Juju Journey Brener Archives

Review: ‘Guns & Moses,’ starring Mark Feuerstein, Neal McDonough, Alona Tal, Michael B. Silver, Craig Sheffer, Christopher Lloyd and Dermot Mulroney

July 20, 2025

by Carla Hay

Mark Feuerstein in “Guns & Moses” (Photo courtesy of Concourse Media)

Directed by Salvador Litvak

Culture Representation: Taking place in California’s High Desert region, the dramatic film “Guns & Moses” features a predominantly white cast of characters (with a few Latin people and African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: After a wealthy land developer is assassinated during a charity benefit event for a synagogue, the synagogue’s rabbi does his own investigation into the murder and finds a tangled web of motives and possible suspects.

Culture Audience: “Guns & Moses” will appeal primarily to people who are fans of the movie’s headliners and twist-filled crime dramas told from the perspectives of unlikely investigators.

Neal McDonough, Mark Feuerstein, Alona Tal, Mercedes Mason and Dermot Mulroney in “Guns & Moses” (Photo courtesy of Concourse Media)

Despite a few stumbles and some corny dialogue, “Guns & Moses” is an absorbing murder mystery with a rabbi becoming an amateur detective in a case involving antisemitism and environmental concerns. The investigation scenes are better than the action scenes. “Guns & Moses” capably handles its storylines and character personalities for the large ensemble cast without gettting too jumbled or messy.

Directed by Salvador Litvak (who co-wrote the “Guns & Moses” screenplay with his wife Nina Litvak), “Guns & Moses” takes place in California’s High Desert region, where the movie was filmed on location. The movie had its premiere at the 2024 Los Angeles Jewish Film Festival. It’s the type of thriller that has a predictable ending, but the “whodunit” crime-solving part of the movie is intriguing.

“Guns & Moses” begins by showing a charity benefit gala for the High Desert Jewish Center, which is trying to raise money to build a synagogue for its members. The High Desert Jewish Center’s place of worship is currently the center’s headquarters, which is located in a storefront building. The synagogue has been a goal for years, but it’s been difficult for the High Desert Jewish Center to raise enough for money for it.

Rabbi Moishe “Mo” Zaltzman (played by Mark Feuerstein), who is 43 years old, is the leader of the High Desert Jewish Center. At this charity gala, which takes place in the evening, the guest of honor is Alan Rosner (played by Dermot Mulroney), a wealthy property developer. Also in attendance is Donovan Kirk (played by Neal McDonough), the mayor of High Desert, who playfully pretends to get into a verbal argument with Alan when they see each other at the ceremony. Alan and Donovan are both charismatic “alpha males” who are very good friends. Mo admires both of them and knows that they could be powerful allies.

Before Alan gives his speech, the audience at the gala is shown a pre-recorded video of Alan’s closest confidants congratulating him on receiving this honor from the High Desert Jewish Center. Appearing in the video are Alan’s business partner Tibor Farkas (played by Craig Sheffer); Alan’s brother Jeff Rosner (played by Michael B. Silver); Jeff’s wife Pauline Rosner (played by Cherie Jimenez); Alan’s wife Liat Rosner (played by Mercedes Mason); and Alan’s two stepchildren who are in their late teens: Devora Rosner (played by Brielle Angelique) and Koby Rosner (played by Massi Pregoni), who are from Liat’s previous marriage.

Liat was a widow when she married Alan, who adopted Devora and Koby after Alan and Liat got married. The only person in the congratulations video who seems like he doesn’t want to be there is Koby, a stoner who’s addicted to vaping. By contrast, Devora is an obedient “daddy’s girl,” who brims with pride and joy when talking about Alan and how she likes helping him with his company’s social media. The teenagers’ biological father (Liat’s first husband) was killed in a terrorist attack. More about Liat’s past is revealed in the movie.

Mo is happily married to his loyal wife Hindy Zaltzman (played by Alona Tal), who is the mother of their five children, ranging from ages about 9 to about 17: son Yossy Zaltzman (played by Joshua Gallup) is the eldest, followed by daughter Esty Zaltzman (played by Mila Brener), son Levy Zaltzman (played by Jarod Bainbridge), daughter Dini Zaltzman (played by Juju Journey Brener) and son Mendy Zaltzman (played by Trey Diaz Murphy). Yossy and Esty are the most eager to help when Mo begins his investigation.

