2023 Critics Choice Awards: ‘Everything Everywhere All at Once’ is the top winner

January 15, 2023

Stephanie Hsu, Ke Huy Quan, Michelle Yeoh and James Hong in “Everything Everywhere All at Once” (Photo by Allyson Riggs/A24)

The following is a press release from the Critics Choice Association:

On January 15, 2023, the Critics Choice Association (CCA) announced the winners of the 28th annual Critics Choice Awards live on The CW. Hosted by Chelsea Handler, the star-studded gala was held at the Fairmont Century Plaza Hotel in Los Angeles.

The full list of winners can be found below.

“Everything Everywhere All at Once” led the winners in the film categories, earning five awards including Best Picture, Best Director for Daniel Kwan & Daniel Scheinert, Best Supporting Actor for Ke Huy Quan, Best Original Screenplay for Daniel Kwan & Daniel Scheinert, and Best Editing for Paul Rogers.

In the series categories, “Better Call Saul” took home three trophies, winning Best Drama Series, Best Actor in a Drama Series for Bob Odenkirk, and Best Supporting Actor in a Drama Series for Giancarlo Esposito. “Abbott Elementary” won two awards, Best Comedy Series and Best Supporting Actress in a Comedy Series for Sheryl Lee Ralph. “The Dropout” also scored a pair of wins, Best Limited Series, and Best Actress in a Limited Series or Movie Made for Television for Amanda Seyfried. “Weird: The Al Yankovic Story” won two awards as well, Best Movie Made for Television, and Best Actor in a Limited Series or Movie Made for Television for Daniel Radcliffe.

John Goodman presented the Lifetime Achievement Award to Jeff Bridges in a very special highlight of the evening, while Kate Hudson presented this year’s SeeHer Award to Janelle Monáe. The SeeHer Award honors a woman who advocates for gender equality, portrays characters with authenticity, defies stereotypes and pushes boundaries.

Critics Choice Awards are bestowed annually to honor the finest in cinematic and television achievement. Historically, they are the most accurate predictor of Academy Award nominations.

The 28th annual Critics Choice Awards show was executive-produced by Bob Bain Productions and Berlin Entertainment. The CCA is represented by Dan Black of Greenberg Traurig.

Sponsors of the Awards include Champagne Collet, Delta Air Lines, Fairmont Hotels and Resorts, FIJI Water, Milagro Tequila, Old Bridge Cellars Wines, and SeeHer. Sponsors of the Red Carpet are Sunkist and Cold Stone Creamery.

Follow the 28th annual Critics Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards. Join the conversation using #CriticsChoiceAwards.

About the Critics Choice Association (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 600 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content. For more information, visit:
www.CriticsChoice.com.

About The CW
The CW Network, LLC is America’s fifth major broadcast network, offering 14 hours of primetime programming, Monday through Sunday. The CW is 75%-owned by Nexstar Media Group, Inc. For more information about the network and its programming, visit www.cwtv.com.

*=winner

FILM NOMINATIONS FOR THE 28TH ANNUAL CRITICS CHOICE AWARDS

BEST PICTURE
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once*
The Fabelmans
Glass Onion: A Knives Out Mystery
RRR
Tár
Top Gun: Maverick
Women Talking

BEST ACTOR
Austin Butler – Elvis
Tom Cruise – Top Gun: Maverick
Colin Farrell – The Banshees of Inisherin
Brendan Fraser – The Whale*
Paul Mescal – Aftersun
Bill Nighy – Living

BEST ACTRESS
Cate Blanchett – Tár*
Viola Davis – The Woman King
Danielle Deadwyler – Till
Margot Robbie – Babylon
Michelle Williams – The Fabelmans
Michelle Yeoh – Everything Everywhere All at Once

BEST SUPPORTING ACTOR
Paul Dano – The Fabelmans
Brendan Gleeson – The Banshees of Inisherin
Judd Hirsch – The Fabelmans
Barry Keoghan – The Banshees of Inisherin
Ke Huy Quan – Everything Everywhere All at Once*
Brian Tyree Henry – Causeway

BEST SUPPORTING ACTRESS
Angela Bassett – Black Panther: Wakanda Forever*
Jessie Buckley – Women Talking
Kerry Condon – The Banshees of Inisherin
Jamie Lee Curtis – Everything Everywhere All at Once
Stephanie Hsu – Everything Everywhere All at Once
Janelle Monáe – Glass Onion: A Knives Out Mystery

