Review: ‘Altered Reality’ (2024), starring Tobin Bell, Charles Agron, Alyona Khmara, Krista Dane Hoffman, Ed Asner and Lance Henriksen

February 17, 2024

by Carla Hay

Charles Agron and Lance Henriksen in “Altered Reality” (Photo courtesy of K Street Pictures)

“Altered Reality” (2024)

Directed by Don E. FauntLeRoy

Culture Representation: Taking place in an unnamed U.S. city, the sci-fi/drama film “Altered Reality” features a predominantly white cast of characters (with a few African Americans, Asian and Latin people) representing the working-class, middle-class and wealthy.

Culture Clash: A medical research executive, whose daughter has been kidnapped and murdered, discovers a way to go back in time and change events. 

Culture Audience: “Altered Reality” will appeal primarily to people who are interested in watching time-traveling movies, no matter how incoherent and poorly made they are.

Krista Dane Hoffman and Alyona Khmara in “Altered Reality” (Photo courtesy of K Street Pictures)

Plagued by a disjointed screenplay, horrible acting and unfocused direction, “Altered Reality” is a muddled drama about time traveling and a mystery of a murdered girl. The movie concludes with an unimaginative ending that looks rushed and tacked-on, in order to pander to what the filmmakers think would be the most crowd-pleasing outcome. The only altered reality is the filmmakers thinking this low-quality film is any good.

Directed by Don E. FauntLeRoy and written by Charles Agron, “Altered Reality” takes place in an unnamed U.S. city. (The movie was actually filmed in Georgia.) It begins by showing a girl, who’s about 5 or 6 years old, sitting by herself and a table in a wooded area near her house, as she is making some drawings. Someone dressed entirely in black, including a hooded sweatshirt, appears to be stalking her.

Viewers soon find out that the girl’s name is Katy Cook (played by Quincy Faler), and she has been kidnapped by this stalker. “Altered Reality” tells the sequence of events in a very jumbled way, but viewers who are paying attention will see what led up to this kidnapping. It’s also revealed in the “Altered Reality” trailer that Katy was murdered.

Katy’s parents are a business executive named Oliver Cook (played by Agron) and a homemaker named Caroline Cook (played by Alyona Khmara), who were experiencing some marital problems even before Katy was abducted. Oliver is the owner and leader of a medical research company that is developing medication that can cure terminal illnesses. He is a workaholic who spends a lot of time away from home.

Oliver’s workaholic ways have put a strain on his marriage to Caroline and his relationship with Katy. Caroline feels neglected, and she suspects that Oliver has been cheating on her, because she notices that he gets calls and text messages on his phone from women she doesn’t know. It’s also mentioned at one point that Katy has been feeling depressed because she thinks Oliver doesn’t love her.

On the day that Katy disappeared, Oliver had promised that he would go bike riding with Katy. But instead, he backed out of that promise and was celebrating at a party with work colleagues because his company has had a major breakthrough in its research. Clinical trial results have shown that the company’s medication has cured all 5,000 people with terminal illnesses who were part of the most recent clinical trial.

In a meeting that previously took place between Oliver, the company’s cynical attorney Cooper Mason (played by Tobin Bell) and two other people named Dr. Ross (played by Demi Castro) and Spencer Ross (played by Kamran Shaikh), Oliver finds out that the medication (which comes in the form of pills) can be sold for $50,000 per pill. The company is expected to make billions of dollars after it goes public. Oliver and Cooper are understandably ecstatic, as Oliver tells Cooper how Oliver plans to spend some of these probable riches.

At the same time that Oliver was celebrating this business success at a party, Katy had been kidnapped. Caroline feels guilty because she had been looking after Katy but had taken her eyes off of Katy for only a few minutes. Caroline frantically tried to reach Oliver by phone many times after Katy went missing, but he ignored her messages because he was too busy partying with his colleagues.

Oliver eventually gets Caroline’s messages and rushes home. But it’s too late. Katy has disappeared, and there are no clues about who kidnapped her and why. The movie shows that nine months later, Katy kidnapping is still a mystery, with no progress in the case, although Oliver eventually finds out that Katy has been murdered.

In the nine months since the kidnapping, Oliver has become very wealthy because of his company’s “miracle drug.” However, Oliver and Caroline are heartbroken and feel guilty over the disappearance of Katy and have not given up hope of finding her. The marriage of Caroline and Oliver has been unraveling because Oliver has been coping with his grief by spending even more time away from home than he did before Katy’s kidnapping.

