Jennifer Jason Leigh Archives

Review: ‘Crime 101,’ starring Chris Hemsworth, Mark Ruffalo, Barry Keoghan and Halle Berry

February 14, 2026

by Carla Hay

Mark Ruffalo and Chris Hemsworth in “Crime 101” (Photo by Dean Rogers/Amazon MGM Studios)

Directed by Bart Layton

Some language in Arabic with subtitles

Culture Representation: Taking place in the Los Angeles area and briefly in California’s Santa Barbara, the dramatic film “Crime 101” (based on the novella of the same name) features a predominantly white cast of characters (with some African Americans, Latin people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: A mysterious jewel thief is hunted by police, gets unexpected competition from another thief, starts a tentative romance with a publicity assistant, and meets an insurance agent who is at a crossroads in her career.

Culture Audience: “Crime 101” will appeal primarily to people who are fans of the movie’s headliners, the novella on which the movie is based, and twist-filled crime dramas where the principal characters eventually cross paths or are connected to each other in some way.

Halle Berry in “Crime 101” (Photo by Dean Rogers/Amazon MGM Studios)

“Crime 101” is a suspenseful thriller that doesn’t always have credible scenarios but has credible characters. The movie’s story about jewelry heists doesn’t just focus on cops and robbers but also has the perspective of an insurance agent. It’s a stylish and solid drama that has overt messaging about some of the toxic things that can happen when people’s self-esteem is deeply embedded in their career achievements or income levels, and they turn to committing crimes, as their inner happiness remains elusive.

Written and directed by Bart Layton, “Crime 101” is based on Don Winslow’s 2021 novella of the same name. The movie takes place in the Los Angeles area, where “Crime 101” was filmed on location. “Crime 101” also has some scenes that take place in Santa Barbara. It’s the type of movie that juggles various storylines for multiple characters without making the story jumbled. However, viewers with short attention spans need patience to see how all these storylines converge in the end.

“Crime 101” begins and ends with an unidentified voice of a self-help expert or influencer giving life-affirming and confidence-boosting messages. It’s the movie’s way of showing that all the movie’s principal characters could use some of this self-help advice because they are emotionally broken inside in some way, but they are doing what they can to survive. Most of the movie’s principal characters seek validation through their work and/or their income level.

The movie’s opening sequence shows a man with the last name Davis (played by Chris Hemsworth, one of the producers of “Crime 101”) preparing to do what he’s been doing for the past several years: stealing jewelry from a jewelry dealer. Davis’ heists are worth a few million dollars each. Davis (who is in his early 40s) is tall, good-looking and can easily look like someone who belongs in the wealthy groups of people whom he enjoys robbing.

Davis’ method of operation is to pretend to be a security driver hired to transport a jewelry dealer who’s carrying high-priced jewelry somewhere. Davis does this impersonation through meticulous research in finding out in advance who the real driver is and the route the driver will take on the day of the jewelry transportation. Davis (wearing a ski mask) then incapacitates the driver in some way, such as kidnapping the driver and putting him in the trunk of the stolen car that Davis is driving. Davis takes any phones and weapons that the driver might have.

Davis steals the driver’s car and then pretends to be the driver to pick up his crime target. He then robs the target at gunpoint and steals the jewelry while still wearing his mask. He drives to a parking garage, where he makes his escape in another car that he pre-planned to be the getaway car. Davis has blue eyes and wears brown contact lenses during these robberies, in order to further disguise his identity.

Davis always commits these robberies near the 101 Freeway (which is why the story is called “Crime 101”), so he can make a quick getaway on the freeway instead of taking a risker route on surface streets. Another characteristic of this mysterious thief is that even though he points a gun at his theft victims to get them to do what he wants, he never physically hurts his victims. This reluctance to commit violence is rare for a thief who always robs people at gunpoint.

Davis commits his jewelry heists by himself, but he has been mentored by an elderly criminal nicknamed Money (played by Nick Nolte), who gets a cut of whatever Davis steals. Gravelly-voiced and cantankerous Money usually provides information to Davis on jewelers who could possibly be the next theft victims. If Davis wants to take the job, it’s up to Davis to plan the theft.

