Review: ‘Last Night in Soho,’ starring Thomasin McKenzie and Anya Taylor-Joy

October 28, 2021

by Carla Hay

Anya Taylor-Joy and Thomasin McKenzie in “Last Night in Soho” (Photo by Parisa Taghizadeh/Focus Features)

Last Night in Soho”

Directed by Edgar Wright

Culture Representation: Taking place in England (mostly in London), the horror film “Last Night in Soho” features a predominantly white cast of characters (with some black people) representing the working-class, middle-class and wealthy.

Culture Clash: A fashion student in London has nightmarish visions of a nightclub singer from the 1960s. 

Culture Audience: “Last Night in Soho” will appeal primarily to people who are fans of filmmaker Edgar Wright and horror stories that have intriguing murder mysteries.

Matt Smith and Anya Taylor-Joy in “Last Night in Soho” (Photo by Parisa Taghizadeh/Focus Features)

Stylish and unnerving, “Last Night in Soho” is a mind-bending, time-jumping psychological horror movie that is riveting from beginning to end. The movie wears its retro influences (such as Italian giallo horror movies) on its vibrantly hued cinematic sleeves. It’s an homage to Swinging London in the 1960s as much as it’s a nod to how feminist issues have changed (or remained the same) since then. “Last Night in Soho” gets a little too conventional in its last 15 minutes, but the movie overall is an above-average thriller that’s elevated by compelling performances. Get ready for a spooky and fabulous ride.

Edgar Wright directed “Last Night in Soho” and co-wrote the screenplay with Krysty Wilson-Cairns. Wright is also one of the movie’s producers. Although “Last Night in Soho” is not the first horror movie from Wright (his filmography includes the zombie flick “Shaun of the Dead,” his 2004 feature-film debut), “Last Night in Soho” is a departure for Wright in many ways. And it was a risk that paid off to be one of his most accomplished films in years.

For starters, “Last Night in Soho” is Wright’s first movie where women are the main protagonists. As such, it made sense that he collaborated with a female screenwriter for the movie; it’s the first time there’s a female co-writer on a feature film that he’s directed. “Last Night in Soho” also marks a big change in Wright’s typical comedic tone for his movies, because “Last Night in Soho” is most definitely not a horror comedy. The movie does not let up in its intent to terrify and keep viewers on edge to see what happens next. And, for a lot of people, that’s the best kind of horror movie.

“Last Night in Soho” begins with a whimsical opening sequence of British protagonist Eloise Turner (played by Thomasin McKenzie), a young woman in her late teens, who is at her home in a small town in England’s Cornwall county. She’s whirling around and dancing joyfully in a mid-length flare gown made of newspaper, as Peter and Gordon’s 1964 hit “A World Without Love” plays on her turntable in her bedroom. It’s a gown that Eloise designed herself because she’s an aspiring fashion designer, but she doesn’t have the money for luxurious fabric.

Eloise has a pixie-ish, otherworldy air about her, almost like she stepped out from a time machine from the 1960s. However, Eloise isn’t from the 1960s, the era of her grandmother’s youth. Eloise is currently living in the early 2020s, but she has a fascination with pop culture and fashion from the 1960s. Her collection of vinyl records consists almost entirely of 1960s music. She also prefers literature and movies from the 1960s.

Eloise is a shy loner who lives with her widowed grandmother Peggy (played by Rita Tushingham) in a cozy house. A love of fashion runs in the family. Peggy is a seamstress. Eloise’s unnamed mother (Peggy’s daughter) was also an aspiring fashion designer. Tragically, Eloise’s mother committed suicide when Eloise was 7. Eloise’s father has not been in her life. Viewers will get the impression that Eloise’s father was never in her life because she never talks about him.

Peggy is a loving and somewhat over-protective grandmother, whose nickname for Eloise is Ellie. Eloise and Peggy have mutual respect for one another, but it become immediately apparent that Eloise (who recently graduated from high school) is restless and ready to move out and into her own place. Eloise applied to London College of Fashion, a prestigious institute. And when Eloise gets the acceptance letter in the mail, she’s elated.

Eloise breaks the news to Peggy, whose response is more cautious. London is where Peggy’s daughter moved to pursue her fashion career too. It’s implied that Peggy somewhat blames London for aggravating whatever led to the suicide of her daughter. Peggy warns Eloise: “London can be a lot … Your mother didn’t have your gift.” And Peggy isn’t talking about the gift of fashion designing.

It doesn’t take long for the movie to reveal that Eloise has psychic abilities. The first big clue is in the opening scene, when Eloise looks in her bedroom mirror while wearing her homemade dress, and she sees her mother smiling and standing next to her. Aimee Cassettari portrays Eloise’s mother, who appears in Eloise’s visions more than once in the movie.

Eloise is legally an adult, so she’s free to live on her own. Peggy doesn’t discourage Eloise from pursuing her dreams, but she tells her granddaughter that she’s welcome to move back with Peggy in this small town if things don’t work out for Eloise in London. And so, with a bittersweet farewell where they try not to break down and cry, Eloise has her bags packed and drives off in a taxi to her new life in the big city.

Eloise has been assigned to live in a hotel-like dormitory with other students from London College of Fashion. Her roommate is the talkative and worldly Jocasta (played by Synnøve Karlsen), who is also a first-year student at the fashion institute. Jocasta is originally from Manchester and thinks of herself as the hippest queen bee at the school.

The first sign of Jocasta’s pretentiousness is when she insists that no one use her last name. She explains that she wants to be a one-name celebrity. “Just like Kylie,” Jocasta tells Eloise. “Kylie Minogue?” asks Eloise. “No,” Jocasta says with exasperation, as if Eloise is stuck in the 20th century. “Kylie Jenner!”

In their first conversation together, Eloise and Jocasta tell each other a little bit about their backgrounds. When Eloise says where she’s from, Jocasta says in a pitying voice, “I’m sorry,” as if she really meant to say, “I’m sorry you’re a country bumpkin from a small town.” Jocasta also seems amused by Eloise’s homemade clothes, which Jocasta obviously thinks are unfashionable, unflattering and unsophisticated.

