Review: ‘How to Blow Up a Pipeline,’ starring Ariela Barer, Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner and Jake Weary

April 16, 2023

by Carla Hay

Ariela Barer in “How to Blow Up a Pipeline” (Photo courtesy of Neon)

“How to Blow Up a Pipeline”

Directed by Daniel Goldhaber

Culture Representation: Taking place in Texas, California, and North Dakota, mostly in December 2023, the dramatic film “How to Blow Up a Pipeline” features a racially diverse cast of characters (African American, white, Latino and Native American) representing the working-class and middle-class.

Culture Clash: A group of eight radical environmentalists go to Texas to carry out their plan to blow up a major oil pipeline. 

Culture Audience: “How to Blow Up a Pipeline” will appeal primarily to people who are interested in environmental causes, but the movie has mixed messages about how violence can play a role in extreme activism, and the story somewhat glosses over racism problems.

Forrest Goodluck, Jake Weary, Kristine Froseth, Lukas Gage, Marcus Scribner, Ariel Barer, Jayme Lawson and Sasha Lane in “How to Blow Up a Pipeline” (Photo courtesy of Neon)

“How to Blow Up a Pipeline” might as well have the words “made by well-meaning and privileged political liberals” in the description of this movie. It’s a gripping and well-acted drama about a group of extreme environmentalists. However, there are some glaring plot holes, and the film mishandles some racism issues. “How to Blow Up a Pipeline” had its world premiere at the 2022 Toronto International Film Festival.

Directed by Daniel Goldhaber, “How to Blow Up a Pipeline” was co-written by Goldhaber, Ariela Barer (who’s one of the stars of the film) and Jordan Sjol. The story has plenty of suspense and makes great use of flashbacks to fill in the blanks in most of the characters’ backstories. However, viewers with enough life experience who watch this movie won’t be able to shake the feeling that the “How to Blow Up a Pipeline” filmmakers thought that it would be cool to make a movie about a serious subject matter (committing violence in the name of extreme activism) without really doing enough research into the subculture of violent, radical activists.

It’s the same feeling that came from the 2018 erotic drama “Cam,” Goldhaber’s feature-film directorial debut about a young woman who works as a porn webcam performer. There was a lot of interesting dialogue in “Cam,” but the movie didn’t come across as completely realistic or authentic, even though it wanted to be. “Cam” was also a very “male gaze” film, even though “Cam” was supposed to be told from the perspective of a female protagonist.

“How to Blow Up a Pipeline” is not a documentary, and the movie’s fictional characters are not based on any particular real people. However, the movie is based on Andreas Malm’s 2020 non-fiction book “How to Blow Up a Pipeline,” which advocates for property destruction as a way to get attention for activist causes. The obvious intention of the movie was to have a tone of realism, in order to make this a thought-provoking film. It succeeds in many areas, but it other areas, “How to Blow Up a Pipeline” falls very short.

Most of “How to Blow Up Your Pipeline” switches back and forth between two types of scenes: (1) the planned December 2023 bombing of a major oil pipeline, somewhere in west Texas and (2) flashbacks that reveal the lives and motivations of the eight young people who have planned this bombing. The last 15 minutes of the movie show the aftermath of this plan.

The eight people in this racially diverse group of bombers consider themselves to be extreme environmentalists, although at least two of them don’t really seem to care that much about environmental causes and just want to cause some mischief. The bombers’ ages range from mid-20s to early 30s. And they have all agreed in advance that they will rig the bomb so that no one could possibly get killed or physically injured. (And as soon as someone says in the movie that no one will get physically hurt, you just know that at least one person will get physically hurt.)

The bombers’ intent is to disrupt the fossil fuel production that comes from this major pipeline. They don’t have a name for their group. They want this bombing to be an anonymous statement against fossil fuel production. In fact, the way these these eight people found each other to form this loose-knit group looks a little too “only in a movie” rushed. Three of the group members didn’t know anyone else in the group before this plan, so these three people are the ones that are essentially the “strangers” to the other people.

