Review: ‘YOLO’ (2024), starring Jia Ling and Lei Jiayin

March 8, 2024

by Carla Hay

Jia Ling in “YOLO” (Photo courtesy of Sony Pictures International)

“YOLO” (2024)

Directed by Jia Ling

Mandarin with subtitles

Culture Representation: Taking place in Guangzhou, China, the comedy/drama film “YOLO” (based on the 2014 Japanese film “100 Yen Love”) features an all-Asian cast of characters representing the working-class and middle-class.

Culture Clash: A reclusive woman in her 30s gets close to a boxer who works at a gym, and she decides to train with him to become a boxer. 

Culture Audience: “YOLO” will appeal primarily to people who are fans of Jia Ling, boxing movies, and stories about underestimated people who change their own lives for the better.

Lei Jiayin and Jia Ling in “YOLO” (Photo courtesy of Sony Pictures International)

“YOLO” is undoubtedly inspired by the first “Rocky” movie, but this is no “Rocky” ripoff. The movie has some unexpected moments amid some predictability, along with heartfelt drama and a notable transformative performance from writer/director/star Jia Ling. The first third of the movie might be frustrating to watch because the protagonist is portrayed as pathetic, in a way that might appear to be almost insulting to this character. However, as “YOLO” progresses and the protagonist evolves, there are some twists and turns to the story that will take viewers on journey that becomes an emotional inspiration by the end of the movie.

“YOLO” (which is an acronym for “you only live once”) is based on the 2014 Japanese film “100 Yen Love.” “YOLO” (which takes place and was filmed in Guangzhou, China) starts off as mostly a comedy, but then it makes a credible transition to a more dramatic film as changes occur in the protagonist’s life. If the movie has any “feel good” moments, they are earned, because there’s a lot heartache and personal challenges along the way.

The opening scene of “YOLO” takes place right before a boxing match starts between two women at the Xiangjiang Boxing Club. The reigning champ is Liu Hongxia, while her challenger is revealed later when “YOLO” circles back to this scene in the last third of the film. The coach for the challenger can be heard off-camera saying about the boxing match: “Your rival is a pro. If it’s too hard, I’ll stop it.”

The next scene takes place in a convenience store, where store owner Mrs. Du (played by Zhao Haiyan) and her daughter Du Ledan (played by Zhang Xiaofei), who’s in her late 20s, work in the store. Mrs. Du (whose first name is not mentioned in the movie) and Ledan are showing a live surveillance video to Ledan’s distant cousin Doudou (played by Yang Zi), who is an aspiring TV producer/host. The surveillance video is showing Mrs. Du’s older daughter Du Leying (played by Jia), who is 32, as she is sleeping on a couch in the apartment that is located in the same building, behind the convenience store.

Mrs. Du explains with dismay and concern to Doudou that unemployed Leying typically lounges around and does a lot of sleeping during the day. Mrs. Du, her daughters, and Ledan’s daughter all live in the apartment. Ledan is a divorced mother of a daughter named Zhuzi, who’s about 3 or 4 years old. Mrs. Du and her husband Mr. Du (played by Zhang Qi) are separated, and he rarely communicates with his estranged wife and their children.

It’s later revealed that Leying has been chronically unemployed and living an aimless life for about 10 years, ever since Leying graduated from college and had problems keeping a job. Any casual observer can see that Leying is depressed. Leying says she can’t keep a job because she’s not good at communicating with people. Leying doesn’t say it out loud, but she is also self-conscious about her body size.

Meanwhile, Leying’s mother and sister are beginning to get fed up with Leying being unproductive. Doudou works as an intern for a reality TV show about giving chronically unemployed people a chance to turn their lives around. Doudou has been invited by Ledan to interview a reluctant Leying for an audition video for the show. Doudou sees this interview not only as a way to help Leying but also as a way to impress Doudou’s bosses at the TV show and hopefully be offered a permanent job on the show. Leying doesn’t do well during this interview, which frustrates her mother and sister even more.

Leying feels like a misfit and an outsider in her own home. Can her life get any worse? Yes. Leying has a boyfriend named Wei Dong Feng (played by Wei Xiang), who works as a delivery bike rider. Dong Feng has been secretly having an affair with Leying’s best friend Li Li (played by Li Xueqin), who is now pregnant. Li and Dong Feng also plan to get married in the near future.

