Review: ‘Fackham Hall,’ starring Damian Lewis, Katherine Waterston, Thomasin McKenzie, Ben Radcliffe and Tom Felton

December 20, 2025

by Carla Hay

Thomasin McKenzie, Katherine Waterston, Damian Lewis and Tom Felton in “Fackham Hall” (Photo courtesy of Bleecker Street)

“Fackham Hall”

Directed by Jim O’Hanlon

Culture Representation: Taking place in 1931, in an unnamed city in England, the comedy film “Fackham Hall” features a predominantly white cast of characters (with a few black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: An artisocratic family is in danger of losing the family’s longtime manor, named Fackham Hall, unless one of their daughters gets married, to ensure that there will be a male heir in the family.

Culture Audience: “Fackham Hall” will appeal primarily to people who are fans of the movie’s headliners and movies that mix slapstick comedy with racy jokes.

Ben Radcliffe and Thomasin McKenzie in “Fackham Hall” (Photo courtesy of Bleecker Street)

“Fackham Hall” is like “Downton Abbey” meets “The Naked Gun.” Some jokes get too repetitive, but it’s an overall entertaining blend of social satire and slightly naughty comedy with word puns and sight gags. The talented cast members commit to the absurdity.

Directed by Jim O’Hanlon, “Fackham Hall” was written by Jimmy Carr, Patrick Carr, Tim Inman, Andrew Dawson and Steve Dawson. With all these credited screenwriters, the “Fackham Hall” screenplay sometimes looks like it suffers from “too many cooks in the kitchen” syndrome. However, the jokes often land on their intended targets fairly well.

“Fackham Hall” takes place in 1931, during the Great Depression, in an unnamed city in England. The movie was actually filmed in and around Yorkshire, England. Fackham Hall is the manor of the aristocratic Davenport family, which has presided over Fackham Hall for the past 400 years.

The Davenports are beholden to an archaic tradition that will allow them to keep Fackham Hall owned by the family if the family has at least one living male heir: either a son or a son-in-law. A recurring joke in the movie is that the Davenports have a tendency to marry their first cousins in arranged marriages. (Underneath the plaque on Fackham Hall’s front gate are the words “Incestus ad Infinitum,” which is supposed to loosely translate in Latin to “Incest Forever.”)

In the beginning of “Fackham Hall,” patriarch Lord Humphrey Davenport (played by Damian Lewis) and his wife Lady Davenport (played by Katherine Waterston) are relieved that one of their two daughters is engaged to be married. The couple’s fickle younger daughter Poppy (played by Emma Laird) is engaged to her first cousin Archibald (played by Tom Felton), even though Archibald is a boorish dolt.

Lord Davenport and Lady Davenport think that their older daughter Rose (played by Thomasin McKenzie) is a disappointment. Rose (who is 23 years old) is independent-minded, unconventional (she sometimes wears men’s clothes and drives cars), and is in no rush to get married. As far as Rose’s parents are concerned, Rose is an “old maid.”

Or as Lady Davenport describes Rose: “a dried-up husk of a woman: barren, desiccated, a wizened old walnut of a spinster.” As Lady Davenport gives this withering description, the camera pans away to show that Rose is sitting right next to her in the room. “Fackham Hall” repeatedly pokes fun at “upper crust” society people who can be just as crude and uncouth as the “common people” who are considered “lower class.”

It’s explained early on in the movie that Lord Davenport and Lady Davenport had four adult sons, who all died in freak accidents. John died in the Hindenburg. Paul was struck by lightening. George died on the Titanic. Ringo died from auto-erotic asphyxiation. Beatles fans will immediately get the joke about the significance of these son’s names.

“Fackham Hall” shows glimpses into the contrast between the “upstairs” aristocrats and the “downstairs” servants. The servants are mostly underdeveloped characters in the movie. However, two of the longtime employees stand out by having the most screen time out of all of the servants: uptight chief of staff Mrs. McAllister (played by Anna Maxwell Martin) and slightly goofy butler Cyril (played by Tim McMullan).

The Davenports will soon get a new employee, who joins the butler staff unexpectedly. His name is Eric Noone (played by Ben Radcliffe), whose surname is pronounced “No One.” Eric (who is in his mid-to-late 20s) is first seen visiting the nun-operated children’s home (Norfolks Orphanage) where he grew up.

