Review: ‘The Watchers’ (2024), starring Dakota Fanning, Georgina Campbell, Oliver Finnegan and Olwen Fouéré

June 6, 2024

by Carla Hay

Pictured from left to right: Olwen Fouéré, Oliver Finnegan, Dakota Fanning and Georgina Campbell in “The Watchers” (Photo courtesy of Warner Bros. Pictures)

“The Watchers” (2024)

Directed by Ishana Night Shyamalan

Culture Representation: Taking place in Ireland, the horror film “The Watchers” (based on A.M. Shine’s novel of the same name) features a predominantly white cast of characters (with one black/biracial person) representing the working-class and middle-class.

Culture Clash: A 28-year-old American artist, who works in a pet store, gets lost in a wooded area and becomes trapped in a mysterious portal with other people being watched by fearsome creatures. 

Culture Audience: “The Watchers” will appeal primarily to people who are fans of star Dakota Fanning, the novel on which the movie is based, and horror movies that have more style than substance.

Georgina Campbell, Dakota Fanning, Oliver Finnegan and Olwen Fouéré in “The Watchers” (Photo courtesy of Warner Bros. Pictures)

“The Watchers” succeeds in creating a foreboding atmosphere and some creature feature scares. However, this horror movie’s story (about people trapped and being watched in a forest portal) becomes a nonsensical mess with shoddy film editing. The movie repeatedly contradicts itself in ways that are never explained, thereby ruining the story’s credibility and having scenes that turn out to be fairly useless.

Written and directed by Ishana Night Shyamalan, “The Watchers” is her feature-film directorial debut. The movie is based on A.M. Shine’s 2022 novel “The Watchers.” Ishana Night Shyamalan is the daughter of M. Night Shyamalan, who has written and directed several horror movies that have been hit and miss, in terms of quality. M. Night Shyamalan is also one of the producers of “The Watchers.” Ishana Night Shyamalan was previously a writer and director of some episodes of her father’s Apple TV+ horror series “Servant,” which was on the air from 2019 to 2023.

In “The Watchers,” the main protagonist is a 28-year-old struggling artist named Mina (played by Dakota Fanning), an American living in Galway, Ireland. Mina (a bachelorette who lives alone) has a day job working at a pet store. Early in the movie, a brief glimpse of a sign post shows several missing persons flyers on the sign post. It’s an obvious indication that people have been disappearing with alarming regularity in the Galway area, but the movie’s screenplay is so thinly constructed, no one is seen talking about these disappearances in the movie.

At night, Mina likes to go to pubs and flirt with men, by wearing disguises and making up fake stories about herself. An early scene in the movie shows Mina wearing a black wig, going to a pub, flirting with a young stranger named Collin (played by Shane O’Regan), and lying to him about who she is. Mina pretends that she’s a ballerina named Caroline. This is the most that the movie reveals about what Mina likes to do in her leisure time.

Mina has been tasked with delivering a yellow parrot to a customer. Mina sarcastically tells the parrot, “Try not to die,” which is a sentence that the parrot repeats several times throughout the movie. Mina is driving through a heavily wooded area on her way to deliver this parrot when her SUV suddenly stops working. And because this is a horror movie, her mobile phone can’t get any signals in this remote area. (The woods scenes in “The Watchers” were filmed on location at Ballinastoe Woods in Ireland’s Wicklow County.)

As already shown in the movie’s trailer, Mina gets out to walk and find help. But when she turns around, she sees that her vehicle has suddenly vanished. Feeling stranded and helpless, Mina decides she’s going to name the parrot Darwin, presumably the namesake of Charles Darwin, the scientist credited with the “survival of the fittest” theory of evolution. Mina tells the parrot: “If we’re going to die here, you might as well have a name.”

Faster than you can say “incoherent horror movie,” Mina sees an elderly woman standing at the doorway of a portal. The woman, who later introduces herself as Madeline (played by Olwen Fouéré), shouts to Mina that if Mina wants to live, then Mina has five seconds to run through the door. A terrified Mina runs through the door, which slams shut behind them.

Mina finds out that this door has led to a mysterious house with large glass windows for walls. Madeline introduces her to the other people in the house, which Madeline calls “the coop”: friendly Ciara (played by Georgina Campbell) and rebellious Daniel (played by Oliver Finnegan), who both say that they have been in this house for an undetermined period of time. Madeline has been in the coop the longest.