BEST YOUNG ACTOR/ACTRESS
Frankie Corio – Aftersun
Jalyn Hall – Till
Gabriel LaBelle – The Fabelmans*
Bella Ramsey – Catherine Called Birdy
Banks Repeta – Armageddon Time
Sadie Sink – The Whale

BEST ACTING ENSEMBLE
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery*
The Woman King
Women Talking

BEST DIRECTOR
James Cameron – Avatar: The Way of Water
Damien Chazelle – Babylon
Todd Field – Tár
Baz Luhrmann – Elvis
Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once*
Martin McDonagh – The Banshees of Inisherin
Sarah Polley – Women Talking
Gina Prince-Bythewood – The Woman King
S. S. Rajamouli – RRR
Steven Spielberg – The Fabelmans

BEST ORIGINAL SCREENPLAY
Todd Field – Tár
Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once*
Martin McDonagh – The Banshees of Inisherin
Steven Spielberg, Tony Kushner – The Fabelmans
Charlotte Wells – Aftersun

BEST ADAPTED SCREENPLAY
Samuel D. Hunter – The Whale
Kazuo Ishiguro – Living
Rian Johnson – Glass Onion: A Knives Out Mystery
Rebecca Lenkiewicz – She Said
Sarah Polley – Women Talking*

BEST CINEMATOGRAPHY
Russell Carpenter – Avatar: The Way of Water
Roger Deakins – Empire of Light
Florian Hoffmeister – Tár
Janusz Kaminski – The Fabelmans
Claudio Miranda – Top Gun: Maverick*
Linus Sandgren – Babylon

BEST PRODUCTION DESIGN
Hannah Beachler, Lisa K. Sessions – Black Panther: Wakanda Forever
Rick Carter, Karen O’Hara – The Fabelmans
Dylan Cole, Ben Procter, Vanessa Cole – Avatar: The Way of Water
Jason Kisvarday, Kelsi Ephraim – Everything Everywhere All at Once
Catherine Martin, Karen Murphy, Bev Dunn – Elvis
Florencia Martin, Anthony Carlino – Babylon*

BEST EDITING
Tom Cross – Babylon
Eddie Hamilton – Top Gun: Maverick
Stephen Rivkin, David Brenner, John Refoua, James Cameron – Avatar: The Way of Water
Paul Rogers – Everything Everywhere All at Once*
Matt Villa, Jonathan Redmond – Elvis
Monika Willi – Tár

BEST COSTUME DESIGN
Ruth E. Carter – Black Panther: Wakanda Forever*
Jenny Eagan – Glass Onion: A Knives Out Mystery
Shirley Kurata – Everything Everywhere All at Once
Catherine Martin – Elvis
Gersha Phillips – The Woman King
Mary Zophres – Babylon

BEST HAIR AND MAKEUP
Babylon
The Batman
Black Panther: Wakanda Forever
Elvis*
Everything Everywhere All at Once
The Whale

BEST VISUAL EFFECTS
Avatar: The Way of Water*
The Batman
Black Panther: Wakanda Forever
Everything Everywhere All at Once
RRR
Top Gun: Maverick

BEST COMEDY
The Banshees of Inisherin
Bros
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery*
Triangle of Sadness
The Unbearable Weight of Massive Talent

BEST ANIMATED FEATURE
Guillermo del Toro’s Pinocchio*
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Wendell & Wild

BEST FOREIGN LANGUAGE FILM
All Quiet on the Western Front
Argentina, 1985
Bardo, False Chronicle of a Handful of Truths
Close
Decision to Leave
RRR*

BEST SONG
Carolina – Where the Crawdads Sing
Ciao Papa – Guillermo del Toro’s Pinocchio
Hold My Hand – Top Gun: Maverick
Lift Me Up – Black Panther: Wakanda Forever
Naatu Naatu – RRR*
New Body Rhumba – White Noise

BEST SCORE
Alexandre Desplat – Guillermo del Toro’s Pinocchio
Michael Giacchino – The Batman
Hildur Guðnadóttir – Tár*
Hildur Guðnadóttir – Women Talking
Justin Hurwitz – Babylon
John Williams – The Fabelmans

TELEVISION NOMINATIONS FOR THE 28TH ANNUAL CRITICS CHOICE AWARDS

BEST DRAMA SERIES
Andor (Disney+)
Bad Sisters (Apple TV+)
Better Call Saul (AMC)*
The Crown (Netflix)
Euphoria (HBO)
The Good Fight (Paramount+)
House of the Dragon (HBO)
Severance (Apple TV+)
Yellowstone (Paramount Network)

