Review: ‘Asteroid City,’ starring Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston and Edward Norton

June 16, 2023

by Carla Hay

Jake Ryan, Jason Schwartzman and Tom Hanks in “Asteroid City” (Photo courtesy of Pop. 87 Productions/Focus Features)

“Asteroid City”

Directed by Wes Anderson

Culture Representation: Taking place in 1955, in the U.S. Southwest and in New York City, the comedy film “Asteroid City” features a predominantly white cast of characters (with a few African Americans and Latinos) representing the working-class and middle-class.

Culture Clash: Told as a stage play within a TV show, “Asteroid City” tells the story of how a small town reacts to a visit from an outer-space alien.

Culture Audience: “Asteroid City” will appeal primarily to people who are fans of filmmaker Wes Anderson and comedies with intentionally quirky characters and sometimes bizarre scenarios.

Scarlett Johansson in “Asteroid City” (Photo courtesy of Pop. 87 Productions/Focus Features)

“Asteroid City” is exactly what you think a Wes Anderson movie is about how people react to seeing an outer-space alien. The comedy is hit or miss. Anderson’s recent movies seem like they’re competing with each other to have the most celebrity cameos. “Asteroid City” (which was directed by Anderson) had its world premiere at the 2023 Cannes Film Festival. Anderson co-wrote the “Asteroid City” screenplay with Roman Coppola, who is a cousin of Jason Schwartzman, one of the stars of the film.

“Asteroid City,” which is set in 1955, is told as a play within a TV show. All it means is that it’s an excuse to add more stars to the already star-studded cast. Overstuffing the movie with famous cast members can actually be detriment when most of these characters remain underdeveloped. And it will just lead to disappointment for the fans of the cast members (many of whom could easily headline films on their own) when they find out that the screen time of many of these celebrities is barely enough to be in a short film.

The constant parade of stars also seems like showboating from Anderson and the other “Asteroid City” filmmakers, as if to prove that all of these famous people are so in awe of Anderson, they’d be willing to do even the tiniest role in one of his movies. It certainly might explain why Margot Robbie has an utterly useless role as an unnamed actress/wife in “Asteroid City,” where all she does in the movie is talk for a few minutes in a forgettable conversation. “Asteroid City” makes good use of its principal cast members, but gets bogged down by all the distracting celebrity cameos.

The movie begins with black-and-white footage of a nameless TV host (played by Bryan Cranston) explaining that viewers will be getting a behind-the-scenes look at the making of a play called “Asteroid City.” The play is written in New York City by playwright Conrad Earp (played by Edward Norton), while the ensemble cast is led by Jones Hall (played Schwartzman) and Mercedes Ford (played by Scarlett Johansson). This behind-the-scenes footage is in black and white (as it would be in television in 1955), but the scenes with the play are in bright Technicolor-inspired lighting that would have been standard with movies released in 1955.

Schubert Green (played by Adrien Brody) is the play’s director. Polly (played by Hong Chau) is Schubert’s assistant. Saltzburg Keitel (played by Willem Dafoe) has a classroom that is used as rehearsal space for the play. All three of these characters are seen in short interludes and don’t add much to the overall story.

Asteroid City is in an unnamed state in the U.S. Southwest. In the “Asteroid City” play, a war photographer named Augustine “Augie” Steenbeck (also played by Schwartzman) is a recent widower. He is on a road trip by car to Asteroid City, a very small Southwestern town (population: 87), where the biggest attractions are a large meteor crater and a celestial observatory nearby. Augie is traveling with his 14-year-old son Woodrow Steenbeck (played by Jake Ryan) and triplet daughters Andromeda (played by Ella Faris), Pandora (played by Gracie Faris) and Cassiopeia (played by Willan Faris), who are about 7 or 8 years old.

The Steenbeck family is going to Asteroid City for the weekend celebration of Asteroid Day, commemorating September 27, 3007 B.C., when the Arid Plains meteorite crashed on Earth. Woodrow is also set to get a prize as one of the five winners of the Junior Stargazer Space Cadet Awards, given to young people who are aspiring astronomers. However, Augie’s car breaks down in Asteroid City. A unnamed, bumbling mechanic (played by Matt Dillon) is the nearest person who can fix the car.

