Some language in French, Japanese, German and Russian with subtitles
Culture Representation: Taking place in the United States, France, Japan and Germany, the action film “John Wick: Chapter 4” features a predominantly white cast of characters (with some Asians and African Americans) representing the working-class, middle-class, wealthy and criminal underground.
Culture Clash: Notorious mercenary John Wick fights several opponents in various countries, in order to be released from his servitude punishment from the High Table, a council of 12 crime lords who oversee the underworld’s most powerful criminal groups.
Culture Audience: “John Wick: Chapter 4” will appeal primarily to people who are fans of the “John Wick” franchise, star Keanu Reeves, and action-packed movies that can get very violent.
“John Wick: Chapter 4” is the most stunning and stylish-looking of the “John Wick” movies. Elaborate fight scenes are the movie’s biggest assets, but there’s also plenty of suspense, well-placed comedy and a meaningful story of humanity at the heart of this ultra-violent movie. “John Wick: Chapter 4” is an ending chapter of this franchise, but an end-credits scene in the movie hints that the saga will continue in another storyline.
Directed by Chad Stahelski, “John Wick: Chapter 4” was written by Shay Hatten and Michael Finch. The movie had its world premiere at the 2023 SXSW Film & TV Festival. It’s an epic movie (with a total running time of 169 minutes) that is filled with adrenalin-pumping action that is never boring but can be overwhelming or offensive for people who have a low tolerance for violence in movies. At this point, most people who want to see a “John Wick” movie already that “John Wick” movies have a lot murders and mayhem. Everyone else should be prepared for ths onslaught.
It’s not necessary to see the previous “John Wick” movies, but it helps give better context to some of the relationships in the movie. The plot of “John Wick: Chapter 4” is fairly simple: Notorious mercenary John Wick (played by Keanu Reeves) fights several opponents in various countries, in order to be released from his servitude punishment from the High Table, a council of 12 crime lords who oversee the underworld’s most powerful criminal groups. The current leader of the table is a ruthless sadist named Marquis (played by Bill Skarsgård), who is based in Paris. Even among these criminals, there are rules and codes of conduct that must be followed.
John’s quest leads him from his native United States to various other countries, including Japan, France and Germany. Some of his allies can turn into enemies, while some of his enemies can turn into allies. The characters he encounters include Winston (played Ian McShane), owner of the Continental Hotel in New York City; Continental Hotel concierge Charon (played by Lance Reddick, who died on March 17, 2023, one week before the release date of “John Wick: Chapter 4”); and Bowery King (played by Laurence Fishburne), leader of the Soup Kitchen, a New York City-based underworld intelligence network that is disguised as a homeless shelter.
In “John Wick: Chapter 4,” John has two hit men who have been hired to kill him: blind assassin Caine (played by Donnie Yen) and bounty hunter Tracker (played by Shamier Anderson), who is accompanied by his loyal German Shepherd. While in Japan, John interacts with Shimazu (played by Hiroyuki Sanada), the manager of the Continental Hotel in Osaka, as well as Shimazu’s daughter Akira (played by Rina Sawayama), who is a high-ranking manager at the hotel. Also in the movie are a Russian mafia princess named Katia (played by Natalia Tena); Chidi (played by Marko Zaror), who is Marquis’ second-in-command henchman; and Harbinger (played by Clancy Brown), who is a high-ranking member of the High Table.
Visually, “John Wick: Chapter 4” is the most vibrant of the “John Wick” movies. Dan Laustsen’s exquisite cinematography has gorgeously rich hues and eye-popping camera angles. Some critics might argue that this movie makes violence took glamorous, but there’s no denying that “John Wick: Chapter 4” is an achievement in visual arts for action films. And let’s be clear: The movie has no ambiguity in rooting for who the “good” characters are.
“John Wick: Chapter 4” takes on many qualities of a comic book come to life, such as the way that word fonts look on screen, how the action scenes are choreographed, and the manner in which some of the villains are portrayed. (And to its detriment, “John Wick: Chapter 4” has very simplistic dialogue, similar to a comic book.) Scott Adkins plays a German crime boss named Killa (the leader of the High Table’s German operations), who is a character that looks like he was inspired by the Kingpin villain in Marvel Comics. Killa is a massive thug who wears a business suit and has gold-plated front teeth. You can imagine how those gold teeth will be used as comic relief in one of the fight scenes.