One of the things that Oliver did after he became rich is buy a bed-and-breakfast resort called Spring Manor, a place that has happy memories for him because he has been going there every year since he was a child. Oliver continued the tradition after he became a husband and father. His attorney Cooper advised that Oliver should not buy Spring Manor, which Cooper described as “a bottomless pit of repair bills,” but the sentimental value of Spring Manor had too much appeal to Cooper, so he bought the property anyway.

The Spring Manor parts of the plot are among the weakest links in an already poorly constructed screenplay. At Spring Manor, Oliver has been friendly for years with the manor’s elderly custodian Jack (played by Lance Henriksen), who is obviously a ghost, as viewers see when Jack shows an ability to vanish and appear suddenly. Oliver is so unobservant, he doesn’t think it’s strange that Jack appears out of nowhere like a ghost.

Jack also claims to have known Oliver’s ancestors who died hundreds of years ago. Oliver marvels out loud to Jack about how Jack has looked the same the entire time that Oliver has known Jack. “How do you do it?” Oliver asks Jack about why Oliver doesn’t seem to get older. Jack replies, “I see a lot of strange things here.” Oliver says, “It’s the energy of this place.”

As soon as these things are revealed, you just know that Jack has some secrets that have to do with Oliver’s ancestors, and there will be a time-traveling element that centers on Spring Manor. The cinematography lighting turns brown in the time-traveling scenes. It’s all so hokey and predictable. The musical score by Andrew Morgan Smith is trying to evoke noirish thrillers from the 1950s, but it sounds very out-of-place in a movie that takes place mostly in the 2020s.

One day, Oliver and Jack are having a private conversation outside at Spring Manor. Jack takes out a pill bottle after Oliver says he has a headache, and he gives Oliver a pill. Jack tells Oliver to take the pill only after Oliver finds out what the ingredients are. Oliver says he’s had these headaches for a while—and the reason why he has these headaches is the most obvious reason when Oliver predictably finds out that he can time travel. It takes an awfully long time in the movie (after two-thirds of the movie have passed) before he discovers this time-traveling ability.

After Oliver gets this pill from Jack, there’s trouble in the Cook household when Oliver comes home to find out that a woman (whose face isn’t on camera in this scene) is in the living room, is claiming to be Oliver’s mistress, and has exposed their alleged affair to Caroline. This self-described mistress shows Caroline proof on her phone that Oliver has been cheating on Caroline. Caroline is devastated and immediately tells Oliver that she wants a divorce. This scene is shown early in the movie’s jumbled timeline, and the scene is revisited much later to reveal the identity of this “mistress.” This identity reveal is also no surprise.

Oliver is so distraught over Caroline wanting a divorce, he becomes suicidal. Before he goes somewhere with the intent to hang himself, he stops off at a strip club and gives a wad of cash to a stripper named Brittany, whose stage name is Vixen (played by Kayla Adams), and he tells her to use to money for the future college education of Brittany’s underage daughter. Oliver met Brittany on the night he went to this strip club with Cooper and Cooper’s date Alex Parker (played by Krista Dane Hoffman, also known as Krista Dane King), a seductive fashion executive who happens to know Caroline casually because they’re in the same yoga class.

All of these storylines and subplots are shown or explained in a very messy way in “Altered Reality,” which clumsily mishandles flashbacks with sloppily edited scenes that take place in the present day. There’s also a pivotal plot development involving someone from the past named Kate (played by Kate Reilly), who has a personal connection to certain people in the story. Ed Asner shares top billing in “Altered Reality,” but his screen time in the movie (as Jack’s family member Mike Wilson) consists of less than five minutes.

As the writer, star and one of the producers of “Altered Reality,” Agron looks like he made a vanity project, because his acting performance is among the worst in a movie filled with bad acting. The movie tries to blend several different story ideas into one big concept, but it just doesn’t work, like pieces of a puzzle that don’t fit. Even without all the plot holes and unanswered questions, “Altered Reality” is a very dull movie that’s supposed to be a sci-fi thriller but is really just a sci-fi clunker.

K Street Pictures released “Altered Reality” in select U.S. cinemas on February 16, 2024.

Review: ‘On Fire’ (2023), starring Peter Facinelli, Fiona Dourif, Asher Angel and Lance Henriksen

October 7, 2023

by Carla Hay

Asher Angel, Peter Facinelli and Fiona Dourif in “On Fire” (Photo courtesy of Cineverse)

“On Fire” (2023)

Directed by Peter Facinelli and Nick Lyon

Culture Representation: Taking place in the fictional city of Colberg, California, the dramatic film “On Fire” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: During a forest fire that rages through more than one city, a building construction worker disregards warnings not to go into the fire, so that he can rescue his family members who are trapped. 

