Review: ‘The Forever Purge,’ starring Josh Lucas, Ana de la Reguera, Tenoch Huerta, Cassidy Freeman, Leven Rambin, Alejandro Edda and Will Patton

June 30, 2021

by Carla Hay

Leven Rambin in “The Forever Purge” (Photo courtesy of Universal Pictures)

“The Forever Purge”

Directed by Everardo Valerio Gout

Some language in Spanish with subtitles

Culture Representation: Taking place in Texas and Mexico, the horror film “The Forever Purge” features a cast of mostly Latino and white people (with a few black people and Native Americans) representing the wealthy, middle-class and working-class.

Culture Clash: Two families—one wealthy and white, the other working-class and Mexican—try to stay alive when a violent mob of white supremacists go on a killing spree targeting people who aren’t white and people who don’t agree with the mob.

Culture Audience: “The Forever Purge” will appeal primarily to people who want to see formulaic, violent movies that have the worst racist hate crimes as gimmicks.

Jeffrey Doornbos and Ana de la Reguera in “The Forever Purge” (Photo courtesy of Universal Pictures)

Completely predictable and lacking in substance, “The Forever Purge” tries to come across as a horror movie with a social conscience about racism. The movie is really just a badly written gorefest that uses racist hate crimes as a hook. The heroes in the movie have forgettable personalities, while the villains are so over-the-top with their hate speech that they seem almost like a cringeworthy parody of racism. The violence in the movie becomes so repetitive that it lessens any intended impact of being surprising or scary.

“The Forever Purge” is the fifth movie in the horror series that began with 2013’s “The Purge” and continued with 2014’s “The Purge: Anarchy,” 2016’s “The Purge: Election Year” and 2018’s “The First Purge.” The basic premise of each movie is that in a fictional version of the United States, all crime is legal once a year on a designated day, for a 12-hour period. The 12-hour legal crime spree is from dusk until dawn. This legal crime period is called the Purge, because the idea is that if people who are inclined to commit crimes had one day a year to purge their worst actions out of their system, then crime would decrease for the rest of the year. During the Purge, police and other emergency services are not available.

It’s a concept for a horror franchise (which also spawned the 2018-2019 “The Purge” TV series) that has been stretched so thin, that now “The Forever Purge” has ripped that concept apart. In “The Forever Purge,” which takes place mostly in Texas, the 12-hour legal crime period still happens. However, a group of white supremacist marauders have decided that the Purge will no longer have a time limit for them, as they continue with their crime spree to hunt and kill people who aren’t white. These rogue racists have a particular hatred for non-white immigrants.

Directed by Everardo Valerio Gout and written by James DeMonaco (who has written all “The Purge” movies so far), “The Forever Purge” has two protagonist families who represent two different versions of the American Dream. One is a white family who has lived in the United States for generations and has accumulated wealth. The other is a Mexican immigrant family who has relocated to the U.S. in search of better opportunities and a safer life.

The Tucker clan is a family of ranchers living in a large compound in an unnamed Texas city that’s near the Mexican border. Widowed patriarch Caleb (played by Will Patton) is a kind and generous boss to the ranch’s employees, who are mostly Mexican immigrants. Caleb’s son Dylan (played by Josh Lucas) is mistrustful of people who aren’t from the same racial and social class as he is.

Caleb’s other child is his daughter Harper (played by Leven Rambin), who is more like her father than Dylan is, because she doesn’t have racist tendencies. Dylan and his wife Cassie (played by Cassidy Freeman) are expecting their first child together. They don’t know yet what gender the child is, but Cassie is about eight or nine months pregnant.

Meanwhile, a Mexican couple in their 30s named Adela (played by Ana de la Reguera) and Juan (played by Tenoch Huerta) have crossed over the border into Texas as undocumented immigrants in search of the American Dream. They are also seeking a safer place to live, since where they used to live in Mexico has been overrun with drug cartels. Juan finds work as a ranch hand at the Tucker ranch. Adela becomes a cook at a restaurant.

