Review: ‘Young Woman and the Sea,’ starring Daisy Ridley, Tilda Cobham-Hervey, Stephen Graham, Kim Bodnia, Christopher Eccleston and Glenn Fleshler

May 31, 2024

by Carla Hay

Daisy Ridley in “Young Woman and the Sea” (Photo courtesy of Disney Enterprises, Inc.)

“Young Woman and the Sea”

Directed by Joachim Rønning

Culture Representation: Taking place in the United States and Europe from 1914 to 1926, the dramatic film “Young Woman and the Sea” (based on true events) features a predominantly white cast of characters (with one black person) representing the working-class, middle-class and wealthy.

Culture Clash: Champion swimmer Trudy Ederle, who becomes the first woman to swim across the English Channel, defies expectations and sexism in her quest for greatness. 

Culture Audience: “Young Woman and the Sea” will appeal primarily to people who are fans of “against all odds” stories about underestimated athletes or women in patriarchal societies.

Ethan Rouse, Kim Bodnia, Jeanette Hain, Daisy Ridley and Tilda Cobham-Hervey in “Young Woman and the Sea” (Photo by Elena Nenkova/Disney Enterprises, Inc.)

“Young Woman and the Sea” is a traditionally made sports drama that might seem old-fashioned to some viewers. However, this biopic about champion swimmer Trudy Ederle has solid acting and themes that don’t get outdated, such as triumphing over obstacles. People who like stories about iconic achievers who are determined but modest about their accomplishments will find plenty to like about how Ederle is portrayed in this inspirational film.

Directed by Joachim Rønning, “Young Woman and the Sea” is based on Glenn Stout’s 2009 non-fiction book “Young Woman and the Sea: How Trudy Ederle Conquered the English Channel.” The movie’s adapted screenplay was written by Jeff Nathanson. Gertrude “Trudy” Ederle (who was born in 1905 and died in 2003) is considered one of the best competitive female swimmers of all time, not just because of the records she broke but also because of the barriers she broke for other female swimmers. There’s nothing complicated about this movie, which is told in mostly chronological order. For the purposes of this review, the real Trudy Ederle will be called Ederle, while the Trudy Ederle character in the movie will be called Trudy.

“Young Woman and the Sea” begins in the mid-1920s, by showing Trudy in her early 20s (played by Daisy Ridley) about to dive into a large body of water to train for her historic swim across the English Channel. She is covered in an unnamed lubricant (it looks like Vaseline), which is what long-distance swimmers use to help deal with cold-water temperatures. Trudy is singing what the movie later reveals to be her favorite song: the 1920 foxtrot tune “Ain’t We Got Fun,” written by Richard A. Whiting, Raymond B. Egan and Gus Kahn.

The movie then shows an extensive flashback to Trudy’s childhood in 1914, when she was 9 years old. Trudy (played Olive Abercrombie) has made a near-miraculous recovery from measles that left her bedridden and her family worried that she might die. However, the measles would lead to Trudy having hearing loss that got worse when she was in her 30s and eventually became legally deaf.

Trudy lives in New York City with her German immigrant parents; her older sister Margaret “Meg” Ederle; and her younger brother Henry Ederle Jr. (“Young Woman and the Sea” was actually filmed in Bulgaria.) Meg is about two or three years older than Trudy. Henry is about five or six years younger than Trudy. Tilda Cobham-Hervey has the role of young-adult Meg. Lilly Aspell has the role of adolescent Meg. Raphael J. Bishop has the role of pre-teen Henry. Ethan Rouse has the role of teenage Henry.

Henry Ederle Sr. (played by Kim Bodnia) is a butcher who believes in a strict, patriarchal way of living, where men are supposed to be thought of and treated as superior to women. Gertrude Ederle (played by Jeanette Hain) is strong-willed and thinks that women and girls should not have restrictions placed on them because of gender. In other words, Gertrude is a feminist before the word “feminist” was invented.

Getrude’s belief in gender equality plays a crucial role in giving Trudy the motivation and opportunities to become a champion swimmer. Early on in the movie, when Ederle kids are all underage, Meg and Trudy can see from their home that ship has gone up in flames at a nearby port. Gertrude tells them the tragic news that many people (mostly women) on the ship drowned because they didn’t know how to swim, and they stayed on the burning boat rather than risk trying to swim to shore nearby.

Henry Sr. says that Henry Jr. will definitely learn how to swim, but Meg doesn’t need to learn. Gertrude strongly disagrees and says that Meg and Trudy have a right to learn how to swim, just like anyone else does. Gertrude believes that knowing how to swim is a life-saving skill that shouldn’t be deprived or bestowed upon people based on gender. Henry Sr. also believes that it isn’t ladylike for girls or women to be in swimming competitions.

