Review: ‘Like Father Like Son’ (2025), starring Dylan Flashner, Ariel Winter, Vivica A. Fox, Jim Klock, Prima Apollinaare, Eric Michael Cole, Mayim Bialik and Dermot Mulroney

April 13, 2025

by Carla Hay

Dylan Flashner and Ariel Winter in “Like Father Like Son” (Photo courtesy of Lionsgate)

“Like Father Like Son” (2025)

Directed by Barry Jay

Culture Representation: Taking place in California, mostly in the mid-2010s, the dramatic film “Like Father Like Son” features a predominantly white group of people (with a African Americans) representing the working-class and middle-class.

Culture Clash: An adult son of a convicted serial killer, who is awaiting death-row execution, tries to fight off the feeling that he has inherited his father’s murderous tendencies.

Culture Audience: “Like Father Like Son” will appeal primarily to people who are fans of the movie’s headliners and terribly made crime dramas with gratuitous violence.

Dermot Mulroney in “Like Father Like Son” (Photo courtesy of Lionsgate)

“Like Father Like Son” is an utterly trashy drama about a convicted serial killer’s son who uses his father’s criminal history as an excuse to also become a serial killer. The screenplay, direction, film editing and most of the acting are horrendous. This is the type of movie that has no redeeming qualities and is actually quite soulless and empty.

Written and directed by Barry Jay, “Like Father Like Son” takes place in California, mostly in the mid-2010s. However, the movie begins in the summer of 1990, in Richmond, California. It’s a flashback scene that shows Gabriel “Gabe” McKinnon (played by Dermot Mulroney) at his job as a park sanitation worker. One day, Gabe is outside in the park when he sees a teenage bully named Lonnie (played by Pappy Faulkner) beating up a smaller teen named Gary (played by Jonathan Tysor), who is no match for muscular Lonnie. Gary had a comic book that Lonnie tore up before this physical assault.

Gabe is offended by what he sees. Gary manages to run away. And what does Gabe do? He murders Lonnie by stabbing Lonnie in the neck and then viciously bludgeoning Lonnie. There’s a witness to this murder: Gabe’s son Eli, who is 7 or 8 years old. Gabe orders Eli to go home. Gabe gets arrested and convicted of first-degree murder and is given the death penalty as his sentence.

The movie then fast-forwards about 25 years later, when Eli (played by Dylan Flashner) is in his early 30s. Eli is a bachelor who works as a low-level telemarketer for a company called Holder Last Insurance. Eli is terrible at getting sales for this job, where he is openly disrespected by his boss Jake (played by Jim Klock, who is one of the producers of this awful movie). It’s only a matter of time before Eli will get fired.

Making matters worse for Eli, he’s having financial problems that have led to having his truck repossessed. He’s also gotten behind on the rent at the house where he lives. His landlord Tzipora (played by Prima Apollinaare), who lives with her elderly rabbi father (played by Daniel Lench), is so generous and understanding, not only does she give Eli more time to pay the rent that he owes, but she also gives him some free groceries. Eli promises he’ll pay back what he owes when he has the money.

Meanwhile, Eli is in therapy that is paid for by the government because Eli is the child of a death-row inmate. Eli’s mother abandoned him “a long time ago,” so Eli grew up in foster care after his father Gabe was sent to prison. Eli’s therapist Anabelle Weiss (played by Mayim Bialik) is professional and compassionate.

Eli confides in Anabelle that he’s had uncontrollable rage and thoughts of harming people. Eli believes he might have inherited a gene from his father that would make Eli a serial killer, even though there’s no scientific proof that being a serial killer is a biologically inherited trait. Annabelle tells Eli, “This isn’t about your father. You have to control your rage, how it will affect your life.”

Annabelle suggests to Eli that he should visit Gabe in prison before Gabe is executed, so that Eli can better understand Gabe. It seems like terrible advice because Eli doesn’t seem interested or ready to establish a relationship with Gabe. Eli has his own problems to deal with, but he takes Annabelle’s advice and eventually visits Gabe in prison.

Before Eli’s prison visit happens, Eli is so desperate for money, he sells one of the last valuables that he has: an inherited watch. He goes to a sleazy lowlife named Sam (played by Eric Michael Cole), who offers to buy the watch for well below the market value. Eli does some haggling but eventually agrees to sell the watch for only $50. Later, Eli buys a gun from Sam.

