2023 Academy Awards: ‘Everything Everywhere All at Once’ is the top winner

March 12, 2023

by Carla Hay

Members of the “Everything Everywhere All at Once” team, pictured clockwise, from left: Jamie Lee Curtis, James Hong, Michelle Yeoh, Jonathan Wong, Stephanie Hsu, Daniel Scheinert, Daniel Kwan and Ke Huy Quan at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

With seven Oscars, including Best Picture, A24’s sci-fi/action film “Everything Everywhere All at Once” was the top winner for the 95th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 12, 2023. ABC had the live U.S. telecast of the show, which was hosted by Jimmy Kimmel. “Everything Everywhere All at Once,” which had 11 nominations, also won Oscars for Best Director (for Daniel Kwan and Daniel Scheinert); Best Actress (for Michelle Yeoh); Best Supporting Actress (for Jamie Lee Curtis); Best Suporting Actor (for Ke Huy Quan); Best Film Editing; and Best Original Screenplay. “Everything Everywhere All at Once” is about a Chinese American family traveling through multiple time eras, identities and universes.

Netflix’s German-language World War I drama “All Quiet on the Western Front” won four Oscars: Best International Feature Film, Best Cinematography, Best Production Design and Best Original Score. Going into the ceremony, “All Quiet on the Western Front” had nine Oscar nominations. Searchlight Pictures’ 1920s Irish comedy/drama “The Banshees of Inisherin” also garnered nine nominations, but didn’t win any Oscars. For the first time in Oscar history, the category for Best Picture is now required to have no less than 10 nominations per year.

The only other movie to win more than one Oscar this year was the A24 drama “The Whale,” which won the prizes for Best Actor (for Brendan Fraser) and Best Makeup and Hairstyling. In the movie, Fraser portrays an extremely obsese man who is dying. For his role in “The Whale,” Fraser wore prosthetic makeup from the neck down.

The Academy Awards (or Oscars) are voted on and presented by the Academy of Motion Picture Arts and Sciences. The 2003 Oscar ceremony telecast was overseen by executive producer/showrunner Glenn Weiss, executive producer/showrunner Ricky Kirshner and executive producer Molly McNearney.

Artists at the show who performed the five Oscar-nominated songs were Sofia Carson and Diane Warren ( “Applause” from “Tell It Like a Woman”); David Byrne, Stephanie Hsu and Son Lux (“This Is a Life” from “Everything Everywhere All at Once” ); Kaala Bhairava and Rahul Sipligunj (“Naatu Naatu” from “RRR”); Lady Gaga (“Hold My Hand” from “Top Gun: Maverick”); and Rihanna (“Lift Me Up” from “Black Panther: Wakanda Forever”). “Naatu Naatu” won the Oscar, which went to songwriters M.M. Keeravaani and Chandrabose.

Presenters at the ceremony were Riz Ahmed, Halle Bailey, Antonio Banderas, Elizabeth Banks, Halle Berry, Emily Blunt, Jessica Chastain, John Cho, Jennifer Connelly, Paul Dano, Ariana DeBose, Cara Delevingne, Harrison Ford, Morgan Freeman, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Kate Hudson, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Mindy Kaling, Nicole Kidman, Troy Kotsur, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Elizabeth Olsen, Deepika Padukone, Pedro Pascal, Florence Pugh, Margot Robbie, Zoe Saldaña, Ahmir “Questlove” Thompson, John Travolta, Sigourney Weaver and Donnie Yen.

Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis at the 95th annual Academy Awards at the Dolby Theatre in Los Angeles on March 12, 2023. (Photo courtesy of ABC)

Here is the complete list of winners and nominees for the 2023 Academy Awards:

*=winner

Best Picture

  • “All Quiet on the Western Front,” Malte Grunert, Producer
  • “Avatar: The Way of Water,” James Cameron and Jon Landau, Producers
  • “The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
  • “Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
  • “Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers*
  • “The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
  • “TÁR,” Todd Field, Alexandra Milchan and Scott Lambert, Producers
  • “Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
  • “Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers
  • “Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Best Director 

  • Martin McDonagh (“The Banshees of Inisherin”) 
  • Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)*
  • Steven Spielberg (“The Fabelmans”) 
  • Todd Field (“TÁR”) 
  • Ruben Östlund (“Triangle of Sadness”)

Best Lead Actor

  • Austin Butler (“Elvis”) 
  • Colin Farrell (“The Banshees of Inisherin”) 
  • Brendan Fraser (“The Whale”)* 
  • Paul Mescal (“Aftersun”) 
  • Bill Nighy (“Living”) 

Best Lead Actress

  • Cate Blanchett (“TÁR”) 
  • Ana de Armas (“Blonde”) 
  • Andrea Riseborough (“To Leslie”)
  • Michelle Williams (“The Fabelmans”) 
  • Michelle Yeoh (“Everything Everywhere All at Once”)*

Best Supporting Actor

  • Brendan Gleeson (“The Banshees of Inisherin”) 
  • Brian Tyree Henry (“Causeway”) 
  • Judd Hirsch (“The Fabelmans”)
  • Barry Keoghan (“The Banshees of Inisherin”) 
  • Ke Huy Quan (“Everything Everywhere All at Once”)*

Best Supporting Actress

  • Angela Bassett (“Black Panther: Wakanda Forever”) 
  • Hong Chau (“The Whale”) 
  • Kerry Condon (“The Banshees of Inisherin”) 
  • Jamie Lee Curtis (“Everything Everywhere All at Once”)*
  • Stephanie Hsu (“Everything Everywhere All at Once”)

Best Adapted Screenplay

  • “All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
  • “Glass Onion: A Knives Out Mystery,” Written by Rian Johnson
  • “Living,” Written by Kazuo Ishiguro
  • “Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
  • “Women Talking,” Screenplay by Sarah Polley*

Best Original Screenplay

  • “The Banshees of Inisherin,” Written by Martin McDonagh
  • “Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert*
  • “The Fabelmans,” Written by Steven Spielberg & Tony Kushner
  • “TÁR,” Written by Todd Field
  • “Triangle of Sadness,” Written by Ruben Östlund

Best Cinematography 

  • “All Quiet on the Western Front,” James Friend*
  • “Bardo, False Chronicle of a Handful of Truths,” Darius Khondji
  • “Elvis,” Mandy Walker
  • “Empire of Light,” Roger Deakins
  • “Tár,” Florian Hoffmeister

Best Film Editing

  • “The Banshees of Inisherin,” Mikkel E.G. Nielsen
  • “Elvis,” Matt Villa and Jonathan Redmond
  • “Everything Everywhere All at Once,” Paul Rogers*
  • “TÁR,” Monika Willi
  • “Top Gun: Maverick,” Eddie Hamilton

Best Original Score 

  • “All Quiet on the Western Front,” Volker Bertelmann*
  • “Babylon,” Justin Hurwitz
  • “The Banshees of Inisherin,” Carter Burwell
  • “Everything Everywhere All at Once,” Son Lux
  • “The Fabelmans,” John Williams

Best Sound

  • “All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
  • “Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
  • “The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
  • “Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
  • “Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor*

Best Original Song 

  • “Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren
  • “Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop
  • “Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
  • “Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose* 
  • “This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