“John Wick: Chapter 4” certainly has some very cartoonish violence. However, the violence gets much more realistic in the last third of the movie. There’s an unusual and somewhat comedic action sequence involving a long flight of stairs that is sure to be one of the most memorable aspects of “John Wick: Chapter 4.” And the last 15 minutes of the movie just might make some viewers cry. “John Wick: Chapter 4” goes beyond what typical action movies do by not just offering unique fight scenes but also stirring up complex emotions for the main characters in ways that can be unexpected.
Lionsgate will release “John Wick: Chapter 4” in U.S. cinemas on March 24, 2023.
Some language in Japanese, Spanish and Russian with subtitles
Culture Representation: Taking place primarily in Japan, the action film “Bullet Train” features a racially diverse cast of characters (white, black, Asian and Latino) representing the working-class, middle-class, wealthy and the criminal underground.
Culture Clash: A down-on-his luck American assassin has conflicts with international criminals during a ride on a fast-moving train traveling through Japan.
Culture Audience: “Bullet Train” will appeal primarily to people who are fans of star Brad Pitt; the novel on which the movie is based; and movies that give more importance to loud violence instead of an interesting and innovative story.
The jumbled and repetitive “Bullet Train” is just a fast-moving train wreck. The movie has plenty of famous co-stars but ultimately has little substance or imagination as an action comedy. “Bullet Train” over-relies on too many similar gags until it all becomes very dull and obnoxious. After a while, the action starts to look stale and formulaic. With few exceptions, the movie’s characters are no better than soulless, computer-generated characters in a video game.
Directed by David Leitch and written by Zak Olkewicz, “Bullet Train” is based on Kōtarō Isaka’s 2010 Japanese novel “MariaBeetle,” which was translated in English and renamed “Bullet Train” in 2021. In the book, all the characters are Japanese. The “Bullet Train” movie has a cast of international characters, with characters from the United States and the United Kingdom getting most of the screen time. Characters from Japan, Russia and Mexico are secondary characters. “Bullet Train” takes place primarily in Japan but the movie was filmed at Sony Pictures Studios in Culver City, California.
Prior to directing “Bullet Train,” Leitch directed the action feature films “Fast & Furious Presents: Hobbs & Shaw” (released in 2019) “Deadpool 2” (released in 2018) and “Atomic Blonde,” released in 2017. What all of these movies have in common is that they bit off more than they can chew. They’re very energetic when it comes to action scenes, but they’re very cluttered with sloppily edited characters and plot tangents that don’t necessarily serve the story very well. “Bullet Train” follows that same pattern. A better director would bring more finesse and charm to these movies instead of trying to make audiences think that violent action scenes are enough to make a good action flick.
People don’t really need to read the “Bullet Train”/”MariaBeetle” novel before seeing the “Bullet Train” movie. In fact, people who don’t know anything about the novel might be less disappointed in the “Bullet Train” movie, which dumbs down a lot of things about the novel. The “Bullet Train” movie removes a lot of the intrigue and personality that can be found in the novel, and substitutes it with an emphasis on staging scenes that are supposed to be outrageously violent.
In the “Bullet Train” movie, seven people on board the Nippon Speedline train going from Tokyo to Kyoto find their lives colliding and interwined because of various criminal activities:
Ladybug (played by Brad Pitt) is a cynical and unlucky American assassin, whose current mission is to steal a briefcase full of ransom money.
Tangerine (played by Aaron Taylor-Johnson) is a smooth-talking British assassin who likes to wear suits and gold jewelry but sometimes loses his seemingly suave cool with his hair-trigger temper.
Lemon (played by Brian Tyree Henry) is Tangerine’s more even-tempered adoptive bother/partner in crime, who takes a more philosophical view of their assassin work and who is fixated on the children’s book/cartoon character Thomas the Tank Engine.
The Prince (played by Joey King) is a sociopathic killer who disguises her evil by looking like an innocent teenage schoolgirl. (The character of the Prince was male in the “Bullet Train” novel.)
Kimura (played by Andrew Koji) is a quiet, low-level criminal from Japan who’s out for revenge against the Prince for a heinous act committed against Kimura’s son.
