Review: ‘Ambulance’ (2022), starring Jake Gyllenhaal, Yahya Abdul-Mateen II and Eiza González

April 6, 2022

by Carla Hay

Jake Gyllenhaal and Eiza González in “Ambulance” (Photo by Andrew Cooper/Universal Pictures)

“Ambulance” (2022)

Directed by Michael Bay

Culture Representation: Taking place in Los Angeles, the action film “Ambulance” features a cast of predominantly white characters (with some African Americans, Latinos and Asians) representing the working-class and middle-class.

Culture Clash: A longtime bank robber, who’s white, convinces his adopted black brother to rob a bank with him, and when things go wrong, they hijack an ambulance to make their getaway. 

Culture Audience: “Ambulance” will appeal primarily to people who like mindless action movies that repeat bigoted stereotypes of women and people who aren’t white.

Yahya Abdul-Mateen II and Jake Gyllenhaal in “Ambulance” (Photo by Andrew Cooper/Universal Pictures)

“Ambulance” is racist and sexist garbage that tries to cover up how stupid it is with car chases and gun shootouts. In this idiotic schlockfest, almost all black and Latino men are criminals, and women are a small minority. This movie hates black men so much, it makes the only black man in a group of bank robbers to be the one to commit the most violent and dumbest crimes. And by the end of the movie, there’s no doubt who is going to prison and who is not going to prison for the most serious crimes.

Directed by Michael Bay (who has a long history of making terrible movies) and written by Chris Fedak (in his feature-film screenwriting debut), “Ambulance” is a remake of writer/director Lars Andreas Pedersen’s 2005 Danish film “Ambulancen.” Both movies are essentially about bank robbers who make their getaway by hijacking an ambulance. The American version of “Ambulance” takes place in Los Angeles, where nearly half the population is Latino in real life. But in this horrible movie, the Latino men are criminals, and the sole Latina is a cold-hearted, difficult person who needs to be redeemed.

“Ambulance” opens with a scene that’s a very tired stereotype that’s been in too many other movies: an African American family is struggling financially. In this case, it’s the family of William “Will” Sharp (played by Yahya Abdul-Mateen II), a military war veteran who’s on the phone while he’s trying to get insurance coverage for his wife’s “experimental surgery” that his insurance won’t cover. Will and his wife Amy Sharp (played by Moses Ingram) have an infant son. Amy has cancer, although what type of cancer is never detailed in the movie. The character of Amy Sharp literally does nothing in this movie but hold a baby, look worried, and be a “stand by your man” woman, no matter how many violent crimes her husband commits.

Will is frustrated because the people he’s been dealing with at his insurance company are dismissive and downright rude. During this phone call, the insurance company employee hangs up on him when he expresses his irritation at being stonewalled. And you know what that means in a racist movie where an African American is financially desperate: The African American is going to commit a serious crime to get money.

Will has a brother named Daniel “Danny” Sharp (played by Jake Gyllenhaal), whom Amy dislikes and distrusts immensely. Amy warns Will not to contact Danny. And it’s precisely at this point in the movie that you know Will is going to contact Danny. Before Will leaves the house, he lies to Amy by saying that the insurance for her surgery was approved, and he’s going to work at a new job that he’s started. That job probably doesn’t exist.

Instead, Will goes straight to Danny, who is in a money laundering business of supervising a warehouse where wealthy people store their luxury cars. What Danny really does to make money is rob banks with his small crew of men. Later in the movie, it’s mentioned that Danny has been robbing banks since he was 17. “Ambulance” never mentions if Danny spent any time in prison for it, because the filmmakers want to make Danny look like a smooth mastermind who’s too clever to get caught.

