Review: ‘The Last Supper’ (2025), starring James Oliver Wheatley, Jamie Ward, Charlie MacGechan, Nathalie Rapti Gomez, Robert Knepper and James Faulkner

March 14, 2025

by Carla Hay

Jamie Ward in “The Last Supper” (Photo courtesy of Pinnacle Peak Pictures)

“The Last Supper” (2025)

Directed by Mauro Borrelli

Culture Representation: Taking place in the years 32 and 33 A.D., in Judaea (later known as Israel), the dramatic film “The Last Supper” features a predominantly white group of people (with a few Middle Eastern people) depicting the Christian story of Jesus Christ and his last days before he was crucified.

Culture Clash: Jesus Christ was betrayed by his apostle Judas Iscariot and crucified by Romans for saying that he was the Son of God.

Culture Audience: “The Last Supper” will appeal primarily to people who are interested in watching faith-based movies that are depictions of stories in the Christian Bible.

James Oliver Wheatley, Charlie MacGechan and Jamie Ward in “The Last Supper” (Photo courtesy of Pinnacle Peak Pictures)

“The Last Supper” has some pacing issues, but the movie gives an adequately entertaining interpretation of this well-known Christian story. The movie’s performances are credible and not as cringeworthy as those in other low-budget faith-based movies. This film knows its target audience and does not deviate too far from the source material of the Christian Bible.

Directed by Mauro Borrelli (who co-wrote “The Last Supper” screenplay with John Collins), “The Last Supper” could have done the predictable narrative by having the story told from the perspective of Jesus Christ. Instead, the story is told from the perspective of Peter, one of Jesus’ apostles. Peter is the narrator of the movie, which delves a little more into the motives of Judas Iscariot, the apostle who betrayed Jesus.

“The Last Supper” (which takes place in Judea, later known as Israel) begins in the year 32 A.D., near the Sea of Galilee, to show the Loaves and Fishes miracle, also known as the Feeding of the 5,000. In this scene a starving crowd of about 5,000 people have gathered near the sea to greet Jesus, who has a reputation as a miracle worker. Jesus (played by Jamie Ward) is able to turn five loaves of bread and two fish into enough fish and loaves of bread to feed the crowd and still have some left over. Jesus also performs another miracle by giving the ability to see to a blind boy.

Local leaders offer Jesus a chance to be “king among men.” Jesus turns down the offer by saying, “My kingdom is not of this world.” Judas (played by Robert Knepper), who is overly ambitious and craves power, is dismayed that Jesus has turned down this offer. Judas does not understand Jesus’ humility. By contrast, Peter (played by James Oliver Wheatley) is in constant awe and admiration of Jesus.

One year later, in 33 A.D., the Cleansing of the Temple happens, when Jesus is at the main temple in Jerusalem and gets angry when he sees that merchants have taken over the temple courtyard. Jesus thinks it’s disrespectful and sinful for people to buy and sell things in a sacred place of worship. He overturns the merchant tables and yells at the merchants: “My house is a house of prayer! And you have turned it into a den of thieves!”

As far as the merchants are concerned, this is vandalism by self-righteous hoodlum who thinks he’s the Messiah. Jesus has now made several enemies in Judea. Caiaphas (played by James Faulkner) is the High Priest of Israel and becomes the chief schemer to murder Jesus. Caiaphas attempts to bribe Judas to help with this assassination plot, but Judas refuses. Caiaphas keeps the offer open in case Judas changes his mind.

Throughout the movie, Judas is shown as being conflicted over whether or not to betray Jesus. This conflict is depicted as Satan (played by Ahmed Hammoud) appearing to Judas as a demon and as a snake while saying tempting words to Judas. These scenes are like something out of a fairly mild horror movie. They aren’t gory scenes, but they might be a little too intense for viewers under the age of 8.

“The Last Supper” also depicts the ongoing tensions between Jews and Romans during this time period. At the time that Jesus is alive, the Romans had control of Judea. The Romans would ultimately decide Jesus’ fate when he was arrested for claiming to be the Messiah.

The movie’s namesake scene of a fateful Passover dinner is a highlight of the movie. Jesus washes the feet of apostle John (played by Charlie MacGechan) as a sign of humility, in one of the more memorable scenes in the film. The movie does not show the crucifixion, but it has some scenes of Jesus being whipped. This violence is not too explicit, but it might be disturbing to some viewers.

One of the things that the movie could have done better is give personalities to the apostles who aren’t Peter, Judas and John. Peter is loyal but he has his flaws, and his loyalty will be test. Judas is brooding and morally conflicted. John is a fun-loving good guy.

