Review: ‘Is This Thing On?,’ starring Will Arnett, Laura Dern, Andra Day and Bradley Cooper

October 10, 2025

by Carla Hay

Will Arnett and Laura Dern in “Is This Thing On?” (Photo by Jason McDonald/Searchlight Pictures)

“Is This Thing On?”

Directed by Bradley Cooper

Culture Representation: Taking place in New York City, the comedy/drama film “Is This Thing On?” features a predominantly white cast of characters (with some African Americans, Latin people and Asians) representing the working-class and middle-class.

Culture Clash: A father, who’s separated from his wife, finds an emotional outlet in stand-up comedy, while he and his estranged wife decide if they get back together or get divorced.

Culture Audience: “Is This Thing On?” will appeal primarily to people who are fans of the movie’s headliners, filmmaker Bradley Cooper, and bittersweet movies about marriage and personal transformations.

Bradley Cooper and Will Arnett in “Is This Thing On?” (Photo by Jason McDonald/Searchlight Pictures)

The comedy/drama “Is This Thing On?” is less about becoming a stand-up comedian and more about whether or not a separated married couple will get back together. The movie’s talented performances mostly overcome the story’s shaggy and uneven tone. At times, “Is This Thing On?” looks like it can’t decide whether it wants to be an acerbic adult drama or a sentimental family comedy. It doesn’t completely succeed at either, but it has enough moments where its shines to keep most viewers interested or curious to see what will happen next.

Directed by Bradley Cooper, “Is This Thing On?” was co-written by Cooper, Will Arnett and Mark Chappell. Cooper and Arnett are two of the producers of the film. “Is This Thing On?” is the third movie that Cooper has directed, following the 2018 remake of “A Star Is Born” and the 2023 Leonard Bernstein biopic “Maestro.” “Is This Thing On?” (which had its world premiere at the 2025 New York Film Festival) doesn’t have a celebrity as the protagonist. Instead, the central character is a “regular guy” named Alex Novak (played by Arnett), who lives in New York City and is having a mid-life crisis that leads to a personal crossroads. (“Is This Thing On?” was filmed on location in New York City.)

In the beginning of the movie, Alex is shown looking bored and unhappy at an event where Chinese dragon dancers are performing at the school where his two sons (about 10 and 11 yeas old) are students. Older son Blake (played by Blake Kane) is intellectual and somewhat neurotic. Younger son Calvin (played by Calvin Knegten) is fun-loving and more adventurous than Blake. There’s a reason for Alex’s discontent: He and his wife Tess (played by Laura Dern) have separated after being married for 20 years and knowing each other for 26 years.

Alex’s job isn’t specifically stated in the movie (he makes a brief and vague mention that he works “in finance”), and he’s not seen at the office where he works. Tess is a homemaker who used to be an Olympic volleyball player in her 20s. She’s been a homemaker for an unnamed period of time—definitely since her children were born. After separating from Alex, Tess starts seeking out job opportunities to become a volleyball coach to Olympic hopefuls. Peyton Manning has a fairly small supporting role as Laird, a colleague from Tess’ past, who meets with her about a possible job as a volleyball coach.

Alex and Tess didn’t break up because of infidelity, addiction, abuse or financial problems. Their marriage crumbled because Alex and Tess are bored and frustrated with each other and their lives. The movie doesn’t have flashbacks to give any insight into what led up to their decision to separate. However, they are the type of estranged spouses who don’t get into vicious screaming arguments. They try to keep their verbal disagreements as civil as possible.

One night, Alex goes to a comedy club, but he doesn’t have the cash for the $15 admission fee. (It’s a weird contrivance for the movie. Doesn’t Alex have any debit cards or credit cards to pay the admission fee?) When he finds out that it’s open mic night at the club, and anyone who signs up to perform that night will get in the club for free, Alex impulsively decides to perform so he doesn’t have to pay the cover charge.

Alex’s first stand-up set is improvised and somewhat awkward. But he loves the freedom that stand-up comedy gives him to joke about his personal problems and other things in his life. Alex is hooked. He gets to know some of the people who consistently perform at the local comedy clubs. And he begins to consider doing stand-up comedy as a professional career.