A conversation between Davis and Money reveals that Davis is starting to feel disillusioned by this unbalanced partnership because Davis is doing all the dirty work, while Money gets a percentage of Davis’ heist haul without Money taking any risks. Money tries to maintain control by shouting at Davis that Davis would be nowhere without Money. This conversation takes place in a restaurant/bar, which isn’t the smartest thing to do if they want to keep this type of criminal alliance a secret.

And who is Davis? The beginning of the movie shows that he’s a bachelor with no kids, and he lives by himself. He’s a loner with no known family or friends. Even though he’s stolen jewelry worth millions of dollars per haul, the movie never actually shows Davis selling the jewelry or getting any cash from the sales.

Davis isn’t a big, flashy spender because he doesn’t call attention to the fortune he has. He lives a vaguely affluent life, but he doesn’t look over-the-top wealthy. For example, he seems to be living in hotels and isn’t spending his money on mansions and yachts.

Davis’ only noticeable spending indulgence is the fact that he has several cars. His prized car possession is a dark green 1968 Chevrolet Camaro. (He’s a big fan of Steve McQueen’s 1968 movie “Bullitt,” which features this type of car.) When necessary, Davis likes to drive like a professional racer. It’s the only time he really “shows off” that he has racing skills when driving at dangerous speeds.

Davis’ jewelry heists have left the Los Angeles Police Department (LAPD) baffled. Most of the police investigators think these robberies are being done by several thieves who do not work together. However, one LAPD detective named Lou Lubesnick (played by Mark Ruffalo) has an unpopular theory: He thinks all the robberies were committed by a thief working alone.

Lou is somewhat of a non-conformist who isn’t afraid to stand up for what he thinks is right, even if it means many of his cop colleagues will end up disliking him. It’s mentioned in the movie that Lou’s blunt and outspoken style is the reason why he’s been passed over for job promotions. Lou’s stubborn refusals to back down from his “lone wolf” theory about the jewelry thefts have turned him into a pariah among his colleagues. Later in the movie, it’s shown that Lou takes big risks to prove his theory.

Lou’s cop partner Detective Tillman (played by Corey Hawkins) tells Lou that people in the LAPD have advised Tillman to find another cop partner if Tillman wants to advance in his career. Lou’s police captain boss, whose last name is Stewart (played by Matthew Del Negro), reminds Lou that some of the jewelry thefts that Lou thinks the “lone wolf” committed are considered solved cases by the LAPD because suspects have already been arrested. Captain Stewart tells Lou that if Lou continues to push this “lone wolf” theory, it will undermine the credibility of his colleagues who worked on the “solved” cases.

Meanwhile, the jewelry dealer who was robbed in the movie’s opening scene has filed a $7 million insurance claim for the theft. His name is Samir “Sammy” Kasem (played by Payman Maadi), who was with his cousin Ali (played by Babak Tafti) when they were robbed at gunpoint by Davis. The insurance company handling Sammy’s claim is Laidlaw & Vile, where the insurance agent overseeing the investigation ends up getting involved in Davis’ life of crime.

Sharon Coombs (played by Halle Berry) is a 53-year-old bachelorette who’s been an insurance agent at Laidlaw & Vile for the past 11 years. She has risen through the ranks of the company through hard work and talent. But lately, she’s been frustrated with her bosses, who have delayed the promise that she would be promoted to partner of the firm. This delay has been going on for about a year. Sharon’s immediate supervisor Mark (played by Paul Adelstein), who is a partner in the firm, is very condescending to Sharon about this delay.

Sharon is first seen in the movie as she’s trying to close a deal to insure the jewelry and valuable art of a billionaire technology mogul named Steven Monroe (played by Tate Donovan) at his mansion. The meeting is somewhat awkward. First, because Steven pressures Sharon to fire a glock on his property for target practice and says he’ll close the deal if she hits the target. Sharon has never fired a gun before, but she hits the target on her first try.

Steven looks like he might be close to signing the deal near the mansion’s swimming pool. But then, things get awkward again. When a bikini-clad young woman named Adrienne (played by Andra Nechita) walks by to lounge at the pool, Sharon mistakenly assumes that Adrienne is Steven’s daughter. Steven coldly tells Sharon that Adrienne is actually his fiancée.