In the meantime, Trudy is determined to learn how to swim, even though her father disapproves. Trudy’s doctor has also warned that Trudy shouldn’t get too much water in her ears, or it could cause more hearing loss for Trudy. After much persistence from Trudy, her father agrees to teach Trudy how to swim at Coney Island’s beach. Due to her recent illness, Trudy cannot use a public swimming pool.

Trudy is a natural talent and soon becomes obsessed with swimming. When Trudy and Meg are teenagers, Henry Sr. is still adamant that they can’t become competitive swimmers. So what does Getrude do? She enrolls Trudy and Meg in an all-female swimming team, led by a tough-but-caring coach named Charlotte “Eppy” Epstein (played by Sian Clifford), who gives the two sisters the training to become more disciplined swimmers.

It isn’t long before Trudy outshines Meg as a swimmer in competitons. Meg seems to have some envy about Trudy’s superior swimming skills, but Meg’s envy doesn’t fester into full-blown jealousy, mainly because Meg is not as passionate about swimming as Trudy is. Trudy puts swimming above everything else in her life. In the movie, Trudy is never shown having any friends or dating anyone. Meg is Trudy’s closest confidante.

Meg starts to rebel a little against her father. One night, Meg comes home late and smelling like liquor. Meg admits to her disapproving father that she’s been on a date with a guy named Chip Anderson (played by Hyoie O’Grady), who has been courting Meg and will soon ask Meg to marry him. Henry Sr. flies into a rage because he thinks his daughters should marry men of German heritage. (The movie takes a short detour into Meg’s love life, which doesn’t go according to what Meg really wants.)

Meanwhile, a montage shows that Trudy wins several swimming competitions on a local, state, and then national level, often breaking swimming records along the way. It’s inevitable that Trudy trains for the 1924 Summer Olympics in Paris. And then, in 1926, Trudy decides to take on her biggest challenge of all: swimming across the English Channel, which is a feat that had never been accomplished by a woman at the time.

“Young Woman and the Sea” has the expected scenes of men trying to block or discourage Trudy’s ambitions, simply because of her female gender. Trudy’s father is one of the chief culprits of this sexism. And for a long time, he refuses to celebrate Trudy’s accomplishments. Trudy’s mother Gertrude is always supportive of her, but Trudy wants her father’s approval too.

For her Olympic training, Trudy gets a wealthy sponsor named James Sullivan (played by Glenn Fleshler), a pompous blowhard who wants Trudy to be among the six American female swimmers whom he’s sponsoring for the Olympics. James insists that Trudy and the other women swimmers have a male coach. Jabez Wolffe (played by Christopher Eccleston), a Scottish has-been professional swimmer, becomes Trudy’s coach. It becomes obvious early on that Jabez is very jealous that Trudy is more talented than he could ever be.

Not all of the men in Trudy’s life are sexist and condescending. Trudy meets a rebellious sailor named Bill Burgess (played by Stephen Graham), who’s got a similar spirit of non-conformity as Trudy has. The first time that Trudy sees Bill, he’s at the Coney Island beach being arrested for swimming naked. Bill ends up becoming Trudy’s sailor navigator during her English Channel swimming marathon. Trudy also develops a friendly acquaintance with another swimmer named Benji Zammit (played by Alexander Karim), who also wants to swim across the English Channel.

Even if viewers have never heard of Trudy Ederle before seeing this movie, “Young Woman Sea” has no real surprises because it checks all the usual plot boxes and follows the same formula as many other sports movies. A noticeable flaw of the movie is that it doesn’t accurately depict the type of hearing loss that the real Ederle had during this time in her life. There’s a brief mention of her hearing loss but then Trudy’s hearing loss is never really mentioned or shown again.

The acting performances fit the tone of the movie very well. Ridley is quite good but not outstanding in “Young Woman and the Sea,” which unrealistically makes Trudy look like she has no personality flaws. The swimming scenes are thrilling though, with Oscar Faura’s cinematography making viewers feel immersed in the water along with Trudy, even in some of the scenes that are obviously not in a real ocean. Unlike the treacherous waters that Trudy swims in, “Young Woman and the Sea” offers nothing edgy or unpredictable. The movie is a perfectly fine option for anyone who wants to see a story that can appeal to many generations of people.

Walt Disney Pictures released “Young Woman and the Sea” in select U.S. cinemas on May 31, 2024.

Review: ‘Werewolves Within,’ starring Sam Richardson, Milana Vayntrub, Catherine Curtin, Michaela Watkins, Michael Chernus, Cheyenne Jackson and Harvey Guillén

July 12, 2021

by Carla Hay

Pictured clockwise, from left: Catherine Curtin, Milana Vayntrub, Harvey Guillén, Cheyenne Jackson, George Basil, Sarah Burns and Sam Richardson in “Werewolves Within” (Photo by Sabrina Lantos/IFC Films)

“Werewolves Within”

Directed by Josh Ruben

Culture Representation: Taking place in the fictional city of Beaverfield, Vermont, the horror film “Werewolves Within” features a mostly white group of people (with one African American, one Latino and one biracial Native American) representing the working-class, middle-class and wealthy.

