Review: ‘Screened Out,’ starring Jon Hyatt, Jim Steyer, Adam Alter, Nicholas Kardaras, Alex Pang, Jean Twenge and Nir Eyal

May 26, 2020

by Carla Hay

Jon Hyatt with one of his sons in “Screened Out” (Photo courtesy of Dark Star Pictures)

“Screened Out”

Directed by Jon Hyatt

Culture Representation: The documentary “Screened Out” interviews an almost all-white group of people (with some Asians) representing the middle-class and upper-class discussing Internet/online addiction, particularly how this addiction affects children.

Culture Clash: Internet addictions are harder to break as people become increasingly dependent on technology to get information and make social connections.

Culture Audience: “Screened Out” will appeal mostly to people who have an interest in how technology might have a negative impact on our lives, but the documentary does not really investigate the insidious marketing practices of the Internet companies whose business models are designed to get people hooked.

A scene from ‘Screened Out” (Photo courtesy of Dark Star Pictures)

“Screened Out” is the type of documentary where the director is the narrator and on-camera interviewer to explore an important social topic. In this case, this narration/interview style works well because director Jon Hyatt (who makes his documentary feature debut with “Screened Out”) includes his and his family’s own personal experiences with Internet usage in the documentary’s investigation of Internet addiction. What doesn’t work so well is that the documentary fails to thoroughly examine the larger issues brought up in the film, such as Internet companies abusing their power to take over people’s lives and violate privacy.

Internet addiction, according to numerous experts in the film, is a result of this corporate abuse of power. But the filmmakers of this documentary seem unable or afraid to really dig deeper to expose how these Internet companies have made billions in revenue by deliberately causing Internet addiction. Instead, the documentary spends most of its time bemoaning that Internet addiction exists and how this addiction in society is getting worse. This is an obvious fact that the documentary repeats to the point of sometimes causing viewer boredom.

Hyatt starts off the film by including a personal touch in describing how much he and his wife (who have three underage sons) use the Internet. He says, “I sure do love my phone, but I think we may all share the same problem: I look at it all the time.” Hyatt’s wife, who’s a homemaker, admits on camera that she’s addicted to using her smartphone. The documentary includes some vague, unsourced statistics that adults use the Internet on average of three to seven hours a day. The numbers for teenagers can be much higher.

As a non-scientific experiment, Hyatt decided to deactivate his social-media accounts while making the documentary, to see how it would affect him. He says that his wife wouldn’t make the same commitment. Toward the end of the film, he reports that not being on social media made his life emotionally healthier, since he was able to focus more on his family and enjoy other activities he might not have had time to do if he had been on social media.

But this hiatus from social media was temporary, not permanent. What’s the point of putting something like that in the film if someone just goes right back into using social media again?

The documentary does take a deep dive in trying to understand how Internet addiction affects people who are addicted. But oddly, for a documentary about Internet addiction, it doesn’t include any examples of people who’ve truly conquered their addiction.

The documentary interviews a few unidentified patients at reSTART, a rehab center in Fall City, Washington, that focuses on Internet and computer addiction. (All of the patients interviewed are young men in their late teens or early 20s.) But there’s no follow-up with any of these addicts after they got out of the treatment center and back into the real world, where the hardest work of managing addiction begins.

There are numerous talking heads interviewed in the film, and many of them repeat the same or similar information. Dr. Dimitri Christiaki, a pediatrician at the University of Washington, compares Internet addiction to gambling addiction: “All the aspects of gambling addiction are there.”

Nir Ayal, author of “Hooked: How to Build Habit-Forming Products,” says that there is a four-step process to getting people addicted: (1) trigger; (2) action; (3) reward; and (4) investment. An example is given about how this process works for an app or a social-media platform.

The “trigger” is an alert to view something. The “action” is actually viewing or engaging in the content by uploading, downloading, sharing, or making a comment/reaction. The “reward” is when other people see a user’s action. And the “investment” is when the user buys or subscribes to whatever is being promoted, which almost always involves the user having to give personal information.

Hyatt notes in a voiceover that most apps are used to monetize our attention, and that we’re addicted to getting intermittent rewards. It’s similar to how someone can spend hours on a slot machine, because the chance of winning something is always there, and not knowing when there could be a jackpot causes someone to keep engaging in the activity, in fear of missing out. The documentary includes computer graphics illustrating how an Internet addict’s brain waves can be similar to a cocaine addict’s brain waves, due to the dopamine rush that comes from the addict getting a “fix.”

“Screened Out” includes archival footage of former Facebook president Sean Parker (speaking at an Axios summit) and former Facebook vice president of user growth Chamath Palihapitiya (speaking at Stanford University’s Graduate School of Business) coming right out and admitting that Facebook is deliberately designed to get people addicted to the Internet. These two former Facebook executives say that Facebook uses the guise of connecting people with each other, but it’s really a way for people to voluntarily give up private information that Facebook can then sell as data to Facebook’s advertisers. Parker said that Facebook is a “social content feedback loop” that’s “exploiting a vulnerability in human psychology.” Palihapitiya said with no remorse, “We are creating tools that are ripping apart the way that society works.”

Alex Pang, author of “The Distraction Addiction,” comments in the documentary: “Ultimately, people have free will. They have the ability to put down their phones. But I think these [Internet] companies are doing everything that they can to short-circuit free will, in a way, and make us forget we had it in the first place.”

Dr. Nicholas Kardaras, a psychotherapist and author of “Glow Kids” (a nonfiction book about kids being addicted to computer devices), has this to say in the documentary: “This is not an addiction by accident. It’s an addiction by design.” At the beginning of the film, he’s shown saying that the Internet companies who design these addictions are basically implementing a “brain hack” on people.

Meanwhile, Common Sense Media founder/CEO Jim Steyer declares, “The last time that [the U.S.] Congress passed an important piece of legislation around privacy and regulating technology, [Facebook co-founder/chairman/CEO] Mark Zuckerberg was in first grade. Congress has a had disgraceful performance in the United States, largely because they accept large contributions [from tech companies] in the United States.” Hyatt then says in a voiceover that the tech industry spent $50 billion to lobby Congress in 2017 (the documentary does not cite the source for this statistic) and that the tech industry has the “largest lobbyists in Washington, D.C.,” when it comes to spending power.