During Alan’s speech at the gala, he announces that he is pledging $2 million as a gift to build the High Desert Jewish Center’s proposed synagogue. As soon as he makes the announcement, tragedy strikes: Alan is gunned down by an unidentified sniper who flees by car. Alan is killed almost instantly.

The two police partners who are at the crime scene to investigate are Detective Wallace (played by Ed Quinn) and Detective Nestor (played by Zach Villa), who believe the High Desert Jewish Center’s security chief Brenda Navarro (played by Gabrielle Ruiz) on who the killer is. Brenda suspects that the killer is a 19-year-old named Clay Gibbons (played by Jackson A. Dunn), who is known to associate with a white supremacist group and who has previously had antisemitic run-ins at the High Desert Jewish Center.

Flashbacks show an incident when Clay stood outside the building and pantomimed shooting a gun at the people who were entering the building. Brenda confronted Clay and ordered him to leave. He was defiant and taunting, to make it clear that he intended to scare people with these gun gestures.

Another flashback, shown a bit later in the movie, reveals that the most recent antisemitic incident with Clay was when he and Mo had a tense conversation when Clay was parked outside the center and was playing music too loud in Clay’s car. Mo politely asked Clay to turn down the music. Clay’s response was to go on a rant saying that Jewish people are perpetrators of white genocide, and the Holocaust was a hoax.

After the murder of Alan, Clay is quickly arrested at his home, even though Clay’s widowed father Owen Gibbons (played by Jake Busey) says that Clay was at home all night with Owen. The police don’t believe this alibi. Clay’s mother died in a car accident when he was 11. The movie also makes a point of showing the cutting scars on Clay’s arm, as an indication that he has a history of self-harming.

Mo doesn’t believe that Clay committed the murder because, as shown in the flashback where Mo confronted Clay, Mo asked Clay to listen to the Holocaust survivor story of an elderly congregant named Sol Fassbinder (played by Christopher Lloyd), whose immediate family was murdered in the Holocaust. Clay seems skeptical of the story but he eats some brownies offered by Mo as a sort of peace offering. Clay wasn’t seen at the High Desert Jewish Center again.

Mo goes to visit Clay in jail and promises to try to help prove Clay is not guilty of the murder. His conversation with Clay is short because Detective Wallace and Detective Nestor suddenly show up and scold Mo for talking to a suspect while being a witness for a possible trial. Mo also gets some backlash and criticism from other people who find out that Mo visited Clay in jail. Most of the people in the community think that Clay is guilty, even though there is no physical evidence tying Clay to the murder.

Mo trusts his instincts and decides to do his own investigation, against the objections of some people, such as Alan’s widow Liat. At the shiva wake for Alan, Mo notices that Liat is being comforted by Sid Borowski (played by Paulo Costanzo), a former professor who had been feuding with Alan. Devora is very upset to see Sid at this wake and says that Alan would never have allowed it.

Mo finds out why there was bad blood between Sid and Alan. This review won’t give away all the details, but it has to do with a lawsuit that Sid filed against Alan, with the lawsuit accusing Alan’s company of being environmentally hazardous and causing the death of birds. In response to the lawsuit, Alan dug up scandalous information from Sid’s past that caused Sid to be fired from his job.

More details also emerge about Alan’s business activities that could be motives for someone wanting him murdered. Mo’s life also gets put in danger, but he won’t stop his investigation. Security chief Brenda insists that Mo get a gun and learn how to use it. Other things happen that convince him even more that that someone who isn’t Clay was responsible for Alan’s murder.

At times, “Guns & Moses” resembles a TV series crime procedural, where Mo gets some answers and evidence a little too easily for someone who’s not a professional investigator. However, there’s some validity in believing that Mo could be better at gaining people’s trust because he’s a rabbi and not a law enforcement official. Mo is a very interesting character and seems to be written as someone who was made to be in a series of murder mystery stories.

“Guns & Moses” has some touches of comic relief, such as when Mo’s eldest son Yossy wants to tag along for something dangerous that Mo wants to do, but Mo doesn’t want Yossy to go with him because he doesn’t think underage Yossy can handle it. Yossy wails, “Did my bar mitzvah mean nothing?” Other lines of dialogue are hokey and might get unintended laughs. For example, during a pivotal scene in the movie, Hindy tells Mo: “May God and your Glock protect you.” (That sentence is also the movie’s slogan.)

