Review: ‘Borderlands’ (2024), starring Cate Blanchett, Kevin Hart, the voice of Jack Black, Edgar Ramírez, Ariana Greenblatt, Florian Munteanu, Gina Gershon and Jamie Lee Curtis

August 8, 2024

by Carla Hay

Cate Blanchett, Claptrap (voiced by Jack Black), Kevin Hart, Ariana Greenblatt, Florian Munteanu and Jamie Lee Curtis in “Borderlands” (Photo by Katalin Vermes/Lionsgate)

“Borderlands” (2024)

Directed by Eli Roth

Culture Representation: Taking place mostly on a planet called Pandora, the sci-fi/action film “Borderlands” (based on the video game of the same name) features a predominantly white cast of characters (with some black people and Latin people) portraying the various characters that are human or not human.

Culture Clash: A bounty hunter is tasked with finding the daughter of a ruthless business tycoon/weapons manufacturer because the daughter is believed to be the key to opening a vault that holds all-powerful secrets.  

Culture Audience: “Borderlands” will appeal primarily to people are fans of the movie’s headliners and the video game on which the movie is based, but even the most die-hard fans will find it difficult to like this messy misfire.

Pictured clockwise, from upper left: Ariana Greenblatt, Florian Munteanu, Jamie Lee Curtis, Claptrap (voiced by Jack Black), Kevin Hart and Cate Blanchett in “Borderlands” (Photo courtesy of Lionsgate)

“Borderlands” should be called “Bored and Bland” to describe this slipshod movie adaptation of the video game. It’s just a mishmash of mindless action scenes, annoying characters and shameless ripoffs of “Star Wars” and “Mad Max” movies. Cate Blanchett puts in some effort to be entertaining in leading a nearly all-star cast as the bounty hunter character Lilith. However, celebrity name recognition alone can’t save this lackluster flop.

Directed by Eli Roth (who co-wrote the abysmal “Borderlands” screenplay with Joe Crombie), “Borderlands” had a troubled production that required reshoots and multiple delays for the movie’s release. Those are never good signs for a movie. The end results prove that “Borderlands” was not worth the wait.

“Borderlands,” which has some voiceover narration from the Lilith character, begins with a rushed explanation that an alien race called Eridians ruled the universe but disappeared. The Eridians left behind their technology and a special Vault that holds Eridian secrets to control the universe. This unique Vault is on the planet of Pandora and can only be opened by the daughter of Erdia, a female leader of the Eridians.

Meanwhile, a bratty tween named Tiny Tina (played by Ariana Greenblatt) gets abducted by a fast-talking outlaw named Roland Greaves (played by Kevin Hart) and his gas-mask-wearing sidekick named Krieg (played by Florian Munteanu), who are both Vault Hunters. Krieg doesn’t really talk. He mostly grunts.

Lilith, who has a tough and jaded personality, is hanging out at her favorite bar on the planet Promethea when she is contacted by a ruthless business tycoon called Atlas (played by Edgar Ramírez), who hires her to find Tiny Tina on Pandora. Atlas is the leader of Atlas Corporation, which makes war weapons. Tiny Tina is believed to be the daughter of Eridia.

Lilith hates the idea of going to Pandora, which is the planet were she grew up. Multiple times throughout the movie, Lilith calls Pandora a “shithole”—and it’s not just because Pandora is a wasteland filled with garbage and sewage. Pandora also brings back bad memories for Lilith.

Flashbacks in the movie show that Pandora was invaded when Lilith (played by Riana Emma Balla) was a girl. Lilith’s single mother (played by Haley Bennett) did not escape the carnage and died. During the invasion massacre, Lilith’s mother frantically asked a neurotic scientist friend named Tannis (played by Jamie Leigh Curtis) to take care of Lilith, who was about 9 or 10 years old at the time. Tannis currently lives in Sanctuary City.