The documentary also mentions that South Korea has such a big problem with addictions to the Internet and video games that South Korea has more than 400 rehab centers specifically for these type of addictions. In 2011, South Korea passed the Youth Protection Revision Act, also known as the Shutdown Law or Cinderella Law, which prohibits children under the age of 16 from playing online games from midnight to 6 a.m., in an effort to curb this addiction among South Korea’s youth. Dr. Tae Kyung, the National Mental Health Center department head of addictions in Seoul, describes Internet companies as having “an unethical attitude” by “ignoring their duties” in how their products and services negatively affect consumers.

“Screened Out” also mentions that China’s government is allowing Internet companies to track people’s personal data to rate people by how they act online. The data can then determine if certain people will be allowed to stay at certain hotels, evaluate if people can be prevented from getting certain jobs, decide if kids can go to certain schools, and judge if people can “be publicly shamed as a bad citizens,” Hyatt adds in a voiceover. He then asks, “How long before these social ratings spread across the globe?”

Adam Alter, an author and New York University associate professor of marketing and psychology even says in the film that when it comes to Internet addiction, focusing on “punishing the end user” (the addict) is a “short-term solution,” when the bigger problem that needs to be addressed is how to reign in the “pushers”—in other words, the companies that are deliberately selling the Internet content, platforms and products that were designed to get people addicted.

But what do the filmmakers of “Screened Out” do with all that information? Nothing.

Instead of investigating further, the documentary circles back to talking about things that most people already know: Being hooked on the Internet takes time away from connecting with people in more personal ways. Young people who don’t know what it’s like to live in a world without Internet technology are also the generations that are growing up with cyberbullying and all the emotional damage that comes from it. The lives and personas that people present on the Internet are often exaggerated or false, compared to the true reality.

A few of the experts interviewed in the documentary have almost doomsday-level comments about how the Internet is changing society. David Sax, journalist/author of “Revenge of Analog,” says about the Internet: “It’s interrupted the regular flow of our human conversations that’s incredibly damaging to our social relationships, damaging to our empathy, damaging to the way we communicate over thousands of years of evolution.”

Hilarie Cash, co-founder/chief clinical officer for reSTART (the rehab center whose specialty is Internet and computer addiction), says about this type of addiction: “I think we are entering a health crisis and we’re asleep at the wheel.” Lisa Guernsey, director of the Learning Technologies Project at New America, has this to say about the Internet’s effect on children: “Today’s kids may not learn to interact face-to-face with people in an authentic way.” Really? That’s what people used to say about how television would affect kids.

Other experts interviewed in the movie included Michael Rich, an associate professor at pediatrics at Harvard Medical School; Genevieve Roy Holmes, a life coach at Village Counseling and Coaching in North Carolina; Lisa Pont of the Centre for Addiction and Mental Health in Toronto; registered nurse Melanie Hempe, CEO of Families Managing Media, which she founded after her oldest son became addicted to video games; and high school teacher Mark Danner.

Mary Barhydt, a teacher at of the San Francisco Waldorf School, says that many of the school’s students have parents who work at Internet companies, and the parents give the kids limited access to the Internet because they know the dangers of Internet/computer addiction. It’s pointed out in the documentary that Apple Inc. co-founder Steve Jobs also limited his kids from using the type of technology that made him a billionaire.

A segment of the film is devoted specifically to how heavy Internet usage affects teenagers. Several unidentified teenagers are interviewed, but there’s nothing revealing about their interviews. The most meaningful interview is with a 13-year-old girl identified only as April (the only teenager in the film whose name is in the movie), who says her Instagram addiction nearly ruined her life. According to April, she became so depressed and envious at seeing other people on Instagram with seemingly more glamorous lives that she tried to commit suicide by attempting to jump out of a window in her family’s multi-story home.

April’s father, who’s interviewed in the documentary but not identified by his name, says that he was able to prevent the suicide because he was home at the time and saw April on the window ledge. Even after April went through counseling, she and her father admit that she’s still on Instagram on a regular basis. Her parents temporarily took her phone away, but she convinced them to give the phone back to her. There are lots of arguments that could be made about what a parent should do in this situation, but the documentary doesn’t reveal enough about April, her family and her recovery process to pass judgment on whether or not her recovery is being handled correctly.

Jean Twenge, author of “iGen” and professor of psychology at San Diego State University, says that it’s no coincidence that suicide rates among teenagers have doubled since 2010, which parallels the rise of smartphones that make Internet access more portable than ever before. She describes iGen as the generation of people born in 1995 or later who don’t know what it’s like to live in a world without the Internet.

In the documentary, Twenge suggests that parents limit children’s leisure Internet usage to two hours a day or less. But what the documentary doesn’t really acknowledge is how unrealistic that demand can be for teenagers, especially those who have their own smartphones or tablets. Several of the teenagers and educators interviewed in the film say that it’s common for teenagers to stay up very late to be on their technology devices when their parents think that the kids are asleep. That sleep deprivation can then cause problems with the children’s health, emotional well-being and how they do in school.

Unless parents confiscate a child’s devices during certain hours of the day or night, they can’t really control how long a child can be on the Internet. It’s an issue that the documentary doesn’t adequately address, because the film comes to this unrealistic and vague “one size fits all” solution that parents can just limit Internet usage to two hours or less a day as a way to prevent addiction.

The documentary should have had some of the experts give practical, step-by-step tips on how that “two hours or less per day” goal can be realistically achieved, considering that most kids who are old enough to be fairly independent in other ways (such as having a driver’s license) will not reduce their Internet usage without major fights. And even if a child is given an outdated phone that doesn’t have Internet access, there’s still the issue of the child being addicted to anything that can be done on a phone or a computer screen.

Harvard Medical School pediatrician Rich also mentions something that’s common sense but easier said than done: Parents have to be role models when it comes to Internet usage. If a parent is addicted to the Internet or being online, it’s harder for that parent to enforce rules about limiting Internet usage for a child.

In the documentary, Hyatt interviews two of his sons, who admit that it makes them feel sad when he pays more attention to his phone than he pays attention to them. But aside from acknowledging this issue in the documentary, Hyatt is vague about how he’s changed his Internet habits. At the end of the film, he only says that he uses his smartphone “far less,” in order to spend more quality time with his family.