Best Animated Feature Film 

  • “Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley*
  • “Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
  • “Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift
  • “The Sea Beast,” Chris Williams and Jed Schlanger
  • “Turning Red,” Domee Shi and Lindsey Collins

Best International Feature Film 

  • “All Quiet on the Western Front” (Germany)* 
  • “Argentina, 1985” (Argentina) 
  • “Close” (Belgium)
  • “EO” (Poland) 
  • “The Quiet Girl” (Ireland) 

Best Documentary Feature Film 

  • “All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer
  • “All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
  • “Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman
  • “A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström
  • “Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris*

Best Makeup and Hairstyling 

  • “All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová
  • “The Batman,” Naomi Donne, Mike Marino and Mike Fontaine
  • “Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow
  • “Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti
  • “The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley*

Best Costume Design 

  • “Babylon,” Mary Zophres
  • “Black Panther: Wakanda Forever,” Ruth Carter*
  • “Elvis,” Catherine Martin
  • “Everything Everywhere All at Once,” Shirley Kurata
  • “Mrs. Harris Goes to Paris,” Jenny Beavan

Best Production Design 

  • “All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper*
  • “Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
  • “Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
  • “Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
  • “The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

Best Visual Effects

  • “All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
  • “Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett*
  • “The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
  • “Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
  • “Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

Best Documentary Short Film 

  • “The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga*
  • “Haulout,” Evgenia Arbugaeva and Maxim Arbugaev
  • “How Do You Measure a Year?” Jay Rosenblatt
  • “The Martha Mitchell Effect,” Anne Alvergue and Beth Levison
  • “Stranger at the Gate,” Joshua Seftel and Conall Jones

Best Animated Short Film

  • “The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud*
  • “The Flying Sailor,” Amanda Forbis and Wendy Tilby
  • “Ice Merchants,” João Gonzalez and Bruno Caetano
  • “My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon
  • “An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

Best Live Action Short Film

  • “An Irish Goodbye,” Tom Berkeley and Ross White*
  • “Ivalu,” Anders Walter and Rebecca Pruzan
  • “Le Pupille,” Alice Rohrwacher and Alfonso Cuarón
  • “Night Ride,” Eirik Tveiten and Gaute Lid Larssen
  • “The Red Suitcase,” Cyrus Neshvad

Review: ‘PAW Patrol: The Movie,’ starring the voices of Will Brisbin, Iain Armitage, Lilly Bartlam, Marsai Martin, Ron Pardo, Yara Shahidi and Jimmy Kimmel

August 20, 2021

by Carla Hay

Zuma (voiced by Shayle Simons), Rocky (voiced by Callum Shoniker), Skye (voiced by Lilly Bartlam), Chase (voiced by Iain Armitage), Marshall (voiced by Kingsley Marshall) and Rubble (voiced by Keegan Hedley) in “PAW Patrol: The Movie” (Image courtesy of Spin Master Entertainment/Paramount Pictures)

“PAW Patrol: The Movie”

Directed by Cal Brunker 

Culture Representation: Taking place in the fictional Adventure City in North America, the animated film “PAW Patrol: The Movie” features talking dog characters and a predominantly white cast of human characters (with a few African Americans, Latinos and Asians) representing the middle-class and working-class.

Culture Clash: A boy and his team of rescue dogs must stop a villainous mayor, whose demented plans to control everything end up causing dangerous hazards to people in the city.

Culture Audience: “PAW Patrol: The Movie” will appeal primarily to fans of the “Paw Patrol” TV series and people who want escapist entertainment that can be enjoyed by viewers of of wide age ranges.

Mayor Humdinger (voiced by Ron Pardo) in “PAW Patrol: The Movie” (Image courtesy of Spin Master Entertainment/Paramount Pictures)

“PAW Patrol: The Movie” is a lightweight, family-friendly animated film with multi-generational appeal. It’s not going to win any major awards, but the movie has positive messages about teamwork, self-acceptance and caring for mental health issues. It also doesn’t fall into a common trap that tends to plague animated films from major studios: trying to cram in as many storylines as possible, and thereby making the film too cluttered.

The simple plot of “PAW Patrol: The Movie” works well because it’s easy for very young kids to follow, and the pacing is just right for this story. A lot of family-oriented animated films seem to forget that many children in the movie’s target audience are too young to understand movies that pile on complicated subplots. And some animated movies get so enamored with world building, it results in too many characters being introduced. Sometimes people just want to see an uncomplicated “good versus evil” story.

Directed by Cal Brunker (who co-wrote the screenplay with Billy Frolick and Bob Barlen), “Paw Patrol: The Movie” thankfully does not assume that everyone watching this movie has seen the “Paw Patrol” TV series, a show that originated in Canada in 2013. The series is televised in Canada on TVOKids and in the U.S. on Nickelodeon You don’t need to see the “PAW Patrol” TV series to enjoy or understand the movie.

What might disappoint fans of the “PAW Patrol” series is that certain dog characters in the movie don’t get the spotlight as they would in the TV series. Newcomers to the “PAW Patrol” franchise who see this movie and don’t know anything about the TV series will come away only remembering the personalities of only three or four (or about half) of the dogs in the movie.

But the filmmakers seem to know this movie’s target audience, because there’s only so much you can put in an 88-minute movie like this one that a TV series would be allowed more time to have. For example, in the TV series, there are 12 dogs and one cat that are part of the PAW Patrol. In this movie, there are six dogs that are part of the PAW Patrol and one dog that’s an aspiring PAW Patrol member.

In “PAW Patrol: The Movie,” Ryder (voiced by Will Brisbin) is a 10-year-old boy who’s in charge of a team of rescue dogs that have the voices of human kids who are around the same age and can do many things that humans can do, such as drive vehicles. Ryder and the dogs all live in Adventure City, which is somewhere in North America. Members of the PAW Patrol help the community in various ways, by acting as unofficial police officers and firefighters.

The dog who’s closest to Ryder is a male German Shepherd named Chase (voiced by Iain Armitage), who has a reputation for being the bravest dog in the pack, with a keen sense of sight and smell. Chase is allergic to cats though, which is a hindrance since this movie’s villain has several cats. All of the other PAW Patrol dogs look up to Chase in some way as their “alpha dog.”

In addition to Chase, there’s Skye (voiced by Lilly Bartlam), a bold 7-year-old female tan cockapoo, who has aircraft skills and a custom-made pink-and-grey helicopter. Marshall (voiced by Kinsgley Marshall) is a goofy 6-year-old male Dalmatian with firefighter and paramedic skills and a custom fire engine truck. Rocky (voiced by Callum Shoniker) is a 6-year-old grey-and-white male Schnauzer/Scottish Terrier mixed-breed dog, who is skilled at recycling and handyman duties, and he has a green recycling truck.

Zuma (voiced by Shayle Simons) is a 5-year-old male brown Labrador Retriever whose specialty is water rescues. He has an orange hovercraft that can be used on water or on land. Rubble (voiced by Keegan Hedley) is a 5-year-old male white-and-brown bulldog who is the team’s construction expert, and his custom vehicle is a yellow bulldozer.

In “PAW Patrol: The Movie,” the team is moving to new headquarters that Ryder has chosen for them. Going along for the ride is another dog who eagerly wants to become a member of the PAW Patrol. She’s smart and sassy Liberty (voiced by Marsai Martin), a brown dachshund, who only has a beat-up play wagon as her vehicle. Liberty, who is a new “PAW Patrol” character introduced in this movie, feels like she has to prove herself to be a worthy member of the PAW Patrol. Liberty meets Ryder and the team when she helps navigate them out of a traffic jam—an indication that she has an excellent sense of direction.

