Tag: Liza Koshy

Review: ‘The Naked Gun,’ starring Liam Neeson

July 30, 2025

by Carla Hay

Pamela Anderson and Liam Neeson in “The Naked Gun” (Photo courtesy of Paramount Pictures)

“The Naked Gun”

Directed by Akiva Schaffer

Culture Representation: Taking place in the Los Angeles area, the action comedy film “The Naked Gun” (the fourth film in “The Naked Gun” franchise) features a predominantly white cast of characters (with some African Americans, Latin people and Asians) representing the working-class, middle-class and wealthy.

Culture Clash: Police detective Frank Drebin Jr. investigates the suspicious death of a technology programmer while he also getting romantically involved with the programmer’s sister, who suspects the cause of death was murder.  

Culture Audience: “The Naked Gun” will appeal primarily to people who are fans of “The Naked Gun” movies, the movie’s headliners and comedies that have jokes filled with puns and slapstick.

Danny Huston and Liam Neeson in “The Naked Gun” (Photo courtesy of Paramount Pictures)

Not all of the jokes are great, but “The Naked Gun” is a worthy continuation of the comedy franchise in this story of police detective Frank Drebin Jr. investigating a mysterious death. The puns and sight gags range from goofy to raunchy. Before the last 15 minutes descend into wacky chaos, “The Naked Gun” is a steady stream of hammy hilarity that could get even the most die-hard cynic to crack a smile or chuckle.

Directed by Akiva Schaffer, “The Naked Gun” was co-written by Shaffer, Dan Gregor and Doug Mand. The trio teamed up in the same capacities for the Emmy-winning 2022 Disney+ movie “Chip ‘n Dale: Rescue Rangers.” “The Naked Gun” is the fourth movie in “The Naked Gun” movie series, which is a spinoff the 1982 comedy TV series “Police Squad!,” starring Leslie Nielsen. (Nielsen died in 2010, at the age of 84.)

The first three movies in the series starred Nielsen reprising his “Police Squad!” detective character Frank Drebin. This trilogy consists of 1988’s “The Naked Gun: From the Files of Police Squad!,” 1991’s “The Naked Gun 2 1/2: The Smell of Fear” and 1994’s “The Naked Gun 3 1/3: The Final Insult.” It’s not necessary to see any of these movies before seeing 2025’s “The Naked Gun,” but seeing these movies can be recommended for anyone who is curious to compare them to “The Naked Gun.”

In “The Naked Gun,” Frank Drebin is deceased, and the main character is Frank Drebin Jr. (played by Liam Neeson), a widower who has followed in his father’s footsteps as a detective for the Los Angeles Police Department. Frank is a respected and diligent cop in the department, with a reputation for catching many criminals. There’s a department celebration for him at LAPD headquarters, with a sign that says, “Congratulations, Frank. 1,000 Bad Guys Caught.”

In the beginning of “The Naked Gun,” Frank and his LAPD colleagues respond to a bank robbery, where Frank has disguised himself as a girl in a school uniform to gain access to the building. It’s the beginning of many visual effects that give the movie a surrealistic tone. The robbers are apprehended after a messy fight. However, Frank gets pulled off the bank robbery case because some of the arrested robbers have filed a police brutality lawsuit against the LAPD.

Frank’s stern boss Chief Davis (played by CCH Pounder) assigns Frank to the deal with vehicle collisions. But trouble seems to find Frank anyway. At a single-car crash in Malibu, the body of 57-year-old bachelor Simon Davenport is found. Frank barely investigates before declaring the death to be a suicide.

Someone who doesn’t agree with this decision is Frank’s closest surviving relative: his divorcée sister Beth Davenport (played by Pamela Anderson), a blonde bombshell with a breathy voice. Beth, who is a crime novelist, visits Frank and his office and tells him that Simon’s murder was a homicide. Frank is immediately smitten with Beth.

Beth tells Frank that Simon was a programmer for technology billionaire Richard Cane (played by Danny Huston), the smooth-talking and slippery CEO of a company named Edentech. Richard made his fortune in online retail and other ventures. Beth invites Frank to a reading of her latest novel “The Killer Wore Lipstick.” Beth is supposed to be a spoof of retro femme fatale characters, kind of like a combination of Lana Turner and Jessica Rabbit.

Frank meets Richard for the first time at an Edentech party. Richard, who is the movie’s obvious villain, gives Frank a gift: an electric car that can be operated by voice-controlled commands. As already shown in the movie’s trailer, one of the first things that happens when Frank drives this car is that he accidentally leaves it attached to an electrical charging station near the front of the police station. As he drives off, it creates a domino effect where other charging stations fall down and crash into the wall, leaving a gaping hole where prisoners in the jail escape.

Frank agrees to investigate the death of Simon. And eventually, he lets Beth go undercover in the investigation, after they get romantically involved with each other. Beth’s undercover name, which Frank spontaneously invents, is Cherry Roosevelt Fat Bozo Chowing Down. You have to see the movie to find out why he came up with that alias.

Beth tells Frank that Simon told her that he was working on invention for Richard called the P.L.O.T. Device. (P.L.O.T. stands for Primordial Law of Toughness.) The investigation includes a few visits to Richard’s upscale Bengal Club, where Frank introduces Beth to Richard, by using her undercover name. At the Bengal Club, Beth pretends to be a singer and shows some unusual scat jazz singing skills.

Frank uncovers more information that leads him to believe that Simon’s death was a homicide. Frank also believes that illegal things have been happening at the Bengal Club. Douglas O’Reilly (played by Vincent Lascoumes), a journalist who writes for the Los Angeles Chronicle newspaper, might have some answers to this mystery. With Beth’s help, Frank goes into a Bengal Club back room to see if he can find surveillance video from the club.

During this entire investgation, Richard’s chief thug Sig Gustafson, (played by Kevin Durand) is sent to keep track of what Frank is doing. One of the funniest scenes in the movie is when Sig uses X-ray binoculars to spy on Richard and Beth on a date at Richard’s home. What’s happening inside the home looks very different through the binoculars. Some of this scene is already shown in the movie’s trailer, but the misinterpreted visuals get extremely cringeworthy when Frank’s dog appears in the room.

Many of the jokes in “The Naked Gun” depend on audiences knowing certain things about pop culture. In an early part of the movie, Frank utters, “I remember when the only things that were electric were chairs, eels and Catherine Zeta-Jones in ‘Chicago.'” In another scene, when Richard and Beth are at the Bengal Club, he gives her a glass of champagne that he brags is from Bill Cosby’s private estate. Beth chokes a little after hearing that comment.

Some celebrities have notable cameos in “The Naked Gun.” Busta Rhymes has a short scene as an unnamed bank robber in an interrogation room. Dave Bautista and “Weird” Al Yankovic make quick appearances as themselves. (There’s a very brief end-credits scene with one of these actors. It’s not worth watching unless you’re absolutely curious.)

