2020 Academy Awards: ‘Parasite’ is the top winner and makes Oscar history

February 9, 2020

by Carla Hay

“Parasite” cast and filmmakers at the 92nd Academy Awards at the Dolby Theatre in Los Angeles on February 9, 2020. (Photo by Craig Sjodin/ABC)

As the first non-English-language film to win the Oscar for Best Picture, the South Korean drama “Parasite” made Oscar history at the 92nd Annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on February 9, 2020. ABC had the U.S. telecast of the show. “Parasite,” which takes a scathing look at the class and social divisions between those who are wealthy and those who are not, also won the Oscars for Best Director (for Bong Joo Ho), Best Original Screenplay and Best International Feature Film.

“Parasite” is the first movie since 2008’s “Slumdog Millionaire” to win Best Picture without any nominations in the actor/actress categories. It’s also the first time that Asian filmmakers have won in the categories for Best Picture and Best Original Screenplay. In addition, “Parasite” is the first movie to win the Oscars for Best International Feature (formerly titled Best Foreign-Language Film) and Best Picture in the same year. “Parasite” is also the first South Korean film to be nominated for Best International Feature and for Best Picture. Leading up to its Academy Awards victories, “Parasite” won the most awards of any movie released in 2019, including the Palme d’Or (the top prize) at the 2019 Cannes Film Festival, where the movie had its world premiere.

Oscar winners in the acting categories were Joaquin Phoenix of “Joker” for Best Actor; Renée Zellweger of “Judy” for Best Actress; Brad Pitt of “Once Upon a Time in Hollywood” for Best Supporting Actor; and Laura Dern of “Marriage Story” for Best Supporting Actress. Phoenix, Zellweger, Pitt and Dern been winning prizes in these categories at other major awards shows this season. Phoenix is the second actor to win an Oscar for playing DC Comics villain The Joker. Heath Ledger won a posthumous Oscar for his Joker performance in 2008’s “The Dark Knight.”

With 11 Oscar nominations, “Joker” was the leading contender going into the ceremony, and the movie ended up winning two: In addition to Best Actor, “Joker” also won for Best Original Score. The World War I drama “1917” won three Oscars—all in the technical categories: Best Cinematography, Best Sound Mixing and Best Visual Effects. The 1960s auto-racing drama “Ford v Ferrari” was also a multiple Oscar winner, taking two: Best Film Editing and Best Sound Editing. The mobster drama “The Irishman,” which had 10 Oscar nominations, ended up winning no Academy Awards, in the biggest shut-out of the ceremony.

For the second year in a row, there was no host for the Oscar ceremony. The show opened with a performance by Janelle Monáe doing a version of the “Mr. Rogers’ Neighborhood” theme, before being joined by Billy Porter on stage for Elton John’s “I’m Still Standing” and then going solo again for the rest of the performance.

There were no controversial publicity stunts or major errors. A few of the Oscar winners—particularly Pitt and Phoenix—expressed their opinions about political and social issues during their acceptance speeches. Pitt made it clear how he felt about the result of President Donald Trump’s impeachment trial, which ended February 5 with the majority of the U.S. Senate acquitting Trump. Pitt said: “They told me I only had 45 seconds this year, which is 45 seconds more than the Senate gave [proposed trial witness] John Bolton this week. I’m thinking maybe Quentin [Tarantino] does a movie about it. In the end, the adults do the right thing.”

Phoenix (a longtime animal-rights activist and environmentalist) spoke out about the need for people to go vegan and to have more respect for the earth’s natural resources: “We go into the natural world, and we plunder it for its resources … But human beings, at our best, are so inventive and creative and ingenious, and I think that when we use love and compassion as our guiding principles, we can create, develop and implement systems of change that are beneficial to all sentient beings and to the environment.”

One of the ceremony’s biggest surprises was Eminem performing his Oscar-winning song “Lose Yourself” from the 2002 movie “8 Mile,” with his on-stage performance serving as a transition from a tribute montage about how songs can transform movies. When Eminem won the Oscar in 2003, he did not attend the ceremony, so this performance (which had many censor “bleeps”) took place 17 years after it could have first happened.

Elton John, Cynthia Erivo, Idina Menzel, Chrissy Metz and Randy Newman each performed their Oscar-nominated tunes for Best Original Song. The Oscar went to John and his longtime songwriting partner Bernie Taupin for “(I’m Gonna) Love Me Again” from the Elton John musical biopic “Rocketman.” Meanwhile, Billie Eilish performed the Beatles classic “Yesterday” for the “In Memoriam” tribute segment dedicated to people in the movie industry who passed away since the previous Oscar ceremony.

In addition, the show featured a special appearance by Questlove. Eímear Noone did a guest-conductor segment for all the hyear’s Oscar-nominated film scores. She was the first woman to conduct during an Oscars telecast.

Presenters included, Mahershala Ali, Utkarsh Ambudkar, Zazie Beetz, Timothée Chalamet, Olivia Colman, James Corden, Penélope Cruz, Beanie Feldstein, Will Ferrell, Jane Fonda, Gal Gadot, Zack Gottsagen, Salma Hayek, Mindy Kaling, Diane Keaton, Regina King, Shia LaBeouf, Brie Larson, Spike Lee, Julia Louis-Dreyfus, George MacKay, Rami Malek, Steve Martin, Lin-Manuel Miranda, Ray Romano, Anthony Ramos, Keanu Reeves, Chris Rock, Maya Rudolph, Mark Ruffalo, Kelly Marie Tran, Sigourney Weaver, Kristen Wiig and Rebel Wilson.

Here is the complete list of winners and nominations for the 2020 Academy Awards:

*=winner

Best Picture

Choi Woo-sik, Song Kang-ho, Jang Hye-jin and Park So-dam in “Parasite” (Photo courtesy of Neon Entertainment)

“Ford v Ferrari”
Producers: Peter Chernin, Jenno Topping and James Mangold

“The Irishman”
Producers: Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff

“Jojo Rabbit”
Producers: Carthew Neal and Taika Waititi

“Joker”
Producers: Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff

“Little Women”
Producer: Amy Pascal

“Marriage Story”
Producers: Noah Baumbach and David Heyman

“1917”
Producers: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall

“Once Upon a Time in Hollywood”
Producers: David Heyman, Shannon McIntosh and Quentin Tarantino

“Parasite”*
Producers: Kwak Sin Ae and Bong Joon Ho

Best Actor

Joaquin Phoenix in “Joker” (Photo by Niko Tavernise)

Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”*
Jonathan Pryce, “The Two Popes”

Best Actress

Renée Zellweger in “Judy” (Photo by David Hindley/LD Entertainment/Roadside Attractions)

Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Charlize Theron, “Bombshell”
Renee Zellweger, “Judy”*

Best Supporting Actor

Brad Pitt in “Once Upon a Time in Hollywood” (Photo by Andrew Cooper)

Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time in Hollywood”*

Best Supporting Actress

Laura Dern in “Marriage Story” (Photo courtesy of Netflix)

Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”*
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”

Best Director

Bong Joo Ho on the set of “Parasite” (Photo courtesy of Neon Entertainment)

Martin Scorsese, “The Irishman”
Todd Phillips, “Joker”
Sam Mendes, “1917”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon Ho, “Parasite”*

Best Animated Feature

“Toy Story 4” (Image courtesy of Disney/Pixar)

“How to Train Your Dragon: The Hidden World,” directed by Dean DeBlois; produced by Bradford Lewis and Bonnie Arnold

“I Lost My Body,” directed by Jérémy Clapin; produced by Marc du Pontavice

“Klaus,” directed and produced by Sergio Pablos; produced by Jinko Gotoh and Marisa Román

“Missing Link,” directed by Chris Butler; produced by Arianne Sutner and Travis Knight

“Toy Story 4,” directed by Josh Cooley; produced by Mark Nielsen and Jonas Rivera*

Best Animated Short

“Hair Love” (Photo courtesy of Matthew A. Cherry Entertainment)

“Dcera,” directed and produced by Daria Kashcheeva
“Hair Love,” directed and produced by Matthew A. Cherry; produced by Karen Rupert Toliver*
“Kitbull,” directed by Rosana Sullivan; produced by Kathryn Hendrickson
“Memorable,” directed by Bruno Collet; produced by Jean-François Le Corre
“Sister,” directed and produced by Siqi Song

Best Adapted Screenplay

Roman Griffin Davis, Taika Waititi and Scarlett Johansson in “Jojo Rabbit” (Photo by Kimberley French)

“The Irishman,” Steven Zaillian
“Jojo Rabbit,” Taika Waititi*
“Joker,” Todd Phillips, Scott Silver
“Little Women,” Greta Gerwig
“The Two Popes,” Anthony McCarten

Best Original Screenplay

Lee Sun Gyun and Cho Yeo-jeong in “Parasite” (Photo courtesy of Neon Entertainment)

“Knives Out,” Rian Johnson
“Marriage Story,” Noah Baumbach
“1917,” Sam Mendes and Krysty Wilson-Cairns
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-ho and Jin Won Han*

Best Cinematography

George MacKay (center) in “1917” (Photo by François Duhamel / Universal Pictures and DreamWorks Pictures)

“The Irishman,” Rodrigo Prieto
“Joker,” Lawrence Sher
“The Lighthouse,” Jarin Blaschke
“1917,” Roger Deakins*
“Once Upon a Time in Hollywood,” Robert Richardson

Best Documentary Feature

Wong He, Kenny Taylor and Jarred Gibson in “American Factory” (Photo by Aubrey Keith/Netflix)

“American Factory,” directed and produced by Julia Rieichert and Steven Bognar; produced by Jeff Reichert*

“The Cave,” directed by Feras Fayyad; produced by Kirstine Barfod and Sigrid Dyekjær

“The Edge of Democracy,” directed and produced by Petra Costa; produced by Joanna Natasegara, Shane Boris and Tiago Pavan

“For Sama,” directed and produced by Waad Al-Kateab; directed by Edward Watts

“Honeyland,” directed by Tamara Kotevska and Ljubo Stefanov; produced by Atanas Georgiev

Best Documentary Short Subject

“Learning to Skateboard in a War Zone (If You’re a Girl)” (Photo by Lisa Rinzler)

“In the Absence,” directed and produced by Yi Seung-Jun; produced by Gary Byung-Seok Kam

“Learning to Skateboard in a Warzone (If You’re a Girl),” directed by Carol Dysinger; produced by Elena Andreicheva*

“Life Overtakes Me,” directed and produced by Kristine Samuelson; directed by John Haptas

“St. Louis Superman,” directed and produced by Smriti Mundhra and Sami Khan

“Walk Run Cha-Cha,” directed by Laura Nix; produced by Colette Sandstedt

Best Live Action Short Film

“The Neighbors’ Window” (Photo by Wolfgang Held)

“Brotherhood,” directed and produced by Meryam Joobeur; produced by Maria Gracia Turgeon

“Nefta Football Club,” directed and produced by Yves Piat; produced by Damien Megherbi

“The Neighbors’ Window,” directed and produced by Marshall Curry*

“Saria,” directed by Bryan Buckley; produced by Matt Lefebvre

“A Sister,” directed and produced by Delphine Girard

Best International Feature Film

Choi Woo-sik and Park So-dam in “Parasite” (Photo courtesy of Neon Entertainment)

“Corpus Christi,” directed by Jan Komasa (Poland)
“Honeyland,” directed by Tamara Kotevska and Ljubo Stefanov (North Macedonia)
“Les Misérables,” directed by Ladj Ly (France)
“Pain and Glory,” directed by Pedro Almodóvar (Spain)
“Parasite,” directed by Bong Joon Ho (South Korea)*

Best Film Editing

Matt Damon and Christian Bale in “Ford v Ferrari” (Photo by Merrick Morton)

“Ford v Ferrari,” Michael McCusker and Andrew Buckland*
“The Irishman,” Thelma Schoonmaker
“Jojo Rabbit,” Tom Eagles
“Joker,” Jeff Groth
“Parasite,” Jinmo Yang

Best Sound Editing

Christian Bale in “Ford v Ferrari” (Photo by Merrick Morton)

“Ford v Ferrari,” Don Sylvester*
“Joker,” Alan Robert Murray
“1917,” Oliver Tarney, Rachel Tate
“Once Upon a Time in Hollywood,” Wylie Stateman
“Star Wars: The Rise of Skywalker,” Matthew Wood and David Acord

Best Sound Mixing

Cast and crew members on the set of “1917” (Photo by François Duhamel/Universal Pictures and DreamWorks Pictures)

“Ad Astra,” Gary Rydstrom, Tom Johnson and Mark Ulano
“Ford v Ferrari,” Paul Massey, David Giammarco and Steven A. Morrow
“Joker,” Tom Ozanich, Dean Zupancic and Tod Maitland
“1917,” Mark Taylor and Stuart Wilson*
“Once Upon a Time in Hollywood,” Michael Minkler, Christian P. Minkler and Mark Ulano

Best Production Design

Brad Pitt and Leonardo DiCaprio in “Once Upon a Time in Hollywood” (Photo by Andrew Cooper)

“The Irishman”
Production Design: Bob Shaw; Set Decoration: Regina Graves

“Jojo Rabbit”
Production Design: Ra Vincent; Set Decoration: Nora Sopková

“1917”
Production Design: Dennis Gassner; Set Decoration: Lee Sandales

“Once Upon a Time in Hollywood”*
Production Design: Barbara Ling; Set Decoration: Nancy Haigh

“Parasite”
Production Design: Lee Ha Jun; Set Decoration: Cho Won Woo

Best Original Score

Joaquin Phoenix in “Joker” (Photo by Niko Tavernise)

“Joker,” Hildur Guðnadóttir*
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“1917,” Thomas Newman
“Star Wars: The Rise of Skywalker,” John Williams

Best Original Song

Taron Egerton as Elton John in Rocketman from Paramount Pictures.