BEST ACTOR IN A DRAMA SERIES
Jeff Bridges – The Old Man (FX)
Sterling K. Brown – This Is Us (NBC)
Diego Luna – Andor (Disney+)
Bob Odenkirk – Better Call Saul (AMC)*
Adam Scott – Severance (Apple TV+)
Antony Starr – The Boys (Prime Video)

BEST ACTRESS IN A DRAMA SERIES
Christine Baranski – The Good Fight (Paramount+)
Sharon Horgan – Bad Sisters (Apple TV+)
Laura Linney – Ozark (Netflix)
Mandy Moore – This Is Us (NBC)
Kelly Reilly – Yellowstone (Paramount Network)
Zendaya – Euphoria (HBO)*

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Andre Braugher – The Good Fight (Paramount+)
Ismael Cruz Córdova – The Lord of the Rings: The Rings of Power (Prime Video)
Michael Emerson – Evil (Paramount+)
Giancarlo Esposito – Better Call Saul (AMC)*
John Lithgow – The Old Man (FX)
Matt Smith – House of the Dragon (HBO)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Milly Alcock – House of the Dragon (HBO)
Carol Burnett – Better Call Saul (AMC)
Jennifer Coolidge – The White Lotus (HBO)*
Julia Garner – Ozark (Netflix)
Audra McDonald – The Good Fight (Paramount+)
Rhea Seehorn – Better Call Saul (AMC)

BEST COMEDY SERIES
Abbott Elementary (ABC)*
Barry (HBO)
The Bear (FX)
Better Things (FX)
Ghosts (CBS)
Hacks (HBO Max)
Reboot (Hulu)
Reservation Dogs (FX)

BEST ACTOR IN A COMEDY SERIES
Matt Berry – What We Do in the Shadows (FX)
Bill Hader – Barry (HBO)
Keegan-Michael Key – Reboot (Hulu)
Steve Martin – Only Murders in the Building (Hulu)
Jeremy Allen White – The Bear (FX)*
D’Pharaoh Woon-A-Tai – Reservation Dogs (FX)

BEST ACTRESS IN A COMEDY SERIES
Christina Applegate – Dead to Me (Netflix)
Quinta Brunson – Abbott Elementary (ABC)
Kaley Cuoco – The Flight Attendant (HBO Max)
Renée Elise Goldsberry – Girls5eva (Peacock)
Devery Jacobs – Reservation Dogs (FX)
Jean Smart – Hacks (HBO Max)*

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Brandon Scott Jones – Ghosts (CBS)
Leslie Jordan – Call Me Kat (Fox)
James Marsden – Dead to Me (Netflix)
Chris Perfetti – Abbott Elementary (ABC)
Tyler James Williams – Abbott Elementary (ABC)
Henry Winkler – Barry (HBO)*

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Paulina Alexis – Reservation Dogs (FX)
Ayo Edebiri – The Bear (FX)
Marcia Gay Harden – Uncoupled (Netflix)
Janelle James – Abbott Elementary (ABC)
Annie Potts – Young Sheldon (CBS)
Sheryl Lee Ralph – Abbott Elementary (ABC)*

BEST LIMITED SERIES
The Dropout (Hulu)*
Gaslit (Starz)
The Girl from Plainville (Hulu)
The Offer (Paramount+)
Pam & Tommy (Hulu)
Station Eleven (HBO Max)
This Is Going to Hurt (AMC+)
Under the Banner of Heaven (FX)

BEST MOVIE MADE FOR TELEVISION
Fresh (Hulu)
Prey (Hulu)
Ray Donovan: The Movie (Showtime)
The Survivor (HBO)
Three Months (Paramount+)
Weird: The Al Yankovic Story (The Roku Channel)*

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Ben Foster – The Survivor (HBO)
Andrew Garfield – Under the Banner of Heaven (FX)
Samuel L. Jackson – The Last Days of Ptolemy Grey (Apple TV+)
Daniel Radcliffe – Weird: The Al Yankovic Story (The Roku Channel)*
Sebastian Stan – Pam & Tommy (Hulu)
Ben Whishaw – This is Going to Hurt (AMC+)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Julia Garner – Inventing Anna (Netflix)
Lily James – Pam & Tommy (Hulu)
Amber Midthunder – Prey (Hulu)
Julia Roberts – Gaslit (Starz)
Michelle Pfeiffer – The First Lady (Showtime)
Amanda Seyfried – The Dropout (Hulu)*

