John Leguizamo Archives

Review: ‘The Menu’ (2022), starring Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light and John Leguizamo

November 16, 2022

by Carla Hay

Cast members of “The Menu.” Pictured from left to right, in front: Judith Light, Reed Birney, Nicholas Hoult, Anya Taylor-Joy, Paul Adelstein, Janet McTeer, Ralph Fiennes, Rob Yang, Aimee Carrero, Arturo Castro, Mark St. Cyr and John Leguizamo. (Photo by Eric Zachanowich/Searchlight Pictures)

“The Menu” (2022)

Directed by Mark Mylod

Culture Representation: Taking place mostly in an unnamed part of the Pacific Northwest of the United States, the horror film “The Menu” features a predominantly white cast of characters (with a few Asians and Latinos and one African American) representing the working-class, middle-class and wealthy.

Culture Clash: Eleven people gather to dine at an exclusive, high-priced restaurant on an isolated island, where they eventually find out that the chef has prepared a deadly menu.

Culture Audience: “The Menu” will appeal primarily to people who are fans of stars Ralph Fiennes and Anya Taylor-Joy, and who are interested in well-acted horror films that are satires of wealthy people and social climbers.

Ralph Fiennes and Hong Chau (center) in “The Menu” (Photo courtesy of Searchlight Pictures)

“The Menu” succumbs to horror stereotypes in the last 15 minutes of the film. However, the overall movie is an entertaining ride that pokes fun at pretentiousness and obsessive ambition that are spawned from the pursuit of fame, wealth, and power. The sinister intentions in the story are foreshadowed early on, so the main suspense comes from finding who will survive in this horror film that is both gruesomely grim and wickedly comedic. “The Menu” had its world premiere at the 2022 Toronto International Film Festival before screening at several other film festivals in 2022, such as Fantastic Fest in Austin, Texas, and the Zurich Film Festival in Switzerland.

Directed by Mark Mylod, “The Menu” was co-written by Will Tracy and Seth Reiss. The movie was inspired by a real-life experience that Tracy had when he want to an exclusive, upscale restaurant on a private island in Norway. In the production notes for “The Menu,” Tracy remembers how he felt: “It was a small island. And I realized, ‘Oh, we’re stuck here for four hours. What if something goes wrong?’”

As shown in the trailers for “The Menu,” it’s a movie where the worst things that can possibly go wrong become a nightmarish reality for the restaurant guests. “The Menu” takes place almost entirely on an unnamed private island somewhere in the Pacific Northwest of the United States. (“The Menu” was actually filmed in Savannah, Georgia.) And it’s an isolated island where the only attraction is an exclusive, invitation-only restaurant called Hawthorn, which is surrounded by a wooded area.

Hawthorn’s chef is a stern taskmaster named Julian Slowik (played by Ralph Fiennes), who has become legendary in culinary circles for his highly unusual menu items. Getting an invitation to Hawthorn (which has a sleek, modern decor) is considered one of the highest achievements for people who want to be in the upper echelon of elite foodies. Much of the movie’s satire and horror come from the characters’ desire to have this social status at any cost.

In addition to paying the fee of $1,250 per person, invited guests at Hawthorn have to agree to two main rules: Each guest cannot go alone to the restaurant. And they cannot take photos while they’re at the restaurant. The multi-course dinner at Hawthorn is supposed to take place over four hours and 25 minutes, ending at around 2 a.m.

“The Menu” begins by showing the 11 people who are Hawthorn’s current dinner guests, as they travel on a boat taking them to the island where Hawthorn is located. They are greeted by Hawthorn’s no-nonsense captain Elsa (played by Hong Chau), who acts as a knowledgeable hostess and an unforgiving disciplinarian to the customers. Viewers will later see that all of Hawthorn’s employees act like cult followers of Chef Slowik.