Early on in the movie, it’s shown that Dylan is a jerk who thinks Mexicans are inferior. He likes to wrongfully accuse the Mexican workers of committing an employee violation, and he threatens to fire them to instill fear into them. One of the Mexican workers is a young man named T.T. (played by Alejandro Edda), who is Juan’s closest friend at the ranch.

Dylan has a particular dislike of Juan, who is kind of like a “horse whisperer” for the ranch. There’s a scene near the beginning of the movie that shows how Dylan tried and failed to get a stubborn horse under his control during training, and the horse knocked Dylan to to ground. However, Juan was able to easily calm the horse into submission.

Caleb respects Juan, who is a responsible and hard-working employee, and that makes Dylan jealous of Juan. Dylan tries to intimidate Juan with a false accusation of being tardy, but Juan remains unrattled. However, it’s the type of harassment that Juan can longer tolerate. Juan tries to talk to Caleb about Dylan’s animosity, by candidly telling Caleb that he thinks that Dylan doesn’t like Mexicans.

Caleb’s denies it and says, “I always taught my son to be a proud American. Maybe I didn’t really teach him what that meant. I don’t even know what that means anymore. The world is changing all around us. We are at each other’s throats. Confusing times.”

“The Forever Purge” keeps hammering this point with all the subtlety of a jackhammer on full blast. Within the first 10 minutes of the movie, there’s a series of news voiceovers that report how issues over Mexican immigration have caused increasingly violent tensions in the United States. White supremacist hate crimes, which the perpetrators try to disguise as “patriotism,” are on the rise against non-white immigrants.

As a result, the U.S. government has re-instated the Purge, which had been banned at the end of “The Purge: Election Year.” (“The First Purge” was a prequel to “The Purge.”) All crimes will still be legal for the designated 12-hour period, but government officials are not allowed to be crime victims during the Purge. It’s a precaution to prevent any assassinations of high-ranking leaders.

This re-instated Purge will begin 10 months after Adela and Juan have arrived in the United States. In the days leading up to this Purge resurrection, an anti-Purge activist named Chiago Harjo (played by Zahn McClarnon), who’s identified in the media as a “Texas tribal leader,” has been giving TV interviews denouncing the Purge. And that’s how “The Forever Purge” makes it easy to know that Chiago is going to end up joining forces with the movie’s protagonists in fighting the racist villains of the story.

On the day before the Purge begins again, Dylan, Cassie and Harper are having dinner with two friends who are a married couple: Dalton Levay (played by Joshua Dov) and Emily Levay (played by Annie Little). Earlier that day, Dalton had invited Dylan and Cassie to stay with the Levay family during their Purge lockdown, but Dylan declined the offer. His reason? “I hate the damn Purge. It’s hard to be social on that night, but thank you for the invite.”

During dinner, Emily says that if Cassie and Dylan need a nanny for their soon-to-be-born child, then she suggests hiring the sister of Emily’s nanny Anna. Dylan declines that offer too, because he says that they don’t need a nanny. Anna (played by Lupé Carranza) happens to be nearby with one of the Levay kids, and Dylan notices that Anna and the child are speaking Spanish to each other.

Dylan blurts out another reason why he doesn’t want Anna’s sister to be a nanny for him and Cassie: “I don’t know if I want our kids to be speaking Spanish in this house.” Cassie, Harper and Emily look shocked and embarrassed at this bigoted comment. However, Dylan is the type of racist who doesn’t think he’s racist.

As he says later in the movie to Juan: “I don’t think white people are better than anyone else … but we should just stick to our own.” It’s the type of racist mindset that historically has made racial segregation legal, by saying that society should be “separate but equal” when it comes to race. The problem with the “separate but equal” argument is that the U.S. was built on the very unequal system of white supremacy, where slavery and racial segregation were legal, and white people were given better access to resources such as education, housing, job opportunities and health care.