Around the same time, Adventure City is about to experience new leadership with the newly elected Mayor Humdinger (voiced by Ron Pardo), an egotistical and cruel blowhard who will stop at nothing to get what he wants. (Pardo also voices the character of marine biologist Cap’n Turbot, a TV series regular who makes a brief appearance in this movie.) Mayor Humdinger likes to wear top hats and loves to get attention for himself.

The mayor also owns several cats, which are the only living beings that he doesn’t mistreat. The movie doesn’t portray cats in a positive way—the PAW Patrol dogs dislike cats and make sour faces when cats are mentioned—but viewers who love cats shouldn’t be too offended, since the cats don’t really do anything wrong in the story. In addition to having cats as his companions, Mayor Humdinger has two boneheaded and bulky henchmen who are at his beck and call: dark-haired Butch (voiced by Randall Park) and blonde Ruben (voiced by Dax Shepard), who frequently argue about which of them is smarter or more well-liked by their boss.

In Adventure City, a brilliant scientist named Kendra Wilson (voiced by Yara Shahidi) has been leading a team to build an invention called the Cloud Catcher, which sucks clouds out of the air. She tells Mayor Humdinger that the purpose of the Cloud Catcher is so that clouds can be studied and examined. However, once Mayor Humdinger finds out about the Cloud Catcher, he orders Kendra and her team to use it so that every day in Adventure City can be sunny.

Mayor Humdinger makes some more awful decisions, such as building an outdoor subway track that looks more like a circular amusement park ride. Not surprisingly, things go very wrong, and a subway train gets stuck hanging upside-down from the track. Its one of several hazardous events that need the PAW Patrol’s help. There’s an environmental disaster that also occurs due to the Mayor Humdinger’s misuse of the Cloud Catcher.

Early on in the movie, during a rescue of people from a burning building, Chase gets stuck on his parachute rope because he didn’t activate the parachute correctly. He’s very hard on himself because of this mistake. And as a result, he loses a lot of self-confidence and starts to have anxiety attacks in stressful situations. It’s a mental health issue that’s handled with grace and sensitivity in this movie, which also hints that Chase has become a workaholic who’s in need of taking a break for self-care.

The movie isn’t all gloom and doom. There are several moments of comedic levity, many of which come from an overly ambitious TV journalist called Marty Muckraker (voiced by Jimmy Kimmel), who wants to get news scoops and uncover scandals at any cost. Mayor Humdinger and Marty both have huge egos. It’s inevitable that both of them will have personality clashes with each other.

If you’ve ever had real-life experiences with a narcissistic, incompetent tyrant who’s been given too much authority and is on a power trip, then you’ll get some laughs out of watching what happens to Mayor Humdinger in this movie. Adults who watch this movie with any underage kids should tell those kids that even though Mayor Humdinger is a fictional character, there are plenty of toxic bullies like him in the real world. A cartoon villain like Mayor Humdinger isn’t too far off from how power-hungry and vain oppressors act like in real life.

All of the voice actors get the job done in a highly satisfactory way, but not in a particularly outstanding manner. What stands out in “PAW Patrol: The Movie” is how well the story makes use of a uncluttered plot, in addition to the real-life lessons that the movie tries to teach, without being preachy. “PAW Patrol: The Movie” also has a very good gender balance in who gets to do the heroic actions. There are certainly more intricately made, higher-budgeted and more dazzling animated films than “PAW Patrol: The Movie.” But for people who are looking for some good, clean fun in an animated movie that doesn’t get dull or overly complicated, then “PAW Patrol: The Movie” is a solid choice.

Paramount Pictures released “Paw Patrol: The Movie” in U.S. cinemas and on Paramount+ on August 20, 2021.

Review: ‘The Boss Baby: Family Business,’ starring the voices of Alec Baldwin, James Marsden, Jeff Goldblum, Amy Sedaris, Ariana Greenblatt, Jimmy Kimmel and Lisa Kudrow

July 1, 2021

by Carla Hay

Tina Templeton (voiced by Amy Sedaris), The Boss Baby/Ted Templeton (voiced by Alec Baldwin) and young Tim Templeton (voiced  by James Marsden) in “The Boss Baby: Family Business” (Image courtesy of DreamWorks Animation)

“The Boss Baby: Family Business”

Directed by Tom McGrath 

Culture Representation: Taking place in an unnamed U.S. city, the animated film “The Boss Baby: Family Business” features a predominantly white cast of characters (with a few African Americans, Latinos and Asians) representing the middle-class.

Culture Clash: A laid-back man and his workaholic brother are physically transformed back to being children, and they team up with one of the brother’s two daughters to thwart an inventor’s plot to make parents into mind-controlled zombies and to have super-smart babies take over the world.

Culture Audience: “The Boss Baby: Family Business” will appeal primarily to “Boss Baby” fans and people who don’t mind watching a mediocre and overly busy animated family film.

The Boss Baby/Ted Templeton (voiced by Alec Baldwin) and Dr. Erwin Armstrong (voiced by Jeff Goldblum) in “The Boss Baby: Family Business” (Image courtesy of DreamWorks Animation)

“The Boss Baby: Family Business” is the equivalent of people promising to tell a good story, but they end up wasting your time with a lot of hyper rambling. This overly cluttered animated movie buries any attempt at clear and concise storytelling. It’s a sequel that tries to have multiple storylines going at the same time and does none of those storylines very well. And it’s also does a terrible job at world building and explaining what happened in the first “Boss Baby” movie, in order for viewers to fully understand “The Bossy Baby: Family Business.”

“The Boss Baby: Family Business” is the sequel to 2017’s Oscar-nominated “The Boss Baby,” which were both directed by Tom McGrath and written by Michael McCullers. “The Boss Baby” (based on Marla Frazee’s 2010 book of the same name) was about sibling rivalry between two brothers: 7-year-old Timothy “Tim” Templeton (voiced by Miles Bakshi) and infant Theodore “Ted” Templeton (voiced by Alec Baldwin), who had the voice and intelligence of an ambitious business-minded adult because Ted came from a place called BabyCorp that manufactures adults in baby bodies. Ted behaves like a corporate executive, so he’s the Boss Baby in the movie’s title, but Tim is the only other person in the family who knows that Ted has this unusually mature mind.

Without rehashing the plot of “Boss Baby” too much, it’s enough to say that things worked out where Ted ended up having a “normal” childhood with Tim. “The Boss Baby” ends about 30 years later, with Tim now a married father. His 7-year-old daughter Tabitha has concerns over her baby sister Tina, who is revealed to be a Boss Baby too. In order to best understand “The Boss Baby: Family Business,” it’s necessary to know what happened in “The Boss Baby.”

And because it’s the type of sequel where much of the comedy depends on people seeing the previous movie, it can be even more confusing than it needs to be to newcomers to “The Boss Baby” series. “The Boss Baby: Family Business,” which picks up right where “The Boss Baby” ended, rushes through an explanation of what happened in “The Boss Baby.” Unfortunately, “The Boss Baby: Family Business,” has three different storylines, which make the plot a convoluted mess.

