Hugh Bonneville Archives

Review: ‘Downton Abbey: The Grand Finale,’ starring Hugh Bonneville, Jim Carter, Michelle Dockery, Paul Giamatti, Elizabeth McGovern and Penelope Wilton

December 21, 2025

by Carla Hay

Joely Richardson, Rose Galbraith, Hugh Bonneville, Elizabeth McGovern, Michelle Dockery and Harry Hadden-Paton in “Downton Abbey: The Grand Finale” (Photo courtesy of Focus Features)

Directed by Simon Curtis

Culture Representation: Taking place in 1930, in the United Kingdom, the dramatic film “Downton Abbey: The Grand Finale” features an all-white cast of characters representing the working-class, middle-class and wealthy.

Culture Clash: The patriarch of the wealthy Crawley family of England must decide if he’s going to retire and if he will hand over the operations of the family’s Downton Abbey manor to his eldest child (a daughter), who is going through a society scandal because she is divorced.

Culture Audience: Aside from appealing to “Downton Abbey” fans, “Downton Abbey: The Grand Finale” will appeal primarily to people who are fans of movies about 20th century upper-crust British people and their servants.

Paul Giamatti and Alessandro Nivola in “Downton Abbey: The Grand Finale” (Photo courtesy of Focus Features)

“Downton Abbey: The Grand Finale” is a drama that concludes in a fitting way and in the same polished tone that defines this franchise. Divorce and financial fraud are the biggest scandals in the story, with no real surprises. Most fans of the “Downton Abbey” franchise will be satisfied by how this movie ends, but others might feel disappointed that this “grand finale” isn’t as grand as they expected it to be.

Directed by Simon Curtis and written by Julian Fellowes, “Downton Abbey: The Grand Finale” (which takes place in 1930) is the third movie in the “Downton Abbey” franchise. Curtis also directed and Fellowes also wrote the 2022 movie “Downton Abbey: A New Era,” whose story took place in 1928. The first movie in the franchise is 2019’s “Downton Abbey” (directed by Michael Engler and written by Fellowes), a continuation of the British “Downton Abbey” TV series, which was on the air from 2010 to 2015. (In the United States, the award-winning “Downton Abbey” series began airing in 2011.)

Unlike the comedic and somewhat complex story in “Downton Abbey: A New Era,” the story in “Downton Abbey: The Grand Finale” is streamlined and gets a little more serious, although there are still touches of comedy. The main focus of “Downton Abbey: The Grand Finale” is who will take over the Downton Abbey manor when the eldest living heir is a woman who has become an outsider in certain social circles because she is divorced.

The “Downton Abbey” franchise, just like much of Fellowes’ work, explores the “upstairs/downstairs” cultures, with the “upstairs” people being the wealthy employers and the “downstairs” people being the employers’ servants. “Downton Abbey: The Grand Finale” has much more emphasis on the “upstairs” people, compared to the previous “Downton Abbey” movies.

People who watch “Downton Abbey: The Grand Finale” are better off having seen the previous two movies to fully understand the characters and some previous plot developments. People who’ve watched or know what happened in all of the previous “Downton Abbey” movies, as well as the “Downton Abbey” TV series, will obviously be the most prepared for “Downton Abbey: The Grand Finale.” Because there are so many characters in the “Downton Abbey” franchise, here’s a handy guide of who’s who in “Downton Abbey: The Grand Finale” and how their relationships affect each other:

The “Upstairs” People

Robert Crawley (played by Hugh Bonneville), 7th Earl of Grantham, is the leader of Downton Abbey when the movie begins. He is generally friendly but also very opinionated on how family matters should be handled. As shown at the end of “Downton Abbey: A New Era,” Robert inherited Downton Abbey after the death of his strong-willed mother Violet (played by Maggie Smith), who was the family matriarch. Robert is Violet’s only living son. (In real life, Smith passed away in 2024.)
Cora Crawley (played by Elizabeth McGovern), the Countess of Grantham. She is Robert’s kind, patient and dutiful wife. Robert and Cora are the parents of three daughters, one of whom is deceased.
Lady Mary Josephine Talbot (played by Michelle Dockery), previously known as Mary Crawley. Fair-minded and even-tempered, she is the eldest of Robert and Cora’s three daughters. In the “Downton Abbey” movie, Violet put Mary in charge of all Downton Abbey management decisions, but Mary struggles with having confidence in deciding what is best for Downton Abbey and the family. Mary experienced tragedy with the 1921 death of her first husband Matthew Crawley (played by Dan Stevens), who was a distant cousin. Matthew died in a car accident shortly after Mary gave birth to their son George Crawley (played by twins Oliver Barker and Zac Barker), born in 1921. In 1925, Mary wed her second husband Henry Talbot (played by Matthew Goode), who is seen only in brief flashback footage in “Downton Abbey: The Grand Finale.” Henry is dashing and charming but often inattentive to his family because he frequently travels to attend car racing matches around the world. His absence is one of the main reasons why Mary and Henry secretly got divorced. Mary and Henry have a daughter together named Caroline Talbot (played by Esme Creegan), who was born in 1926.
Lady Edith Pelham (played by Laura Carmichael), previously known as Edith Crawley, Marchioness of Hexham. She is the middle daughter of Robert and Cora. Edith is happily married and has been mainly preoccupied with raising children, after previous issues with conceiving. She is a journalist who still wants to continue her dream of owning and managing her own magazine. In late 1922 or early 1923, Edith gave birth to her daughter Marigold (played by twins Eva Samms and Karina Samms), whose biological father was The Sketch magazine editor Michael Gregson (played by Charles Edwards), whom Edith met when she wrote for the magazine. Edith and Michael were never married because he could not divorce his mentally ill wife. Michael died in 1923, during the Beer Hall Putch in Germany.
Herbert “Bertie” Pelham (played by Harry Hadden-Paton), 7th Marquess of Hexham, an amiable real-estate agent/military man. He is Edith’s second husband and the stepfather of Marigold. Bertie and Edith, who were wed on New Year’s Eve 1925, have a biological son together named Peter, who was born in 1927 or 1928.
Tom Branson (played by Allen Leech), an Irishman who used to be the Downton Abbey chauffeur, but he became part of the family when he married Sybil Crawley (played by Jessica Brown Findlay), Robert and Cora’s youngest daughter, who died from childbirth complications in 1920. Tom and Sybil’s daughter, born in 1920, is named Sybil “Sybbie” Branson (played by Fifi Hart). In “Downton Abbey: A New Era,” Tom married his second wife Lucy Branson (played by Tuppence Middleton), a former maid and formerly secret illegitimate daughter of Maud Bagshaw, who is a wealthy distant relative of the Crawleys. Maud has made Lucy the heir to Maud’s entire fortune. Lucy is not in “Downton Abbey: The Grand Finale.”
Isobel Merton (played by Penelope Wilton), the droll-talking mother of the late Matthew Crawley. Isobel frequently traded sardonic barbs with Violet.
Lord Merton (played by Douglas Reith), Isobel’s laid-back second husband. He is usually a bystander in the family drama.

The “Downstairs” People

Daisy Parker (played by Sophie McShera), a Downton Abbey kitchen maid. She has a fun-loving and energetic personality. Daisy suffered a tragedy when her first husband William Mason (played by Thomas Howes), a second footman for the Downton Abbey family, died from World War I combat wounds.
Andy Parker (played by Michael Fox), the Downton Abbey second footman. Daisy and Andy fell in love and got married circa 1928. Andy is prone to get jealous and insecure, but Daisy likes that Andy is willing to go to extremes for their love.
Mr. Carson (played by Jim Carter), the on-again/off-again Downton Abbey butler. As the most experienced butler at Downton, he often sees himself as the unofficial leader of the staff, whether they want his advice or not. Mr. Carson retires in “Downton Abbey: The Grand Finale.”
Mrs. Hughes (played by Phyllis Logan), the Downton Abbey head housekeeper, who is prim, proper, and frequently involved in keeping secrets to prevent Downton Abbey from being embroiled in scandals.
Mrs. Patmore (played by Lesley Nicol), the Downton Abbey chief cook. She has a no-nonsense attitude that keeps the other kitchen staff in check.
Mr. Bates (played by Brendan Coyle), the Downton Abbey valet. His arrogance sometimes alienates other members of the staff.
Anna Bates (played by Joanne Froggatt), wife of Mr. Bates and the maid to Lady Mary. She is generally well-liked but sometimes gets caught up in the Downton Abbey gossip.
Phyllis Baxter (played by Raquel Cassidy), the lady’s maid for the Countess of Grantham. Phyllis and Mr. Molesley become each other’s love interest. “Downton Abbey: The Next Era” shows how far this romance goes.

