2022 Critics Choice Documentary Awards: ‘Good Night Oppy’ is the top winner

November 10, 2022

by Carla Hay

A digital recreation of the robotic rover Opportunity in “Good Night Oppy” (Image courtesy of Prime Video/Amazon Content Services)

With five prizes, the Mars exploration movie “Good Night Oppy” was the top winner at the Seventh Annual Critics Choice Documentary Awards, which were presented at the Edison Ballroom in New York City, on November 13, 2022. “Good Night Oppy” (from Amazon Studios) earned the awards for Best Documentary Feature, Best Director (for Ryan White), Best Musical Score (for Blake Neely), Best Narration and Best Science/Nature Documentary. “Good Night Oppy” (which tells the story of how NASA sent two robots to explore Mars, beginning in 2003) ended up winning five of the six awards for which it was nominated.

In one of his many acceptance speeches, “Good Night Oppy” director White thanked his colleagues and NASA. He also commented when comparing Earth to Mars, “I hope that this film can be a reminder of what can happen to our planet if we don’t treat it with the care it deserves.”

Ryan White at the Seventh Annual Critics Choice Documentary Awards in New York City on November 13, 2022. (Photo by Carla Hay)

The only other documentary to win more than one prize at the ceremony was the Disney+ three-episode series “The Beatles: Get Back,” which won two awards: Best Limited Documentary Series and Best Music Documentary. “The Beatles: Get Back” (directed by Peter Jackson) is a restored and extended version of the 1970 Beatles documentary “Let It Be,” which was originally directed by Michael Lindsay-Hogg.

“Fire of Love” (from National Geographic Documentary Films/Neon), a movie directed by Sara Dosa about married French volcanologists Maurice Kraftt and Katia Kraftt, went into the ceremony as the top contender, with seven nominations. In the end, “Fire of Love” got one award: Best Archival Documentary.

The 2022 Critics Choice Documentary Awards is presented and voted on by the Critics Choice Association. Grammy-nominated performer/writer Wyatt Cenac hosted the show, which was livestreamed for the first time on Facebook Live and Instagram Live.

The Critics Choice Documentary Awards had some other first milestones in 2022. It was the first time that the show was held in the New York City borough of Manhattan, after previously being held in the New York City borough of Brooklyn. In addition, two categories—Best Ongoing Documentary Series and Best Limited Documentary Series—that have traditionally been included in the Critics Choice Real TV Awards are, as of 2022, now being presented at the Critics Choice Documentary Awards.

Another big change to the show in 2022 was the announcement of the two films that came in second place and third place in votes for the category of Best Documentary Feature. Second place went to “Fire of Love,” while third place went to Warner Bros. Pictures’ “Navalny,” a movie about Russian political activist Alexei Navalny and his investigation into who poisoned him in 2020. The second-place and third-place documentaries were announced before the winner of Best Documentary Feature.

The ceremony also included two non-competitive prizes, whose recipients were announced weeks before the show took place. Oscar-winning documentarian Barbara Kopple (“Harlan County USA” and “American Dream”) was bestowed with the Pennebaker Award (formerly known as the Critics Choice Lifetime Achievement Award), which was presented to her by D.A. Pennebaker’s widow/filmmaking partner, Chris Hegedus.

In her speech, Kopple thanked her longtime friends Pennebaker and Hegedus for being her mentors, and she expressed gratitude for people in the documentary filmmaking community. Kopple, who began making films in the 1970s, said in her speech that critics play a crucial role in whether or not documentaries can get distribution and find an audience. “I remember when critics wouldn’t even look at documentaries,” Kopple said. “I thank you from the bottom of my heart. All we want is to be able to tell a good story.”

Meanwhile, Dawn Porter (“John Lewis: Good Trouble”) received the Critics Choice Impact Award, given to documentarians whose work is about promoting changes for the better in society. Disney’s Onyx Collective head of documentary programming Jacqueline Glover presented Porter with this award. In her speech, Porter remembered the leap of faith that she took to leave a secure full-time job to make her first documentary, 2013’s “Gideon’s Army.” She thanked her documentary subjects and people she has collaborated with over the years.