Culture Audience: “On Fire” will appeal primarily to people who like suspsenseful movies about forest fires.

Lance Henriksen and Peter Facinelli in “On Fire” (Photo courtesy of Cineverse)

“On Fire” is a mostly credible depiction of a family trapped in a forest fire. This adrenaline-packed drama, which has solid acting and serviceable visual effects, is a blend of predictable and unpredictable. Along with the family crisis are various attitudes about the correlation between climate change and forest fires.

Written and directed by Peter Facinelli and Nick Lyon, “On Fire” has a simple concept but it does fairly well in stretching out the concept into a briskly paced 80-minute movie. Lyon and Ron Peer co-wrote the “On Fire” screenplay. It’s the type of movie that will never be considered for any major awards, but it’s not a bad way to pass the time for viewers who are looking for a movie that does a good job of balancing the natural disaster aspects of the story with the human relationship aspects of the story.

“On Fire” starts off by letting viewers get to know the family at the center of the story, which takes place mostly within a 24-hour period. In the fictional city of Colberg, California, the Laughlin family lives in a fairly isolated wooded area. (“On Fire” was filmed on location in Northern California.) The family members are tight-knit but have their share of conflicts and squabbles.

Married couple Dave Laughlin (played by Facinelli) and Sarah Laughlin (played by Fiona Dourif) have a loving marriage. Dave has recently started his own building construction business, which hasn’t been profitable yet. It’s caused some tension in his otherwise happy marriage. Sarah thinks Dave should consider doing a job where he can make money, but Dave doesn’t want to give up his struggling construction business.

Sarah, who is eight months pregnant, is working during her pregnancy in some sort of customer-related job where she has to wear a name tag and be on her feet for hours. Whevever she works, either the place does not offer paid maternity leave to full-time employees, or Sarah works there part-time and doesn’t qualify for maternity leave. Sarah has to work because she and Dave are heavily in debt, mainly because of the costs of starting his business.

Dave and Sarah live with their teenage son Clay Laughlin (played by Asher Angel), who is in his last year of his high school. Clay, who is good guy, is a talented athlete on his school’s track team. Also living in the household is Dave’s 80-year-old widower father George Laughlin (played by Lance Henriksen), who uses an oxygen tank. George has respiratory problems because he’s been a heavy smoker for years.

George is cranky and rude, usually to Sarah, because he resents the fact that she won’t let George smoke cigarettes, and she monitors other things about his health. During an argument between Sarah and George, he calls her a “bitch.” Sarah gets upset, while Dave comforts her. Dave tells Sarah that George is difficult with Sarah because Sarah reminds George of George’s late wife Rosemary, who was also strong-willed and outspoken.

In the few hours leading up to the forest fire that reaches Colberg, the family smells smoke from a forest fire going on in the nearby city of Parker. All the news reports are saying that Colberg is not in any immediate danger, because a ravine separates Parker and Colberg. There also hasn’t been a forest fire in Colberg for at least 40 years.

However, members of the Laughlin family notice some other warning signs (besides the overwhelming smell of fire smoke) that Colberg will soon be in danger from the forest fire. A huge flock of birds are seen fleeing in the opposite direction of Colberg. The sky also starts to get darker from smoke, even though it’s still in the afternoon.

Dave doesn’t want to take any chances, so he goes to the nearest hardware store to stock up on fire safety supplies. The store’s owner Marv (played by Glenn Morshower) is one of the people who says he’s not worried about the fire reaching Colberg. Dave, who already owes the hardware store some money, tells Marv to put all the supplies that Dave gets on Dave’s running tab of debt.

Of course, it’s no secret that the fire does reach Colberg. It happens so quickly, residents barely have time to evacuate when the emergency alert is sent. The fire in Colberg is later identified as a spot fire, which is ignited by embers that float from the perimeter of the main fire.

After leaving the hardware store, Dave frantically drives toward his home to help his family evacuate, but there’s a police roadblock in the way, because it’s unsafe to go back into that part of the woods. Dave desperately tells the police officers at the roadblock that his family needs help evacuating. Dave is told a rescue team can go to Dave’s family, but Dave gets impatient and drives through the roadblock.

The rest of “On Fire” shows many obstacles that the Laughlin family members experience in their attempts to go to a safe area. There are car-related mishaps, cell phones that can’t work because the fire is affecting cell phone towers, and more than a few injuries. In addition, as the fire rages around them, there’s the danger of smoke inhalation. Sarah’s pregnancy is also a major concern.