In the first storyline, Tim (voiced by James Marsden) and Ted (voiced by Baldwin), who are now adults, still have a sibling rivalry with each other. Ted is a hedge fund CEO who is a bachelor with no children. Tim is a stay-at-home father to daughters Tabitha (voiced by Ariana Greenblatt) and Tina (voiced by Amy Sedaris), and he knows that Tina is a Boss Baby, just like her Uncle Ted was. Tim’s wife Carol (voiced by Eva Longoria) is the family’s breadwinner (she works in a high-powered corporate job), while Tim is feeling a little down on himself because Tabitha seems to admire and respect Ted more than she admires and respects Tim.

And so, the second storyline is how Tim can find a way to have the type of close father-daughter relationship that he wants for himself and Tabitha. As an example of how emotionally distant Tabitha has become from Tim. Tabitha refuses to hug Tim, because she says she’s gotten too old for father-daughter hugs. She wants to shake Tim’s hand instead.

The third storyline is about how Tim, Ted and Tina try to stop a devious plot to make adults mind-controlled zombies and to have Boss Babies take over the world. Tim, Ted and Tina visit BabyCorp and find out that it has a Crisis Center that monitors threats to babies around the world. Dr. Erwin Armstrong (voiced by Jeff Goldblum), founder of a learning institution called Acorn Center, has the goal to make babies the ultimate learning machines, and he thinks parents are a threat to these plans.

Acorn Center has been opening up several locations. Dr. Armstrong personally teaches at the main Acorn Center location, where Tim’s older daughter Tabitha has been going to school. Tim immediately figures out that Dr. Armstrong’s Acorn Center is why Tabitha has been acting so emotionally distant from him: She’s being programmed to become one of these super-intelligent people who will take over the world. Part of that programming includes brainwashing to believe that parents are a threat to a child’s independence.

At the same time, BabyCorp has a baby formula that can turn an adult back into a baby. Tim and Ted take this age-reversing formula. The movie has a nonsensical sequence of Tom and Ted being transformed back into being children. (Miles Bakshi does some voice work as the young Tim.) This sequence ends with Ted being turned into a baby, but Tim’s reverse ageing turns him back into a 7-year-old, not a baby. The movie gives no explanation for this discrepancy, which is one of many examples of what’s wrong with the movie’s substandard screenplay.

Tim now looks like his 7-year-old self, so he and baby Ted go undercover in the Acorn Center where Tabitha is a student. This is the type of sloppily written movie where Ted and Tim just walk into the school, with no explanation for how they were able to quickly enroll in the school. And Tim’s “disguise” is just a pair of glasses and an alias: Marcos Lightspeed. Ted and Tim explain their absence to their family by saying that they are going on a business trip together.

Later, Tim tries to disguise himself more with tattoos and a wardrobe that tries to make him look like he’s “tough.” He’s treated like an outsider by most of the students, except for Tabitha, who befriends Tim. For this part of the plot to be believable, you’d have to believe that Tabitha doesn’t know what her father looked like when he was her age, because she doesn’t even comment on the resemblance. In other words, Tabitha might be “book smart” (she gets the highest grades in her class), but she doesn’t seem to have much common sense.

Tabitha brings “Marcos” home for dinner to meet her family, which includes Tim’s parents Ted Templeton Sr. (voiced by Jimmy Kimmel) and Janice Templeton (voiced by Lisa Kudrow). Ted Sr. and Janice notice how much “Marcos” looks and sounds like Tim when he was that age. However, they brush it off as a coincidence because Marcos wears glasses. It’s very much like how people in “Superman” don’t figure out Clark Kent is really Superman just because Clark wears glasses and isn’t in a superhero suit.

Except for Dr. Armstrong (a stereotypical “crazy inventor” villain), the movie’s supporting characters are given next to nothing to do but just take up space. An Acorn Center student named Nathan (voiced by Raphael Alejandro) is the obligatory school bully whose character, just like all the other students, is ultimately just there for show, with very little impact on the overall story. A student who’s given the name Creepy Girl (voiced by Molly K. Gray), who looks like a reject from a Tim Burton animated film, pops up here and there at random moments to act weird around Tim and Ted.

The rest of “The Boss Baby: Family Business” just further tangles these three messy storylines with a lot of filler. It all leads up to a pivotal Acorn Center talent pageant that’s supposed to coincide with what Dr. Armstrong calls B-Day, the revolution that he wants to start where Boss Babies will take over the world, and there are no more children’s rules and no parents in charge. At a couple of points in the movie, it turns into a sappy musical, with Tabitha breaking out into song. The movie’s animation is not outstanding and certainly won’t be nominated for any major awards.

The voice cast members do a perfectly adequate job in their roles. However, Longoria’s Carol, who could have been an interesting character, is the most sidelined role in the family. She’s doesn’t do much and has forgettable lines of dialogue. The wacky toy wizard Wizzie (voiced by James McGrath) brings very few laughs. And the conversations throughout the movie are littered with clichés. At one point in the film, workaholic Ted Jr. says of his seemingly successful life: “It’s lonely at the top.”

“The Boss Baby: Family Business” might be enjoyable for people who just want to watch an animated film as a distraction and don’t care if there’s anything memorable about the movie. But whatever sarcastic wit that Boss Babies are supposed to have in this world is largely missing in “The Boss Baby: Family Business.” It’s a movie that tries too hard to be so many things at once that it ends up being nothing special at all.

DreamWorks Animation will release “Boss Baby: Family Business” in U.S. cinemas and on Peacock on July 2, 2021.

2020 Primetime Emmy Awards: ‘Watchmen’ is the top winner

September 20, 2020

by Carla Hay

Regina King and Yahya Abdul-Mateen II in “Watchmen” (Photo by Mark Hill/HBO)

With 11 prizes, HBO’s sci-fi/drama limited series “Watchmen” was the top winner at the 72nd annual Emmy Awards, which were presented September 20, 2020, in a virtual ceremony hosted by Jimmy Kimmel. ABC had the U.S. telecast. The winners accepted their prizes via video satellite links. Going into the ceremony, “Watchmen” was the leading contender, with 26 nominations. Among the Emmy Awards won by “Watchmen” were for Outstanding Limited Series; Best Actress in a Limited Series or Movie (for Regina King); Best Supporting Actor in a Limited Series or Movie (for Yahya Abdul-Mateen II); and Best Writing for a Limited Series, Movie or Dramatic Special.

Pop TV’s “Schitt’s Creek” (whose series finale aired in April 2020) was also a big winner, by sweeping all seven of the major categories in the comedy categories: Outstanding Comedy Series; Outstanding Lead Actor in a Comedy Series (for Eugene Levy); Outstanding Lead Actress in a Comedy Series (for Catherine O’Hara); Outstanding Supporting Actor in a Comedy Series (for Dan Levy); Outstanding Supporting Actress in a Comedy Series (for Annie Murphy); Outstanding Directing for a Comedy Series; and Outstanding Writing for a Comedy Series. “Schitt’s Creek” was the first TV series to win all seven of these Emmy categories in the same year. “Schitt’s Creek” went into the ceremony with 15 nominations and ended up winning nine Emmys. The other two Emmys won by the show were for Outstanding Contemporary Costumes and Outstanding Casting for a Comedy Series.