Presenters at the show also included style entrepreneur/film producer Kathy Ireland, actor Richard Kind, musician/actor Paul Shaffer, actress Soshana Bean, actor Jeremy Sisto, “Good Night Oppy” director White, actress Tamara Tunie, filmmaker Tonya Lewis Lee, filmmaker Andrew Jarecki, musician Willie Colón, actor Erich Bergen and actress/singer Idina Menzel.

Here is the complete list of winners and nominees for the 2022 Critics Choice Documentary Awards:

*=winner

BEST DOCUMENTARY FEATURE

  • Aftershock (Hulu)
  • The Automat (A Slice of Pie Productions)
  • Descendant (Netflix)
  • Fire of Love (National Geographic Documentary Films/Neon)
  • Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
  • Good Night Oppy (Amazon Studios)*
  • The Janes (HBO)
  • Moonage Daydream (HBO/Neon)
  • Navalny (HBO/CNN/Warner Bros. Pictures)
  • Sidney (Apple TV+)

BEST DIRECTOR

  • Judd Apatow, Michael Bonfiglio – George Carlin’s American Dream (HBO)
  • Margaret Brown – Descendant (Netflix)
  • Sara Dosa – Fire of Love (National Geographic Documentary Films/Neon)
  • Reginald Hudlin – Sidney (Apple TV+)
  • Brett Morgen – Moonage Daydream (HBO/Neon)
  • Laura Poitras – All the Beauty and the Bloodshed (HBO/Neon)
  • Daniel Roher – Navalny (HBO/CNN/Warner Bros. Pictures)
  • Ryan White – Good Night Oppy (Amazon Studios)*

BEST FIRST DOCUMENTARY FEATURE

  • Andrea Arnold – Cow (IFC Films)
  • Lisa Hurwitz – The Automat (A Slice of Pie Productions)
  • Jono McLeod – My Old School (Magnolia Pictures)
  • Amy Poehler – Lucy and Desi (Amazon Studios)
  • Alex Pritz – The Territory (National Geographic Documentary Films)
  • David Siev – Bad Axe (IFC Films)*
  • Bianca Stigter – Three Minutes: A Lengthening (Neon)

BEST CINEMATOGRAPHY

  • Benjamin Bernhard, Riju Das – All That Breathes (HBO)
  • Magda Kowalczyk – Cow (IFC Films)
  • Lucas Tucknott – McEnroe (Showtime)
  • Gabriela Osio Vanden, Jack Weisman, Sam Holling – Nuisance Bear (The New Yorker)
  • The Cinematography Team – Our Great National Parks (Netflix)*
  • Alex Pritz, Tangãi Uru-eu-wau-wau – The Territory (National Geographic Documentary Films)

BEST EDITING

  • Jabez Olssen – The Beatles: Get Back (Disney+)
  • Erin Casper, Jocelyne Chaput – Fire of Love (National Geographic Documentary Films/Neon)
  • Joe Beshenkovsky – George Carlin’s American Dream (HBO)
  • Helen Kearns, Rejh Cabrera – Good Night Oppy (Amazon Studios)
  • Brett Morgen – Moonage Daydream (HBO/Neon)*
  • Langdon Page, Maya Daisy Hawke – Navalny (HBO/CNN/Warner Bros. Pictures)
  • Katharina Wartena – Three Minutes: A Lengthening (Neon)

BEST SCORE

  • Hummie Mann – The Automat (A Slice of Pie Productions)
  • Nicolas Godin – Fire of Love (National Geographic Documentary Films/Neon)
  • Blake Neely – Good Night Oppy (Amazon Studios)*
  • Max Avery Lichtenstein – The Janes (HBO)
  • David Schwartz – Lucy and Desi (Amazon Studios)
  • Marius de Vries, Matt Robertson – Navalny (HBO/CNN/Warner Bros. Pictures)