The 11 dinner guests who take this fateful trip are:

Tyler Ledford (played by Nicholas Hoult), who is in his early 30s, considers himself to be a foodie extraordinaire. He is a superfan of Chef Slowik, and it’s a dream come true for Tyler to be invited to dine at Hawthorn.
Margot Mills (played by Anya Taylor-Joy), who is in her mid-20s, is Tyler’s date, and she doesn’t really care about the prestigious reputation of Hawthorn. Margot is Tyler’s last-minute companion for this dinner. He was originally going to take a girlfriend, but that relationship recently ended, and he didn’t have time to inform Hawthorn in advance that Margot is his replacement guest.
George Diaz (played by John Leguizamo), a fast-talking movie star in his 50s, is annoyed that his assistant didn’t book the reservation under his preferred alias, Damian Garcia, because he’s concerned about the paparazzi knowing that he’s at Hawthorn. He is self-centered, demanding and paranoid. His career as an actor has been on the decline, and he’s at Hawthorn as research, because he wants to reinvent himself as the host of a food/travel show.
Felicity (played by Aimee Carrero), who is in her 20s, is the movie star’s personal assistant. She reacts to his ego posturing and rude bossiness with a mixture of apathy, pity and disdain. Felicity, whose mother is a movie-studio executive, has the attitude of someone who is close to quitting her job but is staying out of a misguided sense of loyalty to a boss who doesn’t appreciate her.
Lillian Bloom (played by Janet McTeer), who is in her early 60s, is a haughty and very pretentious food critic whose ego has been overblown by whatever fame she has. She likes being the center of attention and thinks that her opinion is the only opinion that matters.
Ted (played by Paul Adelstein), who is in his early 50s, is Lillian’s “yes man” editor at the magazine where they work. Ted pathetically agrees with almost everything that Lillian says, even if he might secretly disagree with her. Lillian and Ted both like to take credit for helping make Chef Slowik a star, since their magazine gave him positive coverage early in Chef Slowik’s career.
Richard (played by Reed Birney), who is his late 60s, is a rich man whose wealth is not really explained in the movie. He conducts himself with an air of someone who is used to getting what he wants.
Anne (played by Judith Light), who is in her early 70s, is Richard’s wife who appears accustomed to living in his shadow. Unlike the other guests, Richard and Anne have dined at Hawthorn many times. Anne and Richard are longtime spouses, but their marriage appears to be stagnant and strained.
Soren (played by Arturo Castro), Dave (played by Mark St. Cyr) and Bryce (played by Rob Yang), who are in their 30s, are co-workers who have become recent millionaires in the technology industry. Their boss Doug Varick is the chief investor and owner of Hawthorn, so these three “tech bros” go into the restaurant with an extreme sense of entitlement. They also like to show off and brag about their wealth. Soren is the cockiest and loudest of the three pals.

During the check-in process, Elsa is immediately annoyed because Margot’s name is not on the guest list. Tyler nervously explains that the woman he originally invited couldn’t be there, and Margot is his date instead. Elsa reluctantly allows Margot to go to Hawthorn. Later, Chef Slowik also gets irritated that Margot is not someone who was on the expected guest list. Because, yes, “The Menu” is one of those horror movies where people were invited to an isolated area for a specific reason.

As the dinner becomes increasingly ominous, the invited guests eventually find out why they were brought to Hawthorn, as secrets about the guests are revealed in different parts of the movie. Margot’s unexpected presence and her obvious lack of admiration for Hawthorn end up unnerving Chef Slowik so much, he follows Margot into the restroom to demand to know why she doesn’t seem to be impressed with the food and the restaurant.

“The Menu” has a simple concept and very few surprises. However, the movie has a crackling intensity to it, punctuated by moments of dark comedy, because of the snappy dialogue and the cast members’ always-watchable performances. The obnoxiously pompous conversations between Lillian and Ted are some of the comedic highlights of the movie.

Chau’s portrayal of dour Elsa also has its funny moments because of her cynical insults and the ways she passively-aggressively gets revenge on customers she thinks are getting out of line. The “tech bros” repeatedly request bread for their table, but their requests are refused by Elsa, so the “tech bros” react by trying to use their connection to Hawthorn owner Doug Varick as clout. Bryce impatiently asks her: “You know who we are, right?” Elsa calmly says that she knows who they are, but they still won’t be served any bread. She then says quietly in Soren’s ear: “You’ll eat less than you desire and more than you deserve.”

The menu items look decorative when served as they’re masterpieces, but they are often examples of theater of the absurd, such as a second-course serving that consists of a “breadless bread plate.” Chef Slowik haughtily explains, “Bread is for the common man. You are not the common man.” The dinner guests look like they don’t want to think that some of what they’re being served is a joke—and the joke’s on them.