The eight people in this group are:

  • Xochitl “Xochi” Fuentes (played by Barer) is the mastermind of this bombing. She came up with the idea and is the one most responsible for bringing this group together. Xochi (pronounced “soh-shee”) lives in Long Beach, California, and is grieving over the recent death of her mother, who raised Xochi as a single parent.
  • Theo (played by Sasha Lane) is Xochi’s best friend since childhood. Theo and Xochi, who both live in Long Beach, consider each other to be almost like sisters, since Theo (who came from a broken home) mentions in the story (after Xochi’s mother has died) that Xochi’s mother was like a mother to Theo.
  • Alisha (played by Jayme Lawson) is Theo’s girlfriend. They both work as house cleaners. Alisha is initially the one who’s the most reluctant to participate in this bombing plan.
  • Rowan (played by Kristine Froseth) is a meth-snorting party girl who is homeless and always ready for any type of mischief-making.
  • Logan (played by Lukas Gage), Rowan’s drug-using boyfriend, is also homeless and is even more reckless than Rowan. They both live in motels and in Logan’s car in the Long Beach area.
  • Shawn (played by Marcus Scribner) is a former college student who became disillusioned with mainstream environmental activism because he thinks it’s not effective enough. He currently lives in the Long Beach area.
  • Dwayne (played by Jake Weary) is an unemployed husband who is bitter because he lost his home, is financially broke, and is now living with his wife at her parents’ home in Odessa, Texas.
  • Michael (played by Forrest Goodluck) is a scowling introvert who is angry about what pipelines have done to his Native American community in Parshall, North Dakota.

Michael is the one who is in charge of planning the chemical concoctions to make the bomb. Michael is a “chemistry nerd” who has done extensive research on how to make bombs. He even films social media videos on how to make homemade bombs. He does videos and livestreams on a YouTube-like channel called Boom Talk.

Michael also gets help from Shawn in making the bomb’s chemical concoctions, although Michael is a control freak who would prefer that no one else get near the chemicals, for their own safety. Shawn (who is African American) and Michael construct the actual bomb. Observant viewers will notice that the people of color in this group are the ones who do most of the work and put themselves in the most physical danger in the bombing plans.

There are overt signs of racism that the movie doesn’t adequately explore. Michael deeply resents the pipeline workers (almost all are white men) who pass through the Native American reservations to do their job or to look for pipeline work. In a flashback scene, Michael gets confrontational with one of these workers (played by Adam Wyatt Tate) and spits on him. It leads to a brawl where Michael gets physically beaten up.

When Michael goes home and his jewelry maker mother Joanna (played by Irene Bedard) sees the injuries on his face, she knows exactly why he got into a fight. Joanna scolds Michael for picking a fight with someone who just wants a job. In response, Michael angrily says that Joanna just wants to let racist white people exploit Native American land in ways that will hurt Native Americans.

It’s later revealed in the movie that other people in the group have been negatively impacted by industrial toxins that caused pollution in the area where they used to live. It was a low-income area mostly populated by people of color. This environmental racism is implied, but no one in the movie specifically says the word “racism,” which is one of the reasons why parts of this movie look very phony.

Environmental racism is a huge talking point for self-described “social justice warriors” who are environmental activists. And to not have any explicit discussion of environmental racism in this movie looks like a huge blind spot from filmmakers who won’t go deep in the trenches and get real about this uncomfortable topic in activism. It’s similar to how some people might make a video of take a photo of themselves wearing a Black Lives Matter T-shirt, but these same “supporters” don’t want to actually do anything about stopping racism.

Because this group of bombers will be planting a bomb for the very first time, they are predictably nervous. And you know what that means: Mistakes are going to happen. This review won’t reveal the things that go wrong with the bombers’ plans, but there is one plot hole that’s too big too overlook. It has to do with a drone. This plot hole doesn’t take into account that data is automatically stored on the type of drone seen in this movie.

