Review: ‘Abraham’s Boys’ (2025), starring Titus Welliver, Jocelin Donahue, Judah Mackey, Aurora Perrineau and Brady Hepner

July 11, 2025

by Carla Hay

Judah Mackey, Brady Hepner and Fanya Sanchez in “Abraham’s Boys” (Photo courtesy of RLJE Films and Shudder)

“Abraham’s Boys” (2025)

Directed by Natasha Kirmani

Culture Representation: Taking place in 1915, in the San Francisco Bay Area, the horror film “Abraham’s Boys” (based on the short story of the same name) features a predominantly white cast of characters (with a few black, Latin and multiracial people) representing the working-class and middle-class.

Culture Clash: Abraham Van Helsing is a strict patriarch who wants to teach his two adolescent sons how to be vampire slayers, as Abraham’s wife Mina begins to show signs that she could be turning into a vampire. 

Culture Audience: “Abraham’s Boys” will appeal primarily to people who are fans of movies that have characters connected to Dracula lore, but “Abraham’s Boys” has very little horror, a few brief sightings of Dracula, and a tedious story about a famly with a controlling patriarch.

Titus Welliver in “Abraham’s Boys” (Photo courtesy of RLJE Films and Shudder)

The drab and dull horror film “Abraham’s Boys” has the misleading subtitle “A Dracula Story.” Dracula is barely in the movie. It’s really just a mopey and sluggish origin story of the Van Helsing family of vampire hunters. (The character of Abraham Van Helsing first appeared in Bram Stoker’s 1897 novel “Dracula.”) The majority of the “Abraham’s Boys” plot is about people waiting around for something bad to happen.

Written and directed by Natasha Kirmani, “Abraham’s Boys” is based on the short story of the same name that was in Joe Hill’s 2004 anthology book “The Many Faces of Van Helsing.” The short story was also adapted into the 2009 short film “Abraham’s Boys,” directed by Dorothy Street, who co-wrote the film’s screenplay with Matt Duffer. The feature-length version of “Abraham’s Boys” had its world premiere at the 2025 Overlook Film Festival.

“Abraham’s Boys” takes places in a rural part of the San Francisco Bay Area in 1915. The movie was actually filmed further south in the California cities of Simi Valley and Monrovia. Almost the entire story takes place in and near the farmhouse of the Van Helsing family, a clan of four people who live an isolated existence where the parents and children have no social life outside of the house.

There’s a reason why they live like recluses: Family patriarch Abraham Van Helsing (played by Titus Welliver) and his wife Mina Van Helsing (played by Jocelin Donahue) consider themselves to be refugees who fled their native Dutch city of Amsterdam nearly 20 years ago. It’s later revealed that Abraham and Mina are trying to hide from a certain vampire whose name starts with the letter “d.”

After Abraham and Mina settled in the United States, the couple had two sons together: Maximillion “Max” Van Helsing (played Brady Hepner), who has a generic personality in this movie, is about 16 or 17 years old when this story takes place. Rudolph “Rudy” Van Helsing (played by Judah Mackey), who is quiet and obedient, is about 12 or 13 years old. Max gets much more screen time than Rudy because Max is the next-in-line heir to the family’s secret profession.

Abraham is a scholar and a medical doctor. This poorly written movie never reveals how the family makes any money. Abraham mostly just lords over the house like a stern and occasionally cruel school headmaster who homeschools his children. Abraham (who spends more time with Max than with Rudy) sometimes treats Max like a promising protégé or a detestable disappointment.

For example, there’s a scene where Abraham berates Max for not better at mathematics. Abraham also hits Max hard in the face when he thinks Max is being lazy. But other times, Abraham has a lot more patience for Max. Rudy seems to be spared from Abraham’s abuse.

One day, Abraham tells Max that something evil is targeting the family: “Perhaps I was foolish to think I could hide away forever. I’ve known for a long time it was coming. I’m going to need your help and cooperation. You’re a good boy, Max.”

Mina is a mostly passive parent who seems to be experiencing an undetermined physical illness that often keeps her in bed. She’s also having nightmares and hallucinations. And when she sees a bat that dies in the house, she almost has a mental breakdown. Mina tells Max, “The devil is coming, and I want to be ready for him.”

Abraham later drops some hints to Max about the family’s secret: “Years ago, your mother and her friends called on me … She was attacked by the enemy, and her blood was infected … I fear for your mother’s soul.”