“I Can’t Let You Throw Yourself Away” from “Toy Story 4,” song written by Randy Newman

“(I’m Gonna) Love Me Again” from “Rocketman,” song written by Elton John and Bernie Taupin*

“I’m Standing With You” from “Breakthrough,” song written by Diane Warren

“Into the Unknown” from “Frozen 2,” song written by Robert Lopez and Kristen Anderson Lopez

“Stand Up” from “Harriet,” song written by Cynthia Erivo and Joshuah Brian Campbell

Best Makeup and Hair Styling

Charlize Theron, Nicole Kidman and Margot Robbie in “Bombshell” (Photo by Hilary Bronwyn Gayle)

“Bombshell,” Kazu Hiro, Anne Morgan and Vivian Baker*
“Joker,” Nicki Ledermann and Kay Georgiou
“Judy,” Jeremy Woodhead
“Maleficent: Mistress of Evil,” Paul Gooch, Arjen Tuiten and David White
“1917,” Naomi Donne, Tristan Versluis and Rebecca Cole

Best Costume Design

Florence Pugh, Saoirse Ronan and Emma Watson in “Little Women” (Photo by Wilson Webb)

”The Irishman,” Sandy Powell, Christopher Peterson
“Jojo Rabbit,” Mayes C. Rubeo
“Joker,” Mark Bridges
“Little Women,” Jacqueline Durran*
“Once Upon a Time in Hollywood,” Arianne Phillips

Best Visual Effects

George MacKay in “1917” (Photo courtesy of Universal Pictures and DreamWorks Pictures)

“Avengers: Endgame,” Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick

“The Irishman,” Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli

“1917,” Guillaume Rocheron, Greg Butler and Dominic Tuohy*

“The Lion King,” Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newma

“Star Wars: The Rise of Skywalker,” Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy

2020 BAFTA Film Awards: ‘1917’ is the top winner

February 2, 2020

by Carla Hay

With seven prizes, including Best Film and Outstanding British Film, the World War I drama “1917” was the top winner at the 73rd annual British Academy of Film and Television Arts (BAFTA) Awards, which were presented at Royal Albert Hall in London on February 2, 2020. Graham Norton hosted the show, which was broadcast exclusively on BBC One and BBC One HD in the United Kingdom and in other major territories around the world. BBC America had the U.S. telecast of the show.

“1917,” directed by Sam Mendes, also garnered the BAFTA Awards for Best Director (for Sam Mendes), Best Cinematography, Best Production Design, Best Sound and Best Special Visual Effects.

Joaquin Phoenix, who won Best Actor for “Joker,” used his acceptance speech as a platform to called out industry racism and urge people in the industry to be more inclusive of people of color. The BAFTAs this year faced immense backlash for having only white people nominated in the categories for Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress.

Phoenix said in his speech: “I feel conflicted because so many of my fellow actors that are deserving don’t have that same privilege. I think that we send a very clear message to people of color that you’re not welcome here. I think that’s the message that we’re sending to people that have contributed so much to our medium and our industry, and in ways that we benefit from.

He added, “This is not a self-righteous condemnation because I’m ashamed to say that I’m part of the problem. I have not done everything in my power to ensure that the sets I work on are inclusive, but I think it’s more than just having sets that are multicultural.  We have to do the hard work to truly understand systemic racism. I think it is the obligation of the people that have created and perpetuate and benefit from a system of oppression to be the ones that dismantle it. So that’s on us.”

“Joker” also won the prizes for Best Original Score and Best Casting, which is a new BAFTA category.

Other actors who won BAFTAs this year were Renée Zellweger of “Judy” (Best Actress); Brad Pitt of “Once Upon a Time in Hollywood” (Best Supporting Actor); Laura Dern of “Marriage Story” (Best Supporting Actress); and Micheal Ward (EE Rising Star Award).

Besides “1917” and “Joker,” the other film that won multiple BAFTAs this year was the South Korean drama “Parasite,” which won two BAFTAs: Best Original Screenplay and Best Film Not in the English Language.

Films that received several BAFTA  nominations but ultimately did not win any of the awards were “The Irishman” (10 nods) “The Two Popes” (five nods) and “Rocketman” (four nods). Eligible movies were those released in the United Kingdom in 2019.

NOTE: “Ford v Ferrari” is titled “Le Mans ’66” is the U.K.

Here is the complete list of winners and nominations for the 2020 BAFTA Awards:

*=winner

Best Film

“1917”*
“The Irishman”
“Joker”
“Once Upon a Time in Hollywood”
“Parasite”

Outstanding British Film

“1917”*
“Bait”
“For Sama”
“Rocketman”
“Sorry We Missed You”
“The Two Popes”

Best Director

Sam Mendes (“1917”)*
Martin Scorsese (“The Irishman”)
Todd Phillips (“Joker”)
Quentin Tarantino (“Once Upon a Time in Hollywood”)
Bong Joon Ho (“Parasite”)

Leading Actress

Jessie Buckley (“Wild Rose”)
Scarlett Johansson (“Marriage Story”)
Saoirse Ronan (“Little Women”)
Charlize Theron (“Bombshell”)
Renée Zellweger (“Judy”)*

Leading Actor

Leonardo DiCaprio (“Once Upon a Time… in Hollywood”)
Joaquin Phoenix (“Joker”)*
Adam Driver (“Marriage Story”)
Taron Egerton (“Rocketman”)
Jonathan Pryce (“The Two Popes”)

Supporting Actor

Tom Hanks (“A Beautiful Day In The Neighborhood”)
Anthony Hopkins (“The Two Popes”)
Al Pacino (“The Irishman”)
Joe Pesci (“The Irishman”)
Brad Pitt (“Once Upon A Time in Hollywood”)*

Supporting Actress

Laura Dern (“Marriage Story”)*
Scarlett Johansson (“Jojo Rabbit”)
Florence Pugh (“Little Women”)
Margot Robbie (“Bombshell”)
Margot Robbie (“Once Upon a Time in Hollywood”)

Adapted Screenplay

Steven Zaillian (“The Irishman”)
Taika Waititi (“Jojo Rabbit”)*
Todd Phillips, Scott Silver (“Joker”)
Greta Gerwig (“Little Women”)
Anthony McCarten (“The Two Popes”)

Original Screenplay

Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman (“Booksmart”)
Rian Johnson (“Knives Out”)
Noah Baumbach (“Marriage Story”)
Quentin Tarantino (“Once Upon a Time in Hollywood”)
Han Jin Won, Bong Joon-ho (“Parasite”)*

Outstanding Debut by a British Writer, Director or Producer

Mark Jenkin, Kate Byers, Linn Waite (“Bait”)*
Waad al-Kateab, Edward Watts (“For Sama”)*
Alex Holmes (“Maiden”)
Harry Wootliff (“Only You”)
Álvaro Delgado-Aparicio (“Retablo”)

Original Score

Thomas Newman (“1917”)
Michael Giacchino (“Jojo Rabbit”)
Hildur Guđnadóttir (“Joker”)*
Alexandre Desplat (“Little Women”)
John Williams (“Star Wars: The Rise of Skywalker”)

Cinematography

Roger Deakins (“1917”)*
Rodrigo Prieto (“The Irishman”)
Lawrence Sher (“Joker”)
Phedon Papamichael (“Le Mans ’66”)
Jarin Blaschke (“The Lighthouse”)

EE Rising Star Award (public vote)

Awkwafina
Kaitlyn Dever
Kelvin Harrison Jr.
Jack Lowden
Micheal Ward*

Film Not in the English Language

Lulu Wang, Daniele Melia (“The Farewell”)
Waad al-Kateab, Edward Watts (“For Sama”)
Pedro Almodóvar, Agustín Almodóvar (“Pain and Glory”)
Bong Joon Ho (“Parasite”)*
Céline Sciamma, Bénédicte Couvreur (“Portrait of a Lady on Fire”)

Documentary

Steven Bognar, Julia Reichert (“American Factory”)
Todd Douglas Miller (“Apollo 11”)
Asif Kapadia (“Diego Maradona”)
Waad al-Kateab, Edward Watts (“For Sama”)*
Karim Amer, Jehane Noujaim (“The Great Hack”)

Animated Film

Chris Buck, Jennifer Lee, Peter Del Vecho (“Frozen 2”)
Sergio Pablos, Jinko Gotoh (“Klaus”)*
Will Becher, Richard Phelan, Paul Kewley (“A Shaun the Sheep Movie: Farmageddon”)
Josh Cooley, Mark Nielsen (“Toy Story 4”)

Casting

Shayna Markowitz (“Joker”)*
Douglas Aibel, Francine Maisler (“Marriage Story”)
Victoria Thomas (“Once Upon a Time in Hollywood”)
Sarah Crowe (“The Personal History of David Copperfield”)
Nina Gold (“The Two Popes”)

Editing

Thelma Schoonmaker (“The Irishman”)
Tom Eagles (“Jojo Rabbit”)
Jeff Groth (“Joker”)
Andrew Buckland, Michael McCusker (“Le Mans ’66”)*
Fred Raskin (“Once Upon a Time in Hollywood”)

Production Design

Dennis Gassner, Lee Sandales (“1917”)*
Bob Shaw, Regina Graves (“The Irishman”)
Ra Vincent, Nora Sopková (“Jojo Rabbit”)
Mark Friedberg, Kris Moran (“Joker”)
Barbara Ling, Nancy Haigh (“Once Upon a Time in Hollywood”)

Costume Design

Christopher Peterson, Sandy Powell (“The Irishman”)
Mayes C. Rubeo (“Jojo Rabbit”)
Jany Temime (“Judy”)
Jacqueline Durran (“Little Women”)*
Arianne Phillips (“Once Upon a Time in Hollywood”)

Makeup and Hair

Naomi Donne (“1917”)
Vivian Baker, Kazu Hiro, Anne Morgan (“Bombshell”)*
Kay Georgiou, Nicki Ledermann (“Joker”)
Jeremy Woodhead (“Judy”)
Lizzie Yianni Georgiou (“Rocketman”)

Sound

Scott Millan, Oliver Tarney, Rachael Tate, Mark Taylor, Stuart Wilson (“1917”)*
Tod Maitland, Alan Robert Murray, Tom Ozanich, Dean Zupancic (“Joker”)
David Giammarco, Paul Massey, Steven A. Morrow, Donald Sylvester (“Le Mans ’66”)
Matthew Collinge, John Hayes, Mike Prestwood Smith, Danny Sheehan (“Rocketman”)
David Acord, Andy Nelson, Christopher Scarabosio, Stuart Wilson, Matthew Wood (“Star Wars: The Rise of Skywalker”)

Special Visual Effects

Greg Butler, Guillaume Rocheron, Dominic Tuohy (“1917”)*
Dan Deleeuw, Dan Sudick (“Avengers: Endgame”)
Leandro Estebecorena, Stephane Grabli, Pablo Helman (“The Irishman”)
Andrew R. Jones, Robert Legato, Elliot Newman, Adam Valdez (“The Lion King”)
Roger Guyett, Paul Kavanagh, Neal Scanlan, Dominic Tuohy (“Star Wars: The Rise of Skywalker”)

British Short Animation

Maryam Mohajer (“Grandad Was a Romantic”)*
Kathrin Steinbacher (“In Her Boots”)
Naaman Azhari, Lilia Laurel (“The Magic Boat”)

British Short Film

Myriam Raja, Nathanael Baring (“Azaar”)
Hector Dockrill, Harri Kamalanathan, Benedict Turnbull, Laura Dockrill (“Goldfish”)
Sasha Rainbow, Rosalind Croad (“Kamali”)
Carol Dysinger, Elena Andreicheva (“Learning to Skateboard in a Warzone (If You’re a Girl”)*
Lena Headey, Anthony Fitzgerald (“The Trap”)

2020 Academy Awards: ‘Joker’ is the top nominee

January 13, 2020

by Carla Hay

Joaquin Phoenix in “Joker” (Photo by Niko Tavernise)

With 11 nods, including Best Picture, Warner Bros. Pictures’ DC Comics-based supervillain drama “Joker” has the most nominations for the 92nd Annual Academy Awards, which will take place at the Dolby Theatre in Los Angeles on February 9, 2020. ABC will have the U.S. telecast of the show, which begins at 8 p.m. ET/5 p.m. PT. For the second year in a row, there will not be a host for the Oscar ceremony. The 11 nods for “Joker” make it the highest number of Oscar nominations for a comic-book-based movie.