Jocasta softens up a little when she mentions that her mother is also dead: She passed away from leukemia when Jocasta was 15. But that empathetic side to Jocasta is short-lived. She has a “mean girl” streak that Eloise sees for the first time when she hangs out at a pub with Jocasta and three other female students from the dorm: Lara (played by Jessie Mei Li), Cami (played by Kassius Nelson) and Ashley (played by Rebecca Harrod), who do not have distinguishable personalities and are essentially echo chambers for Jocasta’s bullying nature.

On this night out, Eloise quickly notices that Jocasta, who seemed friendly to her in their first meeting, is actually mocking Eloise when she thinks Eloise isn’t looking. Jocasta also influences her cronies to laugh at Eloise too. At Eloise’s first time going to a dorm party in London, she’s timid, socially awkward, and isn’t interested in getting drunk or stoned like many of the other partiers.

When a drunk guy (played by Josh Zaré) aggressively flirts with Eloise at the party, a nice guy classmate from the fashion institute gets the rude partier to back off of Eloise. The gentleman student introduces himself to Louise. His name is John (played by Michael Ajao), and it’s obvious that he feels an immediate attraction to Eloise, who is inexperienced in dating. Eloise gets uncomfortable when she senses that men want to act on their sexual attraction to her. John is respectful to her and tries to initiate a friendship with Eloise. The movie shows how their relationship develops over time.

At London College of Fashion, Eloise gets encouragement in the classroom from a teacher named Ms. Tobin (played by Elizabeth Berrington), who thinks Eloise has a lot of talent and potential. Jocasta and her gaggle of mean girls continue with their catty whispering and thinly veiled insults directed at Eloise, who tries to ignore them. But the last straw for Eloise is when she overhears Jocasta telling the other girls in the clique that Eloise’s mother committed suicide, and Jocasta predicts that Eloise will go crazy and drop out of the school.

It’s enough for Eloise to look for a new place to live. She answers an ad to rent a room in a house owned by an elderly woman named Ms. Collins (played by the Diana Rigg), who is a no-nonsense landlord. Ms. Collins bluntly tells Eloise some of the rules of the house, including no male visitors after 8 p.m. and no loud partying. Rigg (who died in 2020, at he age of 82) was quite a casting coup for “One Night in Soho,” since she was a 1960s icon for her role as Emma Peel in “The Avengers” TV series.

It’s why there’s an air of authenticity to the story when Ms. Collins reminisces about her heyday in the 1960s. It’s a topic that Eloise is fascinated by, and Ms. Collins is pleasantly surprised by how much knowledge and reverence that Eloise has for 1960s culture. Eloise thinks she’s found an ideal place to live. But maybe Eloise should’ve paid more attention when Ms. Collins demanded two months’ rent as a deposit (instead of the usual one month’s rent), because Ms. Collins said that previous tenants had a tendency to quickly move out and break their lease.

Eloise’s bedroom is directly across from a business that flashes neon red and blue lights all night, so her room is often bathed in red and blue at night. It’s a striking visual motif that’s used throughout the movie and becomes increasingly sinister as the story goes on, and red becomes the dominant shade. At first, Eloise doesn’t mind the distraction of these blinking lights.

But then, Eloise’s seemingly peaceful existence in her new home is shattered when she starts having vivid nightmares. In these nightmares, Eloise has stepped back into the mid-1960s and is an invisible observer of the turbulent life of an ambitious, aspiring pop singer in her early 20s named Sandie (played by Anya Taylor-Joy), who’s looking for her big break at any nightclub that will book her. (Sandie spends a lot of time in London’s Soho district.) In these dreams/visions, Eloise can see herself in mirrors, but the people in the dreams can’t see her.

At times, it looks like Eloise has morphed into Sandie in these dreams. But it soon becomes apparent that it’s just wishful thinking from Eloise, who has a growing admiration of Sandie. At first, Eloise seems enchanted by what she thinks is Sandie’s glamorous and sexy life. Sandie is everything that Eloise is not: confident, extroverted, and someone who is unafraid to go after what she wants. Sandie also ends up influencing how Eloise designs clothes and how Eloise undergoes a makeover.

Sandie begins dating a slick, smooth-talking manager named Jack (played by Matt Smith), who has several female pop stars as his clients, including Cilla Black (played by Beth Singh), who has a brief singing performance in the movie. But (you knew this was coming), Jack is a playboy. And even though he helps Sandie with her career, at what cost will it come to Sandie’s heart or her life? As time goes on, Eloise’s dreams about Sandie become increasingly ominous until she’s certain that Sandie’s life is in danger.

Eloise is haunted by the feeling that Sandie was a real person, not a figment of Eloise’s imagination. Much of “Last Night in Soho” involves the untangling of this mystery. Eloise’s dreams-turned-nightmares about Sandie start to negatively affect Eloise at school, because she starts having alarming visions of Sandie during the day. Expect to see Eloise have more than one public freakout in this movie. Eloise and some of the people around her start to wonder if she’s going crazy.

Adding to the mystery, there’s an elderly man (played by Terence Stamp) who seems to be following Eloise, ever since she arrived in London. The identity of this man is eventually revealed. Meanwhile, when Eloise talks to her grandmother on the phone, Eloise pretends that everything is just fine.

“Last Night in Soho” has such great attention to detail in the movie’s production design and costume design, it’s an absolute visual treat to watch this movie. This is a movie that namechecks Biba, the now-defunct but still legendary department store that was a mecca for Swinging London fashionistas. In addition, “Last Night in Soho” has a well-chosen soundtrack (not just 1960s music) that perfectly conveys the mood that the filmmakers want for each scene. Petula Clark’s 1964 hit “Downtown” is used in a standout sequence.

But all of these assets would be wasted if the actors’ performances in the movie were substandard. All of the principal cast members bring emotional authenticity to their roles. Fortunately, McKenzie and Taylor-Joy, who are the heart and soul of the movie, give fascinating performances, filled with angst, happiness, vulnerability, strength and hope. Taylor-Joy does her own singing in some dazzling scenes where Sandie is showcased on stage. Taylor-Joy is American-born with an upbringing in Buenos Aires and London, so her British accent is authentic. In real life, McKenzie is from New Zealand, and her British accent in the movie is entirely believable.

Eloise and Sandie are two young women living in London and who seem to have very different lives and contrasting personalities. However, Eloise and Sandie share some things in common: They have to make decisions about how they want to pursue their dreams and how much they want their careers to be a part of their identities. And they both have no family in London and no real friends to turn to for support, so they have to make it on their own while navigating the emotional treachery of people who want to demean them.