Feuerstein makes Mo a believable character, even though some of the situations he’s in don’t look too credible. The cast’s acting performances are solid overall though. Fans of the 2009 to 2016 comedy/drama series “Royal Pains” should be delighted to know that former “Royal Pains” co-stars Feuerstein and Constanzo have an on-screen reunion as Mo and Sid in “Guns & Moses.” This reunion is less than 15 minutes of screen time in “Guns & Moses,” but it’s better than nothing.

If you see “Guns & Moses” in a theater and stay for the end credits, then you’ll see writer/director Salvador Litvak in a short pre-recorded message where he says that he made the film in response to the alarming rise in antisemitism in recent years. He also says in the message that although he doesn’t ever wish for antisemitic hate crimes to happen, he believes that Jewish people need to learn to protect themselves against violent attacks and should be prepared to fight back if necessary. In the message, Salvador Litvak also requests that fans of the movie give positive feedback to other people about “Guns & Moses” so that he can make more similar-themed movies.

“Guns & Moses” comes across as a non-political crime drama and not as pro-gun propaganda for Jewish people. Therefore, this politically-tinged statement from Salvador Litvak is wisely kept at the end of the film because the story is not preachy at all and in fact encourages people not to rush to judgment against those who might be considered “enemies.” Whatever anyone’s political opinions are, “Guns & Moses” should be enjoyed for what it is: a suspenseful mystery thriller that isn’t perfect but it has a memorable lead character who could be in one or more sequels if enough people want it.

Concourse Media released “Guns & Moses” in select U.S. cinemas on July 18, 2025. Fathom Entertainment will re-release “Guns & Moses” in select U.S. cinemas for a limited engagement from September 7 to September 11, 2025.

Review: ‘Hocus Pocus 2,’ starring Bette Midler, Sarah Jessica Parker and Kathy Najimy

September 29, 2022

by Carla Hay

“Hocus Pocus 2”

Directed by Anne Fletcher

Culture Representation: Taking place in Salem, Massachusetts, the fantasy comedy film “Hocus Pocus 2” features a predominantly white cast of characters (with some Latinos and African Americans) representing the working-class and middle-class.

Culture Clash: In this sequel to “Hocus Pocus,” the Sanderson witch sisters return to wreak more havoc on Salem.

Culture Audience: “Hocus Pocus 2” will appeal primarily to people who are fans of the movie’s main stars and the original 1993 “Hocus Pocus” movie, but fans should keep their expectations low, since “Hocus Pocus 2” delivers a very forgettable and middling story.

Belissa Escobedo, Whitney Peak and Lilia Buckingham in “Hocus Pocus 2” (Photo courtesy of Disney Enterprises Inc.)

The magic of a classic film is missing from “Hocus Pocus 2,” which lacks much of the charm and adventure of 1993’s “Hocus Pocus” movie. The chase scenes are tepid, the performances are inferior to the original movie, and the witches show no real danger to the kids. “Hocus Pocus 2” plays out like a lazily conceived TV special (including annoying sitcom-ish music) instead of a cinematic event, which is why “Hocus Pocus 2” was released directly to Disney+ instead of movie theaters first.

Directed by Anne Fletcher, “Hocus Pocus 2” suffers from sequel-itis: when a sequel doesn’t do anything to improve on the original project. Because it took 29 years to release a sequel to “Hocus Pocus,” this sequel-itis problem is harder to forgive for “Hocus Pocus 2,” because there’s been plenty of time to come up with better ideas for a follow-up to “Hocus Pocus.” The more experienced cast members of “Hocus Pocus 2” perform better than the less-experienced cast members, but that’s not saying much when the movie’s unimaginative screenplay from Jen D’Angelo drags the movie down a lackluster and frequently boring path.

The original “Hocus Pocus” movie is not a great film, but it gained a cult following and has since become a Halloween classic for a lot of people, just like 1983’s “A Christmas Story” (another mediocre movie) gained a cult following and became a beloved Christmas film for a lot of movie viewers. The story in “Hocus Pocus 2” gets distracted by a lot of teen angst about who is and who isn’t in certain cliques in high school. “Hocus Pocus 2” has too many filler scenes that make it look like about 40 minutes of this 103-minute film could have been removed, and this editing wouldn’t have made a difference at all to the movie’s underwhelming conclusion.