The Friends and Newcomers

Harold Levinson (played by Paul Giamatti), Cora’s neurotic brother who has been living in the United States. Harold is entrusted with managing much of the Crawley family’s investment portfolio.
Gus Sambrook (played by Alessandro Nivola), Harold’s business advisor, who is a smooth-talking American and a ladies’ man.
Guy Dexter (played by Dominic West), the male titular star of “The Gambler,” the dramatic movie that was partially filmed at Downton Abbey in “Downton Abbey: A New Era.” Guy is charismatic, flirtatious, and a closeted gay man.
Thomas Barrow (played by Robert James-Collier), a former Downton Abbey butler, who started a secret romance with Guy after they met at Downton Abbey. Thomas quit working for Downton Abbey to become Guy’s personal assistant. In the beginning of “Downton Abbey: The Grand Finale,” Thomas and Guy are a couple whose relationship is common knowledge to people who are close to the them but it isn’t openly discussed.
Noël Coward (played by Arty Froushan), the famed playwright/composer, who is a close friend of Guy. Just like Guy and Thomas, Noël is a gay man who is closeted to most people, but people who know him best know the truth.
Joseph Molesley (played by Kevin Doyle), a former Downton Abbey valet who has a tendency to bumble and be socially awkward. He quit Downton Abbey to become a screenwriter but hasn’t been having much luck in his new career.
Lady Petersfield (played by Joely Richardson), a snobbish aristocrat who pushes for Mary to be ousted and shunned from society events because Mary is divorced.
Lady Gwendolen (played by Rose Galbraith), one of Lady Petersfield’s close friends.

In the beginning of “Downton Abbey: The Grand Finale,” Robert and his daughter Mary have a series of conflicts and disagreements. It starts when Robert gets upset when he finds out that Mary’s divorce became final and she didn’t tell anyone else in the family. Robert had to find out after Mary is asked to leave a high society party because of her divorce, and her divorce makes front-page headlines of a local newspaper.

The Crawley family’s financial problems are ongoing. It’s one of the reasons why they reluctantly agreed to rent out their mansion to a filmmaking crew in “Downton Abbey: A New Era.” Selling the Downton Abbey property is out of the question. However, Mary suggests to Robert that they sell Grantham House, the Crawley family’s London residence. Robert vehemently objects to this idea.

Meanwhile, Harold and Gus come to visit to convince the family to invest in something that Harold assures the family will “double” their investment. Gus and Mary have an instant attraction to each other. Gus is also intrigued by Mary’s divorce scandal, which makes her more attractive to him. You can easily guess what happens between Gus and Mary.

Guy, Thomas and Noël visit the Crawleys for an elegant dinner. And when the word gets out that Noël is spending time with the Crawleys, suddenly all the snobs who wanted to shame and reject Mary have a change in attitude and want to befriend her again. Former Downton Abbey valet Joseph also gets swept up in wanting to get close to celebrity Noël. Richard goes as far as asking to be re-hired at Downton Abbey so he can meet Noël.

“Downton Abbey: The Grand Finale” doesn’t go much deeper than the “rich people problems” story that is bulk of the movie’s plot. A major reason for much of the Crawleys’ financial woes is revealed. And when that revelation happens, it comes as no surprise because the movie makes it so obvious who might be committing fraud.

All of the returning cast members do what they’ve usually done in these roles, with only Dockery’s Mary going through a real emotional ringer. Giamatti and Nivola are what you might expect in their roles as Americans whose lives revolve around “get rich quick” schemes. Froushan is an utter delight as Noël, a scene-stealing bon vivant character, who unfortunately in not in the movie as he could have been.

The main reason why “Downton Abbey” fans and other viewers will watch is to see how the Crawley family friction will be resolved in who will really take over Downton Abbey, as Robert is headed for retirement. Robert stepping down from his leadership position means that he and Cora plan to relocate to a smaller home but will no longer have the burden of worrying about the upkeep of Downton Abey. It’s a bittersweet decision that will not shock anyone, but the send-off a fulfilling conclusion to this era in the “Downtown Abbey” saga.

Focus Features released “Downton Abbey: The Grand Finale” in U.S. cinemas on September 12, 2025. The movie was released on digital and VOD on September 30, 2025. Peacock premiered “Downton Abbey: The Grand Finale” on November 7, 2025. The movie was released on Blu-ray, DVD and 4K Ultra HD November 11, 2025.

Review: ‘Christmas Karma’ (2025), starring Kunal Nayyar, Leo Suter, Charithra Chandran, Pixie Lott, Danny Dyer, Boy George, Hugh Bonneville, Billy Porter and Eva Longoria

November 16, 2025

by Carla Hay

Kunal Nayyar in “Christmas Karma” (Photo courtesy of Ketchup Entertainment)

“Christmas Karma” (2025)

Directed by Gurinder Chadha

Some language in Hindi with subtitles

Culture Representation: Taking place in London and in Uganda, the musical film “Christmas Karma” (inspired by the novella “A Christmas Carol”) features an Asian and white cast of characters (with a few black people and Latin people) representing the working-class, middle-class and wealthy.

Culture Clash: Greedy and hateful financier Eshaan Sood, an Indian Ugandan immigrant living in London, rethinks his negative attitude during the Christmas holiday season when ghosts from the past, present and future show him his life.

Culture Audience: “Christmas Karma” will appeal primarily to people who are fans of the movie’s headliners, the book on which the movie is based, and musicals that have star power and little else to offer that’s entertaining.

Eva Longoria, Billy Porter, Boy George and Hugh Bonneville in “Christmas Karma” (Photo courtesy of Ketchup Entertainment)

“Christmas Karma” is a well-intentioned but misguided attempt to turn “A Christmas Carol” into a British Bollywood musical. The movie’s original songs are terrible, the acting is often cringeworthy, and this off-balance movie goes from bad to worse. The movie’s rewriting of the main character to have a refugee story is an admirable attempt to do something different from the original source material of “A Christmas Carol,” but this alteration is more awkward than seamless. In addition, the visual effects in Christmas Karma” are almost as tacky as the movie’s songs.

Written and directed by Gurinder Chadha, “Christmas Karma” keeps many other basic elements of “A Christmas Carol,” the classic 1843 novella written by Charles Dickens. The main character is still a miserable businessman who is both greedy (when it comes to his personal wealth) and stingy (when it comes to being generous to other people). In “Christmas Karma,” the main character has been changed from elderly wealthy bachelor Ebenezer Scrooge to middle-aged wealthy bachelor Eshaan Sood (played by Kunal Nayyar), who is bitter and unhappy in all aspects of his life. Instead of “Bah, humbug!” as an expression of disapproval, Eshaan Sood says, “Bah, quass!”

Eshaan (who prefers to be called Sood) is the owner of a financial investment company called Marley & Sood, which he inherited after his former boss/mentor Jacob Marley (played by Hugh Bonneville) died an untold number of years ago. During the Christmas holiday season, Sood doesn’t let the employees use the heating system in the office when it gets too cold. And to make things worse, he fires a group of employees who dare to complain about their dismal working conditions. Sood is also a terrible boss to his housekeeper Mrs. Joshi (played by Shobu Kapoor), whom he expects to work on holidays. He refuses to give Mrs. Joshi a Christmas bonus. He tells Mrs. Joshi that she shouldn’t celebrate Christmas because she’s Hindu.