Viewers find out during Danny and Will’s jumbled conversation in their awkward reunion that Will and Danny grew up together as brothers because Will was adopted as a very young child by Danny’s biological father, L.T. Sharp. L.T., who is now dead (for reasons not explained in the movie), is described in various parts of the movie as an evil, psychotic but brilliant criminal whose specialty was bank robberies. Not surprisingly, L.T. was the one who groomed Danny to become a bank robber, while L.T. eventually became estranged from Will. And because “Ambulance” doesn’t care about women, except to put them in the movie to react to whatever the men do, it should come as no surprise that this movie never mentions any mother that Danny and Will might have had in their lives.

Because of Danny’s criminal lifestyle, Will has been estranged from Danny for a long time, although how long is never detailed in the movie. What the movie does show more than once is the racism when people try to insult Will by saying that he’s not Danny’s “real” brother, because Will is black, and Danny is white. Will tells Danny that he needs $231,000 for Amy’s surgery. Danny says that he doesn’t have the money, but that he and his crew are about to commit a major bank robbery that day, in a theft where they expect to get $32 million.

Danny tells Will that Will can get more than enough of the money that he needs if Will is a part of the bank robbery. (The robbers’ target is Los Angeles Federal Bank & Trust, which is a fictional bank name for this movie. In real life, the movie’s bank scenes were filmed at a former branch of Bank of America.) And to put even more pressure on Will, Danny tells Will that Will has just five minutes to decide before they leave for the heist. We all know what Will decides, because almost all of the mayhem in “Ambulance” wouldn’t exist without Will’s bad decisions.

Meanwhile, viewers are introduced to Camille “Cam” Thompson (played by Eiza González), the only woman in “Ambulance” who has more than 10 minutes of dialogue in the movie. The filmmakers of “Ambulance” want viewers to forget that women and girls are 51% of the population in the U.S. and in the world. Cam (she insists on being called Cam, not Camille) is a very jaded and egotistical lead field-training officer of Falck Company’s Ambulance No. 3.

As an emergency medical technician (EMT), Cam is technically very proficient in her job, but her personality is emotionally detached and off-putting. She’s first seen responding to an emergency scene, where somehow a girl named Lindsey (played by Briella Guiza), who’s about 8 or 9 years old, has gotten a spike from a wrought-iron fence embedded in her abdomen. (The accident is not shown in the movie.) In the ambulance, Cam attends to Lindsey and talks to Lindsey’s frantic mother (played by Jenn Proske) in a way that is almost robotic. Cam says all the right things, but there’s no real empathy in her voice, and she often gets irritable with the people who need her help.

After Lindsey is taken to the hospital, Cam has a conversation with a new EMT trainee named Scott Daskins (played by Colin Woodell), who seems to be romantically attracted to Cam. Scott looks disappointed when Cam tells him that she’s dating a doctor who works at a local hospital. In this conversation, Cam makes it clear that the people with whom she comes in contact on the job are just names to her, and she just moves on to the next assignment. Cam advises Scott to take the same emotionally disconnected approach to the job, because she says it’s the best way to deal with all the trauma that they witness.

Later, when Cam and Scott have a meal together at a diner, Cam gets somewhat of a rude awakening when Scott tells her how much she’s disliked by her co-workers. Scott says that although Cam is considered one of the best EMTs on the job when it comes to the technical responsibilities, she has a reputation for being unlikable and “no one wants to be your partner.” Cam looks a little hurt and shocked by this revelation, but it still shows how huge her ego is that she has no self-awareness about how being cold and unfeeling to other people can make people dislike her. It’s at this point in the movie that you know Cam is going to get some “life lessons” that will possibly redeem her and her obnoxious attitude.

Danny has meticulously planned the bank robbery. But, of course, some unexpected things don’t go according to the plan. Danny has a motley crew of about six or seven robbers on this heist, including a hippie-ish dimwit named Trent (played by Brendan Miller), who insists on wearing Birkenstock sandals to the bank robbery, and he gets teased repeatedly about his choice of shoes. There’s also a hulking dolt nicknamed Mel Gibson (played by Devan Chandler Long), because Danny thinks the guy wears his long, bushy beard like a 13th century Scottish warrior in Mel Gibson’s Oscar-winning movie “Braveheart.” Apparently, Danny and the “Ambulance” filmmakers forgot that Gibson didn’t have a beard in “Braveheart.”