Sharon tries to distract from her mistake by suggesting that Steven hire Laidlaw & Vile to also insure Steven’s upcoming wedding. But the insulted expression on Steven’s face tells Sharon that she’s lost her chance to convince him to close this deal with Sharon. Sharon is too proud to admit it to her insurance colleagues during a time when she’s trying to become partner in the firm. And so, she uses the excuse that she’s still working on closing the deal.

Later, during a work meeting in a conference room, Sharon is dismayed when a newly hired insurance agent in her 20s named Madeleine (played by Crosby Fitzgerald) is assigned to close the deal with Steven. As Sharon comments later in the movie, she knows her bosses think young, attractive Madeleine will be better at “closing the deal” because Madeleine’s physical appearance is being used as “bait” for a potential client such as Steve. Sharon is given the less-lucrative assignment of investigating the insurance claim made by Sammy.

This insurance claim is how Sharon ends up meeting Lou. She wants to know if the police believe that the theft is legitimate and not a scam concocted to get insurance money. Sharon also mentions that Laidlaw & Vile might want to give Sammy a polygraph test to see if he’s telling the truth about the theft not being insurance fraud.

Meanwhile, Davis (who uses the first name Mike, but it’s not his real first name) unexpectedly gets a romantic interest when a bachelorette in her mid-to-late 30s named Maya (played by Monica Barbaro) accidentally rear-ends his car when he suddenly stops on a street. Davis offers to pay Maya a wad of cash to get her car fixed without reporting it to any insurance companies.

Maya says that the car she’s driving is actually owned by her boss, an entertainment publicist who represents actors and musicians. Maya insists that she and Davis “go through the proper channels” by reporting the accident to insurance companies. During this conversation, Maya and Davis have an obvious attraction to each other. They exchange contact information.

It isn’t long before Davis asks Maya out to dinner for their first date. She says yes, and the relationship turns into a romance. Davis has told Maya that he works in computer technology and travels a lot for work. When she asks him where he’s from, he tells her he’s lived in several different places, but he doesn’t go into details.

Davis is extremely vague about his personal background to everyone he meets in this story. Predictably, Maya gets more and more suspicious about what Davis might be hiding. She first became suspicious when he took out a large sum of cash as an offer not to report the car accident.

As Davis’ love life is heating up, Lou’s love life is in shambles. His wife Angie (played by Jennifer Jason Leigh), who’s in the movie for less than 10 minutes, admits that she’s cheated on him, and she tells Lou that she wants a separation from Lou. Angie offers to move out of their home, but Lou is so distraught, he is the one who says he’ll move out. He takes a pet cat with him and moves into an apartment.

Meanwhile, Davis will find out that he has unwelcome competition. His soon-to-be-estranged mentor Money offered Davis a heist job at a jewelry store in Santa Barbara, but Davis adamantly refused to do the job because Davis thinks it would be too risky and because he thinks people could get physically hurt. Money assigns the Santa Barbara robbery to another protégé named Ormon (played by Barry Keoghan), who is in his early 30s.

Davis and Ormon are opposites, in terms of their personalities and methods of committing crimes. Davis is level-headed and calculating and doesn’t believe in physically hurting his victims. Ormon is an impulsive hothead who doesn’t hesitate to get violent during his crimes.

When Money recruits Ormon for the Santa Barbara robbery, he uses a psychological tactic of telling Ormon that this assignment will be Ormon’s chance to prove he can be just as great as Ormon’s father. Who is Ormon’s father? The movie doesn’t answer this question, but it’s an indication that Money targets younger men with family problems to be his protégés. Davis fits that description, as a little more (but not a lot) of his personal background is revealed in the movie.

Ormon is eventually ordered by Money to stalk Davis and rob Davis of whatever Davis steals in Davis’ next heist. Davis notices that Ormon is stalking him. And it’s the first time that Davis becomes very unrattled. It leads to an intense car chase and a confrontation where Davis shows he has a violent side to him.

