Holt McCallany Archives

Review: ‘Mission: Impossible – The Final Reckoning,’ starring Tom Cruise

May 14, 2025

by Carla Hay

“Mission: Impossible – The Final Reckoning”

Directed by Christopher McQuarrie

Some language in French with subtitles

Culture Representation: Taking place in various parts of the world, the action film “Mission: Impossible – The Final Reckoning” (the eighth movie in the “Mission: Impossible” movie series) features a predominantly white cast of characters (with some black people, Asians, Latin people and Native Americans) representing the working-class, middle-class and wealthy.

Culture Clash: American rogue superspy Ethan Hunt and his international allies race against time to stop a massive artificial intelligence force called the Entity from destroying the world.

Culture Audience: “Mission: Impossible – The Final Reckoning” will appeal primarily to people who are fans of the movie’s headliners, the “Mission: Impossible” franchise and action movies that are over-the-top spectacles.

Nick Offerman, Angela Bassett, Mark Gatiss and Janet McTeer in “Mission: Impossible – The Final Reckoning” (Photo courtesy of Paramount Pictures)

“Mission: Impossible – The Final Reckoning” is overstuffed, goes on for too long, and comes dangerously close to the ridiculousness of the “Fast & Furious” franchise. However, the engaging characters and superior stunts outweigh the movie’s flaws. It’s by no means the best “Mission: Impossible” movie in the series, but it’s certainly the one that expects viewers to think the hardest about a convoluted plot that doesn’t deserve overthinking.

Directed by Christopher McQuarrie, “Mission: Impossible – The Final Reckoning” (the eighth movie in the “Mission: Impossible” series was written by Erik Jendresen and McQuarrie. “Mission: Impossible – The Final Reckoning” had its world premiere in Tokyo and its European premiere at the 2025 Cannes Film Festival. McQuarrie also directed and co-wrote 2015’s “Mission: Impossible – Rogue Nation,” 2018’s “Mission: Impossible – Fallout” and 2023’s “Mission: Impossible – Dead Reckoning Part One,” whose title was later shortened to “Mission: Impossible – Dead Reckoning” after the movie underperformed at the box office. The “Mission: Impossible” movie series is inspired by the TV series “Mission: Impossible,” which was on the air from 1966 to 1973.

“Mission: Impossible – The Final Reckoning” is essentially “Mission: Impossible – Dead Reckoning Part Two,” but you don’t need to see “Mission: Impossible – Dead Reckoning Part One” to understand “Mission: Impossible – The Final Reckoning.” That’s because “Mission: Impossible – The Final Reckoning” is filled with exposition dumps of characters explaining what happened in previous “Mission: Impossible – Dead Reckoning Part One” and other previous “Mission: Impossible” movies, as well as over-explaining what they’re about to do in “Mission: Impossible – The Final Reckoning.”

One of the most unintentionally laughable things about “Mission: Impossible – The Final Reckoning” is how the characters take turns in their exposition-dump dialogues by each saying things with perfect timing, as if they know each other’s lines and never talk over each other or interrupt each other during these overly choreographed conversations. It never looks like real conversations, especially in the high-pressure situations that these characters experience. There are also several flashback montages for nostalgia’s sake and to inform viewers who might not have seen or who might have forgotten some key moments in previous “Mission: Impossible” movies.

At the end of “Mission: Impossible – Dead Reckoning Part One,” American rogue superspy Ethan Hunt (played by Tom Cruise)—an operative of the secret agency Impossible Missions Force (IMF)—escaped from with one of two keys that have the power to destroy a massive artificial intelligence villain called the Entity, which is intent on taking over the world. The Entity is not physically embodied in any one being because the Entity is a virtual enemy that can spread wherever and whenever it chooses. However, the biggest human enemy in the “Mission: Impossible – Dead Reckoning Part One” and “Mission: Impossible – The Final Reckoning” is Gabriel (played by Esai Morales), an assassin liaison for the Entity.

“Mission: Impossible – The Final Reckoning” begins with an outer-space galaxy image and a male voice intoning the “Mission: Impossible” movie motto that gets repeated multiple times throughout this film: “We live and die in the shadows of those we hold close and those we never meet.” The voice adds, “The world is changing. War is coming.”

The praise gets a little corny and starts to deify Ethan as a female voice thanks Ethan for hs service, as several scenes from previous “Mission: Impossible” movies are shown like a greatest-hits playlist. The voice adds: “Every personal sacrifice you made has brought us another sunrise,” she says. “And although you never followed orders, you never let us down.