After Augie finds out that he and his children are stuck in Asteroid City, Augie calls his stern father-in-law Stanley Zak (played by Tom Hanks) to ask Stanley to pick up the kids because “the car exploded.” Stanley is reluctant to come to the rescue of his stranded son-in-law and grandchildren because Stanley thinks that Augie needs to take responsibility for the kids. Stanley is annoyed that Augie has not told the children that the children’s mother (who was Stanley’s daughter) died three weeks ago.

It’s mentioned in the movie that she died from a unnamed illness. Eventually, Augie awkwardly tells the children about their mother’s death. He also tells them that she has been cremated. Her ashes are in a plastic bowl that Augie has with him. And as soon as cremated ashes of a loved one are shown in a comedy, you just know that something is going to happen to those ashes in a comedic part of the plot.

Meanwhile, this small town is about to get a much bigger temporary population when more visitors arrive. These other guests include famous actress Midge Campbell (played by Johansson), who (by her own admission) is vain and selfish. She is in Asteroid City because her teenage daughter Dinah (played by Grace Edwards) is one of the recpients of the Junior Stargazer Space Cadet Award. It’s mentioned that Midge has two younger children from her marriage to her second ex-husband

Also in Asteroid City is country musician Montana (played by Rupert Friend) and his band. Montana dresses like a cowboy and seems to be attracted to a schoolteacher in her 20s named June (played by Maya Hawke), who has arriveed by school bus with a class of 10 students, who are each 8 years old. Montana and June, like many of these supporting characters, have no real bearing on the outcome of the story.

Other visitors to Asteroid City who are very extraneous characters include egotistical businessman JJ (played by Liev Schrieber) and his mild-mannered teenage son Clifford (played by Aristou Meehan), who only seem to be in the movie to show that Augie and Woodward aren’t the only characters in “Asteroid City” who have father/son tensions. Clifford is one of the award recipients.

Other unnecessary characters are Sandy (played by Hope Davis) and her teenage daughter Shelly (played by Sophia Lillis), who are only memorable for wearing matching Girl Scout-type uniforms. Shelly is also one of the award recipients. It makes no difference to the movie’s story if there were three, four or five teens getting these awards.

Another parent-teen duo in “Asteroid City” are scientist Roger (played by Stephen Park) and his overachieving son Ricky (played by Ethan Josh Lee), who has somewhat of a rivalry with Woodrow about who knows the most about astronomy. Ricky is actually essential to the plot, since he makes a certain decision regarding the outer-space alien. Ricky’s decision has an effect on other plot developments. Meanwhile, Woodrow and Dinah have a growing attraction to each other.

Steve Carell is in the movie for less than five minutes as the manager of Asteroid City’s only motel. The observatory is run by Dr. Hickenlooper (played Tilda Swinton), who us the expected eccentric character that Swinton always to plays in Anderson’s movies. A crater meteorite that’s the size of a softball is one of the prized possessions on display at the observatory.

A very by-the-book military officer named General Grif Gibson (played by Jeffrey Wright) is in Asteroid City to lead the Asteroid Day festivities, which includes a tour of the observatory, a picnic supper, the viewing of the Astronomical Ellipses, and the awarding of the annual Hickenlooper Scholarship. General Gibson has a trusted, unnamed aide-de-camp (played by Tony Revolori), who is just a rehash of the “eager young man” roles that Revolori has played in other Wes Anderson movies.

The first half of “Asteroid City” is a string of vignettes where the characters are quirky and often blurt out things in a tactless way that’s supposed to be amusing. Augie and Midge are the most “no filter” of these characters. And so, it should come as no surprise that they become attracted to each other. It’s just like a Wes Anderson movie for two single parents to be attracted to each other at the same time the parents’ two teenage kids are attracted to each other.

“Asteroid City” doesn’t get really interesting or amusing until the arrival of the space alien, which is filmed like it would be for a stage production. The reactions to this space alien are the movie’s commentaries on greed and exploitation in society. There’s nothing wrong with any of the performances by the cast members. But it says a lot that “Asteroid City,” which is filled with talented people (many of whom are Oscar winners and Oscar nominees), doesn’t have an Oscar-worthy performance in the bunch. The movie’s production design is impeccable, but “Asteroid City” is a comedy that’s more enamored with the setup of jokes rather than the jokes themselves.

