Review: ‘Asian Persuasion,’ starring Dante Basco, KC Concepcion, Kevin Kreider, Celia Au, Scarlet Sherr, Jax Bacani, Geneva Carr and Paolo Montalban

March 31, 2025

by Carla Hay

Pictured clockwise, from left: Paolo Montalban, Celia Au, Dante Basco, KC Concepcion and Kevin Kreider in “Asian Persuasion” (Photo courtesy of Scatena & Rosner Films)

“Asian Persuasion”

Directed by Jhett Tolentino

Culture Representation: Taking place in New York City, the comedy film “Asian Persuasion features a predominantly Asian group of people (with some white people and African Americans) representing the working-class and middle-class.

Culture Clash: A divorced father schemes to find a new husband for his ex-wife so he doesn’t have to pay her any more alimony.

Culture Audience: “Asian Persuasion” will appeal primarily to people who are fans of the movie’s headliners and old-fashioned but likable romantic comedies.

Scarlett Sher in “Asian Persuasion” (Photo courtesy of Scatena & Rosner Films)

“Asian Persuasion” has some outdated dialogue and utter predictability, but this romantic comedy gets by on earnest charm. It’s a story about an ex-husband who plays marital matchmaker for his ex-wife so his alimony payments can end. The cast members have believable chemistry with each other, which makes up for some uneven acting.

Directed by Jhett Tolentino and written by Mike Ang, “Asian Persuasion” is Tolentino’s feature-film directorial debut. The movie takes place in New York City and is centered around a group of Filipino American friends. A lot of the movie has characteristics (including the music score) that’s reminiscent of a family sitcom, but some of the language (cursing) and some of the subject matter (sex talk) are adult-oriented.

“Asian Persuasion” begins by showing coffee shop owner Mickey De La Santos (played by Dante Basco) signing divorce papers to officially end his marriage to fashion designer Avery Chua (played by KC Concepcion), who is seated with her attorney across the table from Mickey. Mickey, who doesn’t have a divorce attorney, let Avery have everything she wanted in the divorce settlement. He barely wants to look at the divorce papers before he signs them.

Mickey and Avery have a 10-year-old daughter together named Sam (played by Scarlet Sherr), who is inquisitive and adorable. Avery has full custody of Sam, while Mickey has visitation rights. It’s later revealed that Mickey and Avery’s marriage ended because he was resentful that her career has been more successful than his. Mickey’s dream was to open his own restaurant, but he gave up on that dream sometime after Sam was born.

After the divorce papers are signed, Mickey’s best friend Caspian “Cass” Jang (played by Kevin Kreider), a commitment-phobic bachelor who works as a bartender, mildly scolds Mickey for not having a divorce attorney because Cass thinks Mickey got a raw deal in the divorce settlement. About half of Mickey’s income will go to pay for Avery’s alimony. Avery also has other expenses, such as child support and rent for his small apartment and small coffee shop in New York City’s Queens borough.

Mickey and Cass celebrate Mickey’s divorce by getting drunk and stoned on marijuana at Mickey’s apartment while Sam is asleep in a nearby bedroom. The next morning, Mickey finds out that in his intoxicated state of mind the night before, he created a dating app profile for Avery. Her account already has several replies from potential suitors.

Cass thinks it’s an opportunity for Mickey to find a new husband for Avery so Mickey will no longer have to pay alimony. Mickey is persuaded to give this idea a try. They find a potential suitor for Avery when a Wall Street executive named Lee-Kwan Prince (played by Paolo Montalban), who goes by the nickname Lee, responds to Avery’s profile. Lee is admittedly socially awkward.

Mickey pretends to be Avery online, and shows up for the blind date to meet Lee, who is shocked and disgusted when Mickey tells Lee about his plan. But then, Lee changes his mind because he’s very attracted to Avery, and Mickey has offered to coach Lee on how to win over Avery. Mickey advises Lee on where Lee should take Avery on dates.

It leads to some very corny slapstick scenes of Mickey feeding Lee things to say through an earpiece in date conversations with Avery. Mickey, sometimes accompanied by Cass, does surveillance of these dates from afar in ridiculous disguises. In one of the disguises, Mickey wears a big hat, sunglasses and very large, fake-looking moustache.

The movie has flashbacks to the relationship that Mickey and Avery had before their marriage fell apart, beginning with their “meet cute” at an outdoor party where Mickey accidentally set a Tiki bar on fire. These flashbacks (which include scenes from their marriage) show that Mickey and Avery met when they were both college students and found out that they had a lot in common. Avery and Mickey had shared goals of being successful in their respective chosen careers.

