Review: ‘Full River Red,’ starring Shen Teng and Jackson Yee

April 10, 2023

by Carla Hay

Shen Teng, Yue Yunpeng and Jackson Yee in “Full River Red” (Photo courtesy of Edko Films Ltd.)

“Full River Red”

Directed by Zhang Yimou

Mandarin with subtitles

Culture Representation: Taking place in Tianjin, China, in the year 1146, the comedy/action film “Full River Red” (loosely based on some real-life historical figures) features an all-Asian cast of characters representing the working-class, middle-class and royalty.

Culture Clash: A deputy commander and a soldier get involved in a political conspiracy that includes spying, murder and a rivalry between the Song dynasty and the Jin dynasty.

Culture Audience: “Full River Red” will appeal primarily to people who are interested in watching convoluted but comedic spy thrillers based on ancient history.

Wang Jiayi and Zhang Yi in “Full River Red” (Photo courtesy of Edko Films Ltd.)

“Full River Red” is a fictional action political thriller with inspiration from China’s ancient history. The comedy is cheeky and sometimes silly, but it works because of the right tone set by the energetic direction and the cast members’ performances. It’s not always easy to have jokes in a violent spy movie, but “Full River Red” accomplishes that intention.

Directed by Zhang Yimou (who co-wrote “Full River Red” with Chen Yu), “Full River Red” is a little too long (159 minutes) and could have had a better and tighter narrative if it didn’t go off on a few unnecessary tangents. Despite these flaws, viewers who like twist-filled mysteries with plenty of action should remain interested. However, this movie is not for people who don’t like plots that have the potential to be confusing.

The two central characters in “Full River Red” (which takes place in China in the year 1146) are Sun Jun (played by Jackson Yee) and Zhang Da (played by Shen Teng), who are part of a tried-and-true action movie formula of a older man paired with a younger man, and they often clash with each other as they learn to work together. Jun is a recently promoted deputy commander of a guard battalion, while Da is a new soldier for the Chinese army, and he doesn’t have any ranking yet. “Full River Red” goes against stereotypes by having the younger man (Jun) with the higher ranking in this seemingly mismatched duo.

At this point in time, there is a fierce rivalry between the Song dynasty and the Jin dynasty. A murder has recently occurred in the home of Song dynasty grand chancellor/prime minsiter Qin Hui (played by Lei Jiayin), and there is a conspiracy to cover up who committed murder. Meanwhile, Da gets captured by Wang Biao (played by Guo Jingfei), commander of the house battalion, who forces Da to become a spy for the Song dynasty. Da is placed under the command of Jun, as they work to find an informant who has an important letter.

The rest of the movie shows various encounters in this caper, with a lot of the comedy coming from Jun and Da having contrasting personalities. Jun is impulsive and more likely to start a fight, while Da is more level-headed and more likely to want to outwit someone with negotiating and a clever plan. Other characters in the movie include the villainous He Li (played by Zhang Yi), who is a lord and a general manager of the grand chancellor bureau; a dancer named Zither (played by Wang Jiayi), who becomes Da’s love interest; Wu Yichun (played by Yue Yunpeng), the vice general manager of the grand chancellor bureau; and Liu Xi (played by Yu Ailei) a peasant horseman, who has a pivotal role in the story.

Describing more of the movie would be giving away too many spoiler details. But it’s enough to say that people who like “unlikely partner” movies will find a lot to like about “Full River Red,” since the performances of Yee and Teng as Jun and Da are charismatic anchors of this occasionally repetitive movie that has above-average cinemataography. Some of the violence in “Full River Red” will be too intense for some viewers. “Full River Red” is not a groundbreaking film by any means, but it’s an entertaining portrayal of spies and political intrigue in ancient China.

Edko Films Ltd. released “Full River Red” in select U.S. cinemas on March 17, 2023.

Review: ‘A Writer’s Odyssey,’ starring Lei Jiayin, Yang Mi and Dong Zijiang

February 18, 2021

by Carla Hay

Lei Jiayin in “A Writer’s Odyssey” (Photo courtesy of CMC Pictures)

“A Writer’s Odyssey”

Directed by Lu Yang

Mandarin with subtitles

Culture Representation: Taking place in China, the fantasy/action film “A Writer’s Odyssey” features an all-Asian cast representing the middle-class, wealthy and criminal underground.

Culture Clash: A desperate man, who’s been searching for his missing daughter for the past six years, gets caught up in a murder plot and an alternate world that are connected to what a young novelist is writing for his latest book.

Culture Audience: “A Writer’s Odyssey” will appeal primarily to people who like immersive, eye-catching action films that have twist-filled plot developments.

Yang Mi in “A Writer’s Odyssey” (Photo courtesy of CMC Pictures)

It’s not just the graphic violence that makes the fantasy/action film “A Writer’s Odyssey” geared to adults. At the core of a movie is a time-traveling mystery that is wrapped up and eventually unraveled in layers, making it a somewhat convoluted story that very young children will have a hard time understanding. But the movie is worth a watch for anyone who’s up for a story that examines issues of grief and revenge, while taking viewers on a frenetic ride in this otherworldly enigma.