“Screened Out” also veers into unnecessary directions, such as when Hyatt visits the Personal Computer Museum in Brantford, Ontario, and interviews the museum founder/curator Syd Bolton, who passed away in 2018. (The film has a brief “in memoriam” dedication to him at the end.) Although it’s somewhat interesting to see some of the museum’s computers from bygone eras, the reality is that a tour and lecture of old technology and outdated computers don’t really belong in this documentary.

Likewise, “Screened Out” loses focus when it starts going into off-topic interviews with people who seem to be there to promote their yoga and meditation businesses, such as Boundless Mind co-founder/COO Ramsay Brown and Edwin Taub of the Kadampa Meditation Centre. Although yoga and mediation can be ways to treat Internet addiction, they’re not the only activities that are alternatives to using the Internet. And let’s face it: teens and pre-teens, who are at the most risk of becoming Internet addicts, just aren’t in the demographic of who usually does yoga and meditation.

“Screened Out” has also been released at one of the worst times to advocate for people to spend less time on the Internet. Because of the COVID-19 pandemic, many people have to social distance by staying at home as much possible and have no choice but to spend more time on the Internet for work or school, compared to what life was like before the pandemic. Even after the pandemic subsides, it’s already a foregone conclusion that more work and school activities will shift to being online, especially if it’s more cost-effective.

The Internet isn’t going away, so a better documentary would have explored what’s being done to regulate the increasing amount of control and privacy invasions that Internet companies are having in people’s lives. It seems as if the filmmakers didn’t want to fully investigate the “powers that be” that push Internet addiction. Stanford University behavioral lab director Nicholas Hall said something in “Screened Out” that perhaps explains why it’s easier to blame the addicts than to blame the pushers: “We’re scared, because the average person doesn’t have the same power that these companies do.”

Dark Star Pictures released “Screened Out” on digital and VOD on May 26, 2020.

2017 Tribeca Film Festival: New Online Work (N.O.W.) showcase, creators market, special screenings announced

March 24, 2017

by Carla Hay

Tribeca Film Festival - white logo

The 15th Annual Tribeca Film Festival—which takes place in New York City from April 19 to 30, 2017—has announced its N.O.W. (New Online Work) Showcase, Special Screenings, and the Creators Market participants.

The following is an excerpt from a Tribeca Film Festival press release:

The N.O.W. Showcase is a curated selection of 10 independent online creators’ latest work that is representative of the industry’s freshest voices and most original forms of storytelling. In addition to the world premieres of the new online work during Showcase Screenings on April 20, a piece of past work from each filmmaker will be showcased on TribecaFilm.com.

Rounding out the opportunities for online storytellers is the second annual Creators Market, which connects online creators with the industry, including buyers, producers and brands, and supports the creation, sale, and showcase of new online works. Showcase, and Creators Market participants follow:

N.O.W. SPECIAL SCREENINGS:
A selection of high-profile content from the industry’s leading digital networks and online talent playing as official Special Screenings of TFF.

A still from “Awake, A Dream From Standing Rock” (Photo courtesy of Unicorn Riot)

Awake, A Dream from Standing Rock, directed by Josh Fox, James Spione, Myron Dewey, written by Floris White Bull, Josh Fox, Myron Dewey. (USA) – World Premiere, Documentary. Standing Rock North Dakota became one of the most watched places on earth. The Standing Rock Sioux Tribe captured world attention through their peaceful resistance. While many may know the details, “Awake, A Dream from Standing Rock,” executive produced by Shailene Woodley, captures the story of Native-led defiance that forever changed how we fight for clean water, our environment and the future of our planet.

DATE: April 22, 2017

After the Movie: A conversation with filmmakers Josh Fox, James Spione, Myron Dewey and special guests.

A still from the Crypt TV original short “The Birch” (Photo by Anthony Melton and Ben Franklin)

Crypt TV’s Monster Madness, directed by Ben Franklin & Anthony Melton, Alexander Babaev, Jon Kovel, Nicholas Mihm, John William Ross, Gabriel Younes and more. (USA) – World Premiere, Narrative and Non-Scripted. “Crypt TV’s Monster Madness” features some of the best and biggest character shorts from the digital brand’s scaremakers. From a stunningly terrifying protector of the bullied to a child’s toy that reveals horrors around every corner of a suburban home to the real life tale of a man whose body is stretched and pierced into a piece of daring art, Crypt shorts proudly embrace the horror lifestyle.

  • “The Birch” (directed by: Ben Franklin & Anthony Melton)
  • “My First Day” (directed by: Jon Kovel)
  • “Odd Jobs: Body Modification” (directed by: Nicholas Mihm)
  • “Stereoscope” (directed by: Alexander Babaev)
  • “Sunny Family Cult” (directed by: Gabriel Younes)
  • “The Thing in the Apartment” (directed by: John William Ross)

DATE: April 25, 2017

After the screening: A conversation with filmmaker Eli Roth, Crypt TV chief content officer Kate Krantz, and Crypt TV filmmakers Gabriel Younes, Anthony Melton, and Ben Franklin. Moderated by Crypt TV CEO and co-founder Jack Davis.

Out of This World: Female Filmmakers in Genre
Join us for an evening of three diverse works from female filmmakers working online in the genre sphere. From post-apocalyptic love and telekinetic mother/daughter relations to an unseen predator in a mining town, these stories from up-and-coming online studios DUST, Stage 13 and Adaptive Studios, artfully skew everyday travails into the bizarre and visually fantastic.

A still from “YOYO” (Photo by John Wakayama Carey)
  • YOYO, directed by Nicole Delaney. (USA) – World Premiere, Narrative. Caroline can’t stand that she is a virgin…And then the world ends. In post-apocalyptic Los Angeles, after a dust storm has wiped out humanity, she meets Francis and is convinced that he’s the man to pop her cherry. “YOYO” is a heartfelt, dark comedy about finding meaning in life, even when life ceases to exist. With: Martin Starr, Sophie von Haselberg. Presented by DUST and Gunpowder & Sky.
  • Two Sentence Horror Stories: MA, directed by Vera Miao. (USA) – World Premiere, Narrative. Like many traditional Chinese families, Mona still lives at home with her stern but loving Ma. When she meets cute Erica, their instant chemistry awakens something dormant inside. But Ma is not going to let her daughter go easily. Because nothing is allowed to come between a mother and daughter. With: Wei Yi Lin, Ayesha Harris, Mardy Ma. A Stage 13 production.
  • Pineapple (Episodes 1 & 2), directed by Arkasha Stevenson. (USA) – New York Premiere, Narrative. The local coal mine in the town of Black Rock becomes a crime scene when a miner’s daughter is assaulted in its tunnels. She utters only one word, which leaves the town baffled: “pineapple.” Tensions rise as the mine’s opportunistic owner uses the investigation as an excuse to shutter the dying operation indefinitely. With: Tyler Vickers, Kel Owens, Ron Gilbert, Gloria Vonn, Lucille Sharp, Brooklyn Robinson. An Adaptive Studios production.

