Review: ‘Day of the Fight’ (2024), starring Michael C. Pitt, Nicolette Robinson, John Magaro, Steve Buscemi, Ron Perlman and Joe Pesci

December 3, 2024

by Carla Hay

Michael C. Pitt and Ron Perlman in “Day of the Fight” (Photo by Jeong Park/Falling Forward Films)

“Day of the Fight” (2024)

Directed by Jack Huston

Culture Representation: Taking place in New York City on December 8, 1989, the dramatic film “Day of the Fight” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A former champion boxer with a troubled past prepares to make a comeback on the day he has a championship fight.

Culture Audience: “Day of the Fight” will appeal primarily to are fans of the movie’s headliners and well-acted movies about people seeking redemption.

Michael C. Pitt and Nicolette Robinson in “Day of the Fight” (Photo by Jeong Park/Falling Forward Films

“Day of the Fight” doesn’t have much of a plot, but this moody and introspective drama has believable performances. This story about a troubled boxer is more about the fight with his inner demons than any boxing inside the ring. And the entire story takes place during a 24-hour period. In other words, viewers should not expect “Day of the Fight” to be like “Rocky” and “Raging Bull,” which show several boxing matches leading up to a crucial championship fight.

“Day of the Fight,” written and directed by Jack Huston, is his feature-film directorial debut after years of being known mostly as an actor. Jack Huston (who is a grandson of legendary filmmaker John Huston) does not appear on camera in “Day of the Fight” which had its world premiere at the 2023 Venice International Film Festival. The movie has a lot of great talent, but the story might not be action-oriented enough for some viewers expecting to see a lot of boxing matches.

“Day of the Fight” might get a few comparisons to “Raging Bull” (the Oscar-winning 1980 film directed by Martin Scorsese) because—just like “Raging Bull”—it’s a movie filmed in black and white, and it’s about an emotionally damaged middleweight boxer who wants to make a comeback. Scorsese has publicly praised “Day of the Fight,” which is a solid directorial debut from Jack Huston, but it won’t be considered a classic like “Raging Bull,” a movie about real-life boxer Jake LaMotta.

“Day of the Fight” takes place in New York City on December 8, 1989. (The movie was actually filmed in New Jersey.) In “Day of the Fight,” Michael “Mikey” Flannigan (played by Michael C. Pitt) is a boxer who is at tail end of his career because he’s in his 40s. Mikey was a champion middleweight boxer in his 20s, but his career was curtailed because of a scandal that sent him to prison for a number of years. The movie slowly reveals what this scandal was in several flashbacks.

By the time this story takes place, Mikey (a bachelor who lives alone) has been out of prison for a certain period of time that has been long enough for him to be on the comeback trail. On the day portrayed in the move, Mikey will have a televised championship boxing match at Madison Square Garden. Mikey, who is recovering from alcoholism, has a day job as a construction worker and has fallen on hard times. An early scene in the movie shows him selling a ring that used to be owned by his dead mother. The ring is worth about $10,000, but Mikey sells it for $7,000.

Mikey had a very traumatic childhood and has complicated feelings about it. Mikey is still haunted by how his mother died when he was about 11 or 12 years old. Flashbacks show Mikey’s unnamed mother (played by Shannan Click) and Mikey (played by Cypress Huston) when he was about this age. Mikey’s unnamed father (played by Joe Pesci), a former singer, was very abusive to Mikey in Mikey’s childhood. But now, Mikey’s father has dementia. Pesci has a small but very effective role in the movie.

Most of “Day of the Fight” shows Mikey doing a little bit of training, but the movie is primarily about how Mikey visits certain people and tries to repair his relationships with them or get their advice on how to make his life better. The people he interacts with the most during the course of the story are people he’s known for several years.

Mikey’s confidants include his no-nonsense trainer Stevie (played by Ron Perlman), who has known Mikey for 25 years and who owns Stevie’s Gym, the name of the place where Mikey trains; Mikey’s friendly uncle Colm (played by Steve Buscemi), who is a manager at Stevie’s Gym; and Father Patrick Donnelly (played by John Magaro), a Catholic priest who has known Mikey since they were childhood students together. All of them know about Mikey’s troubles and have forgiven him for his mistakes and misconduct.

But there are two people whose forgiveness Mikey wants the most: his ex-girlfriend Jessica (played by Nicolette Robinson) and their daughter Sasha (played by Kat Elizabeth Williams), who is now 13 years old. Jessica and Sasha have been estranged from Mikey for years because Jessica ended her relationship with Mikey shortly after he went to prison. Mikey spent most of Sasha’s childhood in prison. The scenes with Pitt and Robinson are performed with a raw intensity that is very realistic of an estranged ex-couple who are parents of the same child.

Jessica is a part-time nightclub singer, so the movie has a scene of Robinson doing a lovely and poignant version of Creedence Clearwater Revival’s “Have You Ever Seen the Rain.” The end credits also feature an original song called “Mikey’s Song” performed by Robinson and featuring Pesci, who’s been a singer/recording artist in real life. There’s a scene in “Day of the Fight” where Mikey plays an album that was recorded by Mikey’s father, as a way to help Mikey’s father remember his past. The singer heard in this scene is Pesci. (Fun fact: Pesci co-starred in “Raging Bull” as Joey LaMotta, the younger brother/manager of Jake LaMotta.)

“Day of the Fight” has a wandering quality to it that doesn’t ring quite true of what a boxer would be doing on the day of a high-profile and intense boxing match that will be televised. Still, a lot of it does make sense once it becomes clear that Mikey is still in love with Jessica and wants a chance to possibly get back together with her. Some of the scenes are artistically filmed in a dream-like way, while other scenes are gritty, as a reflection of whatever Mikey’s mood is in each scene. “Day of the Fight” takes viewers on an emotional journey with Mikey and is worth seeing as a story that shows how a boxer’s psychological state of mind is just as important—if not more important—than a boxer’s physical condition.