Culture Clash: A newly appointed forest ranger arrives in Beaverfield, a rural city that’s in turmoil over a fracking debate and speculation that a killer werewolf is on the loose.

Culture Audience: “Werewolves Within” will appeal primarily to fans of the “Werewolves Within” video game and to people who are interested in memorable horror comedies with quirky characters.

Michaela Watkins in “Werewolves Within” (Photo by Sabrina Lantos/IFC Films)

There’s a particular art to blending horror and comedy that “Werewolves Within” achieves with goofy and quirky charm. It’s a well-cast movie that has obvious influences—namely, filmmaker brothers Joel and Ethan Coen 1996 dark comedy “Fargo” and filmmaker Edgar Wright’s 2004 zombie comedy “Shaun of the Dead.” However, “Werewolves Within” (directed by Josh Ruben and written by Mishna Wolff) still keeps the wacky spirit of the Ubisoft video game on which it is based. It’s one of the few video-game-to-movie adaptations that isn’t an embarrassment to the video game.

“Werewolves Within”—which takes places during a snowy winter in the fictional rural city of Beaverfield, Vermont—has a wisecracking tone throughout the film but still maintains an aura of impending doom, as the body count begins to increase. When newly appointed forest ranger Finn Wheeler (played by Sam Richardson) arrives in Beaverfield to start his new job, he arrives in a city that’s plagued by divisive tensions over a fracking controversy. There’s also speculation that a wild animal (possibly a werewolf) is responsible for a recent bloody death of a hunter in the woods, nearly a month earlier.

Finn has his own personal issues going into this job. He’s very insecure about being perceived as a wimp who’s too nice. The first time that viewers see Finn is in his car, as he’s driving to Beaverfield. He’s listening to a self-help motivational podcast or audio recording to learn how to be an assertive alpha male. During the course of the movie, viewers will see that Finn (who was transferred to Beaverfield by the U.S. Forest Service) has to battle his own inner demons and insecurities, as well as the major problems that he comes across in Beaverfield.

“Werewolves Within” moves at such a quick pace that within the first 15 minutes of the film, Finn has met all of the characters who will be in this story. They are:

  • Jeanine Sherman (played by Catherine Curtin), the mild-mannered owner of the Beaverfield Inn, where Finn is living.
  • Sam Parker (played by Wayne Duvall), an arrogant executive from Midland Gas, the company that wants to buy land in Beaverfield for fracking purposes.
  • Cecily Moore (played by Milana Vayntrub), a friendly and talkative mail carrier from the U.S. Postal Service, who lives at the Beaverfield Inn rent-free in exchange for assisting with the inn’s cleaning duties.
  • Dr. Jane Ellis (played by Rebecca Henderson), a politically liberal, serious-minded sociologist and environmentalist who is vehemently against anything that she thinks is damaging to the environment, such as what Midland Gas wants to do.
  • Emerson Flint (played by Glenn Fleshler), a gruff and reclusive animal trapper who is the subject of a lot of the town’s gossip.
  • Devon Wolfson (played by Cheyenne Jackson), a vain millionaire who founded a tech company and who gave up life in a big city for a more laid-back lifestyle in Beaverfield.
  • Joaquim Wolfson (played by Harvey Guillén), Devon’s flamboyant and sassy husband who owns a yoga studio in town.
  • Trisha Anderton (played by Michaela Watkins), an uptight neurotic who has a passion for crafting and is the owner of Anderton Farms, which has been in her family for 90 years.
  • Pete Anderton (played by Michael Chernus), Trisha’s politically conservative, lecherous husband who has a wandering eye and wandering hands when it comes to women who aren’t his wife.
  • Gwen Sieczkowski (played by Sara Burns), a tough-talking mechanic who had a somewhat secret affair with Pete.
  • Marcus (played by George Basil), Gwen’s boyfriend who is unemployed, financally broke and very dimwitted.

These residents of Beaverfield have various opinions of what Midland Gas wants to do in Beaverfield. Beaverfield Inn owner Jeanine is reluctant to sell her property to Midland Gas, even though the company is offering her a lot of money to sell. Devon and Joaquim, who identify as progressive liberals, are inclined to be against what Midland Gas wants to do.

Meanwhile, Trisha, Pete, Gwen and Marcus think that Midland Gas will bring a lot of business to Beaverton, and they want to profit from it as much as possible. Cecily hasn’t expressed a strong opinion one way or another. But she does tell Finn that she likes her living arrangement, and that she hopes that the Beaverfield Inn won’t be sold to Midland Gas, which would demolish the inn for fracking activities.