The Hornet (played by Zazie Beetz) is a sneaky assassin who usually goes undercover in disguise.
The Wolf (played by Benito A Martínez Ocasio, also known as Bad Bunny) is a ruthless assassin/gang leader from Mexico.
Ladybug is in constant communication through earpieces with his no-nonsense boss/handler Maria (played by Sandra Bullock), who inexplicably seems to know and see everything on the train. (And no, Ladybug isn’t wearing a secret hidden camera.) Maria is ultimately a character that doesn’t add much to the story except to make Ladybug look even more bungling and foolish than he needed to be.
But in some ways, this odd-couple pairing of Maria and Ladybug would have made a better movie if focused on these two characters, because Bullock (in the limited time that she has in “Bullet Train”) brings a certain charisma to the role that “Bullet Train” lacks overall. Unfortunately, only Maria’s voice is heard for most of “Bullet Train,” which lessens the impact of Bullock’s talent for physical comedy (facial expressions and other body language) that would have benefited “Bullet Train.” It isn’t until toward the end of the movie that Maria appears on screen.
The only interesting trivia note about “Bullet Train” is that cast members Pitt, Bullock and Channing Tatum (who has a useless cameo in “Bullet Train”) were co-stars in another 2022 movie: the romantic comedy “The Lost City.” Neither movie is award-worthy, but at least the comedy in “The Lost City” was depicted in a more skillful way. “Bullet Train” has some sporadic moments where the jokes land as intended, but the rest of the comedy falls very flat. Tatum and “Deadpool” movie franchise star Ryan Reynolds have “Bullet Train” cameos that are quick and underwhelming.
The messy plot of “Bullet Train” involves the kidnapped, unnamed son (played by Logan Lerman) of a Russian mob boss called the White Death (played by Michael Shannon), with Tangerine and Lemon having the responsibility of guarding the son on the train and carrying a briefcase full of ransom money. Ladybug’s job is to steal the money. A running gag in the movie is that Ladybug has encountered some of these criminals before in assassin assignments that he botched, but he has forgotten about these experiences until he’s reminded of them.
Lots of shootouts, explosions, and bloody fights ensue. There’s also a recurring plot device involving snake poison and a Taiwanese Blue Beauty snake. Masi Oka (as the Conductor) and Karen Fukuhara (as Kayda Izumi Concession Girl) have utterly thankless and forgettable roles in this schlockfest.
Except for the wisecracking Ladybug and Kimura’s humble florist father The Elder (played by Hiroyuki Sanada), the characters in “Bullet Train” come across as very hollow, and viewers will have a hard time connecting with most of these characters. There’s no clever mystery in this story that will keep viewers guessing. “Bullet Train” certainly delivers if people want lackluster jokes and cartoonish violence, but it just adds up to a lot of mindless hot air.
Columbia Pictures will release “Bullet Train” in U.S. cinemas on August 5, 2022.
Culture Representation: Taking place in Las Vegas during a zombie apocalypse, the horror flick “Army of the Dead” features a racially diverse cast (Asian, white, African American and Latino) representing the middle-class and wealthy.
Culture Clash: A ragtag group is enlisted to retrieve $200 million in cash from a casino bank vault before the government drops a nuclear bomb in the zombie-infested area.
Culture Audience: “Army of the Dead” will appeal primarily to people who are interested in epic and suspenseful zombie thrillers.
What’s a filmmaker to do when there are so many movies and TV shows about a zombie apocalypse that cover a lot of the same problems? In the case of director Zack Snyder, you up the ante by making the story about looting a vault filled with $200 million in cash, before the area is detonated by government bomb. That’s the concept of writer/director/producer Snyder’s “Army of the Dead,” which definitely won’t be confused with director Joseph Conti’s 2008 low-budget supernatural horror movie “Army of the Dead,” which was about ghostly conquistadors.
Snyder (who was also the cinematographer for his “Army of the Dead” movie) isn’t new to directing a zombie film, since the previous zombie flick that he directed was the critically acclaimed 2004 remake of “Dawn of the Dead.” With a total running time of 148 minutes, “Army of the Dead” has a lot of time for viewers to get to know the story’s individual human characters, who each have a distinct and memorable personality. And believe it or not, a few of the zombie characters have semblances of personalities too—or at least a hierachy and customs that they follow—which is a departure from most zombie stories where the zombies only think about killing humans for their next meal.