“Abraham’s Boys” can become very monotonous as it drags from scene to scene of the Van Helsing family waiting for “the devil” to show up. There are boring scenes of Max chopping wood outside, which is the movie’s way of foreshadowing that he knows how to use an ax that will be used for more than chopping wood. Max is so underdeveloped as a character, viewers of “Abraham’s Boys” will have a hard time remembering anything he says in the movie.

There are scenes of Max starting to have terrifying dreams and visions. In one of these dreams, Max sees Mina standing in the corner of a hallway and appears to be in a blood-sucking ritual with a tall pale man (played by Forrest McClain), who is only seen in the shadows. No one says the name Dracula out loud in the movie, but the tall pale man is obviously supposed to be Dracula, whose sightings in the movie are fleeting and total no more than 10 minutes.

“Abraham’s Boys” begins by showing a woman named Ada (played by Fayna Sanchez) in a field, as she seeks a ride into town during the day. She is suddenly attacked by a shadowy figure that is supposed to be a vampire. Ada shows up again in the movie as someone whom Abraham believes is turning into a vampire. But if that’s true, why did the vampire attack during the day? Don’t expect the movie to answer that question.

Some of the dialogue in “Abraham’s Boys” is just nonsensical and add nothing to the plot. For example, early on in the movie, Mina tells Max: “I’ve always wanted a daughter—softer and more difficult to keep safe.” It a bizarre thing to say in this family that has been hiding for years from danger and presumably wants it to be easier to keep the children safe.

The Van Helsing family gets a few visitors. Two young adult siblings named Eddie (played by Corteon Moore) and Elsie (played by Aurora Perrineau), who are both railroad workers, show up at the house because Eddie broke his rib during a work accident nearby. The rib punctured Eddie’s lung. Because Abraham is a medical doctor, he is able to give emergency treatment to Eddie.

Later in the movie, a lord named Arthur Holmwood (played by Jonathan Howard), who is someone from Abraham’s past, shows up in front of the Van Helsing house in a very contrived-looking way. Arthur’s only purpose in the movie is to talk about some background information about Abraham that’s not surprising or interesting. Viewers still won’t know much about the personal backgrounds of Abraham and Mina by the end of the movie.

Perhaps the biggest failing of “Abraham’s Boys” is that it’s not much of a vampire movie, because there are only a few scenes that show actual vampire activity. And if Abraham is supposed to be teaching his sons about how to identify and kill vampires, then he does a terrible job of preparing them and giving them necessary information. The only things that Max and Rudy learn how do out of necessity is to use weapons with blades or sharp endings. No one in the movie talks about vampire lairs, holy water as a weapon, or how sunlight can affect vampires.

At one point, the movie just becomes an unimaginative slasher film with a huge, unexplained plot hole that’s impossible to overlook. The acting performances aren’t terrible, but they’re not terrifying either. “Abraham’s Boys” is an empty tease of a horror movie instead of being an actual horror movie that can deliver genuine scares.

RLJE Films and Shudder released “Abraham’s Boys” in U.S. cinemas on July 11, 2025.

Review: ‘Hard Miles,’ starring Matthew Modine, Cynthia Kaye McWilliams, Jahking Guillory, Jackson Kelly, Damien Diaz, Zach Robbins, Leslie David Baker and Sean Astin

April 19, 2024

by Carla Hay

Pictured from left to right: Matthew Modine, Matthew Kelly and Damien Diaz in “Hard Miles” (Photo courtesy of Blue Fox Entertainment)

“Hard Miles”

Directed by R.J. Daniel Hanna

Culture Representation: Taking place in Colorado and Arizona, the dramatic film “Hard Miles” (based on true events) features a racially diverse cast of characters (white, African American and Latino) representing the working-class and middle-class.

Culture Clash: A social worker at a youth penitentiary for teenage boys recruits four of them to be on an informal bicycling team and leads them on a bicycling marathon from Denver to the Grand Canyon in Arizona. 

Culture Audience: “Hard Miles” will appeal primarily to people who are fans of the movie’s headliners and well-acted movies about athletic challenges that test physical strength and result in personal growth.

Jahking Guillory, Damien Diaz, Matthew Modine, Jackson Kelly and Zach Robbins in “Hard Miles” (Photo courtesy of Blue Fox Entertainment)

“Hard Miles” is not going to be considered a classic movie about underestimated marathon bicyclists. However, this sentimental drama has good acting performances and an inspiring message that outweigh many of the corniest moments. Because the movie is based on true events, it makes the story much easier to take as an overall life observation, even though there are scenes that were obviously fabricated for the movie.