Li and Leying have been friends since their childhood, when they were both bullied at school. Leying is invited to have lunch with Dong Feng and Li at a restaurant. Dong Feng breaks up with Leying during this lunch. Leying guesses correctly that another woman is the reason for the breakup. She grabs Dong Feng’s phone to find out who it is. And that’s how Leying discovers the truth that Li is “the other woman.” A devastated Leying also finds out about Li being pregnant and about the marriage plans.

On the night of this breakup, a very sad Leying walks around the city. One of the places she passes is a boxing gym. Through the gym window, she sees a man in his late 30s or early 40s who is practicing on a punching bag. Leying doesn’t know it yet, but his name is Hao Kun (played by Lei Jiayin), and he is a former professional boxer who gives boxing lessons at the gym. Leying and Ku will soon meet each other under some embarrassing circumstances.

Leying is unemployed but she isn’t completely broke. She has inherited an apartment from her grandmother that is worth an unnamed amount of money. There’s some jealousy that Leying’s mother and sister have about this inheritance, because Leying is the only one in the family who received this apartment as an inheritance. There’s also a hint of other family turmoil, because it’s mentioned at Mrs. Du is suing her sister for reasons that aren’t detailed in the movie.

Ledan asks Leying to transfer the apartment deed to Ledan, so that Ledan can sell the apartment and use some of the money to send Zhuzi to an elite private school. Leying says no to the request, and the two sisters get into an argument. Ledan’s pent-up resentment comes out at that moment, as she physically attacks Leying by punching Leying and tackling her to the ground. Leying doesn’t put up much of a fight, but this assault is the last straw for her.

Leying moves out of the apartment and finds another place to live. She needs to find a job to pay her rent. She becomes a server at a casual barbecue restaurant owned and managed by an unnamed man (played by Xu Jun Cong), who is very rude and condescending to Leying. It’s because of this restaurant job that Leying meets Kun.

One night, Leying is working at the restaurant, when a drunk customer gives Leying his car keys and asks her to get a pack of cigarettes from the glove compartment of his car, which he describes. The car is parked on a street right outside the restaurant. Leying gets in the car at around the same time that Kun is urinating on an outside wall of the gym, which is next door to the restaurant.

Leying sees Kun urinating and gets flustered. She accidentally turns on the car headlights, which shine directly on Kun. When she tries to turn the headlights off, she accidentally turns on the windshield wipers and the car blinkers. Even though no one else can can see what Kun is doing, he thinks Leying is trying to humiliate him for urinating outside in public.

Kun angrily goes over to the car to confront Leying, and she explains what she’s doing in the car. Kun advises her to ask the car owner what to do. He also tells Leying that he works at the gym and wouldn’t normally urinate in public, but the gym is closed, and he didn’t know where else to urinate.

After this tense conversation, Leying notices that Kun accidentally left his boxing gloves at the front of the building. She takes the gloves for safekeeping, and the next day, Leying goes to the gym to return the gloves to Kun. A female worker at the gym tries to persuade Leying to take boxing lessons at the gym, but Leying declines the offer.

Meanwhile, Kun is under pressure at his job to bring in more gym memberships. His boss tells Kun that Kun is underperforming in gym membership sales, and Kun could be at risk of getting fired. Kun just wants to do boxing at the gym and not be a salesperson. When Leying accidentally tags Kun on social media, he asks her out on a date, with the ulterior motive to try to sell her a gym membership. And so begins the unlikely relationship between Kun and Leying.

Although the trailer for “YOLO” shows Kun training to become a boxer, most of that doesn’t happen until the last third of the movie. The middle of the movie is about Kun training to make a comeback as a boxer. Things get a little complicated when Kun and Leying become sexually intimate, and there’s some uncertainty about how much of a romance they want to have in their relationship.

“YOLO” isn’t a typical boxing movie because it has many issues that are not in most boxing films. Leying is often body shamed because of her weight, which usually has harsher consequences for women than it does for men. For most boxing films, the boxers are not fat when they begin training.

There’s also a turning point for Leying’s self-esteem after she reacts in a certain way to sexual harassment from her boss. And then there’s the matter of Leying being sexually involved with her coach, which is something that is definitely not in most boxing movies. “YOLO” treats the consensual relationship between Leying and Kun with no judgment.

