Review: ‘The Order’ (2024), starring Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Alison Oliver and Marc Maron

December 15, 2024

by Carla Hay

Jude Law, Jurnee Smollett and Tye Sheridan in “The Order” (Photo courtesy of Vertical)

“The Order” (2024)

Directed by Justin Kurzel

Culture Representation: Taking place from 1983 to 1984, in Washington state, Colorado, Idaho, and California, the dramatic film “The Order” (based on real events) features a predominantly white cast of characters (with a few African Americans and Latin people) representing the working-class and middle-class.

Culture Clash: Law enforcement officials investigate and battle against a radical and violent group of white supremacists.

Culture Audience: “The Order” will appeal primarily to people who are fans of the movie’s headliners and suspenseful and well-acted movies about cops versus criminals.

Nicholas Hoult in “The Order” (Photo courtesy of Vertical)

“The Order” capably tells a tension-filled story based on real events of American law enforcement battling against white supremacists in the 1980s. The acting performances are the main reason to watch this somewhat formulaic dramatic re-enactment. The fact that this true story was made into a movie is already an indication of which side won this battle.

Directed by Justin Kurzel and written by Zach Baylin, “The Order” is adapted from the 1989 non-fiction book “The Silent Brotherhood,” written by Kevin Flynn and Gary Gerhardt. “The Order” had its world premiere at the 2024 Venice International Film Festival, and then made the rounds at other film festivals in 2024, including the Toronto International Film Festival and AFI Fest. The movie takes place from 1983 to 1984, in the U.S. states of Washington, Colorado, Idaho, and California.

“The Order” begins with a brief scene taking place at KOA Radio studios in Denver. KOA talk show host Alan Berg (played by Marc Maron), who is politically liberal and Jewish, is having a heated discussion with a phone caller. The caller doesn’t say his real name, but he is Gary Yarbrough (played by George Tchortov), a ruthless member of the Order, a radical group of white supremacists who have splintered off from the Aryan Nation. Alan is an outspoken critic of these types of hate groups, who believe that people who are white, cisgender, heterosexual and Christian are superior to everyone else. And as soon as this argument is shown in the movie, you just know that Alan will be shown later in the movie in horrible circumstances.

“The Order” than has a scene of taking place in Spokane, Washington, on December 18, 1983. A man is taken into a wooded area at night and is shot dead. The murder victim is later revealed to be Walter “Walt” West (played by Daniel Doheny), who had been printing counterfeit bills for the Order. The Order members who murdered Walt are Gary (who looks like a scruffy militia man) and Bruce Pierce (played by Sebastian Pigott), Gary’s best friend, who is not as vicious as Gary, but he’s still full of hate and doesn’t hesitate to get violent.

The leader of the Order is Bob Mathews (played by Nicholas Hoult), who deceptively looks like a clean-cut and upstanding family man. In reality, Bob is the mastermind of the violent crimes committed by the Order. Later scenes show that Bob created the Order because he thinks the Aryan Nation isn’t acting fast enough and is too “soft” on its goals for white supremacist domination. The Order uses the 1978 white nationalist novel “The Turner Diaries” (written by Andrew Macdonald, an alias for Luther Pierce) as a handbook for many of the Order’s goals and criminal activities.

After the murder of Walt (who was killed because he was perceived as a potential snitch), Bob, Gary, Bruce and a recent Order recruit named David Lane (played by Phillip Forest Lewitski) commit an armed robbery of a bank in Coeur d’Alene, Idaho. The four robbers (who wore masks during the bank robbery) are elated to get away with this crime, where luckily none of the robbery victims got killed or injured. It’s later revealed that the Order funds its activities and pays its members through robberies of banks and armored vehicles. The Order also bombs buildings that are owned by targets of their hate.

When Bob gets home, he shows his wife Debbie Mathews (played by Alison Oliver) the loot of cash that he got in the robbery. Debbie is happy to see the money that Bob shows to her, and she knows that it’s stolen money, but she has a “don’t ask, don’t tell” attitude about Bob’s criminal activities. She doesn’t approve of people getting murdered, but Debbie’s ethical boundary on what she considers “unacceptable crimes” isn’t shown until much later in the movie.

These first few opening scenes are somewhat jumbled and could have done a better job of establishing the names of these characters. It isn’t until later in the movie that these characters’ names, roles and personalities are put into clearer perspective. It’s a flaw that the movie tends to repeat when introducing other characters.