In the first “Hocus Pocus” movie (which was set in 1993), 15-year-old Max Dennison (played by Omri Katz) and his 8-year-old sister Dani Dennison (played by Thora Birch) have recently moved with their parents from Los Angeles to Salem, Massachusetts. Max and Dani hear about the Salem legend of three witch sisters—Winifred Sanderson (played by Bette Midler), Mary Sanderson (played by Kathy Najimy) and Sarah Sanderson (played by Sarah Jessica Parker)—who were known for eating children and were hanged to death by Salem residents in 1693. Ever since, Salem has been under threat of the possibility that the spirits of the Sanderson witches could return to get revenge and to kill more children.

Winifred, the eldest Sanderson sister, is bossy and mean-spirited. Mary, the middle sister, is nervous and eager to please “alpha witch” Winifred. Sarah, the youngest sister, is ditzy and very flirtatious. As legend has it, Winifred poisoned to death a man named William “Billy” Butcherson (played by Doug Jones) in 1693, because Billy was caught kissing Sarah, even though Winifred claimed Billy was her boyfriend. In “Hocus Pocus,” the Billy character was resurrected from his grave as a zombie.

The only way that the Sanderson sisters can come back to life is on Halloween, during a night with a full moon, and if someone lights a special black candle and chants a certain spell. The Sanderson sisters have a big book of spells called the Manual of Witchcraft and Alchemy that is actually “alive” (the book has one eye that can open and shut), and the sisters want to get possession of this book when they are resurrected. However, these witch sisters can be stopped when the sun comes up before they can cast the ultimate spells that they want to cast.

In “Hocus Pocus,” a skeptical Max, who doesn’t believe in magic, accidentally brings back to life the Sanderson sister witches, who then kidnap Dani. Max teams up with a classmate (and his secret crush) named Allison Watts (played by Vinessa Shaw) to try to rescue Dani. “Hocus Pocus” is very predictable, but it has plenty of amusing and adventurous moments.

In “Hocus Pocus 2” (which takes place in Salem in 2022), the witches are brought back to life on purpose by two best friends named Becca (played by Whitney Peak) and Izzy (played by Belissa Escobedo), who conjure up the Sanderson Sisters on a moonlit Halloween night that happens to be Becca’s 16th birthday. There’s also an adult character who wants the witches to be brought back to Salem. This conjuring scene doesn’t happen until about 30 minutes into the movie.

Instead, “Hocus Pocus 2” begins with tedious flashback scenes showing the Sanderson sisters as girls who are about 11 or 12 years old, sometime in the late 1600s. Taylor Henderson has the role of Young Winifred, Nina Kitchen performs as Young Mary, and Juju Journey Brener is the character of Young Sarah. None of this backstory amusing, interesting or well-acted.

The only real purpose of this drawn-out flashback is to show that the Sanderson sisters’ main nemesis back then was a judgmental pastor named Reverend Traske (played by Tony Hale), who has told Winifred that she’s getting old and has arranged for her to marry a young man named John Pritchett (played by Thomas Fitzgerald). The movie makes a point of showing that back in the 1600s, when human beings’ life expectancies were much shorter than they are now, pre-teen girls could get married and had marriages arranged for them by elders in the community.

However, Winifred doesn’t want to marry John, because she has her sights set on young Billy (played by Austin J. Ryan) to be her future husband. Winifred also defies and insults Reverend Traske by taking the Lord’s name in vain. With a crowd of Salem residents gathered in the town square, Reverend Traske shames Winifred and banishes her from Salem. (No one mentions where the sisters’ parents are during all this brouhaha.)

During this public shaming, Winifred has secretly put a live spider on the reverend’s arm. When he sees the spider, Reverend Traske panics and causes an uproar. Amid the chaos, the Sanderson sisters run into the woods nearby to hide. While in these woods, the sisters encounter the Witch Mother (played by Hannah Waddingham), who gives them the Manual of Witchcraft and Alchemy. The Sanderson sisters use the Spell of Smoke and Flame to set fire to Reverend Traske’s house as revenge. (No one is killed in this arson.)