It doesn’t take long for Lilith to find Tiny Tina, who doesn’t want to go back home to Atlas. Tiny Tina’s family origins are purposely muddled to give her an air of mystery. It’s really just sloppy screenwriting. One minute, Tina says that she doesn’t have a father. Another minute, she’s describing Atlas as “my daddy.”

Lilith isn’t the only one looking for Tiny Tina. There’s an utterly generic character named Commander Knoxx (played by Janina Gavankar) of the Crimson Lance, a group of beings that are enemies of humans and have more powerful weapons than humans. (In the “Borderlands” video game, Commander Knoxx is male.) Instead of taking Tiny Tina back to Atlas, Lilith ends up trying to dodge being captured by Commander Knox and her army, who work for Atlas.

Roland and Krieg are determined to find the Vault, but there are three keys needed to open the Vault. Much of “Borderlands” is a race against time to find all three keys before Atlas and his allies can. Lilith gets caught up in this hunt because she doesn’t want the secrets of the Vault to end up in Atlas’ possession. Gina Gershon has a small role as Moxxi, the owner of a bar in Sanctuary City, who is a friendly acquaintance of Lilith.

Somewhere along the way, Lilith brings along Tannis (played by Jamie Leigh Curtis), who has a tense relationship with Lilith because Tannis didn’t follow through on the request of Lilith’s mother to take care of orphaned Lilith. Instead, Tannis left Lilith to be raised by other people. Even though Tannis expresses remorse, Lilith is still very bitter about this abandonment.

Also in this ragtag group is a talking robot named Claptrap (voiced by Jack Black), who is an inferior “Borderlands” combo version of the “Star Wars” robots C-3PO and R2-D2. Just like C-3PO in the “Star Wars” movies, Claptrap is a helpful talking android that seems constantly surprised by all the mayhem. And just like R2-D2 in the “Star Wars” movies, Claptrap rolls instead of walks and can transmit hologram images and messages. Claptrap has little of the charm of C3-PO and R2-D2 and mostly tells stale jokes.

The wasteland landscape of Pandora in “Borderlands” borrows heavily from the “Mad Max” movies. (“Borderlands” was filmed partially in Hungary.) And just like in the “Mad Max” movies, there’s a roving group of anarchic hoodlums that wear gas masks. The visual effects in “Borderlands” often look appallingly incomplete. There’s an action sequence toward the end of the movie where Lilith doesn’t look like a real person and looks like computer animation from a video game. It’s as if the “Borderlands” filmmakers didn’t bother to put the finishing touches on a template scene.

Blanchett tries to brings some charisma to Lilith, but she’s hampered by flat dialogue that ultimately makes Lilith a two-dimensional character. Roland is just another in a long list of Kevin Hart characters who are irritating chatterboxes. Tannis doesn’t do much except look confused or frightened and occasionally comes out of her out-of-place daze to think of a useful idea. Tiny Tina is just a tiresome and rude complainer who thinks she’s smarter than she really is. As for chief villain Atlas, he’s just shallow and boring.

Mostly, “Borderlands” just slogs along by going from one unimaginative scene to the next. The action scenes are extremely derivative. Even the supposedly “surprise” ending can easily be predicted because the movie drops some not-so-subtle clues. “Borderlands” is the type of disappointing dreck that tries to look very busy and bold when in it’s actually filmmaking that is very lazy and cowardly in how there wasn’t enough effort to make a creative and appealing movie.

Lionsgate will release “Borderlands” in U.S. cinemas on August 9, 2024. The movie will be released on digital and VOD on August 30, 2024.

Review: ‘The Way Back’ (2020), starring Ben Affleck

March 6, 2020

by Carla Hay

Ben Affleck (pictured in front, at far right) in “The Way Back” (Photo by Richard Foreman/Warner Bros. Pictures)

“The Way Back” (2020)

Directed by Gavin O’Connor

Culture Representation: Taking place in the beach city of San Pedro, California, the drama “The Way Back” has a racially diverse (white, Latino, African American) cast of characters representing the middle class.