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Murray Bartlett – Welcome to Chippendales (Hulu)
Domhnall Gleeson – The Patient (FX)
Matthew Goode – The Offer (Paramount+)
Paul Walter Hauser – Black Bird (Apple TV+)*
Ray Liotta – Black Bird (Apple TV+)
Shea Whigham – Gaslit (Starz)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Claire Danes – Fleishman Is in Trouble (FX)
Dominique Fishback – The Last Days of Ptolemy Grey (Apple TV+)
Betty Gilpin – Gaslit (Starz)
Melanie Lynskey – Candy (Hulu)
Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story (Netflix)*
Juno Temple – The Offer (Paramount+)

BEST FOREIGN LANGUAGE SERIES
1899 (Netflix)
Borgen (Netflix)
Extraordinary Attorney Woo (Netflix)
Garcia! (HBO Max)
The Kingdom Exodus (MUBI)
Kleo (Netflix)
My Brilliant Friend (HBO)
Pachinko (Apple TV+)*
Tehran (Apple TV+)

BEST ANIMATED SERIES
Bluey (Disney+)
Bob’s Burgers (Fox)
Genndy Tartakovsky’s Primal (Adult Swim)
Harley Quinn (HBO Max)*
Star Trek: Lower Decks (Paramount+)
Undone (Prime Video)

BEST TALK SHOW
The Amber Ruffin Show (Peacock)
Full Frontal with Samantha Bee (TBS)
The Kelly Clarkson Show (NBC)
Last Week Tonight with John Oliver (HBO)*
Late Night with Seth Meyers (NBC)
Watch What Happens Live with Andy Cohen (Bravo)

BEST COMEDY SPECIAL
Fortune Feimster: Good Fortune (Netflix)
Jerrod Carmichael: Rothaniel (HBO)
Joel Kim Booster: Psychosexual (Netflix)
Nikki Glaser: Good Clean Filth (HBO)
Norm Macdonald: Nothing Special (Netflix)*
Would It Kill You to Laugh? Starring Kate Berlant & John Early (Peacock)

Review: ‘Glass Onion: A Knives Out Mystery,’ starring Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson and Dave Bautista

November 23, 2022

by Carla Hay

Kate Hudson, Jessica Henwick, Daniel Craig and Leslie Odom Jr. in “Glass Onion: A Knives Out Mystery” (Photo by John Wilson/Netflix)

“Glass Onion: A Knives Out Mystery”

Directed by Rian Johnson

Culture Representation: Taking place in 2020, mostly on an unnamed island in Greece and briefly in the United States, the comedy/drama film “Glass Onion: A Knives Out Mystery” features a predominantly white cast of characters (with some African American and Asians) portraying the working-class, middle-class and wealthy.

Culture Clash: Southern gentleman detective Benoit Blanc is invited to the private Greek island of a technology billionaire, who is hosting a murder mystery party, where at least one person gets murdered for real.

Culture Audience: “Glass Onion: A Knives Out Mystery” will appeal primarily to people who are fans of 2019’s “Knives Out,” star Daniel Craig, and murder mysteries that are also incisive social satires.

Edward Norton, Madelyn Cline, Kathryn Hahn, Dave Bautista, Leslie Odom Jr., Jessica Henwick, Kate Hudson, Janelle Monáe and Daniel Craig in “Glass Onion: A Knives Out Mystery” (Photo by John Wilson/Netflix)

Simply put: “Glass Onion: A Knives Out Mystery” is a sequel that’s better than the original movie. This comedy/drama is a fantastic follow-up to 2019’s “Knives Out,” another comedically dark murder mystery with its central location being the home of a wealthy person. Both movies, which are self-contained stories written and directed by Rian Johnson, deliciously skewer arrogant, rich elitists and other people with bad attitudes, while American Southern gentleman detective Benoit Blanc (played by Daniel Craig) solves the murder mystery. “Glass Onion” had its world premiere at the 2022 Toronto International Film Festival.

Johnson has said in many interviews that his greatest inspirations for his “Knives Out” movie series are Agatha Christie mystery novels and movie adaptations of these novels. In that respect, Benoit is like an American version of Christie’s “world’s greatest detective” Hercule Poirot from Belgium—someone who can deduce and reveal complex details and secrets about other people’s lives, but his own personal life remains a self-guarded mystery. (Craig is British in real life, but you can tell he has fun with doing a leisurely American Southern accent when he’s in the role of Benoit.)