Many scenes in “Is This Thing On?” were filmed on location at the Comedy Cellar in New York City with real paying audiences, not people who hired to act as audience members. Comedy Cellar manager Liz Furiati portrays herself in the movie. Amy Sedaris has a small role as the Comedy Cellar’s open mic emcee named Kemp.

Alex discovering stand-up comedy and becoming part of a stand-up comedy community could have been a very intriguing central concept for the movie. However, the majority of “Is This Thing On?” is about Alex and Tess going back and forth about whether or not they want to divorce or save their marriage. The stand-up comedy aspirations take a back seat to this spousal quandary.

The acting performances are credible, but the movie’s story is at times unfocused. Alex’s entrée into the New York comedy scene seems like a detour to the main story about his marital dilemma, when the stand-up comedy storyline and the marital storyline could have existed as parallel routes in a better screenplay. The teaser trailer for “Is This Thing On?” is somewhat misleading because it makes it look like the stand-up comedy storyline is the main story of the film. This “bait and switch” might or might not disappoint some viewers.

Supporting characters in the movie are a bit underdeveloped. Alex’s parents Marilyn (played by Christine Ebersole) and Jan (played by Ciarán Hinds) adore Alex and his family, but that’s all the movie shows about these two grandparents. Marilyn really likes Tess and gets along well with her, so Marilyn is naturally upset that Tess and Alex have split up. Marilyn tells Alex that she still wants to be a friend to Tess.

Alex and Tess, even after they’re separated, still hang out together with two longtime friends: an unhappily married stoner couple named Balls (played by Cooper) and Christine (played by Andra Day), who are the most annoying characters in the movie. Balls (a struggling actor who tends to get small roles in TV and in theater) and Christine (who appears to be a homemaker) are competitive with Alex and Tess. Christine and Balls have a 17-year-old son, who is heading to college but is never seen in the movie. And that’s all you’ll find out about this insecure “frenemy” couple.

Alex, Tess, Balls and Christine hang out with a friendly gay married couple named Stephen (played by Sean Hayes) and Geoffrey (played by Scott Icenogle), who have almost nothing told about them in the movie except they are a third couple in the “triple date” hangouts shown between these six people. “Is This Thing On?” makes Stephen and Geoffrey so vague and inconsequential to the story, Stephen and Geoffrey didn’t need to be in the movie at all. It seems like Stephen and Geoffrey are only in the movie as “tokens” who are not presented as anything but “gay friends to the story’s heterosexual protagonists.”

Perhaps the biggest disappointment in “Is This Thing On?” is the movie’s superficial depiction of the New York comedy scene. Although the movie has real-life comedians (such as Jordan Jensen, Chloe Radcliffe and Reggie Conquest) portraying themselves, they have cameos, not significant roles, in Alex’s life. Fun fact: “Is This Thing On?” cinematographer Matthew “Matty” Libatique also portrays a stand-up comedian in the movie.

“Is This Thing On?” glosses over or outright ignores how cutthroat and competitive stand-up comedy can be in real life. All the comedians who interact with Alex are immediately helpful and nice to him. If these new acquaintances have any dark sides to their personalities or personal demons (and many stand-up comedians do in real life), you don’t see any of that in this movie. Some of the comedians tell Alex that they think he’s got the potential to be a successful comedian if he works hard enough at it, but none of them seems jealous, and any criticisms they have for Alex about his comedic talent are told in a light-hearted manner. It’s all too good to be true.

There’s also a climactic scene using the Queen/David Bowie song “Under Pressure” that might remind people of the “Under Pressure” scene in the 2010 comedy/drama “It’s Kind of a Funny Story,” directed by Ryan Fleck and Anna Boden and starring Zach Galifianakis. Considering that Cooper and Galifianakis co-starred in “The Hangover” movies together, and Cooper is a well-known movie aficionado, it’s hard to imagine Cooper not being aware of this “Under Pressure” scene in “It’s Kind of a Funny Story” and possibly being inspired by it. It’s not a ripoff scene in “Is This Thing On?,” but more originality was needed for this movie’s climactic scene.