The relationship between Leying and Kun is not “only in a movie” cute. It’s messy, with both tension and warmth. Kun and Leying have arguments, but they are also supportive of each other. He can be very tough on her inside and outside the gym. And all that training results in Leying transforming physically as well as emotionally.

“YOLO” doesn’t shy away from any comparisons to “Rocky,” because there’s a training sequence that is a blatant homage to “Rocky,” including using Bill Conti’s “Gonna Fly Now” theme song from the movie. Are some moments in the move sentimentally earnest? Yes, but not in a way that’s overly cloying.

The heart and soul of “YOLO” is in Jia’s emotionally versatile and physically demanding performance—she gained and lost 50 kilograms (or 110 pounds) of body weight for this role—which is a testament to how it’s never to late for anyone to make improvements in life. Leying goes from someone who hides from life because she’s afraid of getting hurt to someone who finds the courage to live life to the fullest, no matter what the risks. “YOLO” might start out looking like a lightweight boxing comedy, but it ends up packing a powerful punch in the dramatic moments that show how having healthy self-confidence and inner peace are more valuable than external rewards.

Sony Pictures International released “YOLO” in select U.S. cinemas on March 8, 2024. The movie was released in China on February 10, 2024.

Review: ‘The Prey’ (2020), starring Gu Shangwei, Vithaya Pansringarm, Byron Bishop, Sahajak Boonthanakit, Nophand Boonyai and Rous Mony

October 31, 2020

by Carla Hay

Rous Mony and Gu Shangwei in “The Prey” (Photo courtesy of Dark Star Pictures)

“The Prey” (2020)

Directed by Jimmy Henderson

Cambodian and Mandarin with subtitles

Culture Representation: Taking place in Cambodia, the action flick “The Prey” features an almost all-Asian cast (with one white person) representing law enforcement, criminals and the wealthy.

Culture Clash: An undercover cop from China is arrested and sent to a Cambodian prison, where he is selected with other prisoners to be part of a deadly game for wealthy men who want to hunt humans.

Culture Audience: “The Prey” will appeal primarily to people who like pulpy action movies that are very formulaic and don’t do anything original.

Pictured in front, from left to right: Nophand Boonyai, Byron Bishop and
Sahajak Boonthanakit in “The Prey” (Photo courtesy of Dark Star Pictures)

The good news about “The Prey” is that it’s an action film with a plot that’s very easy to understand. The bad news is that the plot is so simplistic, it’s dumbed down to the lowest common denominator and it becomes yet another generic action movie that does nothing to progress the genre. Even with the usual suspension of disbelief that’s required for movies that rely heavily on flashy, choreographed stunts, “The Prey” is very unimaginative and predictable, as it recycles ideas and concepts of movies that have done these gimmicks before and done them better.

“The Prey” (directed by Jimmy Henderson), just like any movie about rich people who hunt humans for sport, is loosely based on “The Most Dangerous Game,” the 1924 Richard Connell novel that was made into a 1932 movie of the same name. Henderson wrote the unimaginative screenplay for “The Prey” with Michael Hodgson and Kai Miller.

The protagonist of “The Prey” is Xin (played by Gu Shangwei), a cop from China who’s doing undercover work in Cambodia to bust a Mafia phone scam operation that’s targeting Chinese citizens. Xin is apparently so good at his job that he’s mistaken for a real criminal, and he’s arrested and thrown in a prison in Phom Penh City, Cambodia. The obligatory prison fight scene with Xin and another prisoner then ensues.

The prison warden (played by Vithaya Pansringarm), who doesn’t have a name in the movie, is a sadistic and corrupt tyrant who doesn’t hesitate to torture any prisoner who shows signs of rebellion. As soon as there’s a scene with an announcement blaring to prisoners over the public-address system that anyone who doesn’t follow orders will be “reformed,” you just know that Xin will do something to get punished, so that the movie can have the inevitable prisoner torture scene. Xin is hung upside down and given electroshocks, as the warden gleefully oversees this punishment.

An unintentionally laughable scene in the movie is when all the prisoners are gathered in a courtyard, and instead of getting some exercise, they all break out into choreographed fights. It looks like this prison has locked up a bunch of stunt men, not real criminals. This fight sequence is contrived for the movie because it’s the scene where a group of wealthy men, who’ve been invited by the warden to the prison, can observe how the prisoners fight.