All of these various storylines are quite a lot to handle for this 139-minute movie. Some of “Crime 101” is fast-paced (especially in the adrenaline-pumping action scenes), but during other times, the movie pace comes dangerously close to being tedious. A few of the supporting characters (such as Detective Tillman and Maya) are underdeveloped, but the cast members portraying these characters still do a good job in these roles.

The romance of Davis and Maya shows Davis’ vulnerable side. Instead of being a stereotypical swaggering ladies’ man, Davis is actually shy with women, which is a hint that he’s not very experienced with dating and romantic relationships. An early scene in the movie shows him hesitantly interacting with a sex worker named Lisa (played by Hanako Footman), who substitutes for the sex worker he regularly sees.

But some things in “Crime 101” just don’t ring true, particularly when Lou makes a decision that permanently alters his career. Let’s just say that it would be hard to do what Lou does in the last third of the movie without the LAPD knowing about it. And the movie has a scene where Maya gets upset with Davis because he hasn’t told her anything about his personal background, but she hasn’t revealed much about herself either.

As already revealed in the “Crime 101” trailer, Sharon happens to meet Davis when they’re waiting outside a restaurant for parking valets to bring them their respective cars. You can easily predict how Sharon gets involved in Davis’ secret life, considering she feels overworked and underappreciated at her job. “Crime 101” doesn’t glamorize her questionable decision, but the movie doesn’t show really show her being held accountable for those decisions either.

Even though Ruffalo and Berry portray the characters who have the most unrealistic storylines in “Crime 101,” their performances are the best in the movie in portraying these flawed characters. They also have the best dialogue in the movie. Davis is still a mystery by the end of the movie, which doesn’t really show or tell how long Davis has been a criminal and what motivated him to turn to a life of crime. And therefore, Hemsworth is just playing a typical enigmatic anti-hero.

Keoghan and Nolte have roles as menacing villains who would be cartoonish if not for the talent of Keoghan and Nolte in portraying them as believable people. Still, the movie doesn’t tell much about Ormon and Money, whose only purpose in the story is to become the main antagonists of Davis. As for tech billionaire Steven (who ends up becoming a big part of the movie’s climactic scenes), he’s a cliché of an arrogant rich jerk, so Donovan doesn’t have much to work with for a nuanced portrayal.

On the surface, “Crime 101” could be viewed as just another crime thriller, but the movie has a deeper meaning in showing how anyone’s obsession with getting the exterior and materialistic trappings of “success” can rot a person’s soul on the inside. And although the movie has obvious villains in thugs such as Ormon and Money, “Crime 101” also has something to say about the villainy and corruption among those who want profits at the expense of other people suffering. “Crime 101” has a very Hollywood ending, but the movie is realistic in showing that money obtained from crimes doesn’t really make anyone truly happy and can often create its own type of personal hell of paranoia and emotional isolation.

Amazon MGM Studios released “Crime 101” in U.S. cinemas on February 13, 2026. A sneak preview of the movie was shown in U.S. cinemas on February 9, 2026.

Review: ‘Poolman,’ starring Chris Pine, Annette Bening, DeWanda Wise, Stephen Tobolowsky, Clancy Brown, John Ortiz, Jennifer Jason Leigh and Danny DeVito

May 23, 2024

by Carla Hay

“Poolman”

Directed by Chris Pine

Culture Representation: Taking place in Los Angeles, the comedy film “Poolman” features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class, middle-class and wealthy.

Culture Clash: An apartment complex’s swimming pool cleaner, who is working on an environmental documentary about Los Angeles, investigates a corruption scheme involving a city council president and a property developer.

Culture Audience: “Poolman” will appeal primarily to people are fans of the movie’s headliners and don’t mind watching a time-wasting and poorly made movie.

“Poolman” is like a flimsy and faulty floating device that’s full of holes and quickly sinks due to its sheer incompetence. This comedy noir mystery is very unamusing and incoherent. Everyone involved should be embarrassed.