BEST NARRATION

  • Deep in the Heart: A Texas Wildlife Story (Fin and Fur Films) – Written by Ben Masters; Performed by Matthew McConaughey
  • Fire of Love (National Geographic Documentary Films/Neon) – Written by Shane Boris, Erin Casper, Jocelyne Chaput, Sara Dosa. Performed by Miranda July
  • Good Night Oppy (Amazon Studios) –Written by Helen Kearns, Ryan White; Performed by Angela Bassett*
  • Our Great National Parks (Netflix) – Performed by Barack Obama
  • Riotsville, U.S.A. (Magnolia Pictures) – Written by Tobi Haslett; Performed by Charlene Modeste
  • Three Minutes: A Lengthening (Neon) – Written by Bianca Stigter; Performed by Helena Bonham Carter

BEST ARCHIVAL DOCUMENTARY

  • The Beatles: Get Back (Disney+)
  • Fire of Love (National Geographic Documentary Films/Neon)*
  • Moonage Daydream (HBO/Neon)
  • Nothing Compares (Showtime)
  • Riotsville, U.S.A. (Magnolia Pictures)
  • Three Minutes: A Lengthening (Neon)

BEST HISTORICAL DOCUMENTARY

  • The Automat (A Slice of Pie Productions)
  • Descendant (Netflix)*
  • The Janes (HBO)
  • Lowndes County and the Road to Black Power (Peacock)
  • Still Working 9 to 5 (Mighty Fine Entertainment)
  • Three Minutes: A Lengthening (Neon)
  • The U.S. and the Holocaust (PBS)

BEST BIOGRAPHICAL DOCUMENTARY

  • George Carlin’s American Dream (HBO)
  • The Last Movie Stars (HBO Max)
  • Lucy and Desi (Amazon Studios)
  • The Rebellious Life of Mrs. Rosa Parks (Peacock)
  • Salvatore: Shoemaker of Dreams (Sony Pictures Classics)
  • Sidney (Apple TV+)*
  • Sr. (Netflix)

BEST MUSIC DOCUMENTARY

  • The Beatles: Get Back (Disney+)*
  • Hallelujah: Leonard Cohen, a Journey, a Song (Sony Pictures Classics)
  • If These Walls Could Sing (Disney Original Documentary)
  • Louis Armstrong’s Black & Blues (Apple TV+)
  • Moonage Daydream (HBO/Neon)
  • Nothing Compares (Showtime)
  • The Return of Tanya Tucker – Featuring Brandi Carlile (Sony Pictures Classics)

BEST POLITICAL DOCUMENTARY

  • Aftershock (Hulu)
  • All the Beauty and the Bloodshed (HBO/Neon)
  • Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
  • The Janes (HBO)
  • Navalny (HBO/CNN/Warner Bros. Pictures)*
  • Retrograde (National Geographic Documentary Films)
  • Freedom on Fire: Ukraine’s Fight for Freedom (Netflix)

BEST SCIENCE/NATURE DOCUMENTARY

  • All That Breathes (HBO)
  • Cow (IFC Films)
  • Fire of Love (National Geographic Documentary Films/Neon)
  • Good Night Oppy (Amazon Studios)*
  • Nuisance Bear (The New Yorker)
  • Return to Space (Netflix)
  • The Territory (National Geographic Documentary Films)

BEST SPORTS DOCUMENTARY

  • Citizen Ashe (Magnolia/HBO)* (tie)
  • Hockeyland (Greenwich Entertainment)
  • Kaepernick & America (Dark Star Pictures)
  • McEnroe (Showtime)
  • The Redeem Team (Netflix)
  • Welcome to Wrexham (FX/Hulu)* (tie)