“One day, Salem will belong to us!” Winifred vows when stating what will be the Sanderson sisters’ main mission. Winifred is the most vengeful and angriest of the three sisters. “Hocus Pocus 2” later has flashbacks of the Sanderson sisters as older teenagers, with Skyla Sousa as Winifred, Aiden Torres as Mary, and Emma Kaufman as Sarah.

It turns out that Reverend Traske was an ancestor of Salem’s current Mayor Traske (also played by Hale), who is campaigning for re-election in one of the movie’s useless subplots. Hale does his usual schtick of playing a neurotic character who is socially awkward but puts up a front of false confidence. Mayor Traske has a teenage daughter named Cassie (played by Lilia Buckingham), who attends Samuel Skelton High School in Salem. Becca and Izzy are two Cassie’s classmates.

Cassie, Becca and Izzy used to be a trio of best friends, until Cassie started avoiding Becca and Izzy and began spending more time with her athlete boyfriend Mike (played by Froy Gutierrez), a fellow classmate who is shallow and not smart. Mike has a particular dislike of Becca and Izzy, because he thinks these two pals have a weird interest in magic and the supernatural. He publicly teases Becca and Izzy about being witches.

Cassie is a passive girlfriend who goes along with whatever what Mike wants. Becca and Izzy feel confused and betrayed over why Cassie has seemingly turned against them, just so Cassie can fit in with Mike and his popular friends. Is this a “Hocus Pocus” movie or a run-of-the-mill teen soap opera? The movie takes way too much time with this subplot about teenage cliques when it should have focused more on how menacing the witches are to children.

“Hocus Pocus 2” further muddles the plot with a goofy character who calls himself Gilbert the Great (played by Sam Richardson), a magic enthusiast who owns and operates Olde Salem Magic Shoppe. Gilbert has a black cat named Cobweb, who’s cute and lives at the shop, but the cat doesn’t talk like the black cat did in “Hocus Pocus.” (The reason why the black cat talked in “Hocus Pocus” is explained in the beginning of the movie.)

On Halloween, Gilbert tells a group of assembled kids at his shop that the Sanderson sisters were “the most powerful coven who ever lived.” In other words, Gilbert is a superfan of the Sanderson sisters. And to prove how much of a fan he is, Gilbert has the Manual of Witchcraft and Alchemy proudly on display in a locked case in his shop. Guess who’s going to want to bring back the Sanderson sisters too?

Of course, there would be no “Hocus Pocus 2” if the Sanderson sisters didn’t get revived again. They make their entrance by performing “The Witches Are Back,” to the music of Elton John’s “The Bitch Is Back,” but with different lyrics. At least “Hocus Pocus 2” had the sense to continue to use the singing talent of Midler in a scene that will delight fans of campy entertainment.

However, “Hocus Pocus 2” continually mishandles the depictions of why these three witches are supposed to be so dangerous. In “Hocus Pocus,” the Sanderson sisters are constantly craving children to eat. These sister witches, who have extraordinary senses that can detect the presence of children, often use these supersenses to try to hunt down children.

In “Hocus Pocus 2,” the Sanderson witches encounter children, but the witches don’t have the same air of intimidation and make very little attempt to capture any children that are in their way, like the same witches did in the first “Hocus Pocus” movie. Instead, “Hocus Pocus 2” has a silly sequence where Becca and Izzy pretend to be fans of the Sanderson sisters and lure the witches into a Walgreens store to get beauty products, in an attempt to appeal to the witches’ vanity. Yes, it’s as bad as it sounds.

The witches are flabbergasted and fascinated by the Walgreens store’s sliding glass doors (apparently, the witches never knew sliding glass doors existed in 1993), which is one of the many not-very-funny gags in the movie. When the witches look for tools for riding in the air, Winifred finds a broom at Walgreens. Apparently, it’s the only broom in the store, because Sarah has to make do with a Swiffer WetJet, while Mary uses glowing hover rings.

The Walgreens sequence and other scenes in “Hocus Pocus 2” are just blatant excuses for product/brand placement. The movie also throws in a shameless and rather pointless mention of ABC’s “Good Morning America.” (ABC is owned by Disney, the company behind the “Hocus Pocus” movies.)