“Last Night in Soho” also demonstrates larger issues that are relatable to women, such as thoughts and safety precautions that women have to experience when they are traveling alone that aren’t as major issues for men who travel alone. There’s a very realistic scene of Eloise trying to get herself out of a creepy situation when a middle-aged taxi driver (played by Colin Mace) tries to take advantage of her being new to London when Eloise is his passenger. At first, the driver appears to be friendly and chatty, but it soon becomes obvious he’s just trying to fish for private information about Eloise. He then tells Eloise in no uncertain terms that he’d like to get to know her better.

Eloise knows exactly what he means and what he wants. She astutely decides to be dropped off at a grocery store instead of her intended destination. Eloise peeks apprehensively from the store window as the taxi driver, like a stalker, waits in his car and watches for her to come out of the store. And she breathes a sigh of relief when he eventually drives off. Most women and teenage girls have experienced this type of stalker-ish unwanted attention.

Aside from Eloise’s nightmares, the movie lays bare the constant threat and damage of sexual harassment and sexual degradation that could always be a possibility when men with power decide to abuse their power with women. Even though Eloise is invisible to the people in Sandie’s world, Eloise becomes very protective of Sandie, who’s vulnerable to this type of disrepectful treatment. And this protectiveness taps into a rage that represents what a lot of women feel when they go through the same type of misogyny.

Eloise’s invisibility is symbolic of how many women feel invisible and powerless to stop this societal problem. “Last Night in Soho” does not get bogged down in any feminist preaching, and it does not lose sight of its intention to be a horror movie. But it’s a horror movie that will make viewers think beyond the gory scenes and think about what can happen when a feminine psyche is pushed to the limits.

Focus Features will release “Last Night in Soho” in U.S. cinemas on October 29, 2021.

Halloween 2021: Horror movies and supernatural thrillers in theaters on All Hallow’s Eve

October 1, 2021

by Carla Hay

There are numerous horror movies available to watch on TV, computers or mobile devices, but for Halloween 2021, there are some horror flicks and supernatural thrillers that will be released in theaters in October. Horror and supernatural movies released before October 2021 that should still be in theaters during the Halloween season include “Candyman” (rated R); “Don’t Breathe 2” (rated R); “Malignant” (rated R); “The Night House” (rated R); and “Old” (rated R).

Here are the movies that have an October 2021 release in theaters:

Information in this article is about U.S. releases.

“The Addams Family 2”

The ghoulish Addams Family returns in this sequel to 2019’s “The Addams Family.” Greg Tiernan and Conrad Vernon directed both movies. In “The Addams Family 2,” the family goes on a road trip, as gloomy teenager Wednesday Addams begins to question her identity after coming up with a biologically altering invention. The voice cast of the animated “The Addams Family 2” includes Oscar Isaac, Charlize Theron, Chloë Grace Moretz, Nick Kroll, co-director Vernon, Javon Walton, Bette Midler and Snoop Dogg. “The Addams Family 2,” which is rated PG, arrives in theaters and on VOD on October 1, 2021.


After this movie’s release was delayed several times due to the COVID-19 pandemic, the sci-fi horror flick “Antlers” is finally arriving in theaters. Not much has been revealed about the plot, except that it’s about a mysterious creature that goes on the loose in a small Oregon town. Directed and co-written by Scott Cooper, “Antlers” has a cast that includes Keri Russell and Jesse Plemons. “Antlers,” which is rated R, is set for release in theaters on October 29, 2021.

“The Blazing World”

Written, directed and co-starrring Carlson Young, this sci-fi horror movie is about a woman haunted by the drowning death of her twin sister and ends up in an alternate dimension. The movie also stars Udo Kier, Dermot Mulroney and Vinessa Shaw. “The Blazing World,” which is not rated, is set for release in select theaters on October 15, 2021.

“Coming Home in the Dark”

In this New Zealand film, a high school teacher, his wife and his two stepsons encounter two murderous drifters​. Directed and co-written by James Ashcroft, “Coming Home in the Dark” stars Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu, Billy Paratene, Frankie Paratene and Bailey Cowan. The movie, which is not rated, arrives in theaters, on digital and on VOD on October 1, 2021.


Directed and co-written by John Hsu, the Taiwanese film “Detention” is an adaptation of the video game of the same name. The story, which takes place in 1962, is about the mysterious occurrences at a high school in an oppressive society. The movie’s cast members include Gingle Wang, Fu Meng-po, Tseng Ching-hua, Cecilia Choi and Hung Chang Chu. “Detention,” which is not rated, opens in select theaters and in virtual cinemas on October 8, 2021.

“Halloween Kills”

Jamie Lee Curtis returns in her iconic role as Laurie Strode, the most famous survivor of mask-wearing serial killer Michael Myers. You already know what the movie is about: Michael Myers goes after Laurie and some other people again. David Gordon Green, who directed 2018’s “Halloween,” directed and co-wrote “Halloween Kills.” The movie, which is rated R, opens in theaters and begins streaming on Peacock on October 15, 2021.


The Icelandic movie “Lamb,” starring Noomi Rapace, is a supernatural horror film that has a lot of strangeness revolving around a lamb. “Lamb” is directed and co-written by Valdimar Jóhannsson. The movie, which is rated R, will be released in select theaters on October 8, 2021.

“Last Night in Soho”

Anya Taylor-Joy and Thomasin McKenzie star in this supernatural thriller with retro elements. The movie is about a London fashion student who begins having strange dreams about an aspiring singer from the mid-1960s. Directed and co-written by Edgar Wright, “Last Night in Soho” also stars Matt Smith, Diana Rigg and Terence Stamp. The movie, which is rated R, arrives in theaters on October 29, 2021.

“Monster Family 2”

In this animated comedy film, the Wishbone family returns to “free Baba Yaga and Renfield from the clutches of Monster Hunter Mila Starr,” according to the movie’s official synopsis. Directed by Holger Tappe, “Monster Family 2” features a voice cast that includes Emily Watson, Daniel Ben Zenou, Jessica Brown Findlay, Emily Carey and Nick Frost and Jason Isaacs. The movie, which is rated PG, is set for release in select theaters on October 15, 2021.