The law enforcement official who leads the investigation of the Order is FBI agent Terry Husk (played by Jude Law), who has recently moved to Spokane. Terry is separated from his wife, who lives in another state with their two daughters, who are about 6 and 8 years old. Terry is hoping that his wife and daughters will eventually move to Spokane to live with him. But it eventually becomes obvious that this relocation won’t happen when Terry calls his estranged wife one day and finds out that her phone number has been disconnected.

The movie is purposely vague about other information about Terry’s life before he moved to Spokane. He has a surgery scar going down the middle of his chest. He gets nosebleeds. And when his FBI colleague Joanne Carney (played by Jurnee Smollett) shows up in Spokane, she mentions that she heard about Terry’s “scare in New York.” When Terry tells Joanne that his wife and children are expected to move to Spokane, so he “put the pieces back together,” Joanne looks very skeptical that Terry will be reunited with his family.

“The Order” doesn’t dwell too long on Terry’s personal problems because the bulk of the film is about tracking down and apprehending members of the Order. Joanne isn’t seen for most of the movie until near the end. Terry actually gets most of his help from Jamie Bowen (played by Tye Sheridan), a deputy in the local sheriff’s office, who is also eager to bring these criminals to justice.

Jamie is helpful because he grew up in the area where the Order is headquartered. In a scene where Jamie and Terry question Walt’s wife Bonnie Sue Harris (played by Geena Meszaros), Jamie is able to gain her trust because he’s known Bonnie Sue since they were students at the same high school. Bonnie Sue doesn’t trust Terry because she sees him as a “bad cop” outsider.

“The Order” spends a lot of time showing how Bob uses his influence to get his followers to do his bidding. At a church run by an Aryan Nation reverend named Richard Butler, Bob gets up during a service and upstages the reverend by giving a rousing speech that culminates with Bob leading the audience to chant “White power!” Bob thinks that the Aryan Nation plan to get the Aryan Nation members elected to political offices and other powerful positions is a strategy that is too old-fashioned and will take too long.

Bob is also shrewd about masking his radical intentions of the Order. In an early scene in the movie, he commands Gary and Bruce to stop burning crosses in front of the place where the Order’s meetings are held, because burning crosses will draw attention to their lair. Terry and Jamie later find out that Gary and Bruce were ousted from the Reverend Butler’s church because Gary and Bruce were using the church’s printing press to make counterfeit bills.

As the leader of the investigation, Terry is astute and logical, but he can sometimes rub people the wrong way, because he can be prickly and arrogant. With his personal life in shambles, Terry becomes consumed by the investigation and expects Jamie to have the same attitude. Jamie also has two underage kids. However, unlike Terry, Jamie is happily married.

Someone who is not a fan of Terry is Kimmy Bowen (played by Morgan Holmstrom), Jamie’s wife who was Jamie’s high school sweetheart. Kimmy tells Terry—in a conversation that starts out cordial and soon turns tense—that she doesn’t like it when Terry goes over to the Bowen family home and talks about the investigation while the kids are there. “You scare me,” Kimmy candidly tells Terry.

Bob’s home life is not as tranquil as it appears to be. Bob and Debbie have a son named Clinton (played by Huxley Fisher), who’s about 4 or 5 years old. Clinton is adopted because Debbie cannot biologically conceive children. Debbie is insecure about her infertility because she knows how important it is for white supremacist Bob to pass on his bloodline to biological children. Bob has a secret that he’s keeping from Debbie. This secret is eventually revealed to viewers.

During the course of the story, another recruit is welcomed into the Order: Tony Torres (played by Matias Lucas), who has recently moved from Seattle and is a friend of David, who introduces Tony to Bob. Tony blames black people for his recent job loss. Tony also hates black people because Tony’s best friend in high school was killed by a black person. Bob asks Tony what his ethnicity is because Tony’s last name is Torres. Tony is quick to say that he’s of white Spaniard heritage, so that he can be accepted into this hate group.

“The Order” is essentially becomes a “cat and mouse” type of hunt, with only two characters showing any complexity in their personalities: Terry and Bob. The movie’s other characters are not quite fully developed enough to be anything beyond generic, even though all of the principal cast members show talent in their performances. “The Order” is a crime thriller but it’s also a commentary on the insidiousness of hate groups and how they will continue to exist as long as people think that different identity groups are inferior.

Vertical released “The Order” in U.S. cinemas on December 6, 2024.