Culture Clash: An alcoholic man, who was a star basketball player in high school, returns to his alma mater as a basketball coach while battling his addiction.

Culture Audience: “The Way Back” will appeal mostly to people who want to see stories about addiction or basketball (and there might be some curiosity over how the story compares to star Ben Affleck’s real-life personal problems), but the movie doesn’t show anything that hasn’t been done before in TV movies of the week.

Janina Gavankar and Ben Affleck in “The Way Back” (Photo by Richard Foreman/Warner Bros. Pictures)

Not to be confused with director Peter Weir’s Soviet gulag-escape drama “The Way Back” (which was released in 2010), the 2020 release of “The Way Back” (directed by Gavin O’Connor) is a drama about an entirely different struggle: alcoholism and coping with the death of a child. Ben Affleck plays Jack Cunningham, a lonely middle-aged guy who’s living a dead-end, self-destructive existence in San Pedro, California. In the beginning of the story, he has a job as a day laborer in construction. When he’s not on the job, he gets drunk at local bars before he heads home, where he lives by himself. Jack is obviously in a lot of emotional pain, but the story unfolds in layers over why he’s in turmoil and why he’s become an alcoholic.

On one of the many days that he’s woken up with a hangover, Jack unexpectedly gets a call to meet with Father Edward Devine (played by John Aylward), the head of Bishop Hayes High School, a Catholic school that is Jack’s alma mater. Father Edward asks Jack if he would like to be the head coach of the school’s basketball team. He’s up front in telling Jack that the team loses almost all of its games, but they could really use guidance from Jack, who was a star basketball player at the school from 1993 to 1995. It’s also the last period of time when the Bishop Hayes basketball team made it to the national finals.

Jack’s immediate reaction is to say no, but Father Edwards pleads with Jack to think it over and call him the next day with his decision. Before he makes that call, Jack spends some time rehearsing the words he’ll say to decline the offer. The next thing you know, Jack is being introduced to the team as the new head coach.

The assistant coach is Dan Espinosa (played by Al Madrigal), an algebra teacher at the school. Dan graduated from Bishop Hayes High School a few years after Jack did. When Dan was a basketball player in high school, he idolized Jack. Dan wasn’t a very good player back then (he mostly stayed on the bench), so he knows his limitations and is excited about working with Jack.

“The Way Back” has two very different trailers. The first trailer, which is the more accurate one, shows how much of a screw-up alcoholic Jack is and how he happens to coach a basketball team. The second trailer takes more of a “feel good” sports angle by playing up the basketball aspects of the movie. There are some thrilling basketball scenes in the film, but the movie is really about Jack’s turbulent journey as an alcoholic.

During the course of the movie, viewers find out that Jack has been separated from his wife Angela (whom he calls “Ange”) for more than a year. Jack has been an alcoholic for several years, but his marriage reached a breaking point after the 2017 death of their only child, an 8-year-old son named Michael. (How he died is revealed in the movie, and it’s an emotional trigger when something similar happens to someone on Angela’s side of the family.)

Jack’s main emotional support system comes from his younger sister Beth (played by Michaela Watkins) and her family, which consists of her husband and pre-teen son and daughter. Jack’s mother has recently moved in with Beth and her family. Over a Thanksgiving dinner that turns argumentative, long-simmering resentments come to the surface.

Jack is somewhat jealous that Beth is doing better in life than he is, and it adds to his feelings of self-loathing. Beth shows concern over Jack’s obvious drinking problem, but he thinks she’s overreacting and being a nag. He’s also annoyed because Angela has recently called Beth, not Jack, to check up on Jack to see how he’s doing.

Eventually, Angela (played by Janina Gavankar) meets with Jack in person to tell him news that he wasn’t expecting to hear: She has a new man in her life (his name is Nick), and her separation from Jack is probably going to lead to divorce. Jack is upset, but he channels his frustrations into his new job as a basketball coach.