Meanwhile, the Sanderson sisters have time to show up on stage during Salem’s annual Halloween carnival to perform their version of Blondie’s “One Way or Another.” Billy the zombie returns in “Hocus Pocus 2” with his own agenda: He wants to clear his name, because he says he never cheated on Winifred, since he says that he was never Winifred’s boyfriend. Mayor Traske also has some of his own unresolved love-life issues from his past: He’s pining over a woman named Sandy, who founded a candy store in Salem called Sandy’s Candy Cauldron, and she’s coming back to Salem to re-open the store.

If this “Hocus Pocus 2” plot sounds very scatter-brained and unadventurous, that’s because it is. Midler, Najimy and Parker are obviously having fun, hamming it up in their roles, but the Sanderson Sisters act more like wannabe cabaret singers in “Hocus Pocus 2” than real witches who are hungry to hunt for children. When the witches finally capture a child (it’s the most obvious person possible, considering the sisters’ feud from the past), this kidnapping arrives so late in the movie, the stakes aren’t as high as they were in “Hocus Pocus.” The visual effects in “Hocus Pocus 2” are mediocre.

The Sanderson sisters are supposed to be over-the-top and ridiculous. In that respect, cast members Midler, Najimy and Parker deliver what they’re expected to deliver in “Hocus Pocus 2,” despite the substandard screenplay. However, the movie’s younger cast members don’t do anything special with their performances in “Hocus Pocus 2,” like Birch did in her scene-stealing performance in “Hocus Pocus.”

Fletcher’s direction of “Hocus Pocus 2” is just too unfocused and unremarkable to make “Hocus Pocus 2” shine in an outstanding way. The movie overall is unable to overcome the “Hocus Pocus 2” screenplay’s many flaws. Simply put: “Hocus Pocus 2” might be satisfactory enough for people with low expectations. But for people who expect better from a sequel that has been talked about for years and took 29 years to get released, “Hocus Pocus 2” will not be casting any enchanting spells.

Disney+ will premiere “Hocus Pocus 2” on September 30, 2022.

Review: ‘Vanquish’ (2021), starring Morgan Freeman and Ruby Rose

May 7, 2021

by Carla Hay

Ruby Rose in “Vanquish” (Photo courtesy of Lionsgate)

“Vanquish” (2021)

Directed by George Gallo

Culture Representation: Taking place in an unnamed U.S. city, the action film “Vanquish” features a predominantly white cast of characters (with a few African Americans) representing the criminal underground and law enforcement.

Culture Clash: A corrupt and retired police officer forces a former colleague to do some of his dirty work, in exchange for setting her kidnapped underage daughter free from captivity.

Culture Audience: “Vanquish” will appeal primarily to people who don’t mind wasting time watching a dimwitted, poorly made and incoherent film.

Morgan Freeman in “Vanquish” (Photo courtesy of Lionsgate)

At some point while filming the horrific embarrassment that is “Vanquish,” Oscar-winning actor Morgan Freeman must have asked himself, “How did I end up in this garbage movie?” It might have been an easy paycheck for Freeman, but it came at a cost to some of his dignity to be in this putrid cesspool of terrible filmmaking. Freeman seems to know it too, based on his zoned-out performance, which is barely distinguishable from the rest of the stiff and terrible acting that stinks up this trash pile of an action flick.

Viewers unlucky enough to watch “Vanquish” might think that the movie’s sloppy and amateurish filmmaking might be from a first-time feature-film director. No, “Vanquish” is the 13th feature film directed by George Gallo, who made his feature directorial debut with the 1991 dramedy “29th Street,” starring Anthony LaPaglia, Danny Aiello and Lainie Kazan. Gallo is best-known as the screenwriter for the 1988 crime-caper comedy “Midnight Run” (starring Robert De Niro and Charles Grodin) and for coming up with the story that would turn into the 1995 action hit movie “Bad Boys,” starring Will Smith and Martin Lawrence.

Based on his filmography, Gallo has done plenty of movies about mismatched people who are involved in some criminal activities. In other words, this type of subject matter isn’t new to him. And that’s why it’s even more mind-boggling that “Vanquish” (which Gallo wrote with Sam Bartlett) is so badly bungled on every single level of filmmaking. The plot is nonsensical, the aforementioned acting is cringeworthy, and the way that the film was shot and edited makes some no-budget YouTube prank videos look like masterpieces in comparison.