It’s also explained in the beginning of the movie that every corner of cyberspace has been corrupted by the Entity, which has inspired a doomsday cult. These fanatics have infiltrated every level of law enforcement, government bureaucracy and the military. “Mission: Impossible – The Final Reckoning” doesn’t do a lot with this “worldwide cult” plot development, because most of the movie shows Ethan mostly hanging out or fighting against a small group of people, most of whom are familiar characters.

Ethan is under orders to surrender to the U.S. government and hand over the Entity key that Ethan has in his possession. Ethan as other plans. His first order of business in “Mission: Impossible – The Final Reckoning” is to a prison break of former Gabriel cohort Paris (played by Pom Klementieff), a French assassin who is currently in prison in Austria because of the events that happened in “Mission: Impossible – Dead Reckoning Part One.”

This review won’t go into too many more details about what happens, but it’s enough to say that “Mission: Impossible – The Final Reckoning” has a lot of dazzling action scenes but the story doesn’t do much that’s surprising. Ethan is joined by Ethan is joined by his two most loyal sidekicks: IMF computer technician Luther Stickell (played by Ving Rhames) and IMF technology field agent Benji (played by Simon Pegg), who have opposite personalities. Luther is laid-back and cool. Benji is high-strung and nervous.

Also along for the ride are Paris and two other of Ethan’s enemies-turned-allies who first appeared in “Mission: Impossible – Dead Reckoning Part One”: arms dealer Alanna Mitsopolis (played by Vanessa Kirby); former U.S. intelligence agent Degas (played by Greg Tarzan Davis); and masterful thief Grace (played by Hayley Atwell), who has a mutual growing attraction to Ethan. Alanna is the daughter of illegal arms dealer Max Mitsopolis (played by Vanessa Redgrave), who died in 1996’s “Mission: Impossible,” the first film in the “Mission: Impossible” movie series. “Mission: Impossible – The Final Reckoning” reveals that another character in the movie has a parent who died in the first “Mission: Impossible'” movie.

Erika Sloane (played by Angela Bassett), who was the director of the CIA in “Mission: Impossible – Fallout,” is now the president of the United States in “Mission: Impossible – The Final Reckoning.” Field agent Jasper Briggs (played by Shea Whigham) also returns and continues to hunt Ethan. He has a much smaller role than he did in “Mission: Impossible – Dead Reckoning Part One.”

Other government officials who are featured in the movie are U.S. Army General Sidney (played by Nick Offerman), who is chairman of the Joint Chiefs of Staff; U.S. Secretary of Defense Serling (played Holt McCallany); Walters (played by Janet McTeer); CIA director Eugene Kittridge (played by Henry Czerny); U.S. Navy Admiral Neely (played by Hannah Waddingham); U.S. Navy Captain Bledsoe (played by Tramell Tillman); and National Security Agency chief Angstrom (played by Mark Gatiss). They mostly just stand around and worry about decisions they have to make because of Ethan’s actions.

“Mission: Impossible – The Final Reckoning” has a lot of expected globetrotting, mostly in Europe, North America and Africa. (The movie was actually filmed in South Africa and England.) The trekking includes a stop in Alaska, where CIA analyst William Donloe (played by Rolf Saxon) and his wife Tapeesa (played by Lucy Tulugarjuk) play crucial roles in the story. William was previously seen in the first “Mission: Impossible” movie. It’s explained in Mission: Impossible – The Final Reckoning” what William been doing since then.

The expected fist fights, explosions and gun shootouts occur, but the two most impressive action sequences involve (1) a deep-sea dive to go inside a shipwrecked submarine and (2) a battle to reach Gabriel flying in a single-passenger plane. (These action sequences are glimpsed in the movie’s trailers.) The deep-sea sequence is marred only by unrealistic-looking actions where Ethan does certain things without an oxygen tank or pressure suit, which would definitely kill someone in real life in a deep-sea environment.

Cruise famously does many of his own stunts. But the visual effects in these fake-looking scenes don’t look convincing because they make Ethan look superhuman, which defeats the “Mission: Impossible” purpose of showing Ethan as a flawed human being. The filmmakers should’ve left it so Ethan could be a superhero without superpowers that go beyond human capacities.