One area where “The Naked Gun” falls short is that doesn’t have enough scenes of Frank working with his cop colleagues. Ed Hocken Jr. (played by Paul Walter Hauser) is a very underdeveloped character. He’s the son of the late Ed Hocken, the LAPD captain who was played by George Kennedy in the first three “Naked Gun” movies. (Kennedy died in 2016, at age 91.) Ed Jr. is a little too generic in this movie doesn’t really have enough screen time to be an important sidekick.

Not Nordberg Jr. (played by Moses Jones) is the LAPD cop son of Officer Nordberg, Frank Drebin Sr.’s best friend, who was played by O.J. Simpson in the first three “Naked Gun” movies. (Simpson, whose scandals most people know about, died of prostate cancer in 2024, when he was 76.) Nordberg Jr.’s funniest scene is already shown in the movie’s trailer, when his colleagues are crying in front of their cop father’s police portraits in a hallway at LAPD headquarters, while Nordberg Jr. looks at his father’s portrait and shakes his head no while looking embarrassed. Other LAPD characters who are vague side characters are Detective Barnes (played by Liza Koshy), Detective Taylor (played by Michael Beasley) and Detective Park (played by Eddie Yu).

As it stands, “The Naked Gun” succeeds because it stays true to the original spirit of the first three “Naked Gun” movies and because Neeson and Anderson are a dynamic comedic duo. Neeson’s 21st century actor roles have been mostly as “tough guys” in gritty action movies. Anderson has been living for years under the shadow of being mostly known as a sex symbol and a former “Baywatch” actress. In “The Naked Gun,” Neeson and Anderson use those stereotypes to their advantage by poking fun at their typecast images, thereby proving that they have the talent to be taken seriously as comedic forces in their own right.

Paramount Pictures will release “The Naked Gun” in U.S. cinemas on August 1, 2025.

Review: ‘Ruby Gillman, Teenage Kraken,’ starring the voices of Lana Condor, Annie Murphy, Toni Collette, Sam Richardson, Will Forte, Colman Domingo and Jane Fonda

June 29, 2023

by Carla Hay

Chelsea Van Der Zee (voiced by Annie Murphy) and Ruby Gillman (voiced by Lana Condor) in “Ruby Gillman, Teenage Kraken” (Image courtesy of DreamWorks Animation)

“Ruby Gillman, Teenage Kraken”

Directed by Kirk DeMicco

Culture Representation: Taking place in the U.S. city of Oceanside, the animated film “Ruby Gillman, Teenage Kraken” features a cast of characters depicting humans, krakens and mermaids.

Culture Clash: A female teenage Kraken, whose family has been hiding its kraken identity from humans, uncovers an ancient legacy when a rival new student enrolls in her school. 

Culture Audience: “Ruby Gillman, Teenage Kraken” will appeal primarily to people who want to see reliably entertaining animated films with simple messages about self-confidence and being yourself.

Pictured from left to right: Trevin (voiced by Eduardo Franco), Margot (foreground, voiced by Liza Koshy), Bliss (voiced by Ramona Young), Ruby Gillman (voiced by Lana Condor) and Connor (voiced by Jaboukie Young-White) in “Ruby Gillman, Teenage Kraken” (Image courtesy of DreamWorks Animation)

“Ruby Gillman, Teenage Kraken” does what it’s supposed to do as a family-oriented animated film. The story and visuals are appealing, but improvement was needed in world building and explaining various characters’ backstories much earlier in the movie. If you don’t know what a kraken is and have no interest in finding out, then skip this movie. Everyone else will at least be mildly entertained by this animated movie that is adequate but not a classic.

Directed by Kirk DeMicco, “Ruby Gillman, Teenage Kraken” has an over-used story of a teenage girl trying to fit in at her school while having a crush on a boy whom she wants to date. However, the movie should be commended for at least taking a unique and darking approach of making a kraken family at the center of the story. It’s something that no animated film from a major Hollywood studio has ever done before. Pam Brady, Brian C. Brown and Elliott DiGuiseppi wrote the screenplay for “Ruby Gillman, Teenage Kraken,” with additional screenplay material written by DeMicco, Meghan Malloy and Michael McCullers.

A kraken is a giant mythical sea monster whose origins are off of the coast of Norway. In “Ruby Gillman, Teenage Kraken,” 16-year-old Ruby Gillman (voiced by Lana Condor) and her family are living “under the radar” in the U.S. city of Oceanside, by having the appearance of humans and trying fit in as human beings. What’s kind of silly about the movie is that the members of this kraken family all have blue skin, which makes it obvious that they’re not human. It would look worse in a live-action film, but in an animated film, there’s more room for suspension of disbelief.

Ruby is intelligent and compassionate, but she insecure about her physical appearance, and she has a slightly goofy personality. Her overprotective mother Agatha Gillman (voiced by Toni Collette) is a successful real-estate agent who dominates the household and is the main parental disciplinarian. Ruby’s laid-back father Arthur Gillman (voiced by Colman Domingo) is much more lenient and understanding of Ruby’s curiosity. Also in the household is Ruby’s 7-year-old brother Sam Gillman (voiced by Blue Chapman), who has the “cute kid” role in the movie.

Agatha and Arthur know that their family is “different,” but they have instilled the attitude in their children that they must blend in with humans as much as possible. Agatha’s number-one rule for her children (especially Ruby) s that they must never go inside or near a large body of water. Needless to say, Agatha is horrified and disapproving when Ruby says she’s interested in studying marine biology for a possible career.

Ruby attends Oceanside High School, where she has a small circle of three friends who are all considered “misfits,” just like Ruby. Margot (voiced by Liza Koshy), who is queer or a lesbian, loves musical theater and is the most talkative and outspoken of the friends. Trevin (voiced by Eduardo Franco), the quietest of the group, is addicted to playing hand-held video games. Bliss (voiced by Ramona Young) is moody, sarcastic, and dresses like a nerdy Goth.

Ruby prides herself on being a “mathlete”—someone who excels at math and at being an athlete. She has a big crush on a fellow student whom she’s tutoring in math. His name is Connor (voiced by Jaboukie Young-White), who is a free-spirited skateboarder. The school’s prom is coming up. Ruby, Connor, and Ruby’s friends all think the concept of a prom is a “post-colonial patriarchal construct” that they think is very uncool.

However, Margot ends up changing her mind about boycotting the school’s prom when her girl crush asks Margo to be her prom date. Trevin and Bliss then want to go to the school’s prom too. Feeling left out, Ruby decides she wants to also attend the prom, with Connor as her date. Ruby tries to work up the courage to ask Connor, who’s attracted to her, but Ruby isn’t seeing the obvious signs of this attraction.

The added allure for Ruby to go to the prom is that it will be an act of rebellion against her mother. As soon as Agatha found out that the prom will take place in a building that’s near the ocean, she forbade Ruby from going. Margot, Trevin and Bliss convince Ruby that she shouldn’t be so afraid of getting her mother’s disapproval for something that should be a fun and positive experience for Ruby. These three pals tells Ruby that she should lie to Agatha about where she is going on the prom night and go to the prom instead.