Focus Features released “Asteroid City” in select U.S. cinemas on June 16, 2023, with a wider expansion to more U.S. cinemas on June 23, 2023.

Review: ‘Greenland,’ starring Gerard Butler

December 18, 2020

by Carla Hay

Morena Baccarin, Roger Dale Floyd and Gerard Butler in “Greenland” (Photo courtesy of STX)

“Greenland”

Directed by Ric Roman Waugh

Culture Representation: Taking place in various parts of North America, the sci-fi action flick “Greenland” features a predominantly white cast (with some African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: A structural engineer, his wife and their 7-year-old son are selected by the U.S. government to be part of an elite evacuation program during a comet disaster, and this privileged status causes problems for them when they are separated during the chaos.

Culture Audience: “Greenland” will appeal primarily to people who like suspenseful apocalyptic movies that have underlying commentary about society’s conflicts over social classes and privilege.

Gerard Butler in “Greenland” (Photo courtesy of STX)

Out of all the types of apocalyptic disaster stories that can be told, perhaps the most terrifying is some variation of “the sky is falling,” whether it’s from meteors, comets or another deadly force from outer space. In the above-average sci-fi thriller “Greenland” (directed by Ric Roman Waugh and written by Chris Sparling), the threat from outer space is a highly unusual comet that scientists at first think is a natural wonder to behold. But the comet turns out to be the worst kind, because it ends up causing worldwide damage and has the power to wipe out most of Earth’s population. 

It’s a concept that’s been done in movies before, but “Greenland” ramps up the suspense level in realistic ways because it’s not too caught up in trying to scare people with visual effects, which are actually done very well in this film. Instead, “Greenland” focuses on the terror experienced by a family of three who get separated from each other in the chaos of an evacuation. There are added layers of stress because the child in this family is diabetic, and the family is targeted by desperate and envious people who want what this family has: privileged U.S. government clearance to be taken to a secret shelter that was built to withstand the worst disasters and attacks.

Like a lot of disaster movies, “Greenland” starts out with people being blissfully unaware of the catastrophe that’s coming their way. In Florida, structural engineer John Garrity (played by Gerard Butler), who is originally from Scotland, is on the job at a construction site, but he wants to get home as soon as possible because his 7-year-old son Nathan (played by Roger Dale Floyd) is having a party where several people in the neighborhood have been invited. John and his American wife Allison (played by Morena Baccarin), who were separated in the past and are now trying to work on their marriage, are organizing the party.

The big news around the world is that there’s an interstellar comet that is passing by Earth, and it’s expected to be the closest fly-by of a comet in Earth’s history. This highly anticipated sighting is such a big deal that people are having watch parties, and the news has been reporting the latest updates on the comet’s trajectory. The comet is considered so safe that it’s been named Clarke.

However, as soon as John gets home, something strange happens: He gets phone messages by text and by robocalls from the U.S. Department of Homeland Security. These messages order John, Allison and Nathan to report to Robins Air Force Base in Warner Robins, Georgia, because they have been selected for emergency relocation. The messages demand that no one else can accompany this family of three to the Air Force base.

John doesn’t know if these messages are real or some kind of prank. He tells people at the party about the messages, and they’re not sure if the messages are real either. A few of the adults at the party wonder why they didn’t get these messages too. John doesn’t know why he and his family were selected for this special evacuation.

However, it soon becomes obvious that the messages really are from the U.S. government. While the Garrity family and their party guests are in the living room watching the latest comet news on TV, the first sign that the comet is going to be disastrous comes when it’s reported that a fragment of the comet that was supposed to crash in the ocean near Brazil instead landed in Tampa. The shockwaves caused Tampa to burn, and the inferno blast spread all the way to Orlando.

John and Allison decide to quickly pack up some family belongings and go with Nathan by car to Robins Air Force Base, as instructed. There are some moments of high anxiety when a few of the neighbors beg to go with the Garrity family, but John refuses because he correctly assumes that anyone who doesn’t have government clearance will be turned away. However, he promises that he will contact the neighbors after he finds out more details about what’s going on with the evacuation.