In this Malaysian folk tale, which is the feature-film debut of writer/director Emir Ezwan, a family headed by a single mother is deeply affected by a stranger who has been brought into the home. This stranger is a girl who was found caked in mud by the children in the family. And this mysterious girl has an ominous prediction: The entire family will soon die. The cast of “Roh” includes Farah Ahmad, Mhia Farhana, Harith Haziq, Nam Ron, Junainah M. Lojong and Putri Syahadah Nurqaseh. “Roh” (which is not rated) is Malaysia’s official Oscar entry for consideration for the 2022 Academy Awards category of Best International Feature. The movie arrives in select theaters, on digital and VOD on October 29, 2021.

“The Secret of Sinchanee”

Directed by, written by, and starring Stephen Grayhm, “The Secret of Sinchanee” is about how an industrial tow truck driver, who has insomnia, returns to his hometown after his father’s death and finds out that his childhood home is haunted. Meanwhile, a single mother from the area has gone missing. The movie’s cast also includes Nate Boyer, Tamara Austin, Laila Lockhart Kraner, Jacob Schick and Rudy Reyes. “The Secret of Sinchanee,” which is not rated, will be released on October 8, 2021, in select theaters, digital and VOD.

“The Spine of Night”

In this animated supernatural thriller, a power-hungry young man steals knowledge from another planet and becomes a corrupt villain. Throughout the years, his misdeeds result in human suffering, and several entities try to stop him. Written and Directed by Philip Gelatt and Morgan Galen King, “The Spine of Night” has a voice cast that includes Richard E. Grant, Lucy Lawless, Patton Oswalt, Betty Gabriel and Joe Manganiello. The movie, which is not rated, is set for release in select theaters, digital and VOD on October 29, 2021.


Written and directed by Julia Ducournau, the French film “Titane” tells a bizarre story of a 32-year-old dancer (played by Agathe Rousselle) who is a serial killer and who’s sexually attracted to automobiles. Her strange obsessions have to do with a surgical operation that she had after being in a car accident when she was 7 years old. Vincent Lindon also stars in “Titane,” which won the Palme d’Or (top prize) at the 2021 Cannes Film Festival. “Titane,” which is rated R, is also France’s selection to be considered for the Best International Feature category at the 2022 Academy Awards. “Titane” arrives in theaters on October 1, 2021.


An outlaw criminal (played by Zachary Mooren) breaks into the home of an escort named Val (played by Misha Reeves), and he finds out the hard way that she’s a demon. Directed and co-written by Aaron Fradkin, “Val” (which is not rated) is set for release in select theaters on October 1, 2021, before being released on digital and VOD on October 5, 2021.

“Witch Hunt”

What if the modern-day United States made being a witch illegal and punishable by death? That’s the concept of this movie written and directed by Elle Callahan. In “Witch Hunt,” a teenager in high school (played by Gideon Adlon) disapproves of her mother (played by Elizabeth Mitchell) secretly hiding witches in their home as part of an underground smuggling network for witches. There’s also a ruthless government inspector (played by Christian Carmago) who’s on the hunt for witches. “Witch Hunt,” which is not rated, arrives in select theaters, on digital and VOD on October 1, 2021.


“Amityville 4: The Evil Escapes” (RiffTrax Live)

RiffTrax comedy stars Mike Nelson, Kevin Murphy and Bill Corbett give their running commentary during the 1989 campy horror flick “Amityville 4: The Evil Escapes.” In this TV-movie (directed by Sandor Stern), priests try to defeat the evil spirit that’s taken over the notorious Amityville haunted house. The movie’s cast includes Patty Duke, Jane Wyatt and Fredric Lehne. Fathom Events will present the RiffTrax version of “Amityville 4: The Evil Escapes” in select theaters on October 21, 2021. More information and ticket purchases can be found here.


Tim Burton’s classic 1988 horror comedy tells the story of deceased young couple Adam and Barbara Maitland (played by Alec Baldwin and Geena Davis), who haunt their former home and try unsuccessfully to scare away the house’s new residents: Charles and Delia Deetz (played by Jeffrey Jones and Catherine O’Hara) and their moody teenage daughter Lydia (Winona Ryder). In desperation, the Maitlands conjur up the obnoxious ghost Betelgeuse (played by Michael Keaton) to enlist his help in terrifying the Deetz family into moving out of the house. “Beetlejuice” (which is rated PG) will have screenings at several movie-theater chains. Cinépolis will show the movie on October 13, 2021. The screenings for Alamo Drafthouse locations will vary by location.

“The Craft”

In this 1996 film, four teenage girls in high school find out that they have the power to practice witchcraft. Directed by Andrew Fleming (who co-wrote the screenplay with Peter Filardi), “The Craft” has a cast that includes Robin Tunney, Fairuza Balk, Neve Campbell, Rachel True, Skeet Ulrich, Christine Taylor and Breckin Meyer. The Alamo Drafthouse theater chain is showing “The Craft” (which is rated R), with the dates varying by location. More information and ticket purchases can be found here.

“Dracula” (1931)

The original “Dracula” movie (starring Bela Legosi and directed by Tod Browning) will be shown as a double feature with 1931’s “Frankenstein” movie (starring Boris Karloff and directed by James Whale) to celebrate the movies’ 90th anniversary. Fathom Events will present this double feature (which is not rated) in select theaters on October 2, 2021. More information and ticket purchases are available here.

“The Evil Dead” (1981)

The 1981 supernatural horror film “The Evil Dead” established writer/director Sam Raimi as a filmmaker to watch. Bruce Campbell stars as Ash, who arrives at a remote cabin in the woods with his girlfriend Linda (played by Betsy Baker), his sister Cheryl (played by Ellen Sandweiss), and another couple named Scotty (played by Hal Delrich) and Shelly (played by Sarah York). When a mysterious occult book is found in the cabin, mayhem ensues. To celebrate the 40th anniversary of “The Evil Dead,” Fathom Events is bringing back the movie in select theaters, with an exclusive precorded introduction by Campbell, on October 7, 2021. More information and ticket purchases can be found here.