Shortly before Ruby decides she’s going to ask Connor to be her prom date, he accidentally falls into the ocean and almost drowns. Ruby dives in to rescues him. And that’s when Ruby finds out that she can turn into a giant kraken. She’s horrified and now knows why her mother Agatha forbade her to go into any large body of water. Connor is unconscious and doesn’t see who rescued him. After a short stay in a hospital, he is released.

Meanwhile, there’s a new student at Oceanside High School: a confident, physically attractive redhead named Chelsea Van Der Zee (played by Annie Murphy), who witnessed this rescue and knows that Ruby wants to keep Ruby’s kraken identity a secret. And so, Chelsea takes credit for rescuing Connor. People believe Chelsea’s fabricated “hero” story, and she immediately becomes popular. As already shown in the “Ruby Gillman, Teenage Kraken” trailers, Chelsea has a secret identity too: She’s really a mermaid.

There are more Gillman family secrets that are revealed to Ruby, including a longtime feud between mermaids and krakens. Agatha’s bold and confident mother, whose only name in the movie is Grandmamah (voiced by Jane Fonda), comes from a long line of kraken warrior queens. Grandmamah is estranged from Agatha, who refused to follow in her mother’s footsteps.

Ruby also finds out that 15 years earlier, there was a Battle of the Tridents, where mermaids were defeated and went into hiding. There’s an all-powerful trident that mermaids and krakens have been battling over for several generations. When Ruby decides she’s going to embrace her kraken heritage and asks Grandmamah to mentor her, you can easily guess what the movie’s big showdown will be.

Other featured characters in this movie includes a local tour guide Gordon Lighthouse (voiced by Will Forte), who has a boat and who believes that krakens are very dangerous for people. Brill voiced by Sam Richardson) is Agatha’s younger brother, who is earnest and dorky. He’s the type who wears Hawaiian shirts, shorts and sandals with socks. Brill ends up getting involved in some of Ruby’s adventures.

“Ruby Gillman, Teenage Kraken” has some explanations about kraken and mermaid lore in the middle of the movie, when those explanations should have been earlier in the film. The characters of Ruby, Agatha and Grandmamah have well-defined personalities, but some other characters (such as Sam and Bliss) don’t do much except take up space. Other characters (such as “cool love interest” Connor, “mean girl” Chelsea and “meddling neighbor” Gordon) are the types of characters that have been in many other types of scripted entertainment.

Some viewers might compare “Ruby Gillman, Teenage Kraken” to the 2022 Oscar-nominated Pixar movie “Turning Red” because there are some striking similarities. “Turning Red” is a much better movie overall, but “Ruby Gillman, Teenage Kraken” isn’t an intentional ripoff. “Ruby Gillman, Teenage Kraken” was in development for years prior to it getting made, so any similarities to “Turning Red” are coincidental.

Everything in “Ruby Gillman, Teenage Kraken” is just fine or average, but not so terrible that it feels like a complete waste of time to watch it. There’s a jumbled explanation of the Battle of the Tridents, but it’s not so confusing that viewers will feel lost. At the very least, anyone who watches “Ruby Gillman, Teenage Kraken” will see a teenage heroine who is very different from the usual teenage heroines in other animated films.

Universal Pictures will release “Ruby Gillman, Teenage Kraken” in U.S. cinemas on June 30, 2023.

Review: ‘Transformers: Rise of the Beasts,’ starring Anthony Ramos, Dominique Fishback, Dean Scott Vazquez and the voices of Peter Cullen, Peter Dinklage, Pete Davidson and Ron Perlman

June 6, 2023

by Carla Hay

Anthony Ramos and Dominique Fishback in “Transformers: Rise of the Beasts” (Photo courtesy of Paramount Pictures)

“Transformers: Rise of the Beasts”

Directed by Steven Caple Jr.

Culture Representation: Taking place in 1994, in New York City, Peru, and other parts of the universe, the sci-fi action flick “Transformers: Rise of the Beasts” features a racially diverse cast of characters (Latino, white, African American, Asian) portraying alien robots and working-class and middle-class humans.

Culture Clash: A former U.S. Army private/comms tech and a museum researcher team up with alien robots called the Transformers and Maximals to save the world from villain robots Terrorcons and Predacons.

Culture Audience: Besides appealing to the obvious audience of “Transformers” franchise fans, “Transformers: Rise of the Beasts” will appeal primarily to people who are interested in crowd-pleasing sci-fi action films that are low on surprises but high on big-spectacle fight scenes and engaging comedy and drama.

Nightbird (voiced by Michaela Jaé Rodriguez), Scourge (voiced by Peter Dinklage) and Battletrap (voiced by David Sobolov) in “Transformers: Rise of the Beasts” (Image courtesy of Paramount Pictures)

“Transformers: Rise of the Beasts” is a triumphant sci-fi action spectacle that is chock full of memorable characters and engaging storylines. It strikes the right balance between evoking nostalgia and creating excitement for new aspects to the “Transformers” franchise. It’s also by far the most diverse “Transformers” movie so far, but it’s diversity that looks natural, not forced. Even people who know nothing about the “Transformers” franchise (which is based on Hasbro toys that spawned multiple animated TV series) will be charmed by “Transformers: Rise of the Beasts,” as long as they’re up for eye-popping ride of robot mayhem. For people who don’t know, Transformers are about alien robots that can transform into various things to disguise themselves.

“Transformers: Rise of the Beasts” is directed by Steven Caple Jr. , a self-professed “Transformers” fan. This love of the “Transformers” franchise shows in how well Caple is able to pay homage to the original spirit of the 1996 to 1999 animated TV series “Beast Wars: Transformers” (also known as “Beasties: Transformers”) and make “Transformers: Rise of the Beasts” a standout “Transformers” cinematic experience. The movie follows the 2018 spinoff film “Bumblebee,” which took place in 1987, and told the origin story of a popular Transformer named Bumblebee, who transforms into a black and yellow 1977 Chevrolet Camaro. “Bumblebee,” directed by Travis Knight, was a hit with audiences and critics.

It’s a welcome turnaround from the 10-year downward spiral of quality for the “Transformers” movie series under the direction of Michael Bay, who helmed the first five live-action “Transformers” movies, starting with 2007’s pleasantly mediocre “Transformers” and ending with 2017’s atrocious “Transformers: The Last Knight.” Each movie was more ridiculous than its predecessor, with Bay making many of these “Transformers” movies into overly long, bloated endurance tests for viewers.