The biggest strength in “How to Blow Up a Pipeline” is how the movie builds tension and how it weaves together the backstories of these eight people to give the big picture in explaining how and why they ended up with this common goal. Barer and Lawson give the best performances, because Xochi and Alisha seem to be the most complicated and nuanced characters. Lane does an admirable performance for some of the melodrama that her Theo character goes through later in the story.

The movie could have done more with the Michael character, whose sullen brooding is a hint that he’s gone through some trauma that is never mentioned in the film. Shawn’s backstory is adequate, but he is another character that’s a little underdeveloped. Viewers find out nothing meaningful about Shawn’s personal life and only get information about some of his previous experiences in environmental activism.

Dwayne’s backstory shows why he’s against pipelines: It’s in a flashback scene where Dwayne and his wife Katie (played by Olive Jane Lorraine) are being interviewed by a two-person documentary crew. Katie knows in advance that Dwayne is involved in this secret bombing, but she doesn’t participate in carrying out the bombing plans. Because Dwayne is unemployed and doesn’t have his own home, the stakes are lower for Dwayne, compared to most of the other people in the group. These low stakes also apply to Rowan and Logan.

Although the filmmakers will deny that this movie makes bombing look glamorous, “How to Blow Up a Pipeline” does have a tone that these are rebel activists who are trying to change the world. In all actuality, most of the bomber characters in this movie have no real direction in their lives and just seem to be using environmentalism as a way to take out their anger about their lives not turning out the way they wanted. (Somewhere, real-life environmental activist Greta Thunberg is shaking her head in disapproval.)

A few of the people in this group (especially Logan and Rowan) seem to think this radical environmentalist activism is just a fad, and they give the impression they’ll eventually ditch it for something else they find more exciting. Logan and Rowan are the only shallow characters in the group. Almost nothing is told about Logan’s and Rowan’s backgrounds to explain how these two lovers became homeless.

It’s good that the movie didn’t portray these bombers as being monolithic. However, this “diversity” comes off a little like “checking off diversity boxes,” instead of giving a meaningful examination of racial and sociopolitical implications for the different identity groups who get involved in this type of violent activism. “How to Blow Up a Pipeline” never wants to admit (even though it’s reality) that there is race-based scapegoating in the United States, when it comes to which races gets punished the worst for extreme acts of violence. It’s why “How to Blow Up a Pipeline” is a solid drama as a crime caper, but it’s somewhat weak when it comes to the movie’s intended social commentary.

Neon released “How to Blow Up a Pipeline” in select U.S. cinemas on April 7, 2023.

Review: ‘Measure of Revenge,’ starring Melissa Leo and Bella Thorne

April 9, 2022

by Carla Hay

Bella Thorne and Melissa Leo in “Measure of Revenge” (Photo courtesy of Vertical Entertainment)

“Measure of Revenge”

Directed by Peyfa

Culture Representation: Taking place in New York City, the dramatic film “Measure of Revenge” features a predominantly white cast of characters (with some African Americans and Latinos) representing the working-class, middle-class and criminal underground.

Culture Clash: A fairly well-known Broadway actress is out for deadly revenge against the people who supplied a dangerous drug to her musician son and his pregnant girlfriend, who both died from an overdose of this drug. 

Culture Audience: “Measure of Revenge” will appeal primarily to fans of mindless vigilante movies, because nothing about this movie is appealing, interesting or well-done.

Jake Weary and Melissa Leo in “Measure of Revenge” (Photo courtesy of Vertical Entertainment)

The crime drama “Measure of Revenge” is such an atrocious dud, no one wants to be listed as the movie’s screenwriter. And it’s easy to see why. It’s a heinous story about a Broadway actress who becomes a murderous vigilante on a rampage because she wants revenge for the drug overdose deaths of her musician son and his pregnant girlfriend. Directed by Peyfa (the alias of Peter Wong), “Measure of Revenge” is nothing but a complete embarrassment to everyone involved in making this pathetic excuse of a movie. “Measure of Revenge” was filmed on location in New York City, which is probably the only thing that looks authentic in this very awkwardly acted and fake-looking film.

