Review: ‘Lisa Frankenstein,’ starring Kathryn Newton, Cole Sprouse, Liza Soberano, Henry Eikenberry, Joe Chrest and Carla Gugino

February 12, 2024

by Carla Hay

Kathryn Newton and Cole Sprouse in “Lisa Frankenstein” (Photo by Michele K. Short/Focus Features)

“Lisa Frankenstein”

Directed by Zelda Williams

Culture Representation: Taking place in 1989, in an unnamed U.S. city, the comedy film “Lisa Frankenstein” features a predominantly white cast of characters (with a few African Americans, Latin people and Asians) representing the working-class and middle-class.

Culture Clash: An 18-year-old social outcast resurrects an 1800s man from his grave, and they become a serial-killing duo. 

Culture Audience: “Lisa Frankenstein” will appeal primarily to people who are fans of the movie’s headliners and quirky comedies that blend the mediocre with the macabre.

Liza Soberano and Kathryn Newton in “Lisa Frankenstein” (Photo by Michele K. Short/Focus Features)

“Lisa Frankenstein” makes futile attempts to be an edgy comedy about the antics of a teenage loner and a resurrected corpse, but this often-dull misfire has gruesome and ill-conceived jokes that are as inert as a corpse. The movie’s concept isn’t terrible, but it is badly mishandled in the writing, directing, and uneven performances from the cast members.

Directed by Zelda Williams and written by Diablo Cody, “Lisa Frankenstein” takes place in 1989, in an unnamed U.S. city. Zelda Williams (daughter of Robin Williams) makes her feature-film directorial debut with “Lisa Frankenstein.” Cody won an Oscar for Best Original Screenplay for the 2007 comedy “Juno” (which is still Cody’s best movie), and she is a producer of “Lisa Frankenstein,” which will get inevitable comparisons to Cody’s 2009 horror comedy “Jennifer’s Body,” another movie about a social-misfit teenager whose closest friend has been supernaturally transformed into being a serial killer.

In “Lisa Frankenstein,” Lisa Swallows (played by Kathryn Newton) is an 18-year-old student in high school. She’s a mopey loner who likes to spend her time listening to angsty rock bands such as The Cure and Bauhaus and visiting Bachelors Cemetery Grove. She has become fixated on the grave of a pianist who died in his 20s in the 19th century. The man, who is only given the name The Creature (played by Cole Sprouse) in the movie’s end credits, committed suicide after he was rejected by a woman he was courting.

Lisa’s fantasies are preoccupied with thinking about what it would be like to be in a romance with this tragic person. She also has a crush on someone who is alive: Michael Trent (played by Henry Eikenberry), the good-looking editor-in-chief of their high school newspaper. Michael has already noticed Lisa because he has published some of her gloomy poems in the newspaper and has complimented her about her writing talent. Lisa gets nervous and shy whenever Trent talks to her.

Lisa feels like an outsider in her own home. As explained in an exposition dump in the movie, Lisa’s mother (played by Jennifer Pierce Mathus) was murdered by a home-invading axe murderer (played by Luke Sexton), which is shown in a brief flashback. (“Lisa Frankenstein” is so poorly written, it never bothers to mention if the murderer was ever caught.)

Just a few months after the murder, Lisa’s father Dale (played by Joe Chrest) married a psychiatric-facility nurse named Janet (played by Carla Gugino), who is a stereotypical mean-spirited stepmother to Lisa. Lisa and Dale have moved to Janet’s home because of Dale and Janet’s marriage, and Lisa has enrolled in a new school for her last year in high school. There are some not-funny-at-all and tedious scenes of Janet accusing Lisa of breaking things in the house. Dale is oblivious to things that are going on in the household.

From a previous marriage, Janet has a teenage daughter named Taffy (played by Liza Soberano), a perky, not-very-smart cheerleader, who is about the same age as Lisa and who goes to the same school, which is called Brookfield High School. Taffy is also a nosy gossip who has a posse of three close friends—Lori (played by Jenna Davis), Tricia (played by Trina LaFargue) and Misty (played by Paola Andino)—who are nothing but sounding boards for Taffy’s babblings. Taffy repeatedly tries to make Lisa more sociable, even though it’s obvious that Lisa doesn’t care about being popular or making friends at the school.