Clocking in at a just-right total running time of 127 minutes, “Transformers: Rise of the Beasts” is an example of how to do a highly entertaining “Transformers” movie without it being more than 150 minutes long. “Transformers: Rise of the Beasts” has five screenwriters (Joby Harold, Erich Hoeber, Jon Hoeber, Darnell Metayer and Josh Peters), but the story doesn’t feel like there were “too many cooks in the kitchen.” The movie also gets rid of Bay’s tired “Transformers” movie cliché of the lead actress being just a sex-symbol sidekick for the lead actor. In “Transformers: Rise of the Beasts,” the chief human heroine has intelligence as well as good looks.

“Transformers: Rise of the Beasts” mostly takes place in 1994, but the beginning of the movie shows a scene that took place centuries earlier in outer space. In this scene, a massive evil entity called Unicron (voiced by Colman Domingo) dispatches his underlings to destroy the jungle-like homeland of Maximals, a group of intelligent robots that can disguise themselves as wild animals. Unicron literally eats planets in order to survive.

Unicron’s main enforcers are zombie robots calls Terrorcons, led by the ruthless Scourge (voiced by Peter Dinklage), who can transform into a 1994 Peterbilt 359. Scourge has two main sidekicks: Nightbird (voiced by Michaela Jaé Rodriguez, formerly known as Mj Rodriguez) is a ninja assassin who can transform into a black Nissan Skyline GTR R33. Battletrap (voiced by David Sobolov) is a scout who can transform into an orange and black GMC. Predacons, a race of ancient Cybertronian beasts, are another group of antagonists in the movie. If these descriptions sound unappealing, then “Transformers: Rise of the Beasts” is not the movie for you.

The refugee Maximals, whose planet was destroyed in the beginning of the movie, fled to many parts of the universe. Many of the Maximals ended up on Earth in Peru, including Maximal leader Optimus Primal (voiced by Ron Perlman), who transforms into a 13-foot-tall metallic silverback gorilla. The other Maximals in the movie are Airazor (voiced by Michelle Yeoh), who transforms into a peregrine falcon; Cheetor (voiced by Tongayi Chirisa), who transforms into a cheetah that’s the size of a small truck; and Rhinox (voiced by Sobolov), who transforms into a rhino that weighs 8,000 pounds.

Returning to the “Transformers” movie series are the heroic robots called the Autobots, led by Optimus Prime (voiced by Peter Cullen), who transforms into a red 1987 Freightliner FLA truck. Bumblee also makes his return. And having a more prominent presence than in previous “Transformers” movies is Arcee (voiced by Liza Koshy), a sharpshooter who transforms into a dark pink and white Ducati 916 motorcycle.

All of these Autobots don’t get as much screen time in the movie as an Autobot making his first live-action “Transformers” movie appearance: the wisecracking Mirage (voiced by Pete Davidson), who transforms into special edition silver 1993 Porsche 911 Carrera RS 3.8. It’s through Mirage that the human heroes of the story get involved in the battle to save Earth from being destroyed.

And let’s not forget the humans in this movie. The main human protagonist is Noah Diaz (played by Anthony Ramos), a former U.S. Army private who worked as a comms tech. Viewers find out that Noah was discharged from the Army and is back living in his hometown of New York City’s Brooklyn borough with his mother Breanna Diaz (played by Luna Lauren Velez, formerly known as Lauren Velez) and his 11-year-old brother Kristopher “Kris” Diaz (played by Dean Scott Vazquez), who happens to have sickle cell anemia. Noah has been struggling to find a job. I the beginning of the movie, he’s rejected for an interview for a job as a security guard because a former manager described Noah as unreliable.

Kris’ increasing medical bills are causing a lot of financial stress on the family. And so, a desperate Noah reluctantly accepts an offer from a friend named Reek (played by Tobe Nwigwe) to steal a Porsche. Noah finds out that the Porsche is really a giant robot named Mirage, who takes Noah to a warehouse, where Noah meets Optimus Prime, Bumblebee and Arcee. Optimus Prime is furious with Mirage about this introduction to Noah, becaue Optimus Prime and most Autobots don’t really trust humans.

Meanwhile, a museum researcher named Elena Wallace (played by Dominique Fishback), who is an enthusiast of ancient Egyptian mythology, is intrigued by a wooden owl statuette that has arrived at the museum where she works. When she opens the statuette, laser beams come out and trigger a signal to Unicron. And you know what that means. It’s only a matter of time before Scourge and his crew will be descending on Earth so that Unicron can destroy the planet for Unicron’s consumption.

Through a series of events, Noah and Elena cross paths and have some conflicts. But they have to learn to work together when they find out what the owl statuette is part of a solution to the mystery of how to find a key that opens a portal that can help the Maximals escape. The key has been split into two. It all leads to a high-stakes, adrenaline-packed “race against time” to find the missing key parts while fighting off the villains. (“Transformers: Rise of the Beasts” was filmed in New York City, Montreal and Peru.)

The visual effects in “Transformers: Rise of the Beasts” are some of the best in the “Transformers” franchise. But more importantly, although there are several new and returning characters in the movie, “Transformers: Rise of the Beasts” doesn’t look overstuffed, thanks to writing and film editing that do a good job of distinguishing the characters by giving each character enough room to be memorable. The movie is heavy on nostalgia for the “Transformers” animated TV series (which was on the air from 1984 to 1987), because the designs of Optimus Prime and Bumblebee adhere to how they looked in the TV series instead of previous “Transformers” movies.

The additions of Ramos and Fishback are definite improvements to the “Transformers” franchise, because both of these cast members have genuine acting talent. The characters of Noah and Elena are written and performed as realistic people, not generic and fake-looking action heroes. For all of the exciting battles and elaborate fight scenes in “Transformers: Rise of the Beasts,” the charismatic rapport between the humans is the real secret weapon for why this movie succeeds and why viewers will want to come back for more.

Paramount Pictures will release “Transformers: Rise of the Beasts” in U.S. cinemas on June 9, 2023.

2022 American Music Awards: Taylor Swift is the top winner

November 20, 2022

The following is a press release from ABC:

Taylor Swift at the 2022 American Music Awards at the the Microsoft Theater in Los Angeles on Nvoember 20, 2022 (Photo courtesy of ABC)

Taylor Swift broke her own record of the most wins of any artist in the history of the American Music Awards Sunday night by clinching the top spot in the winner’s circle with six wins at the “2022 American Music Awards” (AMAs), to bring her total count to 40 wins. The year’s hottest night in music represents top achievements in music determined by the fans, for the fans. Hosted by Wayne Brady, the thrilling evening filled with world premiere performances and pop-culture moments aired live on ABC from the Microsoft Theater at L.A. LIVE in Los Angeles.