“Is This Thing On?” mostly excels in its performances. Arnett and Dern have believable chemistry as a couple trying to figure out if they should stay married or not, and as parents trying not to let their marital discord be traumatic to their children. Some of the stand-up comedy bits and other scenes are amusing. The movie’s cinematography (lots of shaky-cam closeups) might not be to everyone’s liking. However, as an overall cinematic experience, “Is This Thing On?” hits in enough of the right places to watch the movie at least once and get some enjoyment out of it.

Searchlight Pictures will release “Is This Thing On?” in U.S. cinemas on December 19, 2025.

2025 New York Film Festival: ‘After the Hunt’ is opening night film, ‘Father Mother Sister Brother’ is centerpiece film, ‘Is This Thing On?’ is closing night film

July 30, 2025

Julia Roberts and Andrew Garfield in “After the Hunt” (Photo by Yannis Drakoulidis/Amazon Content Services)

The following is a combination of press releases from Film at Lincoln Center:

Film at Lincoln Center announces the North American premiere of Luca Guadagnino’s After the Hunt as Opening Night of the 63rd New York Film Festival, presented in partnership with Rolex, at Alice Tully Hall on Friday, September 26, 2025, with Guadagnino and members of the cast in attendance. 

Get tickets for After the Hunt and more with an NYFF63 Opening Night Plus or Premier Pass. Get tickets to the film and after-party with a Bronze or Gold Pass!

Presented by Film at Lincoln Center, the 63rd New York Film Festival (NYFF63) will take place from September 26 through October 13, 2025. Secure tickets with a Pass, limited quantities on sale now. Single tickets for the general public go on sale September 18 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.

In his razor-sharp new drama, the prolific Luca Guadagnino (Call Me by Your Name, NYFF55; Queer, NYFF62) plunges with refreshing abandon into the murky seas of contemporary morality—and gives Julia Roberts one of the most complex and gratifying starring roles of her career. Roberts embodies chilly, seemingly self-assured Yale philosophy professor Alma Olsson, whose comfortable professional career and domestic life with her mercurial husband Frederik (Michael Stuhlbarg) are thrown into chaos after her PhD candidate protégée Maggie (Ayo Edebiri) accuses Alma’s longtime colleague and friend Hank (Andrew Garfield) of sexual assault. As a result, the air of rarefied academic privilege on campus begins to dissolve, and Alma must navigate minefields of gender, sexuality, race, and institutional power, all while trying to reconcile her own difficult choices with the demons of her past. From a trenchant, tightly plotted script by Nora Garrett, and with the aid of a sensational cast (also including Chloë Sevigny as Kim, a colleague of Alma’s), Guadagnino teases out a genuine provocation with no easy answers, inquiring where our true selves lie when every decision we make is thrown into the court of public opinion. An Amazon MGM Studios release.

“I have always found the New York Film Festival to be an arbiter of global cinema. For over 60 years it has been a festival that makes audiences open their minds and hearts to the most daring and compelling global cinema from both established and emerging filmmakers,” said Luca Guadagnino. “To be invited to open the 63rd edition is a tremendous responsibility and honor. I, alongside the incredible cast and crew and our companions at Amazon MGM Studios who made After the Hunt possible, am elated and thrilled to bring to New York our tale of morality and power. My most heartfelt thanks to Dennis Lim and the singular NYFF team.”

“We are excited to open this year’s festival with Luca Guadagnino’s latest, which confirms his status as one of the most versatile risk-takers working today,” said Dennis Lim, Artistic Director, New York Film Festival. “Brilliantly acted and crafted, After the Hunt is something rare in contemporary cinema: a complex, grown-up movie with a lot on its mind that also happens to be a deeply satisfying piece of entertainment.”