And in case it wasn’t clear enough, even though it’s repeated enough times in the movie: It’s up to Ethan to save the world. And if he doesn’t save the world, as someone in the movie quips, it’s all Ethan’s fault. The elevating of Ethan to almost messianic levels becomes a running joke in the movie. The concept of Ethan being a superhero is obvious and doesn’t even need to be said out loud. However, it’s good to see that the movie is in on the joke and doesn’t take itself too seriously.

Cruise and the rest of the cast members are serviceable in their roles. But there’s sort of a cold disconnect in how most of the characters don’t mention the human stakes of saving their loved ones in this possible apocalypse. The only hints that any of these characters have lives outside of their work are brief glimpses of Erika showing affection and concern for her unnamed adult son (played by Kwabena Ansan), who’s in the U.S. military. William and Tapeesa are the only couple shown in the movie.

One of the drawbacks of making the chief villain an abstract virtual enigma instead of something tangible: It removes the possibility of having a villain with a unique personality. Human villain Gabriel is not in the movie for very long, considering the 169-minute runtime. Although there’s nothing wrong with Morales’ performance, Gabriel is an underdeveloped character and comes across as an inferior imitation of a villain in a James Bond movie.

Does anyone with knowledge of the movie business really believe that “Mission: Impossible – The Final Reckoning” is the last “Mission: Impossible” movie? No. “Mission: Impossible – The Final Reckoning” is not a great movie, but it’s good enough in delivering what fans expect. And what people can expect is for this franchise to continue in one way or another.

Paramount Pictures will release “Mission: Impossible – The Final Reckoning” in U.S. cinemas on May 23, 2025.

Review: ‘The Amateur’ (2025), starring Rami Malek, Rachel Brosnahan, Caitríona Balfe, Michael Stuhlbarg and Laurence Fishburne

April 8, 2025

by Carla Hay

Rami Malek and Caitríona Balfe in “The Amateur” (Photo by John Wilson/20th Century Studios)

“The Amateur” (2025)

Directed by James Hawes

Culture Representation: Taking place in 2024, in the United States, Europe and Asia, the action film “The Amateur” (based on the novel of the same name) features a predominantly white group of people (with a few African Americans and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A data analyst for the CIA goes on a vigilante mission to find and kill the terrorists who murdered his wife.

Culture Audience: “The Amateur” will appeal primarily to people who are fans of the movie’s headliners, the book on which the movie is based, and action films about espionage, terrorist attacks and vigilantism.

Laurence Fishburne and Rami Malek in “The Amateur” (Photo by John Wilson/20th Century Studios)

“The Amateur” is a vigilante movie with few surprises, but it’s not entirely formulaic. The well-paced action scenes are thrilling and complement the film’s message that intelligence can be more powerful than physical skills. The cast members give very good performances, even when some of the characters are written as fairly two-dimensional.

Directed by James Hawes and written by Ken Nolan and Gary Spinelli, “The Amateur” is based on Robert Littell’s 1981 novel of the same name. Littell and Diana Maddox co-wrote “The Amateur” movie (directed by Charles Jarrott and starring John Savage and Christopher Plummer) that was released in 1981. “The Amateur” movie released in 2025 has been updated to take place in 2024. The title character in the film is someone who works for the CIA but doesn’t have many fight skills and has to rely on his intelligence and technology skills when he goes on his revenge mission.

“The Amateur” begins by showing 43-year-old Charlie Heller (played by Rami Malek) and his wife Sarah (played by Rachel Brosnahan) at their home in Virginia, on what seems likes an ordinary day. Sarah is getting ready to go to London for five days to attend a conference on climate change and development. Charlie works as a data analyst for the CIA (whose headquarters are in Langley, Virginia), where he does a lot of deciphering of encrypted data.

Charlie and Sarah, who do not have any children together, have a stable and happy marriage. Sarah mentions to Charlie that she wishes that he could go on the trip with her. Charlie says he can’t because “There’s something I have to untangle at work.”

At his job, Charlie is a nerdy introvert who works mostly by himself. However, he has a friendly rapport with a colleague named The Bear (played by Jon Bernthal), a mysterious field agent who has mutual respect for Charlie because Charlie once helped The Bear out of a tough situation. The Bear shows up occasionally in the story but he’s not an essential character. The director of the CIA is Alice O’Brien (played by Julianne Nicholson), who runs the operation efficiently, but even she can’t prevent corruption within her ranks.