What Danny and his crew didn’t anticipate was that a rookie cop named Zach Parker (played by Jackson White) from the Los Angeles Police Department would insist on coming in the bank, without Zach knowing that a robbery was taking place at that exact moment. At this point in the robbery, Danny (who’s dressed in casual business wear) has locked the entrance door and disguised himself as the bank manager, by wearing the manager’s name tag. Zach wants to go in the bank to ask a bank teller named Kim (played by Kayli Tran) out on a date, because Zach has had a crush on Kim for a while.

While Zach’s more experienced, corporal-ranked cop partner Mark Ranshaw (played by Cedric Sanders) waits outside, Zach approaches the bank’s front door, while Danny tells him that the bank is temporarily closed and refuses to let Zach inside. Zach persists on being let in the bank and says that his reason for being in the bank won’t take long. Danny finally relents and lets Zach in, so as not to arouse suspicion.

Zach notices that he’s the only customer in the bank, but he doesn’t seem too concerned about it, because Danny told him that the bank was closed. Kim just happens to be at a bank teller window. Zach asks Danny what Kim’s last name is, and Danny quickly makes up a lie. Zach nervously asks Kim out on the date. When Zach notices that Kim is crying in distress, and that her last name on her name tag isn’t the same last name that Danny told him, Danny blows his cover and pulls a gun on Zach. Outside the bank, police officer Mark sees through the bank window that there’s an armed robbery in progress and calls for backup.

And that’s when all hell breaks loose. In the chaos of the robbers trying to get away, Will ends up shooting Zach in the leg. Much later in the movie, they find out that Zach was also shot in his spleen. During this desperate getaway, the rest of the robbers scatter outside, while Will and Danny stick together and hide in the bank. An ambulance is called for Zach, so Scott and Cam are the ambulance EMTs who arrive on the scene. The bank is surrounded by cops, and the robbers’ getaway driver becomes unavailable. And so, a trapped Will and Danny decide to hijack the ambulance to make their getaway.

Scott gets knocked down on the ground, while Danny and Will steal the ambulance, with Will driving and suddenly having the skills of a professional stunt driver throughout the rest of the movie. Cam is in the back of the ambulance while trying to give medical treatment to Zach, who is bleeding profusely and mostly unconscious during this entire ordeal. Danny, who alternates between the front and the back of the ambulance, thinks that he and Will should have more leverage if Cam and Zach are held as hostages.

It’s all just an excuse for “Ambulance” to show a lot of shaky cam chase footage and bombastic action scenes, with a lot of yelling and wreckage along the way. At various points in this moronic movie, Will punches Zach in the face to get him to shut up and render Zach unconscious; Danny tells a lot of bad jokes; and Cam (who’s not qualified to do surgery) does very unsanitary emergency spleen surgery on Zach, by getting videoconference advice from doctors on the ambulance’s laptop computer. Yes, it’s that kind of movie. And there are more silly shenanigans, such as people who are seriously injured and unconscious who then suddenly wake up as if they just took a harmless nap, or civilians show up at active crime scenes while law enforcement gives the kind of access to these civilians that wouldn’t be allowed in real life.

Meanwhile, the Los Angeles Police Department’s S.I.S. (Secret Intelligence Service) team, led by an arrogant, macho imbecile named Captain Tyler Monroe (played by Garret Dillahunt), gets involved in the chase. Captain Monroe and his S.I.S. team were actually undercover and waiting outside the bank during the robbery, because they laid a trap when they heard that this bank might be targeted for a robbery, but Danny and Will still managed to escape. Some members of the S.I.S. (who are almost all white) unfairly blame Zach’s cop partner Mark for Zach getting shot, in a scene that has racist overtones because Mark is African American.