Another student who interacts with Lisa is her nerdy lab partner Doug (played by Bryce Romero), who is not the “nice guy” he might appear to be, as Lisa finds out at a party where Doug initiates some sexual touching on Lisa without her consent. When Lisa tells Doug to stop because she’s not interested, Doug confirms that he’s a sleaze when he responds by saying that Lisa should finish what she started and adds, “It’s not nice to lead people on.” There seems to be no point for the movie to unrealistically make every teenage guy who’s in contact with Lisa to be either (a) unacceptable or (b) unattainable, other to make Lisa look like she has no boyfriend prospects except for the dead guy she resurrected.

Lisa works part-time as a seamstress for a local tailor: a rude creep named Wayne (played by Charlie Talbert), who makes sexist remarks to Lisa about the way she looks and her lack of a social life. It’s an example of a subplot that is thrown into the movie and goes nowhere. Curiously, after Lisa undergoes a makeover, she spends about half the movie trying to look like Madonna in the 1985 comedy film “Desperately Seeking Susan,” which would make Lisa’s fashion choices about four years too late for this story.

One day, Lisa is having fantasies about the dead pianist when she says out loud: “I wish I was with you.” It isn’t long before he is inexplicably resurrected and shows up at her house as a filthy walking cadaver, who is mute for nearly the entire movie. Lisa spends most of the story trying to hide The Creature so she can keep him a secret all to her herself. The expected “corpse makeover” happens, some of it in a tanning bed—as if a rotting zombie in a tanning bed is supposed to automatically be funny. The rest of the movie shows Lisa and The Creature engaging in various shenanigans (including mutilation of body parts and murder) while falling in love with each other.

What could have been hilarious fodder for very dark comedy is instead an erratically paced movie filled with stale jokes. Newton and Sprouse do not have convincing chemistry together as a would-be couple in a morbid romance. The movie’s direction is mishandled because the cast members performances range from over-acting to being very listless and unimpressive. Simply put, although “Lisa Frankenstein” might manage to get a few chuckles out of some viewers, this is a disappointing dud that should have stayed dead and buried.

Focus Features released “Lisa Frankenstein” in U.S. cinemas on February 9, 2024.

Review: ‘M3GAN,’ starring Allison Williams, Ronny Chieng and Violet McGraw

January 6, 2023

by Carla Hay

Amie Donald and Violet McGraw (pictured at right) in “M3GAN” (Photo by Geoffrey Short/Universal Pictures)

“M3GAN”

Directed by Gerard Johnstone

Culture Representation: Taking place in Seattle, the horror film “M3GAN” features a predominantly white cast of characters (with a few African Americans, Latinos and Asians ) representing the working-class, middle-class and wealthy.

Culture Clash: A robot doll with artificial intelligence goes on a rampage against anyone who harms the 8-year-old girl who thinks of the doll as her best friend.

Culture Audience: “M3GAN” will appeal primarily to people who are interested in watching predictable but entertaining horror movies about killer dolls.

Amie Donald, Allison Williams and Violet McGraw (pictured at right) in “M3GAN” (Photo by Geoffrey Short/Universal Pictures)

“M3GAN” (pronounced “megan”) can now join the 1988 “Child’s Play” movie (which introduced the murderous Chucky toy doll) as one of the all-time most memorable “killer doll” movies, gaining legions of fans and inspiring countless horror costumes. “M3GAN” is the type of movie that you know instantly is the start of a franchise. It’s a campy, creepy and comical horror romp that delivers more laughs than genuine scares. Audiences should be in on the joke, which loses its impact with a somewhat weak ending. However, the killer doll’s sinister sassiness is worth seeing.

