Review: ‘Gap Year’ (2020), starring Darius Bazley

January 10, 2022

by Carla Hay

Darius Bazley in “Gap Year” (Photo courtesy of 1091 Pictures)

“Gap Year” (2020)

Directed by Josh Kahn and T.J. Regan

Culture Representation: Taking place in Boston, Los Angeles, Memphis, Charlotte and Cincinnati from June 2018 to June 2019, the documentary “Gap Year” features a group of African Americans and white people representing the middle-class and wealthy in this chronicle of basketball player Darius Bazley’s year after he graduated from high school and before he found out if he would be drafted into the National Basketball League (NBA).

Culture Clash: Bazley gets praise and skepticism for his decision to accept a $1 million internship from New Balance during this “gap year.”

Culture Audience: “Gap Year” will appeal mainly to people who are interested in stories about how basketball players prepare for the NBA.

Darius Bazley in “Gap Year” (Photo courtesy of 1091 Pictures)

The documentary “Gap Year” sometimes comes across as a gimmicky marketing ploy for New Balance, but it’s still an enjoyable watch because of basketball player Darius Bazley, the movie’s engaging star. The documentary chronicles what happened in the year after Bazley graduated from high school and did a marketing internship with Boston-based sports footwear/apparel company New Balance while he trained for the NBA. This wasn’t just any internship: New Balance paid Bazley a $1 million salary for this internship, with the idea that it was a starter salary for Bazley to be a New Balance spokesperson if he ended up becoming a star in the NBA.

Directed by Josh Kahn and T.J. Regan, “Gap Year” has a breezy 75-minute total run time. It’s just about the right amount of time to tell this story, which ends in with Bazley finding out in June 2019 if he got drafted into the NBA or not. “Gap Year” begins in June 2018, when Bazley (a native of Cincinnati) has graduated from high school and is considered a hot prospect for the National Collegiate Athletic Association (NCAA), the traditional stepping stone to get into the NBA.

However, Bazley doesn’t want to go to college. He wants to be drafted into the NBA within two years after graduating from high school. It’s a bold and risky move that has paid off for only a small percentage of NBA players—most notably, Kobe Bryant and Kevin Garnett.

As NBA analyst Jay Williams (a former Naismith College Player of the Year) comments on the NCAA to NBA rule: “We live in a society where everybody abides by the rules. And we don’t even know what the rule is or where it came from. They just abide by it.” Williams adds that Bazley’s decision to take a year off from the NBA G League to train while doing the New Balance internship was “the most fascinating and disruptive thing I’ve ever seen in basketball.”

ESPN college basketball/NBA draft analyst Jay Bilas says, “When [Kevin] Garnett and Kobe [Bryant] came out, I think people were still having a hard time—myself included—wrapping their head around the idea of a high school kid going into the NBA.” David Stern, who was the NBA’s commissioner from 1984 to 2014, comments: “I think at the time, my own view was that we didn’t want out scouts in high school gymnasiums.” Michele Roberts, executive director of the National Basketball Players Association union, offers a different point of view on the NBA recruiting players right out of high school: “Frankly, I don’t see the difference between that and seeing them in a college gym.”

Rich Paul, CEO of Klutch Sports Group, which represented Bazley during this post-high-school transition, has this to say about Bazley bypassing college to get to the NBA: “I believe college is necessary for most kids. It was truly about trying what’s best for Darius.” The movie shows some footage of Bazley in gyms with basketball trainer Mike Mills in Memphis and basketball trainer Pierre Sully and physical trainer Bryan Doo in Boston. However, the majority of the documentary footage is showing Bazley’s internship at New Balance headquarters in Boston.

In January 2019, Bazley temporarily moved to Boston, where he was given corporate housing at an apartment bulding, with all expenses paid for by New Balance. His internship was only for a three-month period, but he was expected to learn a lot of the ins and outs of marketing for New Balance, particularly in the launch of new products. Not only was it Bazley’s first time living away from home but it was also his first office job.

As expected, Bazley experienced some culture shock. On his first day on he job, Bazley had to call his manager because Bazley didn’t know how to fill out a tax form. And being a tall, African American teenager, he stood out in an office environment consisting of mostly white people who are older than he is. A few of the white female employees seem intimidated by Bazley at first when they interact with him, possibly because of his race but also possibly because he’s so tall.