The only person who seems to like Sood is his loyal Marley & Sood employee Bob Crachit (played by Leo Suter), who struggles to financially support his wife Mary Crachit (played by Pixie Lott) and their four kids: son Tiny Tim Crachit (played by Freddie Marshall-Ellis), son Peter Crachit (played by Charlie Hodson-Prior) an unnamed eldest son (played by Finn Guegan) and unnamed eldest daughter (played by Olivia Brody). Tiny Tim is the youngest child, and he happens to be disabled. Sood reluctantly grants Bob’s request to get a salary advance to pay for Christmas gifts for Bob’s family. Sood rudely says to Bob: “Why’d you have so many kids then?”

Sood is very prejudiced against poor people and immigrants, even though he’s an immigrant who used to be poor. During the part of the story where he revisits his past, it’s revealed that he and his family were Indian immigrants living a comfortable life in Uganda until they were exiled by Uganda’s dictator president Idi Amin, who ordered a mass deportation of Uganda’s Indian residents in 1972, with these exiles having only 90 days to evacuate. Eshaan Sood (played by Skanda Arun), who was 7 years old at the time, had to leave behind the family’s pet West Highland White Terrier with his Ugandan best friend Akiiki (played by Prince Mwangi), who was also 7 years old at the time. Losing his dog and his best friend broke Eshaan’s heart.

Eshaan, his widower father (played by Anil Desai), and Eshaan’s unnamed older sister (played by Inara Ansari), who was an adolescent at the time, relocated to London. Eshaan’s grandmother (played by Vaishali Morjaria) stayed behind in Uganda because she was too elderly to travel and was apparently exempt from the deportation for this reason. In her goodbyes to her family members, she gave young Eshaan a gift (which shows up later in the movie) and advised him: “With wealth, you’ll always have respect.”

Eshaan’s father died soon after the family arrived in London. Eshaan and his sister were put in the foster care system, where they lived in poverty and experienced hostility and racism. The movie shows Eshaan from the ages of 17 to 23 (played by Bilal Hasna), when he was known as Eddie Sood. During this period of time, he experienced heartbreak with his first love Bea Fernandez (played by Charithra Chandran), for reasons that are explained in the movie.

Sood’s sister is now deceased. His sister’s young adult son Raj (played by Shubham Saraf) has a wife and kids, but Sood wants nothing to do with them. Sood doesn’t respect Raj because Raj doesn’t make enough money to get Sood’s approval. In the beginning of the movie, Sood impolitely rejects Raj’s invitation to go to a Christmas party at Raj’s home. Sood also seems to be racist because he openly disapproves of Raj being married to someone who isn’t of Indian heritage. Raj’s wife Emily (played by Laura Baldwin) is white and British.

Just like in “A Christmas Carol,” the central character of “Christmas Karma” has a nightmare where he sees the ghost of Marley, who tells him that three more ghosts will also be visiting: The Ghost of Christmas Past (played by Eva Longoria), the Ghost of Christmas Present (played by Billy Porter), and the Ghost of Christmas Future (played by Boy George), who each shows Sood his life during these respective time periods. Marley tells Sood that Sood has a chance to change his life “before it’s too late.”

Porter is the only one of these ghosts who is a standout singer in the movie. Fans of Boy George will be disappointed to see that Boy George doesn’t get a big solo song but has to warble alongside Porter, who steals every scene where Porter appears. Longoria, dressed as a Dia de los Muertos ghost and accompanied by a mariachi trio, makes sarcastic quips but doesn’t have a big musical moment as the Ghost of Christmas Past. And the less said about Suter’s off-key singing, the better. Danny Dyer has a supporting role as a singing cabbie, whose only purpose in the movie is to be just another person who experiences Sood’s obnoxious attitude.

Strangely, even though Nayyar is the star of this musical, he doesn’t sing any lead vocals or solos in this confounding movie. Nayyar is shown singing in some group performances, presumably to hide the fact that he doesn’t have the singing talent to sing lead vocals or solo vocals on any of the songs. It’s absolutely ridiculous to make a movie musical if the star/main character doesn’t even have any extended moments to sing solo or lead vocals. As for Nayyar’s spoken dialogue performance, it goes from mediocre in the beginning of the movie to very hammy by the end of the film.

“Christmas Karma” also makes some other odd choices, such as the character of Bob having more singing time on screen than the Ghost of Christmas Future. In other words, the “Christmas Karma” filmmakers foolishsly decided to make Boy George have less singing in the movie than an actor who doesn’t sing very well. Another inexplicable choice: Tiny Tim (a character who is supposed to be charming because he’s so humble) thanking the National Health Service in his list of thank yous/blessings and bragging in this not-so-humble statement: “I give the best hugs.” Why is Tiny Tim thanking NHS, when the movie clearly mentions that the Cratchit family is struggling to pay all of their bills, including Tiny Tim’s medical bills? Don’t expect this movie to answer that question.

This musical’s original songs (by Gary Barlow, Nitin Sawhney, Shaznay Lewis, Chadha, and Ben Cullum) have subpar lyrics and forgettable music. (Lewis has a small role in the movie as Carol, one of the backup singers for the Ghost of Christmas Present.) Songs like “Christmas Karma,” “Manz a Scrooge,” “A Gift Is Still a Gift,” “Money Talks,” “Pain of the Past,” “Rise Up,” “The Big Bah Quass Song” and “Favourite of the Year” do little to further the story and just highlight how low-quality the songs are. The film editing for “Christmas Karma” is so sloppy, there are several parts of the movie where the songs being performed don’t match up with the performers’ lip movements.

The backstory about Sood being a refugee from Uganda is meant to have tearjerking impact, but that impact is diluted by the time the movie gets to the very truncated section where the Ghost of Christmas Future shows Sood what will happen if Sood doesn’t change his mean-spirited and selfish ways. In fact, the backstory takes up so much of the movie, the sections with the Ghost of Christmas Present and Ghost of Christmas Future have increasingly diminished screen time in comparison. The movie’s song-and-dance numbers are more Hollywood than Bollywood, with only two songs (“The Big Bah Quass Song” and “Favourite of the Year”) getting anything like a Bollywood-styled production. Indian British bhangra singers Jassi Sidhu and Malkit Singh make cameo appearances as themselves.

Even if the movie’s acting falls short of being great, “Christmas Karma” should have had at least been able to deliver appealing and catchy original songs, but the movie utterly fails on this basic musical level. “Bend It Like Beckham” director Chadha is capable of making a good music-oriented film, as evidenced by the 2019 drama “Blinded by the Light,” an underrated gem that Chadha directed and co-wrote about a Pakistani British teenager who is passionate about Bruce Springsteen’s music. Unfortunately, “Christmas Karma” is an embarrassing misstep in her filmography that is more likely to irritate viewers than put them in a joyful holiday mood.

Ketchup Entertainment released “Christmas Karma” in select U.S. cinemas on November 14, 2025.

Review: ‘Paddington in Peru,’ starring Hugh Bonneville, Emily Mortimer, Julie Walters, Olivia Colman, Antonio Banderas and the voice of Ben Whishaw

February 8, 2025

by Carla Hay

“Paddington in Peru”

Directed by Dougal Wilson

Culture Representation: Taking place in Peru and in London, the live-action animated film sequel “Paddington in Peru” (based on characters from the “Paddington” book series) features a cast of characters who are white and Latin humans and talking bears.

Culture Clash: Paddington, a talking bear from Peru who was adopted by a London family, returns to his native Peru to find his Aunt Lucy, who has gone missing.

Culture Audience: Besides appealing to fans of the Paddington franchise, “Paddington in Peru” will appeal primarily to people who are interested in family-friendly entertainment about talking animals that co-exist with humans.