It’s a very bad sign when “Vanquish” has an opening credits sequence that lasts for a bloated six minutes. That’s how long it takes for the movie to repetitively show newspaper clippings and news footage of police officer Damon Hickey (played by Freeman) becoming a decorated hero during the course of his long career. (The movie doesn’t mention where this story takes place, but it’s supposed to be in a U.S. city.)

Damon’s career was cut short when he was gunned down in a shootout that left him with paraplegia. And so, throughout this entire dull and dreary movie, Damon is in a wheelchair while he lives by himself in a sleek-looking mansion worth millions. How could a retired police officer afford such a luxurious home when he doesn’t come from a rich family and there’s no sign that he married into wealth? And how could Damon’s ownership of this mansion, which is beyond his cop salary, not raise suspicions from law enforcement?

This illogical movie never answers the second question, but it answers the first question. Damon has been a corrupt cop involved in skimming money from drug deals and other crimes. And he’s been able to get away with it. For reasons that aren’t made clear except for vague references to revenge, Damon now wants payback from certain people in the criminal underworld. And he plans to steal loads of cash from them.

And that’s where Victoria (played by Rose) comes into the picture. Victoria, who is originally from Australia (as is Rose in real life), is Damon’s caretaker and a single mother to a daughter named Lily (played by Juju Journey Brener), who’s about 8 or 9 years old. Victoria is in for a shock one night when she and Lily are in Damon’s home, and Lily goes missing. Damon calmly informs Victoria (whom he calls Vicky) that Lily is safe but in captivity, and Victoria won’t get Lily back unless Victoria does what Damon says.

Damon wants Victoria to go to five different pre-planned places to pick up cash. But it’s not as simple as that. Damon also wants Victoria to murder anyone who gets in her way. Damon knows exactly where his criminal targets are gathered at these places. And so, even if any of these crooks owed Damon any money, he won’t be satisfied with just the money. He wants them dead.

And why is Victoria so qualified to do these dirty deeds? She used to be a drug courier for the Russian mafia, which explains why she has assassin skills. It doesn’t explain why viewers have to be subjected to the idiocy of scene after scene where she’s able to single-handedly take on several armed opponents at once and never miss a target when she fires a gun.

After Victoria goes to each of the location to murder people and pick up a bag of cash, she gets on her motorcycle and delivers the cash to Damon. Then, Damon and Victoria spew some badly written lines that are supposed to be arguments. And then, Victoria hops on her motorcycle to go to the next destination. Freeman literally does nothing in this movie but sit in a wheelchair and act cranky and self-righteous.

During the course of this movie, viewers find out that Victoria can not only speak Russian but she can also speak German and French. Be prepared to hear Rose mangle words in different languages. With her limited acting range (and that’s putting it nicely), she barely has command of the English language.

Near the beginning of the movie, there’s a muddled storyline about some gangsters who’ve caught a snitch in their group. This snitch’s secret audio surveillance was found on a portable cassette tape recorder that would need a wire for remote recording. What year is this? 1991?

Viewers know that this movie takes place in the era of digital, wireless recorders because Damon keeps track of Victoria through a high-tech digital video surveillance system that he requires her to wear during her robbery/killing spree. And that’s why it’s almost laughable that the snitch was found with a cassette recorder that looks like it was left over from an old episode of “Law & Order.”

The snitch has been killed, and the people he secretly recorded are corrupt cops who used to work with Damon. They include B.J. (played by Paul Sampson), Erik (played by Miles Doleac), Sniper (played by Richard Salvatore) and Max (played by Ele Barda). These goons show up at various points in this messy story, where not even the clergy is immune to the corruption. In a flashback scene, Damon is shown in a confessional with a priest named Father Thomas (played by Bill Luckett), who’s been in cahoots with Damon in their criminal activities.

Are there any good cops in this story? Not really. There are some law enforcement people who turn up at various points in the movie, but they don’t do anything except say moronic lines while they hang out in seedy bars. The cops in the movie certainly don’t seem to be doing any real police work.

These useless characters include Detective Stevens (played by Nick Vallelonga), Detective Kehoe (played by Chris Mullinax) and Agent Monroe (played by Patrick Muldoon). Freeman isn’t the only Oscar winner in the “Vanquish” cast. Vallelonga won two Oscars for being a writer and a producer of the 2018 dramedy “Green Book.” It goes to show that being an Oscar winner doesn’t automatically give someone the good sense to avoid bottom-of-the-barrel projects.