Still, Bazley seems to sense that he won’t adjust easily to this office environment because although people are friendly to him, they don’t seem interested in becoming his “work friend.” He’s also visibly uncomfortable using computers when he first arrives on the job, which makes you wonder what kind of education he got in high school to not be familiar with using computers as a high school graduate. Bazley is willing to learn what he’s taught on the job, which is a good sign that he’ll have the right attitude in the real world of professional careers.

Later in the documentary, Bazley settles into a work routine that he admits is lonely: He comments that after work, he spends time in his apartment alone, and it’s not unusual for his dinner to consist of peanut-butter-and-jelly sandwiches. Klutch Sports CEO Paul says in an on-camera interview that he purposely left Bazley alone during this internship because he didn’t want to coddle Bazley. “One of the things I want is for him to align himself with his good habits,” Paul comments.

Being a restless teenager, Bazley does gripe a little about the monotony of an office job. The documentary show a few things that break up his routine. In February 2019, Bazley went to Charlotte for the NBA All-Star Weekend, which was a great motivation for his NBA dreams. It’s easy to see that because of the business knowledge he gained in the internship, Bazley is now equipped to making better-informed decisions about endorsement deals than if he didn’t have that behind-the-scenes internship experience.

In another scene, entertainer Jaden Smith visits New Balance headquarters for a meeting about a collaboration. Bazley gets to hang out a little bit with Smith during this meeting and says he’s impressed with Smith’s maturity. Bazley also seems to enjoy himself at a New Balance focus group at a high school in Lawrence, Massachusetts. It’s at this focus group (when he’s around people in his age group) that Bazley seems to enjoy his internship the most, because he can see how the focus group has a direct impact on marketing decisions.

After his internship ended, another big day for Bazley was in May 2019 at Klutch Pro Day in Los Angeles, where he sees firsthand how deals are made for pro athletes to get endorsement deals. It’s an eye-opening experience that gives him a sneak preview of what types of opportunities can come his way if he makes it into the NBA. Although this type of dealmaking might be nothing new to viewers who know the business of sports, what “Gap Year” does very well is convey Bazley’s perspective of someone who’s new to it all.

When it comes to his basketball skills, Bazley is confident but not arrogant. His personality is a little bit on the quiet side, but he has a lot of positive energy that makes him very easy to like. His family is briefly shown in the documentary, but the documentary very much keeps the focus on the “coming of age” journey for Bazley, who goes through the adult rite of passage of living away from parents for the first time. Other people interviewed in “Gap Year” include New Balance global marketing director Patrick Cassidy; Klutch Sports employee Brandon Cavanaugh; rapper Dave East, who’s labeled in the documentary as a “former Amateur Athletic Union standout”; New Balance global marketing manager Sean Sweeney; and former Bleacher Report editor-in-chief Ben Osborne.

People who are expecting “Gap Year” to be mostly about basketball training sessions might be disappointed. And the movie doesn’t do anything very spectacular when it comes to cinematography or editing. However, “Gap Year” is a very interesting chronicle of one teenager’s journey to be a nonconformist when it comes to pursuing his NBA goals. The documentary is best appreciated as a story where professional basketball is a catalyst but not the main reason why a child becomes an adult.

1091 Pictures released “Gap Year” on digital and VOD on December 1, 2020.

Review: ‘Impractical Jokers: The Movie,’ starring James ‘Murr’ Murray, Brian ‘Q’ Quinn, Joe Gatto and Sal Vulcano

February 22, 2020

by Carla Hay

Brian “Q” Quinn, James “Murr” Murray, Sal Vulcano and Joe Gatto in “Impractical Jokers: The Movie” (Photo courtesy of truTV)

“Impractical Jokers: The Movie”

Directed by Chris Henchy

Culture Representation: The predominantly white cast of the comedy film “Impractical Jokers: The Movie” has the four prank-playing stars of truTV’s “Impractical Jokers” going on a road trip to Miami and encountering people from various walks of life.

Culture Clash: This entire movie is about how the stars of “Impractical Jokers” compete with each other over an invitation to a Paula Abdul party, and they play pranks on unsuspecting people and themselves as part of the competition.

Culture Audience: “Impractical Jokers: The Movie” will primarily appeal to “Impractical Jokers”/The Tenderloins fans and other fans of lowbrow pranks.