BEST SHORT DOCUMENTARY

  • 38 at the Garden (HBO)
  • Angola Do You Hear Us? Voices From a Plantation Prison (MTV Documentary Films)
  • The Flagmakers (National Geographic Documentary Films)
  • Four Seasons Total Documentary (MSNBC)
  • My Disability Roadmap (The New York Times Op Docs)
  • Nuisance Bear (The New Yorker)*
  • Stranger at the Gate (The New Yorker)

BEST LIMITED DOCUMENTARY SERIES

  • The Beatles: Get Back (Disney+)*
  • Hostages (HBO)
  • The Last Movie Stars (HBO Max)
  • The Lincoln Project (Showtime)
  • Our Great National Parks (Netflix)
  • The U.S. and the Holocaust (PBS)
  • We Need to Talk About Cosby (Showtime)

BEST ONGOING DOCUMENTARY SERIES

  • 30 for 30 (ESPN)*
  • American Masters (PBS)
  • Cheer (Netflix)
  • The Circus (Showtime)
  • Unsolved Mysteries (Netflix)
  • Welcome to Wrexham (FX/Hulu)

Review: ‘Good Night Oppy,’ starring Steve Squyres, Rob Manning, Doug Ellison, Jennifer Trosper, Kobie Boykins, Vandi Verman and Bekah Sosland-Siegfriedt

November 12, 2022

by Carla Hay

A digital recreation of the robotic rover Opportunity in “Good Night Oppy” (Image courtesy of Prime Video/Amazon Content Services)

“Good Night Oppy”

Directed by Ryan White

Culture Representation: Taking place in California and Florida and on Mars, the documentary film “Good Night Oppy” features a predominantly white group of people (with some black people and one person of Indian heritage), who are current and former NASA employees, discussing the journey of two identical roving robots—one named Spirit, the other named Opportunity—that NASA sent on a mission to explore Mars, in a journey that began in 2004.

Culture Clash: Spirit had frequent technical problems and other obstacles, while Opportunity (nicknamed Oppy) survived and thrived much longer than most people expected.

Culture Audience: “Good Night Oppy” will appeal primarily to people who are interested in documentaries about space exploration and overcoming seemngly impossible odds.

NASA employeees in “Good Night Oppy” (Image courtesy of Prime Video/Amazon Content Services)

“Good Night Oppy” informs, entertains, and gets people emotional about robot exploration on Mars. This impressive documentary is a perfect example of how science and technology are much more meaningful when they don’t lose their humanity. One of the best things about “Good Night Oppy” is that people don’t need to have any knowledge about outer-space exploration to enjoy the movie. People who don’t think they have any interest in this topic will probably be surprised by how engaging “Good Night Oppy” can be in telling this unique story.

Directed by Ryan White, “Good Night Oppy” had its world premiere at the 2022 Telluride Film Festival in Colorado. The documentary is told entirely from the perspectives of the NASA team members who were involved the journey of two physically identical robots named Spirit and Opportunity (nicknamed Oppy) that were sent to Mars (also known as “the red planet”) for an exploration mission. “Good Night Oppy” uses visual effects to recreate much of what Spirit and Opportunity saw and experienced on Mars. The movie also features many of the actual photos of Mars that the twins sent back to Earth, as well as archival footage of what was happening on Earth during this journey.

At first glance, it might seem like “Good Night Oppy” is a very one-sided documentary because it interviews only people connected to NASA (National Aeronautics and Space Administration). However, by the end of the movie, it’s obvious that it would have been a mistake for the “Good Night Oppy” filmmakers to overstuff the documentary with too many interviews of people who didn’t have direct knowledge of this history-making Mars exploration. The current and former NASA employees who tell this story have intimate details that no outside expert would be able to tell in such an informed way.

Even before this exploration of Mars began in January 2004, it was a long and often-frustrating road to get there. Steve Squryes, the principal scientist of the project, said that for about 10 years, beginning in the mid-1980s, NASA rejected his proposals about having robots explore Mars and doing things such as send images and other information about Mars back to Earth. When one of Squryes’ proposals was finally accepted, it took several more years for the robots to be designed and built up to NASA standards. Finally, the robots were ready to be sent to Mars in 2003.