“Poolman” is the feature-film directorial debut of actor Chris Pine, who stars in the movie and co-wrote (with Ian Gotler) the abysmal screenplay. “Poolman” (which takes place in Los Angeles, where the movie was filmed on location) is clearly inspired by the Oscar-winning 1974 noir mystery “Chinatown,” starring Jack Nicholson and Faye Dunaway. However, “Poolman” removes all of the good filmmaking qualities that make “Chinatown” a classic. “Poolman” had its world premiere at the 2023 Toronto International Film Festival, which clearly chose this movie because of Pine’s fame, not because of the low quality of the film.

In “Poolman,” Darren Barrenman (played by Pine) is a long-haired, scruffy, wannabe documentarian who has a day job as the swimming pool cleaner for a shabby motel-like apartment complex called the Tahitian Tiki. Darren (who is the only employee of his Awesome Aquatics business) lives in a small trailer that is awkwardly located on the side of the Tahitian Tiki’s swimming pool. Darren is dating Tahitian Tiki manager Susan Kerkovich (played by Jennifer Jason Leigh), but their relationship seems to be stuck in a rut. Darren and Susan have boring conversations that go nowhere, such as when they are in bed and talk about how the owner of their favorite chicken restaurant has recently died.

Darren has an obsession with real-life environmental activist Erin Brockovich, so he is seen typing (on a typewriter) a letter to her every day. These letters, which are read out loud in voiceovers, are quite pathetic because Darren sounds like a jilted ex-lover in these letters, even though he has apparently never met Brockovich. Darren wants to make an important environmental documentary about Los Angeles and is against any property development that might harm the environment. One of the reasons why he’s directing this documentary is so he can impress Brockovich.

Darren has three friends who are helping him with this documentary: Diane Esplinade (played by Annette Bening), who seems to be a producer, constantly rambles about New Age self-care gibberish. Jack Denisoff (played by Danny DeVito) is a cinematographer, who often likes to talk about his glory days working as a television director. Wayne (played by John Ortiz), who is a production assistant, is described as Darren’s “best friend” and a “union analyst.”

“Poolman” is so poorly written, it isn’t made immediately clear what type of relationship Diane and Jack have with emotionally immature Darren. When Diane and Jack are first seen with Darren in the movie, Diane and Jack act like they are Darren’s parents, not his documentary co-worker/friends. Darren’s relationship with “best friend” Wayne is also strange, with no backstory.

Darren makes himself a nuisance at Los Angeles City Council meetings to protest anything that he thinks will harm the environment. Darren is very suspicious of an upcoming property development called the Very Venice Housing Project. At one of these meetings, Darren is ranting about an environmental study that he has completed. The president of the Los Angeles City Council is Stephen Toronkowski (played by Stephen Tobolowsky), who sees that Darren is attempting a filibuster, so he orders Darren to stop.

A bailiff named Reggie (played by Aflamu Johnson) tries to stop Darren, but Darren assaults Reggie. Darren is arrested, but he is bailed out of jail by June Del Rey (played by DeWanda Wise), who dresses and acts like she thinks she’s in a 1940s noir film. June tells Darren that she’s Stephen’s new executive assistant and says she needs Darren’s help in exposing Stephen as a corrupt politician. Darren has a romantic attraction to June that never looks believable in this dreadful movie.

Meanwhile, Darren’s investigation involves a wealthy property developer named Theodore “Teddy” Hollandaise (played by Clancy Brown), the CEO of Big Dutch Group, the company behind the Very Venice Housing Project. There’s also another rich mogul named William Van Patterson (played by Ray Wise), who becomes part of the story. Darren and his documentary film pals get involved in amateurish and bumbling spying on suspicious characters.

Everything in “Poolman” is sloppily conceived and clumsily executed. Bening does the best that she can in a terribly written role, while the other cast members’ performances are mediocre-to-horrible. Pine constantly mugs for the camera and smirks in ways that quickly become irritating, as Darren shows how much of a moronic “investigator” he can be.

The secrets and surprise “reveals” for some of the characters just add to the movie’s idiocy. There are plenty of low-budget, independent movies that are of low quality, but “Poolman” didn’t have to be this bad, considering the well-known talent involved. All of that talent is wasted and goes down the drain quicker than obnoxious poolman Darren can empty a pool.