DATE: April 29, 2017

After the Screening: The screening will be followed by a moderated conversation with filmmakers Nicole Delaney, Vera Miao and Arkasha Stevenson.

THE NEW YORK TIMES’ Op-Docs
Join Tribeca for a presentation of The New York Times’ Op-Docs that poignantly explore relatable struggles faced by everyday citizens. From immigrant families overwhelming first night in America, to women struggling with Louisiana mandated abortion waiting periods, to a Japanese man’s attempt to both parent his young child and provide palliative care for his mother, the short films provide a window into universal experiences and acutely relevant conversations.

A still from”Hotel U.S.A.” (Photo courtesy of Tribeca Film Festival)
  • Undue Burden, directed by Gina Pollack. (USA) – New York Premiere. When you live in a state with laws that restrict access to abortion, an unwanted pregnancy is only the start of your difficulties.
  • Taller Than the Trees, directed by Megan Mylan. (USA) – Special Screening. Japanese men haven’t traditionally been caregivers. But for Masami Hayata, it’s a crucial part of raising his family.
  • Hotel U.S.A., directed by Andrea Meller & Marisa Pearl. (USA) – New York Premiere. For refugee families, the very first night in the U.S. can be an exciting and bewildering experience.

DATE: April 30, 2017

After the Screening: The screening will be followed by a moderated conversation with filmmakers Andrea Meller, Megan Mylan, Marisa Pearl and Gina Pollack.

N.O.W. SHOWCASE (and Creators Market Participants)
A curated selection of 10 independent, online creators invited to showcase their latest work on TribecaFilm.com and at two public screenings as official Tribeca selections.

A still from “The Holdouts” (Photo courtesy of Tribeca Film Festival)

SHOWCASE A
DATE: April 20, 2017, 6:30 p.m.

The Holdouts, directed by Ramon Campos Iriarte (Colombia) – World Premiere. The Western hemisphere’s oldest civil war is still going strong in the jungles of Colombia. The National Liberation Army (ELN) —a Marxist military organization— has been fighting for revolution since 1964, and with the FARC having declared a ceasefire, the ELN is today the last active guerrilla army in the Americas. In Spanish, English with subtitles.

Midnight Service, directed by Dean Colin Marcial and produced by Brett Potter (USA) – World Premiere. Midnight Service is a true-crime series about urban legends, notorious criminals, occult pop culture, and first-hand accounts of the unknown.

New Deep South, created by Lauren Cioffi and Rosie Haber (USA) – World Premiere. This series explores the vibrant and multifaceted queer culture emerging in the American South. Playing against old stereotypes of Mississippi as a state of social conservatism and stagnation, we follow the lives of queer youth to explore the tangled and complex nature of sexual identity in the “New Deep South.”

New York is Dead, produced by Jenn Harris, Matthew Wilkas, and Randy Harrison and directed by Matthew Wilkas (USA) – World Premiere. A darkly hilarious webseries about two broke NYC artists who become hitmen to make ends meet.

Woman of a Certain Age, created, written by, and starring Kate Dearing, co-directed by Amanda Cowper and Sami Kriegstein and co-produced by Dearing, Cowper and Kriegstein- (USA) World Premiere. Kate confronts the daily challenges of being an adult, she is spontaneously visited by versions of herself at different ages – each offering their “best” advice. Like “A Christmas Carol” but without the pesky morals, “Woman of a Certain Age” explores what happens when we actually listen to the voices in our head.

A still from “Heroin” )Photo courtesy of Tribeca Film Festival)

SHOWCASE B
DATE: April 20, 2017, 8:45 p.m.

HEROIN, directed by Jessica Beshir (USA) – World Premiere. For an artist, free will is just an illusion. “Heroin” explores the creative process, inspiration and alternative reality of an artist.

I LIVED: Brooklyn, directed by Jonathan Nelson and produced by Danielle Andersen (USA) – World Premiere. “I LIVED: Brooklyn” was created by director/cinematographer Jonathan Nelson and audio producer Danielle Andersen. Nelson and Andersen both live in Brooklyn and “I LIVED” was born from a desire to investigate the intricacies of place and identity in the borough’s distinct neighborhoods.

Phone Calls, co-directed by Bonnie Wright and Martin Cohn (USA) – World Premiere. “Phone Calls” is an anthology series of conversations exploring the way people speak to each other when not face to face. Free of physical proximity, a space is born in which personal truths and, often times, ugliness is unleashed by those closest to you as well as those most foreign.

Shiva, Bankrukt Productions (Jeff Seal, Shaina Feinberg, Chris Roberti, Chris Manley) (USA) – World Premiere. Improvised vignettes from an Upper West Side Shiva, exploring the absurd, mundane, sad and spiritual. There will be lox.

The Show About The Show, directed by Caveh Zahedi (USA) – World Premiere. “The Show About The Show” is Caveh Zahedi’s self-referential scripted meta-series about a Brooklyn filmmaker trying to make a TV show. Co-starring Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and a who’s who of Brooklyn’s independent filmmaking community, it tells the story of everything that can and does go wrong in trying to get a television series funded, produced, and distributed.

N.O.W. CREATORS MARKET:
A daylong, private industry market that brings together leading online creators/talent looking to pitch new projects with a curated group of industry (distributors, brands, MCNs) with particular interest in engaging up-and-coming online talent.

The following people have been selected for the program:

  • Azie Mira Dungey
  • Arkasha Stevenson
  • Christian Larrave
  • Dom Fera
  • Hazel Hayes
  • Hye Yun Park
  • Jacquelyn Ryan
  • Kyle Bown
  • Katie Micay
  • Lisa Ebersole
  • Patrick Starrr
  • Paul Gale
  • Smaranda Luna
  • Michelle Flanagan
  • Starsha Gill
  • Vera Miao
  • Zane Rubin

More information about these creators can be found on the Tribeca Film Festival website.