Feeling lonely and depressed, Eli goes to a bar and picks up a sassy woman named Hayley Moretti (played by Ariel Winter), who is a sex worker and a thief. Hayley has a one-night stand with Eli, who wakes up the next morning to find his wallet is missing. He accuses Hayley of stealing his wallet.

Hayley denies it, but he strangles her unconscious so he can look through her purse. And sure enough, Eli finds his wallet in Hayley’s purse. When Hayley regains consciousness, she calls Eli a “psycho” and leaves in a huff. It won’t be the last time that Hayley and Eli see each other.

Eli gets fired from his job. He decides to take his therapist’s advice about visiting Gabe. At the prison, Gabe is unapologetic for his crimes. Gabe can see that Eli is very troubled when Eli admits that he has uncontrollable rages.

Gabe tells Eli, “Maybe we’re a little more alike than you think.” Eli denies it and says he could never murder anyone. And in this atrocious movie that has the subtlety of a bulldozer, that’s exactly when you know it won’t be long before Eli murders someone.

That moment happens when Eli sees Hayley being attacked by a man in the dark shadows outside of a building at night. Without hesitation, Eli takes a rock and bashes it repeatedly over the man’s head. Hayley doesn’t seem to have any qualms about this gruesome and unnecessary murder. She thanks Eli and asks him if she could temporarily move in with Eli because she needs a place to stay.

A reminder: The last time Hayley saw Eli, he strangled her until she was unconscious. She has now witnessed Eli as a cold-blooded murderer. And now, she wants to live with him. The movie tries to make it look romantic, but it all looks so repulsive.

You know how this movie is going to go as soon as Eli and Hayley start living together. They fall “in love,” while he continues his serial killing. He keeps it a secret from Hayley, even though she already knows he’s a murderer. Apparently, Hayley thinks that the murder she saw Eli commit was okay with her because the person who was killed was attacking her.

As for Gabe, his death-row fate is inevitable. Gabe gets a new cellmate named Dennis (played by Jonathan Shores), who brags to Gabe that he’s in prison for sexually abusing children. In prison, there’s a hierarchy of criminals where child abusers are considered the worst and the lowest of the low. It comes as no surprise that loose cannon Gabe brutally murders Dennis. This murder (which Gabe apparently confessed to willingly) results in Gabe’s execution date being moved up.

“Like Father, Like Son” tries to make Eli’s killings look justified because he goes after people who hurt others. In one scene, he murders a thief who robbed a homeless man. Eli gets a new job as a newspaper delivery driver. He is hired by a no-nonsense boss named Louise (played by Vivica A. Fox), who is one of many characters in “Like Father Like Son” who just show up to say some lines of dialogue but didn’t need to be in the story at all.

At one point in the movie, Eli and Hayley move to San Diego to start a new life when Hayley finds out that she’s pregnant. Eli’s murder spree doesn’t stop. And you know exactly what’s going to happen when Hayley confides in Eli that her stepfather sexually molested her when she was a child, and her mother knew about this sexual abuse but did nothing about it. Eli’s murders become less and less justifiable until he starts killing anyone who makes him angry.

“Like Father Like Son” has some very tacky editing, where Eli’s murders are often shown in a montage of freeze frames. The movie rambles along with no purpose and is just a series of scenes of Eli becoming more mentally unstable and murdering people in the process. The music score is bombastic, while the movie’s pacing is erratic.

Perhaps the only person in the cast who doesn’t give a bland or terrible performance is Bialik, but that’s not saying much because she’s only in the movie for about five minutes. “Like Father Like Son” seems to be an endorsement of the idea that serial killers can at least partially blame their crimes on having an inherited gene that makes them murderers, instead of the murderers taking full responsibility for their actions. Even if the movie’s filmmaking had been better, it’s still a heinous concept for a movie that isn’t worth anyone’s time.

Lionsgate released “Like Father Like Son” in select U.S. cinemas, on digital and VOD on January 31, 2025.

Review: ‘Killer Therapy,’ starring Michael Qeliqi, Elizabeth Keener, Thom Mathews, Jonathan Tysor, Angelique Maurnae, Emma Mumford and P.J. Soles

October 18, 2020

by Carla Hay

Michael Qeliqi in “Killer Therapy” (Photo courtesy of 4Digital Media)

“Killer Therapy”

Directed by Barry Jay

Culture Representation: Taking place in an unnamed U.S. city, the horror flick “Killer Therapy” features a predominantly white cast (with a few African Americans) representing the middle-class.