Directed by R.J. Daniel Hanna, “Hard Miles” was co-written by Hanna and Christian Sander. “Hard Miles” (which is a vague and bland title for this movie) had its world premiere at the 2023 Bentonville Film Festival. The outcome of the movie is entirely predictable, but the journey is watchable, even though it sometimes drags with repetition.

“Hard Miles” begins by showing social worker Greg Townsend (played by Matthew Modine) at a court hearing for one of the inmates at a youth penitentiary in Denver called Ridgeview Academy. (In real life, Greg Townsend worked at a youth penitentiary Ridge View Academy Charter School, in Watkins Colorado.) Greg, who works at Ridgeview Academy, is in this courtroom to advocate for leniency for a 16-year-old inmate named David Alvarez (played by Jesus Venegas), who’s in trouble for getting into a physical fight at Ridgeview.

Greg tells the magistrate (played by Jerry Boyd) that the fight would’ve been worse if David had not intervened to help stop the fight. The magistrate is not moved by Greg’s testimony and orders that David get transferred to another penitentiary, with six months added to his sentence. David is not seen or heard from again in the story.

This opening scene exists to show that Greg firmly believes in rehabilitation and reform with compassion but without coddling. It’s then shown early on in the film that Greg has a passion for marathon bicycling. One of his favorite marathons is the Tour de Grand, which is cycling to the Grand Canyon. (“Hard Miles” was actually filmed in California.)

A penitentiary social worker named Haddie (played by Cynthia Kaye McWilliams), who is one of Greg’s co-worker friends, jokes with Greg: “Only in this job would someone think that a 1,000-mile bike ride is a vacation.” Greg corrects Haddie by saying that the bike route from Denver to the Grand Canyon is actually 762 miles.

Greg does this type of verbal correction a few more times in the story, including to his co-worker friend Skip Bowman (played by Leslie David Baker), who is the manager at Ridgeview. Greg’s nitpickiness is an indication of what type of personality Greg has: He is enthusiastic about what he believes in, but he can also be self-righteous and stubborn. Greg can also get caught up in forcing his views on other people instead of really thinking about how they feel.

Flashbacks in the movie show that Greg had an unhappy childhood, when his father Scott Townsend physically and verbally abused Greg, who feels like he never really got his father’s approval. Greg has a younger brother named Doug. It’s implied that Doug probably got abused too, but Greg got the worse abuse from their father. The mother of Greg and Doug is not seen or mentioned in this story.

In these flashback scenes, Jaxon Goldenberg portrays childhood Greg, Judah Mackey has the role of childhood Doug, and Charles Ambrose depicts Scott as a young man. Ambrose also has the voice role of adult Doug, who is never seen on camera. Doug is incarcerated at a state prison in Sacramento, California, and he is only heard when he calls Greg from the prison.

In the present day of the story, Scott (played by Patrick Anthony Mullen) is now an elderly man with dementia and living in a hospice. Doug calls Greg to ask what Greg wants to do about visiting their father and making the necessary end-of-life arrangements. Greg (who is a bachelor with no children) has mixed feelings about it all. Greg is reluctant to visit his father and avoids returning calls from hospice workers who have already told Greg that his father Scott is very close to dying.

Meanwhile, Greg has something that ends up consuming his attention for most of the story: doing the Tour de Grand with four of the Ridgeview Academy residents. He teaches a machinist class, where he has four students: tough Atencio (played by Damien Diaz), brooding Rice (played by Zach Robbins), nerdy Smink (played by Jackson Kelly) and volatile Woolbright (played by Jahking Guillory), who is the most “antisocial” one in the group. Smink is the most mild-mannered and is unlikely to start a fight.

One day, Greg is inspired to bring four stationary bicycles to the class to share his interest in marathon biking with these students. Greg has a friend named Speedy (played by Sean Astin), who owns a bike shop. Greg convinces Speedy to donate professional bikes for the students to use.

Greg decides that these four students could all be on an informal Ridgeview cycling team that should do the Tour de Grant marathon with him. Greg chooses roles for each student on the team: Smink is the climber, Atencio is the puncher, Rice is the sprinter, while Woolbright (who is the only one reluctant to join the team) is assigned domestique duties, which is another way of saying it’s a rider who isn’t in the competition but is just there for support, such as carrying water bottles. Woolbright quickly changes his mind and joins the team because he doesn’t want to be a lowly “water boy.”