Interspersed with scenes of the Laughlin family’s ordeal are scenes of a 911 operator named Kayla (played by Ashlei Foushee) taking phone calls from scared and confused people who are trapped in the fire. It’s Kayla’s second week on the job. Although she keeps calm while he’s on the phone with callers, the movie shows how the stress starts to get to Kayla when she’s not on the phone.

“On Fire” doesn’t get preachy about climate change, but the movie does show how people have different views about how climate change can be connected to an increase in forest fires. Current scientific research shows that global warming creates an environment that makes it easier for forest fires to start and spread. Marv is the type of person who is basing his opinions on how things were in the past, instead of acknowledging current science. Dave is the type of person is more open to looking at the current science of the environment, because his work in building construction depends a lot on environmental issues.

“On Fire” makes good use of its low budget and a relatively small number of cast members to make the movie an engrossing experience if viewers don’t have high expectations. Not everything in the movie looks completely realistic. The smoke inhalation issue would be a lot more serious in real life, compared to how it looks in the movie. And some of the dialogue and scenes are a little corny, especially toward the end. However, “On Fire” delivers an engaging and memorable story about a family who have to fight for their lives during a natural disaster.

Cineverse released “On Fire” in U.S. cinemas on September 29, 2023.

Review: ‘Alpha Rift,’ starring Aaron Dalla Villa and Lance Henriksen

December 6, 2021

by Carla Hay

Aaron Dalla Villa, Lance Henriksen and Graham Wolfe in “Alpha Rift” (Photo courtesy of Vertical Entertainment)

“Alpha Rift”

Directed by Dan Lantz

Culture Representation: Taking place in an unnamed U.S. city, the action film “Alpha” features a predominantly white cast of characters (with a few African Americans) representing the working-class, middle-class and wealthy.

Culture Clash: An employee of a store that sells fantasy games finds out that he’s the heir to a mystical dynasty of knights who fight the devil’s apostles. 

Culture Audience: “Alpha Rift” will appeal primarily to people who are don’t mind watching bottom-of-the-barrel independent movies that are terrible on every single level.

Chris James Boylan and Philip N. Williams in “Alpha Rift” (Photo courtesy of Vertical Entertainment)

Inspired by fantasy video games, “Alpha Rift” is so shoddily made, it makes the most primitive video games from the 1980s look like masterpieces in comparison. What an embarrassing, amateur-looking mess. There are kids who come up with better-made YouTube videos in their backyards than the cinematic vomit that is “Alpha Rift.” Just like vomit, “Alpha Rift” is a regurgitation that just plain stinks.

Written and directed by Dan Lantz, “Alpha Rift” has absolutely no innovation or surprises. The movie is awful in every single way: The acting is horrendous. The screenplay is an abyss of dull predictability. And the movie’s technical elements (directing, cinematography, editing, visual effects, etc.) have all the clumsiness and repellent qualities of being stuck next to a loud, drunken and boorish person who talks gibberish and tells bad jokes non-stop for 94 minutes, which is the total running time of this disgrace to quality filmmaking.

If you must know what “Alpha Rift” is about—in case you might want to torture yourself by watching this dreck—it’s basically a muddled mess of a story about how an annoying and immature guy in his 20s named Nolan Parthmore (played by Aaron Dalla Villa) finds out that he’s the heir to a dynasty descended from four mystical knights from centuries ago. The four original knights in this dynasty battled 12 devil apostles that can possess the bodies of human beings.

And you know what that means: Somehow, one of the demons has been let loose. And only Nolan can save everyone. But first, there’s a lot of time-wasting antics and hammy over-acting that pollute the screen until the movie’s inevitable ending that can’t come soon enough. The knight costumes look like a ripoff/unintentional parodies of Stormtrooper uniforms from the “Star Wars” series.

Nolan works at a store called Tiki Board Games, whose specialty is fantasy board games. (“Alpha Rift” takes place in an unnamed U.S. city, but the movie was actually filmed in various cities in Pennsylvania.) Whoever owns the store was dumb enough to put Nolan in charge as the manager. Nolan is one of those people who think he’s clever and witty, but what he considers “jokes” are just a series of pathetic one-liners.

The only co-workers who are seen with Nolan in the store are two other obnoxious staffers: Lewis (played by Christopher Ullrich) and Gabby (played by Rachel Nielsen), who are also in their 20s and insufferably smug. Lewis likes to yell at customers who don’t follow the rules of the board games when they’re playing demo games in the store. Gabby, who dresses like she’s stuck in a grunge music video from the 1990s (she wears pigtails and a wool ski cap), is bitter and sarcastic.