Culture Clash: A troubled boy becomes a serial killer who targets people he thinks have done him wrong. 

Culture Audience: “Killer Therapy” will appeal primarily to people who have a high tolerance for cheesy, low-budget horror films.

Elizabeth Keener and Jonathan Tysor in “Killer Therapy” (Photo courtesy of 4Digital Media)

Taking a very well-worn horror concept (a “bad seed” child becomes a serial killer), “Killer Therapy” is a sometimes entertaining but mostly cringeworthy horror movie that is so tacky and badly filmed that it verges on being campy. It doesn’t help that the cast members’ experience levels of acting are reflected in their performances (the ones who are least experienced tend to be the worst actors in this movie), which gives “Killer Therapy” an uneven tone in this already off-kilter movie.

Directed by Barry Jay (who co-wrote the “Killer Therapy” screenplay with Andrew Krop), “Killer Therapy” shows three phases in the life of the movie’s serial killer: as a child, as a teenager and as an adult in his mid-20s. And he murders people in all three phases. His name is Brian Langston (played by Jonathan Tysor as a child and Michael Qeliqi as a teenager and adult), who is shown from the beginning to be a sociopath who doesn’t hesitate to murder or injure someone who angers him.

When Brian is 12 years old, his parents John Langston (played by Thom Mathews) and Debbie Langston (played by Elizabeth Keener) adopt a sweet-natured daughter named Aubrey, who’s about four years younger than Brian. Ivy George plays Aubrey as a child, while Emma Mumford plays Aubrey as a teenager and an adult.

The first third of the movie is slow-paced and repetitive, as it establishes that Brian hates Aubrey even before she comes to live in the family home. Brian is also worried that his parents will love Aubrey more than they love him. Brian’s mother Debbie reassures Brian that she won’t love Aubrey more than she loves Brian, but Debbie has to repeatedly implore Brian to accept Aubrey as part of the family.

Debbie is a lot more patient with Brian than John is, probably because Debbie is a child therapist. However, Debbie is also the parent who is the worse enabler when Brian’s lashing out in anger becomes too vicious to ignore. Debbie is in constant denial over how bad Brian is.

Brian spends a lot of time giving Aubrey evil-eyed stares and saying mean-spirited comments to her like, “Get your own mommy.” He also upsets Aubrey by doing things such as tearing off a leg of a stuffed pig that’s one of her toys. When Aubrey tries to take back the stuffed animal from Brian, he bites Aubrey on the wrist so hard that she bleeds.

Brian’s parents take him to a therapist named Dr. Keller (played by Michael Dempsey), who insists that Brian be alone with him in their first session together. A child therapist like Debbie should know better than to allow that, because the parents need that first session to explain to the therapist what’s going on with Brian before Brian’s treatment can start. But Brian’s parents foolishly leave him alone with Dr. Keller. And (most viewers can see this coming a mile away), Dr. Keller sexually abuses Brian and orders him not to tell anyone.

During Brian’s sparsely attended 13th birthday party that’s held outside in a park area, Brian throws a drink at Debbie’s friend Gloria (played by Lola Davidson) when she takes a picture of him. Debbie makes excuses for Brian’s horrible behavior by telling Gloria that Brian doesn’t like to have his picture taken. The only people at this party are Brian, Aubrey, Gloria, Gloria’s son Nathan (played by Aidan Lewis) and Debbie. John isn’t at the party because he’s working, but Brian will hold a grudge for years against John because John wasn’t at the party.

Nathan, who’s sitting in a tree during the party, bullies Aubrey by using a slingshot on her. Brian than goes after Nathan, not because of what Nathan did to Aubrey but because Nathan starts taunting Brian by calling him a “weirdo vampire freak.” Brian angrily climbs up the tree, and the next thing you know, Nathan is dead on the ground. It’s obvious to viewers that it wasn’t an accident.

Gloria immediately thinks that Brian pushed Nathan out of the tree because the two boys’ argument was seen by people at the party. However, conveniently for Brian, he is the only living witness to this murder, and he insists that Nathan fell by accident on his own. Brian is given the benefit of the doubt by his parents and authorities. However, because of his violent tendencies, Brian is still placed in a court-ordered psychiatric institution, where he stays for six years until he’s let out and allowed to go back home.