Coming close behind in Oscar nominations this year, with 10 nominations each, are Columbia Pictures’ 1969-set retro drama “Once Upon a Time in Hollywood” and Netflix’s mobster drama “The Irishman”; and Universal Pictures’ World War I drama  “1917.” All of these movies are contenders for Best Picture.

The Best Picture category can have up to 10 nominated movies. This year, there were nine nominated movies. The other Best Picture nominees include Fox Searchlight’s Nazi satire “Jojo Rabbit,” Neon’s South Korean drama “Parasite,” Columbia Pictures’ remake of “Little Women” and Netflix’s divorce drama “Marriage Story,” which earned a total of six Oscar nods each. Rounding out the Best Picture nominee list is 20th Century Fox’s auto-racing drama “Ford v Ferrari,” which received four Oscar nominations.

Three of the Best Picture nominees do not have any nominations in the actor/actress categories: “1917,” “Ford v Ferrari” and “Parasite.” “Ford v Ferrari” does not have a screenplay or director nomination, therefore significantly decreasing its chances of winning Best Picture.

The nominees in the actor/actress categories all received Golden Globe nominations for the same roles, with the exception of Florence Pugh of “Little Women,” who was passed over for a Golden Globe nomination for that supporting role but scored an Oscar nod.

There were several people who received multiple Oscar nominations this year. Facing off in the same three categories (Best Picture, Best Director and Best Original Screenplay) are Quentin Tarantino of “Once Upon a Time in Hollywood,” Bong Joo Ho of “Parasite” and Sam Mendes of “1917.” Meanwhile, Todd Phillips of “Joker” also has three nods: Best Director, Best Picture and Best Adapted Screenplay.

People who received two Oscar nods each this year are actress Scarlett Johansson (“Marriage Story,” “Jojo Rabbit”); producer Emma Tillinger Koskoff (“Joker,” “The Irishman”); producer David Heyman (“Once Upon a Time in Hollywood,” “Marriage Story”); “Marriage Story” writer/producer Noah Baumbach; “The Irishman” director/producer Martin Scorsese; “Jojo Rabbit” writer/director Taika Waititi; special effects supervisor Dominic Tuohy (“The Lion King,” “Star Wars: The Rise of Skywalker”); “Marriage Story” composer/”Toy Story 4″ songwriter Randy Newman; and Cynthia Erivo, who’s nominated for Best Actress and Best Original Song for Focus Features’ Harriet Tubman biopic “Harriet.”

Snubs and Surprises

“The Farewell” (Photo courtesy of A24)

Despite winning several awards leading up to the Oscar nominations (including a Golden Globe for star Awkwafina), the Chinese American drama “The Farewell” was completely shut out of the Oscar race. “Rocketman” star Taron Egerton was another Golden Globe winner who failed to get an Oscar nomination for his Golden Globe-winning role. The only Oscar nod for the Elton John musical biopic “Rocketman” was the expected nomination for Best Original Song: “(I’m Gonna) Love Me Again,” written by John and his longtime songwriter partner Bernie Taupin. The song won a Golden Globe and is a strong contender to win the Oscar.

“Rocketman” scored one Oscar nomination, but other movies that won awards elsewhere were completely snubbed for Oscar nominations, including A24’s drama “Uncut Gems,” Netflix’s comedy “Dolemite Is My Name,” STX Entertainment’s drama “Hustlers” and Universal Pictures’ horror film “Us.”

Disney’s popular sequel “Frozen 2” failed to get a nod in the category of Best Animated Feature, but Netflix’s Christmas film “Klaus” got a surprise nomination in this category. “Frozen 2” got an expected nomination for Best Original Song (for “Into the Unknown), while Beyoncé’s “Spirit” from “The Lion King” remake was snubbed in that category. The only Oscar nomination for “The Lion King” remake was in the category of Best Visual Effects, and that nomination was expected.

The NASA documentary “Apollo 11” has won numerous awards, but was shut out of the Oscar race for Best Documentary Feature. This snub should not come as much of surprise to observant Oscar watchers, since the documentary branch of the Academy Awards has a history of snubbing documentaries that rely heavily on archival footage that was not filmed by the documentaries’ directors.

A big surprise was that the North Macedonian documentary “Honeyland” was nominated in two categories: Best Documentary Feature and Best International Feature. It’s rare for a documentary to get nominated in the Best International Feature category.

Diversity and Inclusion

Cynthia Erivo in “Harriet” (Photo by Glen Wilson/Focus Features)

It was widely predicted that no women would be nominated for Best Director, and that prediction turned out to be true. In the 92-year-history of the Academy Awards, only five women have ever gotten nominated for an Oscar for Best Director, and only one woman has won: Kathryn Bigelow for the 2009 war film “The Hurt Locker.” “Little Women” director Greta Gerwig was considered the most likely female director to get an Oscar nomination for Best Director this year. Instead, she got an expected nomination for Best Adapted Screenplay for the movie. (Gerwig’s previous Oscar nominations were for Best Director and Best Original Screenplay, for the 2017 movie “Lady Bird.”)

Best Cinematography, another Oscar category that has been snubbing women for years, once again had only male nominees this year. Only one woman has been nominated in this category so far: Rachel Morrison, for the 2017 Netflix drama “Mudbound.”

“1917” director/co-writer/producer Mendes is multiracial (his father is Portuguese Creole and his mother is white), and Mendes has received his first Oscar nominations since winning for Best Director for the 1999 drama “American Beauty,” which was his feature-film directorial debut.

After a historic number of black people (five) won Oscars in 2019, black people are underrepresented in Oscar nominations in 2020. Only four black people got Oscar nods this year: British/actress singer (and double Oscar nominee) Erivo of “Harriet”; “Hair Love” director Matthew Cherry and producer Karen Rupert Toliver, both nominated for Best Animated Short; and Mali-born writer/director Ladj Ly, whose French drama “Les Misérables” (which is not an adaptation of the Victor Hugo novel) is one of the nominees for Best International Feature Film.

 Asians got the most representation with writer/director Bong Joo Ho’s  “Parasite,” which has six Oscar nods: Best Picture, Best Director, Best Original Screenplay, Best International Feature Film, Best Film Editing and Best Production Design. “Jojo Rabbit” writer/director/producer Taika Waititi (who is of Māori descent) picked up three nominations: Best Picture, Best Director and Best Adapted Screenplay. “Jojo Rabbit’s” other Oscar nods went to white nominees: Best Supporting Actress, Best Film Editing, Best Production Design and Best Costume Design.

Filipino songwriter Robert Lopez (a two-time songwriting Oscar winner for “Frozen” and “Coco”) is once again nominated with his wife Kristen Anderson-Lopez in the Best Original Song category—this time, for the “Frozen 2” song “Into the Unknown.”Jinko Gotoh, who is of Japanese descent, received a Best Animated Feature nod for producing “Klaus.” Oscar-winning “The White Helmets” producer Joanna Natasegara, who is of Asian descent, is nominated again for Best Documentary Feature—this time for “The Edge of Democracy.” She was previously nominated in this category for 2014’s “Virunga.” Japanese makeup artist Kazu Hiro, a previous winner for 2017’s “Darkest Hour,” is nominated again for Best Makeup and Hairstyling, this time for “Bombshell.”

Meanwhile, the categories for short films had a significant number of Asian filmmakers. Chinese filmmaker Siqi Song earned a Best Animated Short nomination for directing and producing “Sister.” South Korean filmmakers Yi Seung-Jun (director/producer) and Gary Byung-Seok Kam (producer) are up for Best Documentary Short for “In the Absence.” “St. Louis Superman” directors/producers Smriti Mundhra and Sami Khan, who are of Indian descent, are also nominated in the Best Documentary Short category.

People of Arab descent had strong showings in the Best Documentary Feature category, which includes two nominations for movies about the war in Syria: “The Cave” (directed by Feras Fayyad, a previous nominee in this category for 2017’s “Last Men in Aleppo”) and “For Sama” (co-directed by Waad al-Kateab in her first Oscar nomination). Tunisian-born director/producer Meryam Joobeur received a Best Live-Action Short nomination for the Canadian film “Brotherhood.”

Latinos were represented in the high-profile Oscar categories with Sony Pictures Classics’ Spanish film “Pain and Glory,” writer/director Pedro Almodóvar’s semi-autobiographical film, which has nominations for Best Actor (the first Oscar nomination for Antonio Banderas) and Best International Feature Film. Meanwhile, Netflix’s “The Edge of Democracy” is up for Best Documentary Feature, the first Oscar nod for Brazilian director Petra Costa and Brazilian producer Tiago Pavan. Other first-time Oscar nominees are these filmmakers for the animated movie “Klaus”: Spanish director/producer Sergio Pablos and Venezuelan producer Marisa Román.

Also a nominee in the Best Animated Feature category is “Toy Story 4” producer Jonas Rivera, a previous Oscar winner in this category for 2009’s “Up” and 2015’s “Inside Out.” In the technical categories, Mexican director of photography Rodrigo Pietro got a nod for Best Cinematography for “The Irishman,” while Adam Valdez was part of the Oscar-nominated visual-effects team for “The Lion King.”

Here is the complete list of nominations for the 2020 Academy Awards:

Best Picture
“Ford v Ferrari”
Producers: Peter Chernin, Jenno Topping and James Mangold

“The Irishman”
Producers: Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff

“Jojo Rabbit”
Producers: Carthew Neal and Taika Waititi

“Joker”
Producers: Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff

“Little Women”
Producer: Amy Pascal

“Marriage Story”
Producers: Noah Baumbach and David Heyman

“1917”
Producers: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall

“Once Upon a Time in Hollywood”
Producers: David Heyman, Shannon McIntosh and Quentin Tarantino

“Parasite”
Producers: Kwak Sin Ae and Bong Joon Ho

Best Actor
Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”
Jonathan Pryce, “The Two Popes”

Best Actress
Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Charlize Theron, “Bombshell”
Renee Zellweger, “Judy”

Best Supporting Actor
Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time in Hollywood”

Best Supporting Actress
Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”

Best Director
Martin Scorsese, “The Irishman”
Todd Phillips, “Joker”
Sam Mendes, “1917”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon Ho, “Parasite”

Best Animated Feature
“How to Train Your Dragon: The Hidden World,” directed by Dean DeBlois; produced by Bradford Lewis and Bonnie Arnold

“I Lost My Body,” directed by Jérémy Clapin; produced by Marc du Pontavice

“Klaus,” directed and produced by Sergio Pablos; produced by Jinko Gotoh and Marisa Román

“Missing Link,” directed by Chris Butler; produced by Arianne Sutner and Travis Knight

“Toy Story 4,” directed by Josh Cooley; produced by Mark Nielsen and Jonas Rivera

Best Animated Short
“Dcera,” directed and produced by Daria Kashcheeva
“Hair Love,” directed and produced by Matthew A. Cherry; produced by Karen Rupert Toliver
“Kitbull,” directed by Rosana Sullivan; produced by Kathryn Hendrickson
“Memorable,” directed by Bruno Collet; produced by Jean-François Le Corre
“Sister,” directed and produced by Siqi Song

Best Adapted Screenplay
“The Irishman,” Steven Zaillian
“Jojo Rabbit,” Taika Waititi
“Joker,” Todd Phillips, Scott Silver
“Little Women,” Greta Gerwig
“The Two Popes,” Anthony McCarten