Charlie’s immediate supervisor is F. H. Moore (played by Holt McCallany), the director of the Special Activities Center (SAC), a secretive action and military operations division of the CIA. Director Moore works closely with Caleb (played by Danny Sapani), the CIA’s head of nuclear proliferation. As soon as you see Director Moore and Caleb working together, you know immediately that they’re up to no good and will be obstacles to whatever Charlie wants to do.

Charlie has been communicating with an enigmatic hacker who is currently in Istanbul. One thing that “The Amateur” doesn’t do is keep viewers guessing for a long time about the identities and motives of the characters. It’s eventually revealed that the mystery hacker is named Inquiline (played by Caitríona Balfe), and she plays a pivotal role in the story when Charlie goes on a globe-trotting quest for revenge.

His revenge motive happens on September 12, 2024, when terrorists attack at a London train station. Sarah is one of the innocent bystanders. She’s taken hostage and murdered. This attack has been recording on surveillance video.

When Charlie finds out that Sarah has been murdered, he’s understandably devastated. He goes into therapy, where he expresses survivor’s guilt and says he feels angry and useless. Charlie believes the only way justice can be achieved for Sarah’s murder is to get revenge and kill the terrorists responsible for the murder. And he wants to be the one to do it.

When he tells Director Moore and Caleb about this intention, they tell Charlie that he can’t be on this case because he’s too personally involved. Director Moore and Caleb laugh at Charlie when Charlie requests special mission training. Director Moore tells Charlie: “I don’t think you could beat a 90-year-old nun in an arm-wrestling match.”

However, in a fairly clunky part of the movie that isn’t explained very well, Charlie gets assigned someone to train him anyway. His name is Endo Henderson (played by Laurence Fishburne), a retired military colonel, who has a tough and no-nonsense attitude. Charlie finds out the identities of the four terrorists involved in the attack. And quicker than you can say “inspired by a Jason Bourne movie,” Charlie is going to various places in Europe and Asia to track down these murderers.

The four terrorists are:

Horst Schiller (played by Michael Stuhlbarg), the leader of the group who has an apparent affiliation with Russia’s KGB and who was the one who actually murdered Sarah,
Mishka Blazhic (played by Marc Rissmann), a Russian native who was the one who held Sarah hostage.
Lawrence Ellish (played by Joseph Millson), who is originally from South Africa.
Gretchen Frank (played by Barbara Probst), who is hiding out in Paris after the terrorist attack in London.

Charlie tracks down these terrorists, one by one. The movie trailer for “The Amateur” already reveals the fate of Mishka, who gets trapped in a mansion’s infinity pool that Charlie has rigged to collapse. It’s one of the most stunning visuals in the movie, which has good cinematography and editing.

“The Amateur” is not the type of film that is going to win major awards. It’s solidly entertaining but not groundbreaking. It’s not the type of spy movie where there are major twists and turns to the plot. “The Amateur” is very transparent about who the “heroes” and “villains” are but also leaves room for viewers to question and ponder the toll that vigilantism takes on the soul.

20th Century Studios will release “The Amateur” in U.S. cinemas on April 11, 2025. A sneak preview of the movie was shown in U.S. cinemas on April 5, 2025.

Review: ‘The Iron Claw’ (2023), starring Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Stanley Simons, Holt McCallany and Lily James

December 13, 2023

by Carla Hay

Jeremy Allen White, Harris Dickinson, Michael J. Harney and Zac Efron in “The Iron Claw” (Photo by Brian Roedel/A24)

“The Iron Claw” (2023)

Directed by Sean Durkin

Culture Representation: Taking place in the United States (mostly in Texas), from the late 1970s to the early 1990s, the dramatic film “The Iron Claw” (based on a true story) features a predominantly white cast of characters (with a few Latin people) representing the working-class, middle-class and wealthy.

Culture Clash: In professional wrestling, the Von Erich family (led by hard-driving patriarch Fritz Von Erich) achieves great success, but the family also experiences immense tragedies.

Culture Audience: “The Iron Claw” will appeal primarily to people who are fans of professional wrestling, star Zac Efron, and impactful stories about the down sides of chasing after fame and fortune.

Pictured in center, from left to right: Maura Tierney, Holt McCallany, Stanley Simons, Zac Efron and Harris Dickinson in “The Iron Claw” (Photo by Brian Roedel/A24)

The emotionally wrenching drama “The Iron Claw” tells the tragic story of pro wrestling’s Von Erich family from Kevin Von Erich’s perspective. There are advantages and disadvantages to this narrative choice. Good performances outweigh the movie’s flaws. Viewers who already know what happened in real life can still feel deeply affected by how it’s portrayed in this movie.