“The Exorcist”

The 1973 classic “The Exorcist,” directed by William Friedkin, is often ranked as the scariest horror movie of all time. In the story, Chris MacNeil (played by Ellen Burstyn) is distraught when she sees her 12-year-old daughter Regan (played by Linda Blair) begin to act strangely, such as speaking in tongues. When Regan starts levitating, Chris is convinced that Regan might be possessed by the devil. Chris asks a local priest named Father Damien (played by Jason Miller) for help. He then requests to perform an exorcism, and the Catholic Church sends an exorcism expert Father Lankester Merrin (played by Max von Sydow) to assist in the exorcism. “The Exorcist,” which is rated R, received 10 Oscar nominations (including Best Picture), and ended up winning two Oscars: Best Original Screenplay and Best Sound Mixing. The Cinépolis theater chain is showing “The Exorcist” (which is rated R) on October 23, 2021. More information and ticket purchases can be found here. The Alamo Drafthouse theater chain is showing “The Exorcist” (which is rated R), with the dates varying by location. More information and ticket purchases can be found here.

“Frankenstein” (1931)

The original 1931 “Frankenstein” movie (starring Boris Karloff and directed by James Whale) will be shown as a double feature with 1931’s “Dracula” (starring Bela Legosi and directed by Tod Browning) to celebrate the movies’ 90th anniversary. Fathom Events is presenting this double feature (which is not rated) in select theaters on October 2, 2021. More information and ticket purchases are available here.

“Get Out”

In 2017’s “Get Out,” the horror of racism is on display when an interracial couple (played by Daniel Kaluuya and Allison Williams) go back to her family home so that he can meet her parents (played by Bradley Whitford and Catherine Keener). Writer/director Jordan Peele made his feature-film directorial debut and won an Academy Award for Best Original Screenplay for “Get Out,” which also stars LaKeith Stanfield, Betty Gabriel and Lel Rel Howery. “Get Out” also received an Oscar nomination for Best Picture, while Kaluuya got an Oscar nod for Best Actor. AMC Theatres will re-release “Get Out” on October 13, 2021. More information and ticket purchases can be found here.

“Halloween” (1978)

John Carpenter’s “Halloween” is considered one of the most influential horror movies of all time, and certainly one of the top films representing the “slasher” subgenre of horror flicks. The mask-wearing, knife-wielding, mute serial killer Michael Myers has become a much-parodied and imitated horror icon, but at the time that “Halloween” was released, many of the terror-inducing elements of this movie were considered groundbreaking. The slow-burn suspense of “Halloween,” which spawned numerous inferior sequels, can be fully appreciated on the big screen, considering that most modern “slasher” movies follow a formula of someone getting killed every 15 to 20 minutes. Jamie Lee Curtis, as teenage babysitter Laurie Strode, made her movie debut in “Halloween,” one of many horror films in which she’s had a starring role, including the 2018 movie sequel of the same name and 2021’s “Halloween Kills.” Donald Pleasence also stars in the original “Halloween” as Myers’ psychiatric doctor, who doggedly tries to find his patient after Myers escapes from a psychiatric institution. The Cinépolis theater chain will have a screening of the original 1978 “Halloween” (which is rated R) on October 27, 2021. More information and ticket purchases are available here. The Alamo Drafthouse theater chain will have “Halloween” at various times and locations. More information and ticket purchases can be found here.

“Halloween II”

In this 1981 sequel, Laurie Strode (played by Jamie Lee Curtis) and Dr. Loomis (played Donald Pleasance) return to do battle against serial killer Michael Myers, who wreaks havoc in a hospital. “Halloween II” was directed by Rick Rosenthal, in his feature-flm directorial debut. The Alamo Drafthouse theater chain will have “Halloween II,” which is rated R, at various times and locations. More information and ticket purchases can be found here.

“Hotel Transylvania”

In the 2012 animated comedy “Hotel Transylvania” Count Dracula (voiced by Adam Sandler) runs Hotel Transyvania, where he has invited several monsters to visit. Directed by Genndy Tartakovsky (in his feature-film directorial debut), “Hotel Transylvania” (which is rated PG) has a voice cast that includes Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade and CeeLo Green. Alamo Drafthouse will show “Hotel Transylvania” at various times and locations. More information and ticket purchases are available here.

“The Howling”

This 1981 film, directed by Joe Dante, is about a TV journalist who goes to a remote mountain resort, only to find out the resort’s residents are werewolves. “The Howling,” which is rated R, stars Dee Wallace, Patrick Macnee, Dennis Dugan, and Robert Picardo. Alamo Drafthouse will show a 4K restoration of “The Howling” at various times and locations. More information and ticket purchases are available here.

“Howl’s Moving Castle”

In this supernatural Japanese animated film from director Hayao Miyazaki, a wizard named Howl takes a quiet girl named Sophie on an adventure, but she is cursed by the Witch of the Waste and turned into a 90-year-old woman. Sophie must break the spell by going to Howl’s moving castle. The English-language voice cast includes Lauren Bacall, Christian Bale, Billy Crystal, Blythe Danner, Emily Mortimer and Jean Simmons. Fathom Events is presenting “Howl’s Moving Castle,” which is rated PG, in select U.S. theaters on October 24, 25 and 28, 2021. The October 24 and 28 screenings will be dubbed in English, while the October 25 screening will be in Japanese with English subtitles. More information and ticket purchases can be found here.

“The Invisible Man” (1933)

The original 1933 “The Invisible Man” movie (starring Claude Rains and directed by James Whale) will be shown as a double feature with 1941’s “The Wolf Man” movie (starring Lon Chaney Jr. and directed by George Waggner). Fathom Events is presenting this double feature (which is not rated) in select theaters on October 30, 2021. More information and ticket purchases are available here.

“Night of the Living Dead” (1968, in color)

George A. Romero’s zombie-invasion classic is often on people’s lists of the best horror movies of all time, and it’s considered the best of all the sequels, spinoffs and remakes that this original movie inspired. Filmed in black and white, 1968’s “The Night of the Living Dead” has a plot that is simple but executed to chilling effect: A group of strangers trapped in a rural Pennsylvania farmhouse try to survive an unexpected plague of zombies. Duane Jones and Judith O’Dea were among the cast of relatively unknown actors in the film. Alamo Drafthouse will present a 1986 colorized version of “Night of the Living Dead” at various times and locations. More information and ticket purchases are available here.

“A Nightmare on Elm Street” (1984)

Serial killer Freddy Krueger (played by Robert Englund), who comes to life in people’s nightmares, is considered one of the all-time greatest horror movie villains. He was first introduced to the world in 1984’s “A Nightmare on Elm Street,” directed by Wes Craven. The movie, which also stars Heather Langenkamp and Johnny Depp, in one of his first film roles. The Cinemark theater chain will present “A Nightmare on Elm Street” on October 8, 2021. More information and ticket purchaes can be found here. Alamo Drafthouse will show “A Nightmare on Elm Street” at various times and locations. More information and ticket purchases are available here.