Passes and tickets for the 2017 Festival
Single ticket sales begin Tuesday, March 28 and cost $21.00 for evening and weekend screenings, $12.00 for weekday matinee screenings, $40.00 for Tribeca Talks panels and special screenings, $30.00 for Tribeca TV, and $40.00 for Tribeca Immersive. Tickets can be purchased online at tribecafilm.com/festival/tickets, or by telephone at (646) 502-5296 or toll free at (866) 941-FEST (3378) or at the ticket outlet located at Cinepolis Chelsea (260 W. 23rd Street).

Also available for purchase now is The Hudson Pass, an all access pass to screenings and talks taking place at BMCC, Regal, Cinepolis Chelsea, and SVA as well as full access to all events at the Festival Hub at Spring Studios, which includes VR and immersive projects, special screenings with music performances, and access to the lounges.

The 2017 Festival will offer ticket discounts on general screenings and Tribeca Talks panels for students, seniors and select downtown Manhattan residents. Discounted tickets are available at Ticket Outlet locations only.

Packages and passes are now available for purchase on the 2017 Tribeca Film Festival App on iTunes and Google Play.

Tickets for events at the Beacon Theatre and at Radio City Music Hall are available for purchase online only at Ticketmaster.

2017 South by Southwest: SXSW Event Videos

SXSWThe South by Southwest Conference & Festivals took place March 10 to March 19 in Austin, Texas. Here are videos from some of the events at SXSW 2017.

Keynote Speeches and Q&As

Pandora at SXSW

https://www.youtube.com/watch?v=Aj04bhNC2lA

 

Movie and TV Premieres and Q&As

 

2017 Nickelodeon Kids’ Choice Awards: ‘Ghostbusters,’ ‘Finding Dory,’ Kevin Hart are the top winners

February 12, 2017

Nickelodeon Kids' Choice Awards

With three prizes each, the 2016 remake of the comedy film “Ghostbusters,” the animated movie “Finding Dory” (a sequel to “Finding Nemo”), and Kevin Hart were the top winners at Nickelodeon’s 30th Annual Kids’ Choice Awards (KCAs), which took place March 11, 2017, at USC’s Galen Center in Los Angeles.  Hosted by WWE Superstar John Cena, Nickelodeon’s 2017 Kids’ Choice Awards aired on Nickelodeon.

“Ghostbusters” received the awards for Favorite Movie, Favorite Actress (for Melissa McCarthy) and Favorite Actor (for Chris Hemsworth). “Finding Dory” won the prizes for Best Animated Movie, #Squad, Best Voice from an Animated Movie (for Ellen DeGeneres’ voice work as the forgetful fish named Dory). “Finding Dory” won the prizes for Best Animated Movie, #Squad, Best Voice from an Animated Movie (for Ellen DeGeneres’ voice work as the forgetful fish named Dory).  Hart’s voice work as a cat named Snowball in animated comedy “The Secret Life of Pets” earned him the awards for Favorite Villain and Most Wanted Pet, while his pairing with Dwayne Johnson in the action comedy “Central Intelligence” garnered the BFFs (Best Friends Forever) prize. The female singing group Fifth Harmony won two awards: Favorite Song (for “Work From Home”) and Favorite Music Group. “Henry Danger” also won two awards: Favorite TV Show – Kids Show and Favorite TV Actor (for Jace Norman).

Performers at the 2017 KCAs were Little Mix, as well as MGK with former Fifth Harmony member Camila Cabello.  Little Mix also won the prize for Favorite Global Music Star. And, of course, the tradition of showering unsuspecting stars with green slime at the KCAs continued. This year, the “green slime victims” were Chris Pratt, Cena and Demi Lovato.

Kids cast their votes for the awards at Nick.com and the Nick app on iPad, iPhone, Kindle and Android devices. Users were also able to vote through Twitter and Facebook using special KCA hashtags and the hashtag of their favorite nominee.

This year’s show featured nine new categories, including Favorite Frenemies, Most Wanted Pet, Favorite Viral Music Artist, Favorite Global Music Star and #Squad.

Nickelodeon’s 2017 Kids’ Choice Awards was produced by Nickelodeon Productions. Elizabeth Kelly, Michael Dempsey, Shelly Sumpter Gillyard and Jay Schmalholz were executive producers of the show. Sponsors of Nickelodeon’s 2017 Kids’ Choice Awards included Cinnamon Toast Crunch, Crest, Hot Wheels, Nintendo, Skechers, Toyota and Walmart.

 

Here is the list of winners and nominees for Nickelodeon’s 2017 Kids’ Choice Awards:

* =new categories

*** = winner

TELEVISION:

Favorite TV Show – Kids’ Show
“Game Shakers”
“Girl Meets World”
“Henry Danger”***
“Nicky, Ricky, Dicky & Dawn”
“The Thundermans”

Favorite TV Show – Family Show
“Big Bang Theory”
“Black-ish”
“Fuller House”***
“Marvel’s Agents of S.H.I.E.L.D.”
“Supergirl”
“The Flash”

Favorite Reality Show
“America’s Funniest Home Videos”
“America’s Got Talent”***
“American Ninja Warrior”
“Paradise Run”
“Shark Tank”
“The Voice”

Favorite Cartoon
“ALVINNN!!! and the Chipmunks”
“SpongeBob SquarePants”***
“Teen Titans Go!”
“Teenage Mutant Ninja Turtles”
“The Amazing World of Gumball”
“The Loud House”

Favorite Male TV Star
Benjamin Flores Jr. (Triple G, “Game Shakers”)
Aidan Gallagher (Nicky, Nicky, Ricky, Dicky & Dawn)
Jack Griffo (Max, The Thundermans)
Jace Norman (Henry, Henry Danger)***
Casey Simpson (Ricky, “Nicky, Ricky, Dicky & Dawn”)
Tyrel Jackson Williams (Leo, “Lab Rats”)