The rest of Jesus’ 12 apostles are blank slates when it comes to their personalities in the movie. Andrew (played by Fredrik Wagner), James (played by Ottavio Taddei), Philip (played by Vincenzo Galluzzo), Bartholomew (played by Abdeslam Bouhssini), Thomas (played by Billy Rayner), Matthew (played by Youssef Ben Hayoun), James the Lesser (played by Youssef Tounzi), Thaddaeus (played by Yassin Aamir) and Simon the Zealot (played by Harry Anton) don’t say much in the movie, compared to Peter, Judas and John.

Jesus’ mother Mary (played by Mayssae El Halla) and Mary Magdalene (played by Nathalie Rapti Gomez), the reformed sex worker who becomes part of Jesus’ entourage, are also underdeveloped characters. All of the villains except for ruthless Caiaphas have vague or non-existent personalities. Pontius Pilate, the Roman official who presided over the trial of Jesus, is not in this movie.

Some of “The Last Supper” is dragged down by slow pacing. However, the performances—particularly Wheatley as Peter and Knepper as Judas—stand out as realistically human. Ward’s depiction of Jesus is satisfactory and very empathic. During scenes where Jesus gets tearfully emotional, people in the audience might feel the same way.

The cinematography, musical score and costume design for “The Last Supper” are admirable, considering the movie’s budget is lower than most cinematic versions of Biblical stories. Is this version of “The Last Supper” outstanding? No. But it’s not terrible either. It’s a solid option for anyone who is inclined to see this type of movie and doesn’t want to see disturbing scenes about Jesus’ crucifixion.

Pinnacle Peak Pictures released “The Last Supper” in select U.S. cinemas on March 14, 2025.

Review: ‘5Lbs of Pressure,’ starring Luke Evans, Rory Culkin and Alex Pettyfer

March 25, 2024

by Carla Hay

Rudy Pankow and Luke Evans in “5Lbs of Pressure” (Photo courtesy of Lionsgate)

“5Lbs of Pressure”

Directed by Phil Allocco

Culture Representation: Taking place in New York City, the dramatic film “5Lbs of Pressure” features a predominantly white cast of characters (with some African Americans and a few Asians) representing the working-class, middle-class and criminal underground.

Culture Clash: After spending 16 years in prison for murder, an ex-con is paroled and tries to form a bond with his estranged teenage son, as the brother of the ex-con’s murder victim contemplates getting revenge on the ex-con. 

Culture Audience: “5Lbs of Pressure” will appeal primarily to people who are fans of the movie’s headliners and tacky crime dramas that are trying to be more artistic than they really are.

Alex Pettyfer and Rory Culkin in “5Lbs of Pressure” (Photo courtesy of Lionsgate)

“5Lbs of Pressure” tries to be a gritty and realistic crime drama with multiple storylines converging. But the clumsy handling of the plot and the vapid dialogue result in an unappealing mush of a movie that lacks suspense. If you can imagine what 2005’s “Crash” would be if it had a lower budget and all of the main characters were connected in some way to criminal activities, then you have a pretty good idea of what type of movie “5Lbs of Pressure” wants to be but comes up very short.

Written and directed by Phil Allocco, “5Lbs of Pressure” is based on his 2005 short film “The Mirror.” The title of “5Lbs of Pressure” refers to a scene in the movie when someone with a gun tells one of the main characters that the gun has only five pounds of trigger pressure. It’s a title that is meant to convey how little strength it takes to pull the trigger on a gun that can kill.

So much of “5Lbs of Pressure” looks like it wants to be artistically meaningful, but the movie has a shaky foundation of a substandard screenplay and unfocused direction that are not helped by unimpressive acting from most of the cast members. The movie takes place in New York City but was actually filmed in Manchester, England.

In “5Lbs of Pressure,” there are three main characters whose lives cross paths in the movie’s big climactic scene.

  • Adam DeSalvo (played by Luke Evans) is a recently paroled ex-con, who spent 16 years in prison for murdering a young male stranger because of a petty argument.
  • Eli (played by Zac Adams) is the angry younger brother of the guy who was murdered.
  • Mike (played by Rory Culkin) is a dimwitted drug dealer who really wants to be a professional musician.

“5Lbs of Pressure” goes through a tedious and often lackluster back-and-forth between showing the storylines for these three characters. Adam is first seen showing up unannounced at the workplace of his friend Steve (played Jazz Lintott), who owns a small business. Adam has recently been discharged from a halfway house and needs a place to live. The best that Steve can offer at the moment is a cluttered and small storage room, which Adam accepts.