Madeline explains to Mina that every night, people in the coop are watched by creatures for the creatures’ amusement. The people in the coop are not allowed to see the creatures. When the creatures come out at night, the glass walls and windows turn into mirrors from the inside, so that anyone inside the coop can only see their reflections instead of outside the house.

Madeline then explains that there are other rules besides not being able to look at the creatures. People inside the coop cannot try to escape and cannot leave the house at night. If they leave the house during the day (they have to hunt for their own food), they can’t be in the sunlight, they have to be back in the coop by sunset, and they can’t go near “the burrows,” which are really holes or caves. Anyone who breaks these rules will be killed by the creatures, says Madeline.

The first half of “The Watchers” drags with repetition, as Mina and Daniel break the rules and try to find ways to escape. As already revealed in the trailer for “The Watchers,” Ciara is married, and her husband John (played by Alistair Brammer) is somewhere in the woods. John is seen running frantically through the woods at night during the movie’s opening scene.

“The Watchers” has a lot of character actions that don’t make much sense. Mina doesn’t really ask a lot of questions when she’s trapped with these three strangers. Madeline, who used to be a university professor who taught history, seems to know a lot of the “rules” and is very bossy about them, thereby making it obvious that she knows more than she’s saying. Ciara barely mentions her missing husband John until he apparently comes knocking on the front door.

Mina has a past trauma that is haunting her: Her mother died when Mina was 13 years old. Mina and her identical twin sister Lucy witnessed this death. Mina has been estranged from Lucy ever since. What happened to the sisters’ mother is shown in a flashback, which explains why Lucy refuses Mina’s attempts to reconnect with Lucy. However, this part of Mina’s past is somewhat mishandled in “The Watchers,” considering what happens at the end of the movie. (The origins and secrets of these “watcher” creatures are eventually revealed.)

“The Watchers” has some mild jump scares that slightly improve when the creatures are fully seen, after the movie repeatedly teases what these creatures look like. The movie’s cinematography by Eli Arenson is intentionally dark and murky for most of the film. After a while, all of this drab darkness seems like a smokescreen for a weak story. A professor character named Rory Kilmartin (played by John Lynch) is introduced in a very jumbled and rushed turn of events in the last third of the film, when Mina suddenly becomes a paranormal detective in ways that never look believable.

None of the acting in “The Watchers” is anything special. The movie spends a lot of time with the four residents of the coop, but Ciara and Daniel remain underdeveloped characters. Fanning’s Mina is supposed to be emotionally disconnected, but it results in a very dull performance. “The Watchers” has an effective music score (from Abel Korzeniowski) that helps create some suspenseful tension. However, having the right style in creating a mood cannot make up for the hollow characters and the story’s lack of cohesion in “The Watchers,” which has a very substandard ending.

Warner Bros. Pictures will release “The Watchers” in U.S. cinemas on June 7, 2024.

Review: ‘Barbarian’ (2022), starring Georgina Campbell, Bill Skarsgård and Justin Long

September 7, 2022

by Carla Hay

Georgina Campbell in “Barbarian” (Photo courtesy of 20th Century Studios)

“Barbarian” (2022)

Directed by Zach Cregger

Culture Representation: Taking place in Detroit and briefly in Los Angeles, the horror film “Barbarian” features a predominantly white cast of characters (with some black people) representing the working-class and middle-class.

Culture Clash: Murder and mayhem ensue when a woman, who’s in Detroit for a job interview, finds out that her Airbnb-type rental house has been double-booked with a male guest, who is also staying at the house. 

Culture Audience: “Barbarian” will appeal primarily to people interested in watching suspenseful slasher films that mixes formulaic plot developments wth a few surprises.

Justin Long in “Barbarian” (Photo courtesy of 20th Century Studios)

“Barbarian” falters with uneven pacing and some gaps in logic, but this slasher flick delivers the type of suspenseful mystery, jump scares and interesting characters that a horror movie should. The acting performances are better than the screenplay. If not for the performances and some clever surprises, “Barbarian” would be a very run-of-the-mill horror movie.

Written and directed by Zach Cregger, “Barbarian” is somewhat of a departure for Cregger, who is also known as an actor who does a lot of work in comedy. (He was one of the original cast members of “The Whitest Kids U’ Know,” the comedy sketch series that was on the IFC network from 2007 to 2011, after launching for a short stint on the Fuse network.) Cregger’s feature-film debut as a writer/director was the forgettable 2009 sex comedy “Miss March,” in which he co-starred with Trevor Moore, one of the other cast members of “The Whitest Kids ‘U Know.”