Review: ‘We Grown Now,’ starring Blake Cameron James, Gian Knight Ramirez, S. Epatha Merkerson, Lil Rel Howery and Jurnee Smollett

April 28, 2024

by Carla Hay

Blake Cameron James and Gian Knight Ramirez in “We Grown Now” (Photo courtesy of Participant/Sony Pictures Classics)

“We Grown Now”

Directed by Minhal Baig

Culture Representation: Taking place in Chicago, in the autumn of 1992, the dramatic film “We Grown Now” features a predominantly African American cast of characters (with a few white people and Latin people) representing the working-class and middle-class.

Culture Clash: Two 10-year-old boys, who are lifelong best friends in Chicago’s Cabrini-Green housing projects, have their friendship tested during a time when their crime-ridden neighborhood has become increasingly dangerous. 

Culture Audience: “We Grown Now” will appeal primarily to people who are interested in emotionally authentic movies about childhood relationships in challenging circumstances.

Blake Cameron James, S. Epatha Merkerson and Madisyn Barnes in “We Grown Now” (Photo courtesy of Participant/Sony Pictures Classics)

Artistically made and emotionally moving, “We Grown Now” avoids many of the cringeworthy traps of African American struggle dramas. The beautiful and brotherly friendship between two boys in 1992 Chicago are the heart and soul of the movie. “We Grown Now” has some stereotypes that have been seen before in many other films about people who live in low-income housing projects, but these stereotypes are not demeaning because the movie shows the reality that most people who are in these circumstances are not criminals.

Written and directed by Minhal Baig, “We Grown Now” had its world premiere at the 2023 Toronto International Film Festival and screened at other festivals that year, including the Chicago International Film Festival and AFI Fest. The movie received three nominations at the 2024 Film Independent Spirit Awards: Best Feature, Best Cinematography and Best Editing. Baig is originally from Chicago. She did extensive research about the Cabrini-Green Homes housing project (usually referred to as just Cabrini-Green), where the main characters in “We Grown Now” live.

“We Grown Now” (which takes place in the autumn of 1992) is centered on two 10-year-old boys, who have known each other their entire lives and have both been raised their entire lives in Chicago’s Cabrini-Geen. Cabrini-Green was a group of government-funded apartment complexes built from 1941 and 1962, in order to provide affordable and safe housing to low-income people. About 15,000 people lived in Cabrini-Green during its peak residency. Cabrini-Green was demolished from 1995 to 2011 and became a mixed-used development property for businesses and residences.

In 1992, Cabrini-Green had become a dangerous place to live because of the high rate of crimes, but many of the residents couldn’t afford to live anywhere else in Chicago. That’s the situation with the immediate families of Malik (played by Blake Cameron James) and Eric (played by Gian Knight Ramirez), who are classmates in the same public school. Malik is the more outgoing, confident and academically talented of the two pals. Eric is introverted, sensitive and is comfortable with Malik taking the lead in many of their activities.

Malik lives with his divorced mother Dolores (played by Jurnee Smollett); his talkative younger sister Diana (played Madisyn Barnes); and Dolores’ widowed mother Anita (played by S. Epatha Merkerson), who shares stories with her grandchildren about the family’s history. Eric lives with his widowed father Jason (played by Lil Rel Howery) and Eric’s older sister Amber (played by Avery Holliday), who’s in her late teens or early 20s.

Dolores doesn’t like to talk about her ex-husband, who is not involved in raising Malik and Diana. The movie never shows or explains what caused the divorce and why this ex-husband is an absentee father. However, there’s a great scene in the movie that reveals how Malik still thinks about his father.

Malik’s household is religious, while Eric’s household is not. This difference is apparent when Malik and Eric have a discussion about whether or not there’s life after death. Eric believes that death is final. Malik thinks that there could be truth in the concept of an afterlife. Malik also believes that the afterlife can include rewards or consequences for how people lived before they died.

Malik and Eric (who are being raised by good people in loving households) are typical children who like to have fun. They are both big fans of the Chicago Bulls and naturally admire Michael Jordan, who was known for his high-jumping style of playing basketball. When Eric and Malik are on playgrounds, one of the things that Malik and Eric like to do is play games to see who can jump the highest.

Malik says in a voiceover near the beginning of the movie: “In Cabrini-Green, there’s only one rule on the playground: It don’t matter how old you are, how much money you got, how big or tall or small. All that matters is if you can jump.”