HBO’s “Succession” was another big winner at the ceremony, including victories in these categories: Outstanding Drama Series; Outstanding Lead Actor in a Drama Series (for Jeremy Strong); Outstanding Directing for a Drama Series; and Outstanding Writing for a Drama Series. The total Emmy haul for “Succession” in 2020 was seven.

Zendaya won the prize for Outstanding Lead Actress in a Drama Series, for HBO’s “Euphoria.” At 24 years old, she made Emmy history for being the youngest person to win in this Emmy category. Other actor winners included Mark Ruffalo (who played identical twins) for HBO’s “I Know This Much Is True” (Outstanding Lead Actor in Limited Series or Movie); Billy Crudup for Apple TV+’s “The Morning Show” (Outstanding Supporting Actor in a Drama Series); Julia Garner for Netflix’s “Ozark” (Outstanding Supporting Actress in a Drama Series); and Uzo Aduba for FX’s “Mrs. America” (Outstanding Supporting Actress in a Limited Series or Movie).

Presenters included Jennifer Aniston, Tracee Ellis Ross, Zendaya, Jason Sudeikis, Randall Park, Anthony Anderson, Cynthia Erivo, Oprah Winfrey, Laverne Cox, Yara Shahidi and Sterling K. Brown. And in honor of everyday people during the pandemic, there were also several “non-famous” people as presenters, such as a school teacher, an astronaut, a mail deliverer, a farmer/shepherd, a truck driver, two doctors and a nurse. In a comedic segment, there was a mini-reunion of “Friends,” as Aniston, Courteney Cox and Lisa Kudrow did a sketch where they all pretended to be longtime roommates.

As previously announced, Tyler Perry and The Perry Foundation received the noncompetitive Governors Award for career achievement. H.E.R. performed “Nothing Compares 2 U” for the “In Memoriam” segment honoring prominent people who worked in television who passed away since the 2019 Primetime Emmy Awards.

Many of the speeches and presentations (including acceptance speeches by Perry and “Schitt’s Creek” co-star Dan Levy) mentioned a need for more diversity and inclusion in television. There were special segments devoted to actresses/producers Issa Rae, America Ferrera and Lena Waithe sharing personal experiences about how they dealt with racism in the industry. Some of the ceremony’s winners (such as King, Ruffalo, Dan Levy and Garner) also urged people to vote in this U.S. election year.

The independent accounting firm of Ernst & Young LLP tallied the votes for the Primetime Emmy Awards, which are voted on by branches of the Television Academy of Arts and Sciences, with some special jury awards. The executive producers of 2020 Primetime Emmy Awards telecast were Kimmel, Guy Carrington, Reginald Hudlin, David Jammy and Ian Stewart. The show raised $2.8 million for the food charity No Kid Hungry, according to an announcement that Kimmel made at the end of the show.

The 2020 Creative Arts Emmy Awards were handed out in a five-part ceremony (hosted by Nicole Byer) on September 14, 15, 16, and 17 on Emmys.com and on September 19 on FXX. A complete list of winners for the 2020 Creative Art Emmy Awards can be found here.

Here is the list of nominees and winners for the 2020 Primetime Emmy Awards:

*=winner

Outstanding Drama Series

“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“Killing Eve” (BBC America/AMC)
“The Mandalorian” (Disney Plus)
“Ozark” (Netflix)
“Stranger Things” (Netflix)
“Succession” (HBO)*

Outstanding Comedy Series

“Curb Your Enthusiasm” (HBO)
“Dead to Me” (Netflix)
“The Good Place” (NBC)
“Insecure” (HBO)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon Prime Video)
“Schitt’s Creek” (Pop TV)*
“What We Do in the Shadows” (FX)

Outstanding Limited Series

“Little Fires Everywhere” (Hulu)
“Mrs. America” (Hulu)
“Unbelievable” (Netflix)
“Unorthodox” (Netflix)
“Watchmen” (HBO)*

Outstanding Lead Actor in a Drama Series

Jason Bateman (“Ozark”)
Sterling K. Brown (“This Is Us”)
Steve Carell (“The Morning Show”)
Brian Cox (“Succession”)
Billy Porter (“Pose”)
Jeremy Strong (“Succession”)*

Outstanding Lead Actress in a Drama Series

Jennifer Aniston (“The Morning Show”)
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Laura Linney (“Ozark”)
Sandra Oh (“Killing Eve”)
Zendaya (“Euphoria”)*

Outstanding Lead Actor in a Comedy Series

Anthony Anderson (“Black-ish”)
Don Cheadle (“Black Monday”)
Ted Danson (“The Good Place”)
Michael Douglas (“The Kominsky Method”)
Eugene Levy (“Schitt’s Creek”)*
Ramy Youssef (“Ramy”)

Outstanding Lead Actress in a Comedy Series

Christina Applegate (“Dead to Me”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Linda Cardellini (“Dead to Me”)
Catherine O’Hara (“Schitt’s Creek”)*
Issa Rae (“Insecure”)
Tracee Ellis Ross (“Black-ish”)

Outstanding Lead Actor in a Limited Series or Movie

Jeremy Irons (“Watchmen”)
Hugh Jackman (“Bad Education”)
Paul Mescal (“Normal People”)
Jeremy Pope (“Hollywood”)
Mark Ruffalo (“I Know This Much Is True”)*

Outstanding Lead Actress in a Limited Series or Movie

Cate Blanchett (“Mrs. America”)
Shira Haas (“Unorthodox”)
Regina King (“Watchmen”)*
Octavia Spencer (“Self Made”)
Kerry Washington (“Little Fires Everywhere”)

Outstanding Supporting Actor in a Drama Series

Giancarlo Esposito (“Better Call Saul”)
Bradley Whitford (“The Handmaid’s Tale”)
Billy Crudup (“The Morning Show”)*
Mark Duplass (“The Morning Show”)
Nicholas Braun (“Succession”)
Kieran Culkin (“Succession”)
Matthew Macfadyen (“Succession”)
Jeffrey Wright (“Westworld”)

Outstanding Supporting Actress in a Drama Series

Laura Dern (“Big Little Lies”)
Meryl Streep (“Big Little Lies”)
Helena Bonham Carter (“The Crown”)
Samira Wiley (“The Handmaid’s Tale”)
Fiona Shaw (“Killing Eve”)
Julia Garner (“Ozark”)*
Sarah Snook (“Succession”)
Thandie Newton (“Westworld”)

Outstanding Supporting Actor in a Comedy Series

Andre Braugher (“Brooklyn Nine-Nine”)
William Jackson Harper (“The Good Place”)
Alan Arkin (“The Kominsky Method”)
Sterling K. Brown (“The Marvelous Mrs. Maisel”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)
Mahershala Ali (“Ramy”)
Kenan Thompson (“Saturday Night Live”)
Dan Levy (“Schitt’s Creek”)*

Outstanding Supporting Actress in a Comedy Series

Betty Gilpin (“GLOW”)
D’Arcy Carden (“The Good Place”)
Yvonne Orji (“Insecure”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Marin Hinkle (“The Marvelous Mrs. Maisel”)
Kate McKinnon (“Saturday Night Live”)
Cecily Strong (“Saturday Night Live”)
Annie Murphy (“Schitt’s Creek”)*