Joe Gatto, Sal Vulcano, James “Murr” Murray and Brian “Q” Quinn in “Impractical Jokers: The Movie” (Photo courtesy of truTV)

Fans of truTV’s “Impractical Jokers,” which has been on the air since 2011 and follows the New York City-based comedy troupe The Tenderloins, should already know what to expect for “Impractical Jokers: The Movie,” the first theatrically released feature film from truTV. The question is if it’s worth paying extra money to see a movie that could basically be a TV special available at no extra charge for people who have truTV. You’d have to be a humorless grouch to not enjoy some of the genuinely laugh-out-loud moments in the movie. However, “Impractical Jokers: The Movie” falls on its face when it steers away from the pranks, and it has the stars of the show reading scripted lines as actors portraying themselves.

“Impractical Jokers: The Movie,” directed by Funny or Die co-founder Chris Henchy, is absolutely the type of lowbrow, frat-boy comedy that fans love about the “Impractical Jokers” TV series. It’s the same format, with the guys using hidden cameras, as well as hidden speaking/listening devices to feed lines to whichever guy is doing the prank, in order to make things more uncomfortable for him.

The movie is made for “Impractical Jokers” fans, not anyone looking for anything intellectual or groundbreaking. But for people who don’t know anything about “Impractical Jokers,” the movie is a pretty good introduction to the four “Impractical Jokers” stars: James “Murr” Murray, Brian “Q” Quinn, Joe Gatto and Sal Vulcano, also known as the comedy troupe The Tenderloins. (All four of The Tenderloins, along with Henchy and Funny or Die’s Jim Ziegler and Buddy Enright, are producers of the movie.)

Murr is the group’s biggest physical daredevil and the “ladies’ man” in the movie: He gets completely naked during a boat prank, and near the end of the film, there’s a scene of him tied to the top of a small airplane as a stunt. (It’s not a stunt double.) Sal is the one who’s most likely to get the most humiliating pranks from the other guys. Q is the most sensible one of the group and is the one most likely to stop a prank if he thinks it’s headed in the wrong direction. Joe is the best improviser who’s the most likely to think quickly on his feet if a prank doesn’t go the way it was originally expected.

The movie begins with a scripted “origin story” of the “Impractical Jokers” stars’ first prank. At a Paula Abdul concert in the early 1990s, the four guys pull the fire-alarm switch, which abruptly ends the concert by sending frightened audience members heading for the exit. Abdul (who portrays herself in flashback scenes and present-day scenes) is so enraged that she gets in a physical fight with the four pranksters, including punching Sal in the throat, and she vows to get revenge on them.

Fast forward about 25 years later, and the guys are having dinner together at a restaurant, when Abdul sees them, but only recognizes them as the stars of “Impractical Jokers.” She comes over and gushes about how much of a fan she is, and the guys are relieved that she doesn’t remember them as the pranksters who ruined her concert years ago. Abdul invites them to a party she’s having in Miami, where she will also perform.

The guys are happy to accept the invitation because they think the party will be a “do-over” for them to make up for the fiasco of the previous time they were around Abdul. But there’s a problem: When they get the laminated badges that will give them access to the party, only three badges have been provided for them instead of four. Instead of asking for a fourth badge, they decide that on their road trip to Miami, they’ll do a series of pranks, and the guy who loses the most pranks will be the one who won’t get to go to the party.

So off they go on the road trip. One of their first stops is in Washington, D.C., which yields some of the best laughs in the movie. First, the guys do a prank challenge at the Lincoln Memorial, where they each have to convince strangers to approve a very inappropriate and distasteful eulogy. Each of the guys, while holding an urn said to contain someone’s ashes, separately approach visitors at a memorial monument. They ask the strangers to tell them what they think of a eulogy that they’ve written, and then read the eulogy. Each eulogy turns out to be insulting to the “dead person,” and most of the strangers approached say that the eulogy shouldn’t be read at the memorial. In the end, all but one of the guys fails this challenge.

In an even better scene, hidden cameras follow a tourist group being taken on a guide of caverns in the area. Joe then surprises the group by crawling out of a cave and pretending to be someone who had been trapped there since 1987. He’s wearing ghoulish light green makeup and alien-looking ears. And the startled and shocked expressions on the tourists’ faces are priceless.