In school, Malik is more likely to speak up in classroom sessions. He is intelligent and curious. Eric and Malik are good kids overall, but they are occasionally a little bratty. For example, they have a classmate friend nicknamed Slug (played Giovani Chambers), whose real name is Samuel but who prefers to be called Tyrone. Eric and Malik sometimes tease Slug over little things, such as his real name.

Something that Malik and Eric like to do, which is shown more than once in the film, is they when they are outside in open spaces, they shout, “I exist! We exist!” Sometimes, they make these statements when no one else is there. Sometimes, they say these things so people can hear them.

One day, the atmosphere at the school suddenly changes when the news spreads about Dantrell Davis, a 7-year-old boy from Cabrini-Green, who was killed by gun violence while walking to school with his mother. (“We Grown Now” brings this real-life tragedy into the movie.) Davis was the unfortunate victim of gunshots fired by a gang member who intended the bullets for a rival gang member. As a result of this tragedy, the school where Eric and Malik attend begins requiring all students to have ID cards in order to enter the school property.

It’s under these tension-filled circumstances that Dolores (who works in the payroll department at an unnamed company) starts to re-think being stuck in a job where she can barely afford to pay her bills. Dolores feels like she’s overworked and underpaid. There’s an opportunity for her at the company to apply for a job promotion in a managerial position that would give her a higher salary.

However, Dolores confides in her mother Anita that she’s afraid to apply for the job because she’d be competing with people who have a college education—something that Dolores doesn’t have. Dolores also says she’s afraid that she might get fired if she indicates she wants to leave her current position for something better. There are racial implications to how Dolores is feeling because she mentions the company has almost no black people in managerial positions.

Anita is encouraging and supportive of all of her family members. Some of the most important parts of the movie are when Anita shares her advice and family stories. What Anita has to say isn’t always immediately appreciated in the moment but might be understood later. Anita and her husband Gordon, who died in 1987, took a big risk by leaving their families behind in Tupelo, Mississippi, to start a new life in Chicago. Dolores has spent her entire life living in Cabrini-Green, just like Malik.

Malik shows signs that he’s more mature than a typical 10-year-old boy. When Malik and Eric play hooky from school one day, it’s Malik’s idea that they should spend the day at the Art Institute of Chicago. These scenes of Malik and Eric together are a joy to watch, whether the two friends are looking in respectful awe at some of the museum’s artwork, or mischievously speculating what an arguing couple are quarreling about from a distance.

However, this day of educational fun comes crashing down with the reality that Malik and Eric were missing for several hours without telling anyone else where they were. The fallout of this unapproved trip will have an impact on Malik and Eric. In Cabrini-Green, where kids often have to grow up fast, it’s still a reality for Malik and Eric and they are not adults who can go wherever they want, when they want.

In 1992, Cabrini-Green had also become a place where law enforcement officers could enter a home without a warrant and do a destructive search. One of the families in this story has this painful and humiliating experience when officers raid the household after midnight for no plausible reason. It’s a harsh lesson that the kids in the family learn.

However, “We Grown Now” falls short in showing the realities of how black families in America have to educate their kids about how they can be treated differently because of racism. The movie didn’t need to have any preachy or corny lectures. However, when one of the kids gets yelled at by a parent for skipping school for that a day trip to the museum, the parent mostly mentions safety issues and not the racism reality that black kids (especially black boys) have to fight a negative stereotype of being problematic troublemakers.

Another flaw in “We Grown Now” is that Eric’s father Jason is a fairly underdeveloped character. Jason would have a lot to teach his son as a black male growing up in America, but those conversations aren’t really shown in the movie. And whatever happened to Malik’s father remains a mystery. In other words, the black men in the movie don’t have as much importance as the black women.

Despite these shortcomings, “We Grown Now” is still worth watching for the compelling and charming performance by James, who absolutely shines in his role as Malik. James has a natural way of acting that makes everything Malik does entirely believable. He embodies the character instead of just reciting lines of dialogue. Smollett and Merkerson are also quite good in their roles, but they’ve played variations of these types of characters in other movies or TV shows.

“We Grown Now” is not a pity party for low-income people. It’s also not a stereotypical “warning” movie about “at risk” youth who need “saving” from do-gooders, who usually come from outside the community. At its core, “We Grown Now” is a poignant and effective story about the power of true friendships and learning not to take life and loved ones for granted.

Sony Pictures Classics released “We Grown Now” in select U.S. cinemas on April 19, 2024, with an expansion to more U.S. cinemas on April 26, 2024.

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