The silent film “Nosferatu,” released in 1922, was the first movie based on the “Dracula” novel. Directed by F. W. Murnau and starring Max Schreck, “Nosferatu” is shown at Alamo Drafthouse locations every Halloween season, with a musical score by the Austin-based band the Invincible Czars. In 2021, “Nosferatu” will be screened at Alamo Drafthouse locations on October 29. According to Alamo Drafthouse: “The Invincible Czars have updated their soundtrack for ‘Nosferatu” in preparation to release a recording for the film’s centennial in 2022. This will be the debut of the updated score.” More information and ticket purchases can be found here.


Written, directed, produced and edited by Don Coscarelli, the 1979 supernatural horror flick “Phantasm” introduced the world to the villain The Tall Man (played by Angus Scrimm). Alamo Drafthouse will show a 4K restoration of “Phantasm” at various times and locations. More information and ticket purchases are available here.

“Possession” (1981)

In the 1981 psychological horror film “Possession,” Sam Neill and Isabelle Adjani portray a Berlin-based international spy and his wife, who begins acting bizarrely after she asks for a divorce. Written and directed by Andrzej Żuławski, “Possession” also stars Margit Carstensen, Heinz Bennent and Johanna Hofer. Alamo Drafthouse locations will show a 4K restoration of “Possession,” which is rated R. More information and ticket purchases can be found here.

“The Rocky Horror Picture Show”

Do the time warp again as an audience member of the 1975 horror-comedy musical “The Rocky Horror Picture Show,” which is based on the stage musical “The Rocky Horror Show.” This cult-movie classic, directed by Jim Sharman, has been a late-night staple at cinemas for decades. The movie tells the story of naïve, engaged couple Brad Majors (played by Barry Bostwick) and Janet Weiss (played by Susan Sarandon), who find themselves stranded at a mysterious mansion after their car gets a flat tire during a storm. At the mansion, they meet an eccentric bunch of people, including Dr. Frank-N-Furter (played by Tim Curry), a transvestite scientist who’s determined to make Brad and Janet lose their innocence. Screenings of “The Rocky Horror Picture Show,” which is rated R, usually include audience participation and sing-alongs, so don’t expect people in the theater to be quiet during the movie. The Cinépolis theater chain will exhibit “The Rocky Horror Picture Show” on October 29, 2021. More information and ticket purchases are available here.


This 1996 classic film features a masked serial killer on the loose with an ultimate target: high schooler Sidney Prescott (played by Neve Campbell). The psycho also likes to call his victims before he murders them. Directed by Wes Craven, “Scream” has a cast that includes Courteney Cox, David Arquette, Matthew Lillard, Rose McGowan, Skeet Ulrich and Drew Barrymore. Fathom Events is celebrating the 25th anniversary of “Scream” (which is rated R) by bringing the movie back in select theaters on October 10 and October 11, 2021. More information and ticket purchases can be found here. Alamo Drafthouse will show “Scream” on October 29, 2021. More informaton and ticket purchases can be found here.

“Shaun of the Dead”

The 2004 horror comedy “Shaun of the Dead” shows what happens when two best friends (played by Simon Pegg and Nick Frost) try to survive during a zombie apocalypse in England. Directed by Edgar Wright (who co-wrote the screenplay with Pegg), the movie’s cast includes Kate Ashfield, Lucy Davis, Dylan Moran, Bill Nighy and Penelope Wilton. Alamo Drafthouse locations will have various screenings of “Shaun of the Dead,” which is rated R. More information and ticket purchases can be found here.

“The Silence of the Lambs”

The 1991 film “The Silence of the Lambs,” directed by Jonathan Demme, was the first horror movie to win an Academy Award for Best Picture. The movie tells the story of a determined police detective named Clarice Starling (played by Jodie Foster), who is on the hunt for a serial killer who calls himself Buffalo Bill. She enlsts the help of an imprisoned cannibal serial killer named Hannibal Lecter (played by Anthony Hopkins) to give her advice on how the mind of a serial killer works. “The Silence of the Lambs” also won Academy Awards for Demme (Best Director), Foster (Best Actress), Hopkins (Best Actor) and Ted Tally (Best Adapted Screenplay). To celebrate the 30th anniversary of “The Silence of the Lambs,” which is rated R, Fathom Events is having screenings of the movie in select theaters on October 17 and October 20, 2021. More information and ticket purchases can be found here.

“Spirited Away”

Hayao Miyazaki’s 2001 Japanese fantasy adventure “Spirited Away” is an Oscar-winning movie (Best Animated Feature) that tells the story of a 10-year-old girl named Chihiro Ogino who enters the spirit world after her parents are turned into pigs by a witch named Yubaba. Chihiro then works in Yubaba’s bath house to try and find a way to free her parents from the spell and get them back into the real world. To celebrate the movie’s 20th anniversary, Fathom Events is presenting “Spirited Away,” which is rated PG, in select theaters on October 3, 4 and 6, 2021. The October 3 and 6 screenings will be dubbed in English, while the October 4 screening will be in Japanese with English subtitles. More information and ticket purchases can be found here.

“The Thing” (1982)

In the original 1982 version of “The Thing,” which is rated R, 12 researchers at a remote Antarctic research station discover a deadly alien that had been buried in the snow for over 100,000 years. Directed by John Carpenter, the movie’s cast includes Kurt Russell R.J. MacReady, Wilford Brimley, T.K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis and Thomas G. Waites. Alamo Drafthouse will have screenings of the 1982 version of “The Thing,” which is rated R. More information and ticket purchases can be found here.


In 2019’s “Us,” a family of four (played by Winston Duke, Lupita Nyong’o, Shahadi Wright Joseph and Evan Alex) are menaced by four people who look identical to them. Written and directed by Jordan Peele, “Us” also stars Elisabeth Moss, Tim Heidecker and Yahya Abdul-Mateen II. AMC Theatres will re-release “Us” on October 15, 2021. More information and ticket purchases can be found here.