Gabby doesn’t like it when “cougar” older women customers flirt with Nolan. And you know what that means: Gabby has a crush on Nolan, but she doesn’t want to admit it. Nolan secretly likes her too. Lewis teases Gabby and Nolan about when these two would-be lovebirds are finally going to get together. Gabby and Nolan deny that they have romantic feelings for each other. You know where this is all going, of course.

Meanwhile, the movie’s opening scene shows three thieves breaking into a vault that’s supposed to contain priceless artifacts and jewelry. However, “Alpha Rift” is so cheap-looking, the vault’s “treasures” just look trinkets that could be found at a garage sale or a flea market. The three burglars are bossy heist leader Russell (played by John Groody), antsy Pavlov (played by Chris James Boylan) and hulking Blades (played by Philip N. Williams).

They have come to steal gold coins. Apparently, the coins are the only things in the vault that are untraceable, since the coins can be melted and sold for cash. But things go wrong during this burglary, of course.

Blades picks up a green transparent jewel (that really looks like it’s made of glass) that’s about the size and shape of an ostrich egg, and he accidentally drops it. Green mist (with some of the cheesiest-looking visual effects you’ll ever see in a movie) comes pouring out and immediately kills Russell and then seeps into the body of Blades. The mist bypasses Pavlov, even though he’s seen visibly shaking in a corner.

Suddenly, Blades’ eyes turn green (more laughably bad visual effects), and his eyes bug out, to make it obvious that the green mist is demonic, and Blades is now possessed. For the rest of the movie, Blades essentially goes on a rampage and becomes the chief villain who must be defeated and destroyed. The casting of this Blades character is racially problematic because he’s the movie’s only African American character with a significant speaking role, and the movie literally makes him the biggest demon. The only other African Americans in the movie are Lewis (who has an angry temper) and a fellow gang member who’s just there for the fight scenes. It’s all just lazy and negative stereotyping.

Somehow, Pavlov makes it back to the gang headquarters (which is at a local bar) with the coins. He gives the coins to the gang leader: a brooding Russian named Rilek (played by Peter Patrikios), who doesn’t have long to enjoy this burglary haul when Blades storms into the place and starts attacking his former cronies. Rilek finds out that shooting guns at Blades won’t stop Blades, whose voice has changed to a distorted and deep echo from the tacky audio effects used in the movie.

A panicked Pavlov tells Rilek what happened in the vault with the green mist and that Blades is possessed by a demonic spirit. Rilek is skeptical at first, but then he becomes convinced that Pavlov is telling the truth. Blades’ rampage continues when he literally crashes through the door of Tiki Board Games, as if he senses that Nolan is there.

A female customer named Kate (played by Allyson Malandra) tells Nolan to put on a knight’s helmet that she happens to have right there. Nolan puts on the helmet, and he finds out that he has superhuman strength and fighting abilities when he wears the helmet. Nolan fights Blade in self-defense. But then, inexplicably, Blades runs off in a panic. Actually, the only explanation for Blades to run away is to stretch out the total running time of this boring movie.

Nolan is so exhausted by this fight that he passes out. Nolan wakes up to see that he and Gabby are now in the mansion of a mysterious, elderly man named Corbin (played by Lance Henriksen), who tells Nolan that he’s been looking for Nolan for years and that the knight’s helmet given to Nolan is 1, 247 years old. Corbin also says that he knew Nolan’s deceased father (played by Adam Danoff, in a flashback), who also had a secret identity as a mystical knight. And that’s how Nolan finds out about he’s the heir to this knight dynasty.

Corbin is the owner of the vault that was broken into by Russell, Pavlov and Blades. Russell was a disgruntled ex-employee who had been fired by Corbin, which is why Russell knew how to break into the vault. What was Corbin doing keeping a pent-up demon in a glass-looking egg? The answer is pretty obvious. In other words, Corbin isn’t telling the whole story about himself right away.

It turns out that Kate, the woman who gave Nolan the helmet, is an employee of Corbin’s. Kate had been helping Corbin in the search for the rightful heir to this knight dynasty. Corbin has a tough-talking son named Vickars (played by Graham Wolfe), who is tasked with training a reluctant Nolan into becoming a knight who can do battle in the Stormtrooper wannabe costumes that are in this movie. Predictably, Nolan and Vickars have personality clashes with each other. The training scenes are witless and drag the story down even more.

The fight scenes are nothing special and have basic choreography. What’s hard to take is all the bad dialogue and cringeworthy acting in the movie. Henricksen is the most well-known actor in the cast. He looks slightly embarrassed to be there, but his acting is subpar too. By the time “Alpha Rift” clumsily lurches to its unimaginative ending, the only thing that feels mystifying about this story is how the filmmakers fooled people into thinking that this trash was worth making into a movie.

