Review: ‘The Boy and the Heron,’ a fantastical adventure anime movie from filmmaker Hayao Miyazaki

November 26, 2023

by Carla Hay

Mahito Maki and the Grey Heron in “The Boy and the Heron” (Image courtesy of GKIDS)

“The Boy and the Heron”

Directed by Hayao Miyazaki

Available in the original Japanese version (with English subtitles) or in a dubbed English-language version.

Culture Representation: Taking place in Japan, mostly in 1944, the animated film “The Boy and the Heron” features a cast of Japanese human and animal characters representing the working-class, middle-class and royalty.

Culture Clash: A lonely adolescent boy, who’s grieving over the accidental death of his mother, befriends a half-heron/half-man, who leads the boy to fantastical world inside a mysterious tower, where he encounters past versions of various people and a power-hungry group of parakeets. 

Culture Audience: “The Boy and the Heron” will appeal primarily to people who are fans of filmmaker Hayao Miyazaki and time-traveling anime movies that can be enjoyed by various generations.

Himi in “The Boy and the Heron” (Image courtesy of GKIDS)

“The Boy and the Heron” artfully blends heavy issues of grief with the escapism of a thrilling adventure. It’s a beautifully told and moving story that is as much about being a legacy to departed loved ones as it is about establishing one’s own identity. “The Boy and the Heron” had its North American premiere at the 2023 Toronto International Film Festival.

Written and directed by Hayao Miyazaki, “The Boy and the Heron” is inspired by but not connected to Genzaburō Yoshin’s 1937 novel “How Do You Live?,” which is the Japanese title of the movie. “The Boy and the Heron” has elements of Miyazaki’s childhood in the movie, which has an original screenplay. Miyazaki (who won an Academy Award for Best Animated Feature for 2001’s “Spirited Away”) has been synonymous with among the best of what Japanese animation company Studio Ghibli has to offer. “The Boy and the Heron” ends a 10-year gap between Miyazaki’s movies. His previous movie was 2013’s Oscar-nominated “The Wind Rises.”

“The Boy and the Heron” begins with a tragedy. In 1943, in Tokyo during the Pacific War, 12-year-old Mahito Maki is woken up from his sleep to the sound of chaos. His businessman father Shoichi Maki tells him that the hospital where Mahito’s mother Himi works is on fire. The hospital and the fire can be seen from the Maki family home. Mahito (who is an only child at this point) wants to go with his father to the hospital to help save Maki, but Shoichi insists that Mahito stay at home. Unfortunately, Maki does not survive the fire. It’s implied that the fire was caused by a bomb during this war.

The following year, 13-year-old Mahito and Shoichi move to Grey Heron Mansion, in an unnamed city in the countryside. Shoichi, who owns an ammunition factory near the estate, is now married to Himi’s younger sister Natsuko, who is described as a look-alike to Himi. The first time that Mahito meets Natsuko, he finds out that she is pregnant with his younger sibling. It’s a lot to take in for introverted Mahito, who is deep in grief over his mother’s death.

The mansion has seven elderly maids, who dote on Mahito and often work together in a pack. The maids’ names are Kiriko, Aiko, Izumi, Eriko, Utako, Oyuki, and Kazuko. Kiriko is the unofficial leader of the maids. She is often stoic and less talkative than the other maids in the group. Natsuko and all of the maids treat Mahito with kindness. Shoichi is a caring father, but he is very preoccupied with his work.

One day, Mahito notices that a grey heron has flown up to him, as if to try to get his attention. Mahito is told that his grey heron has lived on the property for quite some time. The grey heron will visit Mahito more times over the next several days.

Shortly after moving to this new home, Mahito goes exploring in the estate’s wooded area. He finds a tower that is somewhat sealed off, but Mahito finds a way to peek inside. He’s later told by Natsuko that the tower was built by her granduncle, who had a mental breakdown and disappeared. However, this granduncle left behind a book of his writings. Natsuko also tells Mahito that when Himi was a child, Himi disappeared for a year, but reappeared a year later with no memory of having been gone.

Quiet and shy Mahito has a hard time making friends with other students at his school. The students mostly ignore him or give him hostile stares. Out of frustration and to get out of going to school, Mahito hits himself on the head with a rock. It causes him to bleed profusely. Mahito tells people that he fell down, but his father Shoichi doesn’t believe Mahito. Shoichi thinks that Mahito was assaulted by a bully and is determined to find out who it is.

While Mahito is recovering from his injuries, he gets an unusual visit from the grey heron, who flies to Mahito’s window and squawks, “Mahito, save me!” The heron tells Mahito that Mahito’s mother is still alive and living in the tower. Around the same time, Natsuko goes missing. Through a series of events, Mahito, the heron and Kiriko find themselves trapped in the tower, which is actually a magical place inside that has past versions of some of the people whom Mahito knows.