Written and directed by Sean Durkin, “The Iron Claw” is based on the true story of the Von Erich family, led by domineering patriarch Fritz Von Erich (played by Holt McCallany), a professional wrestler who had one main ambition in life after he retired: make all of his sons world champions in wrestling, just like he was in the 1960s, when he was known for his signature wrestling move called the Iron Claw. Almost all of the movie’s story takes place from the late 1970s to the early 1990s. Fritz and his devout Christian wife Doris Von Erich (played by Maura Tierney) had no daughters. Fritz’s birth name was Jack Barton Adkisson. He changed his name when he became a wrestler.

The sons of Fritz and Doris are introverted Kevin (played by Zac Efron), born in 1957; charismatic David (played by Harris Dickinson), born in 1958; brooding Kerry (played by Jeremy Allen White), born in 1960; and sensitive Mike (played by Stanley Simons), born in 1964. Fritz and Doris had a first-born son named Jack, who died in a drowning accident in 1952, at the age of 6. (In the movie, Jack’s age at the time of death is mentioned as 5 years old.) In real life, Fritz and Doris had another son named Chris (born in 1969), who does not exist in “The Iron Claw.”

The beginning of the movie is a flashback in black and white to a time in the early 1960s, when Fritz’s career was on the rise. After defeating an opponent in a match, a triumphant Fritz is congratulated at the venue by Doris, who has brought their two sons Kevin (played by Grady Wilson), who’s about 6 years old, and David (played by Valentine Newcomer), who’s about 5 years old. As they walk to the parking lot, Fritz proudly shows a Cadillac that he has recently purchased, but the family can’t afford it.

Doris tells Fritz that she’s worried about this financial burden, but Fritz dismisses her concerns and tells her that in order to be a big star, he has to live like a big star. Fritz promises Doris that he will become a world champion and make enough money for them to be affluent. Doris believes that her husband is the boss of their household, so her main response is to start praying out loud.

The movie switches to color when it fast-forwards to 1979, at the beginning of the wrestling careers of Kevin and David. The Von Erichs live on a ranch in Texas, in the Dallas area. (“The Iron Claw” was actually filmed in Baton Rouge, Louisiana.) Kerry is away from home, because he’s training as a track-and-field Olympian for the 1980 Summer Olympics. Kevin, David and Mike live with their parents, who are very strict.

The Von Erichs are a tight-knit clan who love each other and are very loyal to each other. The “Iron Claw” has several scenes of the Von Erich brothers bonding over athletics, whether it’s during their wrestling training, being in the wrestling ring together with opponents, or playing a casual game of football. Fritz’s name is associated with the Iron Claw, but he rules his family with an iron fist. There is harmony overall in the family, as long as Fritz gets his way in telling other people in the family what to do.

Fritz makes their lives revolve around wrestling. Doris makes sure the family also regularly attends church services. Both parents don’t like to get involved in any conflicts that the brothers have with each other and don’t like to hear about any personal problems that their sons might be having. In a scene where Kevin tries to talk to Doris about a problem with David, she cuts him off and tells him that he and David have to work it out amongst themselves.

As Kevin says in a voiceover: “Ever since I was a child, people said our family was cursed. We never talked about it … Bad things kept happening. Mom tried to protect us with God. Dad tried to protect us with wrestling. He said if we were the toughest, the strongest, the most successful, nothing would ever hurt us. We believed him.”

This isn’t a household where the parents act as if they love their children equally. In a scene that takes place during a family breakfast at the Von Erich home, Fritz openly says that Kerry is his favorite child, followed by Kevin, David and Mike. Fritz also says “the rankings can change,” which is an obvious sign that Fritz pits his sons against each other to compete for his approval. Doris doesn’t “rank” her children, but she passively goes along with whatever Fritz’s parenting decisions are.

Although Kevin and David have enthusiastically become wrestlers, Mike isn’t as athletic and shows indications that he would rather be a musician. Mike is in a local rock band, where he plays guitar and sings lead vocals, but he lies to his parents by saying that he’s in a classical quartet. Mike’s brothers know about this secret though, and they support what Mike does with his band. When the Von Erich sons aren’t wrestling, they make some money from the family’s ranch activities.

“The Iron Claw” somewhat wanders for the first third of the film when showing how the wrestling careers of Kevin and David develop. After the United States boycotts the 1980 Summer Olympics, Kerry returns to the family home and willingly becomes a wrestler on Fritz’s orders. At first, Kevin seems to be the son who will become the first wrestling champ of his brothers, but eventually one of the brothers overshadows him, as commanded by Fritz.