Adam tells his parole officer Patricia Earl (played by Julee Cerda) that he’s gotten a job as a bartender at a pub called Mirror Bar, located in Brooklyn’s Red Hook neighborhood. The opening scene of “5Lbs of Pressure” shows Mirror Bar from the outside at night, while gunshots are being fired inside the bar. The movie then circles back to this scene to show what happened during this shootout.

As an example of how poorly written “5Lbs of Pressure” is, parole officer Patricia tells Adam that because he’s a convicted murderer on parole, he’s not supposed to have a job where he will be around a lot of alcohol. He’s also not supposed to be in places, such as Mirror Bar, which are known hangouts for criminals. Adam tells her that having this job is better than being unemployed, so Patricia quickly drops the matter.

In reality, a parole officer could get in serious trouble for knowing about this parole violation and not doing anything about it. There would also be other people who could easily find out about this parole violation and get Adam in trouble. But “5Lbs of Pressure” doesn’t care about those realistic details because of how it wants to contrive the movie’s climactic scene at Mirror Bar.

Meanwhile, Mike works for his uncle Leff (played by Alex Pettyfer), a local drug dealer who has a nasty temper and who constantly disrespects and belittles Mike. Leff sells cocaine and marijuana, but he thinks he has “ethics” because he refuses to become a heroin dealer, no matter how lucrative the offer. Leff’s sister, who was Mike’s mother, died of a heroin overdose.

Eli, Mike and a thug named Sicky (played by James Oliver Wheatley) work for Neff. All of them regularly snort cocaine. Mike and Eli are in a rock band together that’s on the level of playing small nightclubs, but the band seems to be going nowhere its career. Mike is more committed to being a musician than Eli is.

Eli is currently preoccupied with thoughts of revenge because he knows that Adam has been paroled. Eli and his widower mother Anna (played by Olivia Carruthers) are upset that Adam didn’t get a longer prison sentence. Eli is offended that Adam has gone back to live in the same neighborhood where Eli’s family lives. Eli is also having some relationship problems with his girlfriend Lori (played by Savannah Steyn), who doesn’t want to live in New York City anymore.

There’s a very monotonous part of the movie about Mike wanting to do a heroin deal that would get him out of debt to a local gang boss named E.R. (played by Gary McDonald), but Neff is completely against the idea of dealing heroin. Mike secretly goes to Neff’s drug supplier Jamal (played by Lorraine Burroughs, doing a very fake-sounding Caribbean accent) to set up the heroin deal on his own, without telling Leff. You know where all of this is going, of course.

One of Neff’s customers is a rebellious 16-year-old named Jimmy (played by Rudy Pankow), who was told all of his life by his bitter single mother Donna (played by Stephanie Leonidas) that she and Jimmy were abandoned by Jimmy’s father, whom she was married to for an unnamed period of time. Jimmy will soon find out that Donna didn’t tell Jimmy the entire truth: Jimmy’s father Adam wasn’t there for them because he was in prison for murder for the past 16 years, and she cut off all contact with Adam. Jimmy was born while Adam was in prison.

This major plot point (which is not spoiler information) is another example of how the “5Lbs of Pressure” screenplay is badly conceived. Considering that Jimmy and Donna live in the same area where Adam used to live before Adam went to prison, it’s very hard to believe that Jimmy wouldn’t be able to find out what happened to Adam before Adam got out of prison. It’s as if the “5Lbs of Pressure” filmmakers want viewers to believe that no one in the community would tell Jimmy the truth about Adam, or that Jimmy is incapable of doing an Internet search.

At any rate, “5Lbs of Pressure” tries to shoehorn in some family melodrama and sentimentality, as Adam tries to get back in Jimmy’s life, against the vehement objections and disapproval of Donna. Adam is a recovering drug addict who likes to draw illustrations in his spare time. Adam shows his drawing talent to Jimmy and encourages Jimmy to start drawing too.

“5Lbs of Pressure” isn’t a completely terrible movie. It just has just too many boring or idiotic scenes that outnumber anything in the film that can be considered enjoyable entertainment. The acting performances range from adequate to lackluster to awful. The movie’s ending is meant to be “shocking,” but it’s actually quite predictable because of all the clues that are telegraphed so blatantly. “Crash” is remembered for being a controversial Oscar winner for Best Picture, but “5Lbs of Pressure” can’t even claim to be very memorable at all.

Lionsgate released “5Lbs of Pressure” in select U.S. cinemas, on digital and VOD on March 8, 2024.

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