Eric has been summoned to the orphanage by Sister Jude (played by Karen Henthorn), who introduces Eric to a mysterious man whose name is later revealed to be Austin Blaine (played by Ian Bartholomew). Austin asks Eric to go to Fackham Hall to personally deliver a sealed letter to Lord Davenport. Eric thinks the Davenports are elitist snobs, so he says “Fuck ’em all,” which is used in the movie as a play on words for Fackham Hall.

While riding his bike at Fackham Hall, Eric accidentally gets hit by a car driven by Rose. Luckily, Eric isn’t hurt. Rose makes profuse apologies. And it’s attraction at first sight for Eric and Rose. Eric is distracted by the accident and meeting Rose. The letter is almost forgotten until a turning point in the story.

Eric needs a job. And it just so happens that the Davenports need an extra butler. And so, Eric is hired for this position. He has to share a small room with five other male servants. His first big task is serving during the engagement party for Poppy and Archibald.

The engagement party is one of the weaker aspects of the movie. The only purpose of this party is to introduce several “high society” characters who are somewhat meaningless in the overall plot. Archibald’s best man is Bert Chester (played by Adam Woodward), who brings his materialistic and wealthy American lover Fifi Valentine (played by Lily Knight) as his date. Fifi wants to buy Fackham Hall, but Lord Davenport admantly tells her that Fackham Hall is not for sale.

Other party guests with speaking roles are on the fringes of the main story and don’t do much but show up in scenes and make quipping jokes. These vague supporting characters include bachelorette identical twins Mary Bechdel and Constance Bechdel (both played by Erin Austen); Lord Davenport’s attorney Darvesh Khalid (played by Ramon Tikaram), who keeps telling his World War I combat stories; and JRR Tolkein (played by Jason Done), who is an unpublished author, long before he became famous for “The Lord of the Rings.”

Another member of the Davenport family who is in the movie is Great Aunt Bonaparte (played by Sue Johnston), a foul-mouthed elderly woman, doing the tired comedy stereotype of “old ladies who curse are automatically supposed to be funny.” Phyllis Davenport (played by Lizzie Hopley) is Lord Davenport’s sister and Archibald’s mother. She’s given even less to say in the movie than Great Aunt Bonaparte.

The “Fackham Hall” trailers already reveal that Lord Davenport dies at Fackham Hall. His body is found with a knife through his chest. What the trailers don’t reveal is that this death doesn’t happen until the last third of the movie. The person who shows up to lead the investigation is Inspector Robert Watt (played by Tom Goodman-Hill), who thinks he’s as brilliant as Sherlock Holmes, but Inspector Watt is really a clumsy and bungling cop who has a habit of dropping things and overlooking clues. It’s eventually revealed who’s responsible for the murder of Lord Davenport and why he was murdered.

“Fackham Hall” co-writer Jimmy Carr (who is a famous stand-up comedian) has a small role as a priest or minister who misreads text during church services and then has to correct himself. This type of joke is amusing but over-used in the movie. The movie’s fart jokes are predictable and get tiresome very quickly.

McKenzie, Lewis and Waterston show the best comedic timing of all the “Fackham Hall” principal cast members. Some parts of the movie fly by quickly, while other parts drag. “Fackham Hall” is nothing more than escapist comedy that doesn’t get too dark with its satire. It’s flawed but funny enough for people inclined to like wacky comedy that leans into slapstick scenarios and intentionally silly jokes.

Bleecker Street released “Fackham Hall” in U.S. cinemas on December 5, 2025. The movie was released in the United Kingdom on December 12, 2025.

Review: ‘Operation Fortune: Ruse de Guerre,’ starring Jason Statham, Aubrey Plaza, Josh Hartnett, Cary Elwes, Bugzy Malone and Hugh Grant

March 6, 2023

by Carla Hay

Jason Statham, Josh Hartnett and Aubrey Plaza in “Operation Fortune: Ruse de Guerre” (Photo by Dan Smith/Lionsgate)

“Operation Fortune: Ruse de Guerre”

Directed by Guy Ritchie

Culture Representation: Taking place in various countries in Europe and Asia, the action film “Operation Fortune: Ruse de Guerre” features a predominantly white cast of characters (with a few black people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A group of undercover operatives, who work for the British government, recruit a movie star to work with them on a mission, as they try to stop an illegal deal involving weapons of mass destruction, in order to save the world. 

Culture Audience: “Operation Fortune: Ruse de Guerre” will appeal primarily to people who are fans of filmmaker Guy Ritchie, star Jason Statham, and formulaic and soulless spy movies.