Outstanding Supporting Actor in a Limited Series or Movie

Dylan McDermott (“Hollywood”)
Jim Parsons (“Hollywood”)
Tituss Burgess (“Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend”)
Yahya Abdul-Mateen II (“Watchmen”)*
Jovan Adepo (“Watchmen”)
Louis Gossett Jr. (“Watchmen”)

Outstanding Supporting Actress in a Limited Series or Movie

Holland Taylor (“Hollywood”)
Uzo Aduba (“Mrs. America”)*
Margo Martindale (“Mrs. America”)
Tracey Ullman (“Mrs. America”)
Toni Collette (“Unbelievable”)
Jean Smart (“Watchmen”)

Outstanding Competition Program

“The Masked Singer” (Fox)
“Nailed It!” (Netflix)
“RuPaul’s Drag Race” (VH1)*
“Top Chef” (Bravo)
“The Voice” (NBC)

Outstanding Variety Talk Series

“Daily Show with Trevor Noah” (Comedy Central)
“Full Frontal with Samantha Bee” (TBS)
“Jimmy Kimmel Live” (ABC)
“Last Week Tonight with John Oliver” (HBO)*
“Late Show with Stephen Colbert” (CBS)

Outstanding Directing for a Drama Series

Benjamin Caron, “The Crown” (Netflix)
Jessica Hobbs, “The Crown” (Netflix)
Lesli Linka Glatter, “Homeland” (Showtime)
Mimi Leder “The Morning Show” (Apple TV Plus)
Alik Sakharov, “Ozark” (Netflix)
Ben Semanoff, “Ozark” (Netflix)
Andrij Parekh, “Succession” (HBO)*
Mark Mylod, “Succession” (HBO)

Outstanding Directing for a Comedy Series

Matt Shakman, “The Great” (Hulu)
Amy Sherman-Palladino, “The Marvelous Mrs. Maisel” (Amazon Prime Video)
Daniel Palladino, “The Marvelous Mrs. Maisel” (Amazon Prime Video)
Gail Mancuso, “Modern Family” (ABC)
Ramy Youssef, “Ramy” (Hulu)
Andrew Cividino and Daniel Levy, “Schitt’s Creek” (Pop TV)*
James Burrows, “Will & Grace” (NBC)

Outstanding Directing for a Limited Series, Movie or Dramatic Special

Lynn Shelton, “Little Fires Everywhere” (Hulu)
Lenny Abrahamson, “Normal People” (Hulu)
Maria Schrader, “Unorthodox” (Netflix)*
Nicole Kassell, “Watchmen” (HBO)
Steph Green, “Watchmen” (HBO)
Stephen Williams, “Watchmen” (HBO)

Outstanding Writing for a Drama Series

Thomas Schnauz, “Better Call Saul” (AMC)
Gordon Smith, “Better Call Saul” (AMC)
Peter Morgan, “The Crown” (Netflix)
Chris Mundy, “Ozark” (Netflix)
John Shiban, “Ozark” (Netflix)
Miki Johnson, “Ozark” (Netflix)
Jesse Armstrong, “Succession” (HBO)*

Outstanding Writing for a Comedy Series

Michael Schur, “The Good Place” (NBC)
Tony McNamara, “The Good Place” (NBC)
Daniel Levy, “Schitt’s Creek” (Pop TV)*
David West Read, “Schitt’s Creek” (Pop TV)
Sam Johnson and Chris Marcil, “What We Do in the Shadows” (FX)
Pam Simms, “What We Do in the Shadows” (FX)
Stefani Robinson, “What We Do in the Shadows” (FX)

Outstanding Writing for a Limited Series, Movie or Dramatic Special

Tanya Barfield, “Mrs. America” (FX)
Sally Rooney and Alice Birch, “Normal People” (Hulu)
Susannah Grant, Michael Chabon and Ayelet Waldman, “Unbelievable” (Netflix)
Anna Winger, “Unorthodox” (Netflix)
Damon Lindelof and Cord Jefferson, “Watchmen” (HBO)*

https://www.youtube.com/watch?v=vE6lH2nnlCU

Review: ‘Dads,’ starring Ron Howard, Will Smith, Conan O’Brien, Ken Jeong, Jimmy Fallon, Neil Patrick Harris and Jimmy Kimmel

June 20, 2020

by Carla Hay

Bryce Dallas Howard and her father Ron Howard in “Dads” (Photo courtesy of Apple TV+)

“Dads” 

Directed by Bryce Dallas Howard

Culture Representation: The documentary “Dads” has a racially diverse group of people (white, black, Asian and Latino) representing the middle-class and wealthy and talking about fatherhood.

Culture Clash: Some of the fathers interviewed in the film talk about defying traditional masculine stereotypes, by being more involved in raising their children than previous generations of fathers were expected to be.

Culture Audience: “Dads” will appeal to anyone who likes nonfiction films about parenting issues, even though it shuts out any perspectives of fathers who are poor or have negative attitudes about being fathers.

Robert Selby (pictured at right) and his son RJ in “Dads” (Photo courtesy of Apple TV+)

The documentary “Dads” puts such an unrelenting positive and happy spin on fatherhood that it has a strange dichotomy of being a nonfiction film that isn’t entirely realistic. Bryce Dallas Howard (the eldest child of Oscar-winning filmmaker Ron Howard) makes her feature-film directorial debut with “Dads,” which devotes considerable screen time to members of the Howard family talking about fatherhood. “Dads” is ultimately a very uplifting “feel good” movie, but it doesn’t do anything groundbreaking or reveal any new concepts of fatherhood.

There are no deadbeat dads or bitter fathers who’ve lost child custody in “Dads.” Instead, the documentary focuses only on fathers who love being dads and have good relationships with their children. There are several celebrities interviewed in the film (all of whom have a background in comedy), such as Judd Apatow, Jimmy Fallon, Neil Patrick Harris, Ron Howard, Ken Jeong, Jimmy Kimmel, Hasan Minhaj, Conan O’Brien, Patton Oswalt and Will Smith.

“Dads” has three kinds of footage: soundbites from the celebrities, with Bryce Dallas Howard as the interviewer (she sometimes appears on camera); clips of home movies (the clips from random, unidentified people give the documentary an “America’s Funniest Home Videos” look); and six in-depth profiles of seven middle-class fathers from different parts of the world.

Although the celebrities offer some amusing anecdotes, many of their stories seem rehearsed or their comments are made just to crack a joke. Smith, in particular, seems to have memorized way in advance what he was going to say in this documentary. With the exception of Ron Howard, the celebrities are not shown with their children in this documentary, which is why the celebrity segments in the film are pretty superficial. The best parts of the documentary are with the people who aren’t rich and famous, because that’s the footage that actually shows “regular” fathers (who don’t have nannies) taking care of the kids.

The seven non-famous fathers who are profiled in the movie are:

  • Glen Henry (in San Diego), an African American who became a “daddy vlogger” to document his experiences as a stay-at-home dad.
  • Reed Howard (in Westchester, New York), who is Bryce Dallas Howard’s youngest sibling and was a first-time expectant father at the time the documentary was filmed.
  • Robert Selby (in Triangle, Virginia), an African American whose son survived a life-or-death medical crisis.
  • Thiago Queiroz (in Rio de Janeiro), a Brazilian who started a podcast and blog about fatherhood and who advocates for longer time for paternity leaves.
  • Shuichi Sakuma (in Tokyo), who is a Japanese homemaker.
  • Rob Scheer and Reece Scheer (in Darnestown, Maryland), a white gay couple who adopted four African American kids.