Favorite Female TV Star
Rowan Blanchard (Riley, “Girl Meets World”)
Dove Cameron (Liv and Maddie, “Liv and Maddie”)
Lizzy Greene (Dawn, “Nicky, Ricky, Dicky & Dawn”)
Kira Kosarin (Phoebe, “The Thundermans”)
Breanna Yde (Tomika, “School of Rock”)
Zendaya (K.C., “K.C. Undercover”)***

FILM:

Favorite Movie
“Batman v Superman: Dawn of Justice”
“Captain America: Civil War”
“Ghostbusters”***
“Pete’s Dragon”
“Rogue One: A Star Wars Story”
“Teenage Mutant Ninja Turtles: Out of the Shadows”

Favorite Movie Actor
Ben Affleck (Batman, “Batman v Superman: Dawn of Justice”)
Will Arnett (Vernon, “Teenage Mutant Ninja Turtles: Out of the Shadows”)
Henry Cavill (Superman, “Batman v Superman: Dawn of Justice”)
Robert Downey Jr. (Iron Man, “Captain America: Civil War”)
Chris Evans (Captain America, “Captain America: Civil War”)
Chris Hemsworth (Kevin, “Ghostbusters”)***

Favorite Movie Actress
Amy Adams (Lois, “Batman v Superman: Dawn of Justice”)
Megan Fox (April, “Teenage Mutant Ninja Turtles: Out of the Shadows”)
Scarlett Johansson (Black Widow, “Captain America: Civil War”)
Felicity Jones (Jyn, “Rogue One: A Star Wars Story”)
Melissa McCarthy (Abby, “Ghostbusters”)***
Kristen Wiig (Erin, “Ghostbusters”)

Favorite Animated Movie
“Finding Dory”***
“Moana”
“Sing”
“The Secret Life of Pets”
“Trolls”
“Zootopia”

Favorite Voice From an Animated Movie
Ellen DeGeneres (Dory, “Finding Dory”)***
Kevin Hart (Snowball, “The Secret Life of Pets”)
Dwayne Johnson (Maui, “Moana”)
Anna Kendrick (Poppy, “Trolls”)
Justin Timberlake (Branch, “Trolls”)
Reese Witherspoon (Rosita, “Sing”)

Favorite Villain
Helena Bonham Carter (The Red Queen, “Alice Through the Looking Glass”)
Idris Elba (Krall, “Star Trek Beyond”)
Will Ferrell (Mugatu, “Zoolander 2”)
Kevin Hart (Snowball, “The Secret Life of Pets”)***
Charlize Theron (Ravenna, “The Huntsman: Winter’s War”)
Spencer Wilding (Darth Vader, Rogue One: A Star Wars Story)

Favorite Butt-Kicker
Ben Affleck (Batman, “Batman v Superman: Dawn of Justice”)
Henry Cavill (Superman, “Batman v Superman: Dawn of Justice”)
Chris Evans (Captain America, “Captain America: Civil War”)***
Chris Hemsworth (The Huntsman, “The Huntsman: Winter’s War”)
Scarlett Johansson (Black Widow, “Captain America: Civil War”)
Felicity Jones (Jyn, “Rogue One: A Star Wars Story”)
Jennifer Lawrence (Mystique, “X-Men: Apocalypse”)
Zoe Saldana (Lieutenant Uhura, “Star Trek Beyond”)

BFF’s (Best Friends Forever)*
Ruby Barnhill & Mark Rylance (Sophie/BFG, “The BFG”)
Kevin Hart & Dwayne Johnson (Bob/Calvin, “Central Intelligence”)***
Kevin Hart & Ice Cube (Ben/James, “Ride Along 2”)
Chris Pine & Zachary Quinto (Captain Kirk/Spock, “Star Trek Beyond”)
Neel Sethi & Bill Murray (Mowgli/ Baloo, “Jungle Book”)
Ben Stiller & Owen Wilson (Derek/Hansel, “Zoolander 2”)

Favorite Frenemies*
Anna Kendrick & Justin Timberlake (Poppy/Branch, “Trolls”)
Ben Affleck & Henry Cavill (Batman/Superman, “Batman v Superman: Dawn of Justice”)
Chris Evans & Robert Downey Jr. (“Captain America/Iron Man, Captain America: Civil War”)
Ginnifer Goodwin & Jason Bateman (Judy/Nick, “Zootopia”)***
Dwayne Johnson & Auli’I Cravalho (Moana/Maui, “Moana”)
Charlize Theron & Emily Blunt (Ravenna/Freya, “The Huntsman: Winter’s War”)

Most Wanted Pet*
Baloo from “The Jungle Book” (Bill Murray)
Dory from “Finding Dory” (Ellen DeGeneres)
Po from “Kung Fu Panda 3” (Jack Black)
Red from “The Angry Birds Movie” (Jason Sudeikis)
Rosita from “Sing” (Reese Witherspoon)
Snowball from “The Secret Life of Pets” (Kevin Hart)***

#Squad*
“Captain America: Civil War”Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman

“Finding Dory”Ellen DeGeneres, Albert Brooks, Kaitlin Olson, Hayden Rolence, Willem Dafoe, Ed O’Neill, Ty Burrell, Eugene Levy***

“Ghostbusters” Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

“Rogue One: A Star Wars Story” – Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn, Alan Tudyk, Donnie Yen, Riz Ahmed, Mads Mikkelsen

“Teenage Mutant Ninja Turtles: Out of the Shadows”Noel Fisher, Jeremy Howard, Pete Ploszek, Alan Ritchson

“X-Men: Apocalypse”James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Evan Peters, Tye Sheridan, Ben Hardy, Kodi Smit-McPhee, Sophie Turner, Alexandra Shipp, Olivia Munn

MUSIC:

Favorite Music Group
The Chainsmokers
Fifth Harmony***
Maroon 5
OneRepublic
Pentatonix
Twenty One Pilots

Favorite Male Singer
Drake
Justin Bieber
Bruno Mars
Shawn Mendes***
Justin Timberlake
The Weeknd

Favorite Female Singer
Adele
Beyoncé
Ariana Grande
Selena Gomez***
Rihanna
Meghan Trainor

Favorite Song
“24K Magic”Bruno Mars
“Can’t Stop the Feeling!”Justin Timberlake
“Heathens”Twenty One Pilots
“Send My Love (To Your New Lover)”Adele
“Side to Side”Ariana Grande ft. Nicki Minaj
“Work from Home”Fifth Harmony ft. Ty Dolla $ign***