Show highlights included the following:

  •  Eight-time AMA nominee P!NK skated in from the streets of Los Angeles for an epic start to the AMAs, opening the show with a powerful world premiere performance of her brand-new single “Never Gonna Not Dance Again.” She later graced the stage for a moving and powerful performance of “Hopelessly Devoted To You” dedicated to the inspirational life and career of 10-time AMA winner Olivia Newton-John.
  • This year’s AMA host Wayne Brady bantered with the audience, singing about how he prepared to host the AMAs in his opening monologue. Brady also tapped into his “Dancing With The Stars” skills to perform a number alongside his current DWTS partner, Witney Carson. Later in the show, Brady tapped into members of his audience including Niecy Nash-Betts for a random selection of words, which he used to improvise a rap on stage.
  • Two-time nominee Bebe Rexha made her U.S. television performance debut of her global smash hit “I’m Good (Blue)” in an out of this world futuristic performance.
  • Global superstar and Favorite Female Latin Artist winner Anitta made her AMAs stage debut with her smash hit “Envolver” and was joined by two-time AMA winner Missy Elliott who surprised fans hitting the stage to join Anitta for “Lobby.” The two danced through a hotel lobby celebrating the first-ever performance of their smash hit.
  • Country superstar, 17-time AMA winner and all-time Favorite Country Album record-holder Carrie Underwood flew through the theater on a neon orb to the stage to perform her hittrack “Crazy Angels.”
  • First-time nominee GloRilla made her AMAs stage debut with a surprise performance alongside last year’s AMA host Cardi B for their hit “Tomorrow 2.”
  • Imagine Dragons hit the stage for a fiery performance, singing a medley of their hits including “Bones.” The band was later joined by Atlanta rapper J.I.D. for a striking performance of their duo hit “Enemy.”
  • Multiplatinum rapper Lil Baby performed a medley of his smash hits “California Breeze” and “In a Minute” in a suave performance on the AMAs stage.
  • Artist, songwriter and actor Yola took the stage to perform her powerful original song “Break the Bough,” named the American Music Awards SONG OF SOUL, a spotlight moment that highlights an artist that uses music to invoke social change. Yola’s colorful performance showcased her vocal abilities and star power.
  • New Artist of the Year winner Dove Cameron made her AMAs stage debut in a theatrical performance of her hit single “Boyfriend.”
  • Presented by longtime friend Smokey Robinson, Lionel Richie received his 18th AMA award with the prestigious Icon Award. Later in the evening, stars joined together to honor Richie with tribute performances, including two-time AMA winner Stevie Wonder and two-time AMA nominee Charlie Puth,who performed a medley of Richie’s hit songs complete with dueling pianos and scat singing.
  • Superstars Jimmie Allen, Ari Lennox, Yola, Muni Long, Melissa Ethridge, Dustin Lynch, and Smokey Robinson joined Wonder and Puth on the stage for an epic surprise recreation of the 1986 AMAs performance of “We Are The World,” a nostalgic highlight of the evening with Lionel joining the group on stage.
  • Adding the musical connectivity to a night filled with superstar performances, tributes and pop culture moments, iconic DJ, producer/rapper and philanthropist D-Nice was the resident 2022 AMAs House DJ.
  • In tribute to the life and career of Loretta Lynn, country star Jimmie Allen took the stage for a quick rendition of one of her greatest hits.
  • Host Wayne Brady led a moment of tribute to the late rapper Takeoff, speaking to his life, career and success in the music industry.

Winner Highlights of the “2022 American Music Awards”:

  • Taylor Swift broke her own record with six AMA wins, making the 40-time winner the most decorated artist in AMAs history. Her album “Red (Taylor’s Version)” earned the awards for Favorite Country Album, Favorite Pop Album and Favorite Music Video, while Swift also won Favorite Female Pop Artist, Favorite Female Country Artist and Artist of the Year. In 2013, Swift won the AMA for Favorite Country Album for the first version of her album “Red.”
  • Last year’s Artist of the Year winners BTS took home two AMAs this year, including the first-ever AMA for Favorite K-Pop Artist.
  • Six-time nominee this year Beyoncé won two awards tonight for Favorite Female R&B Artist and Favorite R&B Album for her latest album, “Renaissance.”
  • Ghost took home the first-ever AMA for Favorite Rock Album for their latest album “Impera.”
  • This year’s most-nominated artist, Bad Bunny, took home two AMAs for Favorite Male Latin Artist, Favorite Latin Album for “Un Verano Sin Ti.”
  • Elton John won his first AMA since 1998 for Collaboration of the Year for his hit “Cold Heart – PNAU Remix” with Dua Lipa.
    First-time AMA nominee Dove Cameron took home this year’s New Artist of the Year award.
  • Anitta, a first-time nominee this year, won the AMA for Favorite Female Latin Artist.

Presenters throughout the night included Dan + Shay, Dustin Lynch, Ellie Goulding, Jessie James Decker, Jimmie Allen, Karrueche Tran, Kelly Rowland, Kim Petras, Liza Koshy, Latto, Meghan Trainor, Melissa Etheridge, Niecy Nash-Betts, Roselyn Sanchez, Sabrina Carpenter, Sheryl Lee Ralph and Smokey Robinson.


2022 AMERICAN MUSIC AWARDS WINNERS
Artist of the Year: Taylor Swift
New Artist of the Year: Dove Cameron
Collaboration of the Year: Elton John & Dua Lipa “Cold Heart – PNAU Remix”
Favorite Touring Artist: Coldplay
Favorite Music Video: Taylor Swift “All Too Well: The Short Film”
Favorite Male Pop Artist: Harry Styles
Favorite Female Pop Artist: Taylor Swift
Favorite Pop Duo or Group: BTS
Favorite Pop Album: Taylor Swift “Red (Taylor’s Version)”
Favorite Pop Song: Harry Styles “As It Was”
Favorite Male Country Artist: Morgan Wallen
Favorite Female Country Artist: Taylor Swift
Favorite Country Duo or Group: Dan + Shay
Favorite Country Album: Taylor Swift “Red (Taylor’s Version)”
Favorite Country Song: Morgan Wallen “Wasted on You”
Favorite Male Hip-Hop Artist: Kendrick Lamar
Favorite Female Hip-Hop Artist: Nicki Minaj
Favorite Hip-Hop Album: Kendrick Lamar “Mr. Morale & The Big Steppers”
Favorite Hip-Hop Song: Future ft. Drake & Tems “WAIT FOR U”
Favorite Male R&B Artist: Chris Brown
Favorite Female R&B Artist: Beyoncé
Favorite R&B Album: Beyoncé “Renaissance”
Favorite R&B Song: Wizkid ft. Tems “Essence”
Favorite Male Latin Artist: Bad Bunny
Favorite Female Latin Artist: Anitta
Favorite Latin Duo or Group: Yahritza Y Su Esencia
Favorite Latin Album: Bad Bunny “Un Verano Sin Ti”
Favorite Latin Song: Sebastián Yatra “Dos Oruguitas”
Favorite Rock Artist: Machine Gun Kelly
Favorite Rock Song (NEW): Måneskin “Beggin’”
Favorite Rock Album (NEW): Ghost “Impera”
Favorite Inspirational Artist: for KING & COUNTRY
Favorite Gospel Artist: Tamela Mann
Favorite Dance/Electronic Artist: Marshmello
Favorite Soundtrack: “ELVIS”
Favorite Afrobeats Artist (NEW): Wizkid
Favorite K-Pop Artist (NEW): BTS