Falling Forward Films will release “Day of the Fight” in select U.S. cinemas on December 6, 2024.

2019 New York Film Festival: ‘The Irishman’ is the opening-night film

July 29, 2019

Joe Pesci and Robert De Niro in "The Irishman"
Joe Pesci and Robert De Niro in “The Irishman” (Photo by Niko Tavernise/Netflix)

The following is a press release from the Film at Lincoln Center:

Film at Lincoln Center announces Martin Scorsese’s “The Irishman” as Opening Night of the 57th New York Film Festival (September 27 – October 13), making its World Premiere at Alice Tully Hall on Friday, September 27, 2019. “The Irishman” will be released in select theaters and on Netflix later this year.

“The Irishman” is a richly textured epic of American crime, a dense, complex story told with astonishing fluidity. Based on Charles Brandt’s nonfiction book “I Heard You Paint Houses,” it is a film about friendship and loyalty between men who commit unspeakable acts and turn on a dime against each other, and the possibility of redemption in a world where it seems as distant as the moon. The roster of talent behind and in front of the camera is astonishing, and at the core of “The Irishman” are four great artists collectively hitting a new peak: Joe Pesci as Pennsylvania mob boss Russell Bufalino, Al Pacino as Teamsters president Jimmy Hoffa, and Robert De Niro as their right-hand man, Frank Sheeran, each working in the closest harmony imaginable with the film’s incomparable creator, Martin Scorsese.

“’The Irishman’ is so many things: rich, funny, troubling, entertaining and, like all great movies, absolutely singular,” said New York Film Festival Director and Selection Committee Chair Kent Jones. “It’s the work of masters, made with a command of the art of cinema that I’ve seen very rarely in my lifetime, and it plays out at a level of subtlety and human intimacy that truly stunned me. All I can say is that the minute it was over my immediate reaction was that I wanted to watch it all over again.”

“It’s an incredible honor that ‘The Irishman’ has been selected as the Opening Night of the New York Film Festival. I greatly admire the bold and visionary selections that the festival presents to audiences year after year,” said Martin Scorsese. “The festival is critical to bringing awareness to cinema from around the world. I am grateful to have the opportunity to premiere my new picture in New York alongside my wonderful cast and crew.”

Campari is the exclusive spirits partner for the 57th New York Film Festival and the presenting partner of Opening Night, extending its long-standing commitment to the world of film and art.

Presented by Film at Lincoln Center, the 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FLC Director of Programming, and Florence Almozini, FLC Associate Director of Programming.

Tickets for the 57th New York Film Festival will go on sale to the general public on September 8. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Opening Night. Support for Opening Night of the New York Film Festival benefits Film at Lincoln Center in its non-profit mission to support the art and craft of cinema.

New York Film Festival Opening Night Films

2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016    13TH (Ava DuVernay, US)
2015    The Walk (Robert Zemeckis, US)
2014    Gone Girl (David Fincher, US)
2013    Captain Phillips (Paul Greengrass, US)
2012    Life of Pi (Ang Lee, US)
2011    Carnage (Roman Polanski, France/Poland)
2010    The Social Network (David Fincher, US)
2009    Wild Grass (Alain Resnais, France)
2008    The Class (Laurent Cantet, France)
2007    The Darjeeling Limited (Wes Anderson, US)
2006    The Queen (Stephen Frears, UK)
2005    Good Night, and Good Luck. (George Clooney, US)
2004    Look at Me (Agnès Jaoui, France)
2003    Mystic River (Clint Eastwood, US)
2002    About Schmidt (Alexander Payne, US)
2001    Va savoir (Jacques Rivette, France)
2000    Dancer in the Dark (Lars von Trier, Denmark)
1999    All About My Mother (Pedro Almodóvar, Spain)
1998    Celebrity (Woody Allen, US)
1997    The Ice Storm (Ang Lee, US)
1996    Secrets & Lies (Mike Leigh, UK)
1995    Shanghai Triad (Zhang Yimou, China)
1994    Pulp Fiction (Quentin Tarantino, US)
1993    Short Cuts (Robert Altman, US)
1992    Olivier Olivier (Agnieszka Holland, France)
1991    The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990    Miller’s Crossing (Joel Coen, US)
1989    Too Beautiful for You (Bertrand Blier, France)
1988    Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987    Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986    Down by Law (Jim Jarmusch, US)
1985    Ran (Akira Kurosawa, Japan)
1984    Country (Richard Pearce, US)
1983    The Big Chill (Lawrence Kasdan, US)
1982    Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981    Chariots of Fire (Hugh Hudson, UK)
1980    Melvin and Howard (Jonathan Demme, US)
1979    Luna (Bernardo Bertolucci, Italy/US)
1978    A Wedding (Robert Altman, US)
1977    One Sings, the Other Doesn’t (Agnès Varda, France)
1976    Small Change (François Truffaut, France)
1975    Conversation Piece (Luchino Visconti, Italy)
1974    Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973    Day for Night (François Truffaut, France)
1972    Chloe in the Afternoon (Eric Rohmer, France)
1971    The Debut (Gleb Panfilov, Soviet Union)
1970    The Wild Child (François Truffaut, France)
1969    Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968    Capricious Summer (Jiri Menzel, Czechoslovakia)
1967    The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966    Loves of a Blonde (Milos Forman, Czechoslovakia)
1965    Alphaville (Jean-Luc Godard, France)
1964    Hamlet (Grigori Kozintsev, USSR)
1963    The Exterminating Angel (Luis Buñuel, Mexico)

 

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