Avery strived to be a fashion designer with her own product line and fulfilled that goal. Mickey, who has culinary skills, had ambitions to be a successful restaurateur, but those ambitions fell by the wayside and he became lazy when it came to his career and his marriage. Avery tried to encourage him to still pursue his dreams, but Mickey interpreted this encouragement as nagging.

The couple was overjoyed by the birth of Sam, a child who was very much wanted by Avery and Mickey. The couple also weathered some tough times, such as the deaths of Mickey’s parents. A breaking point in the marriage was when Mickey became verbally abusive to Avery during an argument and called her a “bitch.” These flashbacks bring some emotional resonance to a movie that is sometimes a little shallow in its presentation.

Some of the supporting characters are very underdeveloped and just say their lines and then are never seen again. For example, Avery’s mother Imelda Chua (played by Fe de los Reyes) comes to visit, but Imelda’s scenes are so inconsequential, her scenes could’ve been cut from the movie, and it wouldn’t have made a difference to the story. Cass has an ex-girlfriend named Helene Dubois (played by Geneva Carr) who is seen in the beginning and the end of the movie, with not much context to their relationship except that they broke up because Cass didn’t want to commit to dating her exclusively.

However, other supporting characters are better-developed. Avery runs her fashion business with her best friend Lisa (played by Celia Au), a bachelorette who talks openly about her sex life. Au has terrific comedic timing, and her performance is one of the movie’s highlights. Kreider also does well in his role as Mickey’s best friend Cass. Basco and Concepcion do good jobs in showing nuances in their performances as Mickey (who isn’t always as goofy as he appears to be) and Avery (who isn’t always as serious as she appears to be), who are navigating their lives after their divorce.

The movie falters when it has some scenes that look like they came from a 1990s sitcom. For example, there’s a scene where Mickey chastises a teenager he knows named Dennis (played by Imani Hanson) because Dennis is selling candy outside of Mickey’s coffee shop. Mickey has asked Dennis before to stop loitering in front of the shop. Mickey says to Dennis in a good-natured tone: “You better check yourself before you wreck yourself, Kris Kross.” That’s a line what might have worked in 1992, when hip-hop duo Kris Kross was a big deal, but this movie is supposed to take place in the 2020s.

“Asian Persuasion” gets the job done fairly well, in terms of what people can expect for a low-budget romantic comedy with this concept. There are some delightful references to Filipino culture and Asian American identities, as well as candid talk about interracial relationships, such as Cass’ admitted preference for dating white women. The movie avoids being too saccharine sweet by having some raunchy jokes. Ultimately, “Asian Persuasion” is mostly light-hearted entertainment that is the cinematic equivalent of comfort food for people inclined to like romantic comedies about finding and keeping true love.

Scatena & Rosner Films released “Asian Persuasion” in select U.S. cinemas on March 21, 2025. The movie will be released on digital and VOD on May 27, 2025. “Asian Persuasion” had a limited-engagement release in New York City on December 8, 2023.

Review: ‘Hello, Love, Again,’ starring Kathryn Bernardo and Alden Richards

November 20, 2024

by Carla Hay

Alden Richards and Kathryn Bernardo in “Hello, Love, Again” (Photo courtesy of Star Cinema)

“Hello, Love, Again”

Directed by Cathy Garcia-Sampana

Tagalog with subtitles

Culture Representation: Taking place from 2019 to 2024, in Hong Kong and in Canada, the dramatic film “Hello, Love, Again” (a sequel to the 2019 film “Hello, Love, Goodbye”) features a predominantly Asian cast of characters (with some white) representing the working-class and middle-class.

Culture Clash: An aspiring nurse and a bar owner have an on-again/off-again romance and issues over where they want to live.

Culture Audience: “Hello, Love, Again” will appeal mainly to people who are fans of the movie’s headliners, the movie “Hello, Love, Again” and romantic dramas with entertaining characters.

Kathryn Bernardo and Alden Richards in “Hello, Love, Again” (Photo courtesy of Star Cinema)

“Hello, Love, Again” is an enjoyable but not perfectly made sequel to 2019’s “Hello, Love, Goodbye.” This sequel should please fans who want a certain ending to this romantic drama, which has light touches of comedy. The on-again/off-again couple in this story have the same problems but in a different country. In “Hello, Love, Goodbye,” most of the movie takes place in Hong Kong. In “Hello, Love, Again,” most of the movie takes place in Canada.