Directed by Gerard Johnston and written by Akela Cooper, “M3GAN” doesn’t go down the usual supernatural route to explain why the killer doll is so evil. Instead, “M3GAN” is a tale of human-made technology run amok. In that sense, the story is grounded in a reality and a persistent fear that technology with artificial intelligence will develop a mind of its own and do widespread damage. In this case, the damage is done by a 4-foot-tall terror doll named M3GAN, an acronym for Model 3 Generative Android. “M3GAN” also has social commentary on the effects of relying heavily on technology instead of human interactions for handling child care, learning, and developing relationships with other people.

“M3GAN” begins by showing a commercial for automated, furry toy pets called Purrpetual Pets, which can receive commands from mobile devices. The Seattle-based company that makes these toys is named Funki, which considers Hasbro to be one of its biggest rivals. One of the kids who has a Purrpetual Pet is an 8-year-old girl named Cady (played by Violet McGraw), who is playing with a dog version of a Purrpetual Pet in the back seat of a car while her parents are in the front seat.

Cady, her father Ryan (played by Arlo Green) and her mother Nicole (played by Chelsie Preston Crayford) are traveling by car for a family ski trip. It’s snowing heavily outside. Nicole is slightly annoyed by how Cady is so preoccupied with her Purrpetual Pet toy because Cady would rather talk to the toy than talk to her parents. Nicole comments, “What is the purpose of the toy if you have to play it on an iPad?”

The show is coming down so thick that Ryan (who’s driving) temporarily stops the car and doesn’t see the snow truck that plows head-on into the car. Ryan and Nicole die in this accident, while Cady survives. Cady is sent to live with Nicole’s sister Gemma (played by Allison Williams), who lives in Seattle and becomes Cady’s legal guardian. (“M3GAN” was actually filmed in Montreal in Canada, and in the Auckland area of New Zealand.) Gemma, who is single with no biological kids, works as a roboticist at Funki, and was one of the chief creators of Purrpetual Pets. In fact, Cady’s Purrpetual Pet was a gift from Gemma.

It’s an awkward life transition for this aunt and niece. Gemma is a workaholic who has no experience in raising a child. Cady is still grieving over her parents’ death. The movie doesn’t show Gemma grieving too much because Gemma is portrayed as someone who buries her troubles by working at her job. Now that Gemma has become Cady’s guardian, Gemma has to figure out a way for them to adjust to their new living situation.

Cady was homeschooled when her parents were alive. Gemma has to work during the day, so she has to find a local school that will fit Cady’s needs. Later in the movie, Gemma and Cady have an orientation visit to an alternative school that likes to teach classes outdoors. In the meantime, Gemma has to partially work from home to look after Cady. Gemma doesn’t want Cady to feel bored or restless.

To help Cady with her grief and new life transition, Cady has counseling sessions with a therapist named Lydia (played by Amy Usherwood), who is kind and patient with Cady. There’s another reason why this therapist is working with Cady: The parents of Cady’s deceased father Ryan are thinking about taking full custody of Cady. Lydia is evaluating Cady and Gemma to determine if Gemma can be a better guardian than the grandparents.

Because Cady has lost her parents and doesn’t have any friends in Seattle, Cady is understandably a very mopey child. It just so happens that Gemma has been working on a prototype for the M3GAN doll, which she shows to her co-workers Cole (played by Brian Jordan Alvarez) and Tess (played by Jen Van Epps) in their work space. They are all under pressure to come up with a hot-selling new toy because a rival company has copied the Purrpetual Pets toys and selling them for half the price of Funki’s retail sale price.

The CEO of Funki is an egotistical, impatient and frequently rude taskmaster named David Lin (played by Ronny Chieng), who is often accompanied by his “yes man” assistant Kurt (played by Stephane Garneau-Monten), who is usually nervous and jumpy. Kurt’s resentment over being treated like a doormat comes out in later in the story. David and Kurt attend a demonstration of how M3GAN works in the office space of Gemma, Tess and Cole, but the demonstration is a disaster: Cole forgot to put in a polypropylene barrier in M3GAN, so the doll’s head catches on fire and explodes. (No one is hurt in this accident.)