Samuel Joslin, Madeleine Harris, Paddington (voiced by Ben Whishaw), Emily Mortimer, Hugh Bonneville and Julie Walters in “Paddington in Peru” (Photo courtesy of Columbia Pictures)

“Paddington in Peru” continues the entertaining charm of the “Paddington” franchise about Great Britain’s beloved talking bear and his adoptive human family. This live-action/animated film has Paddington’s most ambitious adventure so far. Not only does Paddington (voiced by Ben Whishaw) and his human family go to Peru to find his Aunt Lucy (voiced by Imelda Staunton), who has mysteriously gone missing, but Paddington and the Brown family also get involved in a treasure hunt with some danger from greedy opponents.

Directed by Dougal Wilson, “Paddington in Peru” was written by Mark Burton, Jon Foster and James Lamont. It’s the third movie in the “Paddington” film series, which began with 2014’s “Paddington” (written and directed by Paul King) and 2017’s “Paddington 2” (directed by King, who co-wrote the screenplay with Simon Farnaby). The movies are based on characters from Michael Bond’s “Paddington” children’s book series. It’s not necessary to see other “Paddington” movies to enjoy “Paddington in Peru.”

In “Paddington,” a lovable orphaned male bear named Paddington travels from his native Peru to London, where he is adopted by the Brown family, who named him after the train station where they found him. Paddington’s big challenge in the movie was to try not to get killed by a taxidermist. In “Paddington 2,” Paddington was framed for a theft that he didn’t commit and was wrongfully sent to prison, where he tries to escape and prove his innocence.

“Paddington 2” begins in London, where Paddington is still living with the Brown family: insurance executive Henry Brown (played by Hugh Bonneville), his wife Mary Brown (played by Emily Mortimer) and their two teenage children: video-game enthusiast Jonathan Brown (played by Samuel Joslin) and bookish Judy Brown (played by Madeleine Harris). The Brown family also has an energetic live-in housekeeper named Mrs. Bird (played by Julie Walters).

The last time that Paddington saw his Aunt Lucy (who is now a widow), she was in living a remote part of a Peruvian jungle at the Home for Retired Bears. The movie’s opening scene shows a dream that Paddington has of falling down a waterfall in Peru. He also envisions Aunt Lucy telling him: “I’ll hear you, however far away you are.”

Paddington reaches a milestone when he gets his United Kingdom passport. He’s soon going to need it because he gets a letter from a nun called the Reverend Mother (played by Olivia Colman), who is the manager of the retirement home where Aunt Lucy lives in Peru. The Reverend Mother says in the letter that she’s worried about Aunt Lucy. According to the Reverend Mother, Aunt Lucy has become withdrawn and is spending a lot of time alone.

Paddington has noticed that although the Brown family members still love each other, inside the house, the family members have been spending more away from each other in different rooms. Paddington worries that the family members might be drifting apart. And he doesn’t want to lose that family closeness.

Meanwhile, Henry is dealing with having a new boss: an assertive American named Madison (played by Hayley Atwell), who dismisses Henry’s large binders of research about risk assessment and tells him that he needs to take more risks. When Henry goes home, he finds out that Paddington wants to go to Peru to visit Aunt Lucy. Paddington also think this trip will bring the Brown family closer together.

At first, Henry says no, but then he thinks about what Madison said about taking more risks. And so, Henry says yes. And off Paddington and the rest of the Brown family members go to Peru. There’s an amusing scene inspired by “The Sound of Music” where The Reverend Mother (playing an acoustic guitar) sings “Paddington in Peru” in an open grassy field with singing and dancing nuns.

Paddington and the Browns are dismayed to find out that Aunt Lucy disappeared before they arrived. And there are signs that Aunt Lucy was abducted: She left her treasured bracelet behind, and her eye glasses are found broken in the same area. Aunt Lucy is very near-sighted and needs her glasses to see properly.

Paddington and the Browns soon find out that Aunt Lucy’s amulet bracelet is a clue to a treasure at Rumi Rock, a place where the Inca tribe hid gold from Spanish invaders. According to local legend, the Incas promised the gold to the spirit of the jungle. Paddington and the Browns figure out that if they go to Rumi Rock, they have a chance of possibly finding Aunt Lucy.

Along the way, Paddington and the Browns enlist the help of a boat captain named Hunter Cabot (played by Antonio Banderas), who owns and operates a travel-boat business with his earnest daughter Gina (played by Carla Tous), who is in her late teens. Hunter is reluctant to take these tourists to Rumi Rock because he says it’s difficult to find, but Hunter changes his mind when he hears that this tour group is looking for valuable treasure.

Various mishaps ensue. And it’s enough to say that some secrets are revealed. “Paddington in Peru” keeps a light tone to the story, but the movie has an obvious message about the evils of greed. “Paddington in Peru” could have used a little bit more exploration of the Incan/indigenous culture that is mentioned but not given enough screen time, considering that the treasure in the story originated with the Incas.

The characters of the Reverend Mother and Hunter are intentionally a hoot to watch. The Reverend Mother has a somewhat goofy persona that Colman obviously had fun portraying. Hunter has visions of seeing his ancestors of different professions (such as pirate, priest, airline pilot), which are characters also portrayed by Banderas.

As for the cast members who were in previous “Paddington” movies, they play their roles well and don’t do much that’s different, although there is a huge slab of adorable sentimentality that’s served up in the last third of the movie. Antiques shop owner Samuel Gruber (played by Jim Broadbent) has a small role “Paddington in Peru.” And the movie’s end credits has a brief re-appearance of a familiar character from “Paddington 2.”)

“Paddington in Peru” rolls along at just the right pace with an uncomplicated story that should keep people of various generations interested and often amused. The visuals are pleasant and the dialogue is what you expect from a movie of this type. “Paddington in Peru” won’t be considered a classic animated film but it’s a worthy sequel in the “Paddington” franchise.

Columbia Pictures will release “Paddington in Peru” in U.S. cinemas on February 14, 2025. A sneak preview was shown in U.S. cinemas on February 8, 2025. “Paddington in Peru” was released in the United Kingdom on November 8, 2024.

Review: ‘Mummies’ (2023), starring the voices of Joe Thomas, Eleanor Tomlinson, Celia Imrie, Hugh Bonneville and Sean Bean

March 1, 2023

by Carla Hay

Nefer (voiced by Eleanor Tomlinson) and Thut (voiced by Joe Thomas) in “Mummies” (Image courtesy of Warner Bros. Pictures)

“Mummies” (2023)

Directed by Juan Jesús García Galocha

Culture Representation: Taking place in London and in an underworld in Egypt, the animated film “Mummies” features a cast of characters that are Egyptian mummies and humans.

Culture Clash: A male mummy and a mummy princess are expected be engaged in an arranged marriage, but they are reluctant to get married to anyone, and their travel from their underworld in Egypt to modern-day London in search of a valuable wedding ring that was stolen from them.

Culture Audience: “Mummies” will appeal primarily to people who are interested in watching any type of fantasy animation, no matter how dull and predictable it is.

Sekhem (voiced by Santiago Winder), Croc and Thut (voiced by Joe Thomas) in “Mummies” (Image courtesy of Warner Bros. Pictures)

“Mummies” could have been a wildly imaginative adventure about the contrasts between ancient Egypt and modern London, but this boring animated film has a clunky narrative, unremarkable visuals and a stale plot. Perhaps some viewers will be satisfied with “Mummies” if they have very low standards or haven’t seen many animated films. However, this movie is so derivative and trite, it seems like a throwaway from the 1980s.

Directed by Juan Jesús García Galocha, “Mummies” has the most basic of basic plots that is really a very lukewarm, watered-down version of a Disney princess movie. Javier Barreira and Jordi Gasull wrote the frequently awkward screenplay, which was originally written as a Spanish-language film, but the movie has an English-language version too. The language difference isn’t the problem, because the dialogue in the movie would be just as witless and dull, no matter what the language.