The first time that Cecily and Finn meet, it’s at the inn, and there’s an immediate attraction between them. Finn isn’t as obvious about his attraction to Cecily when they first meet, because he tells her that he has a girlfriend named Charlotte, who’s in the city where he used to live. Charlotte is never seen in the movie, but her phone conversations with Finn make it clear to viewers that she likes to nag and henpeck Finn and doesn’t really respect him.

Finn decided to transfer to Beaverfield as part of his goal to be an alpha male, by taking on a challenge outside of his comfort zone. His relationship with Charlotte is somewhat in limbo because he doesn’t know how long he might be in Beaverfield. Meanwhile, Cecily notices that Finn and Charlotte’s relationship is on shaky ground. Cecily isn’t afraid to tell Finn what she thinks about it.

Because she’s a mail carrier who knows a lot of the personal business of the Beaverfield residents, Cecily is Finn’s main source of information and gossip about what’s been going on in Beaverfield. She tells Finn that Jeanine’s husband left Jeanine to run off to Belize with another woman. Cecily is also the one to tell Finn about Pete and Gwen’s affair, which appears to be over. Pete’s wife Trisha and Gwen’s boyfriend Marcus don’t know about the affair.

Finn doesn’t get a friendly welcome from Emerson. Immediately after Finn arrives in Beaverfield, Cecily gives Finn a written complaint about Emerson from Dr. Ellis, who has accused Emerson of illegal trapper activities in her complaint. When Finn goes over to Emerson’s cabin to investigate, Emerson (carrying a rifle and wearing wolf hide with the wolf’s head still attached) angrily chases Finn off of his property.

A huge snowstorm soon hits the area, leaving all transportation to and from Beaverfield temporarily suspended. Somehow, everyone in this story except for Emerson ends up at the Beaverfield Inn for shelter. And that’s when the killings start with a vengeance.

“Werewolves Within” has such distinct characters that it’s very easy to tell all of them apart from each other. The movie has fun with spoofing stereotypes. Dr. Sherman is an unsmiling, “gloom and doom” type who might or might not be a mad scientist. Gay couple Devon and Joaquim are fussy and argumentative. Trisha and Pete are superficial, materialistic and show hints of being racist and homophobic.

Although there aren’t many set pieces in this movie, which takes place in a very confined area, the production design is done well for this low-budget film. (“Werewolves Within” takes place in Vermont, but the movie was actually filmed in New York state.) Of particular note is the Axe Den, a recreational room that’s on the Beaverfield Inn property. It’s Cecily’s favorite place to hang out, and she introduces Finn to an empty Axe Den during the snowstorm.

The Axe Den is a kitschy place filled with vintage arcade games and a jukebox that has mostly pop songs from the 1990s. Ace of Base’s hit “The Sign” is prominently featured in “Werewolves Within,” with great comedic effect. And it should come as no surprise that the Axe Den is where the movie’s biggest showdown happens.

The very self-aware comedy of “Werewolves Within” doesn’t come at the expense of delivering a genuinely engaging mystery. Dr. Ellis has been able to determine in her makeshift lab at the inn that a wolf-like animal is responsible for this killing spree. However, some of the people trapped at the Beaverfield Inn aren’t convinced. Who or what is the real killer? The answer is revealed at the end of the movie.

All of the cast members handle their roles with aplomb, even though some characters verge on parody. Most of the emotional core of the film is with Finn and Cecily, who have to navigate their attraction to each other during the growing terror about the killer on the loose. Richardson and Vayntrub have believable chemistry as a would-be couple caught in this precarious situation. Their comedic timing is one of the highlights of “Werewolves Within.”

The comedy in the movie isn’t for everyone, because some viewers might find it to be too glib or too on-the-nose. But for everyone else—especially for people who like horror comedies with a cheeky tone— there’s a lot that’s appealing about “Werewolves Within.” This movie would make a great double feature with 2020’s “The Wolf of Snow Hollow,” another werewolf horror movie that combines comedy with a murder mystery.

Ruben’s direction of “Werewolves Within” keeps it at a brisk pace (the movie’s total running time is 97 minutes), so there’s little chance of boredom setting in with viewers. The movie doesn’t over-rely on slapstick comedy but instead derives a lot of comedy from how the cast members interpret the snappy dialogue. “Werewolves Within” is the type of horror film where it’s very entertaining to watch these characters for the entire movie, even if you’d never want to be stuck in snowstorm with most of them.

IFC Films released “Werewolves Within” in select U.S. cinemas on June 25, 2021, and on digital and VOD on July 2, 2021.

Copyright 2017-2025 Culture Mix
CULTURE MIX