Best Original Screenplay
“Knives Out,” Rian Johnson
“Marriage Story,” Noah Baumbach
“1917,” Sam Mendes and Krysty Wilson-Cairns
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-ho and Jin Won Han

Best Cinematography
“The Irishman,” Rodrigo Prieto
“Joker,” Lawrence Sher
“The Lighthouse,” Jarin Blaschke
“1917,” Roger Deakins
“Once Upon a Time in Hollywood,” Robert Richardson

Best Documentary Feature
“American Factory,” directed and produced by Julia Rieichert and Steven Bognar; produced by Jeff Reichert

“The Cave,” directed by Feras Fayyad; produced by Kirstine Barfod and Sigrid Dyekjær

“The Edge of Democracy,” directed and produced by Petra Costa; produced by Joanna Natasegara, Shane Boris and Tiago Pavan

“For Sama,” directed and produced by Waad Al-Kateab; directed by Edward Watts

“Honeyland,” directed by Tamara Kotevska and Ljubo Stefanov; produced by Atanas Georgiev

Best Documentary Short Subject
“In the Absence,” directed and produced by Yi Seung-Jun; produced by Gary Byung-Seok Kam

“Learning to Skateboard in a Warzone (If You’re a Girl),” directed by Carol Dysinger; produced by Elena Andreicheva

“Life Overtakes Me,” directed and produced by Kristine Samuelson; directed by John Haptas

“St. Louis Superman,” directed and produced by Smriti Mundhra and Sami Khan

“Walk Run Cha-Cha,” directed by Laura Nix; produced by Colette Sandstedt

Best Live Action Short Film
“Brotherhood,” directed and produced by Meryam Joobeur; produced by Maria Gracia Turgeon

“Nefta Football Club,” directed and produced by Yves Piat; produced by Damien Megherbi

“The Neighbors’ Window,” directed and produced by Marshall Curry

“Saria,” directed by Bryan Buckley; produced by Matt Lefebvre

“A Sister,” directed and produced by Delphine Girard

Best International Feature Film
“Corpus Christi,” directed by Jan Komasa (Poland)
“Honeyland,” directed by Tamara Kotevska and Ljubo Stefanov (North Macedonia)
“Les Misérables,” directed by Ladj Ly (France)
“Pain and Glory,” directed by Pedro Almodóvar (Spain)
“Parasite,” directed by Bong Joon Ho (South Korea)

Best Film Editing
“Ford v Ferrari,” Michael McCusker and Andrew Buckland
“The Irishman,” Thelma Schoonmaker
“Jojo Rabbit,” Tom Eagles
“Joker,” Jeff Groth
“Parasite,” Jinmo Yang

Best Sound Editing
“Ford v Ferrari,” Don Sylvester
“Joker,” Alan Robert Murray
“1917,” Oliver Tarney, Rachel Tate
“Once Upon a Time in Hollywood,” Wylie Stateman
“Star Wars: The Rise of Skywalker,” Matthew Wood and David Acord

Best Sound Mixing
“Ad Astra,” Gary Rydstrom, Tom Johnson and Mark Ulano
“Ford v Ferrari,” Paul Massey, David Giammarco and Steven A. Morrow
“Joker,” Tom Ozanich, Dean Zupancic and Tod Maitland
“1917,” Mark Taylor and Stuart Wilson
“Once Upon a Time in Hollywood,” Michael Minkler, Christian P. Minkler and Mark Ulano

Best Production Design
“The Irishman”
Production Design: Bob Shaw; Set Decoration: Regina Graves

“Jojo Rabbit”
Production Design: Ra Vincent; Set Decoration: Nora Sopková

“1917”
Production Design: Dennis Gassner; Set Decoration: Lee Sandales

“Once Upon a Time in Hollywood”
Production Design: Barbara Ling; Set Decoration: Nancy Haigh

“Parasite”
Production Design: Lee Ha Jun; Set Decoration: Cho Won Woo

Best Original Score
“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“1917,” Thomas Newman
“Star Wars: The Rise of Skywalker,” John Williams

Best Original Song
“I Can’t Let You Throw Yourself Away” from “Toy Story 4,” song written by Randy Newman

“(I’m Gonna) Love Me Again” from “Rocketman,” song written by Elton John and Bernie Taupin

“I’m Standing With You” from “Breakthrough,” song written by Diane Warren

“Into the Unknown” from “Frozen 2,” song written by Robert Lopez and Kristen Anderson Lopez

“Stand Up” from “Harriet,” song written by Cynthia Erivo and Joshuah Brian Campbell

Best Makeup and Hair Styling
“Bombshell,” Kazu Hiro, Anne Morgan and Vivian Baker
“Joker,” Nicki Ledermann and Kay Georgiou
“Judy,” Jeremy Woodhead
“Maleficent: Mistress of Evil,” Paul Gooch, Arjen Tuiten and David White
“1917,” Naomi Donne, Tristan Versluis and Rebecca Cole

Best Costume Design
”The Irishman,” Sandy Powell, Christopher Peterson
“Jojo Rabbit,” Mayes C. Rubeo
“Joker,” Mark Bridges
“Little Women,” Jacqueline Durran
“Once Upon a Time in Hollywood,” Arianne Phillips

Best Visual Effects
“Avengers: Endgame,” Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick

“The Irishman,” Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli

“1917,” Guillaume Rocheron, Greg Butler and Dominic Tuohy

“The Lion King,” Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newma

“Star Wars: The Rise of Skywalker,” Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy

2020 BAFTA Film Awards: ‘Joker’ is the top nominee

January 7, 2020

by Carla Hay

Joaquin Phoenix in “Joker” (Photo by Niko Tavernise)

With 11 nominations, the supervillain origin story “Joker” is the leading contender for the 73rd annual British Academy of Film and Television Arts (BAFTA) Awards, which will be presented at Royal Albert Hall in London on February 2, 2020. Graham Norton will host the show, which will be broadcast exclusively on BBC One and BBC One HD in the United Kingdom and in other major territories around the world. BBC America will have the U.S. telecast of the show.

Other films to receive several nominations include “The Irishman” and “Once Upon a Time in Hollywood,” which garnered 10 nods each. “1917” has nine nods, and “Jojo Rabbit” received six nominations. “Little Women,” “Marriage Story” and “The Two Popes” got five nods each. “For Sama,” “Parasite” and “Rocketman” received four nominations each. Three nominations each went to “Bombshell,” “Judy,” “Le Mans ’66” (which is known as “Ford v Ferrari” in the U.S. and other countries) and “Star Wars: The Rise of Skywalker.” Eligible movies were those released in the United Kingdom in 2019. (Some movies that have been getting awards buzz, such as “Uncut Gems” and “Just Mercy,” were released in the U.S. in 2019, and will have a U.K. release in 2020.)

The nominees for the EE Rising Star Award were previously announced as Awkwafina, Jack Lowden, Kaitlyn Dever, Kelvin Harrison Jr, and Micheal Ward. According to a BAFTA press release: “The award is voted for by the British public and presented to an actress or actor who has demonstrated exceptional talent and has begun to capture the imagination of the U.K. public. Voting is now open at ee.co.uk/baftas.”

Snubs and Surprises

Eddie Murphy in “Dolemite Is My Name” (Photo by François Duhamel)

The most noticeable snubs were for non-white actors in the major acting categories: All of the BAFTA nominees in these categories this year are white: Leading Actor, Leading Actress, Supporting Actor and Supporting Actress. That means no acting nominations for anyone in the casts of the critically acclaimed, award-winning films “Parasite,” “Dolemite Is My Name” and “Pain and Glory.” The good news is that there is racial diversity in the actors nominated in the EE Rising Star Award. The nominees in that category include Kelvin Harrison Jr. (“Luce,” “Waves”) and Micheal Ward (“Blue Story”) are black, while Awkwafina (“The Farewell”) is Chinese American. Meanwhile, once again, there were no female directors nominated in the category of Best Director.

A big surprise was Margot Robbie scoring two BAFTA supporting actress nominations this year. Although she was widely expected to get a nod for “Bombshell” in this category, she was not widely expected to get nominated for “Once Upon a Time in Hollywood,” considering that the movie received a lot of criticism for Robbie’s Sharon Tate character not having enough meaningful dialogue and screen time. Another notable surprise is Jessie Buckley’s lead actress nomination for “Wild Rose,” since her performance in the movie has been largely ignored for nominations for major movie awards.

Here is the complete list of nominations for the 2020 BAFTA Awards:

Best Film

“1917”
“The Irishman”
“Joker”
“Once Upon a Time in Hollywood”
“Parasite”

Outstanding British Film

“1917”
“Bait”
“For Sama”
“Rocketman”
“Sorry We Missed You”
“The Two Popes”

Best Director

Sam Mendes (“1917”)
Martin Scorsese (“The Irishman”)
Todd Phillips (“Joker”)
Quentin Tarantino (“Once Upon a Time in Hollywood”)
Bong Joon Ho (“Parasite”)

Leading Actress

Jessie Buckley (“Wild Rose”)
Scarlett Johansson (“Marriage Story”)
Saoirse Ronan (“Little Women”)
Charlize Theron (“Bombshell”)
Renée Zellweger (“Judy”)

Leading Actor

Leonardo DiCaprio (“Once Upon a Time… in Hollywood”)
Joaquin Phoenix (“Joker”)
Adam Driver (“Marriage Story”)
Taron Egerton (“Rocketman”)
Jonathan Pryce (“The Two Popes”)

Supporting Actor

Tom Hanks (“A Beautiful Day In The Neighborhood”)
Anthony Hopkins (“The Two Popes”)
Al Pacino (“The Irishman”)
Joe Pesci (“The Irishman”)
Brad Pitt (“Once Upon A Time in Hollywood”)

Supporting Actress

Laura Dern (“Marriage Story”)
Scarlett Johansson (“Jojo Rabbit”)
Florence Pugh (“Little Women”)
Margot Robbie (“Bombshell”)
Margot Robbie (“Once Upon a Time in Hollywood”)

Adapted Screenplay

Steven Zaillian (“The Irishman”)
Taika Waititi (“Jojo Rabbit”)
Todd Phillips, Scott Silver (“Joker”)
Greta Gerwig (“Little Women”)
Anthony McCarten (“The Two Popes”)

Original Screenplay

Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman (“Booksmart”)
Rian Johnson (“Knives Out”)
Noah Baumbach (“Marriage Story”)
Quentin Tarantino (“Once Upon a Time in Hollywood”)
Han Jin Won, Bong Joon-ho (“Parasite”)

Outstanding Debut by a British Writer, Director or Producer

Mark Jenkin, Kate Byers, Linn Waite (“Bait”)
Waad al-Kateab, Edward Watts (“For Sama”)
Alex Holmes (“Maiden”)
Harry Wootliff (“Only You”)
Álvaro Delgado-Aparicio (“Retablo”)

Original Score

Thomas Newman (“1917”)
Michael Giacchino (“Jojo Rabbit”)
Hildur Guđnadóttir (“Joker”)
Alexandre Desplat (“Little Women”)
John Williams (“Star Wars: The Rise of Skywalker”)

Cinematography

Roger Deakins (“1917”)
Rodrigo Prieto (“The Irishman”)
Lawrence Sher (“Joker”)
Phedon Papamichael (“Le Mans ’66”)
Jarin Blaschke (“The Lighthouse”)

EE Rising Star Award (public vote)

Awkwafina
Kaitlyn Dever
Kelvin Harrison Jr.
Jack Lowden
Micheal Ward

Film Not in the English Language

Lulu Wang, Daniele Melia (“The Farewell”)
Waad al-Kateab, Edward Watts (“For Sama”)
Pedro Almodóvar, Agustín Almodóvar (“Pain and Glory”)
Bong Joon Ho (“Parasite”)
Céline Sciamma, Bénédicte Couvreur (“Portrait of a Lady on Fire”)

Documentary

Steven Bognar, Julia Reichert (“American Factory”)
Todd Douglas Miller (“Apollo 11”)
Asif Kapadia (“Diego Maradona”)
Waad al-Kateab, Edward Watts (“For Sama”)
Karim Amer, Jehane Noujaim (“The Great Hack”)

Animated Film

Chris Buck, Jennifer Lee, Peter Del Vecho (“Frozen 2”)
Sergio Pablos, Jinko Gotoh (“Klaus”)
Will Becher, Richard Phelan, Paul Kewley (“A Shaun the Sheep Movie: Farmageddon”)
Josh Cooley, Mark Nielsen (“Toy Story 4”)

Casting

Shayna Markowitz (“Joker”)
Douglas Aibel, Francine Maisler (“Marriage Story”)
Victoria Thomas (“Once Upon a Time in Hollywood”)
Sarah Crowe (“The Personal History of David Copperfield”)
Nina Gold (“The Two Popes”)