“Mummies” begins by showing a championship charioteer named Thut (voiced by Joe Thomas) in an ancient Egyptian underworld called the World of Mummies, populated entirely by mummified creatures that are human and non-human. Thut holds the record for winning the most chariot races in the World of Mummies. Thut is in a chariot race and wins, but one of his chariot wheels falls off, and he tumbles out of his chariot. It’s a blow to his confidence, and he never enters a chariot race again.

Publicly, Thut tells people that he retired because he has no more storage space for trophies. Privately, Thut has become afraid of moving at a fast speed because of his chariot accident. As a retired charioteer, Thut occupies his time cashing in on his past glories by signing autographs. He is also the sole guardian of his energetic 8-year-old brother Sekhem (voiced by Santiago Winder), who greatly admires Thut. Sekhem has a baby crocodile as a pet named Croc, who acts like a puppy and is Sekhem’s constant companion.

Meanwhile, a greedy archaeologist named Lord Sylvester Carnaby (voiced by Hugh Bonneville), who is visiting Egypt from London, finds the tomb of an ancient Egyptian named Princess Nefer. To the dismay of Lord Carnaby, the tomb is empty. He has two bumbling sidekicks named Dennys (pronounced Dennis) and Danny (both voiced by Dan Starkey), who are fraternal twins. Viewers of “Mummies” will learn nothing about these two subordinate characters, who are essentially useless and take up space.

Princess Nefer (voiced by Eleanor Tomlinson) is actually alive and well, as an undead mummy living in the World of Mummies. In this movie, mummies do not want to interact with living human beings. The filmmakers’ world building in “Mummies” is so poorly constructed and vaguely explained, when certain mummy characters inevitably cross over into the living world, this transition just looks very tossed-off and underwhelming.

Thut and Nefer meet by chance one day on the street in the World of Mummies. Nefer and Thut trade sarcastic commentary and don’t seem to like each other very much. It’s at this point you know that they will eventually be each other’s love interest. However, Thut and Nefer tell everyone they know that they are not ready to get married to anyone. Thut says he wants to permanently remain a bachelor. Nefer, who is an only child, tells her father Pharaoh (voiced by Sean Bean): “I need at least 100 more years before I get engaged.”

Nefer loves to sing, but her old-fashioned mother (voiced by Celia Imrie) scolds Nefer for singing out loud. She tells Nefer that singing is inappropriate for royalty and should only be done by entertainers. (Karina Pasian is the singing voice of Nefer.) The only thing that Nefer’s parents want for Nefer is for her to get married, so that she can produce and heir to continue the family legacy.

In this World of Mummies, a royal family heirloom is a magical trinket in the shape of phoenix, which was given by the goddess of love. Through an ancient ritual, the phoenix comes to life and is supposed fly to the person who will become the spouse of any unmarried heir to the throne. Nefer’s family does the ritual, and the phoenix (which looks like a burning flame) flies near Thut’s home and is accidently hit with a rock by Sekhem.

When Nefer and Thut find out that the phoenix has “chosen” them to get married, they both resist the idea. Thut is told that he has to safeguard the wedding ring anyway. Through a series of events, the ring is stolen by Lord Carnaby, who brings it to London to sell and put on display in a prominent museum. Thut, Sekhem, Croc and Nefer then go to London to retrieve the ring and experience culture shock at all the modern technology.

In between the mindless dialogue and terribly staged action sequences, “Mummies” has a few musical scenes where Nefer sings, including a silly sequence where she ends up performing in a West End musical that just happens to be about Egyptian mummies. There’s nothing wrong with the singing or any of the cast members’ voice work, but the movie’s original songs and musical scenes are very bland and forgettable. You know that “Mummies” is creatively lacking in innovation when it has to over-rely on the Bangles’ 1986 hit “Walk Like An Egyptian” for its biggest musical moments.

Adding to the movie’s substandard quality, “Mummies” has a character named Ed (voiced by Shakka), who is a London-based aspiring pop music producer/composer. Ed is illustrated as someone of South Asian heritage, but the “Mummies” filmmakers made him a very corny and cringeworthy subservient stereotype. Predictably, Ed (who first saw Nefer perform in the West End musical) says that he can make Nefer a music star. And there’s some nonsense in the movie about Nessa (with Ed’s help) making a music video that becomes a viral sensation.

Everything about “Mummies” could have been pre-programmed on a computer with a data dump of outdated princess movies where the main goal is for the princess to get married and “live happily ever after.” The World of Mummies is supposed to have characters who live by ancient traditions in Egypt, so no one is expecting this movie to be about progressive feminism. But even depictions of Cleopatra in movies give her some autonomy, while Nefer has no autonomy. Even though Nefer pretends to have a mind of her own, she ultimately follows whatever the male characters tell her to do.

And you already know how this movie is going to end, which isn’t necessarily a bad thing if the journey along the way is entertaining to watch. In that regard, “Mummies” falls very short. “Mummies” has a few “cutesy” moments, but the overall movie is just so lazy for not bothering to have a truly innovative story and interesting characters. The entire movie is lacking in personality, just like a mummified corpse in a coffin.

Warner Bros. Pictures released “Mummies” in U.S. cinemas and in Spain on February 24, 2023.

Review: ‘Downton Abbey: A New Era,’ starring Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Maggie Smith, Hugh Dancy, Dominic West and Robert James-Collier

May 19, 2022

by Carla Hay

“Downton Abbey: A New Era”

Directed by Simon Curtis

Culture Representation: Taking place in 1928, in the United Kingdom and in France, the dramatic film “Downton Abbey: A New Era” features a nearly all-white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: In order to pay for extensive mansion renovations, the wealthy Downton Abbey clan of England reluctantly allows a movie to be filmed at Downton Abbey, while matriarch Violet Crawley finds herself embroiled in a battle over inherited property, health issues, and questions over who really fathered her son Robert Crawley.

Culture Audience: Aside from appealing to “Downton Abbey” fans, “Downton Abbey: A New Era” will appeal primarily to people who are fans of movies about 20th century upper-crust British people and their servants.

Hugh Dancy (second from left), Kevin Doyle (third from left), Alex Macqueen (second from right) and Michelle Dockery (far right) in “Downton Abbey: A New Era” (Photo by Ben Blackall/Focus Features)

“Downton Abbey: A New Era” is more comedic and bolder than its predecessor movie. It takes a less insular view of the world, from the central family’s perspective, thanks to encounters with the 1920s movie industry and a trip to the south of France. The wealthy British clan is impacted when a movie is made on the Downton Abbey estate (located in Yorkshire, England), while members of the Downton Abbey family go to the south of France and learn more about their ancestral history, which might be intertwined with a French aristocratic family.

“Downton Abbey: A New Era” is a sequel to 2019’s “Downton Abbey” movie (directed by Michael Engler), which was in turn a continuation of the British “Downton Abbey” TV series, which was on the air from 2010 to 2015. (In the United States, the award-winning “Downton Abbey” series began airing in 2011.) “Downton Abbey” creator/showrunner/writer Julian Fellowes, who is also the writer of the “Downton Abbey” movies, makes each part of the franchise seamless without making it confusing to viewers who are new to the franchise.

In other words: It’s not necessary to see the “Downton Abbey” TV series (which takes place from 1912 to 1926) and 2019’s “Downton Abbey” movie (which takes place in 1927) before seeing “Downton Abbey: A New Era” (which takes place in 1928), although it is very helpful to see all things “Downton Abbey” before watching this movie sequel. As a bonus, “Downton Abbey: A New Era” has an introduction by Kevin Doyle, who plays valet Joseph Molesley, better known as Mr. Molesley. In this introduction, he catches viewers up to speed by providing a summary of what happened in the 2019 “Downton Abbey” movie. A “Downton Abbey” TV series recap, although not part of “Downton Abbey: A New Era,” is available online and narrated by cast members Jim Carter and Phyllis Logan, who portray Downton Abbey servants Mr. Carson and Mrs. Hughes.