2022 AMERICAN MUSIC AWARD WINNERS BY ARTIST
Taylor Swift (6): Artist of the Year, Favorite Music Video, Favorite Female Pop Artist, Favorite Pop Album,  Favorite Female Country Artist, Favorite Country Album
Bad Bunny (2): Favorite Male Latin Artist, Favorite Latin Album
Beyonce (2): Favorite Female R&B Artist, Favorite R&B Album
BTS (2): Favorite Pop Duo or Group, Favorite K-Pop Artist
Harry Styles (2): Favorite Male Pop Artist, Favorite Pop Song
Kendrick Lamar (2): Favorite Male Hip-Hop Artist, Favorite Hip-Hop Album
Morgan Wallen (2): Favorite Male Country Artist, Favorite Country Song
Tems (2): Favorite Hip-Hop Song, Favorite R&B Song
Wizkid (2): Favorite R&B Song, Favorite Afrobeats Artist (NEW)
Anitta (1): Favorite Female Latin Artist
Chris Brown (1): Favorite Male R&B Artist
Coldplay (1): Favorite Touring Artist
Dan + Shay (1): Favorite Country Duo or Group
Dove Cameron (1): New Artist of the Year
Drake (1): Favorite Hip-Hop Song
Dua Lipa (1): Collaboration of the Year
Elton John (1): Collaboration of the Year
“ELVIS” (1): Favorite Soundtrack
for KING & COUNTRY (1):Favorite Inspirational Artist
Future (1): Favorite Hip-Hop Song
Ghost (1): Favorite Rock Album (NEW)
Machine Gun Kelly (1):Favorite Rock Artist
Måneskin (1): Favorite Rock Song (NEW)
Marshmello (1): Favorite Dance/Electronic Artist
Nicki Minaj (1): Favorite Female Hip-Hop Artist
Sebastián Yatra  (1): Favorite Latin Song
Tamela Mann (1): Favorite Gospel Artist
Yahritza Y Su Esencia (1): Favorite Latin Duo or Group

About the “2022 American Music Awards”:

  • The AMAs represents the year’s top achievements in music determined by the fans, for the fans. Last year’s show stands as the most social telecast of 2021 with 46.5 million interactions, underscoring the role fans play in the annual event. A vibrant night of non-stop music, the AMAs features a powerful lineup featuring first-time collaborations and exclusive world premiere performances from music’s biggest names – from Pop to Rap, R&B to Country, Latin to K-Pop – and more, as well as memorable moments that live on in pop culture.
  • As the world’s largest fan-voted awards show, the AMAs air globally across a footprint of linear and digital platforms in more than 120 countries and territories.
  • The “2022 American Music Awards” winners are voted entirely by fans.Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album and song sales, radio airplay, and tour grosses. These measurements are tracked by Billboard and its data partner Luminate, and cover the eligibility period of Sept. 24, 2021, through Sept. 22, 2022.
  • Airing live on ABC, the “2022 American Music Awards” are produced by dick clark productions and Jesse Collins Entertainment. Jesse Collins is showrunner and executive producer. Dionne Harmon, Jeannae Rouzan-Clay, and Larry Klein are also executive producers. For the latest AMA news, exclusive content and more, follow the AMAs on social (Facebook, Twitter, Instagram, TikTok, Snapchat and YouTube), online at theamas.com and ABC.com, and join the conversation by using the official hashtag for the show, #AMAs.

ABOUT DICK CLARK PRODUCTIONS
dick clark productions is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” “So You Think You Can Dance,” and the “Streamy Awards.” dick clark productions owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances and legendary programming. For more information please visit www.dickclark.com.

ABOUT ABC ENTERTAINMENT
ABC Entertainment’s compelling programming includes “Grey’s Anatomy,” the longest-running medical drama in primetime television; ratings juggernaut “The Bachelor” franchise; riveting dramas “Big Sky,” “The Good Doctor,” “A Million Little Things,” “The Rookie” and “Station 19”; trailblazing comedies “Abbott Elementary,” “The Conners,” “The Goldbergs,” “Home Economics” and “The Wonder Years”; popular game shows, including “The $100,000 Pyramid,” “Celebrity Family Feud,” “The Chase,” “Press Your Luck” and “To Tell the Truth”; star-making sensation “American Idol”; “Judge Steve Harvey,” the network’s strongest unscripted series debut in a year; reality phenomenon “Shark Tank”; family favorites “America’s Funniest Home Videos” and “Holey Moley”; “General Hospital,” which heads into its milestone 60th season on the network; and late-night talk show “Jimmy Kimmel Live!”; as well as the critically acclaimed, Emmy®Award-winning “Live in Front of a Studio Audience” specials. The network also boasts some of television’s most prestigious awards shows, including “The Oscars®,” “The CMA Awards” and the “American Music Awards.”

ABC programming can also be viewed on Hulu.

ABOUT JESSE COLLINS ENTERTAINMENT
Founded in 2012, Jesse Collins Entertainment (JCE) is a full-service television and film production company that has played an integral role in producing many of television’s most memorable moments in music entertainment. The Emmy® winning company has a multi-year overall agreement with ViacomCBS Cable Networks. On the film side, the company also has a first look on JCE’s film development projects which could include Viacom’s film entities such as Paramount Players.  JCE’s award-winning and critically acclaimed television includes programming from its three divisions.  From the scripted division: scripted series—Real Husbands of Hollywood, American Soul and miniseries—The New Edition Story and The Bobby Brown Story.  From the unscripted division: unscripted series – Cardi Tries, My Killer Body with K. Michelle, DJ Cassidy’s Pass the Mic and Forward: The Future of Black Music, competition/game shows—Becoming A Popstar, Rhythm + Flow, Sunday Best, Hip Hop Squares and Nashville Squares, talk show – Face to Face with Becky G and children’s series—Bookmarks: Celebrating Black Voices (Emmy® Award winner).  From the specials division: award shows—The American Music Awards, BET Awards, Soul Train Awards, BET Hip Hop Awards, Black Girls Rock!, BET Honors, UNCF’s An Evening of Stars and ABFF Honors, specials—The Super Bowl Halftime Show, CNN’s Juneteenth: A Global Celebration of Freedom, Martin: The Reunion, John Lewis: Celebrating A Hero, Love & Happiness: An Obama Celebration, Change Together: From The March On Washington To Today, A GRAMMY Salute to the Sounds of Change, Stand Up for Heroes, Dear Mama, Amanda Seales: I Be Knowin’, Def Comedy Jam 25, Leslie Jones: Time Machine, The All-Star Nickmas Spectacular and Rip the Runway.  Emmy® winner Jesse Collins, Founder and CEO, is the executive producer of all programming.  He is also an executive producer for the Grammy Awards.  He produced the 2021 Oscars.