Much of this work was done by NASA’s Mars Program at Jet Propulsion Laboratory in Pasadena, California. It’s explained in the documentary that an ideal window of opportunity to send a robotic rover to Mars comes along once every 26 months. Ashley Stroupe, a rover driver responsible for the movements of NASA’s rovers on Mars, comments: “The overall goal of the Mars program has been the question of, ‘Did Mars actually have life?'”

Two special robots named Spirit and Opportunity were about to find out and let people on Earth know what was discovered. Spirit and Opportunity are described as robotic rovers that were built as identical twins, but they ended having very different “personalities” and experiences on Mars. Both rovers were given the female gender when assigning their pronouns.

Each rover was 5’2″, which is the average height of a human being. But that’s as far as the similarities went to how much the rovers physically resembled human beings. Atshitey Trebi-Ollennu, a robotics engineer, explains in the documentary that the rovers’ arms were designed to have “multiple instruments to take measurements and microscopic images, like a Swiss Army knife.” Each rover also had six wheels for movement on the ground.

From the beginning, Spirit was the one who ran into the most problems. Spirit failed the first major test, while Opportunity passed the same test. As camera operations engineer Doug Ellison says in the documentary, “Even before they left this planet, Spirit was troublesome. Opportunity was Little Miss Perfect.”

Eventually, the twins were ready for their trip to Mars with their launch at Kennedy Space Center on Florida’s Merritt Island. Spirit launched on June 10, 2003, and landed on Mars on January 3, 2004. Opportunity launched on July 7, 2003, and landed on Mars on January 24, 2004.

Due to extreme weather conditions on Mars and any unforeseen events, the rovers were expected to last about 90 days on Mars. Spirit and Opportunity lasted much longer than 90 days. And one of them lasted even longer than most of the NASA scientists and engineers even thought was possible. (How long Spirit and Opportunity lasted will not be revealed in this review, so as not to spoil this information for people who don’t know and want to find out when watching “Good Night Oppy.”)

The documentary mentions that NASA’s Mars program team would make bets on if either, both or neither of the robots would still be functioning the following year. During every bet, Squyres admits he always pessimistically predicted that Spirit and Opportunity would not make it to the following year, in order to be prepared for this disappointment. But contrast, lead systems engineer Rob Manning says that he always optimistically predicted that Spirit and Opportunity would survive through the following year.

Spirit and Opportunity landed on two very different parts of Mars, affecting each rover’s journey. Spirit landed in Gusev Crater, experienced freezing temperatures that would kill any human being, and had several malfunctions and setbacks along the way. By contrast, Opportunity landed in a small crater in the Meridiani plains, she traveled in much more moderate temperatures, and she had malfunctions that were minor, compared to Spirit’s malfunctions.

Mission manager Jennifer Trosper quips in the documentary, “Oppy was at the equator, like the vacation spot of Mars.” Earlier in the documentary, Trosper comments on why people on Earth put so much effort into outer-space travel: “Something I think we all wonder about as we look up into the night sky is if we’re really alone in this universe. And trying to understand that is one of the great mysteries we have.”

One of the main priorities of this mission was to see if Mars had any evidence of water that would be drinkable to people on Earth. Spirit’s exploration found no evidence of water on Mars. By contrast, Opportunity found evidence that there used to be water on Mars, when hematite was seen in her landing space. It’s explained in the documentary that the water from hematite had qualities like battery acid, but it was still water nonetheless. Oppy would later make an even bigger discovery related to water on Mars.

In other words, Oppy became the “star” rover of this mission, but that didn’t mean that people inside and outside of NASA didn’t get emotionally attached to both rovers. There were nerve-wracking moments when the twins experienced the same problems at different times—signals that got lost, tornado-like winds that forced the mission control team to temporarily shut the rovers down to save on battery energy, and emergency reboots that were never guaranteed to work.