Tyler and Margot, who barely know each other, end up clashing on many different levels, because they view the Hawthorn experience so differently. Margot is quick to call out any rudeness and disrespect she sees at Hawthorn, but Tyler is quick to ignore any bad conduct because he doesn’t want to get banned from Hawthorn. Hoult and Taylor-Joy have some memorable scenes together, but Taylor-Joy has the more substantial role in the movie. It should come as no surprise that there’s more to Margot than what she first appears to be.

As for chief villain Chef Slowik, he reveals things about his past that partially explain his obsessive need for control, perfection and being considered one of the best restaurant chefs ever. The movie has some predictable scenes of Chef Slowik humiliating some members of his staff, including sous chefs named Jeremy Loudon (played by Adam Aalderks) and Katherine Keller (played by Christina Brucato). Chef Slowik’s mother Linda (played by Rebecca Koon) is seated by herself in the restaurant’s dining area, but she spends most of the movie in a drunken stupor.

Chef Slowik doesn’t own Hawthorn, so there’s an underlying insecurity to his madness that’s impossible to ignore. Fiennes brings both cold calculation and unbridled rage to his role as this evil chef with murderous intentions. Chef Slowik is both transparent and mysterious, consistent yet unpredictable. This dichotomous nature makes him a fascinating character to watch.

“The Menu” also hilariously lampoons the way that people mindlessly buy into whatever overpriced ridiculousness they think will give them higher social status than others. For example, at one point during the dinner, Chef Slowik orders the guests: “Do not eat. Taste, relish, savor. Do not eat. Our menu is too precious for that.”

Imagine being served a meal at a restaurant, but then being told not to eat that meal because it’s “too precious” to eat. Some of the guests, especially Tyler, are so enthralled with whatever Chef Slowik has to say, they could have an empty plate put in front of them at Hawthorn and be convinced that the plate’s “aura” is the greatest thing they ever experienced at a restaurant. Tyler gushes about Chef Slowik to Margot: “He’s not a chef. He’s a storyteller.”

Of course, things eventually get very ugly and un-glamorous at Hawthorn. “The Menu” falls apart a little bit when it turns into a standard schlockfest, with the expected attempts to escape from the island, and some bloody fights for survival. Some of the characters are very underdeveloped, such as the “tech bros” and Chef Slowik’s mother. Even though the concept of people trapped in an isolated area is an over-used basis for a horror movie, “The Menu” serves up enough of freshness and originality to make it a thrilling and terrifying story.

Searchlight Pictures will release “The Menu” in U.S. cinemas on November 18, 2022.

Review: ‘Critical Thinking,’ starring John Leguizamo, Jorge Lendeborg Jr., Angel Bismark Curiel, Corwin Tuggles, Will Hochman, Rachel Bay Jones and Michael Kenneth Williams

September 5, 2020

by Carla Hay

“Critical Thinking”

Directed by John Leguizamo

Culture Representation: Taking place primarily in Miami in 1998, the drama “Critical Thinking” has a racially diverse cast (Latino, African American and white people) representing the working-class and middle-class.

Culture Clash: A dedicated teacher in a tough Miami school encourages his students to learn how to play chess to boost their learning skills, even though they live in an area where some people pressure the students to become school dropouts and criminals.

Culture Audience: “Critical Thinking” will appeal primarily to people who like feel-good stories about people who overcome obstacles, despite having the odds stacked against them.

Angel Bismark Curiel, Corwin Tuggles and Jeffry Batista in “Critical Thinking” (Photo courtesy of Vertical Entertainment)

There have been many movies about underestimated students, led by an inspirational teacher, who go on to achieve a certain goal together. In these movies, the students are usually underprivileged or disadvantaged in some way when they go up against people who are more privileged and have more advantages than the “underdogs” have. “Critical Thinking” (which is a very bland title for a movie that’s actually quite good) takes this concept and makes a slightly above-average movie, even though it hits a lot of familiar tonal beats that lead to a very predictable ending.