Luca Guadagnino is a director, screenwriter, and producer of such acclaimed and eclectic films as I Am Love (a New Directors/New Films 2010 selection); A Bigger Splash (2015); Academy Award winner Call Me by Your Name (NYFF55); Bones and All (NYFF60), winner of the Silver Lion at the Venice Film Festival; Challengers, the 2023 global hit that captured the zeitgeist; and Queer (NYFF62 Spotlight Gala). He directed the documentaries  Bertolucci on Bertolucci (2013) and Salvatore: The Shoemaker of Dreams (2022) as well as the episodic television series We Are Who We Are (2020). In working with actors, Guadagnino has put together a repertory of sorts—After the Hunt reunites him with Michael Stuhlbarg (Call Me By Your Name, Bones and All) and Chloë Sevigny (We Are Who We Are, Bones and All).

Vicky Krieps, Cate Blanchett and Charlotte Rampling in “Father Mother Sister Brother” (Photo by Yorick Le Saux/MUBI)

Film at Lincoln Center announces Jim Jarmusch’s Father Mother Sister Brother as the Centerpiece selection of the 63rd New York Film Festival, making its North American premiere at Alice Tully Hall on October 3, 2025, with Jarmusch and members of the cast in attendance.

Get tickets for Father Mother Sister Brother and more with an NYFF63 Centerpiece & Closing Night Plus or Premier Pass. Get tickets to the film and after-party with a Bronze or Gold Pass!

Presented by Film at Lincoln Center in partnership with Rolex, the 63rd New York Film Festival (NYFF63) will take place from September 26 through October 13, 2025. Secure tickets with a Pass, limited quantities on sale now. Single tickets for the general public go on sale September 18 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.

For years, Jim Jarmusch has written, directed, and produced delicate, character-driven films, including Stranger Than ParadiseOnly Lovers Left AlivePaterson, and Down by LawFather Mother Sister Brother is a perceptive study in familial dynamics, a feature film carefully constructed in the form of a triptych. The three chapters all concern the relationships between adult children reconnecting or coming to terms with aging or lost parents, which take place in the present, and each in a different country. Siblings Jeff and Emily (Adam Driver and Mayim Bialik) check up on their hermetic father (Tom Waits) in rural New Jersey; sisters Lilith and Timothea (Vicky Krieps and Cate Blanchett) reunite with their guarded novelist mother (Charlotte Rampling) in Dublin; and twins Skye and Billy (Indya Moore and Luka Sabbat) return to their Paris apartment to address a family tragedy. Father Mother Sister Brother is a kind of anti-action film, its subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being carefully placed in three delicate arrangements. As always, Jarmusch brings his worlds to life with the essential assistance of his collaborators, including two masterful cinematographers, Frederick Elmes and Yorick Le Saux, and the brilliant editor Affonso Gonçalves. A MUBI release.

“I am so very proud of the long history of my work being presented at the NYFF,” said Jim Jarmusch, “and am now super honored that my newest film Father Mother Sister Brother has been selected for this year’s Centerpiece. The NYFF, the chosen church of my religion, has provided many of my greatest inspirations and revelations in its continuing celebration of the deep and diverse beauty of cinema.”

Dennis Lim, Artistic Director, New York Film Festival, stated: “Jim Jarmusch’s new movie is not just one of his very best, it distills everything we have come to love and value about this singular filmmaker’s work into one glorious triptych. Father Mother Sister Brother is wise, generous, slyly funny, and enormously moving, and we are honored to present it as our Centerpiece selection this year.”   

Jim Jarmusch is a film director, writer, musician, producer, and artist. Jarmusch’s close relationship with NYFF began with films Stranger than Paradise (NYFF22) and Down by Law (NYFF24 Opening Night). Additional NYFF Main Slate selections include Mystery Train (NYFF27), Night on Earth (NYFF29), Only Lovers Left Alive  (NYFF51),  Paterson (NYFF54), and Gimme Danger (NYFF54 Special Event). Other significant works by Jarmusch include Dead Man (1995), Ghost Dog: The Way of the Samurai (1999), and Broken Flowers (2005), which took Grand Prize of the Jury at that year’s Cannes Film Festival. In 2023, Jarmusch designed the 61st New York Film Festival official poster, joining a list of prestigious artists. He records and performs music with his band SQÜRL as well as with the lutenist Jozef Van Wissem. His book Some Collages was published by Anthology Editions in 2021.