“The Velvet Vampire”

A vampire (played by Celeste Yarnall) sets her sights on an amorous couple (played by Michael Blodgett and Sherry Miles) in this campy 1971 film (also known as “Cemetary Girls”), directed by Stephanie Rothman. The results are a very bloody love triangle. Alamo Drafthouse will show a restored version of “The Velvet Vampire,” which is rated R, on October 27, 2021. More information and ticket purchases can be found here.

“The Wolf Man” (1941)

The original “The Wolf Man” movie (starring Lon Chaney Jr. and directed by George Waggner) will be shown as a double feature with 1933’s “The Invisible Man” movie (starring Claude Rains and directed by James Whale). Fathom Events is presenting this double feature (which is not rated) in select theaters on October 30, 2021. More information and ticket purchases are available here.

2021 Toronto International Film Festival: ‘Dune,’ ‘One Night in Soho,’ ‘The Guilty,’ ‘Jagged,’ ‘Lakewood,’ ‘Petite Maman’ among first films announced

June 23, 2021

TIFF logo

Timothée Chalamet and Rebecca Ferguson in “Dune” (Photo by Chiabella James/Warner Bros. Pictures)

The following is a press release from the Toronto International Film Festival:

On September 9, 2021, the Toronto International Film Festival® (TIFF) will kick off 10 days of exceptional international and Canadian cinema with over 100 films in its Official Selection, unparalleled events featuring acclaimed industry guests, and TIFF’s Industry Conference. Recognized as the world’s largest public film festival, TIFF is poised to bring the theatrical experience back to life and continue its reputation as both a leader in
amplifying under-represented cinematic voices and a bellwether for programming award-winning films from around the globe.

In-person screenings at TIFF Bell Lightbox, Roy Thomson Hall, the Visa Screening Room at the Princess of Wales Theatre, and Festival Village at the iconic Ontario Place punctuate this year’s Festival. Festival Village at Ontario Place comprises the Cinesphere IMAX Theatre, Visa Skyline Drive-in, RBC Lakeside Drive-In and the West Island
Open Air Cinema. TIFF 2021 highlights also include screenings across Canada, and the return of the digital TIFF Bell Lightbox and TIFF Bell Digital Talks platforms.

The Festival’s public digital experience is presented by Bell, with film screenings on digital TIFF Bell Lightbox available across Canada. In Conversation With…talks and interactive Q&A sessions with actors and creators will be hosted on TIFF Bell Digital Talks, available worldwide. To increase the accessibility of the Festival, all films screened digitally will be closed-captioned.

TIFF is excited to announce the following twelve films as a sampling of what is to come in the Festival’s Official Selection for 2021:

  • “Le Bal des Folles,” directed by Mélanie Laurent (France) from Amazon Studios
  • “Benediction,” directed by Terence Davies (United Kingdom) from Bankside Films
  • “Belfast,” from director Kenneth Branagh (United Kingdom) from Focus Features
  • “Charlotte,” directed by Eric Warin and Tahir Rana (Canada/Belgium/France) from Elevation Pictures and MK2 Mile End
  • “Dionne Warwick: Don’t Make Me Over,” directed by Dave Wooley, David Heilbroner (USA)
  • “The Guilty” by director Antoine Fuqua (USA) from Netflix
  • “Jagged,” HBO’s documentary on iconic Canadian singer-songwriter Alanis Morissette, directed by Alison Klayman (USA)
  • “Lakewood,” directed by Philip Noyce (Canada)
  • “Last Night in Soho,” directed by Edgar Wright (United Kingdom) from
    Focus Features
  • “Night Raiders,” directed by Danis Goulet (Canada/New Zealand) from Elevation Pictures and Samuel Goldwyn Films
  • “Petite Maman,” directed by Céline Sciamma (France) from Elevation Pictures and NEON
  • “The Starling” by director Theodore Melfi (USA) from Netflix

The Festival’s Gala and Special Presentations presented by Visa, will be announced on July 20. Films selected for TIFF’s programmes — Contemporary World Cinema presented by Sun Life, Discovery, TIFF Docs presented by A&E Indie Films, Midnight Madness, Primetime,and Wavelengths — will be announced July 28. TIFF Short Cuts and the Platform Programme will be announced August 11.

TIFF is also delighted to announce that award-winning Canadian filmmaker Denis Villeneuve’s “Dune” will screen as a World Exclusive IMAX Special Event at the Cinesphere Theatre at Ontario Place. The film, based on Frank Herbert’s seminal novel and featuring an impressive all-star ensemble cast, will be showcased in Toronto and Montreal, in partnership with Warner Bros. Canada and venue partner Cineplex. “Dune,” from Warner Bros. Pictures and Legendary Pictures, is in theatres nationwide this fall.

“We are so proud of the calibre of the films and the diversity of the stories we will be presenting this year,” said Joana Vicente, TIFF Executive Director and Co-Head. “It is so powerful to be able to share these films with Festival-goers in theatres. And while the world is definitely moving towards a degree of normalcy, many of our industry and press colleagues may not be able to travel across international borders.

In response, we have brought back the TIFF Digital Cinema Pro platform that will host Press & Industry screenings, the Industry Conference, press conferences, as well as the TIFF Industry Selects market. We believe that digital access is an important part of providing accessibility to audiences and will be vital to the future of film festivals. This
inclusivity across all our offerings helps to ensure that, no matter where you are located, you can participate in the Festival.”

“It’s been a tough year and we’re so glad to be back,” said Cameron Bailey, TIFF Artistic Director and Co-Head. “We’re thrilled to be presenting the latest by Alison Klayman, Edgar Wright, Philip Noyce, Kenneth Branagh and many more to audiences in our Toronto cinemas, and to Canadians all across the country at home. We can’t wait for September. We’re also honoured to introduce the world to outstanding Canadian debuts such as Eric Warin and Tahir Rana’s Charlotte and Danis Goulet’s Night Raiders. We’ve been inspired by the quality, range, and diversity of the films we’re inviting, and we couldn’t wait to give everyone an early glimpse.”

“We are confident in our planning for a return to in-person screenings as part of TIFF as both the province and country accelerate vaccination rollout,” offered Dr. Peter Nord, Chief Medical Officer, Medcan, and TIFF’s consultative partner on health and safety for the pandemic. “Canada’s first-dose immunization rate has surpassed the US, and recently reached the best rates in the world. As of today in Toronto, more than 75% of adults have
received their first dose of a COVID-19 vaccine and 25% have received their second dose. We fully anticipate that by the time the Festival arrives, all Ontarians will have the opportunity to be fully vaccinated. Public health indicators, such as hospitalizations, ICU occupancy, and case rates indicate that we’re on the right — and safe — path to fully reopening. In addition, audiences will confidently be able to enjoy in-cinema screenings by
maintaining a safe physical distance and wearing a mask.”