The grey heron also reveals himself to be half-pelican, half-man, who can wear the pelican part of his body like a costume. It’s best not to go into further details in this review, but it’s enough to say that the story in “The Boy and the Heron” also features pelicans, a parakeet kingdom, and beings called warawara that look like white-colored stars and have a purpose that’s connected to life forces. Some of the scenes in this movie are visually stunning and very immersive.

The voices of “The Boy and the Heron” characters are portrayed by different cast members, depending on the version of the movie. The original Japanese version (with English subtitles) has Soma Santoki as Mahito, Masaki Suda as the Grey Heron, Takuya Kimura as Soichi, Yoshino Kimura as Natsuko, Kô Shibasaki as Kiriko, Aimyon as Himi, Jun Kunimura as the Parakeet King and Kaoru Kobayashi as a wise old pelican. There’s also a U.S. version, with the dialogue dubbed in English, that has Luca Padovan as Mahito, Robert Pattinson as the Grey Heron, Christian Bale as Soichi, Gemma Chan as Natsuko, Florence Pugh as Kiriko, Karen Fukuhara as Himi, Dave Bautista as the Parakeet King and Willem Dafoe as a wise old pelican.

“The Boy and the Heron” explores themes of life, death, and what it might mean to change one’s destiny by going back in time and possibly doing things differently. There are also some sociopolitical observations about how much control people should give leaders over who lives and who dies, as well as some obvious (but not preachy) commentary about the dangers of damaging the environment. There’s a point in the story where Mahito has to decide how much he is going to make his grief control a big decision that he has to make.

The movie has some well-animated and suspenseful action scenes and gives each of the main characters a distinct personality. The voice actors also give very good but not outstanding performances. With so many animated movies stuck in a formulaic rut, “The Boy and the Heron” can be a viable option for people looking for a well-made and entertaining animated film that also has meaningful messages about humanity’s connections to other creatures, the environment, and the life cycles that are unique to all.

GKIDS released “The Boy and the Heron” in select U.S. cinemas on November 24, 2023, with an expansion to more U.S. cinemas on December 8, 2023. The movie was released in Japan on July 14, 2023.

Review: ‘Bullet Train’ (2022), starring Brad Pitt

August 2, 2022

by Carla Hay

Brad Pitt and Benito A Martínez Ocasio (also known as Bad Bunny) in “Bullet Train” (Photo by Scott Garfield/Columbia Pictures)

“Bullet Train” (2022)

Directed by David Leitch

Some language in Japanese, Spanish and Russian with subtitles

Culture Representation: Taking place primarily in Japan, the action film “Bullet Train” features a racially diverse cast of characters (white, black, Asian and Latino) representing the working-class, middle-class, wealthy and the criminal underground.

Culture Clash: A down-on-his luck American assassin has conflicts with international criminals during a ride on a fast-moving train traveling through Japan. 

Culture Audience: “Bullet Train” will appeal primarily to people who are fans of star Brad Pitt; the novel on which the movie is based; and movies that give more importance to loud violence instead of an interesting and innovative story.

Brian Tyree Henry and Aaron Taylor-Johnson in “Bullet Train” (Photo by Scott Garfield/Columbia Pictures)

The jumbled and repetitive “Bullet Train” is just a fast-moving train wreck. The movie has plenty of famous co-stars but ultimately has little substance or imagination as an action comedy. “Bullet Train” over-relies on too many similar gags until it all becomes very dull and obnoxious. After a while, the action starts to look stale and formulaic. With few exceptions, the movie’s characters are no better than soulless, computer-generated characters in a video game.

Directed by David Leitch and written by Zak Olkewicz, “Bullet Train” is based on Kōtarō Isaka’s 2010 Japanese novel “MariaBeetle,” which was translated in English and renamed “Bullet Train” in 2021. In the book, all the characters are Japanese. The “Bullet Train” movie has a cast of international characters, with characters from the United States and the United Kingdom getting most of the screen time. Characters from Japan, Russia and Mexico are secondary characters. “Bullet Train” takes place primarily in Japan but the movie was filmed at Sony Pictures Studios in Culver City, California.

Prior to directing “Bullet Train,” Leitch directed the action feature films “Fast & Furious Presents: Hobbs & Shaw” (released in 2019) “Deadpool 2” (released in 2018) and “Atomic Blonde,” released in 2017. What all of these movies have in common is that they bit off more than they can chew. They’re very energetic when it comes to action scenes, but they’re very cluttered with sloppily edited characters and plot tangents that don’t necessarily serve the story very well. “Bullet Train” follows that same pattern. A better director would bring more finesse and charm to these movies instead of trying to make audiences think that violent action scenes are enough to make a good action flick.