Captain Monroe makes dumb mistakes after dumb mistakes in his bungled efforts to capture these bank robbers. There’s a scene in the movie where Captain Monroe tells his subordinates to temporarily halt because he wants to rescue his English mastiff dog Nitro, who was unwittingly left in the back seat of one of the cars giving chase. Trivia note: Nitro’s real name is Nitro Zeus (named after a “Transformers” robot villain), and he is the real-life dog of “Ambulance” director/producer Bay, who has directed most of and produced all of the “Transformers” movies so far.

The LAPD isn’t the only law enforcement to get involved in the chase. An uptight FBI agent named Anson Clark (played by Keir O’Donnell) gets called to the scene. He gets the call while he’s in the middle of couples therapy with his husband Kyle (played by Brendan Robinson), who is very annoyed that Anson has to rush off and do his FBI job of catching criminals and trying to save people’s lives. Because “Ambulance” is such a badly made movie, Anson is the only FBI agent who’s shown doing any real work in this case.

And predictably, “new school” FBI Agent Clark (who wears suits on the job) and “old school” Captain Monroe (who wears camouflage pants and a baseball cap on the job) have opposite personalities and ways of working, so they clash with each other. But there’s an extra twist to Anson’s involvement in this case: Anson soon reveals that he knows Danny from their college days, when they both studied criminology at the University of Maryland. By the way, the law enforcement in “Ambulance” is depicted as completely incompetent and slow in doing background checks when they find out the identities of the bank robbers.

“Ambulance” tries to inject some comedy to lighten the mood of the intense violence and chase scenes, but it doesn’t erase the ugly stench of racism, sexism and overall stupid filmmaking that pollute this movie. Other than Cam, the movie’s only other female character who gets more than five minutes of dialogue is LAPD Lieutenant Dzaghig (played by Olivia Stambouliah), who talks for less than 10 minutes in the film. Her role is to be Captain Monroe’s sidekick, who delivers wisecracks in a deadpan manner.

Danny utters most of the tacky jokes in “Ambulance,” because the filmmakers want to portray Danny as an unhinged but lovable rogue who can laugh at himself and others around him. In a scene where Danny gets sprayed with a fire extinguisher, Danny is upset that the water ruined his clothing. “It’s cashmere!” Danny yells to no one in particular. During another part of the movie, Danny leads a bonkers sing-along to Christopher Cross’ 1979 hit “Sailing.”

Will is just there to follow Danny’s orders. On the surface, Will is portrayed as more sensitive and less prone to violence than Danny. However, based on who Will decides to shoot in the movie (Zach isn’t his only shooting victim), Will is not mentally stable at all. Will’s decisions actually make him look more violent and more foolish than everyone else in this bank robber crew, including Danny. Danny isn’t off the hook for dumb decisions either, because holding a wounded cop hostage after committing a bank robbery is almost a sure-fire way for criminals to get even harsher prison sentences, if the criminals aren’t killed by police during the hostage crisis.

As for Cam, she really is just another token lead female in a Michael Bay action movie, where she ends up with makeup that stays perfectly intact throughout the entire messy ordeal. Even her sweat looks polished. Sure, Cam has some fake-looking marks on her face that’s supposed to resemble dirt, and her clothes get somewhat ripped and “bloodied” in the pandemonium. But somehow, her bright red lipstick and other face cosmetic makeup never get smeared and remain perfectly contoured in ways that are unrealistic for anyone who goes through what Cam goes through in this insufferable film.

The only other Latinos with speaking roles in “Ambulance” are criminals, led by a menacing thug named Hector “Papi” Gutierrez (played by A Martinez), who owns an automobile warehouse/chop shop in downtown Los Angeles. Danny calls on Papi during the chase when Danny needs help. Papi used to work for L.T. Sharp, so he’s known Danny for a long time and is almost like an “uncle” to Danny.