A great deal of the movie shows the relationship between Kevin and a local young woman named Pam (played by Lily James), who meets Kevin when he’s approximately 22 or 23 years old, and she’s about the same age. Pam introduces herself to Kevin after one of his wrestling matches. She asks for his autograph, which quickly turns into Pam flirting with Kevin and prompting him to ask her out on a date.

Kevin is depicted as very inexperienced with dating. He later reveals to Pam that he’s a virgin. They have a sweet courtship, with Pam (who is very outspoken and bold) announcing fairly quickly to Kevin that she wants to become a veterinarian and expects her future husband to be okay with her having a career outside the home. Kevin approves and says they can be a power couple who could live on a big ranch with his family.

One of the noticeable shortcomings with “The Iron Claw” is it makes Kevin look too squeaky clean to be completely believable. As the wrestling success of the Von Erich brothers begins to grow, Kerry and David are shown indulging in illegal drugs (such as cocaine) and using steroids. But the movie makes it look like Kevin was just an observer who stayed away from those vices. It’s not very credible, considering that Kevin in real life has openly said in interviews that he had those vices.

Based on what happens to this family, it’s understandable why the movie is told from Kevin’s perspective. Efron gives an admirable performance as Kevin, who keeps a lot of his feelings bottled up inside, often to Kevin’s detriment. However, “The Iron Claw” tends to gloss over the real-life horrific emotional abuse that Fritz inflicted on his sons. And although White gives a very nuanced performance as Kerry, when Kerry starts to unravel, many unflattering details that happened in real life are left out of the story.

Richard Reed Parry and Little Scream’s song “Live That Way” is performed by the character of Mike with his band. Parry (who also composed the musical score for “The Iron Claw”) uses instrumental snippets of “Live That Way” throughout the film. And by the time the song is heard again during the movie’s end credits, it packs an emotional punch that will leave many viewers sobbing.

“The Iron Claw” succeeds in its intentions to be a tearjerking drama. The movie also has well-shot wrestling scenes that will be thrilling for wrestling fans to watch. There’s some good comic relief in scenes depicting real-life wrestling stars Harley Race (played by Kevin Anton), Ric Flair (played by Aaron Dean Eisenberg) and the Fabulous Firebirds (played by Michael Proctor, Silas Mason and Devin Imbraguglio). However, some viewers might think a few of the movie’s sad scenes are too cloying and manipulative.

The character of David is underdeveloped, which is a disappointment, considering that the movie shows glimpses of David’s big extroverted personality but doesn’t really bother to reveal what was going on in David’s interior life. “The Iron Claw” has other huge gaps in the story that raise questions that remain unanswered in the movie. Despite some of these imperfections, “The Iron Claw” is worth seeing and has enough appeal to be appreciated by people who aren’t wrestling fans. Just don’t expect the movie to be a comprehensive character study of all of the Von Erich brothers.

A24 will release “The Iron Claw” in U.S. cinemas on December 22, 2023. A sneak preview of the movie was shown in select U.S. cinemas on December 13, 2023.

Review: ‘Wrath of Man,’ starring Jason Statham

May 6, 2021

by Carla Hay

“Wrath of Man”

Directed by Guy Ritchie

Culture Representation: Taking place in Los Angeles, the action flick “Wrath of Man” features a nearly all-male, predominantly white cast of characters (with some African Americans, Latinos and Asians) representing the middle-class, law enforcement and the criminal underground.

Culture Clash: A crime boss goes undercover as an armored truck driver to avenge the murder of his teenage son, who was killed during a heist of an armored truck.

Culture Audience: “Wrath of Man” will appeal primarily to people who want to see a predictable and violent movie with no imagination.

Raúl Castillo, Deobia Oparei, Jeffrey Donovan, Chris Reilly, Laz Alonso and Scott Eastwood in “Wrath of Man” (Photo by Christopher Raphael/Metro-Goldwyn-Mayer Pictures)

The fourth time isn’t the charm for director Guy Ritchie and actor Jason Statham in the vapid action flick “Wrath of Man,” their fourth movie together. It’s tedious and predictable junk filled with cringeworthy dialogue and stunts with no creativity. People who are familiar with Statham’s work already know that his movies are almost always schlockfests that are essentially about violence and car chases. However, Ritchie’s filmography is much more of a mixed bag. “Wrath of Man” isn’t Ritchie’s absolute worst film, but it’s a movie that could have been so much better.