It’s easy for someone like Dylan (who’s already wealthy) to say “separate but equal” when he has privileges that give him more advantages in life than people who don’t have the same privileges. It’s a message that “The Forever Purge” attempts to convey in a very superficial manner. “The Forever Purge” ultimately abandons this message when the movie devolves into a typical violent free-for-all with deadly shootings, stabbings and other types of violent murders.

The day before the Purge, Caleb gives each of the ranch employees a cash bonus, to help them fund whatever defense methods they need for the Purge. A ranch hand named Kirk (played by Will Brittain), who appears to be the only white employee of the Tucker family, snarls after taking the cash: “I know what I’m using my money for—and it’s not for protection.” And when Kirk gripes to the other ranch hands that the Tucker family is just using the employees as “slave labor,” it’s an obvious foreshadowing of what comes later in the movie when the Tuckers become victims of a home invasion.

During the Purge, the Tucker family is on lockdown by having bulletproof barriers that can be lowered over their doors and windows. The Tucker property also has an extensive video surveillance system that Dylan monitors. Meanwhile, Adela and Juan stay at a public lockdown facility that is protected by armed guards. There seem to be many other Spanish-speaking immigrants at this facility.

Adela is curious about what Purge night looks like outside, so she goes up on the building’s roof where some armed guards are keeping vigil. One of the guards advises her to go back inside the building, as the sounds of gunshots and explosions ring through the air. Adela says to him, “There are parts of Mexico that sound like this every night.”

While looking out on the streets below, Adela is alarmed to see a truck with the words “Purge Purfication” emblazoned on the side. A recording blares from the truck’s loudspeakers: “We will no longer tolerate foreigners raping and pillaging the United States of America! We will find you and disinfect you! America will be American once again!”

She also sees that there’s a black man being held captive inside the truck. He looks like he’s being assaulted and will probably be killed. However, the crime that Adela is witnessing is legal, because it’s happening during the Purge. The tragedy of the situation still shocks her though.

Later, when Adela shows weapons skills that a typical cook would not have, it should come as no surprise when she reveals that it’s because when she was in Mexico, she was part of a group of women who fought drug cartels. This isn’t spoiler information, because the only real spoilers for this obvious movie is revealing who lives and who dies during the violent mayhem that ensues.

After the Purge ends for the year, people think their lives have gone back to normal. But there would be no “The Forever Purge” movie if that happened. Not long after the Purge ends, there’s still a large presence of white supremacists going around in groups and committing hate crimes. The Purge Purification truck is part of a nationwide Purge Purification movement that doesn’t want the Purge to end. Their motto (which they repeat to the point of stupidity) is “Forever After Purge.”

Adela finds out the hard way when she sees an abandoned goat in a cage in a back alley and tries to rescue it. It’s a trap, of course, and the two white supremacists who set the trap try to kill her. Adela is saved by a Good Samaritan named Darius (played by Sammi Rotibi), who is African American. Together, Darius and Adela kill their attackers in self-defense.

And as soon as this deadly battle ends, guess who suddenly shows up at the scene? Two cops, who weren’t around when they were needed. The cops quickly arrest Adela and Darius, who protest and say they were acting in self-defense. Their proclamations of innocence are ignored, so Adela and Darius end up in the back of a police van with some other people who’ve been arrested.

One of those other people just happens to be a mentally unhinged neo-Nazi skinhead (played by Edward Gelhaus), who has a swastika tattooed on his left cheek. By this time, the city has become a chaotic and violent mess, with gunshots heard everywhere. In one of the more laughably ludicrous parts of the movie, the neo-Nazi begins identifying the types of guns being used, based on the gunshots that are heard.

“Listen to that bass!” the Nazi crows like a loon about the gunshots. “Homegrown music from the heartland right there! That’s American music, motherfucker!” Yes, it’s that kind of movie.

Every lunatic racist group in a movie like this needs a leader, and in “The Forever Purge,” it’s Elijah Hardin (played by Jeffrey Doornbos), who spouts white supremacist rhetoric that sounds like it came straight from the Ku Klux Klan Handbook of Clichés. Elijah has an equally nasty wife named Mother Hardin (played by Susie Abromeit), who’s intent on proving that women can be just as dangerous as men when it comes to violent racism.