Vertical Entertainment released “Alpha Rift” in select U.S. cinemas, on digital and VOD on November 19, 2021.

Review: ‘Falling’ (2021), starring Viggo Mortensen, Lance Henriksen and Laura Linney

April 7, 2021

by Carla Hay

Lance Henriksen and Viggo Mortensen in “Falling” (Photo courtesy of Perceval Pictures and Quiver Distribution)

“Falling” (2021)

Directed by Viggo Mortensen

Culture Representation: Taking place in Southern California and an unnamed state on the East Coast of the U.S., the dramatic film “Falling” features a predominantly white cast (with a few Asians, Latinos and African Americans) representing the middle-class.

Culture Clash: An openly gay, middle-aged man has conflicts with his bigoted father, who has early signs of dementia. 

Culture Audience: “Falling” will appeal primarily to people who are interested in watching movies about dysfunctional families and dealing with dementia, but the movie’s constant vitriol from one of the characters might be a turnoff to some viewers.

Terry Chen, Gabby Velis and Lance Henriksen in “Falling” (Photo courtesy of Perceval Pictures and Quiver Distribution)

If not for the commendable acting from the stars of the movie, “Falling” would be a very unpleasant chore to watch. This dramatic movie is the feature-film directorial debut of Viggo Mortensen, who also wrote the film’s screenplay and musical score. Mortensen is also one of the stars and producers of the “Falling,” which tells the story of how a hate-filled old man and his middle-aged children (especially his son) deal with the old man’s dementia and his search for a place to retire.

The direction of the movie veers between fluid and uneven. There are parts of the story that become too repetitive with bigotry and other bad behavior. However, there’s enough authenticity in the cast members’ performances in “Falling” that makes the movie worth watching to see how this emotionally damaged family is going to cope with family problems. In interviews, Mortensen has said that “Falling” is not biographical, but some parts of the film were inspired by what he’s experienced in real life.

There’s no other way to describe Willis Peterson (played by Lance Henriksen), the family’s patriarch: He’s a racist, homophobic, sexist, self-centered, foul-mouthed bully. Willis tests the patience of his family members (and people watching this movie) with his increasingly erratic and unhinged actions. Willis, who is in his 70s, is looking for a place to retire, possibly in California, and he’s being helped by his openly gay son John (played by Mortensen), who lives in Southern California.

Willis has another child named Sarah (played by Laura Linney), John’s younger sister, who isn’t in the movie for very long. But her presence in “Falling” brings a valuable perspective on how this family became such a mess of emotional terrorism by Willis. There’s a lot of unspoken resentment from the family members who put up with his disgusting nonsense. Sarah’s involvement is brief but impactful. “Falling” is really a father/son story, told from the perspective of Willis and John and their memories.

There are several non-chronological flashbacks in the movie that viewers have to put together like pieces in a puzzle to explain how and why this family ended up this way. The flashbacks go as far back as the early 1960s, when a young Willis (played by Sverrir Gudnason) and his wife Gwen (played by Hannah Gross) are parents to John when he was a baby. Willis says half-jokingly to baby John (played by twins Liam and Luca Cresctielli): “I’m sorry I brought you into this world so that you can die.” The family lives on an isolated farm in an unnamed state on the East Coast.

The movie’s flashbacks never show Sarah as a baby, but she’s about five years younger than John. The movie’s flashbacks show Sarah at approximately 4 to 6 years old (played by Carina Battrick) and at 11 years old (played by Ava Kozelj), while John is shown at 4 years old (played by Grady McKenzie), approximately 9 to 11 years old (played by (Etienne Kelliciand), and at age 16 (played by William Healy). It becomes apparent that Willis was a selfish person as a husband and a father. He’s the main cause for the family’s unhappiness.

Narcissistic people who become parents often have resentment when their children don’t pay as much attention to the narcissist as the kids did when they were younger. Based on what’s shown in the flashbacks, that’s exactly what happened with Willis. Gwen and Willis’ marriage began to crumble as their kids grew up and started to develop their own personalities and opinions. It’s a lot easier to boss around a 4-year-old than it is to boss around a 16-year-old.

There’s a flashback scene in the movie of Willis teaching 4-year-old John how to duck hunt. It’s one of the few scenes in the movie that show Willis and John seeming to be happy spending time together. After shooting a duck, John takes the dead duck home with him and refuses to give it to his mother to cook. Instead, John insists on treating the duck like a toy, even to the point of bringing the duck with him to bed. (Mortensen says that this happened to him in real life when he was a child.) Gwen eventually convinces John to give her the duck so that she can cook it.