Ritchie co-wrote the “Wrath of Man” screenplay with Marn Davies and Ivan Atkinson. The movie is based on the 2004 French thriller “Le Convoyeur,” directed by Nicolas Boukhrief and written by Boukhrief and Éric Besnard. Ritchie and Statham previously worked together on 1998’s “Lock, Stock and Two Smoking Barrels” (Ritchie’s feature-film debut), 2000’s “Snatch” and 2005’s “Revolver.” Whereas those three movies had plenty of sly comedy with brutal action, “Wrath of Man” is so by-the-numbers and soulless, it seems like a computer program, not human beings, could’ve written this movie.

The movie’s simplistic plot could’ve been told in 90 minutes or less. Instead, it’s stretched out into a nearly two-hour slog with repetitive and unnecessary flashbacks. In “Wrath of Man,” which takes place in Los Angeles, Statham plays a mysterious crime boss who’s out to avenge the murder of his son Dougie (played by Eli Brown), who was about 17 or 18 and an innocent bystander when he was shot to death by a robber during a heist of an armored truck.

Dougie’s murder (which is not spoiler information) is shown in a flashback about halfway through the movie. Until then, viewers are left to wonder who Statham’s character really is when he shows up at the headquarters of Fortico Security to apply for a job working as a guard in an armored truck. When he applies for the job, he identifies himself has Patrick Hill, a divorcé with more than 25 years of security experience. Later, viewers find out that it’s an alias; his real last name is Mason.

But he was able to create an entire false identity as Patrick Hill, with documents provided by his trusty assistant Kirsty (played by Lyne Renée), one of the few women with a speaking role in this movie. The false identity includes phony job references and a fake job stint at the now-defunct Orange Delta Security, which was a well-known company. Based on this elaborate scheme, Patrick is easily able to get a job at Fortico.

Fortico is described in the movie as one of the top armored vehicle companies that does cash pickups and deliveries in the area. The company’s clients include retail department stores, marijuana dispensaries, cash vaults, casinos and private banks. On a typical pickup or delivery, there are two or three employees in the truck: a driver, a guard and/or a messenger. The company isn’t huge (it only has 12 trucks), but it’s very profitable. A Fortico truck haul can total around $15 million a day, sometimes more.

Patrick is trained by Hayden Blair (played by Holt McCallany), who goes by the nickname Bullet. Almost everyone Bullet works with directly seems to have a nickname, so he immediately gives Patrick the nickname H, an abbreviation of Hill. Patrick/H goes through the training process (including gun defense skills) and he barely gets passing grades. He’s assigned to work with a cocky driver named David Hancock (played by Josh Hartnett), whose nickname is Boy Sweat Dave. Another colleague is Robert Martin (played by Rocci Williams), whose nickname is Hollow Bob.

When Bullet introduces H to these two co-workers, Bullet says, “He’s H, like the bomb. Or Jesus H.” The bad dialogue doesn’t get any better. H is told that he’s replacing a co-worker named Sticky John (who came up with these cringeworthy nicknames?), who died during a heist that killed multiple employees. The robbers got away, so the Fortico employees on are on edge about this shooting spree, which they call the Gonzo Murders. Boy Sweat Dave says, “We ain’t the predators. We’re the prey.”

The insipid dialogue continues throughout the entire movie. In a scene with some Fortico workers off-duty in a bar, Boy Sweat Dave is playing pool with Dana Curtis (played by Niamh Algar), the token female on Fortico’s armored truck crew. Dana says sarcastically to Boy Sweat Dave: “The point of the game is to get the ball in the hole.” Boy Sweat Dave snaps back, “The point of a woman is to shut the fuck up, Dana.”

Dana replies, “Well, that Ivy League education is really working for you, Boy Sweat.” (How can you say a line like that with a straight face?) Boy Sweat Dave retorts, “Pretty soon, you’ll all be working for me. The power is in this big head here.” Dana snipes back, “Well, it’s definitely not in your little head. Or are you still blaming the beer?”

The character of Boy Sweat Dave is an example of how “Wrath of Man” wastes a potentially interesting character on silly dialogue. What kind of person with an Ivy League education wants to work as an armored truck driver, a job which doesn’t even require a high school education? Viewers never find out because Boy Sweat Dave is one of several characters in the movie who are shallowly introduced, just so there can be more people in the body count later.