What makes “Measure of Revenge” so cringeworthy is that the movie tries to look artsy by throwing in various themes and characters from William Shakespeare plays. “Measure of Revenge” sullies, trashes and insults Shakespeare’s legacy in ways that are even more offensive than the phony-looking murders that take place in the movie. Believe it or not, the unhinged vigilante in “Measure of Revenge” commits one of her murders during an intermission for a play where she’s performing on stage as the Ghost in “Hamlet,” without bothering to change her clothes or disguise herself during the murder. She then goes back to her dressing room, as if no one would notice that she committed the murder while decked out in the same costume and makeup as she wore on stage in front of an audience.

Get used to a lot of this type of silly nonsense in “Measure of Revenge,” which is a movie that’s hard to watch not just because it’s so moronic, but also because it takes itself so seriously. Maybe the filmmakers thought that having an Oscar-winning actress in the cast (Melissa Leo) would automatically improve the movie’s quality. Wrong. Leo gives a lackluster performance as vigilante actress Lillian Cooper, who doesn’t garner much sympathy for her vengeful actions because they’re so ludicrously stupid.

During the course of the story, Lillian appears in various revisionist productions of Shakespeare plays that wouldn’t be worthy of a Broadway stage in real life and certainly wouldn’t pass muster in any reputable performing arts school. In other words, expect to see amateurish, almost laughable versions of “Macbeth” and “Hamlet” in “Measure of Revenge.” The movie’s horrible ending takes this Shakespeare theme to an idiotic and corny level that proves that there was no hope in redeeming this creatively bankrupt flop.

In the beginning of “Measure of Revenge,” Lillian (who’s a widow) happily welcomes her wayward son Curtis Cooper (played by Jake Weary) into her apartment, where he will be staying with her after getting out of rehab for addictions to drugs and alcohol. Curtis is a semi-famous musician/lead singer of a rock band called Red Drums. Curtis’ addictions have caused the band to cancel an upcoming tour.

Curtis’ rehab counselor Mike (played by Michael Gruenglas), who drops Curtis off at Lillian’s home, gives her this advice about Curtis: “Don’t let him out of your sight. The first few days [out of rehab] can be very delicate.” Curtis’ father/Lillian’s husband Raphael Cooper died in 1997, at the age of 36, long before Curtis grew up to become a famous musician.

Lillian’s home (which looks like a two-bedroom apartment) is about to get more crowded, because Curtis’ loving and supportive girlfriend Olivia (played by Jasmine Carmichael), who’s a nurse, is moving into Lillian’s place too. And soon afterward, Lillian finds out that Olivia is pregnant and that Curtis plans to propose marriage to Olivia. Curtis shows Lillian the engagement ring. Lillian approves of these marriage plans.

However, Curtis’ life after rehab isn’t going that smoothly. One day, Lillian is in a diner to meet Curtis for lunch. She looks out the window and sees Curtis in an angry confrontation with some of his band mates. She can’t hear what the argument is about, but she sees Curtis hit one of the men with the guitar that Curtis is carrying. When Curtis goes in the diner, all he will say to Lillian about his band situation is this: “I can’t go back to that world right now. It’s not for me.”

Not long after that, Lillian’s world is shattered when she comes home to find Curtis and Olivia dead. The medical examiner reports list the official cause of their deaths as an accidental overdose of a drug called PMA, which is described as being like Ecstasy (MDMA), but more toxic. Of course, Lillian doesn’t believe the overdoses were accidental. She’s certain that Curtis and Olivia were murdered, or at least that whoever supplied the drugs should be held responsible for these deaths. The police—including a dismissive cop named Detective Eaton (played by Michael Potts)—are of no help, so Lillian decides to take matters into her own hands.

Along the way, Lillian encounters a jaded photographer named Taz (played by Bella Thorne, giving a very stiff performance), who sells drugs, including PMA. Taz knew Curtis because she did album covers and portrait photography for him and his band. Lillian goes back and forth on whether or not she can trust Taz, who has a gun and gets menacing when Lillian tries to threaten her with a knife.