People don’t really need to read the “Bullet Train”/”MariaBeetle” novel before seeing the “Bullet Train” movie. In fact, people who don’t know anything about the novel might be less disappointed in the “Bullet Train” movie, which dumbs down a lot of things about the novel. The “Bullet Train” movie removes a lot of the intrigue and personality that can be found in the novel, and substitutes it with an emphasis on staging scenes that are supposed to be outrageously violent.

In the “Bullet Train” movie, seven people on board the Nippon Speedline train going from Tokyo to Kyoto find their lives colliding and interwined because of various criminal activities:

  • Ladybug (played by Brad Pitt) is a cynical and unlucky American assassin, whose current mission is to steal a briefcase full of ransom money.
  • Tangerine (played by Aaron Taylor-Johnson) is a smooth-talking British assassin who likes to wear suits and gold jewelry but sometimes loses his seemingly suave cool with his hair-trigger temper.
  • Lemon (played by Brian Tyree Henry) is Tangerine’s more even-tempered adoptive bother/partner in crime, who takes a more philosophical view of their assassin work and who is fixated on the children’s book/cartoon character Thomas the Tank Engine.
  • The Prince (played by Joey King) is a sociopathic killer who disguises her evil by looking like an innocent teenage schoolgirl. (The character of the Prince was male in the “Bullet Train” novel.)
  • Kimura (played by Andrew Koji) is a quiet, low-level criminal from Japan who’s out for revenge against the Prince for a heinous act committed against Kimura’s son.
  • The Hornet (played by Zazie Beetz) is a sneaky assassin who usually goes undercover in disguise.
  • The Wolf (played by Benito A Martínez Ocasio, also known as Bad Bunny) is a ruthless assassin/gang leader from Mexico.

Ladybug is in constant communication through earpieces with his no-nonsense boss/handler Maria (played by Sandra Bullock), who inexplicably seems to know and see everything on the train. (And no, Ladybug isn’t wearing a secret hidden camera.) Maria is ultimately a character that doesn’t add much to the story except to make Ladybug look even more bungling and foolish than he needed to be.

But in some ways, this odd-couple pairing of Maria and Ladybug would have made a better movie if focused on these two characters, because Bullock (in the limited time that she has in “Bullet Train”) brings a certain charisma to the role that “Bullet Train” lacks overall. Unfortunately, only Maria’s voice is heard for most of “Bullet Train,” which lessens the impact of Bullock’s talent for physical comedy (facial expressions and other body language) that would have benefited “Bullet Train.” It isn’t until toward the end of the movie that Maria appears on screen.

The only interesting trivia note about “Bullet Train” is that cast members Pitt, Bullock and Channing Tatum (who has a useless cameo in “Bullet Train”) were co-stars in another 2022 movie: the romantic comedy “The Lost City.” Neither movie is award-worthy, but at least the comedy in “The Lost City” was depicted in a more skillful way. “Bullet Train” has some sporadic moments where the jokes land as intended, but the rest of the comedy falls very flat. Tatum and “Deadpool” movie franchise star Ryan Reynolds have “Bullet Train” cameos that are quick and underwhelming.

The messy plot of “Bullet Train” involves the kidnapped, unnamed son (played by Logan Lerman) of a Russian mob boss called the White Death (played by Michael Shannon), with Tangerine and Lemon having the responsibility of guarding the son on the train and carrying a briefcase full of ransom money. Ladybug’s job is to steal the money. A running gag in the movie is that Ladybug has encountered some of these criminals before in assassin assignments that he botched, but he has forgotten about these experiences until he’s reminded of them.

Lots of shootouts, explosions, and bloody fights ensue. There’s also a recurring plot device involving snake poison and a Taiwanese Blue Beauty snake. Masi Oka (as the Conductor) and Karen Fukuhara (as Kayda Izumi Concession Girl) have utterly thankless and forgettable roles in this schlockfest.

Except for the wisecracking Ladybug and Kimura’s humble florist father The Elder (played by Hiroyuki Sanada), the characters in “Bullet Train” come across as very hollow, and viewers will have a hard time connecting with most of these characters. There’s no clever mystery in this story that will keep viewers guessing. “Bullet Train” certainly delivers if people want lackluster jokes and cartoonish violence, but it just adds up to a lot of mindless hot air.

Columbia Pictures will release “Bullet Train” in U.S. cinemas on August 5, 2022.

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