Editing

Thelma Schoonmaker (“The Irishman”)
Tom Eagles (“Jojo Rabbit”)
Jeff Groth (“Joker”)
Andrew Buckland, Michael McCusker (“Le Mans ’66”)
Fred Raskin (“Once Upon a Time in Hollywood”)

Production Design

Dennis Gassner, Lee Sandales (“1917”)
Bob Shaw, Regina Graves (“The Irishman”)
Ra Vincent, Nora Sopková (“Jojo Rabbit”)
Mark Friedberg, Kris Moran (“Joker”)
Barbara Ling, Nancy Haigh (“Once Upon a Time in Hollywood”)

Costume Design

Christopher Peterson, Sandy Powell (“The Irishman”)
Mayes C. Rubeo (“Jojo Rabbit”)
Jany Temime (“Judy”)
Jacqueline Durran (“Little Women”)
Arianne Phillips (“Once Upon a Time in Hollywood”)

Makeup and Hair

Naomi Donne (“1917”)
Vivian Baker, Kazu Hiro, Anne Morgan (“Bombshell”)
Kay Georgiou, Nicki Ledermann (“Joker”)
Jeremy Woodhead (“Judy”)
Lizzie Yianni Georgiou (“Rocketman”)

Sound

Scott Millan, Oliver Tarney, Rachael Tate, Mark Taylor, Stuart Wilson (“1917”)
Tod Maitland, Alan Robert Murray, Tom Ozanich, Dean Zupancic (“Joker”)
David Giammarco, Paul Massey, Steven A. Morrow, Donald Sylvester (“Le Mans ’66”)
Matthew Collinge, John Hayes, Mike Prestwood Smith, Danny Sheehan (“Rocketman”)
David Acord, Andy Nelson, Christopher Scarabosio, Stuart Wilson, Matthew Wood (“Star Wars: The Rise of Skywalker”)

Special Visual Effects

Greg Butler, Guillaume Rocheron, Dominic Tuohy (“1917”)
Dan Deleeuw, Dan Sudick (“Avengers: Endgame”)
Leandro Estebecorena, Stephane Grabli, Pablo Helman (“The Irishman”)
Andrew R. Jones, Robert Legato, Elliot Newman, Adam Valdez (“The Lion King”)
Roger Guyett, Paul Kavanagh, Neal Scanlan, Dominic Tuohy (“Star Wars: The Rise of Skywalker”)

British Short Animation

Maryam Mohajer (“Grandad Was a Romantic”)
Kathrin Steinbacher (“In Her Boots”)
Naaman Azhari, Lilia Laurel (“The Magic Boat”)

British Short Film

Myriam Raja, Nathanael Baring (“Azaar”)
Hector Dockrill, Harri Kamalanathan, Benedict Turnbull, Laura Dockrill (“Goldfish”)
Sasha Rainbow, Rosalind Croad (“Kamali”)
Carol Dysinger, Elena Andreicheva (“Learning to Skateboard in a Warzone (If You’re a Girl”)
Lena Headey, Anthony Fitzgerald (“The Trap”)

Halloween 2019: Horror movies and supernatural thrillers in theaters on All Hallows’ Eve

October 1, 2019

by Carla Hay

There are numerous horror movies available to watch on TV, computers or mobile devices, but for Halloween 2019, there are a select number of horror flicks and supernatural thrillers that will be released in theaters in October. Horror and supernatural movies released before October 2019 that should still be in theaters during the Halloween season include “It: Chapter Two” (rated R); “Ready or Not” (rated R); “Scary Stories to Tell in the Dark” (rated PG-13); “47 Meters Down: Uncaged” (rated PG-13); “Freaks” (rated R); “The Nightingale” (rated R); “The Lake Vampire” (not rated); “Prey” (rated PG-13); “Beloved Beast” (not rated); “The Curse of Buckout Road” (not rated); “Tigers Are Not Afraid” (not rated); and “One Cut of the Dead” (not rated). Here are the movies that have an October 2019 release:

Information in this article is about U.S. releases.

RELEASES FOR MATURE AUDIENCES

(Movies that are rated R or unrated)

“100 Acres of Hell”

Directed by Hank Lee Hump, “100 Acres of Hell” centers on former wrestling champ Buck Severs (played by Gene Snisky) and his posse of friends. After Buck has some life setbacks of getting a career-ending injury and experiencing a family tragedy, he and his pals travel to an abandoned wildlife preserve for a weekend getaway. They soon become the targets of a mutant psycho killer, who uses the preserve as a personal hunting ground.  The movie’s co-stars include Eileen Dietz, Ernest O’Donnell, Catherine Corcoran, Jason L. Koerner and Jim Roof.  “100 Acres of Hell,” which is rated R, arrives in select theaters on October 11, 2019, before expanding to more theaters on October 18, 2019.

“Beloved Beast”

In sort of a twisted homage to the classic film “Harvey” (about an imaginary rabbit friend named Harvey), the slasher flick “Beloved Beast” (written and directed by Jonathan Holbrook) features a serial killer named Harvey who wears a rabbit mask. The murderer is an escaped patient from a psychiatric institution, and he befriends a 12-year-old orphan named Nina, who’s living with her unstable, druggie aunt. The movie’s cast members include Meredith Binder, Sheila Houlahan, Tabitha Bastien, Sanae Loutsis, Khoe King, Elizabeth Rhoades and  Luke Schuck. “Beloved Beast,” which is rated R, is set for release in select theaters on October 11, 2019.

“The Dead Center”

In “The Dead Center,” written and directed by Billy Senese, a suicide victim (played Jeremy Childs, Preacher, Nashville) disappears from the morgue, which triggers a terrifying chain of events. A troubled psychiatrist named Daniel Forrester (played by Shane Carruth) tries to figure out the mystery behind a catatonic patient who is brought to the emergency psych ward with no memory of how he reached the hospital. It isn’t long before gruesome deaths begin happening on the ward. “The Dead Center,” which is unrated, arrives in select theaters and digital HD on October 11, 2019. The movie’s release on DVD and Blu-ray is on October 14, 2019.

“Echoes of Fear”

Written and directed by Brian Avenet-Bradley, “Echoes of Fear” is about a young woman named Alysa (played by Trista Robinson), who inherits her grandfather house. As she tries to find out more about his mysterious death, Alysa finds out the hard way that the house is haunted. “Echoes of Fear,” which is unrated, will be released in select theaters on October 16, 2019.

“Girl on the Third Floor”

Written and directed by Travis Stevens, “Girl on the Third Floor” tells the story of a deeply flawed husband named Don Koch (played by CM Punk), who tries to redeem himself from his criminal past by fixing up an old house where he and his pregnant wife Liz (played by Trieste Kelly Dunn) plan to start their family. Liz is concerned about whether or not Don will be able to finish the house in time for the arrival of their baby. Meanwhile, Don is tempted by a young, attractive woman named Sarah (played by Sarah Brooks), who offers to help Don with his renovations. Not surprisingly, the house has secrets that are revealed to deadly consequences. “Girl on the Third Floor,” which is not rated, opens in limited release on October 25, 2019.

“Joker” 

Joaquin Phoenix inhabits the title role in “Joker,” an origin story of Batman’s most famous enemy. In the movie, directed and co-written by Todd Phillips, Phoenix portrays Arthur Fleck, a troubled loner whose descent into madness includes a murderous crime spree. “Joker” had its world premiere at the 2019 Venice International Film Festival, where “Joker” became the first movie with comic-book origins that won the festival’s top prize, the Golden Lion. “Joker” and Phoenix are also getting a lot of buzz for other prizes, including the Academy Awards. The movie’s cast also includes Zazie Beets and Robert De Niro. Film critics, who have mostly praised “Joker,” have described the movie as being influenced by the Martin Scorsese films “Taxi Driver” and “The King of Comedy.” “Joker,” which is rated R, opens in wide release on October 4, 2019.

“The Last Fiction”

This animated film from Iran tells the story of ruthless Zahak, who takes over as king of Persia. Under his leadership, young men who work in the palace begin to mysteriously disappear. In reaction to growing unrest among the citizens, Zahak orders the murder of newborn babies. Among the discontents is a young rebel named Kaveh, who forms an army of outlaws to rebel against Zahak. Kaveh enlists the help of Afaridoun, who he trains as a warrior capable of fighting humans and demons. “The Last Fiction,” written and directed by Ashkan Rahgozar, is unrated and is set for release in select theaters on October 18, 2019.

“The Lighthouse”

Directed and co-written by Robert Eggers (“The Witch”), this dark and brutal drama centers on two lighthouse keepers who are isolated on a New England island in the 1890s. Thomas Wake (played by Willem Dafoe) is the older, more experienced keeper, who often becomes frustrated with the younger Ephraim Inslow (played by Robert Pattinson), who shows signs of having a rebellious streak and mental instability. Thomas is a superstitious taskmaster who warns Ephraim not to kill any of the seagulls that are constantly hovering around the lighthouse. As the story unfolds, there is an ongoing power struggle between the two men, as sinister forces become increasingly present in and around the lighthouse. “The Lighthouse,” which is rated R, opens in limited release on October 18, 2019.

“Little Monsters” (2019)

Written and directed by Abe Forsythe, the zombie comedy “Little Monsters,” which takes place in Australia, follows the madcap journey of an unemployed, slacker musician named Dave (played by Alexander England) and how he ends up in the middle of a zombie invasion. After finding himself living with his older, single sister Tess (played by Kat Stewart) and her precocious kindergarten-age son Felix (played by Diesel La Torraca), Dave volunteers to be a chaperone for a field trip that Felix’s class is taking to a family zoo. Part of Dave’s motivation to go on the trip is because Felix is attracted to Felix’s straight-laced teacher Miss Caroline (played by Lupita Nyong’o), who is the complete opposite of Dave. While at the zoo, they meet a famous children’s entertainer named Teddy McGiggle (played by Josh Gad), who becomes a rival to George for Miss Caroline’s affections. It isn’t long before the zoo is invaded by zombies. “Little Monsters,” which is rated R, arrives in select theaters for one night only on October 8, 2019, and begins streaming on Hulu on October 11, 2019.

“Memory: The Origins of Alien”

The excellent documentary “Memory: The Origin of Alien,” directed by Alexandre O. Philippe, takes a deep-dive examination into the 1979 classic sci-fi horror movie “Alien.” It’s best that people see the movie “Alien” before watching this documentary, which contains a lot of spoiler information. Ridley Scott directed “Alien,” and this documentary also gives a great deal of the movie’s creative credit to screenwriter Dan O’Bannon, who adapted the “Alien” screenplay from a story titled “Memory” that he wrote with Ronald Shusett. Several major influences on “Alien” are explored, such as artist H.R. Giger, whose “Necronom IV” painting gave Scott the idea of how the “Alien” title character would look; artist Francis Bacon, whose work inspired the creature in the movie’s famous chestburster scene; and several comic books, sci-fi novels and movies that inspired the screenplay and art direction of “Alien.” Among the notables interviewed for the documentary are “Alien” cast members Tom Skerritt and Veronica Cartwright; film editor Terry Rawlings; art director Roger Christian; associate producer Ivor Powell; Diane O’Bannon (Don O’Bannon’s widow); and legendary horror filmmaker Roger Corman. Several pundits also note the sociological and cultural influences and statements of “Alien,” which one commenter says is a movie symbolic of “patriarchal guilt.”  Although the documentary is not rated, it contains a lot of the movie’s most graphic images, as well as a behind-the-scenes look at how those horrifying scenes were filmed. The fan-driven company Legion M teamed up with Screen Media to acquire “Memory: The Origin of Alien” after the movie premiered at the 2019 Sundance Film Festival. “Memory: The Origin of Alien” is set for release on VOD and in select theaters on October 4, 2019.

“Portals”

On August 5, 2020, after an undisclosed research facility creates the world’s first active black hole, a cosmic disruption occurs that sets off a series of blackouts around the world. Millions of mysterious portals then begin appearing. While some people run away from the portals, other people are drawn into the potentially deadly doorways. “Portals” is an anthology featuring three internationally connected stories told by four directors: Eduardo Sanchez, Gregg Hale, Timo Tjahjanto and Liam O’Donnell. The movie’s cast members include Neil Hopkins, Deanna Russo, Gretchen Lodge and Natacha Gott. “Portals,” which is nor rated, arrives in select theaters and on VOD on October 25, 2019.