New this year, audiences across Canada can enjoy the excitement of TIFF in their own communities with TIFF’s “Coast-to-Coast Screenings.” Film Circuit, TIFF’s film-outreach programme since 1995, will host in-cinema screenings in select locations across the country for one evening in each location, to help ignite theatrical exhibition across Canada and celebrate audiences’ return to theatres. Locations and films to be announced at a
later date.

“TIFF remains a must-attend festival,” said Vicente. “Last year’s industry offerings led to a record-breaking year in film sales, new highs in Conference attendance, the introduction of TIFF’s pass-gifting initiative for under-represented voices, gender parity across all Industry programming streams, and TIFF’s curated Industry Selects film programme devoted to international sales titles. Our commitment to diverse voices, to removing allbarriers for their work to be seen, to creating an accessible space for business, and to sharing creators’ stories is in our DNA. In 2021, TIFF is ensuring every initiative and event will have diversity, equity, and inclusion woven into its implementation.”

Industry registration for this year’s Festival (September 9–18) and Industry Conference (September 10–14) will open on June 25 and a full outline of this year’s pass benefits can be found at More details on the digital Conference programming, Talent Development initiatives, and Industry programmes will
follow throughout the summer. TIFF will announce talent appearances and update accredited professionals on in-person offerings for Press & Industry delegates, such as Press & Industry screenings, in late July as government plans for reopening the city and the country are finalized.

Since its inception, one of TIFF’s guiding principles has been to celebrate and amplify the voices of exceptional filmmakers working in Canada. Award-winning filmmaker Alanis Obomsawin’s prolific body of work will be highlighted at TIFF 2021 with a retrospective entitled “Celebrating Alanis.” “Alanis is one of the most important figures in Canadian film, documentary film, and Indigenous film,” said Bailey. “Curated by Jason Ryle, one of the
world’s leading Indigenous curators, this retrospective captures a national moment when Canadians are looking for ways to better understand and access how central Indigenous history and culture are to this nation.” “Celebrating Alanis” is co-presented with the National Film Board of Canada.

TIFF will build on its unwavering commitment to greater representation of voices by challenging the status quo, celebrating diverse storytellers and audiences, and making space for Black, Indigenous, people-of-colour, women, and LGBTQ+ creators and other under-represented talent. “TIFF’s programming team works to ensure that the films
they curate are reflective of the audiences they serve,” continued Bailey. “Films and film festivals help shape our culture, which is why access and representation are so important. Our team strives to bring under-represented voices to the table, and we build on this year after year.”

To ensure that under-represented voices and perspectives are sought out and welcomed into its press corps, TIFF’s media team works with outlets and editors around the globe, encouraging a diverse contingent. In addition, TIFF will host the fourth year of its Media Inclusion Initiative (MII), a mentorship programme committed to growing the
diversity of the press corps covering the Festival. This year, TIFF welcomes 45 new critics and writers who will offer greater representation in the areas of race, gender, sexual orientation, and disability. The MII participants will have access to films, talks, specialized workshops, and one-on-one mentoring opportunities for eligible participants. TIFF
is delighted to welcome Rotten Tomatoes as a supporter of this year’s Media Inclusion Initiative.

The 2021 TIFF Tribute Awards, will be co-produced by Bell Media Studios and for the second straight year will be broadcast nationally by CTV and streamed internationally by Variety. More information on the TIFF 2021 Tribute Awards event and this year’s honourees to follow in the coming weeks. Past recipients of the Tribute awards have gone on to win awards on the international stage such as Chloé Zhao, Mati Diop, Joaquin Phoenix, Tracey Deer, Taika Waititi and Sir Anthony Hopkins.

TIFF will once again celebrate outstanding filmmaking with its jury awards: the Federation of International Film Critics (FIPRESCI) and Network for the Promotion of Asian Pacific Cinema (NETPAC) Awards, the Platform Prize, the IMDbPro Short Cuts Awards, the Amplify Voices Awards presented by Canada Goose, and the Shawn Mendes Foundation Changemaker Award. Known for its discerning audiences that predict box-office and critical success, the TIFF People’s Choice Awards series returns, comprising the People’s Choice Award, the People’s Choice Documentary Award, and the People’s Choice Midnight Madness Award. All films in TIFF’s Official Selection areeligible for the People’s Choice Award and are voted on by Festival audiences.

TIFF is more accessible than ever in 2021, and public audiences across Canada can be among the first to make exciting cinematic discoveries. There are several ticket options available to audiences, from single film tickets for in-person screenings to packages for digital film screenings that allow access for up to 20 digital films. Digital
ticket package sales start June 30 for TIFF’s Contributors Circle Members and all ticket dates are available at sales are serviced online and by phone only.

TIFF continues to work closely with the Province of Ontario, the City of Toronto, and public health officials on the safe execution of the Festival, with its number-one priority being the health and well-being of both Festival filmgoers and residents of the community. Based on the provincial government’s recently announced reopening plan, TIFF is planning to operate at a higher capacity for indoor theatres by September, likely with mandatory mask
usage for Festival-goers. To help ensure the safest possible experience, TIFF has once again partnered with Medcan, a global health care leader providing medical expertise, consultation, and health inspiration to achieve its mission to help people “Live Well, For Life.” Based on the pillars of evidence-based care, exceptional client service, and the latest in technology, Medcan’s team of over 90 physicians supports employee health care across the continuum of health, including its “Safe at Work System,” which helps organizations navigate the pandemic.

Social Media:
Twitter: @TIFF_NET @TIFF_Industry
Instagram / Letterboxd: @tiff_net

About TIFF
TIFF is a not-for-profit cultural organization whose mission is to transform the way people see the world through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $200 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit

TIFF is generously supported by Lead Sponsor Bell, Major Sponsors RBC, L’Oréal Paris, and Visa, and Major Supporters the Government of Ontario, Telefilm Canada, and the City of Toronto.

TIFF Film Circuit is presented in partnership with Telefilm Canada and supported by Ontario Creates.

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