watch collection, while Love and Madness offers consumers accessories designed and crafted entirely by women. Contemporary jewelry brand ALEX AND ANI also offers a line of jewelry and highly collectible charm bracelets.

In addition to exclusive boutique stores, WBCP is ensuring accessibility of Wonder Woman-inspired fashion collections all over the world by teaming up with top global and mass market retailers.  Best-in-class retail partner GAP continues its global collaboration with WBCP in a capsule collection inspired by the attributes of the iconic DC Super Hero and the film for women, girls, toddlers and babies.  Kohl’s will feature an exclusive first-ever DC-inspired Her Universe active wear collection for young women and the young at heart, from juniors to plus sizes.  Pop-culture hub Hot Topic brings on a fan-dedicated Her Universe apparel collection in-stores and online—designed for fans by fans—as Her Universe assembled the unique creative team behind this DC Super Hero-inspired collection through a unique design contest held at last year’s International Comic-Con in San Diego; as well as the online retail store for Torrid, which will also have the WW collection in plus sizes.  WBCP has also partnered with elite partners, including Mauritius, with its fierce leather jacket collection, from biker jackets to suede and metallic jackets and more; and boutique stores such as Ron Robinson at Fred Segal offering a nuyu-inspired vignette; and Kyle by Alene Too, which will feature a Wonder Woman-themed array of apparel and accessories from established and emerging designers, including a collection of never-before-seen designs from up-and-coming designers that will be featured in the store.

Whether in action or at rest, fans everywhere can channel their inner Wonder Woman in film-inspired apparel and accessories, sleepwear and daywear, jewelry and so much more. Unique style-seekers can also capture exclusive items from HSN as the leading entertainment and lifestyle retailer offers its devoted customers and Wonder Woman fans a unique collection of apparel and accessories, jewelry, personal care products and more, including a special collection exclusive to this collaboration from Benefit Cosmetics with a five-piece unique set, and inspired accessory pieces from American whimsical designer Betsey Johnson.  The collection will launch on HSN on June 1 at 9 p.m. EDT, marking HSN’s first-ever partnership with Warner Bros. Consumer Products as part of a strategic alliance to elevate awareness surrounding the film’s release while introducing new collections that inspire fans.

WBCP is thrilled to be able to collaborate with all of our retail and licensing partners to create Wonder Woman-inspired fashion statements that support the Amazon Warrior’s strength, beauty and grace, empowering fans and fashion around the world.

“Wonder Woman” hits movie theaters around the world June 2, 2017, when Gal Gadot returns as the title character in the epic action adventure Wonder Woman.  The film also stars Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen and Elena Anaya.

Patty Jenkins directed the film from a screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, based on characters from DC Entertainment.  Wonder Woman was created by William Moulton Marston.  The film was produced by Charles Roven, Zack Snyder, Deborah Snyder and Richard Suckle, with Stephen Jones, Geoff Johns, Wesley Coller, Jon Berg and Rebecca Steel Roven serving as executive producers.

Warner Bros. Pictures presents, in association with Tencent Pictures and Wanda Pictures, an Atlas Entertainment/Cruel and Unusual production, Wonder Woman.  The film is scheduled for release worldwide beginning June 2, 2017, and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

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