“Trick” (2019)

Directed and co-written by Patrick Lussier, “Trick” uses the slasher-flick trope of a serial killer out for revenge. On Halloween night in 2015, Patrick “Trick” Weaver massacred his high-school classmates at a costume party. He was arrested, but he escaped from police custody after being shot five times by Detective Mike Denver (played by Omar Epps). Trick is presumed to be dead, but a masked killer reappears the following Halloween, and every Halloween after that, which convinces people that Trick has returned to continue his murder spree.  The cast members of “Trick” also include Kristina Reyes, Jamie Kennedy and Tom Atkins. “Trick,” which is not rated, arrives in select theaters and on VOD on October 18, 2019.

“Wrinkles the Clown”

This documentary, directed by Michael Beach Nichols, examines the urban mythology of Wrinkles the Clown, a sinister character that first came to the public’s attention in 2014, when a viral YouTube video emerged of Wrinkles the Clown coming out from hiding underneath a sleeping child’s bed. The video described that the clown was available for hire in southwest Florida to scare unruly children. Wrinkles the Clown then became an Internet sensation, as people filmed sightings of the clown. In addition to showing how the character developed a cult following, the movie unmasks the clown by interviewing the man behind the costume. “Wrinkles the Clown,” which is not rated, will be available on VOD and will have a limited theatrical release on October 4, 2019.

“Zombieland: Double Tap”

Ten years after the 2009 comedy film “Zombieland” became a hit, the movie’s sequel “Zombieland: Double Tap” arrives in theaters, reuniting director Ruben Fleischer with original cast members Woody Harrelson, Emma Stone, Jesse Eisenberg and Abigail Breslin, as a quartet of misfits trying to stay alive in a zombie apocalypse. New cast members include Zoey Deutch, Rosario Dawson, Luke Wilson and Avan Jogia. “Zombieland: Double Tap,” which is rated R, has a wide release in theaters on October 18, 2019. In select cities, AMC Theatres will be showing a special double feature of “Zombieland” and “Zombieland: Double Tap” on October 16, 2019. Tickets and more information on the double feature can be found here.

FAMILY-FRIENDLY RELEASES

(Movies that are rated PG or PG-13)

“The Addams Family”

Directed by Conrad Vernon and Greg Tiernan, “The Addams Family” is the animated version of Charles Addams’ comic-strip that ran in the New Yorker from 1938 to 1988. The comic strip , which is about a spooky clan that has a hard time fitting into a “normal” world, would go on to spawn a live-action TV series in the 1960s, an animated TV series in the 1970s and live-action films in the 1990s. The all-star voice cast of “The Addams Family” animated film includes Oscar Isaac as patriarch Gomez Addams; Charlize Theron as matriarch Morticia Addams; Chloë Grace Moretz as daughter Wednesday Addams; Finn Wolfhard as son Pugsley Addams; Nick Kroll as Uncle Fester, Gomez’s brother; Snoop Dogg as Cousin Itt, Gomez’s cousin; Bette Midler as Grandmama, Gomez and Fester’s mother; and Allison Janney as reality TV host Margaux Needler, the story’s villain. “The Addams Family,” which is rated PG-13, opens in wide release on October 11, 2019.

“Countdown”

Would you want to know the exact date and time that you’re going to die? That’s the premise behind “Countdown” (written and directed by Justin Dec), which tells the story of what several people do when they download an app that predicts when they will die. One of the people who downloads the app is a young nurse named Quinn (Elizabeth Lail), who finds out she only has three days to live. The movie’s cast also includes Anne Winters, Charlie McDermott, Peter Facinelli, Jordan Calloway and Talitha Eliana Bateman. “Countdown,” which is rated PG-13, is set for release on October 25, 2019.

“Maleficent: Mistress of Evil”

This sequel to 2014’s “Maleficent” reunites Angelina Jolie as the titular witch character and Elle Fanning as Princess Aurora. Directed by Joachim Rønning, “Maleficent: Mistress of Evil” picks up several years after “Maleficent,” as Maleficent and Aurora form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures in their environment. The movie’s co-stars include Michelle Pfeiffer as Queen Ingrith (Aurora’s future mother-in-law) and Chiwetel Ejiofor as Conall, one of the leaders of the dark fey, a band of winged creatures exiled from the human world. The movie’s cast members also include Sam Riley, Imelda Staunton, Lesley Manville, Juno Temple and Ed Skrein.  “Maleficent: Mistress of Evil,” which is rated PG-13, opens in wide release on October 18, 2019.

“Polaroid”

Directed by Lars Klevberg, “Polaroid” centers on a high-school student named Bird Fitcher (played by Kathryn Prescott), a social outcast who uncovers dark secrets when she starts using a mysterious Polaroid vintage camera. People end up dying after having their picture taken by the camera. “Polaroid” was originally supposed to be released in 2017 by Dimension Films, a subsidiary of the now-defunct Weinstein Company, before Lantern Entertainment (which bought the Weinstein Company’s assets) and 13 Films took over the distribution rights for the movie. The film is the American version of Klevberg’s 2015 Norwegian short film of the same title. “Polaroid,” which is rated PG-13, will be released in select theaters on October 11, 2019.

SPECIAL RE-RELEASES

“3 From Hell”

“3 From Hell” is the third film in writer/director Rob Zombie’s series of horror movies that began with 2003’s “House of 1,000 Corpses” and continued with 2005’s “The Devil’s Rejects.” In “3 From Hell,” Baby Firefly (played by Sheri Moon Zombie), Otis Driftwood (played by Bill Moseley) and Winslow Foxworth Coltrane (Richard Brake) have survived a shootout with the police, and are now planning a breakout from prison. When the three make their break, they go on a road trip. Along the way, people are take hostage, and there’s plenty of murder and mayhem. After a successful three-night run in mid-September 2019, “3 From Hell” returns to theaters for a one-night screening on October 14, 2019. Fathom Events is presenting the movie, which is rated R. More information and ticket purchases can be found here.

“Alien”

“In space, no one can hear you scream” was the tagline for director Ridley Scott’s classic 1979 sci-fi horror film “Alien.” That sentence sums up the deepest fears of the film’s protagonists: an isolated, seven-member crew on the space tug Nostromo. The movie tells the story of how they find out that they are not alone on their spaceship. Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto are among the stars of “Alien,” a critically acclaimed film that has spawned many sequels and prequels. Fathom Events is presenting “Alien” (which is rated R) on October 13, October 15 and October 16, 2019, to celebrate the movie’s 40th anniversary. More information and ticket purchases can be found here.

“An American Werewolf in London” 

Directed by John Landis, the 1981 film “An American Werewolf in London” tells the story of two vacationing American college students—David Kessler (played by David Naughton) and Jack Goodman (played by Griffin Dunne)—who are backpacking in England. While traveling in the moors of Yorkshire, they stop in a pub and get a strange reaction from the locals, who warn them not to be outside at night when there is a full moon. It isn’t long before David and Jack find out the hard way that there’s a werewolf on the loose. “An American Werewolf in London” has the distinction of being the first movie to win an Oscar for makeup and hairstyling when it became an official competitive category for the 1982 ceremony, where Rick Baker won the prize. As part of the Cinépolis Handpicked series, the Cinépolis theater chain is showing “An American Werewolf in London” (which is rated R) on October 15, 2019. More information and ticket purchases can be found here.

“Creature From the Black Lagoon” (1954)

In “Creature From the Black Lagoon,” directed by Jack Arnold, a partial skeleton of mysterious creature with webbed hands is discovered in South America’s Amazon. Four scientists (played by Antonio Moreno, Richard Carlson, Richard Denning and Whit Bissell), along with a female colleague (played by Julie Adams) and a boat captain (played by Nestor Paiva) take a boat trip on the Amazon to look for the rest of the skeleton and to investigate if the creature has any living relatives. Needless to say, they get their answer. “Creature From the Black Lagoon” spawned sequels at least one remake. As part of the Cinépolis Handpicked series and to celebrate the film’s 65th anniversary, the Cinépolis theater chain is showing “Creature From the Black Lagoon” (which is rated G) on October 22, 2019. More information and ticket purchases can be found here.

“The Exorcist”

The 1973 classic “The Exorcist,” directed by William Friedkin, is often ranked as the scariest horror movie of all time. In the story, Chris MacNeil (played by Ellen Burstyn) is distraught when she sees her 12-year-old daughter Regan (played by Linda Blair) begin to act strangely, such as speaking in tongues. When Regan starts levitating, Chris is convinced that Regan might be possessed by the devil. Chris asks a local priest named Father Damien (played by Jason Miller) for help. He then requests to perform an exorcism, and the Catholic Church sends an exorcism expert Father Lankester Merrin (played by Max von Sydow) to assist in the exorcism. “The Exorcist,” which is rated R, received 10 Oscar nominations (including Best Picture), and ended up winning two Oscars: Best Original Screenplay and Best Sound Mixing. As part of the Cinépolis Handpicked series, the Cinépolis theater chain is showing the director’s cut of “The Exorcist” (10 minutes of extra footage that wasn’t in the film’s original release) on October 29, 2019. More information and ticket purchases can be found here.

“Ghostbusters” (1984)

The original 1984 “Ghostbusters” movie is considered a horror-comedy classic. Directed by Ivan Reitman, the movie tells the story of three paranormal investigators (played by Bill Murray, Dan Aykroyd, Harold Ramis), their first recruit (Ernie Hudson), their socialite client (played by Sigourney Weaver), her neighbor (played by Rick Moranis), and how they stumble upon ghosts and demons in New York City. To celebrate the movie’s 35th anniversary, Fathom Events is showing “Ghostbusters” in select theaters on October 6 and October 10, 2019. More information and ticket purchases can be found here.

“House of the Devil” (2009)

The indie horror film “The House of the Devil,” written and directed by Ti West, will get a limited re-release to celebrate the film’s 10th anniversary. Set in the 1980s, “The House of the Devil” tells the story of financially struggling college student Samantha Bolin (played by Jocelin Donahue), who takes a babysitting job from a creepy couple named Mr. and Mrs. Ulman (played by Tom Noonan and Mary Woronov). Samantha’s best friend, Megan (played Greta Gerwig), gives her a ride to the isolated mansion where the Ulmans live, and reluctantly leaves Samantha there. Not surprisingly, many horrible things happen in the mansion. “The House of the Devil,” which is rated R, will have its theatrical re-release in select theaters (mostly at Alamo Drafthouse), beginning October 8, 2019.

“Little Shop of Horrors” (1986)

The 1986 musical-comedy film “Little Shop of Horrors,” directed by Frank Oz, is based on the off-Broadway musical “Little Shop of Horrors,” which was based on Roger Corman’s 1960 film “The Little Shop of Horrors.” In the story of 1986’s “Little Shop of Horrors,” Rick Moranis plays Seymour Krelborn, a nerdy florist shop worker who finds out his Venus flytrap can speak. (Levi Stubbs voices the plant, named Audrey II,  in the movie.) Also starring in the film are Ellen Green as Seymour’s co-worker Audrey, who’s the object of his affections; Steve Martin as Orin Scrivello, Audrey’s abusive boyfriend; and Jim Belushi as Patrick Martin, a licensing and marketing executive who tries to get Seymour to sell other talking plants like Audrey II. John Candy, Bill Murray, Christopher Guest, Tichina Arnold and Tisha Campbell are also among the movie’s cast members in smaller supporting roles. As part of the Cinépolis Handpicked series, the Cinépolis theater chain is showing the director’s cut of “Little Shop of Horrors” (which is rated PG-13) on October 1, 2019. More information and ticket purchases can be found here.

“Psycho” (1960)

Alfred Hitchcock directed what is arguably his most influential film: “Psycho,” a horror masterpiece that is considered the “grandfather” of slasher movies. In the beginning of the movie, embezzler Marion Crane (played by Janet Leigh) is on the run from the law with stolen cash, when she checks into the creepy and isolated Bates Motel, whose caretaker is Norman Bates (played by Anthony Perkins). What happened to Marion in her motel room’s shower became one of the most iconic horror scenes in movie history. It isn’t long before Marion’s sister Lila Crane (played by Vera Miles) goes looking for Marion, and she also ends up at the Bates Motel, where Lila discovers how dangerous the Bates Motel really is. “Psycho” spawned the 1983 sequel “Psycho II” (starring Perkins and Miles) and director Gus Van Sant’s 1998 “Psycho” remake, both of which got mixed-to-negative reviews. The “Bates Motel” TV series, which was on the air from 2013 to 2017, was the origin story of a teenage Norman Bates. As part of the Cinépolis Handpicked series, the Cinépolis theater chain is showing Hitchcock’s “Psycho” (which is rated R) on October 8, 2019. More information and ticket purchases can be found here.