Lourdes Faberes and Hugh Grant in “Operation Fortune: Ruse de Guerre” (Photo by Dan Smith/Lionsgate)

When does a movie about undercover operatives become boring and useless? When you can predict everything that will happen within the first 10 minutes of watching the film. “Operation Fortune: Ruse de Guerre” is so formulaic and lacking in creativity, you could literally fall asleep in the middle of the film and not miss much, because there isn’t much of a plot. This smug and cliché-plagued action flick is proof that Guy Ritchie and Jason Statham have gotten lazy in their movie collaborations. The fights look too fake. The whole film is a failure of imagination, motivated by greed and paid trips to exotic places.

Ritchie directed “Operation Fortune: Ruse de Guerre” from a screenplay that he co-wrote with Ivan Atkinson and Marn Davies. Ritchie, Atkinson and Davies previously collaborated on the screenplays for 2020’s “The Gentlemen” and 2021’s “Wrath of Man,” which were both also directed by Ritchie. The quality of each of these collaborations has rapidly decreased with each subsequent film.

Stop if you’ve heard this plot before: A ragtag group of undercover operatives jet back and forth to various countries to try to stop a “fill in the blank” from happening, in order to save the world. In the case of “Operation Fortune: Ruse de Guerre,” the mission is to stop a billionaire arms dealer from selling a stolen cargo of weapons of mass destruction, and to prevent these weapons from being available on the open market. This over-used concept describes every other big-budget spy film with an ensemble cast of stars, whose characters fight, get involved in car chases, dodge explosions, and maybe have a little romance along the way.

“Operation Fortune: Ruse de Guerre” (“ruse de guerre” means “ruse of war” in French) is a checklist of these stereotypes, without coming close to being as charming and funny as the movies thinks it is. Half of the principal cast members look like they’ve checked out emotionally and act no better than robots, while the other half of the principal cast members try to salvage the weak and derivative screenplay by playing their roles with a “tongue in cheek” tone that just looks awkward when they’re in the same scenes as their lackluster co-stars. It’s not the worst spy movie ever, but it shouldn’t be this bad, since the filmmakers and stars of this movie are capable of doing much better.

“Operation Fortune: Ruse de Guerre” (which was filmed in Turkey and Qatar but takes place in several countries in Europe and Asia) opens with a scene of a world-weary British government operative named Nathan (played by Cary Elwes) being somewhat annoyed, as he walks through a government building to have an office meeting with his supervisor: a no-nonsense and bland bureaucrat named Knighton (played by Eddie Marsan), who has summoned Nathan to this meeting on a Sunday morning.

Nathan is irritated because of the time and day of this meeting. Nathan apparently still doesn’t understand that he doesn’t have the type of job where the only work hours are 9 a.m. to 5 p.m., from Monday to Friday. Nathan acting like he should have regular office hours is one of many ways that “Operation Fortune” makes these spy characters look like idiots. Knighton tells Nathan that 20 armed guards were killed two nights earlier, during an armed robbery that happened near Johannesburg, South Africa.

Knighton gives Nathan this order about the stolen cargo: “I want you to retrieve what went missing, and to find out who the seller is, who the buyer is, and what it is. It’s worth about $10 billion. it’s been given the name The Handle.” Translation: The screenplay is so sloppy and underdeveloped, the screenwriters didn’t bother to come up with any interesting details before this mission began. And if Knighton doesn’t know what the missing cargo is, how does he really know it’s worth $10 billion? It’s all just so illogical and stupid.

Knighton says to Nathan: “I need a creative, cunning and unconventional vision to retrieve this kind of mercurial threat. A courier on a bicycle in congested traffic. Not the official team. They’d take forever to wade through traffic, and the clock doth ticketh.”

First of all, “creative, cunning and unconventional” is not how to describe this movie. Second, who says nonsense like “The clock doth ticketh?” Third, the answer to that question: Only people in a badly written movie.

Nathan then begrudgingly assembles a team that includes these three core members for this mission:

  • Orson Fortune (played by Statham), a stern Brit, is described as having claustrophobia, agoraphobia and a penchant for having the British government pay for his lavish expenses, which he calls “rehab,” whether it’s for legitimate rehab or not.
  • Sarah Fidel (played by Aubrey Plaza), a wisecracking American, is a quick thinker and a computer technology expert.
  • JJ Davies (played by Bugzy Malone), a quiet and loyal Brit, has keen shooter skills and can handle himself well in a fist fight.