Is it worth spending nearly two-and-a-half hours of your life watching “Army of the Dead”? It depends. If you’re inclined to watch gory horror movies, then the answer is a definite “yes,” because there’s enough of a good story and suspenseful moments that will keep you riveted. If you can’t stomach seeing brutal battles with blood and guts, then “Army of the Dead” is something that you can skip. The “Army of the Dead” screenplay (written by Snyder, Shay Hatten and Joby Harold) keeps things simple, so that even though there’s a relatively large cast of characters, nothing gets confusing.
“Army of the Dead” opens with a military convoy of trucks and vans somewhere in the Nevada desert, with one of the trucks carrying super-secret cargo. Two military guards named Corp. Bissel (played by Zach Rose) and Sgt. Kelly (played by Michael Cassidy) are in a truck together and speculate about what they might be guarding that’s so top-secret. Bissel thinks it might be an alien from outer space, because whatever is in the mystery truck came from Area 51. Kelly has been told on a walkie talkie to stay away from a truck that’s in the middle of the convoy.
Bissel and Kelly are about to found out what’s in that mysterious truck. A newlywed couple named Mr. Hillman (played by Steve Corona) and Misty Hillman (played by Chelsea Edmundson), who are in a car in the opposite lane of the highway, are engaging in some sexual activity, and the husband takes his eyes off the road while driving. Big mistake. The resulting crash is a big pile-up that ends with a massive explosion that kills the newlyweds and most of the people in the convoy, except for Bissel and Kelly.
The truck that was supposed to be “off limits” topples over. And out comes a zombie named Zeus (played by Richard Cetrone), who immediately goes on a rampage. Bissel and Kelly make a valiant effort to save themselves, but they inevitably become the zombie’s prey and then become zombies themselves.
“Army of the Dead” then fast-forwards to Las Vegas in the middle of a zombie apocalypse, by having a fairly long sequence of opening credits showing much of the action in slow-motion. The movie has many touches of humor, such as zombie showgirls who attack the type of creepy older men who would probably sexually harass them under other circumstances. Zombies have taken over casinos and are shown terrorizing people at slot machines and game tables. And because this is Vegas, there’s at least one Elvis impersonator who’s a zombie.
During all of this mayhem, a news announcement comes on TV that the government will drop a “low-yield, tactical nuclear bomb” in the worst zombie-infested area of Las Vegas, at sunset on (of all days) the Fourth of July. All people in the area have been ordered to evacuate. But a wealthy casino owner named Bly Tanaka (played by Hiroyuki Sanada) has other plans.
Bly’s eponymous high-rise casino is now abandoned and is in the area that’s scheduled to be bombed. The casino has a secret vault filled with $200 million cash. And he wants to get the cash out in time by having other people do the dirty work for him.
Bly visits Scott Ward (played by Dave Bautista), a widower who works as a cook at a diner. Scott isn’t an average diner employee though: He received a Presidential Medal of Freedom for saving several people at the start of the zombie apocalypse. (This heroism is mentioned, but not shown, in the movie.)
And due to his shady past, Scott knows the right people to assemble to get all of that cash out of the vault, even if it means risking their lives in an area crawling with zombies. Bly offers Scott $50 million to do the job and says that it will be up to Scott how Scott wants to divide the payment amongst Scott’s team members. Scott eagerly accepts the challenge because he wants the money to open his own fast-food business.
The decision of where to drop the bomb is controversial because it’s in a quarantine area for people who’ve been suspected of being exposed to zombie infections. In one of the movie’s satirical moments, there’s a TV news debate with political pundits on both sides weighing in on the controversy. Real-life liberal Democrat pundit Donna Brazile (a former acting chair of the Democratic National Committee) and real-life conservative Republican aide Sean Spicer (a former White House press secretary in the Donald Trump administration) are seen in this debate arguing over the ethics of this bombing. Brazile thinks the bombing is a human rights violation, while Spicer thinks the bombing is necessary to ensure the safety of non-infected humans.
Scott’s estranged daughter Kate Ward (played by Ella Purnell) works as a volunteer at the quarantine shelter/refugee camp. Kate has befriended a single mother named Geeta (played by Huma Qureshi), who is desperate to have her two underage children smuggled out of the shelter before the bomb hits. Geeta begs Kate to take the children to the nearby city of Barstow if anything happens to her.