Taz knows a lot more than she’s telling, but she still gives Lillian enough information to point Lillian in the direction of the people who are Taz’s PMA suppliers. Lillian also has conflicts with Red Drums manager Billy (played by Ivan Martin); band member Ronin (played by Benedict Samuel); record company executive Claude (played by Kevin Corrigan); and a drug lord named The Gardener (played by Jamie Jackson), who has that nickname because he slit a man’s throat using gardening tools. Predictably, not everyone Lillian comes in contact with makes it out alive.

“Measure of Revenge” also has a love quadrangle as a weak subplot. Lillian finds out that before Curtis and Olivia became an official couple, Olivia was romantically involved with Ronin, but Olivia cheated on Ronin with Curtis. Meanwhile, Taz had her own secret affair going on with Curtis when he was dating Olivia. It’s all just another sordid aspect to this cheap and tacky movie.

During her murder spree, Lillian finds time to still do her Shakespeare plays, including her role as the Ghost in “Hamlet.” (And fittingly, early on in the movie, Lillian plays one of the three witches in “Macbeth.”) She also become increasingly disturbed and starts having hallucinations, such as thinking that she’s Gertrude from “Hamlet.” Not surprisingly, Lillian gets no enjoyment or satisfaction from her sloppy and dimwitted crimes. The same can be said for anyone who experiences “Measure of Revenge,” a sloppy and dimwitted crime against cinema.

Vertical Entertainment released “Measure of Revenge” in select U.S. cinemas, on digital and VOD on March 18, 2022.

Review: ‘Rushed,’ starring Siobhan Fallon Hogan and Robert Patrick

September 7, 2021

by Carla Hay

Siobhan Fallon Hogan (far left) and Robert Patrick (center) in “Rushed” (Photo courtesy of Vertical Entertainment)


Directed by Vibeke Muasya

Culture Representation: Taking place in upstate New York and other parts of the United States, the dramatic film “Rushed” features a predominantly white group of people (with some African Americans and Latinos) representing the working-class, middle-class and wealthy.

Culture Clash: After her teenage son dies during a college fraternity hazing party where he was forced to drink too much drug-laced alcohol, a grieving mother goes on a cross-country trip to interview other mothers who lost their sons in similar incidents, so that she can convince politicians to change the laws for fraternity hazing.

Culture Audience: “Rushed” will appeal primarily to people who are interested in movies about avenging parents and criminal justice, and are open to stories that don’t follow the usual clichés.

A scene from “Rushed” featuring Justin Linville (second from left), Jay Jay Warren (third from left) and Jake Weary (center, on balcony). (Photo courtesy of Vertical Entertainment)

Although it will make many viewers uncomfortable, “Rushed” succeeds in its aim to not be a stereotypical movie about a mother trying to seek justice for her child who died an unnecessary and tragic death. “Rushed” starts out one way and it ends in an entirely different way. Viewers will either like or dislike the plot twist, but one thing that viewers can agree on is that is “Rushed” offers a very unsettling but realistic portrait of how grief can affect people in different ways.

Directed with simmering tension by Vibeke Muasya, “Rushed” features a memorable performance by Siobhan Fallon Hogan, who wrote the “Rushed” screenplay. The movie isn’t perfect, but the emotions and characters’ personalities seem very true-to-life. It’s very much meant to be a film where a lot of viewers can relate to at least one of the characters.

Hogan portrays Barbara O’Brien, a seemingly average middle-aged, middle-class homemaker who lives in upstate New York. Barbara and her husband Jim O’Brien (played by Robert Patrick) have four teenage children. Oldest child Jimmy (played by Jay Jay Warren) is 18 or 19 and in his first year at the fictional New York State University, where he lives on campus during the school year. The other three children live at home with the parents: daughter Ciara (played by Ellie Frankel), who’s about 16; daughter Kelly (played by Lily Rosenthal), who’s about 15; and son Sean (played by Liam Hogan), who’s about 13.