Review: ‘Work It,’ starring Sabrina Carpenter, Liza Koshy, Keiynan Lonsdale and Jordan Fisher

August 7, 2020

by Carla Hay

Neil Robles, Bianca Asilo, Tyler Hutchings, Liza Koshy, Jordan Fisher, Sabrina Carpenter, Nathaniel Scarlette and Indiana Mehta in “Work It” (Photo by Brendan Adam-Zwelling/Netflix)

“Work It” 

Directed by Laura Terruso

Culture Representation: Taking place in an unnamed U.S. city, the dramedy film “Work It” has a racially diverse cast (white, African American and Asian) representing the middle-class.

Culture Clash:  A high-school senior, who’s an overachiever but a clumsy dancer, wants to win a group dance contest in order to impress a college admissions officer, so she recruits a group of misfits to train as dancers and dethrone the reigning champs.

Culture Audience: “Work It” will appeal primarily to people who like formulaic movies about students involved in dance contests.

Pictured in front row: Kalliane Bremault, Keiynan Lonsdale and Briana Andrade-Jones in “Work It” (Photo by Brendan Adam-Zwelling/Netflix)

Imagine a movie that takes almost every stereotypical plot in a teen movie and piles it on top of more clichés until it becomes a mindless mush of forgettable unoriginality. The result is the “Work It,” a dramedy that’s so derivative that even the movie’s title is recycled and bland. Directed by Laura Terruso and written by Alison Peck, “Work It” follows every formula of a teen dance movie to the point where people can predict what can happen even without seeing a second of this film. What saves “Work It” from being completely awful is much of the eye-catching choreography and the comedic talents of some of the cast members.

Here some of the high-school movie tropes in “Work it” that check a lot cliché boxes: Is there a nerdy protagonist who wants to transform into becoming more popular? Check. In “Work It,” she’s overachiever Quinn Ackerman (played by Sabrina Carpenter), a senior at the fictional Woodbright High School, which is located in an unnamed U.S. city. Quinn is consumed with her goal to get into Duke University, her late father’s alma mater.

Is there a big upcoming contest that will be a test of her popularity? Check. It’s the annual Work It dance competition, and Woodbright’s elite dance team the Thunderbirds are the reigning champs. Is there a sassy best friend who provides most of the comic relief? Check. She’s Jasmine “Jas” Hale (played by Liza Koshy), who is one of the best dancers on the Thunderbirds team.

Is there a villain? Check. The very arrogant captain of the Thunderbirds is Isaiah “Julliard” Pembroke (played Keiynan Lonsdale), who insists that people call him Julliard, because he’s convinced that he has what it takes to be admitted to this prestigious performing-arts college. Is there a love interest for the protagonist? Check. And is there a group of misfits who will band together with the protagonist to help her achieve her popularity goal? Check.

At the beginning of “Work it,” the conflict between Quinn and Julliard starts when Quinn, who has been a volunteer lightboard operator for the Thunderbirds, accidentally spills coffee on the lightboard during a Thunderbirds rehearsal. The accident results in a big electrical malfunction that singes the hair of one of the Thunderbirds named Brit Turner (played by Kalliane Bremault), who is one of Julliard’s fawning sidekicks.

Julliard storms into the studio control area with Brit and his other main sycophant Trinity (played by Briana Andrade-Jones), and rudely scolds Quinn about the mishap: “It is my responsibility to lead the team to a fourth consecutive victory!” Quinn makes a profuse apology and promises that the accident won’t happen again. But Julliard is not having it.

“Brit’s hair was singed,” he huffs imperiously. “She probably has to get bangs now, and she doesn’t have the face for it.” Julliard then haughtily fires Quinn by telling her, “You are banished from this room!”

Quinn’s feelings are hurt by the dismissal, but she has something bigger to worry about: her upcoming in-person interview with an admission officer at Duke University. Quinn, who narrates this film, explains in a voiceover that she’s fixated on attending Duke because her father was a Duke alum, and Quinn has happy memories of going to Duke football games and alumni events. Quinn says of Duke: “It feels like home—if you had a less than 6% acceptance rate.”

Quinn’s supportive mother Maria Ackerman (played by Naomi Snieckus) is equally enthusiastic about Quinn attending Duke. Maria and Quinn share a tendency to be worried, neurotic and over-prepared. They are both nervous wrecks by the time that Maria drives Quinn to Duke for Quinn’s interview.

At the interview, Quinn lists her qualifications for why she’s an ideal candidate for Duke: She’s a national Merit Scholar with a 4.0 GPA. She’s the student government treasurer at her high school. For extracurricular activities, she’s president of the school’s AV Club; she volunteers at a nursing home three days a week; and she plays the cello.

The Duke admissions officer Veronica Ramirez (played by Michelle Buteau) makes it clear to Quinn that she’s bored and unimpressed because other applicants have the same qualifications. Ms. Ramirez tells Quinn that they’re looking for risk-takers who are passionate about something, so Quinn blurts out that she really likes the Thunderbirds, who are the reigning champs of the Work It competition.

Ms. Ramirez comments that she loves the Work It competition, and she assumes that Quinn is part of the Thunderbirds dance team. Quinn doesn’t correct her and tell her the truth: That she’s not a dancer and she’s not even part of the Thunderbirds anymore as their lightboard operator.

But then, Quinn soon regrets this deliberate misleading, because Ms. Ramirez then excitedly tells Quinn that she’ll be at the Work It competition this year and that she looks forward to seeing Quinn there. The Work It contest happens before Quinn will find out if she got accepted into Duke, so she leaves the interview silently panicking over how she’s going to be able to get out of this big lie with the one person who can make or break her admission into Duke.

After thinking about writing an apology email confessing her lie, Quinn changes her mind and comes up with a desperate plan: She’ll learn how to dance in the few weeks left before the qualifying stage of the contest, audition for the Thunderbirds, and then get into the Work It competition as part of the Thunderbirds dance team. Quinn begs a reluctant Jas to be her dance teacher, by reminding Jas that Quinn has helped her with her academics, and it’s time to return the favor.

The big problem, of course, is that Quinn is an uncoordinated klutz. Quinn also wants to dancer/choreographer Jake Taylor (played by Jordan Fisher), who’s a few years older than she is, to coach her. Jake was expected to make it big as a dancer after a won a major dance contest, but his dance career was cut short after he got an anterior cruciate ligament (ACL) injury, and he disappeared from the professional dance scene.

Of course, Quinn tracks him down, and finds out that he’s been making a living teaching elementary-school-aged kids how to dance. Jake still has a lot of talent, but the injury has shaken his confidence in becoming a professional dancer again. Quinn shows up unannounced at one of his classes and tells him that she wants him to teach her how to dance and she won’t take no for an anwer. He’s annoyed and amused by Quinn’s persistence and basically tells her to go away. But since he’s Quinn’s obvious love interest, this won’t be the last we see of Jake in this story.