One of the supervisors at the shelter is a sleazy bully named Burt Cummings (played by Theo Rossi), who takes particular pleasure in demeaning women. When he does a thermometer scan of Geeta, he stands too close for comfort and tells her that if she doesn’t like it, he’ll use another way to take her temperature: “I could use my rectal thermometer,” he smirks.
The bomb is supposed to be dropped in 72 hours. But Dave is able to quickly assemble his team. They are:
Maria Cruz (played by Ana de la Reguera), a strong-willed mechanic who had a past romance with Scott.
Vanderohe (played by Omari Hardwick), a quintessential action hero who has a sensitive side (he works at a retirement home) beneath his tough exterior.
Marianne Peters (played by Tig Notaro), a wisecracking helicopter pilot who will be responsible for flying the team’s getaway helicopter.
Dieter (played by Matthias Schweighöfer), a socially awkward and nerdy locksmith who will be responsible for cracking the safe’s complex security codes, which change on a regular basis.
Mikey Guzman (played by Raúl Castillo), a semi-famous YouTuber who likes to make extreme stunt videos of himself hunting zombies.
Chambers (Samantha Win), a feisty but emotionally aloof friend of Mikey’s who only trusts Mikey in the group.
Lilly (played by Nora Arnezeder), also known as The Coyote, a cunning warrior type who works at the quarantine shelter and was introduced to the group by Kate.
Kate, Scott’s daughter, who insists on being part of the team because she wants some of the money to help Deeta.
Martin (played by Garret Dillahunt), a security expert who works for Bly and is there to keep tabs on this motley crew so they won’t steal all the money for themselves.
One of Mikey’s friends named Damon (played by Colin Jones) was also supposed to be part of the team. But a fearful Damon quits early, before they even start their journey, when he finds out that the area they’re going to has a colony of zombies that will be sure to attack. Lilly knows the most about the zombies living in this colony, and she’s the go-to person to come up with strategies on how to outsmart the zombies.
As Lilly tells the rest of the team, these are not ordinary zombies. Regular zombies, which are more common, are called “shamblers” because they don’t think beyond eating and killing. The zombies that are near the casino are called “alphas,” because they’re smarter, faster and stronger than the shambler zombies.
These alpha zombies have formed a tribe headed by a king (Zeus, the same zombie who escaped from the military convoy) and a queen (played by Athena Perample), who expect the rest of the zombie tribe to follow their lead. These zombies, as seen in several parts of the movie, seem to have emotions of anger and sadness. And they also understand things such as bargaining, which might or might not come in handy for this group that will soon invade the alpha zombies’ territory.
“Army of the Dead” keeps things at a fairly energetic pace, although there are a few parts of the movie where people are standing around and talking a little too much. But the action, when it happens, lives up to expectations in intensity and realistic gore. There are some splatter scenes that were deliberately filmed for laughs. The movie also has a male zombie tiger named Valentine, which Lilly says used to be owned by Siegfried and Roy. Valentine is a scene-stealer, even though this creature is nothing but visual effects.
And in this group of opinionated people, there are personality conflicts, of course. Vanderohe doesn’t respect Dieter at first because he thinks Dieter is too wimpy and ill-prepared for the zombie-killing aspects of this mission. Kate has a lot of bitterness toward Scott because of how her mother died. (The death of Kate’s mother/Scott’s wife is shown in a flashback.) And no one seems to really like or trust Bly’s henchman Martin, who has a tendency to be a bossy know-it-all.
The big showdown battle toward the end of the movie is definitely one of the best scenes, as it should be. “Army of the Dead” doesn’t sugarcoat any violence, although there are moments that stretch the bounds of realism with some heavily choreographed stunts. All of the actors play their roles well, with Castillo, Notaro, Schweighöfer and Arnezeder bringing the most individuality to their characters’ personalities. Bautista doesn’t have a wide range of emotive skills as an actor, but “Army of the Dead” is the type of movie that showcases him at his best, rather than the silly action comedies that he sometimes does.
The biggest complaint or disappointment that viewers might have about “Army of the Dead” is regarding the movie’s final five minutes, when a character finds out something that this person should have found out much earlier. It drastically changes the tone of the film’s ending. But this potentially divisive ending doesn’t take away from “Army of the Dead” delivering plenty of thrills and chills that make it a better-than-average zombie movie.