Meanwhile, at Gemma’s home, Cady is curious about the boxed toys that Gemma has on display, but Gemma tells Cady that Cady can’t play with the toys because they are collectibles. Cady is dejected until Gemma shows Cady a robot named Bruce that Gemma keeps in her garage. The robot can walk and talk. Cady is immediately entranced and tells Gemma: “If I had a toy like Bruce, I don’t think I’d ever need another toy again.”

And you know what that means: Gemma and her co-workers fast-track making M3GAN into a toy that will be sold as Funki’s most technologically advanced toy so far. The timing couldn’t come soon enough, because a worried Tess tells Gemma that David can’t find out they spent $100,000 on research and development money on M3GAN before M3GAN was approved. It should come as no surprise that Cady is chosen as the first child who gets to test out M3GAN before the Funki does an official launch of this new toy.

M3GAN, who looks like a girl but acts like an adult, has encyclopedic knowledge of facts and knows all the right things to say in dealing with people’s feelings. M3GAN also has an ability to record and mimic voices. This robotic doll appears to be the perfect combination of a tutor, babysitter and best friend for lonely Cady. In what seems to be a pattern for Cady, she becomes instantly attached to M3GAN, just like Cady was attached to her Purrpetual Pet.

M3GAN also sings pop songs to comfort Cady. These singing scenes are some of the funniest in the movie. If you waited your whole life to see an evil robotic doll sing David Guetta’s “Titanium” to cheer up a girl, and then the doll unleashes some murderous mayhem just minutes later to “protect” the girl, then “M3GAN” is the movie for you.

Why is M3GAN overly protective of Cady? During the testing process, Gemma gave this programming order to M3GAN: Protect Cady from all physical and emotional harm. Of course, this order backfires in the worst ways. Gemma finds out too late that M3GAN has superhuman physical strength along with superhuman intelligence.

Cady also becomes overly attached to M3GAN and doesn’t want to go anywhere without this doll. Cady is so fixated on M3GAN being her “friend,” Cady throws nasty temper tantrums if M3GAN can’t be with Cady at all times. If Cady is separated from M3GAN, Cady acts like an addict being told that the addict can’t have whatever is causing their addiction.

And because this is a horror movie, some of the characters get caught in the crossfire of the havoc that M3GAN wreaks. Gemma’s next-door neighbor Celia (played by Lori Dungey) gets on Gemma’s nerves because Celia has a problematic dog and has a habit of spraying unwanted pesticide on Gemma’s front lawn. At the alternative school, it doesn’t take long for a child bully named Brandon (played by Jack Cassidy) to target Cady.

Williams and McGraw are perfectly fine in their performances as Gemma and Cady, but they have both done versions of these characters in other horror movies. Chieng looks like he’s having fun hamming it up as David, the boss from hell. All the other supporting characters are adequate in their roles.

The real star of the movie, of course, is the character of M3GAN. The M3GAN character is a combination of work from actresses Amie Donald (who does the live-action work) and Jenna Davis (who does the voice work), as well as the work of the movie’s visual effects team. The facial expressions, body language and sarcastic comments of M3GAN show that this dangerous doll has a mind of its own. It’s often hilarious to watch other characters react to M3GAN when they figure out this that M3GAN is not a harmless toy.

One of the biggest flaws of “M3GAN” is that M3GAN doesn’t make her debut as a fully designed talking toy until about 30 minutes into 102-minute movie. And if you’ve seen the trailers for “M3GAN,” you’ve already seen some of the best parts of the movie. All of this might diminish viewer enjoyment of “M3GAN,” but these flaws don’t ruin the movie. “M3GAN” is by no means the best horror movie you can see in a year, but it’s the type of horror movie where people will get hooked enough to want to see the chief villain in other movies.

Universal Pictures released “M3GAN” in U.S. cinemas on January 6, 2023. The movie will be released on digital and VOD on January 24, 2023. Peacock will premiere “M3GAN” (including an unrated version of the movie) on February 24, 2023. The movie (including the unrated version) will be released on Blu-ray and DVD on March 21, 2023.

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