During his stay in the institution, Brian is treated by a psychiatrist named Dr. Emily Lewis (played by P.J. Soles), who tells Brian’s parents that he’s been diagnosed with bipolar disorder with sociopathic tendencies: “In Brian’s mind, there is no alternative to violence. He lacks basic human empathy to differentiate from right and wrong.”

Aubrey is now a teenager too, and she hates that Brian is coming back home to possibly disrupt their family life again. Even though he’s supposed to be 19 years old, Brian enrolls in the same high school as Aubrey, because he wasn’t in the type of institution that gives out high school diplomas. As part of Brian’s therapy when he enrolls in high school, a teacher named Mrs. Perkins (played by Adrienne King), who knows about Brian’s psychiatric problems, encourages Brian to write down his thoughts in a journal.

Aubrey keeps her distance as much as possible from Brian, but the tables have turned in their relationship. Aubrey is now the one who’s openly hostile to Brian, while he tries not to do anything that would trigger her to get angry at him. Aubrey makes it clear that she despises Brian, whom she thinks is a murderer.

But Brian’s mental problems and inclination to murder haven’t gone away. After getting out of the institution, he commits another murder, which is sloppily handled in the movie. Brian strangles this person and tries to make it look like the cause of death was by a car crash. But any medical examiner would be able determine the real cause of death.

Something such as a medical examiner investigation is conveniently overlooked in this badly written screenplay. Brian commits murders and leaves plenty of evidence behind (such as his fingerprints and DNA), but he isn’t caught. Police investigations into these murders are never shown, even though it’s obvious that Brian would be a person of interest because he was either the last person seen alive with the murder victim and/or he had a well-known grudge against the victim. The closest thing to an interrogation that Brian faces is when he’s called into the principal’s office after a fellow student is found dead.

Brian becomes infatuated with one of Aubrey’s friends named Liz (played by Angelique Maurnae), who has a very protective boyfriend named Blake Corbin (played by Daeg Faerch), who are all students at the same school. One day, while Liz, Blake and Aubrey are eating together in the school cafeteria, Blake immediately picks a fight with Brian when he sees Brian staring at Liz.

Brian’s obsession with Liz takes a creepy turn when he hides behind a tree and starts filming her with his phone. Blake catches him in the act and takes Brian’s journal as revenge. This theft of his journal sets Brian off in ways that are very predictable.

Meanwhile, Brian hasn’t forgotten about the bad therapists he encounters during his eventual descent into total madness. There’s Dr. Keller, who sexually abused Brian. There’s another therapist named Dr. Hyland (played by Javon Johnson), who sadistically administers electroshock therapy to Brian. And Brian eventually begins to hate Dr. Lewis and Mrs. Perkins for giving him therapy advice that obviously didn’t work.

One of the biggest problems with “Killer Therapy” is the inconsistent tone in the actors’ performances. Keener (as Brian’s deluded mother Debbie) and Maurnae (as Brian’s crush Liz) are actually among the better actors in this movie, but they perform like they’re in a serious drama. Faerch, as Brian’s enemy Blake, hams it up way too much and gives this movie a campy feel to it.

As the teenage and adult Brian, Qeliqi alternates between playing someone who seems to have a dead, emotionless soul; someone who acts like a wounded puppy; and someone who’s exploding with rage. And the movie’s direction is fairly sloppy, with a lot of quick-cut editing that doesn’t work that well, especially toward the end of the movie when Brian goes on a rampage. He has a beard in parts of the montage edits and doesn’t have a beard in other parts that are supposed to take place on the same night. He also puts on some makeup that makes him look like a demented descendant of Dr. Frank N. Furter from “The Rocky Horror Picture Show.”

“Killer Therapy” should be given credit for not being a completely boring film, and there are moments that are unintentionally funny. But there are so many things that are just poorly done in this movie that “Killer Therapy” can’t be recommended for anyone who wants to watch a quality horror film. There are already too many substandard horror movies like “Killer Therapy” that are amateurish and forgettable. Even die-hard horror fans who will watch any horror movie will find “Killer Therapy” hard to take.

4Digital Media released “Killer Therapy” on digital, VOD and DVD on September 15, 2020.

https://www.youtube.com/watch?v=HyfbTCO1Shg
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