Directed by Simon Curtis, “Downton Abbey: A New Era” continues with the central family’s preoccupations with class status, royal titles, property ownership and who is (or who should be) the rightful heirs of various inheritances. The “Downton Abbey” franchise, just like much of Fellowes’ work, explores the “upstairs/downstairs” cultures, with the “upstairs” people being the wealthy employers and the “downstairs” people being the employers’ servants. What makes “Downton Abbey: A New Era” stand out from previous “Downton Abbey” storylines is that the “upstairs” and “downstairs” people of Downton Abbey, who usually only deal with British aristocrats, interact with two very different types of cultures: showbiz people and French aristocrats.

Because there are so many characters in the “Downton Abbey” franchise, here’s a handy guide of who’s who in “Downton Abbey: A New Era” and how their relationships affect each other:

The “Upstairs” People

Violet Crawley (played by Maggie Smith), also known as Violet Grantham (her maiden name) or Dowager Countess of Grantham. Violet is the widowed family matriarch. She is feisty, sarcastic and strong-willed when it comes to deciding the family’s power structure. Violet is the mother of two living children: son Robert and daughter Rosamund. Sir Marmaduke Painswick, one of Violet’s three children, is deceased and was never seen in the series.
Robert Crawley (played by Hugh Bonneville), 7th Earl of Grantham. Robert is Violet’s only living son. He is generally friendly but also very opinionated on how family matters should be handled.
Lady Rosamund Painswick (played by Samantha Bond), Violet’s other living child. Lady Rosamund usually defers to her mother and her brother, when it comes to major decisions for the family.
Cora Crawley (played by Elizabeth McGovern), the Countess of Grantham. She is Robert’s kind, patient and dutiful wife. Robert and Cora are the parents of three daughters, one of whom is deceased.
Lady Mary Josephine Talbot (played by Michelle Dockery), previously known as Mary Crawley. Fair-minded and even-tempered, she is the eldest of Robert and Cora’s three daughters. In the “Downton Abbey” movie, Violet put Mary in charge of all Downton Abbey management decisions, but Mary struggles with having confidence in deciding what is best for Downton Abbey and the family. Mary experienced tragedy with the 1921 death of her first husband Matthew Crawley (played by Dan Stevens), who was a distant cousin. Matthew died in a car accident shortly after Mary gave birth to their son George Crawley (played by twins Oliver Barker and Zac Barker), born in 1921. In 1925, Mary wed her second husband Henry Talbot (played by Matthew Goode), who is not seen in “Downton Abbey: A New Era.” Henry is dashing and charming but often inattentive to his family because he frequently travels to attend car racing matches around the world. Mary says of Henry: “He’s in love with cars, speed and adventure.” Mary and Henry have a daughter together named Caroline Talbot (played by twins Bibi Burr and Olive Burr), who was born in 1926.
Lady Edith Pelham (played by Laura Carmichael), previously known as Edith Crawley, Marchioness of Hexham. She is the middle daughter of Robert and Cora. Edith is happily married and has been mainly preoccupied with raising children, after previous issues with conceiving. She is a journalist who still wants to continue her dream of owning and managing her own magazine. In late 1922 or early 1923, Edith gave birth to her daughter Marigold (played by twins Eva Samms and Karina Samms), whose biological father was The Sketch magazine editor Michael Gregson (played by Charles Edwards), whom Edith met when she wrote for the magazine. Edith and Michael were never married because he could not divorce his mentally ill wife. Michael died in 1923, during the Beer Hall Putch in Germany.
Herbert “Bertie” Pelham (played by Harry Hadden-Paton), 7th Marquess of Hexham, an amiable real-estate agent/military man. He is Edith’s second husband and the stepfather of Marigold. Bertie and Edith, who were wed on New Year’s Eve 1925, have a biological son together named Peter, who was born in 1927 or 1928.
Tom Branson (played by Allen Leech), an Irishman who used to be the Downton Abbey chauffeur, but he became part of the family when he married Sybil Crawley (played by Jessica Brown Findlay), Robert and Cora’s youngest daughter, who died from childbirth complications in 1920. Tom and Sybil’s daughter, born in 1920, is named Sybil “Sybbie” Branson (played by Fifi Hart).
Lucy Branson (played by Tuppence Middleton), Tom’s second wife, whom he began courting in the first “Downton Abbey” movie. Lucy is a former maid and formerly secret illegitimate daughter of Maud Bagshaw, who is a wealthy distant relative of the Crawleys. Maud has made Lucy the heir to Maud’s entire fortune. “Downton Abbey: A New Era” opens with the wedding of Tom and Lucy.
Maud Bagshaw (played by Imelda Staunton) is a steely socialite who has had a longstanding feud with Violet, because Violet thinks Maud should have made Violet son’s Robert the heir to Maud’s fortune, since Maud has no sons of her own. This feud reached a temporary halt when Lucy and Tom got married, since this marriage puts the Crawleys in close proximity to Lucy’s inheritance, because Robert’s granddaughter Sybbie is now Lucy’s stepdaughter.
Isobel Merton (played by Penelope Wilton), the droll-talking mother of the late Matthew Crawley. Isobel frequently trades sardonic barbs with Violet.
Lord Merton (played by Douglas Reith), Isobel’s laid-back second husband. He is usually a bystander in the family drama.

The “Downstairs” People

Thomas Barrow (played by Robert James-Collier), the Downton Abbey butler. He is somewhat rigid and uptight but not afraid to stand up for himself if he feels that he is being disrespected. Thomas is also a semi-closeted gay man. Only a few trusted people at Downton Abbey know about his true sexuality.
Daisy Parker (played by Sophie McShera), a Downton Abbey kitchen maid. She has a fun-loving and energetic personality. Daisy suffered a tragedy when her first husband William Mason (Thomas Howes), a second footman for the Downton Abbey family, died from World War I combat wounds.
Andy Parker (played by Michael Fox), the Downton Abbey second footman. Daisy and Andy fell in love and got married circa 1928. Andy is prone to get jealous and insecure, but Daisy likes that Andy is willing to go to extremes for their love.
Mr. Carson (played by Jim Carter), the on-again/off-again Downton Abbey butler. As the most experienced butler at Downton, he often sees himself as the unofficial leader of the staff, whether they want his advice or not.
Mrs. Hughes (played by Phyllis Logan), the Downton Abbey head housekeeper, who is prim, proper, and frequently involved in keeping secrets to prevent Downton Abbey from being embroiled in scandals.
Mrs. Patmore (played by Lesley Nicol), the Downton Abbey chief cook. She has a no-nonsense attitude that keeps the other kitchen staff in check.
Mr. Bates (played by Brendan Coyle), the Downton Abbey valet. His arrogance sometimes alienates other members of the staff.
Anna Bates (played by Joanne Froggatt), wife of Mr. Bates and the maid to Lady Mary. She is generally well-liked but sometimes gets caught up in the Downton Abbey gossip.
Mr. Molesley (played by Kevin Doyle), the aforementioned Downton Abbey valet who has a tendency to bumble and be socially awkward.
Phyllis Baxter (played by Raquel Cassidy), the lady’s maid for the Countess of Grantham. Phyllis and Mr. Molesley become each other’s love interest. “Downton Abbey: The Next Era” shows how far this romance goes.

The Newcomers

Jack Barber (played by Hugh Dancy), the director and producer of “The Gambler,” a drama film, set in 1875, about a seductive gambler who’s a con man and a heartbreaker.
Guy Dexter (played by Dominic West), the male titular star of “The Gambler.” Guy is charismatic, flirtatious, and might be secretly attracted to Barrow, the Downton Abbey butler.
Myrna Dalgleish (played by Laura Haddock), the female star of “The Gambler.” Myrna comes from a working-class background and has a thick Cockney accent. She is very conceited and rude to almost everyone.
Mr. Stubbins (played by Alex Macqueen), the sound engineer for “The Gambler.”
Montmirail (played by Jonathan Zaccaï), a French marquis from a wealthy family.
Madame de Montmirail (played by Nathalie Baye), Montmirail’s mistrusting mother.