“Barbarian” begins with the arrival of aspiring filmmaker Tess Marshall (played by Georgina Campbell), who has traveled to Detroit, because she has a job interview to be an assistant to a semi-famous documentary filmmaker. Tess is staying at a one-bedroom house (at the address 476 Barbary) that she rented through Airbnb. And because this is a horror movie, she arrives at night when it’s raining outside.

To her surprise, Tess finds out that there’s another guest who’s already at the house, and his rental time is for the same time that she’s been booked. His name is Keith Toshko (played by Bill Skarsgård), who has arrived from Brooklyn, New York. Keith tells Tess that he booked his reservation through Home Away, an online service that’s similar to Airbnb. Keith also says that he’s part of an artist collective called the Lion Tamers Collective, and he’s in Detroit to look for living space for the group.

After Tess and Keith see that they both have confirmations for the same booking, Tess offers to leave, since Keith arrived at the house first. Tess starts to call around to find a hotel room to book, but the first place she calls doesn’t have any vacancies. Keith says that there’s a big convention happening in Detroit, so she probably won’t have much luck finding a hotel room. The movie never says where Tess lives, but it’s far enough were she had to rent a car for this trip.

There are several moments in “Barbarian” when people make less-than-smart decisions—the types of decisions where viewers might say to themselves, “I would never do that.” The first of those moments in “Barbarian” happens when Tess takes Keith’s word for it that she won’t find a hotel room, and she gives up too easily in her search to find a hotel. This is the type of questionable decision that horror movies rely on, in order to put characters in danger.

Tess then offers to sleep in her car for the night, but Keith insists that she stay in the house because the neighborhood is too dangerous for her to be sleeping in her car at night. At this point, even though Keith is friendly and polite, viewers will be wondering if Keith really is a good guy, or if he has sinister intentions for Tess. This question is answered at a certain point in the movie, but “Barbarian” does a very good job of keeping viewers guessing about what’s going to happen.

Tess then makes the fateful decision to spend the night at the house. Keith tells Tess that she can have the bedroom, while he sleeps on the couch. Because Keith is a complete stranger to Tess, as a precaution, Tess uses her phone to secretly take a photo of Keith’s driver’s license when she see his wallet on a table in the bedroom.

There’s tension in the house, but not just because of fear. After a while, there’s sexual tension, because it becomes obvious that Keith is attracted to Tess. And when Tess begins to feel more comfortable around Keith, the attraction becomes mutual. Their first night together in the house has some scares for Tess when she wakes up in the middle of the night to find out that her bedroom door, which she had closed behind her, is open.

The terror in the house doesn’t happen right away. Tess begins to trust Keith enough that she accepts his offer to share the house with him for the rest of their stay in Detroit. When Tess goes outside the house for the first time when it’s daylight, she sees that the house is the only well-kept house on a residential street that looks like a bombed-out war zone. All of the other houses on the street look like condemned, unhabitable buildings.

The street is also eerily quiet, except for a harrowing incident when a homeless-looking man on the street—Tess later finds out his name is Andre (played by Jaymes Butler)—runs after her and yells at her not to stay in the house. Tess is so frightened by this stranger, she runs into the house and locks herself inside. When she calls 911 to report the incident, the operator says that there are no police units available to go to that street.

Tess gets another big red flag when she goes to her job interview with the documentary filmmaker Catherine James (played by Kate Nichols), who asks Tess where she’s staying while Tess is in Detroit. When Tess mentions the neighborhood and that she’s staying at an Airbnb house rental, Catherine’s immediate reaction is surprise that this neighborhood has a house that meets Airbnb rental standards. Catherine is also very concenred that Tess is staying in that neighborhood, which has a bad reputation for crime, so Catherine urges Tess to be careful.

And something horrible does happen in that house. Luckily for viewers, it’s not revealed in the “Barbarian” trailer or other marketing materials. The movie avoids the pitfall of not giving away its best moments or the movie’s chief villain in the trailer. However, it’s enough to say (as shown in the “Barbarian” trailer) that there’s a long and sinister tunnel underneath the house. And lurking in that tunnel is someone identified in the movie’s credits as The Mother (played by Matthew Patrick Davis), who will definitely make viewers squirm.

Meanwhile, about halfway through the movie, “Barbarian” introduces another character who has a connection to this house. He’s a famous actor named AJ Gilbride (played by Justin Long), who lives in Los Angles. AJ is successful enough to be a steadily working actor who gets starring roles, but he’s not mega-rich. He owns some rental properties, including the house in Detroit where Tess and Keith are staying.