John Leguizamo not only stars in “Critical Thinking,” but he also makes his theatrical-release feature-film directorial debut with the movie, which is based on true events about a group of underprivileged students who competed in a national chess championship. Under his solid direction, “Critical Thinking” has some moments that are less cliché than others. Dito Montiel’s screenplay for “Critical Thinking” doesn’t clutter the movie with too many backstories, although it leaves the impression that the teacher gave higher priority and more attention to the male students than the female students.

In “Critical Thinking,” which takes primarily in place in Miami, it’s 1998 at Miami Jackson High School, where many students are from financially deprived homes in crime-ridden neighborhoods. Mario Martinez (played by Leguizamo) is a teacher for an elective class called Critical Thinking. Mario knows his class is often a dumping ground where delinquent students are sent, but that doesn’t stop him from fighting for the type of respect (and budget) that the financially strapped school gives to regular classes.

Mario’s boss is school principal Ms. Kestel (played by Rachel Bay Jones), a hard-nosed cynic who has an air of racial condescension about her when she deals with Mario and the school’s students, who are mostly people of color. Ms. Kestel comes across as someone who wants everyone to think she’s doing her part to help underprivileged kids, but she’s the type that thinks she’s too good to actually mix with people of color in her personal life.

The threat of violence is always a danger to many of the school’s students. A Spanish-speaking immigrant student who is transferred into Mario’s class doesn’t attend the class for very long, because he gets shot and killed on the street by a local gangster over a petty misunderstanding. Ms. Kestel has this reaction when she and Mario talk about the murder: “While unfortunate, it’s not a total shock anymore.” This police investigation into the murder becomes a subplot to the movie, since one of Mario’s students witnessed the crime, but he doesn’t want to snitch on the gangster.

Meanwhile, life has to go on in Mario’s class, where he teaches a hodgepodge of topics, including art, literature, history and philosophy. The favorite thing he likes to teach is chess. He encourages his students to “dig deeper than your dusty old Britannica encyclopedia” and find things that aren’t taught in textbooks.

He’s not shy about telling his students that influential people of color have often been erased from history because white men were in charge of writing history books for centuries. Mario is aware he could get in trouble for this kind of talk in the classroom, so he peeks outside the classroom door first to make sure that a white co-worker such as Ms. Kestel isn’t lurking nearby to possibly overhear him. On the subject of chess, Mario tells his students, “How come we don’t know that chess was invented in India, perfected in Persia and modernized by a [Puerto Rican] guy named Maura?”

Mario shows the students how chess can help in all aspects of life because it involves the skill of thinking ahead and strategizing. Although he has about 30 students in his classroom on any given day, there are four (and then later five) students who end up being the focus of the story, since they’re the chosen ones for the school’s chess team.

Sedrick Roundtree (played by Corwin Tuggles) is the unofficial student leader of the chess team and the one most likely to encourage the others when they feel defeated. Even before he took Mario’s class, Sedrick was an avid chess player. Sedrick has an unassuming confidence about himself that most people respect.

Oelmy “Ito” Paniagua (played by Jorge Lendeborg Jr.) has a big rebellious streak and is Sedrick’s closest friend. Ito doesn’t really think chess is cool until Sedrick convinces him to join the school’s chess team. Ito is also the student in this chess group who’s most likely to be tempted into joining a gang or becoming a drug dealer. It’s hinted at, but not shown, that Ito comes from an abusive home.

Rodelay “Roddy” Medina (played by Angel Bismark Curiel) is the group’s jokester. He dislikes confrontation and arguments, and he gets easily hurt if he thinks his friends are disloyal. Just like Sedrick, Roddy has a passion for chess and is highly competitive when it comes to the game.

Gil Luna (played by Will Hochman) is the quietest and most mellow member of the group. Although he has a Latino name, he can easily pass for being white. His apparent “whiteness” makes him the target of some teasing by the darker-skinned members of the group, but the teasing is never mean-spirited. All of the members of the group end up getting teased or taunted by one another at some point.

Much later in the story, a fifth student joins the chess team. His name is Marcel Martinez (played by Jeffry Batista), a Cuban immigrant who doesn’t know much English. Sedrick recruited Marcel to enroll in the school and join the chess team, after Sedrick and Roddy were playing some chess in Domino Park, invited some local people to pay chess with them, and were blown away by Marcel’s extraordinary talent. There’s a scene in the movie where Marcel can play chess with multiple people at a time, with his back turned to them and without looking at the chessboard, and by calling out the moves that he wants to play.