To fully understand “A Writer’s Odyssey” (directed by Yang Lu), it helps to know in advance that the movie switches back and forth between two different worlds. In the “real world,” a disillusioned and bitter man named Guan Ning has been on an unrelenting quest to find his daughter Tangerine, who disappeared six years earlier when she was 6 years old. Meanwhile, a young author named Kongwen Lu (played by Dong Zijian) has been writing the latest book in his fantasy novel series, which follows a heroic teenager who is also named Kongwen.

Kongwen Lu’s writing come to life in the movie, and it’s all presented as an “alternate world,” where monsters exist, there are armies of robot-looking mutants, and humans look and act like warriors—or at least potential warriors. In this “alternate world,” whatever Kongwen Lu writes happens on screen. But there comes a point in the movie where what happens in the “alternate world” has an effect on people in the “real world” and vice versa.

“A Writer’s Odyssey” opens up with a thrilling action scene that introduces Guan Ning as the protagonist who finds himself unexpectedly caught between these two worlds. He’s lying in wait in a mountainous area and throws a rock at the windowshield of a freight truck driving below on a winding road. The rock breaks the window, which causes the truck to crash. There are two men sitting in the front of the truck, and they suffer minor injuries.

While the driver is briefly unconscious, Guan Ning shouts to the other man about his missing daughter Tangerine: “Six years ago in Liaoyuan, you kidnapped her. Where is she?” Guan Ning and the thug end up fighting. The driver then regains his consciousness and hits Guan Ning with a pipe.

Guan Ning runs to the back of the truck, opens the door, and sees several children locked in cages, but Tangerine is not one of them. The kids in the cages all look to be about 6 to 8 years old, while Tangerine would be about 12. And the next thing you know, police arrive, the two thugs run off, and Guan Ning is arrested for suspected kidnapping and child trafficking. He protests and says he’s an innocent father who’s looking for his daughter.

In another big fight scene, Guan Ning manages to escape from the back of the police squad car. He runs to the nearest car on the street. It’s a black car that has a mysterious woman dressed in black leather in the driver’s seat. Even though Guan Ning has never met her before, she knows who he is. Her name is Tu Ling (played by Yang Mi), and she tells Guan Ning: “You’re our valued business partner.”

Tu Ling also tells Guan Ning that she knows that his life revolves around finding his missing daughter. She comments that she also knows that he used to be a banker, but after Tangerine disappeared, he quit his job, sold his house, and divorced his wife. Guan Ning is suspicious of Tu Ling, who offers to hide Guan Ning from the police if he will do some favors for her.

Guan Ning is reluctant, but then Guan Ning says that she has information that could lead to him finding his daughter. And so, Guan Ning goes with Tu Ling, who takes him further down a rabbit hole of secrets and lies. It’s enough to say that whenever a mysterious stranger makes an offer that’s too good to be true, it usually is.

Tu Ling has a ruthless boss named Li Mu who has a murderous agenda that’s eventually revealed. Meanwhile, the alternate world created by Kongwen Lu begins to collide more with the real world until it becomes obvious that there’s a power struggle going on that involves the supernatural. Meanwhile, Guan Ning is forced to make a decision that could mean the difference between sparing someone’s life and Guan Ning getting killed, or killing someone else and saving his own life.

All of the actors do moderately good jobs in their performances, but Lei Jiayin has to show the widest range of emotions. There are some predictable flashback scenes of Guan Ningin in happier times with Tangerine, with these scenes blatantly tugging at viewers’ heartstrings. The mystery behind her disappearance isn’t handled in a completely predictable way, which makes “A Writer’s Odyssey” more than a typical fantasy/action flick.

“A Writer’s Odyssey” is based on Xuetao Shuang’s book “Assassinate a Novelist.” There are seven people credited with writing the movie’s screenplay: Xuetao Shuang, director Yang Lu, Shu Chen, Xiaocao Liu, Haiyan Qin, Lu Yang and Yang Yu. With all these screenwriters for the movie, the plot sometimes seems overstuffed with ideas and bloated by “too many cooks in the kitchen” syndrome. And the total running time for the movie (130 minutes) is a little too long.

It’s obvious that a great deal of this movie’s budget was spent on visual effects, which are intricate and sometimes stunning but won’t be winning any awards. The violence is often bloody and cruel, while the choreography works very well in most of the action scenes. At times, “A Writer’s Odyssey” looks like a big-budget video game, but the movie has more humanity than a video game in handling the mystery at the center of the story. Underneath the brutal fight scenes and dazzling visual effects is a story of how a parent’s love for a child can lead someone to go to extreme and desperate actions.

CMC Pictures released “A Writer’s Odyssey” in select U.S. cinemas on February 12, 2021, the same day that it was also released in mainland China, Australia, New Zealand, Fiji and Singapore.

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