As the team’s new coach, Jack is abrasive and prone to cursing a lot. He gets reprimanded multiple times for his foul-mouthed, short-tempered behavior by the team’s chaplain, Father Mark Whelan (played by Jeremy Radin), who’s there for spiritual guidance and to make sure that the team and the coaches follow the school’s moral code of conduct.

There are many expected scenes in the movie of Jack doing the “shouting coach” thing. There are also some basketball scenes using borderline hokey freeze-frames and slow-motion shots that give this film a “TV movie of the week” tone. It’s during the quieter moments, when Jack is alone and facing his demons, that the movie has more emotional resonance.

Under Jack’s leadership, the team predictably starts to win games (as seen in the movie’s trailers), but this isn’t a basketball movie drama like “Hoosiers,” “Blue Chips” or “Glory Road” (all featuring “tough love” coaches), where the biggest thing at stake is a basketball championship. In “The Way Back,” the biggest thing at stake is Jack’s physical and emotional health. As such, the basketball players’ individual personalities aren’t given as much screen time as you might think they would get.

There are some standout players on the team. Brandon Durrett (played by Brandon Wilson), a withdrawn loner, is the most talented player and Jack’s favorite. As the team starts to win more games, Brandon comes out of his shell and gains confidence. He starts to think that he might have a shot at a college scholarship and possibly the big leagues of the National Basketball Association.

However, Brandon’s father Russ (played by T.K. Carter) never goes to see his son play and isn’t very supportive of Brandon’s basketball dreams. When Jack goes to visit Russ at his shrimp fishery job to encourage him to support Brandon, Russ brushes Jack off and tells Jack that basketball is a long-shot, short-lived career that will only disappoint Brandon. He wants to see his son succeed in a job where he won’t be considered “washed-up” by the time he’s in his 40s.

Other players on the team whose personalities are distinct are Marcus Parrish (played by Melvin Gregg), the team’s cocky showoff; sharpshooter Kenny Dawes (played by Will Ropp), who’s a ladies’ man; Chubbs Hendricks (played by Charles Lott Jr.), an overweight guy who’s predictably the team jokester; Sam Garcia (played by Fernando Luis Vega), the guy most likely to give pep talks to the other players; and Bobby Freeze (played by Ben Irving), who’s a solid team player.

In doing publicity for “The Way Back,” Affleck has given candid interviews about the parallels between him and the Jack Cunningham character. Over the past several years, Affleck has been open about his addiction issues (alcoholism and gambling), which were among the reasons for his messy divorce from actress Jennifer Garner, the mother of their three kids. During filming of “The Way Back,” Affleck publicly had a relapse in his alcoholism. And “The Way Back” director O’Connor says that Affleck had a breakdown during a scene in the movie where Jack meets with Angela and confronts his issues. The scene got so emotionally raw, says O’Connor, that he had to cut most of it out of the film.

Although that scene between Jack and Angela is emotional, it’s a lot more muted than what it could be. It didn’t have to be melodramatic, but it’s not a moment where people in the audience will gasp or get so emotionally moved that they’ll start crying—a reaction that happened a lot in the big confrontation scene between the estranged spouses in the 2019 film “Marriage Story,” writer/director Noah Baumbach’s award-winning divorce drama.

Affleck does a very good job in the role, but the movie’s weakest link is that it’s a predictable script (written by Brad Ingelsby) that handles the subject matter in a way that’s been done so many times before in movies and TV shows. That predictability is one of the reasons why it might be difficult to convince people to pay full price to see this movie in a theater. People might be more inclined to wait until “The Way Back” can be seen on a small screen. However, “The Way Back” isn’t a bad way to spend a couple of hours watching a serviceable drama. It’s just not the most essential film about basketball coaches or alcoholism.

Warner Bros. Pictures released “The Way Back” in U.S. cinemas on March 6, 2020.

UPDATE: Because of the widespread coronavirus-related closures of movie theaters worldwide, Warner Bros. Home Entertainment has moved up the digital and VOD release of “The Way Back” to March 24, 2020.

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