Will Arnett in “Is This Thing On?” (Photo by Jason McDonald/Searchlight Pictures)

Film at Lincoln Center announces Bradley Cooper’s Is This Thing On? as the Closing Night selection of the 63rd New York Film Festival, making its world premiere at Alice Tully Hall on Friday, October 10, with Cooper and members of the cast in attendance. Presented by Film at Lincoln Center in partnership with Rolex, the 63rd New York Film Festival will take place from September 26 through October 13. 

Get tickets for Is This Thing On? and more with an NYFF63 Centerpiece & Closing Night Plus or Premier Pass. Get tickets to the film and after-party with a Gold Pass!

Single tickets for the general public go on sale September 18, 2025 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.

In a pair of galvanizing, deeply honest performances, Will Arnett and Laura Dern play Alex and Tess Novak, whose marriage has reached an impasse. With amicable sorrow, the couple—parents of two young boys—mutually agree to split up. Yet in director Bradley Cooper’s keenly observed comic drama, their separation leads to unpredictable midlife self-reckonings, most dramatically in Alex’s wild career pivot to become a confessional stand-up comedian in New York City’s West Village, where he finds new direction and camaraderie. This seemingly outlandish scenario—in a script by Cooper, Arnett, and Mark Chappell inspired by the true story of British comedian John Bishop—is never played for easy laughs, while Cooper uses his penchant for naturalism to give the actors space to find their complicated centers. In his beautifully lived-in third feature following A Star Is Born and Maestro (NYFF61), Cooper confirms his dexterity for representing the complexities of human relationships, constructing a film that is both lacerating and sweet-souled, funny and tender. Is This Thing On? features a stacked, stellar supporting cast, including Andra Day, Christine Ebersole, Ciarán Hinds, Sean Hayes, Peyton Manning, and Amy Sedaris, as well as charming assistance from New York stand-up standbys such as Chloe Radcliffe, Reggie Conquest, and Jordan Jensen, supplying the film its downtown authenticity. A Searchlight Pictures release from Lea Pictures and Archery Pictures.

Bradley Cooper said of the selection: “We are honored and humbled to premiere our film at the New York Film Festival. Earlier this year we had the wonderful opportunity to shoot this story all throughout the city, so it’s very exciting to debut it on the closing evening of the festival. NYC injects an energy into every aspect of filmmaking that just can’t be replicated. I have attended many premieres at NYFF over the years and to have the support and belief in our film from Dennis Lim and his team is an enormous thing for us. Thank you! On behalf of Will, Laura, and the entire cast and crew—we can’t wait!”

“We are thrilled to close the festival with Bradley Cooper’s delightful third feature,” said Dennis Lim, Artistic Director, New York Film Festival. “Is This Thing On? is a film of many dimensions and surprises: a fond tribute to New York City’s comedy scene, a sensitive study of midlife discontent, and a modern-day comedy of remarriage, pitch-perfect in its balance of humor and feeling.” 

Bradley Cooper, born in Philadelphia, is an acclaimed actor, filmmaker, writer, and producer. Cooper co-wrote, produced, starred, and directed the NYFF61 Spotlight Gala selection Maestro, which garnered seven Oscar nominations. Cooper’s directorial debut, A Star Is Born, which he also co-wrote, directed, produced, and starred in, earned eight Oscar nominations. In 2020, Cooper began his production company, Lea Pictures, which focuses on developing and producing commercially entertaining and transformational feature films, television, documentaries, and digital content. In 2013, Cooper started the One Family Foundation to help make a difference in the lives of patients with cancer and their families. 

The NYFF Main Slate selection committee is chaired by Dennis Lim, NYFF Artistic Director, and includes Florence Almozini, Justin Chang, K. Austin Collins, and Rachel Rosen.

NYFF63 is generously supported by Festival Co-Chairs Imelda and Peter Sobiloff and Nanna and Dan Stern; Vice-Chairs Susannah Gray and John Lyons; and Supporters Hillary Koota Krevlin and Glenn Krevlin.