“The Forever Purge” has a very unsurprising storyline of the protagonists being separated from their spouses and trying to find them in the chaos. And that means that Dylan and Juan end up working together for a common goal, which leads to Dylan’s inevitable change of heart in how he feels about Mexicans. There’s also a part of the movie where the protagonists trie to flee to safety in Mexico, which is an obvious ironic flip to show Americans what it would be like to be refugees seeking asylum in another country.

The violence just becomes filler before the movie’s hackneyed conclusion. “The Forever Purge” has a lot of action, but it’s so unimaginative and easy to predict that it ends up becoming very tedious after a while. The acting is nothing spectacular, mainly because almost all of the characters have no real depth and often utter moronic dialogue during the fight scenes. Now that “The Forever Purge” filmmakers have destroyed the series’ original concept so that the mayhem of the Purge now has no time limit, this once-unique movie franchise has just become another run-of-the-mill slasher flick series.

Universal Pictures will release “The Forever Purge” in U.S. cinemas on July 2, 2021.

Review: ‘The Big Ugly,’ starring Vinnie Jones, Malcolm McDowell, Nicholas Braun, Leven Rambin, Lenora Crichlow and Ron Perlman

July 31, 2020

by Carla Hay

Vinnie Jones in “The Big Ugly” (Photo courtesy of Vertical Entertainment)

“The Big Ugly” 

Directed by Scott Wiper

Culture Representation: Taking place in Virginia’s Appalachian Mountains, the crime drama “The Big Ugly” has a predominantly white cast of characters (with a few black people) representing the wealthy, middle-class, working-class and criminal underground.

Culture Clash:  British criminals who are in Virginia for a shady business deal find themselves at odds with a longtime American ally who is a powerful oil baron with a troublemaking son.

Culture Audience: “The Big Ugly” will appeal primarily to people who like formulaic B-movie crime thrillers and don’t mind if the movie’s pace is much slower than it should be.

Brandon Sklenar in “The Big Ugly” (Photo courtesy of Vertical Entertainment)

British footballer-turned-actor Vinnie Jones is known for starring in high-octane B-movie action schlockfests that showcase his fighting abilities, so viewers of “The Big Ugly” (written and directed by Scott Wiper) might be disappointed to see how slow-paced this movie is. And it’s not just because the movie takes a long time (about two-thirds of the film) before a really big fight scene happens. This is the type of movie where the people speak with long pauses in between sentences, as if they’re zonked-out on medication or their brain cells are being killed by some of the moronic dialogue that they have to utter.

The movie begins with a group of British criminals on a private plane, as they fly to Virginia’s Appalachian Mountains to do a business deal: laundering money with a local millionaire oil baron named Preston (played by Ron Perlman, in yet another menacing role as a ruthless and shady character). The movie’s title comes from an area of the Appalachians called the Big Ugly, where Preston’s employees do a lot of their work.

The story’s main protagonist is a brooding thug named Neelyn (played by Jones), and he’s accompanied on the trip by his girlfriend Fiona (played by Lenora Crichlow), whom he’s been dating for six years. Also on the plane is the British crime group’s boss: a suit-wearing, bespectacled overlord named Harris (played by Malcolm McDowell), who has his underlings do his dirty work for him. “Back in London,” Neelyn says of the criminal hierarchy there, “Harris is the king.”

Harris is on this trip because he personally wants to deliver $32.7 million (which is about £25 million) in cash to Preston, who owns a large swath of land in the Appalachians, where he employs a loyal group of redneck types to mine the land for precious resources, such as oil. Harris and Preston are longtime allies who became friends after one of them saved the other’s life years ago. (It’s shown as a flashback in the movie.)