Sedrick is also the only student whose unhappy home life is shown in the movie. He lives with his alcoholic widower father (played by Michael Kenneth Williams), whose first name is never revealed in the movie. Sedrick father, when he’s not passed out drunk, frequently gets angry and picks fights with Sedrick.

The only time that Sedrick and his father bond is when they play chess together, but his father is a sore loser. Sedrick’s mother was killed by a hit-and-run accident that Sedrick witnessed when he was 6 years old. It’s obvious that he and his father haven’t been able to grieve or talk about her death in a way that can help them heal from the trauma of their loss.

When Sedrick’s father hears about Sedrick being on the school’s chess team, he scoffs at Sedrick and tells him it’s a waste of time because chess isn’t the kind of thing that most people can do as a job. And his father gets even more irritated when Sedrick’s chess team starts competing with other schools’ chess teams. Although it’s never said out loud, it’s clear that Sedrick’s father didn’t have an opportunity to be part of a school chess team that got to travel to different competitions, and he’s jealous and resentful that Sedrick is doing what he never got to do.

Although “Critical Thinking” has some heavy issues, such as gang violence, alcoholism and abusive homes, the movie also has some humor—namely, the camaraderie that the boys have with each other, especially when Roddy is around. And in a rarity for a movie about high-school students, dating isn’t really the cause of any of the angst or conflict in the story, because the boys are so focused on chess. Sedrick is the only one in the group who has a girlfriend. Her name is Chanayah (played by Zora Casebere), and she attends the same school, but she’s written as a fairly minor character.

In fact, the movie’s biggest flaw is how the female students in the movie are essentially written as background characters, with the implication being that the female students weren’t good enough to be on Mario’s chosen chess team. It’s not clear if the girls in his class aren’t interested in chess or if Mario didn’t think they were worth encouraging as much as he encourages the male students to be on the chess team.

Whatever the case, there’s definitely more than a whiff of sexism about how this chess team was assembled—and the gender imbalance is all the more noticeable when Miami Jackson High School’s chess team competes against other schools who have plenty of girls on their chess teams. That’s not to say that the movie needed to rewrite history and put girls on the Miami Jackson team, which was apparently an all-male team in real life in 1998. But the screenplay should have at least addressed why none of the girls in Mario’s class ended up on the team.

Another big question left unanswered in the movie is: “What is Mario’s own background and why did he want to become a teacher?” In one of his many “tough love” lectures to his chosen chess students when they get discouraged or act too rowdy, Mario hints that he also comes from a troubled and tough background like they do. But that’s as far as it goes. No further details are given about what kind of man Mario is when he’s not working as a teacher. There’s no “home life” shown for any of the movie’s characters except for Sedrick.

“Critical Thinking” is not a disappointing movie, but parts of the story could have done more to fill in some blanks. For example, something happens to Ito toward the end of the film and the outcome is never fully explained. If not for the acting of the main cast members, several parts of “Critical Thinking” would be quite boring to watch. Leguizamo’s fast-talking, sometime wisecracking persona serves him well in this role, since Mario is supposed to be an unconventional teacher who can relate to his students.

Lendeborg (as Ito) and Curiel (as Roddy) also stand out in their roles. Ito is a tough guy who doesn’t want to show his vulnerabilities, while Roddy is a vulnerable guy who doesn’t want to be so tough that he alienates his friends. Both portrayals are nuanced and worth watching, since these two characters are more than just generic roles.

Tuggles (as Sedrick) also does a commendable performance, particularly in some emotionally raw scenes that Sedrick has with his father. Williams is a very good actor, but he’s had many roles in movies and TV shows where he’s a guy with a mean streak/bad temper, so there’s really nothing new or noteworthy that Williams does in this movie.

“Critical Thinking” is worth a look for people who want to see a real-life inspirational story portrayed in a familiar way. The believable performances from most of the cast go a long way in preventing the movie from sinking into forgettable mediocrity. With “Critical Thinking,” Leguizamo also has proved that he can do well as a director who makes very good casting choices and who has a knack for telling a crowd-pleasing story.

Vertical Entertainment released “Critical Thinking” in select U.S. virtual cinemas, on digital and on VOD on September 4, 2020.