Favorite New Artist
Kelsea Ballerini
The Chainsmokers
Daya
Lukas Graham
Solange
Rae Sremmurd
Hailee Steinfeld
Twenty One Pilots***

Favorite Music Video*
“24K Magic”Bruno Mars
“Can’t Stop The Feeling!”Justin Timberlake
“Formation”Beyoncé
“Juju on That Beat”Zay Hilfigerrr and Zayion McCall***
“Me Too”Meghan Trainor
“Stressed Out”Twenty One Pilots

Favorite DJ/EDM Artist*
Martin Garrix
Calvin Harris***
Major Lazer
Skrillex
DJ Snake
Zedd

Favorite Soundtrack*
“Hamilton”
“Me Before You”
“Moana”
“Sing”
“Suicide Squad”***
“Trolls”

Favorite Viral Music Artist*
Tiffany Alvord
Matty B
Carson Lueders
Johnny Orlando
Jacob Sartorius
JoJo Siwa***

Favorite Global Music Star*
5 Seconds of Summer (Australia/New Zealand)
BIGBANG (Asia)
Bruno Mars (North America)
Little Mix (UK)***
Shakira (South America)
Zara Larsson (Europe)

OTHER CATEGORIES:

Favorite Video Game
“Just Dance 2017″***
“Lego Marvel’s Avengers”
“Lego Star Wars: The Force Awakens”
“Minecraft: Story Mode”
“Paper Mario: Color Splash”
“Pokémon Moon”

2017 Nickelodeon Kids’ Choice Awards: ‘Captain America: Civil War’ gets the most nominations

February 2, 2017

Nickelodeon Kids' Choice Awards

With eight nods, the superhero movie “Captain America: Civil War” leads the list of nominees for Nickelodeon’s 30th Annual Kids’ Choice Awards (KCAs), which will take place March 11, 2017, at USC’s Galen Center in Los Angeles. “Batman v Superman: Dawn of Justice” followed closely behind with seven nominations. Kevin Hart received six nominations, while “Ghostbusters” and “Rogue One: A Star Wars Story” garnered five nods each. Hosted by WWE Superstar John Cena, Nickelodeon’s 2017 Kids’ Choice Awards airs on at 8 p.m. (ET/PT) on Nickelodeon. Cena has previously hosted Australia’s Kids’ Choice Awards in 2008, as well as undergoing a sliming at the first U.K. Kids’ Choice Awards in 2007.

Kids cast their votes for the awards at Nick.com and the Nick app on iPad, iPhone, Kindle and Android devices. Voting for this year’s show opened on February 2. Users will also be able to vote through Twitter and Facebook using special KCA hashtags and the hashtag of their favorite nominee.

This year’s show features nine new categories, including Favorite Frenemies, Most Wanted Pet, Favorite Viral Music Artist, Favorite Global Music Star and  #Squad.

Nickelodeon’s 2017 Kids’ Choice Awards is produced by Nickelodeon Productions.  Elizabeth Kelly, Michael Dempsey, Shelly Sumpter Gillyard and Jay Schmalholz are executive producers. Sponsors of Nickelodeon’s 2017 Kids’ Choice Awards include Cinnamon Toast Crunch, Crest, Hot Wheels, Nintendo, Skechers, Toyota and Walmart.

Here is the list of nominees and categories for Nickelodeon’s 2017 Kids’ Choice Awards:

* =new categories:

TELEVISION:

Favorite TV Show – Kids’ Show
“Game Shakers”
“Girl Meets World”
“Henry Danger”
“Nicky, Ricky, Dicky & Dawn”
“The Thundermans”

Favorite TV Show – Family Show
“Big Bang Theory”
“Black-ish”
“Fuller House”
“Marvel’s Agents of S.H.I.E.L.D.”
“Supergirl”
“The Flash”

Favorite Reality Show
“America’s Funniest Home Videos”
“America’s Got Talent”
“American Ninja Warrior”
“Paradise Run”
“Shark Tank”
“The Voice”

Favorite Cartoon
“ALVINNN!!! and the Chipmunks”
“SpongeBob SquarePants”
“Teen Titans Go!”
“Teenage Mutant Ninja Turtles”
“The Amazing World of Gumball”
“The Loud House”

Favorite Male TV Star
Benjamin Flores Jr. (Triple G, “Game Shakers”)
Aidan Gallagher (Nicky, Nicky, Ricky, Dicky & Dawn)
Jack Griffo (Max, The Thundermans)
Jace Norman (Henry, Henry Danger)
Casey Simpson (Ricky, “Nicky, Ricky, Dicky & Dawn”)
Tyrel Jackson Williams (Leo, “Lab Rats”)

Favorite Female TV Star
Rowan Blanchard (Riley, “Girl Meets World”)
Dove Cameron (Liv and Maddie, “Liv and Maddie”)
Lizzy Greene (Dawn, “Nicky, Ricky, Dicky & Dawn”)
Kira Kosarin (Phoebe, “The Thundermans”)
Breanna Yde (Tomika, “School of Rock”)
Zendaya (K.C., “K.C. Undercover”)

FILM:

Favorite Movie
“Batman v Superman: Dawn of Justice”
“Captain America: Civil War”
“Ghostbusters”
“Pete’s Dragon”
“Rogue One: A Star Wars Story”
“Teenage Mutant Ninja Turtles: Out of the Shadows”

Favorite Movie Actor
Ben Affleck (Batman, “Batman v Superman: Dawn of Justice”)
Will Arnett (Vernon, “Teenage Mutant Ninja Turtles: Out of the Shadows”)
Henry Cavill (Superman, “Batman v Superman: Dawn of Justice”)
Robert Downey Jr. (Iron Man, “Captain America: Civil War”)
Chris Evans (Captain America, “Captain America: Civil War”)
Chris Hemsworth (Kevin, “Ghostbusters”)

Favorite Movie Actress
Amy Adams (Lois, “Batman v Superman: Dawn of Justice”)
Megan Fox (April, “Teenage Mutant Ninja Turtles: Out of the Shadows”)
Scarlett Johansson (Black Widow, “Captain America: Civil War”)
Felicity Jones (Jyn, “Rogue One: A Star Wars Story”)
Melissa McCarthy (Abby, “Ghostbusters”)
Kristen Wiig (Erin, “Ghostbusters”)