And because “Ambulance” is a cesspool of empty-headed, racist clichés, there’s a buffoon African American character named Castro (played by Wale Folarin, also known as rapper Wale), who is portrayed as Danny’s most vapid subordinate. There’s a part of the movie where Danny tells Castro to meet him in a designated area to spray paint the entire exterior of the ambulance in less than two minutes, which is a dopey and unrealistic request in and of itself. Instead of bringing the requested blue paint, Castro brings neon green paint to do the job.

None of the cast members in this movie does anything great. In fact, they frequently embarrass themselves with all the junk dialogue they have to say and witless scenarios that they have to enact. “Ambulance” drags out the chase scenes to ridiculous levels, but ironically, the movie has probably the shortest time length for end credits of any major studio film released this year. That’s assuming anyone wants to stick around for the end credits after enduring this train wreck of a movie.

Anyone who is okay with this type of “entertainment” is okay with tone-deaf Hollywood filmmakers churning out bigoted and outdated content because these arrogant filmmakers think most movie audiences are too dumb to care. Needless to say, “Ambulance” is a sloppy and inferior remake of the original movie. If you care about supporting quality entertainment that doesn’t insult your intelligence, do not waste your time with “Ambulance,” which is nothing but mind-numbing trash with a major studio budget.

Universal Pictures will release “Ambulance” in U.S. cinemas on April 8, 2022.

Review: ‘The Dry,’ starring Eric Bana

June 5, 2021

by Carla Hay

Eric Bana, Keir O’Donnell and Matt Nable in “The Dry” (Photo courtesy of IFC Films)

“The Dry”

Directed by Robert Connolly

Culture Representation: Taking place in Kiewarra, Australia, and briefly in Melbourne, the dramatic film “The Dry” features a nearly all-white cast of characters (with one Aborigine and one Asian) representing the middle-class and working-class.

Culture Clash: A federal law-enforcement agent goes back to his hometown to investigate what happened in a murder case, and his investigation dredges up a tragedy from his past.

Culture Audience: “The Dry” will appeal primarily to people interested in watching suspenseful crime dramas that address issues of economic stress and social conflicts.

BeBe Bettencourt, Claude Scott-Mitchell, Sam Corlett and Joe Klocek in “The Dry” (Photo courtesy of IFC Films)

When most people who’ve moved away from their hometowns go back to visit, they usually don’t have to go back to a community where they were under suspicion for murder. But those are the circumstances faced by Australian federal law-enforcement agent Aaron Falk (played by Eric Bana) in the gripping crime drama “The Dry,” which is based on Jane Harper’s 2016 novel of the same name. More than being a murder mystery, “The Dry” adeptly depicts emotional baggage that people carry and how a hometown visit can be fraught with secrets, lies and resentment in a community teetering on economic ruin.

Directed by Robert Connolly (who co-wrote “The Dry” screenplay with Harry Cripps), “The Dry” begins with the aftermath of a grisly murder scene that’s the catalyst for one of the story’s two mysteries. The other mystery took place 20 years earlier, and it involved the drowning death of a teenage girl. The movie keeps viewers guessing until the last 15 minutes of this nearly two-hour film over whether or not these two mysteries are connected.

Aaron (who is a never-married bachelor with no kids) has a career in Melbourne as a respected investigator in federal law enforcement. He returns to his hometown of Kiewarra, which has been experiencing a drought for nearly a year and has recently been rocked by a scandalous crime that has been ruled a murder-suicide by local law enforcement. Luke Hadler (played by Martin Dingle Wall) apparently shot to death his wife Karen Hadler (played by Rosanna Lockhart) and their son Billy (played by Jarvis Mitchell), who was about 7 or 8 years old, before Luke apparently shot himself.

Through photos and flashbacks, the movie shows glimpses of what the family was like when they were alive. Luke and Karen had a baby daughter named Charlotte (played by Audrey Moore), who was spared from the massacre. Charlotte now lives with Luke’s parents Gerry Hadler (played by Bruce Spence) and Barb Hadler (played by Julia Blake), who are certain that Luke did not commit this heinous crime.