Because the “Knives Out” movies are self-contained, it’s not necessary to see the first “Knives Out” movie to understand “Glass Onion.” However, seeing “Knives Out” can give viewers a better appreciation of how “Glass Onion” is an improvement from the first “Knives Out” movie, which is enjoyable but more predictable than “Glass Onion.” (“Knives Out” received several accolades that comedic murder mystery movies rarely receive, including an Oscar nomination for Best Original Screenplay.)

In “Glass Onion,” several people from different parts of the U.S. have each received in the mail a mysterious box from American technology billionaire Miles Bron (played by Edward Norton), a pretentious blowhard who loves to name drop and show off his wealth. Miles, a bachelor who lives alone, has made his fortune from co-founding a company called Alpha Industries. The box that he has sent contains an elaborate puzzle that reveals an invitation to go to Miles’ private island home in Greece for a murder mystery party. In the invitation, Miles says that he will play the murder victim.

Benoit is one of the people who receives this box as a mail delivery. Later, when he gets to the party, he finds out in an awkward way that Miles didn’t actually invite Benoit. But now that Benoit is at the party, Miles doesn’t want Benoit to leave, because Benoit is just another celebrity whom Miles can brag about attending one of Miles’ parties. Who sent Benoit that box? That answer is revealed in the movie.

“Glass Onion” begins on May 13, 2020—the day that the boxes are delivered. It’s just a few short months into the COVID-19 pandemic, before a vaccine was available, and when mask-wearing and social distancing were becoming a way of life for people who cared to take those precautions. Some of the party guests are more concerned about the pandemic than others.

Before going to the party, Benoit is seen having a relaxing bath at his home. He’s on a videoconference call with an eclectic group of famous friends, such as Broadway composer Stephen Sondheim (who died in 2021), classical musician Yo-Yo Ma, actress Angela Lansbury (who died in 2022), retired basketball star Kareem Abdul-Jabbar and actress Natasha Lyonne, who all make these quick cameos as themselves in the movie. It’s in this scene that viewers see that Benoit likes to play quiz games with his friends during the pandemic.

The only other peek into Benoit’s personal life is when he’s on a videoconference call with a man named Philip (played by Hugh Grant), who seems to know a lot abut Benoit and his personal life. In this scene, viewers can speculate how close Benoit and Philip are to each other and what kind of relationship they might have. Ethan Hawke makes a brief appearance in the role of an unnamed Miles Bron employee, who sprays a COVID-19 medical screener inside each guest’s mouth when they arrive at Miles’ Greek island home. The implication is that this screener can make any possible COVID-19 symptoms disappear, and Miles is so rich, he can afford this medical treatment before it’s legally sold to the public.

Miles’ party guests have been transported by a private boat to the island, whose biggest building is a high-tech mansion that Miles has named Glass Onion. The property’s centerpiece is a giant glass structure shaped like an onion and located inside a glass atrium. (The onion can also be seen as a symbol of the story’s layers that get peeled to reveal the truth. The Beatles song “Glass Onion” is played during the movie’s closing credits.) Inside this nouveau-riche home are dozens of glass sculptures and gaudy indications that Miles is a narcissist, such as a giant portrait painting of a shirtless Miles that makes his physique look more athletic than it really is.

In addition to Benoit, the other people at this party are:

  • Claire Debella (played by Kathryn Hahn), a progressive Democratic politician who is very image-conscious and currently running for re-election as governor of Connecticut.
  • Lionel Toussaint (played by Leslie Odom Jr.), an experimental scientist who has recently been testing a mystery product called Klear that Miles wants to sell, but Lionel has been warning Miles not to send this “volatile substance” on a manned airplane flight.
  • Birdie Jay (played by Kate Hudson), a controversial former supermodel who is now a fashion entrepreneur, who says and does racially offensive things on social media, and who is currently embroiled in a scandal about her fashion company using an exploitative sweatshop in Bangladesh.
  • Peg (played by Jessica Henwick), Birdie’s always-worried assistant who constantly has to clean up Birdie’s messes and prevent Birdie from doing more damage to Birdie’s reputation and career.
  • Duke Cody (played by Dave Bautista), a very sexist and gun-toting loudmouth who has become a famous social media influencer and “men’s rights” activist promoting the belief that men are superior to women.
  • Whiskey (played by Madelyn Cline), Duke’s airheaded girlfriend/social media sidekick who doesn’t seem to be doing anything with her life but being a hanger-on/gold digger/social climber.
  • Andi Brand (played by Janelle Monáe), Miles’ former business partner, who lost a bitter lawsuit against him, in which she claimed that she came up with most of the ideas for Alpha Industries, and she accused Miles of stealing her share of the company from her.