The reason for the trip, as Neelyn explains in one of his many gruff, Cockney-accented voiceovers in the film: “Preston needs cash flow. Harris needs a cleaner. Win win—for most.” It isn’t long before viewers see that Neelyn and Harris have a strained relationship with each other because Neelyn tends to be a bit rebellious. We see later in the film that Neelyn is the type of employee who will sometimes question what his boss tells him to do instead of blindly following orders.

The cash tradeoff happens smoothly after the private plane lands on the tarmac. Preston might be involved in illegal deals, but he wants everyone to know that he’s got a noble conscience when it comes to race relations and respecting the environment. But when it comes to murdering people who might get in his way, Preston’s “morality” flies right out the window.

After he gets Harris’ money, Preston has several employees gathered outside, when he sees that a few of his scruffy male employees have arrived in a truck displaying a Confederate flag. Preston immediately rips the flag from the truck, because he says he’s “read history” and he knows that the flag represents divisiveness. When the employees object to Preston taking the flag, he reacts by throwing the flag in a nearby garbage can. “This shit offends me,” Preston growls. “Riding around with [this flag] just says, ‘I’m a fucking loser.'”

Preston also starts lecturing to employees about his political philosophies: “You know, one of our biggest crimes as Americans is that our righteous morality towards nature rarely extends beyond our own backyard … I don’t frack. I don’t use bullshit chemicals. I treat the land with honor and leave it like God intended it to be.”

Now that viewers know that Preston is a criminal who hates the Confederate flag but loves the environment, it isn’t long before the source of the story’s conflict is shown: Preston’s only child Junior (played by Brandon Sklenar), a sleazy and entitled troublemaker who uses his father’s power to bully people and commit all kinds of mayhem because he knows he can get away with it. Preston has some loyal enforcers to carry out his wishes (and clean up Junior’s messes), including top henchman Mitt (played by Bruce McGill), Thomas (played by David Meyers Gregory) and Stoney (played by Dan Buran).

Now that Harris and his posse have done their business deal with Preston, these British criminals don’t expect to be in town for long. There’s a random scene in a barn, where Neelyn is pointing a gun at a older man who arrived with the group on the plane. “We had a good run, you and me,” Neelyn tells the man, who clearly knows what’s going to happen next. The man replies “Yeah,” before Neelyn shoots him dead.

What is the purpose of this poorly written scene? Harris shows up near the barn right after the shooting, so it’s implied that Neelyn shot the guy because Harris ordered him to do it. But it’s never really explained what this murder victim did to deserve being killed in such a cold-blooded manner. If Neelyn has any remorse over this murder, he doesn’t show it.

Meanwhile, at a local bar called 86 Roadhouse, which appears to be the only hotspot in town, Neelyn and Fiona party with their group and some of Preston’s employees. In one of the restrooms, Neelyn and Fiona do cocaine together. Harris looks very out of place in this seedy bar, as if he’d rather be downing cocktails at the ritzy Savoy Hotel in London.

And when Harris sees a coked-up Neelyn, he expresses his disapproval at Neelyn’s intoxicated condition. You see, Harris wants his people to be “classy” criminals, as if he somehow forgot that murdering someone in cold blood in a dirty barn isn’t exactly “classy.” Neelyn inevitably gets in a rough physical fight with a couple of bar patrons, and Neelyn is thrown out of the place.

Harris is outside of the bar and furious with Neelyn. Harris yells at Neelyn: “Only you can can get eighty-sixed from a bar called the fucking 86! I mean, wild animals can’t get thrown out of that fucking place! You are a humiliation to us! You are a fucking embarrassment!”

Neelyn replies, “You finished? Or shall I pull up a chair?” Harris snaps back, “Wind your neck in son, or I’ll cut it off.” That’s a typical example of the cringeworthy dialogue in this movie.

While Harris is verbally ripping into Neelyn outside, Junior is inside the bar making moves on the paid escort named Jackie (played by Elyse Levesque) who accompanied Harris on this trip. Junior’s seduction technique is to ooze out cheesy lines such as “Your beauty is so bright, it hurts my eyes,” while holding up a hand to his face. Jackie is either really drunk, desperate or both, because Junior’s smarminess works on her.