“Rocky Horror Picture Show”

Do the time warp again as an audience member of the 1975 horror-comedy musical “The Rocky Horror Picture Show,” which is based on the stage musical “The Rocky Horror Show.” This cult-movie classic, directed by Jim Sharman, has been a late-night staple at cinemas for decades. The movie tells the story of naïve, engaged couple Brad Majors (played by Barry Bostwick) and Janet Weiss (played by Susan Sarandon), who find themselves stranded at a mysterious mansion after their car gets a flat tire during a storm. At the mansion, they meet an eccentric bunch of people, including Dr. Frank-N-Furter (played by Tim Curry), a transvestite scientist who’s determined to make Brad and Janet lose their innocence. Screenings of “The Rocky Horror Picture Show,” which is rated R, usually include audience participation and sing-alongs, so don’t expect people in the theater to be quiet during the movie. AMC Theaters will have late-night screenings of “The Rocky Horror Picture Show” in select cities for one week, beginning October 25, 2019. More information and ticket purchases can be found here.

“The Shining”

“The Shining” is director Stanley Kubrick’s version of the Stephen King novel, which tells the story of an aspiring writer named Jack Torrance (played by Jack Nicholson), who takes a job as a live-in caretaker of the historic Overlook Hotel in Colorado’s Rocky Mountain area during the hotel’s off-season. He moves there with his wife Wendy Torrance (played by Shelley Duvall) and kindergarten-aged son Danny Torrance (played by Danny Lloyd), who shows signs of having psychic abilities. The hotel cook Dick Hallorann (played by Scatman Crothers) notices Danny’s unusual abilities, which Dick calls “the shining.” When Danny’s visions become more menacing and Jack starts descending into madness, it’s only a matter of time before all hell breaks loose. A 4K remastered restoration of “The Shining,” which is rated R, arrives in select theaters on October 1, 2019. More information and ticket purchases can be found here. After the movie, there will be a featurette shown about “Doctor Sleep,” the sequel to “The Shining” that will get a wide release in theaters on November 8, 2019.

“Zombieland”

The 2009 film “Zombieland,” directed by Ruben Fleischer, is a horror comedy about a quartet of misfits (played by Woody Harrelson, Emma Stone, Jesse Eisenberg and Abigail Breslin) who are thrown together during a zombie apocalypse. As they fight for survival, they have some strange and hilarious encounters. Look for a memorable cameo from Bill Murray. In select cities, AMC Theatres will be showing a special double feature of “Zombieland” and the 2019 sequel “Zombieland: Double Tap” on October 16, 2019. Both movies are rated R. Tickets and more information on the double feature can be found here.

2019 Venice International Film Festival: ‘Joker’ wins the Golden Lion top prize

September 7, 2019

by Carla Hay

Venice Film Festival

“Joker,” director Todd Phillips’ origin story about the DC Comics villain, was awarded the Golden Lion (the top prize) at the 2019 Venice International Film Festival in Venice, Italy. “Joker” stars Joaquin Phoenix in the title role. Warner Bros. Pictures will release “Joker” on October 4, 2019. Movie critics have mostly praised “Joker,” which is a dark and violent film that is a departure for Phillips, who was previously known for directing comedies like “The Hangover” movies and “Old School.” The 76th annual Venice International Film Festival took place from August 28 to September 7, 2019.

The Grand Jury Prize (second place) went to “An Officer and a Spy,” directed by Roman Polanski. The Venice Film Festival got considerable criticism for selecting Polanski’s film to be a part of the festival. Polanski has been a fugitive of the law since 1978, when he fled to France after being convicted of raping an underage girl in the Los Angeles area.

Other winners at the 2019 Venice International Film Festival included Luca Marinelli, “Martin Eden” for Best Actor; Ariane Ascaride of “Gloria Mundi” for Best Actress; and “About Endlessness” helmer Roy Andersson for Best Director.

Here is the complete list of winners for the 2019 Venice International Film Festival:

IN COMPETITION

Golden Lion: “Joker,” directed by Todd Phillips

Grand Jury Prize: “An Officer and a Spy,” directed by Roman Polanski

Silver Lion for Best Director: Roy Andersson, “About Endlessness”

Volpi Cup for Best Actress: Ariane Ascaride, “Gloria Mundi”

Volpi Cup for Best Actor:  Luca Marinelli, “Martin Eden”

Best Screenplay: “No. 7 Cherry Lane,” written by Yonfan

Special Jury Prize: “The Mafia Is No Longer What It Used to Be,” directed by Franco Maresco

Marcello Mastroianni Award for Young Performer:

HORIZONS (ORIZZONTI)

Best Film: “Atlantis,” directed by Valentyn Vasyanovych

Best Director:  Théo Court, “White on White”

Special Jury Prize: “Verdict,” directed by Raymund Ribas Gutierrez

Best Actress: Marta Nieto, “Madre”

Best Actor: Sami Bouajila, “A Son”

Best Screenplay: “Back Home,” directed by Jessica Palud, Philippe Lioret and Diastème

Best Short Film: “Darling,” directed by Saim Sadiq

LION OF THE FUTURE

Luigi De Laurentiis Award for Best Debut Film: “You Will Die at Twenty,” directed by Amjad Abu Alala

VENICE CLASSICS

Best Documentary on Cinema: “Babenco – Alguém Tem Que Ouvir O Coração E Dizer: Parou,” directed by Bárbara Paz

Best Restored Film: “Ecstasy,” directed by Gustav Machatý

VIRTUAL REALITY COMPETITION

Best Virtual Reality: 
“The Key,” directed by Céline Tricart

Best Virtual Reality Experience: “A Linha,” directed by Ricardo Laganaro

Best Virtual Reality Story: “Daughters of Chibok,” directed by Joel Kachi Benson

2019 New York Film Festival: special events, shorts, talks announced

August 23, 2019

Joaquin Phoenix in “Joker” (Photo by Nikos Tavernise)

Film at Lincoln Center announces the complete lineup for the Special Events, Shorts, and Talks sections for the 57th New York Film Festival (September 27 – October 13).

Special Events will feature Francis Ford Coppola’s The Cotton Club Encore, an extended version of his portrait of the eponymous Harlem nightclub where legendary black musicians like Cab Calloway, Lena Horne, and Duke Ellington performed for an exclusively white clientele. Coppola recovered lost negatives to restore sound, image, and the film’s intended length, and will appear in person for a Q&A.

Joker, the highly anticipated origin story of Batman’s arch enemy, starring a brilliant Joaquin Phoenix as the nefarious villain, will screen in a special sneak preview. Phoenix will join audiences for an extended Q&A along with director Todd Phillips and the creative team behind this stunning new vision of Gotham.

Roee Messinger’s American Trial: The Eric Garner Story envisions the fictional but unscripted trial of recently fired officer Daniel Pantaleo for one of the nation’s most disturbing recent tragedies: Eric Garner’s 2014 murder by police chokehold in Staten Island, which galvanized the Black Lives Matter movement. The film features the testimony of real-life witnesses and friends of Garner, and the participation of two legal teams. American Trial will make its World Premiere at NYFF with a free screening and extended panel, featuring the director and a number of the film’s participants.

Special Events also includes a Screenwriting Master Class with Olivier Assayas, a fixture of the New York Film Festival, who will discuss the process of adapting real events into creative fictions, such as his newest film, Wasp Network, playing in this year’s Main Slate.

This year’s four Shorts programs feature a mix of narrative and documentary films from established and emerging artists, with 9 world premieres, including all titles in the annual New York Stories program and Theo Anthony’s Subject to Review (Program 2). Highlights include new work from NYFF alumni Yorgos Lanthimos, Gabriel Abrantes, Gaston Solnicki, Qiu Yang, Martin Rejtman, Pia Borg, Joe Stankus, Adinah Dancyger, Jay Giampietro, Ricky D’Ambrose, and Joanna Arnow.

NYFF Talks return with On Cinema, wherein festival director Kent Jones sits down with world-renowned filmmakers for an in-depth discussion about films that have influenced and inspired them, illustrated with film clips. This year Film at Lincoln Center presents two such talks: with Martin Scorsese, director of Opening selection The Irishman, and Pedro Almodóvar, a festival veteran and director of Main Slate selection Pain and Glory. Directors Dialogues are special Q&As with filmmakers from NYFF57, discussing the ideas and the craft behind their buzzed-about newest works. This year’s participants are Bong Joon-ho, the Palme d’Or–winning director of Parasite, and Mati Diop, who makes her NYFF debut with Atlantics.

Presented by Film at Lincoln Center, the 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FLC Director of Programming, and Florence Almozini, FLC Associate Director of Programming. Shorts are programmed by Tyler Wilson and Madeline Whittle.

HBO is the presenting sponsor of NYFF Talks, which bring wide-ranging conversations with directors featured in NYFF57 to the public and include Directors Dialogues and On Cinema. HBO also sponsors NYFF Live, which will be announced in September.

As part of their commitment to celebrating filmmaking talent, Warby Parker is proud to return this year as the presenting partner of the Screenwriting Master Class.

The NYFF Shorts section is presented by Netflix.

As previously announced, the NYFF57 Opening selection is Martin Scorsese’s The Irishman, Noah Baumbach’s Marriage Story is the Centerpiece, and Edward Norton’s Motherless Brooklyn will close the festival. The complete lineup for the Main Slate, Projections, Convergence, and Spotlight on Documentary can be found here.

Tickets for Special Events and the On Cinema Talks are $30 for General Public and $25 for Members & Students. Some exceptions may apply for select programs, including Joker and the Screenwriting Master Class. Tickets for Shorts and the Directors Dialogues are $17 for General Public and $12 for Members & Students. Visit here for more information.

Tickets for the 57th New York Film Festival will go on sale to the general public on September 8. Festival and VIP passes are on sale through today, August 23rd and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Opening and Closing Night.

SPECIAL EVENTS DESCRIPTIONS

American Trial: The Eric Garner Story
Dir. Roee Messinger, USA, 100m
World Premiere

The idea is powerfully simple: engage the services of two actual legal teams to create a rigorous, legally based fictional—yet unscripted—trial that never happened for one of the nation’s most disturbing recent tragedies. The accused is Officer Daniel Pantaleo (only recently fired by New York City Police Commissioner James P. O’Neill), charged in the July 17, 2014 death of Eric Garner with reckless manslaughter and strangulation in the first degree. The judge is played by a seasoned defense lawyer, while the officer is played by the only actor in the cast (Anthony Altieri). Eyewitnesses, bystanders, friends, and his widow, Esaw Snipes, all come to testify; meanwhile, credible expert witnesses who would have likely been called to testify in a real trial provide their testimonies for both the prosecution and the defense to create fair judicial proceedings. Roee Messinger’s film goes deep into the case, placing the audience in the position of the jury. American Trial is a one-of-a-kind film, and this special screening will be free to the public.

The Cotton Club Encore
Dir. Francis Ford Coppola, U.S., 1984, 139m

It’s now clear that Francis Ford Coppola’s eighties constituted his most fruitfully experimental period of filmmaking, when he used the clout from such behemoth masterpieces of the previous decade as the Godfather films and Apocalypse Now to try his hand at films of various genres and budget levels. At the time, The Cotton Club, Coppola’s stylish throwback to those 1930s Hollywood standbys the gangster film and the musical, was considered a costly disappointment, altered seemingly irrevocably due to behind-the-scenes conflicts with producers and financiers. Yet this sophisticated, witty, wildly ambitious movie, starring Gregory Hines and Richard Gere, about the titular Harlem nightclub, where legendary black musicians like Cab Calloway, Lena Horne, and Duke Ellington performed for an exclusively white clientele, was always something special, a rousing American entertainment that was both an evocation of the work of such directors as Raoul Walsh and William Wellman and a loving recreation of the period itself. The brilliance of Coppola’s vision is more apparent than ever in this “reawakened” version, The Cotton Club Encore, for which the director recovered lost negatives to bring the film back to its original length and luster, with restored sound and image.

Joker
Dir. Todd Phillips, USA, 122m

The Joker began life on April 25, 1940 as the anarchic enemy of DC Comics’ Batman, and his appearance was possibly inspired by Conrad Veidt’s permanently, demonically smiling face from the 1928 silent film The Man Who Laughs. The Joker has gone through many transformations and iterations, but his origin story has never been as vividly or shockingly imagined and realized as it is here, in one of the most anticipated films of the year. Join us for a special screening and discussion with the creative team behind this stunning, truly disturbing vision, led by director Todd Phillips and his brilliant star, Joaquin Phoenix. A Warner Bros. Pictures, Village Roadshow Pictures and BRON Creative release.