Joe then makes up a story about being lost in the cave as a kid, when he got separated from his parents on a tour guide of the caverns. He’s wearing a T-shirt that says, “I’m the Beef” (in reference to the famous “Where’s the Beef?” Wendy’s ad campaign from the 1980s. He asks the tour group, “Who shot J.R.?” (in reference to the famous cliffhanger from the TV series “Dallas”), and he asks if Walter Mondale got a second term. (Mondale ran against Ronald Reagan in the 1984 U.S. presidential election and lost.) All of these jokes land best with people who know about or remember the ’80s. Based on some of the puzzled or blank expressions of the younger people in the tourist group, the jokes went right over their heads.

When the guys are in Atlanta, another highlight of the movie is a challenge where they each interview for a job with the Atlanta Hawks, and they have to act like the interviewee from hell by saying and doing bizarre things during the interview. Joe is the funniest one in the group for this challenge, because he excuses himself to use the restroom during the interview, and then goes down to the basketball court that can be seen from the interview room, and starts playing basketball while the interviewer looks on in shock. When he comes back to the interview room, he tells the interviewer that security in the building isn’t very good because he was able to shoot hoops on the court without anyone stopping him.

Other prank challenges are hit-and-miss. One of these mixed-results challenges takes place on a private tour boat and resulted in a “win” for any of the “Impractical Jokers” guy who could convince tourists not to let the boat captain rescue someone in distress in a nearby raft. (The person “in distress” and the boat captain are really actors who are in on the prank.) This challenge was inconsistent because it had someone playing a military man in distress for part of the challenge, but then in another part of the challenge, a completely naked Murr plays the person in distress.

Another challenge that probably sounded funnier on paper than how it ended up on screen is when Murr celebrates his birthday at a strip club. While he’s getting lap dances in a private room, the blinds on a window in the room are lifted to reveal that members of his family (including his mother and underage nieces and nephews) are in the next room and watching him getting grinded on by strippers.

And in the beginning of the movie, a challenge with Sal dressed up as a shopping-center Santa Clause starts out funny when he pretends to fall asleep while a child is sitting on his lap. But then it becomes a little too mean-spirited to kids when Sal is told by the other guys to keep interrupting a little girl on his lap, and Sal “wins” if he can prevent her from telling “Santa” what her wishes are. It’s one thing to play hidden-camera pranks on adults. It’s another thing to subject kids to these pranks when they’re too young to understand what’s going on. But some parents must’ve signed release forms for their kids to be in this movie, so there you have it.

Another prank that will get mixed reactions is a roadside assistance challenge, where each guy pretends to be a stranded motorist with a broken-down car on a busy expressway, and tries to get help by flagging down cars that are passing nearby. There’s a slightly homophobic undertone to this prank, because some of the guys (namely, Joe and Murr) each try to act like a gay man to test the reactions of the people (who are all men) who stop to help. The pranksters apparently picked an area of the South that has a lot of redneck types, just to see their reactions when these locals are around a man who gives hints that they’re stereotypically gay. Murr scares one guy off when he leans over and shows that he’s wearing a purple thong. There are also double entendre jokes about gay sex to test if the Good Samaritans will pick up on the jokes.

While that questionable humor might not work so well in the movie, one of the funniest scenes is when the Sal, who doesn’t like cats, gets a prank played on him by the other guys. They lock him inside a motel room with a white tiger, which is chained up but sill close enough for Sal to have a panic attack. They don’t let Sal out of the room until he agrees to say things like “I’m a bitch boy.”

When one of the “Impractical Jokers” stars is the target of a prank, it’s hard to know how much of his reaction is real or is acting. And the movie’s cameo scenes with celebrities (such as Joey Fatone and Jaden Smith, who each portray themselves) lose their impact because viewers are told that Fatone and Smith are already in on the jokes.

The enduring popularity of “Impractical Jokers” is mainly because of unscripted reactions from everyday people who are truly unsuspecting targets of harmless pranks. Those are the best parts of the TV series and the best parts of this movie. As for the movie’s filler scenes where the “Impractical Jokers” stars have to memorize lines and recite screenplay dialogue like professional actors, here’s some unsolicited advice for these pranksters: “Don’t quit your day jobs.”

truTV released “Impractical Jokers: The Movie” in select U.S. cinemas on February 21, 2020.

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