Luke was a childhood friend of Aaron, who only plans to be in Kiewarra for the funeral of Luke, Karen and Billy. Aaron never knew Karen and Billy, and he’s still in shock over the idea that Luke would commit a murder-suicide. In the beginning of the movie, it’s shown that Aaron was somewhat reluctant to go back to Kiewarra. However, Gerry called Aaron to be at the funeral. And not long after that, Aaron got a mysterious card in the mail with this ominous message: “Luke lied. You lied. Be at the funeral.”

There’s a reason why Aaron doesn’t want to be reminded of his past life in Kiewarra: When he was in his late teens, he and Luke were suspected of causing the drowning death of their teenage friend Ellie Deacon. Aaron and Luke, who both denied having anything do with the drowning, were questioned by police but never arrested because there was no proof against them. And now, the community thinks that Luke murdered Luke’s wife and son before killing himself.

The minister’s sermon at the funeral gets some quietly uncomfortable reactions when he mentions Luke (along with Karen and Billy) in the thoughts and prayers that should go to everyone who died in the tragedy. At a wake in Gerry and Barb’s home, many members of the community are there to pay their respects to Karen and Billy, but not to Luke. The atmosphere is filled with more than the usual tension and anxiety at a wake, because no one really knows how to talk about Luke when he’s the one who’s been blamed for causing this tragedy.

Some people seem to feel sympathy for Luke, because they think he might have had some mental illness that caused him to murder. But most people at the funeral and at the wake don’t feel sorry for Luke and only feel sympathy for Karen, Billy and orphaned Charlotte. Luke’s parents seem to be the only ones in town who openly state that Luke was innocent of the crime.

One person at the wake who doesn’t hesitate to badmouth Luke is Grant Dow (played by Matt Nable), a cousin of Ellie Deacon, the teenager who drowned 20 years earlier. Grant has an outburst at the wake, where he calls Luke a “murderer.” Luke’s parents Gerry and Barb are deeply offended. And shortly after the wake, Gerry and Barb implore Aaron to stay in Kiewarra to investigate this murder case and clear Luke’s name.

Aaron is hesitant to take the case because he’s feeling uncomfortable being back in Kiewarra. But he agrees to it because he also finds it hard to believe that Luke committed the crime, and he knows what it’s like to be suspected of a crime despite proclaiming innocence. During this investigation, Kiewarra (which is a primarily agricultural community) has been simmering with tension because the drought has had a devastating impact on the local economy. It’s mentioned in the beginning of the story that it’s been 324 days since it last rained.

In a story about someone going back to a hometown, there’s usually a subplot of that person seeing a former love interest. “The Dry” is no exception. When Aaron and Luke were teenagers, Luke had a girlfriend named Gretchen, but there are hints in the story that Aaron was secretly attracted to Gretchen. After Aaron and Luke fell under suspicion for Ellie’s death, Aaron and his widower father Erik Falk (played by Jeremy Lindsay Taylor, in a flashback) abruptly moved away from Kiewarra.

And as what often happens with people who knew each other in high school, Gretchen and Aaron just never stayed in touch with each other. The movie has several flashbacks of teenage Aaron (played by Joe Klocek), Gretchen (played by Claude Scott-Mitchell), Luke (played by Sam Corlett) and Ellie (played by played by BeBe Bettencourt) on double dates with each other, including the fateful day that Ellie drowned. In these flashbacks, it’s shown that Ellie was attracted to Aaron, and he had feelings for her too, but perhaps not as strong as the feelings that Aaron had for Gretchen.

Luke is portrayed as the extroverted “alpha male” of the group, while Aaron was the more introverted “beta male.” Gretchen seems to share Luke’s adventurous spirit, while Ellie is more of the bookish type, similar to Aaron’s personality. During the flashback scenes, Ellie sings what appears to be one of her favorite songs: The Church’s 1988 international hit “Under the Milky Way.” This song is used as a mood piece during various parts of the film.