Greg also gets a company called Banda Di Cantene to sponsor the trip. And although Greg gets some skepticism from Heddie, Skip and some high-level bureaucrats in charge, Greg gets permission for this team to go on this trip by saying it’s part of inmate rehabilitation. This part of the story looks very “only in a movie” rushed and too easy for Greg. All of the movie’s performances are good, but Modine and Guillory are the obvious standouts in their roles as two people who seem to be complete opposites and clash with each other but find some common ground that changes each of them for the better.

“Hard Miles” wisely sticks to having just four people for Greg to lead on this marathon, in order for the movie to not be cluttered or confusing with too many characters. (It’s also a low-budget movie that probably couldn’t afford a large cast anyway.) However, very little is told about the young guys on the team, since most of the focus is on Greg being their role model.

Atencio opens up a little and says he was arrested for gang-related activities and that the gang he belongs to expects him to continue gangbanger crimes after Atencio is released from prison. Woolbright, who has a lot of anger issues, is serving his current penitentiary sentence because he was sent back to prison for driving without a license. The criminal records for Smink and Rice get little or no mention.

This team didn’t start out a friends. All of them have some type of conflict with each other before and durng the journey. Near the beginning of the movie, Atencio and Rice get into a physical brawl in a penintiary hallway. Haddie is nearby and accidentally gets injured in this fight. It results in Haddie having a sprained left foot and needing to use a walking boot and crutches. Inexplicably, despite these injuries, she volunteers to be the driver of the backup van that follows this biking team in case of an emergency.

As an example of how tone-deaf Greg can be, when he sees Haddie for the first time wearing her walking boot, he asks her in genuine surprise: “You have to wear that?” She sarcastically replies, “No, it’s a fashion statement.” Although Greg and Haddie like and respect each other, they have very different opinions on many things.

In this very male-dominated movie, Haddie is the only woman who has a significant speaking role. Her character is written in a way that is baffling and sometimes annoying. She is often depicted as a nag who doesn’t add much to the story but getting into arguments with Greg over how he’s handling the marathon.

The movie never gives a believable explanation for why someone with a sprained foot and in need of crutches would want to driving a van for several hours a day, for weeks, for this grueling marathon. For a long stretch of the movie, Haddie does nothing but limp up to Greg and the team to scold Greg for pushing the team members too hard. And then, after being the Debbie Downer skeptic for most of the movie, Haddie suddenly has a cheerleader attitude at a certain point. This abrupt transformation looks very fabricated for a movie.

It’s revealed early on in “Hard Miles” that Smink (who is very skinny) actively has an eating disorder. This is another part of the “Hard Miles” that comes up short in credibility. Why would Greg put someone with this serious health issue in a very risky health situation, where Greg pushes this team to the point where they vomit from exhaustion? Dehydration and heat stroke also major dangers, since the movie makes a big deal of showing how much desert territory is part of this marathon, which takes place during intense daytime heat.

Haddie likes to remind Greg that she has a college degree in psychology and Greg doesn’t, so Haddie thinks she’s the better person to know how to deal with Smink’s eating disorder. However, there’s no evidence that Greg or Haddie has any real medical training to deal with the risks of someone doing this type of marathon while in the throes of an eating disorder. There are a few scenes in the movie where Smink refuses to eat, which means he isn’t really in recovery. It seems medically irresponsible that Smink was approved to be in this marathon, no matter how much Smirk wanted to do this marathon of his own free will.

It’s perhaps the biggest failing of the movie not to address these health issues that are casually brought up and then sort of ignored when these health issues get in the way of the narrative that Greg is supposed to be the knight in cyclist uniform, determined to “save” these wayward young people. And as soon as Greg clutches his heart during a certain part of the marathon, you know what’s coming. But even that health scare is sort of glossed over in a way that looks very fake.

“Hard Miles” has the expected “push through the pain” pep talks and the predictable bickering among the team members. And it should come as no surprise that the person on the team who appears to be the “hardest” is the first one to have an emotional breakdown during the marathon. Greg also makes a decision about his father in one of the more poignant scenes in the movie. “Hard Miles” is not a movie to watch if you want a realistic and detailed look at the physical and health realities of doing this type of marathon. It’s a movie that works on the level of showcasing the belief in “mind over matter,” overcoming challenges, and surpassing expectations.

Blue Fox Entertainment released “Hard Miles” in select U.S. cinemas on April 19, 2024.

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