And because Dana is H’s only female co-worker, this movie that treats women as tokens can’t let her be just a co-worker. No, she has to serve the purpose of fulfilling H’s sexual needs too, since he and Dana have a predictable fling/one night stand. He finds out something about her when he spends the night at her place that helps him unravel the mystery of who killed his son.

It isn’t long before Patrick/H experiences his first heist as a Fortico employee. He’s partnered with Boy Sweat Dave, who’s driving, while H is the lookout. The heist is unrealistically staged in the movie as one of those battles where one man (in this case, H) can take down several other men in a shootout where a Fortico employee has been taken hostage by the thieves. Post Malone fans (or haters) might get a kick out of the scene though, since he plays one of the nameless robbers who doesn’t last long in this movie. H has saved his co-workers’ lives in this botched heist, so he’s hailed as a hero by the company.

Meanwhile, the FBI has been looking for Patrick because he’s been an elusive crime boss. There are three FBI agents, all very uninteresting, who are on this manhunt: Agent Hubbard (played by Josh Cowdery), Agent Okey (played by Jason Wong) and their supervisor Agent King (played by Andy Garcia). Hubbard and Okey come in contact with Patrick/H, when they investigate the botched robbery where Patrick/H ended up as the hero.

Agent King orders Hibbard and Okey not to let on that they know H’s real identity and to keep tabs on why this crime boss is working at an armored truck company. Eddie Marsan, a very talented actor, has a very useless role in “Wrath of Man,” as an office assistant named Terry. Terry becomes suspicious of who H really is, because in his heroic rescue, H showed the type of expert combat skills that contradicts the mediocrity that he displayed in the company’s training.

And just who’s in this group of murderous thieves? They’re led by mastermind Jackson (played by Jeffrey Donovan), a married man with two kids who lives a double life. This seemingly mild-mannered family man works in a shopping mall. But he also apparently has time to lead a group of armored truck thieves, who pose as street construction workers when they commit their robberies. The robbers use a concrete mixer truck to block the armored truck and then ambush the people inside the armored truck.

What’s really dumb about “Wrath of Man” is that these armed robbers use the same tactic every time. In real life, repeating this very cumbersome way of committing an armed robbery would make them easier to catch, not harder. Apparently, these dimwits think that the best way to not call attention to yourself during a robbery is to haul out a giant concrete mixer truck.

Jackson’s crew consists of a bunch of mostly generic meatheads: Brad (played by Deobia Oparei), Sam (played by Raúl Castillo), Tom (played by Chris Reilly) and Carlos (played by Laz Alonzo), with Jan (played by Scott Eastwood) as the loose cannon in the group. Guess who pulled the trigger on Patrick/H/Mason’s son Dougie? Guess who’s going to have a big showdown at the end of the movie?

Of course, a crime boss has to have his own set of goons. Patrick/H/Mason has three thugs who are closest to him and who do a lot of his dirty work: Mike (played by Darrell D’Silva), Brendan (played by Cameron Jack) and Moggy (played by Babs Olusanmokun). There’s a vile part of the movie that shows Patrick/H/Mason ordering his henchman to beat up and torture anyone who might have information on who murdered Dougie. The operative word here is “might,” because some people who had nothing to do with the murder are brutally assaulted.

Mike has a conscience and he says that he won’t commit these vicious attacks anymore to try to find Dougie’s killer. Mike advises Patrick/H/Mason to think of another way to find the murderer. And that’s when Patrick/H/Mason got the idea to go “undercover” at Fortico, with the hope that he could catch the murderous thieves in their next heist on a Fortico truck.

And what do you know, this gang of thieves will be doing “one last heist” on a Fortico truck, to get a haul that’s said to be at least $150 million. What could possibly go wrong? You know, of course.

Ritchie’s previous film “The Gentlemen” (which was also about gangsters and theives) had a lot of devilishly clever dialogue and crackled with the type of robust energy that hasn’t been seen in his movies in years. And although “The Gentlemen” wasn’t a perfect film about criminal antics, it at least made the effort to have memorable characters and to keep viewers guessing about which character was going to come out on top. “Wrath of Man” is a completely lazy film that has no interesting characters, no suspense, and not even any eye-popping stunts. It’s just a silly shoot ’em up flick that’s as empty as Statham’s dead-eyed stares.

Metro Goldwyn Mayer (MGM) Pictures and Miramax Films will release “Wrath of Man” in U.S. cinemas on May 7, 2021.