While Victoria speeds around the city in her motorcycle to go from destination to destination, Damon inexplicably acts as if he’s her personal GPS, by giving her directions. Expect to see a lot of footage of Freeman sitting in a wheelchair and barking empty lines such as “Go there!” or “Turn left!” The only direction this movie goes is off the rails.

Victoria is armed with two large guns that she keeps exposed in full view while they’re tucked into the back side of her jeans. And so, there’s scene after scene of her walking into these criminal hangouts, where her guns are exposed and no one stops her or questions her. The bodyguards who are supposed to protect the criminals are completely incompetent (just like this movie’s screenplay is incompetent), because it doesn’t take long for Victoria to open fire and slaughter everyone in sight. Remember, she never misses a target.

During her first stop at a nightclub where her targets are, Victoria shoots and kills some people in a back room without a gun silencer, and the movie wants viewers to believe that no one could hear the gunshots because the door was closed. These lunkheads apparently didn’t think that a known associate of Damon’s who walked into the club with two guns sticking out of her back wasn’t going to use these guns.

After these murders, Victoria manages to rescue a prostitute named Galyna (played by Hannah Stocking), who begs to be set free from these thugs. Victoria decides that she and Galyna should play it cool and walk out of the club as if they’re friends having a laugh. “Can you pretend I’m funny?” Victoria asks Galyna. Galyna replies, “I’m a prostitute!,” as if to say “I already know how to act.” Too bad no one knows how to act in this film.

Another mindless massacre scene is one where Victoria encounters an over-the-top effeminate/flamboyant gangster named Rayo (played by Joel Michaely), who has one of the worst fake Southern accents you’ll ever hear in a movie. Victoria shows up unannounced at Rayo’s home. Rayo offers Victoria some Mint Julep, as if she’s at the Kentucky Derby, not in the lair of a sleazy criminal who has some heavily drugged young men on his living room sofa. (Adults will know exactly what those young men are doing there and why they’ve been drugged.)

And because Victoria is as dimwitted as this movie’s screenplay, she drinks the Mint Julep, even though she sees that there are people on the sofa who are in a drugged stupor. The Mint Julep is laced with a sedative, of course. Damon is watching this fiasco the whole time on his video surveillance camera. As Victoria is about to pass out from the unnamed drug that she ingested in the Mint Julep, Damon sees that there’s a small mound of cocaine on a nearby table. You can easily guess what he tells Victoria to do and what happens next.

And did we mention that Victoria used to have a (now-dead) brother who was her partner in crime? It’s of no consequence to this movie’s plot because it’s just another useless detail that’s thrown in to make it look like Victoria has a backstory. She really doesn’t.

That’s why there’s a ludicrous moment toward the end of the film where viewers find out that Victoria’s mother is the governor of the unnamed state where this movie takes place. Governor Ann Driscoll (played by Julie Lott) had not one but two children caught up in running drugs for the Russian mafia, and somehow this was never exposed by her political opponents. What a way to get elected.

One of the most annoying aspects of “Vanquish” is how it over-saturates the movie with fade-in/fade-out editing, as if to mimic a fever dream. It’s more like a nightmare to sit through this rubbish. The movie’s blaring soundtrack is distracting and often drowns out the dialogue.

And the filmmakers mistakenly thought that “Vanquish” would look artsy by having substandard cinematography that tries to make almost every interior look like a neon aquarium. It doesn’t look artsy. It looks garish and tacky.

In the production notes for “Vanquish,” director/co-writer Gallo makes this statement that reads, in part: “I have always enjoyed the Korean gangster film genre ever since I first became aware of them. These films have a cool, bouncy and deliciously dark vibe and most importantly, a great sense of humor … My attraction to ‘Vanquish’ was that I could make a film that I hadn’t really done before and infuse my love of these genres into my film.”

First of all, please don’t insult Korean cinema by comparing “Vanquish” to Korean gangster films. It’s like comparing toxic trash to works of art. Secondly, there is absolutely no humor in “Vanquish,” unless viewers want to laugh at how horrible everything in this movie is. And lastly, “Vanquish” does the exact opposite of what Victoria does every time she fires her gun: The movie completely misses the mark.

Lionsgate released “Vanquish” in select U.S. cinemas on April 16, 2021, on digital and VOD on April 20, 2021, and on Blu-ray and DVD on April 27, 2021.