Unbeknownst to the prisoners, they are being evaluated because the rich guys want to choose the prisoners who will be taken to a remote jungle and hunted by the wealthy men. The warden gets paid a hefty fee to hand over these prisoners for this deadly game. Some of the warden’s closest prison cronies know about it too. According to the warden, the location where the men will hunt has about 30 kilometers of wilderness in every direction.

There are about 10 of these wealthy men who are participating in this killing spree, but three of the men consider themselves to be the best hunters in the group. Of the three men, Mat (played by Byron Bishop), who’s in his 40s, is the one who knows the warden the best and has participated in this hunting game before. Mat introduces the warden to two of the other members of the hunting team who are also very competitive about which one of the group will kill the most prisoners.

Payak (played by Sahajak Boonthanakit) is a middle-aged guy who tends to be a bit pompous, while T (played by Nophand Boonyai) is Mat’s cocky nephew who is in his 20s. T has recently inherited a fortune from his late father, who was Mat’s brother. Mat and T don’t particularly get along because Mat thinks T is an entitled, spoiled brat. It’s also revealed later in the movie that T’s own father didn’t respect T either. T is determined to “win” this game by killing the most prisoners because he wants to show his uncle Mat how tough he can be.

It should come as no surprise that Xin is one of the approximately 10 prisoners who are chosen for this homicidal game. The prisoners are taken to the jungle, where they are lined up and told to run away. One by one, all of them are shot to death by the hunters, except for Xin and another prisoner named Mony (played Rous Mony), who gets injured when he is shot in the leg.

Xin and Mon escape deeper into the jungle, and the rest of the movie is a life-and-death battle between the hunters and the hunted. Of course, Xin and Mony don’t stay unarmed for long, so there are the inevitable shootout scenes between the hunted and the hunters. This movie is so filled with stereotypical tropes, you can easily predict that the story’s hero is the one who’s the least likely to get shot.

The hunters split up to find their prey, and T accidentally falls into a deep hole, and he can’t get out on his own. A local man named Chay just happens to be walking nearby with his mute son Sambath (played by Nget Kakada), who’s about 12 or 13 years old. T shouts for help, and Chay rescues T from the hole.

T asks Chay if he would like to help him find some people in the jungle. Chay is reluctant to help, until T flashes a wad of cash to offer to Chay, who changes his mind when he sees how much he’s getting paid. T says that he can pay more money after they find the people he wants to find.

Meanwhile, two of Xin’s law-enforcement colleagues at China’s Ministry State of Security have noticed that he’s gone missing and they try to find him. Inspector Wong (played by Jai Ling) and Detective Li (played by Dy Sonita) have figured out that something probably went wrong with Xin’s undercover work. Through GPS tracking and some investigating, they discover that Xin was taken to the prison. But when they interview the warden and show Xin’s photo to him, the warden lies and says that he’s never seen that person before and that Xin was never in the prison.

The action sequences in “The Prey” are nothing special. And no one in this movie seems to have a distinctive personality, except for possibly rich kid T, who’s very insecure about proving himself in trying to be the most ruthless killer in the hunting group. A movie like this doesn’t have to go deep into character development, but it should at least make more effort to have action sequences that do something unique and don’t insult viewers’ intelligence. 

One of the worst sequences is when Xin is cornered by one of the armed hunters near a waterfall. Instead of shooting Xin, the hunter puts aside his gun and decides to do hand-to-hand combat with Xin. It seems like the filmmakers knew that if all the hunters acted the way real hunters would act, everyone would be dead too quickly and there wouldn’t be enough time for a feature-length movie. The most violent scenes in the movie are utterly generic.

“The Prey” also has the same outdated stereotypes of action films that only have one woman in the entire cast. Detective Li just happens to look more like a model than a police investigator. And when Detective Li and Inspector Wong end up in the jungle too, she’s dressed like an office worker who’s about to have lunch with some corporate colleagues rather than someone who’s prepared to spend time in the rough terrain of the wood.

If you want an embarrassingly cliché action flick that has no memorable characters and an extremely derivative story, then “The Prey” should fulfill those expectations. But if you prefer action movies with people who have actual personalities and a compelling plot, then don’t waste your time with “The Prey.”

Dark Star Films released “The Prey” in select U.S. virtual cinemas on August 21, 2020, and on digital and VOD on August 25, 2020.

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