Gretchen (played by Genevieve O’Reilly) is now a farmer and a single mother to two underage sons. (Gretchen is reluctant to talk about her children’s father.) And when Gretchen and Aaron see each other for the first time in more than 20 years, romantic sparks fly between them. Aaron tries to keep a professional distance from Gretchen during his investigation, but adult viewers can easily predict that Aaron and Gretchen are eventually going to do something about the sexual tension between them.

Several people cross paths with Aaron during this investigation. Viewers will be intrigued to try and figure out which one might or might not be crucial in solving either or both mysteries. And the movie also keeps viewers guessing over whether or not Aaron really did have something to with Ellie’s death.

The other characters in the story include:

  • Greg Raco (played by Keir O’Donnell), the local police sergeant in Kiewarra who is the chief investigator in the deaths of Luke, Karen and Billy.
  • Rita Raco (played by Miranda Tapsell), Greg’s pregnant wife who is worried about the hazards of her husband’s job.
  • Jamie Sullivan (played by James Frecheville), a local property manager who was with Luke on the afternoon that the murders took place later that day.
  • Scott Whitlam (played by John Polson), the headmaster of Kiewarra Primary School, where murder victim Karen was an administrator who handled accounting.
  • Sandra Whitlam (played by Renee Lim), Scott’s wife whose daughter (played by Angela Rosewarne) was a friend of Luke and Karen’s son Billy.
  • Mal Deacon (played by William Zappa), Ellie’s father who is very angry and bitter over Ellie’s death.

Jamie has a solid alibi for the time period that the murders happened, so he is not a viable suspect. Police segreant Greg is helpful to Aaron during the investigation, and he seems determined to prove that he’s not a country bumpkin cop. Meanwhile, Aaron has a few unpleasant run-ins with Ellie’s father Mal and Ellie’s cousin Grant, who taunt and insult Aaron for daring to being in Kiewarra again.

Mal and Grant are very vocal in telling other people that Aaron and/or Luke killed Ellie and that both of them covered up the crime. These suspicions have been fueled because Aaron and Luke were the last known people to see Ellie alive. Aaron and Luke were each other’s alibi during the time that Ellie is believed to have drowned, but certain people think that the alibi was fabricated.

As a trained investigator of crime, Aaron thinks that in all likelihood, the killings that took place in Luke and Karen’s home were committed by someone who knew the family and someone who’s still in the community. He doesn’t think that a random stranger came to town to commit these murders. And so, the list of likely suspects isn’t that large in this story.

“The Dry” isn’t a typical police procedural, because Aaron is in an awkward position of being a both a native and an outsider in Kiewarra. His visit has brought back painful memories for him that might or might not cloud his judgment in the investigation. And there’s also a question that any reasonable person might ask: Can Aaron really be objective in investigating a murder case involving his former best friend, especially when he and that best friend were suspected of causing someone else’s death?

It’s a lot of personal history and past trauma to unpack, but fortunately “The Dry” doesn’t get too heavy-handed with its approach. A lot of the film’s nuance has to do with Bana’s quietly effective performance as someone who has run from his past but is now forced to confront it. The other cast members also give credible performances, but the movie’s emotional core is with Bana’s depiction of Aaron. Bana delivers a very good balancing act of someone who wants to remain stoic on the outside but who can’t ignore the turmoil that he has on the inside.

The crime-solving aspects of the story are also done well, although after a while, it’s fairly easy to figure things out in the Hadler family murder mystery, based on how certain likely suspects act. The mystery of the Hadler family murders is much easier to deduct than the mystery of Ellie’s drowning. Both of these mysteries’ revelations at the end of the movie are not entirely shocking, but they’re definitely realistic. In “The Dry,” the drought isn’t the only thing plaguing the community, which has been caught in a stagnation of gossip and stereotypes over who should and shouldn’t be trusted.

IFC Films released “The Dry” in select U.S. cinemas, on digital and VOD on May 21, 2021. The movie was released in Australia on January 1, 2021.

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