But as John and Sarah got older, Willis’ nasty side came out even more. There’s a scene of John, at approximately 9 to 11 years old, having a birthday party in the family home. Gwen, Sarah, several children and their mothers are also at the party, which is a happy celebration until Willis tries to ruin it. Willis lurks nearby with a jealous look on his face, as if he can’t stand that he’s not the center of attention in his home. And sure enough, Willis blurts out something demeaning to humiliate John, while an embarrassed Gwen tries to ignore what happened and pretend that everything is okay.

But everything is not okay. In flashbacks, it’s shown that Willis cheated on Gwen with a younger woman named Jill (played by Bracken Burns), who was either a friend of Gwen’s or someone whom Gwen trusted enough to let Jill be a babysitter before the adultery betrayal. Willis and Jill moved in together around the time that John was 9 to 11 years old. Gwen and Willis got divorced. Gwen got full custody of the kids, with Willis getting visitation rights.

But when Gwen started dating another man, jealous Willis decided to not return John and Sarah from one of his visitations. The details are sketchy in the flashbacks, but it seems as if Willis and Jill took John and Sarah on an extended road trip without permission, which was a violation of the custody agreement. Willis freely admits to Jill that he didn’t want to return the kids to their mother, just to spite Gwen. It’s unclear if Willis went to jail over it, but he and Jill had the kids long enough where there’s a scene of Willis and Jill with the kids in a diner, the children look miserable, and the kids ask when they can go home.

By the time John became a teenager, John and Willis’ relationship had deteriorated to the point of them getting into physical fights. There’s a scene of Willis and a 16-year-old John getting into an argument and brawling while they were horseback riding together. Willis is the aggressor, and viewers can easily speculate that it’s not the first time that Willis has been physically abusive to John. It’s shown throughout the story that horses are a big deal to Willis, who seems to like horses more than he likes people.

Gwen eventually got remarried to someone named Danny, an artist whom Willis despised. Jill never married Willis but lived with him for a few years, and she eventually left Willis for a man she married named Michael White. Willis hated Michael too. Jill and Gwen are now both deceased. Willis never got remarried, which is no surprise because no one in their right mind would think that Willis would be a good husband.

Willis’ dementia causes him to sometimes confuse Gwen and Jill when he’s talking about them. And sometimes, he thinks Gwen and Jill are still alive. At one point, he calls Gwen a “whore” in one of his rants. In another scene, he calls Jill a “fucking saint.”

All of these details are not revealed in a smooth and straightforward manner in the movie. There’s a lot of timeline jumps that don’t always flow well with the story. People watching this movie also have to pay attention to conversations to pick up details about the Peterson family.

The main actors in “Falling” also communicate non-verbally (with facial expressions and body language) to express how their characters are feeling inside. Linney, who is always terrific in her performances, excels in this actor technique. In other words, “Falling” is a movie that is best appreciated if viewers are not distracted by anything else while watching it.

In a present-day scene, John (who used to be in the U.S. Air Force) mentions during one point in the movie that he didn’t accept that he was gay until he was in the military and he came out as gay around the same time. It’s unclear how long John was in the military, but there’s mention of him working as a pilot after he got out of the Air Force. John and Sarah, who live in Southern California, are now both happily married with children.

John’s husband Eric (played by Terry Chen) is a nurse who works the night shift at a local hospital. John and Eric have an adorable adopted daughter named Mónica (played by Gabby Velis), who’s about 9 or 10 years old. Sarah and her husband (who is never seen in the movie) live in Ventura and have two teenagers: Paula (played by Ella Jonas Farlinger), who’s about 18 years old, and Will (played by Piers Bijvoet), who’s about 15 or 16. Willis shows some grandfatherly affection for Mónica, probably because she’s at an age where she’s easier to control than a teenager, and she might be too naïve to see what an awful person Willis is.

In one of the early scenes of “Falling,” John and Willis are on a plane because Willis is traveling from wherever he lives to visit John and Sarah in California. The other purpose of the trip is so that Willis can look for a possible retirement place in California, but it soon becomes clear that California is not exactly his first choice. Willis’ dementia has reached a point where it’s not safe for him to travel alone. He often gets confused about where he is and what year it is.

This confusion becomes immediately apparent, when Willis causes a ruckus on the plane during mid-flight because he thinks he’s at home with Gwen instead of on a plane with John. John tries to calm Willis down, but Willis gets even more belligerent, as he gets up and yells for Gwen. John ends up having to physically restrain Willis. And when they disembark from the plane, Willis wanders away from the baggage claim area when John steps away for a few minutes.