Vertical released “Poolman” in select U.S. cinemas on May 10, 2024.

Review: ‘Possessor Uncut,’ starring Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Sean Bean, Tuppence Middleton and Rossif Sutherland

October 2, 2020

by Carla Hay

“Possessor Uncut”

Directed by Brandon Cronenberg

Culture Representation: Taking place in an unnamed Canadian city, the sci-fi horror film “Possessor Uncut” features a predominantly white cast (with some black, Asian and Latino people) representing the middle-class and wealthy.

Culture Clash: An elite assassin, who carries out murders by having her mind possess the bodies of other people, finds herself trapped in the body of someone who could threaten to destroy her.

Culture Audience: “Possessor Uncut” will appeal primarily to people who like sci-fi horror with a lot of disturbing visuals and concepts.

Christopher Abbott in “Possessor Uncut” (Photo courtesy of Neon)

What happens when an assassin’s target turns on the assassin? It’s a concept that writer/director Brandon Cronenberg depicts in the harrowing sci-fi horror film “Possessor Uncut,” but there’s a twist: The assassin’s mind is trapped in a man’s body that she has possessed to carry out her assigned murder spree. When she tries to get her mind back into her real body, the man she has possessed won’t let her go.

“Possessor Uncut” doesn’t get to this crucial part of the story until the last third of the film. Before then, the movie spends a lot of time showing the audience the personal backgrounds and circumstances that lead to this assassination assignment that goes horribly wrong for the assassin. Tasya Vos (played by Andrea Riseborough) is an elite assassin who works for a mysterious Canadian company that’s in the business of murdering powerful people.

The company’s name and city are not mentioned in the movie, but the company’s wealthy clients are enemies of the murder victims. In the movie’s opening scene, a lounge hostess named Holly Bergman (played Gabrielle Graham), who works at an upscale place called the Blue Light Sky Lounge, has viciously stabbed to a death a rich and powerful man named Elio Mazza (played by Matthew Garlick), in full view of several people who are in the crowded lounge.

After she commits the murder, Holly utters, “Pull me out.” She then takes a gun and appears to get ready to place it in her mouth to commit suicide. But for whatever reason, she can’t do it. The police arrive, she shoots the gun at them, and the police fire their guns at Holly and kill her. Instead of shooting herself, Holly has decided to commit “suicide by cop.”

It turns out that Holly’s mind had been “possessed” by the mind of Tasya, whose real body is lying in what looks like a compression chamber. When Holly said, “Pull me out,” it was Tasya telling the company’s employees overseeing her mind transference to pull her mind out of Holly’s body and back into Tasya’s real body. It’s a routine that Tasya has been trained to take every time her mind possesses the body of someone who commits the assassination that Tasya has been assigned to complete.

The company that Tasya works for has a certain procedure that Tasya is supposed to follow: After the murder or murders for the assignment have occurred, the person whose body Tasya has inhabited is supposed to commit suicide. Right before that suicide happens, Tasya has to request to “pull me out,” so the company can pull Tasya’s mind back into her real body.

After the assassination, the next step is that Tasya has to undergo an evaluation by a supervisor named Girder (played by Jennifer Jason Leigh), who’s usually in the room when Tasya’s mind is transported back to her real body. The evaluation includes a test of Tasya’s memories, to see if her own personal memories are intact and not mixed up and with or “charred by” the mind she previously inhabited. Tasya is shown a series of objects from her childhood (such as her father’s pipe and a framed butterfly) and asked to identify them and describe her memories of them.

The assassination of Elio Mazza was completed, and Tasya’s post-assassination evaluation yielded “normal results.” Girder is pleased that Tasya’s evaluation showed no problems. Girder comments, “Our next assignment is almost finalized. I can’t have our star performer falling apart on me.”

But the murder of Elio Mazza didn’t go exactly according to the company’s plan. The murder was supposed to be committed by shooting, but the murder was instead committed by stabbing. And after the murder, Holly did not immediately shoot herself but instead waited to be shot by police. Girder asks Tasya, “Why stab Elio Mazza? We provided you with a pistol.” Tasya can’t really answer the question.