Meanwhile, the Garrity family hears on the car radio that more of the comet’s fragments are wiping out entire parts of the world, including Bogotá, Colombia. Scientists are frantically trying to predict where the fragments might land next, in order to evacuate people from those areas. Anxiety then turns to sheer panic.

Word has gotten out that Robins Air Force Base is one of the designated meeting areas for the evacuees who were selected by the U.S. government. And so, when the Garritys arrive at the Air Force base, they see a terrified and angry mob of people who demand to be let in, even though most of them are not supposed to be there. It’s a foreshadowing of the “haves” and “have nots” conflicts that happen during several scenes in the movie.

Several military personnel are on duty to only allow access to people who are on the government clearance list. And those pre-approved people get yellow wristbands to identify them. There are several Air Force planes waiting to take thousands of people to the same shelter, which is in a classified location that is later revealed to be in Greenland.

The Garrity family makes it safely through the checkpoint, but things take a turn for the worse when they find out that Nathan, who is diabetic, accidentally dropped his insulin in the car when he was looking for a blanket. John finds out that he has only about 15 to 20 minutes before the family’s assigned evacuee plane leaves. He also finds out that all the planes are headed to the same place, so that if he can’t be on the same plane as his wife and son, he’ll hopefully be able to reunite with them at the shelter.

John and Allison hastily make a decision that John will go back to the car to get Nathan’s medicine, while Allison will stay with Nathan and board the plane. However, more complications ensue when Allison speaks to a military guard and tells him about their situation and how they can’t leave without John. And that’s when the guard tells her that because Nathan is diabetic, it’s a health liability, and the Garrity family shouldn’t have been approved for the emergency shelter.

The guard and a colleague then tell Allison and Nathan that they can’t get on the plane after all. Allison and Nathan are then forced to go with the guards to another area, where Allison pleads with another military person to let them on the plane because they don’t want to be separated from John. What happens next are several twists and turns to the story, some of which are unpredictable, while other plot developments are a tad cliché.

All of the cast members give very good performances, even though this movie is not on the type of prestige level where it’s going to get any major awards. The filmmakers avoided the stereotype that a lot of American-made disaster movies have: making the male protagonist/hero someone who was born and raised in the United States. Butler, who is Scottish in real life, keep his native accent in the movie. (Butler is one of the producers of “Greenland,” so that probably had a lot to do with the decision to make John Garrity a Scot too.)

Another non-cliché aspect to “Greenland” is that it doesn’t follow the disaster movie formula of having the hero’s love interest be a passive “damsel in distress.” Allison is no ditz who waits around to be rescued. There are moments where Allison steps up in a big way to help save her family. Baccarin’s portrayal shows a lot of authenticity in how real women would act in the same situation, with all the bravery and vulnerability that comes with it.

John and Allison’s son Nathan is thankfully not written as “too precocious to be true” or a “disease of the week” kid. Floyd capably portrays Nathan’s intelligent sensitivity as a kid who just happens to have diabetes. The movie also makes a point of showing how Nathan’s medical condition quickly changed the status of the Garrity family from “desirable” to “undesirable” candidates for evacuation. It speaks to the prejudice that people could encounter in a similar situation where governments decide who in the population will get preferential treatment in a mass evacuation. 

One of the other memorable characters in “Greenland” is Allison’s widower father Dale (played by Scott Glenn), who somewhat mistrusts John because of the problems in John and Allison’s marriage. And there’s a married couple in the story named Judy Vento (played by Hope Davis) and Ralph Vento (played by David Denman), who play a key role in one of the most nerve-wracking parts of the movie.

Throughout the film, director Waugh never lets up on the frantic pace after the comet disaster strikes. (Waugh and Butler previously worked together on the 2019 action film “Angel Has Fallen.”) And when it comes to characters, “Greenland” wisely takes a “less is more” approach, since the story is focused on this family of three and their perspective for the entire film. It’s a departure from the typical disaster movie that has different storylines for a group of strangers. Simply put: “Greenland” is an apocalyptic movie that isn’t going to change the world, but it largely succeeds in being suspenseful, escapist entertainment.

STX released “Greenland” on VOD on December 18, 2020. The movie will be released on digital on January 26, 2021, and on Blu-ray and DVD on February 9, 2021.

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