It’s a lot of characters to take in for one movie, which is why viewers who know at least some basic “Downton Abbey” background will enjoy “Downton Abbey: A New Era” the most. “Downton Abbey: A New Era” also has two main storylines:

(1) British Lion Film Corp. Ltd. asks to film “The Gambler” at Downton Abbey for one month. Some members of the family think it would be crass and tacky to allow a movie to be made at their home, but Mary ultimately decides that the family could use the money to do extensive renovations at Downton Abbey, including the roof that has been leaking for years. After all, why use the family money for this refurbishing when it can be paid for by a movie studio?

“The Gambler” was originally going to be a silent film. However, the movie studio shuts down production of “The Gambler” because talking pictures are becoming popular. Mary comes up with the idea to make “The Gambler” a talking picture by dubbing in the audio with a separate recording.

However, Myrna’s speaking voice is considered too “low-class” and unacceptable for the role, and she says her lines of dialogue in a stiff and unnatural manner. A reluctant Mary is then recruited to be the speaking voice for Myrna’s character in “The Gambler.” Myrna predictably gets jealous. Most of the comedic scenes in “Downton Abbey: A New Era” revolve around the making of “The Gambler.”

(2) Violet finds out that she inherited a villa in the south of France from Montmirail’s marquis father, whom Violet spent just a few days with when she traveled to France as a young woman. This Montmirail widow is contesting this will and is threatening to take legal action against Violet. Robert, Cora, Edith, Bertie, Tom and Lucy all travel to France to meet the Montmirail widow and her son, to settle this matter, and to see the villa. Meanwhile, speculation abounds over why Violet got the inheritance. Was it because she and the marquis were secret lovers? Meanwhile, Violet is dealing with health issues that were mentioned in the first “Downton Abbey” movie.

“Downton Abbey: A New Era” keeps much of the snappy dialogue that’s characteristic of the “Downton Abbey” franchise, while the movie’s screenplay still maintains an air of intrigue and mystery of how the story is going to go. (Needless to say, the movie’s cinematography and production design are gorgeous.) And all of the cast members play their roles with considerable aplomb.

Violet, as usual, gets the best zingers. She’s one of the Crawley family members who is appalled that showbiz people have populated Downton Abbey to film “The Gambler.” Violet is particularly unimpressed with Myrna. Violet quips about Myrna: “She has all the charm of a verruca.” Violet also finds movies to be an uncultured form of entertainment. “I’d rather eat pebbles,” she says about watching movies.

If watching a film about stuffy British people and their servants isn’t something that you don’t want to spend two hours of your time doing, then anything to do with “Downton Abbey” is not for you. But if you want to see an intriguing and multilayered story about the dynamics between a complicated family, then “Downton Abbey: A New Era” is worth your time, especially if you know about who these characters are before watching the movie.

Focus Features will release “Downton Abbey: A New Era” in U.S. cinemas on May 20, 2022. The movie was released in the United Kingdom on April 29, 2022.

Review: ‘Never Forget Tibet,’ starring the Dalai Lama, also known as Tenzin Gyatso

April 1, 2022

by Carla Hay

“Never Forget Tibet”

Directed by Jean-Paul Mertinez

Some language in Mandarin and Hindu

Culture Representation: Taking place in India and other parts of the world, the documentary film “Never Forget Tibet” features a racially group of Asian and white people representing the working-class, middle-class and wealthy, who all discuss the life and legacy of the 14th Dalai Lama, also known as Tenzin Gyatso.

Culture Clash: The 14th Dalai Lama (also known as Tenzin Gyatso), who is a spiritual leader and the former head of state of Tibet, has been refugee in India, since 1959, when he escaped to India after China’s invasion of Tibet.

Culture Audience: “Never Forget Tibet” will appeal mainly to people who are interested in the Dalai Lama, Chinese history, spiritual leaders, human rights activists and refugees.

The Dalai Lama (also known as Tenzin Gyatso) and Har Mander Singh in “Never Forget Tibet” (Photo courtesy of Fathom Events)

The documentary “Never Forget Tibet” is subtitled “The Dalai Lama’s Untold Story,” which isn’t an entirely accurate description. Much of the documentary is essentially biographical information that can be found on the Wikipedia page of the 14th Dalai Lama, who is also known as Tenzin Gyatso. It’s not exactly “an untold story,” but the documentary is a good history lesson for anyone who knows next to nothing about this extraordinary person. For people who already know a lot about the Dalai Lama, the main reason to see the documentary is for the exclusive footage of him talking about his refugee journey and reuniting with Har Mander Singh, the former politician/diplomat who helped guide the Dalai Lama when the Dalai Lama escaped as a refugee from Tibet to India in 1959.

Directed Jean-Paul Mertinez and narrated by actor Hugh Bonneville, “Never Forget Tibet” shows a brief, exclusive interview that journalist Rani Singh did with the Dalai Lama, who rarely gives one-on-one interviews. Rani Singh had an inside track to get the interview because her father happened to be Har Mander Singh, who died in 2020, at the age of 94. Rani Singh doesn’t do much questioning in the interview (she seems more than a little star-struck), but she is content to just let the Dalai Lama share his memories while she nods in agreement. Fathom Events released “Never Forget” as a one-night-only event in U.S. cinemas on March 31, 2022, the 63rd anniversary of the Dalai Lama’s 1959 escape from China-occupied Tibet.

Born as Lhamo Thondup in Tibet on July 6, 1935, his name became Tenzin Gyatso, and he became the 14th Dalai Lama in 1940. He was Tibet’s head of state from 1963 to 1991. This Dalai Lama has become world-renowned as an advocate of peace and spirituality, but China still officially considers him to be an enemy of the state. Environmental journalist Nithin Cocoa, who is one of the people interviewed in the documentary, comments on the Dalai Lama’s status as a political refugee from China: “No matter what the Chinese government tries to do, they can’t take down his moral standing.”

Cocoa goes into details about how people in China are still targeted and under surveillance if they show any interest in the Dalai Lama. He also mentions that droughts in Tibet and parts of India could be attributed in part to the Chinese government’s role in controlling the Great Wall’s cutting off of bodies of water. The Dalai Lama says in the documentary that although technology has made the world a better place, damage to the environment is the biggest threat to humanity.

Har Mander Singh shares his memories of the first time he met the Dalai Lama and what it was like to get to know him when Har Mander Singh had the responsibility of helping the Dalai Lama navigate through India as a refugee. A highlight of the documentary is when the Dalai Lama and Har Mander Singh reunite for the first time in years. It might bring tears to some viewers’ eyes.

In his interview, Dalai Lama says that when he was living in Tibet, he became “close friends” with Mao Zedong, also known as Chairman Mao, the founder of the People’s Republic of China. The Dalai Lama mentions that at one point, he wanted to join the Communist Party. When the Dalai Lama told a friend about it, the friend advised him to wait. It wasn’t long before China invaded Tibet.

Also interviewed in “Never Forget Tibet” is Ahimsa publisher/president Leslie Di Russo, who shows some rare Dalai Lamai archives in the Heinrich Harrer Limited Edition Portfolio; Bon Tibetan religious teacher Tenzin Wangyal Rinpoche; Rinchen Khandro Choegyal, founding director/special advisor of the Tibetan Nuns Project, who talks about how educations has improved for nuns over the decades; and Ngari Rinpoche (also known as Tenzin Choegyal), the Dalai Lama’s youngest brother and the partner of Rinchen Khandro Choegyal; Richard West, also known as music artist Mr. C; and Sikyong Dr. Lobsang Sangay, president of Central Tibetan Administration.