Netflix released “Army of the Dead” in New York City on May 12, 2021, and will expand the movie’s release to more U.S. cinemas on May 14, 2021. Netflix will premiere “Army of the Dead” on May 21, 2021.
Some language in Chinese and Japanese with subtitles
Culture Representation: The fantasy action flick “Mortal Kombat” features a racially diverse cast (Asian, white and African American) portraying humans, mutants and monsters in various realms of the universe.
Culture Clash: Fighters in Earthrealm and Outworld face off in the ultimate universe showdown called Mortal Kombat.
Culture Audience: Besides the obvious target audience of people who are fans of the “Mortal Kombat” video games and franchise, this “Mortal Kombat” movie reboot will appeal primarily to people who want to see bloody action films and don’t care about terrible dialogue and flimsy storylines.
The 2021 movie reboot of “Mortal Kombat” should please fans of the video game who want to see an action flick that stays true to the video game’s bloody violence. However, compared to the 1995 “Mortal Kombat” movie, what hasn’t changed is the train wreck of stiff acting, embarrassingly bad dialogue and a stale plot. Thanks to improvements in technology, the visual effects are unsurprisingly better in the 2021 “Mortal Kombat” than they were in the 1995 “Mortal Kombat.” The reboot’s fight choreography is also superior to its predecessor. But these fight scenes aren’t necessarily all that suspenseful or thrilling, because everything is very hollow and predictable.
Directed by Simon McQuoid (in his feature-film directorial debut), the 2021 version of “Mortal Kombat” is one of those movies where death can be meaningless and very fake. There are at least three characters in the movie who are seen “dying” in the film, but then they come back to life with little or no explanation. It just reeks of the filmmakers needing to fill up the movie with more scenes with these characters to stretch out the already very thin plot. After all, you can’t have the big group showdown at the end if half of the main characters are dead.
Just like in the 1995 version of “Mortal Kombat,” the story is centered on a major battle called Mortal Kombat, which pits elite fighters against each other from different parts of the universe. Earthrealm and Outworld are once again the two places whose warriors are going head-to-head in Mortal Kombat. There are many returning characters and a few new characters to this “Mortal Kombat” movie.
The returning hero characters are Lord Raiden (played by Tadanobu Asano), who acts as a mentor/leader to the Earthrealm fighters; Liu Kang (played by Ludi Lin), a former Shaolin monk; Sonya Blade (played by Jessica McNamee), an American Special Forces officer; and Jackson “Jax” Briggs (played by Mehcad Brooks), Sonya’s military partner. Making his debut in a “Mortal Kombat” live-action film is Kung Lao (played by Max Huang), Liu Kang’s cousin who is a descendant of a legendary former Mortal Kombat champion named the Great Kung Lao.
The returning villain characters are Shang Tsung (played by Chin Han), a demon sorcerer who is the leader of the Outworld fighters; Bi-Han/Sub-Zero (played by Joe Taslim), who has the power to cause ice storms and to kill people by putting them in deep freezes; and Goro (voiced by Angus Sampson), the four-armed monster. The character of Reptile makes an appearance in a visual manifestation that’s different from what’s in the “Mortal Kombat” animated films.
In the group of Earthrealm fighters, there’s always someone who’s new to learning about the legends and history of Mortal Kombat while on this journey. In the 2021 version of “Mortal Kombat,” this character is an American mixed-martial arts (MMA) fighter named Cole Young (played by Lewis Tan), who is a former champ on a losing streak when he finds out that he’s been chosen for Mortal Kombat. (In the 1995 “Mortal Kombat” movie, the character who was ignorant about Mortal Kombat’s history was American movie action star Johnny Cage, played by Linden Ashby.)
Also new to the 2021 “Mortal Kombat” movie reboot are Cole’s wife Allison, nicknamed Ali (played by Laura Brent), and their daughter Emily (played by Matilda Kimber), who’s about 11 or 12 years old. The characters of Ali and Emily are awkwardly placed throughout the movie because they only have “damsel in distress” or “cheerleader” roles in relation to Cole. For example, in the middle of a Mortal Kombat fight in another part of the universe, a villain could suddenly appear on Earth to possibly cause harm to Ali and Emily, just to remind viewers that Ali and Emily exist while Cole is off fighting in Mortal Kombat.