Glen Henry used to work as a sales clerk at men’s clothing store, but he was so unhappy in his job that his wife Yvette suggested that he quit his job and become a stay-at-home father. (At the time “Dads” was filmed, the Henrys had two sons and a daughter.) Glen Henry, who has a blog called Beleaf in Fatherhood, began making videos documenting his fatherhood experiences.

Glen admits that he thought at first that it would be easy to take care of the kids by himself, but he found out that he was very wrong about that. “I felt like an imposter,” he says of his early years as a homemaker. Even though his wife Yvette says she wasn’t thrilled about Glen putting their family’s life on display for everyone to see on the Internet, she says it’s worth it because Glen is a much happier person as a stay-at-home dad.

Echoing what many of the fathers say in the documentary, Glen Henry comments: “The role of father has shifted in a major way. We went from providing, being there for holidays and disciplining to being all the way involved—and you kind of look like a dork if you’re not.”

He continues, “I feel like being a father made me the man that I am. My children taught me to be authentic and honest with myself. Fatherhood has given me a whole new identity.”

Reed Howard, who was expecting his first child with his wife when this documentary was being filmed, talks about the home videos that his father Ron filmed of all of his children being born. (Clips of some of those videos are included in the documentary.) Reeds says half-jokingly that since all of Ron’s kids were forced to watch the videos, it was “traumatic” to see part of his mother’s body that he never wanted to see.

Ron Howard’s father Rance (who died in 2017) is also interviewed in “Dads.” Rance says that when Ron was a co-star on “The Andy Griffith Show,” Rance suggested to Andy Griffith to not have Ron’s character Opie written as a brat. Griffith took the advice, and the father-son relationship on the show was modeled after the relationship that Rance had with Ron in real life. (Rance Howard and Ron Howard are the only grandfathers interviewed in the movie, by the way.)

Most of the dads interviewed in the documentary get emotional and teary-eyed at some point in the film. Ron Howard’s crying moment comes when he says that his greatest fear as a father was that he wouldn’t be as good as his father was to him. Reed (who is Ron’s only son) expresses the same fear about not being able to live up to the great experiences that he had with Ron as his father.

Selby has perhaps the most compelling story, since his son RJ was born with a congenital heart defect. Selby describes years of stressful hospital visits and medical treatments in order to help RJ live as healthy of a life as possible. This dedicated dad had to make many sacrifices, such as taking unpaid time off from work and forgo paying some bills in order to pay for RJ’s medical expenses. “There was no doubt in mind: I would forever be his protector,” Selby says of his outlook on being RJ’s father.

Selby is also the only father interviewed in the film who isn’t financially privileged, since he says that he often didn’t have a car during his son’s ongoing medical crisis. And when he did have a car, it was repossessed  multiple times because he couldn’t make the payments. He ended up working a night shift because it was the only way he could have a job (he doesn’t mention what he does for a living) while also going to school and taking care of RJ during the day.

Chantay Williams (who is RJ’s mother) and Selby were never married and didn’t have a serious relationship when she got pregnant with RJ. Selby breaks down and cries when he remembers that when he found out about the pregnancy, he didn’t want Williams to have the child and he didn’t talk to her for two months. But he changed his mind, asked for her forgiveness, and is now a very involved father.

However, Selby says that he still feels shame over his initial reaction to the pregnancy, and he comments that he’ll probably spend the rest of his life trying to make up for that mistake. Williams says in the documentary that Selby is proof that someone can change, and that he’s truly a devoted father and that his devotion isn’t just a show for the documentary cameras.

Quieroz (a married father of two sons and a daughter) knows what it’s like to not have a father raise him, since his dad wasn’t in his life for most of his childhood. He says that it’s one of the reasons why he vowed to always be there for his kids. Quieroz’s day job is as a mechanical engineer, but he also started a fatherhood podcast with two other Brazilian fathers, and he has a fatherhood blog. It’s through the blog that Quieroz’s estranged father got in touch with him. The outcome of that contact is revealed in the documentary.

Sakuma talks about how, in Japanese culture, men who don’t work outside the home are considered “society dropouts.” When he was diagnosed with an autoimmune disorder 20 years ago, Sakuma could no longer work outside the home. He became so depressed that he contemplated divorce and suicide, until his wife begged him: “Please continue living for me.”

After Sakuma regained his health, one of the first things he wanted to do was become a parent, but his wife didn’t want to have kids. He says in the documentary that he began a personal campaign that lasted two years to get his wife to change her mind. She changed her mind when he told her that men can do anything when it comes to raising a child, except for pregnancy, childbirth and breastfeeding. He convinced her that he would make a great stay-at-home dad, which he is to their son.

Rob and Reece Scheer didn’t expect to become parents to four kids in a short period of time (less than a year), but that’s what happened when they fostered four children, whom they eventually ended up adopting. Rob and Reece have three sons and one daughter; two of the sons are biological brothers. Rob (the older husband) says he knew that he wanted to be a father since he was 6 years old. Rob describes how he grew up with an abusive father, but that traumatic experience helped him know that he wanted to be the opposite of abusive when he became a dad.

The four kids adopted by Reece and Rob also come from troubled backgrounds, so Rob believes surviving his own abusive childhood helps him relate to his kids in that way. As for Reece, he was working two jobs when he decided quit those jobs to be the couple’s stay-at-home partner. They had to make the sacrifice of having a lower household income, but now the family lives happily on a farm, which the dads say has been beneficial for the emotional well-being of their kids.

Rob Scheer says that sometimes people say unintentionally ignorant things  about gay couples who are parents. “People ask, ‘Who’s the mom and who’s the dad?’ We’re both dads, but the one thing that we do is that we both partner. That’s what parents should be doing.”

One of the questions that Bryce Dallas Howard asks the celebrities is to define what a father is in one word. Fallon says “hero,” while Minhaj says “compass.” Many of the celebrity fathers in the documentary make obvious comments that are similar to each other, such as: “There’s no instruction manual/rulebook to being a father.”

And although Kimmel and Jeong briefly mention the medical scares they went through with their children (a heart defect for one of Kimmel’s sons, a premature birth for one of Jeong’s children), the documentary doesn’t show them opening up about these issues in a meaningful way. Instead, most of the celebrity soundbites are meant to elicit laughs. Several of the celebrities make references to their busy careers when they talk about how their work keeps them from spending more time with their kids, but they know that they’re working hard to provide very well for their children.

Although the non-famous fathers who are profiled  in “Dads” seem to be a diverse group because they’re from different countries and racial groups, they actually have more in common with each other than not, because they’re all middle-class fathers with children who were under the age of 13 at the time this documentary was filmed. It seems like these fathers were selected because they have young children who are in the “cute” stages of life—no kids who are teenagers or adults—thereby creating more documentary footage that was likely to be “adorable.”

Apatow and Smith are the only fathers who talk about how fatherhood became less fun for them when their children became teenagers. They mention that they had to learn to give their teenage kids space, adjust to their kids’ growing independence, and allow them to make their own decisions on issues, even if those decisions turned out to be mistakes. But since the documentary doesn’t do any up-close profiles of non-famous fathers who have teenagers, the only commentaries about raising teenagers come from rich and famous guys, and it’s questionable how relatable these celebrity dads are to the rest of the public.