This is the type of idiotic dialogue in the movie. In the meeting between Nathan and Orson to get Orson to join the team, Nathan says, “[A] threat is imminent.” Orson asks, “How imminent?” Nathan replies, “Imminently imminent.”

Nathan is not looking forward to working with Orson, because Nathan thinks that Orson is too high-maintenance and problematic, but Knighton has ordered that Orson be on Nathan’s team. Meanwhile, Orson and Sarah have some friction with each other because they each think they are smarter than the other one. JJ is truly a token character who doesn’t say or do much except show up at the right times to help out in a fight. Nathan does some traveling with his crew, but for most of the movie, he’s giving orders while he’s in an office or away at a luxury resort.

Sarah used to work for Nathan’s fiercest operative rival Mike Hook (played by Peter Ferdinando), who also works for the British government, but Mike has a habit of poaching Nathan’s best employees. John Welch (played by Nicholas Facey) is a recently poached employee who currently works for Mike. Nathan thinks hiring Sarah for Nathan’s team is some sort of revenge that he can get on Mike.

“Operation Fortune” has several repetitive scenes showing Nathan and/or members of his team having snarling, sneering and sniping encounters with Mike and his team. After the third time this happens, you’ll feel like yelling at the screen: “We get it: Nathan’s people and Mike’s people don’t like each other!” Here are some choice words that Nathan has to say about Mike when Nathan is having a phone conversation with Knighton: “Mike only has two talents: blowing his cover and blowing himself.”

After Nathan and Orson go to Madrid to bring Sarah and JJ into their team, there’s a silly caper sequence that’s supposed to take place at Merchant Logo Adolfo Suárez Madrid–Barajas Airport, where a retired professor named Donald Bakker (played by Ian Bartholomew) with a brown crocodile briefcase has been identified as the “bag man” with an important computer data drive. Nathan’s team and Mike’s team are all spying on Donald at the airport at the same time.

Somehow, throughout the entire movie, Sarah seems to have video surveillance and wireless microphones everywhere. She works like a one-person, far-reaching command center to tell people, who are long distances away, everything she’s seeing while they all wear hidden ear pieces. Sarah also spends a lot of time directing people on where to go, as if they’re characters in a voice-activated video game.

Nathan’s team finds out that a billionaire arms dealer named Greg Simmonds (played by Hugh Grant) is involved in the deal to sell the stolen cargo. Greg (who is jaded and arrogant) and a dimwitted action movie star named Danny Francesco (played by Josh Hartnett) have a platonic bromance that heats up during the course of the movie. It’s a one-note joke that quickly gets old. Orson and Sarah come up with a plan to enlist Danny’s help to spy on Greg, by having Sarah pose as Danny’s girlfriend when Greg invites Danny to stay at Greg’s luxurious estate in Cannes, France.

Greg has several generically shallow people in his entourage, including a scowling assistant named Emilia (played by Lourdes Faberes); other employees named Trent (played by Tom Rosenthal) and Arnold (played by Oliver Maltman); and hangers-on/friends named Alexander (played by Tim Seyfi), Dmitry (played by Ayhan Eroğlu), Yiv (played by Savaş Ak), Natalya (played by Oleksandra Zharikova) and Katya (played by Mishel Lazarenko). These characters have no real purpose in the movie except to possibly add to the inevitable body count of murdered people.

“Operation Fortune: Ruse de Guerre” has no shortage of glamorous-looking locations, as these characters zip around to places such as Morocco, Quatar and Turkey. But having pretty-looking scenery just looks like an ineffective distraction to a flimsy plot. The movie’s fight scenes are underwhelming, while the jokes mostly fall flat, despite Plaza and Grant making an effort to bring some personality to this hack job pretending to be a thrilling spy caper.

“Operation Fortune: Ruse de Guerre” rehashes the same outdated spy-movie ensemble stereotypes of having a group of protagonists consisting of several macho men and one token woman. And (sexist cliché alert) she has to use her sexuality to accomplish her work goals, while the men never have to use their sexuality to accomplish their work goals. Filmmakers who resort to these tired clichés, when there are so many other options that are fresh and innovative, just expose how backwards their mindsets are when it comes to how women are presented in their movies. “Operation Fortune: Ruse de Guerre” has several scenes that show off how much money was probably spent to film the movie in exotic or pricey locations. But make no mistake: “Operation Fortune: Ruse de Guerre” is creatively bankrupt.

Lionsgate released “Operation Fortune: Ruse de Guerre” in U.S. cinemas on March 3, 2023. The movie was released in several other countries, beginning in January 2023.

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