The New York Film Festival is an annual celebration of the most significant films from around the world. Since its inception in 1963, NYFF has played a pivotal role in shaping film culture, presenting a curated selection of bold and remarkable works by acclaimed directors alongside emerging talents.

Secure your tickets for Opening Night and more with Passes, limited quantities on sale now. NYFF63 single tickets will go on sale to the general public on Thursday, September 18, 2025, at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by August 29, 2025, to secure NYFF63 pre-sale access and discounted tickets year-round.

Sign up for forthcoming NYFF announcements, including Main Slate, Spotlight, Currents, Revivals, and Talks.

New York Film Festival Opening Night Films

2025 After the Hunt (Luca Guadagnino, US)
2024 Nickel Boys (RaMell Ross, US)
2023 May December (Todd Haynes, US)
2022 White Noise (Noah Baumbach, US)
2021 The Tragedy of Macbeth (Joel Coen, US)
2020 Lovers Rock (Steve McQueen, UK)
2019 The Irishman (Martin Scorsese, US)
2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000  Dancer in the Dark (Lars von Trier, Denmark)
1999  All About My Mother (Pedro Almodóvar, Spain)
1998  Celebrity (Woody Allen, US)
1997  The Ice Storm (Ang Lee, US)
1996  Secrets & Lies (Mike Leigh, UK)
1995  Shanghai Triad (Zhang Yimou, China)
1994  Pulp Fiction (Quentin Tarantino, US)
1993  Short Cuts (Robert Altman, US)
1992  Olivier Olivier (Agnieszka Holland, France)
1991  The Double Life of Véronique (Krzysztof Kieślowski, Poland/France)
1990   Miller’s Crossing (Joel Coen, US)
1989   Too Beautiful for You (Bertrand Blier, France)
1988   Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987   Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986   Down by Law (Jim Jarmusch, US)
1985   Ran (Akira Kurosawa, Japan)
1984   Country (Richard Pearce, US)
1983   The Big Chill (Lawrence Kasdan, US)
1982   Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981   Chariots of Fire (Hugh Hudson, UK)
1980   Melvin and Howard (Jonathan Demme, US)
1979   Luna (Bernardo Bertolucci, Italy/US)
1978   A Wedding (Robert Altman, US)
1977   One Sings, the Other Doesn’t (Agnès Varda, France)
1976   Small Change (François Truffaut, France)
1975   Conversation Piece (Luchino Visconti, Italy)
1974   Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973   Day for Night (François Truffaut, France)
1972   Chloe in the Afternoon (Eric Rohmer, France)
1971   The Debut (Gleb Panfilov, Soviet Union)
1970   The Wild Child (François Truffaut, France)
1969   Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968   Capricious Summer (Jiri Menzel, Czechoslovakia)
1967   The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966   Loves of a Blonde (Milos Forman, Czechoslovakia)
1965   Alphaville (Jean-Luc Godard, France)
1964   Hamlet (Grigori Kozintsev, Soviet Union)
1963   The Exterminating Angel (Luis Buñuel, Mexico)

ABOUT ROLEX AND CINEMA

Rolex celebrates human achievement, recognizing the journey marked by milestones and emotions that culminate in defining moments.

Forming an integral part of this philosophy is the Swiss watchmaker’s long-standing relationship with cinema through the Perpetual Arts Initiative, a broad portfolio of arts that also extends through architecture, dance, literature, music, theatre and visual arts. The company has had close ties with the film industry for decades, its watches playing a role in numerous films, including Oscar®-winning masterpieces. Since 2017, Rolex has championed cinematic achievement through its partnership with the Academy of Motion Picture Arts and Sciences, serving as Proud Sponsor of the Oscars®, hosting the event’s Greenroom, as well as supporting the Governors Awards, known for recognizing lifetime achievement and humanitarian efforts in the film industry. The company also promotes achievement through its cinema Testimonees such as James Cameron, Leonardo DiCaprio, Martin Scorsese and Jia Zhang-Ke and assists in the preservation of film history for future generations as a Founding Supporter of the Academy Museum of Motion Pictures in Los Angeles and a partner of The Film Foundation and The National Film and Television School.

For more information, please visit Rolex and Cinema.

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