It’s eventually revealed in the story that Miles, Andi, Claire, Lionel, Birdie and Duke all knew each other from 10 years ago, when they were struggling to “make it” in their chosen professions. Andi was the one who introduced Miles (who was unlikable even back then) to the rest of the group. They all used to hang out at a bar called Glass Onion.

Miles is a big talker who is very good at making people believe that he’s smarter than he really is. For example, he makes up words that don’t exist. His incessant namedropping becomes an ongoing lampoon in the movie. He mentions how he got famous composer Philip Glass to write original music for him. Miles also brags about his other connections to celebrities, such as getting a personal gift from actor/musician Jared Leto and getting invited to a recent birthday party for CNN anchor Anderson Cooper.

As the story goes on, cracks begin to show in many of the party guests’ façades. Birdie wants people to think that she’s confident, but she’s actually very insecure about being perceived as unattractive and a has-been. Peg, who appears to cool-headed and logical, is actually on edge and desperate, because she has spent most of her career with loose cannon Birdie, so anything that destroys Birdie’s career will probably destroy Peg’s career too. Lionel is uncomfortable with being paid by Miles to approve this mystery product Klear that Lionel says is too dangerous to approve.

Claire, who prides herself on being a “take charge” control freak, is worried about how wild this party might get and how it could affect her reputation in this crucial election year. Duke becomes uneasy when he sees that Whiskey is openly flirting with Miles, who does nothing to stop this flirtation and seems to be enjoying it. Andi, who is the most mysterious guest, keeps her distance from the group for a great deal of the movie, and she seems to be tough-minded and occasionally rude, but her emotional vulnerabilities are eventually exposed. When Andi arrives at the island, Miles tells her that he’s surprised that she accepted the invitation.

Of course, Andi appears to be the one who has the biggest grudge against Miles. She is also different from the other guests because she was the only one who didn’t bother to figure out the box puzzle but just smashed the box instead and found the invitation. In a group of characters with larger-than-life personalities, Monáe delivers a complex performance that is one of the highlights of “Glass Onion.”

It would be revealing too much to say who actually gets murderded in “Glass Onion,” but it’s enough to say that the movie has more twists and turns and than “Knives Out.” The comedy in “Glass Onion” has much sharper edges that result in some intentionally hilarious moments. The dialogue and scenarios portray in stinging accuracy what can happen when people try to impress each other too much and wallow in self-centered pretension.

Peg and Benoit are the only people at the party who don’t show any completely obnoxious qualities, for different reasons. Peg, who seems like a decent person overall, is at the party in the capacity of being a subservient employee who’s afraid of losing her job. Benoit, as always, is a keen observer of people and doesn’t really jump into action until there’s a murder to be solved. Craig, who seems born to play the role of this sly and sarcastic private detective, has no doubt found his next big movie franchise after retiring from the role of James Bond.

Also turning in very good performances are Norton as billionaire jerk Miles and Hudson as spoiled celebrity Birdie. These two characters have some of the best lines in “Glass Onion,” which makes them the type of characters whom viewers will love to hate. However, if we’re being honest, Norton and Hudson have played these types of unlikable characters in other movies before, so people might not be as surprised by these performances. Monáe shows a range in “Glass Onion” that she hasn’t had a chance to show in her previous movies. The rest of the principal cast members in “Glass Onion” have characters that are a bit shallow and underdeveloped.

The production design of “Glass Onion” (which was filmed on location in Greece) is quite striking and has more originality than the “old money” mansion setting of “Knives Out.” Johnson’s screenplay and direction for “Glass Onion” are sharp, witty and thoroughly engaging, even when the characters are saying and doing awful things. “Glass Onion” also benefits from having less characters than “Knives Out” had, thereby making the “Glass Onion” story less cluttered than “Knives Out.” Most of all, “Glass Onion” admirably avoids one of the biggest mistakes that most movie sequels make: It doesn’t try to copy its predecessor. To put it in baseball terms: It swings big in its ambitions and hits a home run.

Netflix released “Glass Onion: A Knives Out Mystery” for a limited one-week engagement in U.S. cinemas on November 23, 2022. The movie will premiere on Netflix on December 23, 2022.

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