For example, Smith has said in other interviews (not in this documentary) that he and his wife Jada don’t believe that their kids should be punished in their household when they do something wrong, their kids never had to do household chores, and he and Jada allowed their kids to drop out of school when the kids didn’t feel like going anymore. Apatow admits in the documentary that he’s also a permissive dad who never really punished his kids if they did something wrong. Is it any wonder that many celebrities are perceived as raising spoiled kids who are out of touch with the real world?

One of the other shortcomings of “Dads” is that, except for Selby, the documentary completely ignores major financial strains that parenthood can cause. It’s as if the documentary wants to forget that financially poor fathers exist in this world too. And even though Minhaj is the only one in “Dads” to mention the immigrant experience, “Dads” could have used more fatherhood stories from an immigrant perspective.

However, if you want a heartwarming look at famous and non-famous dads who say that parenthood is the best thing that ever happened to them, “Dads” fulfills all those expectations. This documentary is more like a series of love letters instead of a thorough and inclusive investigation.

Apple TV+ premiered “Dads” on June 19, 2020.

2019 Primetime Emmy Awards: presenters announced

September 11, 2019

The following is a press release from the Academy of Television Arts and Sciences:

The Television Academy and Emmy Awards telecast producers Don Mischer Productions and Done+Dusted announced the first group of talent set to present the iconic Emmy statuettes at the 71st Emmy Awards on Sunday, September 22.

The presenters include:

  • Angela Bassett* (9-1-1 and The Flood)
  • Stephen Colbert* (The Late Show with Stephen Colbert)
  • Viola Davis* (How to Get Away with Murder)
  • Michael Douglas* (The Kominsky Method)
  • Taraji P. Henson (Empire)
  • Terrence Howard (Empire)
  • Jimmy Kimmel* (Jimmy Kimmel Live)
  • Peter Krause (9-1-1)
  • Seth Meyers* (Late Night With Seth Meyers and Documentary Now!)
  • Billy Porter* (Pose)
  • Naomi Watts (The Loudest Voice)
  • Zendaya (Euphoria)
  • The cast of Game of Thrones: Alfie Allen*, Gwendoline Christie*,
    Emilia Clarke*, Peter Dinklage*, Kit Harington*, Lena Headey*, Sophie Turner*, Carice van Houten*, Nikolaj Coster-Waldau*, and Maisie Williams*

September 17, 2019 UPDATE:

More presenters have been announced for the 2019 Primetime Emmy Awards:

  • Anthony Anderson* (black-ish)
  • Ike Barinholtz (Bless the Harts)
  • Cedric the Entertainer (The Neighborhood)
  • Max Greenfield (The Neighborhood)
  • Bill Hader* (Barry)
  • Julia Louis-Dreyfus* (VEEP)
  • Cast of VEEP: Anna Chlumsky, Gary Cole, Kevin Dunn, Clea DuVall, Tony Hale, Sam Richardson, Reid Scott, Timothy Simons, Sarah Sutherland, Matt Walsh
  • Gwyneth Paltrow (The Politician)
  • Amy Poehler* (Duncanville and Russian Doll)
  • Maya Rudolph (Bless the Harts and The Good Place)
  • RuPaul* (RuPaul’s Drag Race)
  • Lilly Singh (A Little Late with Lilly Singh)
  • Ben Stiller* (Escape at Dannemora)
  • Phoebe Waller-Bridge* (Fleabag)
  • Cast of Keeping Up with the Kardashians: Kim Kardashian, Kendall Jenner, Kylie Jenner

The 71st Emmy Awards will air live from the Microsoft Theater in Los Angeles on Sunday, September 22, (8:00-11:00 PM ET/5:00-8:00 PM PT) on FOX.

For more information, please visit Emmys.com. Find out Where to Watch.

*71st Emmy Awards Nominees

 

https://www.emmys.com/news/awards-news/emmy-presenters-190911

2018 Academy Awards: Jimmy Kimmel returns as host

May 16, 2017

Jimmy Kimmel
Jimmy Kimmel (Photo by Jeff Lipsky/ABC)

The following is a press release from ABC:

For a second consecutive year, late-night talk show favorite Jimmy Kimmel will return to host the Oscars telecast, and Michael De Luca and Jennifer Todd will produce, Academy President Cheryl Boone Isaacs announced today. The 90th Academy Awards will air live on the ABC Television Network and broadcast outlets worldwide on Oscar® Sunday, March 4, 2018.

“Jimmy, Mike and Jennifer are truly an Oscar Dream Team,” said Boone Isaacs. “Mike and Jennifer produced a beautiful show that was visually stunning. And Jimmy proved, from his opening monologue all the way through a finale we could never have imagined, that he is one our finest hosts in Oscar history.”

“Hosting the Oscars was a highlight of my career and I am grateful to Cheryl, Dawn and the Academy for asking me to return to work with two of my favorite people, Mike De Luca and Jennifer Todd,” said Kimmel.  ”If you think we screwed up the ending this year, wait until you see what we have planned for the 90th anniversary show!”

“It’s not often you get two chances to have a once-in-a-lifetime experience and even more rare to be handed the keys to a party 90 years in the making,” said De Luca and Todd. ”We always thought the idea that anything can happen on the Oscars was a cliché until we lived it.”

“Our Oscars team this year delivered a show that hit every high note,” said Academy CEO Dawn Hudson. “Jimmy brought back the essence and light touch of the greatest hosts of Oscars’ past. Mike and Jennifer’s love of movies is infectious and touched every aspect of the show. This is the perfect team to lead us into the ninth decade.”

“After just one year, we can’t imagine anyone else hosting The Oscars. Jimmy’s skillful command of the stage is invaluable on a night when anything can happen—and does,” said Channing Dungey, president, ABC Entertainment. “With Mike and Jennifer at the helm, we’re ready for another unforgettable show that will dazzle, delight and, most importantly, honor 90 years of Hollywood’s most prestigious award.”

Kimmel serves as host and executive producer of the Emmy®-winning “Jimmy Kimmel Live!,” ABC’s late-night talk show. Now in its 15th season, “JKL” has earned six Emmy nominations in the Outstanding Variety Series Talk category, the Writing for a Variety Series category, and the Variety, Music or Comedy Series category.

De Luca earned Best Picture Oscar nominations for producing “Captain Phillips,” “Moneyball” and “The Social Network.”  He is credited on more than 60 films, including the “Fifty Shades of Grey” trilogy, “Blow,” “Magnolia,” “American History X” and “Boogie Nights.”  He is a former president of production at Columbia Pictures, DreamWorks and New Line Cinema.

Todd is currently president of Pearl Street Films, the production company founded by Ben Affleck and Matt Damon, where she produced “Live by Night” and executive produced last year’s “Jason Bourne.”  Her other credits include such films as “Alice through the Looking Glass,” “Celeste and Jesse Forever,” “Alice in Wonderland,” “Across the Universe,” “Prime,” “Memento,” “Boiler Room” and the “Austin Powers” films.  Todd earned an Emmy nomination for her work on the HBO television movie “If These Walls Could Talk 2.”

The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. EDT/4 p.m. PDT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

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