“Good Night Oppy” gives a riveting behind-the-scenes look at the anxiety, joy, fear, sadness and hope that went into this mission. The movie also shows and tells in easy-to-understand details how Spirit and Opportunity were controlled by the team on Earth, and how these two rovers were given autonomy to make their own decisions.

Vandi Verma, one of the rover drivers, explains what was like to operate a rover: “It’s not like regular driving, because it takes four to 20 minutes for a signal to reach Mars. We send the commands, we go off and sleep. And the rover will execute the drive that day. And by the time the drive is done, we come back and get the results and start the planning.”

Spirit and Opportunity also had “diaries” during their journey, which are intermittently narrated in “Good Night Oppy” by Angela Bassett. The narration gives a very calm and authoritative human voice to the thought processes and actions of rovers that weren’t humans but who acted like living beings capable of making their own decisions. It’s no wonder that people got so emotionally attached to Spirit and Opportunity.

Ellison comments, “Yeah, it’s a robot, but through this robot, we’re on this incredible adventure together, and she becomes a family member.” Squyres describes how he felt when the robots he dreamed about and planned for all those years were finally completed and ready to go to Mars: “To say it’s like a child being born is to trivialize parenthood, but it sort of feels like that.” Mechanical engineer Kobie Boykins comes right out and says that Spirit and Opportunity were like his “babies,” and when they went to Mars, it was similar to how a parent feels when a child grows up and leaves home to live somewhere else.

“Good Night Oppy” does a very good job of giving the interviews a personal touch, by letting each person interviewed talk a little bit about how and why they became passionate about outer-space exploration. Boykins mentions that when he was a kid, “Star Trek: The Next Generation” character Geordi La Forge (played by LeVar Burton) was a huge inspiration for him. Trosper’s father used to work on space missiles, and she credits him with encouraging her to pursue her dream of having a NASA career at a time when many girls and women were told that technology-related work at NASA was a man’s job. Trebi-Ollennu, who is originally from Ghana, talks about his earliest memory of being interested in engineering came from his childhood, when he was fascinated by how a radio works.

Planetary protection engineer Moogega Cooper says that when she was a child, she entered NASA’s contest to name the twin rovers before the rovers were sent to Mars. She chose the names Romulus and Remus, the twin sons of the god Mars from Roman mythology. Deputy project scientist Abigail Freeman was one of the 16 high school students from around the world who were chosen to be in the mission control room when Oppy’s first images of Mars were sent to Earth. Years, later Freeman would be working in NASA’s Mars program as a scientist.

Some of the interviewees talk about the parallels between what Spirit and Opportunity experienced and what was going on in their own personal lives. Verma says that she was pregnant with twins during part of the time that she spent as a rover driver during the mission. Flight director Bekah Sosland-Siegfriedt, who says that Opportunity was the reason why she wanted to become a space engineer, shares a poignant story of how her grandmother was living with Alzheimer’s disease at the same time that Opportunity was getting older and losing her memory.

In addition to having stunning visual images and heartfelt stories, “Good Night Oppy” makes excellent use of music, with an emotionally stirring score by Blake Neely and some well-chosen soundtrack song choices. One of the rituals during the mission was a morning wakeup song that usually fit the plan (or intended plan) of the day. Songs like The B-52’s “Roam,” ABBA’s “S.O.S.” and Billie Holiday’s “I’ll Be Seeing You” are featured prominently in some of the documentary’s pivotal scenes.

“Good Night Oppy” has all of the elements of a better-than-average documentary and excels in areas where similar documentaries might stumble. “Good Night Oppy” can educate people without being a boring or condescending lecture. It tells a story that involves some of the highest levels of science, but they’re described in ways that people of many different backgrounds and ages can relate to and understand. And, most importantly, “Good Night Oppy” shows that inspiration, camaraderie and possibilities can have no borders and can extend well beyond planet Earth.

Amazon Studios released “Good Night Oppy” in select U.S. cinemas on November 4, 2022. Prime Video will premiere the movie on November 23, 2022.

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