The next thing you know, Jackie and Junior are having sex outside in a not-so-secluded area near the bar. One of the people who sees this impromptu tryst is mild-mannered Will (played by Nicholas Braun), one of Preston’s employees. Junior happens to be Will’s immediate boss, so Will (just like most people who don’t want to see their boss having sex) backs away and says nothing.

Meanwhile, Neelyn and Fiona (who are both drunk and high) are in their hotel room, where they get into a little bit of a lovers’ spat because she wants him to talk about where their relationship is headed, after six years of dating each other. Neelyn is not in the mood for that kind of talk, so Fiona storms out of the room in a huff.

While she’s smoking a cigarette outside, Junior comes sidling up to her like a snake ready to pounce. (He definitely gets around fast.) Junior starts flirting with Fiona and invites her to go back to 86 Roadhouse with him. She politely declines, but he keeps insisting. And then when he walks away, he says she can still change her mind.

When a very hungover Neelyn wakes up the next morning, he notices that Fiona is missing. Harris and the rest of his group are getting ready to board their plane back to London, but Neelyn is frantic over finding Fiona. Harris and Neelyn get in another argument, where Harris orders Neelyn to leave with the group, but Neelyn insists on staying so that he can find Fiona.

Meanwhile, Junior has moved on to another potential sexual conquest: Will’s girlfriend Kara (played by Leven Rambin), who works as a bartender/waitress at another local bar. Kara rebuffs Junior’s aggressive advances (and he uses the same “you’re so beautiful, it hurts my eyes” line with her too), but it’s clear that he doesn’t want to take no for an answer.

Junior later tells Will that Kara is a “hot piece of ass” who doesn’t need to belong to one man. It’s a test of Will’s moral strength in defending his girlfriend from Will’s sexual harassment, but Junior is also testing how far he can abuse his power as Will’s supervisor. People in the area know that Junior is an out-of-control bully, but they’re afraid to do anything about it because they know that Junior’s powerful father Preston will protect him.

Neelyn does some private-detective sleuthing into Fiona’s disappearance. Actually, he just goes back to the 86 Roadhouse and bribes the owner/manager Tomi (played by Joelle Carter) to give him information. To no one’s surprise, Neelyn finds out that Junior was the last person seen with Fiona, because they were hanging out together at the bar until closing time, and Fiona and Junior left the bar together.

Fiona left her wallet behind (a sign of probable foul play), and Neelyn checks his phone and finds a disturbing voice-mail message from Fiona that sounds like she’s being attacked and is yelling for help. When Neelyn confronts Junior about being the last person seen with Fiona, Junior insists that he walked Fiona back to the hotel and that she was perfectly safe the last time he saw her. (No one in this movie bothers to ask for any surveillance video.)

Junior is obviously the main “person of interest” in Fiona’s disappearance, but when Neelyn tells Harris about his suspicions, Harris tells Neelyn to back off of going after Junior. Harris knows that Preston is very protective of his rotten son, so Harris doesn’t want anything to happen to put his own friendship with Preston in jeopardy

Does Neelyn obey Harris’ orders to “back off” of Junior? It’s pretty easy to see where the rest of the movie will go from here, so when the inevitable showdown happens, there’s nothing really unique or surprising about it. “The Big Ugly” isn’t an unwatchable film. It’s just a very forgettable and derivative film that tries to be very lofty and serious-minded, as if it’s pretending that it’s not a substandard B-movie.

In the very beginning of the film, Neelyn is heard declaring in a monotone voiceover: “God. Land. Oil. It’s often said that war is waged for just these three … I didn’t come hear to West Virginia for God.” Actually, the battles in this movie are about none of those three things. “The Big Ugly” might give the impression that there will be a lot of thrilling fight scenes, but instead the movie is an often-tedious drama that takes too long to get to the real action.

Vertical Entertainment released “The Big Ugly” in select virtual U.S. cinemas on July 24, 2020. The movie’s digital/VOD release date is July 31, 2020.

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