It’s too bad that Wills’ vile temper can’t be restrained. The movie is filled with Willis’ unbridled rants where he makes it clear to anyone who listens that he’s a politically conservative bigot. Willis expresses disgust that John voted for Barack Obama, whom Willis calls a “Negro,” which might have been an acceptable term for black people before the 1970s, but not these days.

Willis also uses a homophobic slur for gay men several times through the movie. At one point, Willis asks John if John is sure that he’s gay. Willis’ tone of voice makes it clear that he wishes that John were straight. As for Willis’ thoughts on possibly moving to California, he shouts: “California is for cocksuckers and flag burners!”

Willis barely tolerates John’s husband Eric, whom Willis keeps misidentifying as Japanese, when Eric is actually Chinese and Hawaiian. Based on Eric’s reaction (he politely corrects Willis), this racial insensitivity is something that Eric has gotten used to from Willis, and it can’t be blamed on dementia. It’s made pretty clear from the flashbacks that Willis has been a jerk for a very long time.

And so, this obnoxiousness goes on and on for the entire movie. During a meal at John and Eric’s house, Willis lights up a cigarette, but John politely reminds him that they don’t allow smoking inside the house. What does Willis do? He puts out his cigarette in the food he was served. In another scene later in the movie, Willis throws raw eggs at John when John suggests that Willis have a healthier diet.

A family meal at Sarah’s home with John, Eric, Sarah and their kids cant go without Willis making derogatory comments. Sarah’s son Will has recently dyed his hair blue. Willis comments on his grandson’s hair by saying, “Do you want to be a homo?” He makes other homophobic comments until a distressed Will gets up and leaves the table, but not before telling Willis that he’s ashamed to be named after him.

As insufferable as Willis is, there are miserable haters like this who exist in the world, and they want everyone else to be as miserable as they are. Willis might be difficult to watch, but “Falling” seems to be making an often-heavy-handed point that this is what happens when toxic people go unchecked. Pity anyone who has to live with someone like Willis in real life.

Willis’ filthy mouth isn’t just about spewing hate speech. This movie has a lot of talk of bodily functions (urinating, defecating and farting), and most of these cringeworthy comments are from Willis. In one scene in the movie, Willis tells his granddaughter Mónica  that when John was a child, John used to be so frightened of an imaginary monster named Mortimer, that John used to “shit the bed.”

In another scene, Willis has a prostate exam to determine if he needs surgery for prostate cancer. In the examination room, with John in the room, Willis tells the physician named Dr. Klausner (played by filmmaker David Cronenberg, who’s worked with Mortensen on several movies): “Don’t let my son anywhere near my asshole. He’s likely to get excited.”

John and Sarah mostly react to their father’s hate-filled rants by trying not to argue with him. A lot of viewers will be frustrated by how Willis isn’t called out enough for his despicable comments and actions, regardless if he has dementia or not. However, as uncomfortable as it may be to watch, John and Sarah’s enabling is very realistic of how people try to ignore bigotry and hate instead of trying to confront it and stop it.

John and Sarah also seem afraid to confront their father because even though he’s an ailing old man, John and Sarah still seem to be a little bit afraid of him. Scenes in the movie show that Willis has a violent temper. And so, there’s probably unspoken violent abuse that Willis inflicted on his kids when they were young that still haunt John and Sarah.

However, the best scene in the movie is when John finally unleashes and gives Willis the verbal takedown he very much deserves. A lot of viewers will be thinking about John finally standing up to his father: “What took you so long?” Other viewers might have different reactions.

One of the few scenes in the movie where the family isn’t under some kind of emotional attack from Willis is when John, Eric, Mónica and Willis all go to an art gallery together. John’s mother Gwen loved art, so this trip to the gallery is his way of trying to pass along Gwen’s appreciation of art to Mónica. However, this relatively calm family outing is rare, because most of what the Peterson family experiences in this story revolves around Willis’ negativity and problems that he usually creates.

The flashback scenes in “Falling” answer some questions about the Peterson family dynamics, but leave other questions unanswered. For example, viewers never get to see how John and Sarah were raised by Gwen after the divorce. And this omission is an indication that the flashbacks are mostly from Willis’ perspective. Maybe this disjointed way of telling the story is writer/director Mortensen’s way of depicting what fractured memories in dementia feel like. The final scene of “Falling,” just like the rest of the movie, can be frustratingly muddled, because it’s better at expressing moods than fine-tuning the details.

Perceval Pictures and Quiver Distribution released “Falling” in select U.S. cinemas, on digital and on VOD on February 5, 2021.

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