Despite these discrepancies in Tasya not following these instructions, Girder wants to go ahead and give Tasya a very lucrative assignment. One of Girder’s colleagues expresses concern to Girder that Tasya didn’t follow the suicide instructions according to plan, and he wonders if Tasya will also not follow the instructions during the next assignment. However, Girder dismisses her colleague’s concerns and tells Tasya about her next assignment.

The company wants Tasya’s mind to inhabit the body of Colin Tate (played by Christopher Abbott), who started out as the cocaine dealer for a spoiled heiress named Ava Parse (played by Tuppence Middleton) and ended up becoming her lover and is now engaged to be married to her. Colin and Ava are both in their 30s. Ava’s rich and powerful father is John Parse (played by Sean Bean), a tech mogul who owns a company that makes devices similar to Apple Inc.’s Siri or Amazon’s Alexa. Tasya is supposed to possess the body of Colin for three days.

The company has decided that Ava’s fiancé Colin is the best person to commit the murder, since he has a sketchy background as a drug dealer and it will be framed to look like he had insecurity issues over his life being controlled by a wealthy family. Colin works for John’s company, but Colin is in a low-level position that is probably emasculating for Colin.

Girder explains to Tasya that John’s stepson Reid Parse (played by Christopher Jacot) wants an assassin to murder John and Ava, so that Reid can inherit the family fortune. John is divorced from Ava’s mother and Reid’s mother, so these two women presumably aren’t in John’s will. (Neither woman is seen in the movie, although later in the story, John makes a bitter comment to Ava about Ava’s mother leaving him years ago.) Because Reid has John’s last name, it’s inferred that John adopted Reid when John was married to Reid’s mother.

As is the company’s usual procedure, the plan is for Colin (the possessed assassin) to commit suicide immediately after the murders of John and Ava. Rather than have the police look for a stranger assassin, the case will be closed because investigators will conclude that it was a murder-suicide committed by Colin. A sizeable chunk of the fortune that Reid wants to inherit will go to the company that employs Tasya and Girder. Girder also mentions to Tasya that the assassin company will essentially “control” Reid, because it’s implied that the assassin company has so much dirt on Reid (including his murder-for-hire scheme) that the company could easily get more money out of him by blackmailing him.

As a star employee of this assassin company, Tasya’s work life might be going well, but her home life is not going well at all. She’s separated from her husband Michael Vos (played by Rossif Sutherland), who is living with their son Ira (played by Gage Graham-Arbuthnot), who’s about 7 or 8 years old. Michael and Ira don’t know what Tasya does for a living. Throughout the story, it’s implied that because Tasya has such a secretive job that requires her to spend long periods of time away from home, it’s taken a toll on her marriage to Michael.

Although Tasya is officially separated from Michael, she still goes back and forth between her home (where she lives by herself) and the home where Michael and Ira live. It seems that Tasya can’t quite make up her mind if she wants to get back together with Michael or go through with a divorce. During one of those times that she’s back with Michael and sleeping with him, she has nightmares about the stabbing of Elio Mazza.

The marketing materials of “Possessor Uncut” prominently feature star Riseborough as the main character, but she is really only in half of this movie. Abbott gets a lot of screen time as Colin, and he could easily be considered a co-lead actor for this film. In the movie, Tasya is seen spying on Colin and Ava in their home by telescope (apparently Tasya has rented a place near the home), so that she can study Colin’s speech patterns, mannerisms and home routines. It’s her preparation before Tasya’s mind will inhabit Colin’s body.

One of the plot holes in “Possessor” is that it never fully explains how the person who’s supposed to be possessed gets into a situation where the mind transfer can be completed without their full knowledge. There’s some vague imagery of the mind transfer happening to Colin while he’s asleep. Tasya has to be hooked up to machine for the mind transfer, but the body she possesses apparently doesn’t have to be hooked up to a machine when the mind transfer happens. This is a science-fiction film, so viewers will just have to go with this murky explanation for how the mind transfer happens.

As part of her training, Tasya has been warned that although her mind can possess someone else’s body, the original mind of that person can still exist in the body. The trick is for Tasya’s mind to dominate the other person’s mind and then leave no trace of her mind when she leaves the person’s body. The danger comes when the other mind is conscious of being possessed by Tasya and attempts to take back control.