“Never Forget Tibet” isn’t a very well-edited movie. Parts of the documentary jump around in a somewhat incoherent storytelling manner, while other sections of the movie have pacing that is a bit tedious. However, it’s hard not to be riveted by the Dalai Lama’s story, regardless of any prior knowledge that a viewer might have about him before seeing this documentary.

At the Fathom Events screening, the documentary was followed by a pre-recorded videoconference Q&A that the Dalai Lama did with various young people around the world, in a session hosted by PeaceJam. He said the usual things about how compassion and spirituality are important for humanity, and he gave a lot of rambling answers. The Dalai Lama also mentioned that modern people are “wiser” than previous generations because of education and technology. “Never Forget Tibet” is not a groundbreaking chronicle of the Dalai Lama, but it’s an interesting peek inside the mind and memories of a historical figure whose impact transcends borders and political beliefs.

Fathom Events released “Never Forget Tibet” in U.S. cinemas as a one-night-only event on March 31, 2022.

Review: ‘Jingle Jangle: A Christmas Journey,’ starring Forest Whitaker, Keegan-Michael Key, Hugh Bonneville, Anika Noni Rose, Madalen Mills, Phylicia Rashad and Ricky Martin

December 31, 2020

by Carla Hay

“Jingle Jangle: A Christmas Journey”

Directed by David E. Talbert

Culture Representation: Set in an unnamed city during the 1860s to 1890s, the musical film “Jingle Jangle: A Christmas Journey” features a predominantly African American cast of characters (with some white people, Latinos and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: After being betrayed by a former apprentice, an inventor-turned-pawnbroker has his cynicism and disillusionment challenged by his precocious and optimistic 10-year-old granddaughter.

Culture Audience: “Jingle Jangle: A Christmas Journey” will appeal primarily to people interested in family-friendly musicals that celebrate hope and resilience.

Keegan-Michael Key in “Jingle Jangle: A Christmas Journey” (Photo by Gareth Gatrell/Netflix)

The movie musical “Jingle Jangle: Christmas Journey” conveys unabashed sentimentality in such an earnest, charming and entertaining way that its predictable story will be easier to take if people expect nothing more than what this movie is: an inoffensive Christmas-themed story that can appeal to various generations. “Jingle Jangle” has got a little something for everyone to enjoy, unless someone really hates musicals or mostly cheerful family entertainment. Written and directed by David E. Talbert, “Jingle Jangle” is a vibrant homage to old-school musicals while managing to have timeless, not outdated, qualities.

The acting, costume design, choreography, production design, visual effects and original music all elevate the story, which at times drags a little in its pace in the middle of the movie. There’s a flying robot named Buddy 3000 in the movie that looks like a combination of the two main robot characters in Pixar’s 2008 animated film “WALL-E.” The sci-fi aspect of “Jingle Jangle” seems recycled from much-better movies. But the rest of “Jingle Jangle” showcases more originality when it comes to the unique and believable chemistry of the cast members in this well-cast film.

The story is narrated by a grandmother (played by Phylicia Rashad), who is shown reading this tale to her two grandchildren (played by Ria Calvin and Kenyah Sandy) during the Christmas holiday season. “Jingle Jangle: A Christmas Journey” is essentially the saga of a family damaged by broken dreams and learning to heal from these emotional wounds. The clan at the center of the story is the Jangle Family, whose patriarch is a brilliant inventor named Jeronicus (played by Justin Cornwell as a young man and by Forest Whitaker as a senior citizen).

In his youth, Jeronicus had a charmed life, with a successful shop called Jangles & Things, where he and his family lived; a loving wife named Joanna (played by Sharon Rose); and a smart and friendly daughter named Jessica (played by Diaana Babnicova as a child and Anika Noni Rose as an adult), who aspired to follow in her father’s footsteps and become an inventor.

Jeronicus has an apprentice named Gustafson (played by Miles Burrow as a young man and by Keegan-Michael Key in middle-age), who idolizes Jeronicus. Gustafson wants to show Jeronicus a special invention he’s been working on, but Jeronicus keeps telling Gustfason that he’s too busy. One of Jeronicus’ inventions is a doll dressed like a matador named Don Juan Diego (voiced by Ricky Martin) that mysteriously comes to life. Don Juan Diego is flashy, flamboyant and loves to call attention to himself.

But this isn’t a harmless toy. Don Juan Diego is also a corrupt-minded doll that convinces Gustafson to steal Jeronicus’ book of invention ideas. (Don Juan Diego’s solo musical number is aptly called “Borrow Indefinitely.”) Gustafson commits this theft because he feels unappreciated as Jeronicus’ employee. And over time, Gustafson uses the ideas in the book to become the richest and most powerful inventor in the world.

After this betrayal, Jeronicus’ life takes a turn for the worse. His beloved wife Joanna dies. And Jeronicus’ fortunes begins to wane as Gustafson’s fortunes begin to rise. Jeronicus feels broken and defeated. And so, he sends his daughter Jessica away because she thinks that she’s better off not living with him. Jeronicus becomes very reclusive and vows never to invent anything again.

The story then fast-forwards to Jessica as a single mother to a bright and inquisitive 10-year-old daughter named Journey (played by Madalen Mills), who has inherited her mother’s love of science and interest in becoming an inventor. Jessica has not seen or spoke to her father for years. There are lingering hard feelings because Jessica believes that Jeronicus abandoned her.

However, Jessica doesn’t want Jeronicus to be deprived of knowing his granddaughter, so she sends Journey to visit Jeronicus as a surprise. When Journey arrives at the Jangles & Things shop, where Jeronicus still lives, she finds out that the shop no longer sells his inventions but instead is now a pawn shop. Jeronicus is a grumpy old man who at first doesn’t believe that Journey when she tells him that she’s his granddaughter.

However, he’s convinced that Journey is telling the truth after Journey tells Jeronicus many things about Jessica that only a close family member would know. Jeronicus reluctantly agrees to let Journey stay with him and makes her sign a contract where she agrees to do the cleaning and other chores. Jeronicus also forbids Journey to look at or touch any of his old inventions that are stored in an attic. But since Journey is a very curious child, you just know that she’ll break this rule.

Other supporting characters in the story include an orphan named Edison (played by Kieron L. Dyer), who befriends Journey; Mr. Delacroix (played by Hugh Bonneville), a banker whose friendship with Jeronicus helps Jeronicus get extensions on his unpaid loans; and Ms. Johnston (played by Lisa Davina Phillip), a postal service delivery person who is very attracted to Jeronicus and not shy about showing it, even though Jeronicus is often oblivious to her romantic interest in him.

Even though Gustafson is the chief villain in the movie, “Jingle Jangle” doesn’t get too dark or disturbing with his storyline. Key brings his talent as a comedian to his portrayal of Gustafson, by making this character more like a cartoonish fraudster who is his own worst enemy when it comes to his greed, rather than someone who’s a truly deranged and violent criminal. Gustfason’s big musical number “Magic Man G” is one of the highlights of the movie.

Another show-stopping number is “Make It Work,” a soaring anthem performed by Anika Noni Rose and Whitaker. Journey’s musical showpiece is “Square Root of Possible,” which perfectly demonstrates why Mills is multitalented performer to watch. “Jingle Jangle” features several original songs written by Philip Lawrence, Michael Diskint, Davy Nathan and John Stephens (better known as John Legend), who is one of the producers of the movie. The songs can best be described as a mixture of light R&B with traditional stylings of a stage musical.

The heart of the story and what that works the best in “Jingle Jangle” is the relationship between Jeronicus and is granddaughter Journey, because they both learn things from each other that help make them better people. There’s a part of “Jingle Jangle” that veers into a sci-fi adventure story, with the expected “race against time” chase scene. But “Jingle Jangle” is mostly a sweet-natured tale of how love can rekindle faith and can sustain families through the hardest times.

Netflix premiered “Jingle Jangle: A Christmas Journey” on November 13, 2020.