The O’Briens are a tight-knit Irish American Catholic family. Barbara is so religious that she prays every day with a rosary, and she keeps a statue of St. Augustine in the kitchen, where she prays next to the statue with a lighted candle on a regular basis. Even though chain-smoking Barbara (who is a homemaker) is a devout Catholic, she has some contradictions because she also frequently curses, which is against her religious beliefs. Her kids like to tease her about this dichotomous side to her personality.

Barbara is kind of a scatterbrain who has a tendency to talk out loud to herself. She’s always on the go and is at the center of all the organizing in this busy household. For the kids who live at home, Barbara is the one who usually makes sure that they are awake in time in the morning so they won’t be late for school. She makes everyone’s meals, and she drives the children to school and picks them up when school is done for the day. The kids who live at home go to a Catholic school where they have to wear school uniforms.

As for Jimmy, living away from home for the first time has given him more freedom but has also put him at risk for more danger. He’s decided to pledge the same fraternity that his father pledged when his father was a university student. The opening scene of “Rushed” foreshadows how brutal things will get during the hazing process that is ruled over by the current fraternity members and their president. The pledges, including Jimmy, are led into in a secluded wooded area at night, and they are forced to drink liquor while blindfolded. Then, the fraternity members abandon the pledges in the woods, thereby forcing the pledges to find their own way back home.

Hazing for fraternities and sororities usually involves pledges having to endure humiliating and painful acts. It’s an initiation process that’s supposed to make the pledges “prove” how badly they want to be in the fraternity or sorority. However, hazing (which often involves alcohol and/or other drugs) can sometimes go too far. College hazing incidents that have resulted in people dying almost always happen with fraternities.

After the abandonment in the woods, Jimmy and the other pledges endure more hazing, such as having to crawl on broken glass and the fraternity members urinating on them, while everything is being filmed on frat members’ phones. Presiding over these abusive acts is fraternity president Steven Croission (played by Jake Weary), who is a sadistic bully who loves to dole out as much suffering as he can. Steven is also on a power trip because he thinks he can get away with whatever he wants to do.

Steven can see that Jimmy isn’t afraid to stand up to Steven, so Steven has targeted Jimmy to get the worst of the hazing. After being urinated on, Jimmy is furious and is close to quitting the pledging process. However, Jimmy’s nerdy and empathetic roommate Vergil (played by Justin Linville), who is also Jimmy’s best friend at school, is pledging the same fraternity and doesn’t want to feel all alone in the pledging process. Vergil convinces Jimmy not to quit because the pledging process will be over soon.

The day after the Jimmy almost quit pledging the fraternity, Barbara calls to check in on Jimmy while she’s driving Ciara and Kelly to school. Jimmy pretends to everyone that everything is going well for him at school. He gives absolutely no indication that the fraternity hazing is abusive, and he doesn’t mention the bloody injuries he sustained from crawling on broken glass.

The pledging process soon ends. Jimmy and Vergil and some other pledges find out that they’ve been accepted into the fraternity. To welcome their new members, the fraternity has a big party at the frat house. Steven is seen buying cocaine and Xanax from a drug dealer. This loathsome fraternity president hasn’t forgotten Jimmy’s “insubordination,” so he plans to get revenge on Jimmy.

In order to prevent certain people from filming what he plans to happen, Steven makes sure that certain people’s phones are confiscated when they first enter the party. Vergil and Jimmy are among those whose phones are taken away. They’re told that they will get their phones back when they leave the party.

At the party, Jimmy is drinking alcohol moderately and not doing any drugs. However, it isn’t long before Steven puts his plan into action. He spikes a beer with a combination of cocaine and Xanax. And then he cheerfully gives the beer to Jimmy, who drinks it and almost immediately vomits.

Things quickly spiral out of control from there. As a “prank,” Steven has ordered his fraternity underlings to duct tape Jimmy to a chair, where Jimmy is force-fed alcohol until he loses consciousness. Vergil desperately pleads to get his phone back so he can call for help, but Steven refuses. Everyone else at the party thinks what’s being done to Jimmy is hilarious because Steven makes it look like it’s “all in good fun.”