It’s shown in the beginning of the movie how Bi-Han/Sub-Zero and Japanese warrior Hanzo Hashashi (played by Hiroyuki Sanada), also known as Scorpion, became enemies in 1617. That’s when Hanzo was living with his wife Harumi (played by Yukiko Shinohara), pre-teen son Satoshi/Jubei (played by Ren Miyagawa) and baby daughter (played by Mia Hall) in Japan. Bi-han and his thugs invaded Hanzo’s home, and you can easily figure out the rest. In the present day, Sub-Zero comes to Earth and goes on a rampage because he’s been sent by Shang Tsung to murder the rare people on Earth who have been chosen to fight in Mortal Kombat.
The heroic Earthrealm people who do battle in this version of “Mortal Kombat” also have a reluctant allegiance with an obnoxious Australian mercenary named Kano (played by Josh Lawson), who spews dumb jokes almost as often as he spews curse words. Kano was also in the 1995 “Mortal Kombat” movie, but in the 2021 version of the movie, Kano spends more time with the heroes than with the villains.
The Earthrealm people need Kano as a guide to Raiden’s temple so that they can train for Mortal Kombat. Sonya has kidnapped Kano and kept him prisoner in her hideout when Cole arrives and he’s introduced to Kano. (The movie doesn’t show the kidnapping.)
Kano only promises to lead them to Raiden’s temple if he’s paid $3 million. Sonya makes the deal, but smirks when she privately confides in Cole that she doesn’t really have the money. And it’s right then and there that viewers can predict what Kano will do later when he finds out that he won’t be getting paid.
The 2021 version of “Mortal Kombat” has a half-Tarkatan, half-Edenian fighter named Mileena (played by Sisi Stringer), who is on Shang Tsung’s team. Her villain superpowers include the ability to teleport and using her detachable jaw with a ferocious set of teeth. And speaking of deadly teeth, the vampire Nitara (played by Mel Jarnson) is also in the movie but doesn’t have enough screen time. Two of Shang Tsung’s other underlings are Kabal (played by Daniel Nelson) and Reiko (played by Nathan Jones).
As a result of all these additional characters that weren’t in the 1995 “Mortal Kombat” movie, this 2021 version of “Mortal Kombat” over-relies on showing simultaneous fight scenes with the heroes in various locations having individual face-offs with villains. These fights aren’t shown by using split-screen editing but by jumping back and forth between fight scenes that are going on at the same time. After a while, these simultaneous fight scenes actually become monotonous. It’s like someone with a short attention span speaking, but not being able to concentrate on one thing at a time, and in the end, having nothing substantial to say.
The 2021 “Mortal Kombat” movie screenplay (written by Greg Russo and Dave Callaham) is filled with cringeworthy conversations. The chief culprit is motormouth bully Kano, who can’t stop insulting people and yammering about how great he thinks he is. But his non-stop ego posturing is made worse by the writers’ failed attempts to make Kano sarcastically funny. In one scene, Kato tries to ridicule Kung Lao, who wears trousers resembling parachute pants, by calling him MC Hammer, who was famous for wearing parachute pants. That outdated joke might have worked in 1995, but not now.
And in another scene, Kano gets into a heated argument with Liu Kang and Kung Lao during a group dinner. Liu lectures Kano about Kung Lao: “He is here to save you because you cannot save yourself. You’re like an aggressive little bunny—soft and useless—angry, mentally and physically. You should be on your knees to this man.” Kano’s reply: “Sit down, shut up, and pass me a fucking egg roll!”
If you start to get bored or confused by this tangled mishmash of characters in the first 15 minutes of the movie, then “Mortal Kombat” probably isn’t for you. It’s the type of movie that was made for die-hard fans of the video games who already know all the backstories and worldbuilding of this franchise. The 2021 version of “Mortal Kombat” doesn’t take a “less is more” approach. And that means, compared to the 1995 “Mortal Kombat movie, “more is a mess.”
Warner Bros. Pictures will release “Mortal Kombat” in U.S. cinemas and on HBO Max on April 23, 2021. The movie was released in several other countries from April 8 to April 21, 2021.