This twisty concept of “Possessor Uncut” might be too confusing to some viewers, because it’s all explained in bits and pieces and not in a completely straightforward manner. This is a movie that can be fully appreciated if it’s watched without other distractions going on. There are many details that need to be paid attention to when watching this movie, in order to get the full picture of what’s happening and the subtle indications of what’s going to happen.

About halfway through the movie, when Andrea’s mind possesses Colin’s body, the movie pivots to showing Colin’s life. At John’s company, Colin works at a job that barely pays minimum wage. He works as some kind of surveillance monitor (he wears virtual-reality goggles as part of his job), for the Siri/Alexa-type devices that are in people’s homes, to make sure that the devices are working properly.

It’s really just a legal way to spy on people in their homes, since people who buy these devices have waived certain rights to privacy as part of the user agreement. Therefore, a lot of this company’s employees can watch many intimate things that go on in people’s homes, including people having sex. It’s what Colin does in one of the movie’s scenes. And it’s writer/director Cronenberg’s way of showing viewers that this part of the movie isn’t really science fiction, because devices like Siri and Alexa have embedded audio and video components that can be monitored by employees of the companies that make these devices.

Colin has a smarmy co-worker named Eddie (played by Raoul Bhaneja), who gets off on watching people have sex without them knowing it. Eddie considers the sexual voyeurism one of the perks of the job, because it happens so often, and he tries to compare “spying” stories with Colin. Colin doesn’t really engage in these conversations because he just sees this spying activity as part of a job, not as a way to feel power over people. However, Colin is curious enough to keep watching when he does see people having sex.

Colin’s relationship with Ava is still fueled by cocaine, which he supplies for them since he has the connections. However, now that he is engaged to Ava and can live off her money, it’s implied that he just buys cocaine and has stopped selling it. Ava seems to be in love with him but it’s not clear how Colin really feels about her because the movie mainly shows Colin when he’s possessed by Tasya’s mind.

During a scene in Ava and Colin’s home where they’re having a small party with their friends, one of the friends named Reeta (played by Kaniehtiio “Tiio” Horn), who works at John’s company, hints that Ava has some “daddy issues.” Ava has a history of dating men who don’t get the approval of Ava’s father John, who then finds ways to humiliate these boyfriends. In Colin’s case, John’s way of humiliating Colin is to give him a very low-paying job at the company. It’s never fully explained why Colin doesn’t just work somewhere else, but it’s implied that Colin wants to do whatever it takes to get in this rich family’s good graces.

Under the orders of Girder, Tasya is told that while Tasya’s mind is in possession of Colin’s body, Colin is supposed to stage a big public fight with John, to give investigators a motive for the murders. The opportunity comes at a lavish party that John has, where many of his business colleagues are in attendance. But all does not go according to plan.

And there were signs that things would go wrong, because Tasya’s memories and thoughts were being in “invaded” by Colin’s memories and thoughts. The movie has some very striking and sometimes unsettling visuals depicting this messy melding and the eventual mind battle that takes place in Colin’s body. All of these visual effects have a very “scary psychedelic trip” look to them that will definitely make people remember this movie.

Riseborough is the top-billed star of “Possessor Uncut,” and she does a good job in her role, but the Tasya character remains a mystery throughout the entire film. The movie shows more of Colin’s personal life than it shows of Tasya’s personal life. Perhaps writer/director Cronenberg wanted to keep Tasya an enigma, so that it would be easier for viewers to see her as a chameleon who could inhabit other people’s bodies.

Abbott has the more difficult performance in conveying a person whose body is being possessed and fought over by two different people. It’s a very convincing performance that takes “Possessor Uncut” to a higher-quality level than the average “body possession” horror movie. The movie’s storyline is sometimes a bit choppy, but if people can handle the film’s dark themes and uniquely horrifying imagery, then “Possessor Uncut” is worth watching for some unnerving depictions of mind power and control.

Neon and Well Go USA released “Possessor Uncut” in select U.S. cinemas on October 2, 2020.