You know what happens next: Jimmy really isn’t okay. Only after Steven sees that Jimmy might be in a coma does he allow Vergil to have his phone back. Vergil calls 911, an ambulance arrives, and Jimmy never regains consciousness. Because the medical diagnosis is that he’s brain dead and will never be conscious again, his family makes the difficult decision to take him off of life support.

All of this is not spoiler information because it’s in the trailer for “Rushed,” and Jimmy death serves as the catalyst for what happens in the rest of the movie. The O’Brien family is devastated, with Barbara taking it the hardest. While her husband eventually goes back to work and the other kids go back to school, she spends her days and nights chain-smoking and hunched on the couch in a deep depression where she barely talks to anyone.

And the O’Briens get more bad news when they find out that separate investigations conducted by the police and by the university concluded that Jimmy death was an accident of his own doing. Barbara is outraged because she’s sure that Jimmy wouldn’t have consumed all of that alcohol willingly. Her husband Jim accepts the findings though and tells Barbara that they need to move on.

But one day, something happens that snaps Barbara out of her bleak existence. She sees a news article on the Internet about a college student who also died during a fraternity hazing incident. It leads her to start doing more research on the Internet. And she’s shocked to see how many other young men died in ways that were similar to how Jimmy died, with no one being held accountable except for the dead guys who were blamed for their own deaths.

This information fuels an outrage that motivates Barbara to do something to change the existing laws about fraternity hazing. It just so happens that Jim has a fraternity brother who is now a U.S. senator. His name is Senator Bob Daley (played by Jordan Lage), who takes Jim’s call when Jim tracks down the senator’s phone number.

Barbara talks to Senator Daley too. And he seems very sympathetic about the O’Briens’ tragic loss. The senator says he would like to help in any way that he can. Barbara says that she’ll take him up on his offer. And she’s got an idea that she thinks will help convince politicians to make a law against hazing.

Barbara decides go on a cross-country trip by car, to videorecord interviews that she conducts with parents (mostly mothers) who also lost their sons to university hazing incidents. It’s not an easy task, since many are reluctant to talk on camera. However, she usually gets the mothers to open up because she knows exactly how they feel.

Most of the parents are working-class and middle-class. However, two parents whom Barbara visits are wealthy. There’s a somewhat amusing part of the movie where Barbara just can’t get over how big this couple’s mansion is and she gushes about it on the phone to Jim. It’s a very realistic and funny scene.

The wealthy couple are not identified by their first names in the movie. They are called Mr. Donohue (played by Sean Cullen) and Mrs. Donohue (played by Peri Gilpin), who have very different views on their son’s death. Mr. Donohue is a member of the fraternity that his son was pledging, so he’s inclined to think it was a tragic accident. Mrs. Donohue is fairly certain that her son died of manslaughter or negligence. She agrees to make a statement on video, while her husband refuses.

The last third of the movie takes a very dark turn that might surprise a lot of viewers. However, there were signs that some of the extreme things that happen didn’t come from out of the blue. The impact of this movie rests on the ability to convince viewers that what happens in this plot twist could very well happen in real life. Muasya steers this movie in a way that will catch people off guard, just like Barbara’s life takes some twists and turns that she never imagined before Jimmy died.

Hogan’s portrayal of Barbara is heart-wrenching, but the movie doesn’t make her out to be a confident crusader who knows what she’s doing. If she’s flying blind into her mission, it’s because she’s blind from grief that won’t go away, no matter how many therapeutic interviews she does with parents who’ve lost a child in similar ways. Viewers might wonder why Barbara is willing to suddenly up and leave her family to take this road trip, but it’s a compulsion, just like her devotion to religious rituals, that’s very consistent with her personality.

If you’re looking for a formulaic TV-movie-of-the week conclusion to this story, you’ll have to look elswhere. “Rushed” is not going to give easy and trite answers to a very complex problem. The movie serves as a striking example of how even though people involved in hazing deaths often deny responsibility, the damage is felt in one way or another by those who were left behind.

Vertical Entertainment released “Rushed” in select U.S. cinemas, on digital and VOD on August 27, 2021.

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