Favorite Animated Movie
“Finding Dory”
“Moana”
“Sing”
“The Secret Life of Pets”
“Trolls”
“Zootopia”

Favorite Voice From an Animated Movie
Ellen DeGeneres (Dory, “Finding Dory”)
Kevin Hart (Snowball, “The Secret Life of Pets”)
Dwayne Johnson (Maui, “Moana”)
Anna Kendrick (Poppy, “Trolls”)
Justin Timberlake (Branch, “Trolls”)
Reese Witherspoon (Rosita, “Sing”)

Favorite Villain
Helena Bonham Carter (The Red Queen, “Alice Through the Looking Glass”)
Idris Elba (Krall, “Star Trek Beyond”)
Will Ferrell (Mugatu, “Zoolander 2”)
Kevin Hart (Snowball, “The Secret Life of Pets”)
Charlize Theron (Ravenna, “The Huntsman: Winter’s War”)
Spencer Wilding (Darth Vader, Rogue One: A Star Wars Story)

Favorite Butt-Kicker
Ben Affleck (Batman, “Batman v Superman: Dawn of Justice”)
Henry Cavill (Superman, “Batman v Superman: Dawn of Justice”)
Chris Evans (Captain America, “Captain America: Civil War”)
Chris Hemsworth (The Huntsman, “The Huntsman: Winter’s War”)
Scarlett Johansson (Black Widow, “Captain America: Civil War”)
Felicity Jones (Jyn, “Rogue One: A Star Wars Story”)
Jennifer Lawrence (Mystique, “X-Men: Apocalypse”)
Zoe Saldana (Lieutenant Uhura, “Star Trek Beyond”)

BFF’s (Best Friends Forever)*
Ruby Barnhill & Mark Rylance (Sophie/BFG, “The BFG”)
Kevin Hart & Dwayne Johnson (Bob/Calvin, “Central Intelligence”)
Kevin Hart & Ice Cube (Ben/James, “Ride Along 2”)
Chris Pine & Zachary Quinto (Captain Kirk/Spock, “Star Trek Beyond”)
Neel Sethi & Bill Murray (Mowgli/ Baloo, “Jungle Book”)
Ben Stiller & Owen Wilson (Derek/Hansel, “Zoolander 2”)

Favorite Frenemies*
Anna Kendrick & Justin Timberlake (Poppy/Branch, “Trolls”)
Ben Affleck & Henry Cavill (Batman/Superman, “Batman v Superman: Dawn of Justice”)
Chris Evans & Robert Downey Jr. (“Captain America/Iron Man, Captain America: Civil War”)
Ginnifer Goodwin & Jason Bateman (Judy/Nick, “Zootopia”)
Dwayne Johnson & Auli’I Cravalho (Moana/Maui, “Moana”)
Charlize Theron & Emily Blunt (Ravenna/Freya, “The Huntsman: Winter’s War”)

Most Wanted Pet*
Baloo from “The Jungle Book” (Bill Murray)
Dory from “Finding Dory” (Ellen DeGeneres)
Po from “Kung Fu Panda 3” (Jack Black)
Red from “The Angry Birds Movie” (Jason Sudeikis)
Rosita from “Sing” (Reese Witherspoon)
Snowball from “The Secret Life of Pets” (Kevin Hart)

#Squad*
“Captain America: Civil War”Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman

“Finding Dory”Ellen DeGeneres, Albert Brooks, Kaitlin Olson, Hayden Rolence, Willem Dafoe, Ed O’Neill, Ty Burrell, Eugene Levy

“Ghostbusters” Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

“Rogue One: A Star Wars Story” – Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn, Alan Tudyk, Donnie Yen, Riz Ahmed, Mads Mikkelsen

“Teenage Mutant Ninja Turtles: Out of the Shadows”Noel Fisher, Jeremy Howard, Pete Ploszek, Alan Ritchson

“X-Men: Apocalypse”James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Evan Peters, Tye Sheridan, Ben Hardy, Kodi Smit-McPhee, Sophie Turner, Alexandra Shipp, Olivia Munn

MUSIC:

Favorite Music Group
The Chainsmokers
Fifth Harmony
Maroon 5
OneRepublic
Pentatonix
Twenty One Pilots

Favorite Male Singer
Drake
Justin Bieber
Bruno Mars
Shawn Mendes
Justin Timberlake
The Weeknd

Favorite Female Singer
Adele
Beyoncé
Ariana Grande
Selena Gomez
Rihanna
Meghan Trainor

Favorite Song
“24K Magic”Bruno Mars
“Can’t Stop the Feeling!”Justin Timberlake
“Heathens”Twenty One Pilots
“Send My Love (To Your New Lover)”Adele
“Side to Side”Ariana Grande ft. Nicki Minaj
“Work from Home”Fifth Harmony ft. Ty Dolla $ign

Favorite New Artist
Kelsea Ballerini
The Chainsmokers
Daya
Lukas Graham
Solange
Rae Sremmurd
Hailee Steinfeld
Twenty One Pilots

Favorite Music Video*
“24K Magic”Bruno Mars
Can’t Stop The Feeling! – Justin Timberlake
“Formation”Beyoncé
“Juju on That Beat”Zay Hilfigerrr and Zayion McCall
“Me Too”Meghan Trainor
“Stressed Out”Twenty One Pilots

Favorite DJ/EDM Artist*
Martin Garrix
Calvin Harris
Major Lazer
Skrillex
DJ Snake
Zedd

Favorite Soundtrack*
“Hamilton”
“Me Before You”
“Moana”
“Sing”
“Suicide Squad”
“Trolls”

Favorite Viral Music Artist*
Tiffany Alvord
Matty B
Carson Lueders
Johnny Orlando
Jacob Sartorius
JoJo Siwa

Favorite Global Music Star*
5 Seconds of Summer (Australia/New Zealand)
BIGBANG (Asia)
Bruno Mars (North America)
Little Mix (UK)
Shakira (South America)
Zara Larsson (Europe)

OTHER CATEGORIES:

Favorite Video Game
“Just Dance 2017”
“Lego Marvel’s Avengers”
“Lego Star Wars: The Force Awakens”
“Minecraft: Story Mode”
“Paper Mario: Color Splash”
“Pokémon Moon”

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