Screenwriting Master Class with Olivier Assayas

Presented by Warby Parker
The amazing and eclectic career of French filmmaker Olivier Assayas has encompassed autobiography (Cold Water, Summer Hours, Something in the Air), contemporary meta-fiction (Irma Vep, demonlover, Clouds of Sils Maria), literary adaptation (Les destinées sentimentales), and in the case of the epic Carlos and his latest film in this year’s festival, the exhilarating Wasp Network, about a ring of Cuban refugees functioning as spies for the Castro government while living in Miami in the early nineties, intimate narratives based on true stories. In this special discussion, Assayas will talk about the process of turning real events into creative fictions. Starring Penélope Cruz and Édgar Ramirez, Wasp Network is based on Fernando Morais’s meticulously researched 2015 book The Last Soldiers of the Cold War.

SHORT FILM DESCRIPTIONS

Program 1: International (TRT: 89m)
A mixture of narrative and documentary, this program showcases bold, new films by emerging and established filmmakers working in international cinema today.
Programmed by Tyler Wilson.

Party Day / Dia de Festa
Sofia Bost, Portugal, 2019, 17m
Portuguese with English subtitles
North American Premiere
A cash-strapped single mother is pulled into an unresolved family conflict as she struggles to host her daughter’s seventh birthday party. Sofia Bost’s 16mm-shot drama, filled with illuminating performances, renders a complicated depiction of motherhood and the inconsolable grievances inherited by each generation.

Blessed Land / Một Khu Đất Tốt
Phạm Ngọc Lân, Vietnam, 2019, 19m
Vietnamese with English subtitles
North American Premiere
Searching for her deceased husband’s grave, a mother wanders with her son through a cemetery that has been partially remade into a golf course. Phạm Ngọc Lân’s intricately staged single-location film merges two disparate time periods, creating unnerving harmony between sociopolitical conspiracy and the natural erosion of memory, spiritual calm and modern decadence.

Circumplector
Gastón Solnicki, Argentina/France, 2019, 3m
U.S. Premiere
Gastón Solnicki’s miniature of Notre-Dame—filmed days before the fire—impressionistically links various media the cathedral evokes, including still-life painting and Baroque music, to present-day footage of work and performance.

San Vittore
Yuri Ancarani, Italy, 2019, 11m
Observing security guards as they search and escort children through Milan’s oldest prison, San Vittore depicts the lingering effects of the institution on its visitors. Visual artist Yuri Ancarani’s short documentary remains firmly immersed in a child’s-eye point of view, evoking the young subjects’ increasing understanding of the institution’s purpose with quiet, disturbing tension.

She Runs / Nan Fang Shao Nv
Qiu Yang, China/France, 2019, 19m
Chinese with English subtitles
U.S. Premiere
Set in Changzhou, a city in China’s southern Jiangsu province, She Runs follows a young student after she tries to quit her school’s aerobic dance team. Eschewing close-ups for long shots—around building corners, or from entirely different rooms—Qiu Yang’s Cannes-winning short follows its protagonist’s mounting desperation, implicating the underlying foundation of Changzhou as much as people inhabiting it.

Shakti
Martin Rejtman, Argentina/Chile, 2019, 20m
Spanish with English subtitles
U.S. Premiere
Not long after his grandmother dies, a twenty-something man in Buenos Aires breaks up with his girlfriend and begins obsessing over her unexpected reaction—but then he meets someone else. The stylistic exactness, narrative shrewdness, and droll pacing emblematic of Martin Rejtman’s cinematic sensibility are perfectly at home in this short comedy of peculiar minutiae and casual digressions.

Program 2: Documentary (TRT: 68m)
This documentary program connects the imperfections of the human experience to the influence of technology and mass media by pairing Pia Borg’s chilling account of the Satanic Ritual Abuse Panic of the 1980s with Theo Anthony’s wry, imaginative essay film about the instant replay system of professional tennis.
Programmed by Tyler Wilson.

Demonic
Pia Borg, Australia, 2019, 30m
North American Premiere
The real and the imagined fold together in Pia Borg’s horror-documentary about the Satanic Ritual Abuse Panic of the 1980s, a mass hysteria during which people around the world “recovered” memories of debauchery and human sacrifices related to satanic cults. Using a cunning combination of archival media coverage, audio footage, and historical recreation by way of computer animation and 16mm, Demonic reframes our current moment of misinformation and distrust, revealing the forces at play between psychiatry, media, and false memory.

Subject to Review
Theo Anthony, USA, 2019, 38m
World Premiere
The latest from Theo Anthony (Rat Film) charts the rise and development of the instant replay system Hawk-Eye in professional tennis, cleverly relating innovative technology and the imperfections of the human experience to the history of cinema, sports entertainment, and humanity’s desire to objectively interpret the world. Featuring music by composer Dan Deacon, Subject to Review is another odd, imaginative, and accessible documentary essay from the Baltimore-based filmmaker.

Program 3: Narrative (TRT: 96m)
From absurdist thrillers and political fantasies to lo-fi sci-fi and body horror, these seven shorts from emerging and established international filmmakers make up this wildly eclectic narrative program.
Programmed by Tyler Wilson.

Automatic
Emma Doxiadi, Greece, 2019, 10m
Greek with English subtitles
North American Premiere
Two young women convince each other they are under threat after accidentally photographing what they believe to be a concealed automatic rifle. Shot in drawn-out, static takes, Emma Doxiadi’s comical mystery comments on Greece’s ongoing refugee crisis in real time, pointing squarely at foolish knee-jerk reactions.

Mthunzi
Tebogo Malebogo, South Africa, 2019, 9m
North American Premiere
While walking home from the store, a young man is prompted to help a seizing woman, and unknowingly demonstrates the danger of doing the right thing. Cape Town–based filmmaker Tebogo Malebogo’s briskly tense script and direction elevate Mthunzi from a simple morality tale into a nervous thriller about implicit biases in unfamiliar circumstances.

Control Plan
Juliana Antunes, Brazil, 2018, 15m
Portuguese with English subtitles
U.S. Premiere
Set shortly after former President Dilma Rousseff’s impeachment, Control Plan follows a young Brazilian woman who uses her cell phone’s teleportation service to flee the country. Politically serious but always funny, this lo-fi sci-fi from Juliana Antunes (Baronesa) is as much a commentary on the fraught paradigm shifts of 2016 as it is a pointed takedown of limited data plans.

Nimic
Yorgos Lanthimos, Germany/UK/USA, 2019, 12m
North American Premiere
Matt Dillon stars as a professional cellist whose seemingly innocent question to a stranger results in weirdly repetitive consequences to his daily routine. Working with cinematographer Diego García (Cemetery of Splendor), Lanthimos lends his distressing, absurdist vision to the instruments, patterns, and lonesome gestures of modern city life.

Please Speak Continuously and Describe Your Experiences as They Come to You
Brandon Cronenberg, Canada, 2019, 9m
Brandon Cronenberg uses only in-camera effects to tell the hilarious, house-of-mirrors horror story of a patient at an experimental psychiatric facility (Deragh Campbell) who receives a brain implant that allows her to revisit dreams.

Austral Fever / Fiebre austral
Thomas Woodroffe, Chile, 2019, 21m
U.S. Premiere
After an injury places a teenager on bed rest, he and his adult caretaker develop an unusual attraction to his wound. Filmed mostly in dimly lit spaces with southern Chile’s mountain range as its backdrop, Austral Fever is a slow-burning, quietly perverse fantasy about cabin fever, addictive pleasures, and the mysteries of the human body.

The Marvelous Misadventures of the Stone Lady / Les Extraordinaires mésaventures de la jeune fille de Pierre
Gabriel Abrantes, France/Portugal, 2019, 20m
North American Premiere
A female sculpture escapes from the Louvre to experience the aggressive streets of contemporary Paris in this fairy-tale pastiche from Gabriel Abrantes. Slyly raising questions of liberation through crisply rendered CGI characters in direct contact with the harsher outside world, Abrantes critiques the power structures of venerable institutions without ever forgoing his ability to entertain.

Program 4: New York Stories (TRT: 98m)
This program, now in its fifth year, showcases work from some of the most exciting filmmakers living and working in New York today, including established names and ones to watch.
Programmed by Madeline Whittle and Tyler Wilson.

Good News
Joe Stankus, USA, 2019, 10m
World Premiere
Novelist Evan is excited to share the news that he’s been accepted to a prestigious summer writers’ colony with his husband and their friends over an intimate dinner party. But the big reveal doesn’t go as planned in this finely calibrated domestic-drama-in-miniature.

Caterina
Dan Sallitt, USA, 2019, 17m
World Premiere
Dan Sallitt intimately crafts a small-scale portrait of an inquisitive and compassionate young woman in this subtly episodic slice of life, following the eponymous protagonist through her ongoing, everyday search for connection among friends, lovers, and fellow travelers.

Moving
Adinah Dancyger, USA 2019, 8m
World Premiere
The act of transporting an old mattress into a new walk-up apartment becomes absurdist, cinematic one-woman choreography in this wordless vignette from Adinah Dancyger, full of humor and pathos, and painfully familiar to city-dwellers.

Foreign Powers
Bingham Bryant, USA, 2019, 17m
World Premiere
A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

the thing that kills me the most
Jay Giampietro, USA, 2019, 5m
World Premiere
Faces, voices, light: language itself is rendered abstract in this impressionistic fugue about fraught interpersonal dynamics at a weekly social engagement, narrated in retrospect by an exasperated fellow guest.

The Sky Is Clear and Blue Today
Ricky D’Ambrose, USA, 2019, 16m
World Premiere
Ricky D’Ambrose brings his trademark marriage of formalist rigor and sly narrative wit to this faux-documentary account of an American director developing an experimental film for German television about the events of September 11, 2001.

Fit Model
Myna Joseph, USA, 2019, 20m
World Premiere
In Myna Joseph’s deft depiction of a woman fiercely determined to get by on her own terms, Lu Simon (Lucy Owen) is a thirty-something struggling actor navigating day jobs and errands across the city, while juggling negotiations with an unhelpful hospital billing department.

Laying Out
Joanna Arnow, USA, 2019, 5m
World Premiere
This tersely lyrical meditation on sex and gender roles from Joanna Arnow features two fed-up mermaids lounging on a beach, drinks in hand, as they vent and commiserate over underacknowledged frustrations and unspoken desires.

TALKS DESCRIPTIONS

On Cinema: Martin Scorsese

In these annual special events, New York Film Festival Director Kent Jones sits down with world-renowned filmmakers for in-depth talks about films from other directors that have influenced them, their discussion illustrated with film clips. In the first of two On Cinema events that the festival is pleased to present this year, Jones will talk with Martin Scorsese, whose epic crime drama The Irishman is this year’s highly anticipated opening event. Scorsese, known as much for his work as a film historian as for his unparalleled, decades-spanning cinematic career, will guide the audience through a selection of films that inspired this remarkable new work.

On Cinema: Pedro Almodóvar

Among the world’s most beloved auteurs, Pedro Almodóvar has shown films at the New York Film Festival eleven times over the past four decades. This year’s selection is perhaps his most personal film yet: Pain and Glory, starring a Cannes Film Festival–awarded Antonio Banderas in the role of a director—essentially a surrogate Almodóvar figure—who has reached a creative block. As with all of his films, there is a deep wellspring of emotion in Pain and Glory, as well as a rich tapestry of allusions and references to a cinematic past, which this conversation will help elucidate.

Directors Dialogues
The Directors Dialogues are the New York Film Festival’s annual series of intimate conversations, in which a selection of filmmakers from this year’s festival sit down for special Q&As to discuss the ideas and the craft behind their buzzed about newest works. Participating directors include:

Bong Joon-ho

The South Korean filmmaker, whose unpredictable and diverse filmography has taken us from the gonzo monster movie The Host to the intense, bloody melodrama of Mother to the graphic novel action of Snowpiercer, has created perhaps his masterpiece with this year’s Palme d’Or–winner Parasite. Bong will discuss his spring-trap-loaded comedy-drama-thriller with a social conscience—so make sure you see it first to not spoil its many surprises.

Mati Diop

The French-Senegalese director made perhaps the year’s most talked-about debut feature with Atlantics, which earned her the Grand Prix at the Cannes Film Festival. Both ghost and love story, the film feels unlike any other, hypnotic and supernatural yet grounded in the realities of life as it’s experienced by those living in contemporary, working-class Dakar. Diop will be on hand to discuss how she negotiated these registers and how she constructed her singular film.