AJ is first seen in the story as he gets bad news from his agents: An actress named Melisa (voiced by Kate Bosworth), whom he is co-starred with in a TV pilot called “Chip Off the Old Block,” is accusing him of rape. Melisa is suing AJ because of this alleged sexual assault. AJ might also face criminal charges. AJ, who vehemently proclaims his innocence, tells anyone who’ll listen that the sex he had with Melisa was consensual.

Because of the scandal, the TV network for “Chip Off the Old Block” has decided that if the network picks up “Chip Off the Old Block” as a series, AJ will no longer be a part of the show. AJ says that he plans to countersue Melisa for defamation. His attorney advises AJ not to contact Melisa or talk to the media while the case is pending.

AJ gets more bad news when he visits his business manager, who tells AJ that AJ doesn’t have enough money to cover the cost of AJ’s legal fees. The business manager advises AJ to sell some of AJ’s property. The business manager also tells AJ that he no longer wants to work with AJ.

A desperate and despondent AJ goes to Detroit to see what he can do about selling the house that he owns at 476 Barbary. AJ has neglected the property so much, he wasn’t even aware that the property’s management company had been renting out the house to visitors for temporary stays. He’s in for a shock when he finds out what’s been going on at that house.

“Barbarian” has a flashback to the 1980s, when this Detroit neighborhood was safe, clean and well-maintained. A middle-aged man named Frank (played by Richard Brake) is seen going to a home supply store and telling a helpful sales clerk that he needs plastic sheets for a “home birth.” Viewers see that Frank is actually a bachelor, but he lets the sales clerk assume that he has a pregnant wife who will soon give birth. Frank doesn’t talk much, and there’s something “off” about him, because he acts like someone who has dark secrets.

Frank is then seen arriving unannounced at a house where a woman is home alone. He’s wearing a repairman’s uniform, and he politely tells the lady of the house that he’s from the utility company, and he needs to do an inspection. The woman lets him inside the house without hesitation. Frank then goes in the bathroom alone and unlocks the bathroom window.

After just a few minutes in the house, Frank thanks the woman resident, and he leaves the house. It’s at this point you know that Frank is going to break into the house later through that unlocked bathroom window. Who is Frank and what kind of criminal is he? Those answers are eventually revealed in the movie. This flashback scene also foreshadows that the neighborhood will go downhill when a male neighbor tells Frank that his family is moving soon because the neighborhood is “going to hell.”

“Barbarian” makes a few references to “white flight” in Detroit (when white residents moved out of certain Detroit neighborhoods because more black people were moving in) and the #MeToo movement. But these social issues don’t overwhelm the story, which remains mostly focused on the horror. “Barbarian” is an overall commentary on decay and neglect in communities, particularly in urban areas.

The characters in “Barbarian” are believable as people, even if some of their actions are illogical. For example, after Tess sees some disturbing things in the house, she stays in the house much longer than most people would. It’s very hard to believe that she can’t figure out other options on where to stay besides this creepy house.

“Barbarian” also brings up some questions that are never answered. There’s a part of the movie that shows there have been some missing people with a connection to the street where the house is. Wouldn’t any loved ones and friends be looking for these missing people? And who’s been maintaining the upkeep of the house? There’s no mention of housekeepers for this place. It’s the only house on the street that’s very neat and orderly on the outside of the building, even though the house’s front lawn looks run-down and messy.

A showdown scene near the end of “Barbarian” also doesn’t make sense on a physics level. However, the mystery of the house is plausible, as long as viewers believe the movie’s depiction that the cops in Detroit avoid this neighborhood as much as possible. “Barbarian” is also a cautionary tale about the dangers of renting a vacation home from strangers, particularly for women traveling alone. Tess obviously didn’t do enough research about the neighborhood and house where she’d be staying.

“Barbarian” writer/director Cregger (who has a cameo in the movie as a Detroit friend of AJ’s) could have paced the movie a little better, since the suspense-filled tension stops in areas where the tension should have been better-maintained. However, the movie has a talented cast, and the film delivers plenty of terrifying and ominous moments that should satisfy most horror fans. “Barbarian” is the type of horror movie where viewers shouldn’t overthink some of the details and should enjoy the terror ride for what it is.

20th Century Studios will release “Barbarian” in U.S. cinemas on September 9, 2022.

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