Cathy Garcia-Sampana (formerly known as Cathy Garcia-Molina) directed “Hello, Love, Goodbye” and “Hello, Love, Again” and co-wrote both movies. For “Hello, Love, Goodbye,” the other co-writers are Carmi G. Raymundo, Crystal Hazel San Miguel and Rona Co. For “Hello, Love, Again,” the co-writers are the same, except for Co, who is not one of the writers.

In both movies, the couple at the center of the story are headstrong Joy Marie Fabregas (played by Kathryn Bernardo) and romantic Ethan del Rosario (played by Alden Richards), who are of Filipino heritage but are living in countries other than the Philippines. In “Hello, Love, Goodbye,” Joy and Ethan both lived in Hong Kong, but Joy wanted to move to Canada to become a nurse. Ethan is a bartender who becomes a bar owner.

“Hello, Love, Goodbye” took place in 2019. And (mild spoiler alert) even though Joy and Ethan declared their love for each other, they parted ways at the end of the film because Joy moved to Canada, but they promised to visit each other when they could. “Hello, Love, Again” takes place in 2024 but has some flashbacks from 2019 to 2023. A turning point in Joy and Ethan’s relationship happened when Ethan went to visit Joy in Canada in March 2020, not long before the COVID-19 pandemic lockdowns. Joy Marie and Ethan have a catch phrase—”I don’t love you”—when what they really mean is “I love you.” They also have stop watches that are of special significance to them.

In the beginning of “Hello, Love, Again,” Joy, who now uses her middle name Marie, works as a health care assistant at a nursing home facility in Calgary, Canada. She now wants to move to the U.S., where she hopes to get a better-paying job. Through a series of circumstances, Ethan ends up working at the same nursing facility. Ethan has some visa problems, so Joy Marie and Ethan pretend to be in a common-law marriage so he can stay in Canada. The movie is somewhat repetitive but still a very watchable journey of whether or not Ethan and Joy Marie will get back together.

If you’ve seen enough of these movies, you probably know what to expect. The two lovebirds have meddling friends, family members and rivals who cause confusion, jealousy or manipulations in their relationship. Ethan’s best friend Jhim Gabriel (played by Joross Gamboa) wants Joy Marie and Ethan to get back together. Joy Marie has a new love interest named Uno (played by Kevin Kreider), who lives in New York and wants her to move to New York. Meanwhile, a woman named Baby (played Jennica Garcia) has a romantic interest in Ethan.

In “Hello, Love, Goodbye,” Joy Marie’s father Celso Fabregas (played by William Lorenzo) had a prominent role in the movie, but in “Hello, Love, Again,” Celso is deceased and seen in flashbacks. Meanwhile, “Hello, Love, Again” has a flashback subplot about Ethan’s father Mario Del Rosario (played by Lito Pimentel) having a life-threatening health issue. The other family members who make appearances in “Hello, Love, Again” are Ethan’s younger brothers Edward del Rosario (played by Jameson Blake) and Eric del Rosario (played by Anthony Jennings); Joy Marie’s younger brother Joey (played by Wilbert Ross); and Joy Marie’s cousin Mary Dale Fabregas (played by Maymay Entrata).

Joy Marie’s friend in Calgary also get involved in and gossip about her love life. These pals include outspoken Amy (played by Ruby Rodriguez), who has a introverted teenage son named Tonton (played by Eric Jhon Balajadia) and gay husbands Marc (played by Mark Labella) and Marvin (played by Marvin Aritrangco). Other characters in “Hello, Love, Again” include Jhim’s goofy uncle Tito Lino (played by Jobert Austria) and a widow named Martha (played by Wendy Froberg), who has a dementia and is a nursing home patient who becomes close to Joy Marie.

Bernardo and Richards carry “Hello, Love, Again” with their charismatic performances, although the movie’s overall acting and the dialogue are sometimes clunky. Some of the supporting characters didn’t need to be in the movie and are just part of the clutter of people who have something to say about what Joy Marie and Ethan should do about their relationship. “Hello, Love, Again” has just the right amount of comedy to offset the melodrama in ways that are sweet and romantic—ultimately delivering what fans of this franchise can expect.

Star Cinema released “Hello, Love, Again” in U.S. cinemas on November 15, 2024. The movie was released in the Philippines on November 13, 2024.

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