Quinn’s audition for the Thunderbirds goes as badly as you think it does. Julliard gets a big laugh over Quinn’s humiliation, especially when she begs him to join the team. He sarcastically suggests that maybe Quinn should start her own dance team. And you just know she does.

Quinn’s first recruit is Jas, who’s reluctant at first to quit the Thunderbirds. But Julliard treats everyone on the Thunderbirds team like crap, so it isn’t long before Jas is all-in for Quinn’s team. Quinn can’t think of an official name, so she calls the team TBD—as in, to be determined.

And this is where the misfits come in: One by one, Quinn convinces other unlikely students at the school to join her team. Raven (played by Bianca Asilo) is a pessimistic Goth girl who likes to dance to heavy-metal songs for videos that she puts on social media. Chris Royo (played by Neil Robles) is a social outcast on his soccer team, but he has good rhythm. Quinn appeals to Chris’ ego by telling him that he’ll be more appreciated on her dance team than on the soccer team.

DJ Tapes (played by Nathaniel Scarlette) is a dancer who seems to be straight out of the ‘80s, with a boombox and hip-hop breakdancing style. Robby G. (Tyler Hutchins) is a tall, thin dorky type whose claim to fame is he was once seen doing a back flip. Quinn tracks him down at a karate dojo. Priya Singh (played by Indiana Mehta) is a sarcastic roller skater, who has a knack for twirling, so she’s enlisted for the dance team too.

“Work It” has the expected montages of Quinn and the rest of her motley crew being terrible dancers (except for Jas), with the expected clumsy falls and uncoordinated moves, with Quinn being the driving force for them not to give up. There’s also a running joke in the film that Jas has a crush on a hunky guy named Charlie (played by Drew Ray Tanner), who works as a salesman in a mattress store. And so, there are multiple scenes of Jas engaging in all sorts of hijinks (including asking Charlie to “spoon” with her on a bed mattress), in order to get his attention.

Koshy is one of the few bright spots in this dreadfully predictable film. Even though she and the other cast members have a lot of cringeworthy dialogue, Koshy’s comedic timing and facial expressions show that she has real knack for bringing a humorous flair that can elevate some horrible screenwriting. She’s a bit of a scene stealer. Lonsdale also looks like he’s having funny playing a flamboyant villain, even if the role at times veers too much into some stereotypical tropes that male dancers have catty, effeminate qualities.

Carpenter is just fine in her role as Quinn, the story’s heroine, although she’s played the “good girl” many times before on screen, so it’s not much of an acting stretch for her. As for Fisher, he is charming enough in his role, but his Jake character is written as kind of a blank slate, with no sense of who his family or friends are.

The chemistry and dancing between Carpenter and Fisher are fairly tame (this movie is no “Dirty Dancing”), as is most of the film’s humor. However, there is one scene where a male dancer’s erection is played for cheap laughs. The target audience for this movie is obviously kids in the age range of 12 to 17, so the erection scene is this movie’s way of being “edgy” for this type of audience.

Most of this movie’s attempts at humor fall flat and have very cheesy lines. For example, when Quinn and her dance team decide to go to the nursing home where she volunteers, so that they can practice in front of a live audience, the only person who’s in the audience is a nursing home resident, who ends up dying during the performance. Priya says as the man’s corpse is being taken away in an ambulance: “I’m pretty sure the key to a live audience is keeping them alive.”

The movie’s dancing and choreography are very “So You Think You Can Dance.” There are some eye-catching moments, but nothing that will make “Work It” a classic dance film. The movie’s soundtrack is also a predictable collection of pop tunes, including Dua Lipa’s “Break My Heart,” Normani’s “Motivation,” Ciara’s “Thinkin Bout You,” Meghan Trainor’s “Treat Myself” and Zara Larsson’s “WOW.”

All the energy put into the dance numbers still can’t erase the fact that “Work It” is hopelessly lazy when it comes to the generic way that the story is told. The only steps that this vapid movie seems concerned with are those that move from story cliché to story cliché.

Netflix premiered “Work It” on August 7, 2020.

2018 American Music Awards: Heidi Klum, Tyra Banks, The Chainsmokers, Lenny Kravitz among presenters

October 8, 2018

AMAs logo

The following is  a press release from Dick Clark Productions and ABC:

Dick Clark Productions and ABC today announced a star-studded line-up of presenters for the “2018 American Music Awards.” Some of the biggest names from film, television and music including Kelsea Ballerini, Tyra Banks, Kane Brown, Chloe x Halle, Macaulay Culkin, Lauren Daigle, Billy Eichner, Sara Gilbert, Kathryn Hahn, Amber Heard, Vanessa Hudgens, Taran Killam & Leighton Meester, Heidi Klum, Liza Koshy, Lenny Kravitz, Normani, Rita Ora, Busy Philipps, Bebe Rexha, Florida Georgia Line, Thomas Rhett, Evan Ross, Ashlee Simpson-Ross, John Stamos, Amandla Stenberg, The Chainsmokers, Constance Wu, and the cast of “Bohemian Rhapsody” including Rami Malek, Joseph Mazzello & Gwilym Lee will take the stage throughout the night.

The lineup of presenters joins host Tracee Ellis Ross and previously announced performers benny blanco with Halsey and Khalid, Camila Cabello, Cardi B featuring Bad Bunny and J Balvin, Mariah Carey, Ciara featuring Missy Elliott, Dua Lipa, Jennifer Lopez, Ella Mai, Panic! At The Disco, Post Malone featuring Ty Dolla $ign, Shawn Mendes with Zedd, Taylor Swift, Twenty One Pilots, and Carrie Underwood, as well as a special tribute to the Queen of Soul, Aretha Franklin.

The “2018 American Music Awards,” the world’s largest fan-voted awards show, will broadcast live from the Microsoft Theater in Los Angeles on Tuesday, October 9, 2018 at 8:00 p.m. ET on ABC.

The American Music Awards winners are voted entirely by fans. Voting is now closed in all categories except New Artist of the Year presented by Capital One® Savor® Card and Collaboration of the Year.
Fans can vote for each award 100 times per day, per voting platform in one or both of the ways below.

  • Via web at VoteAMAs.com
  • Posting a tweet on Twitter that includes the nominee’s name or Twitter handle, the category name and #AMAs within the tweet
Voting for New Artist of the Year presented by Capital One Savor Card and Collaboration of the Year will close on Tuesday, October 9 at 5:59:59pm PT, one hour into the live broadcast.American Music Awards nominees are based on key fan interactions as reflected on Billboard.com, including streaming, album and digital song sales, radio airplay, social activity and touring. These measurements are tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound, and reflect the time period of September 15, 2017 through August 9, 2018.

YouTube Music is the presenting sponsor of the “2018 American Music Awards.”

Capital One Savor Card and Subaru of America, Inc. are sponsors of the “2018 American Music Awards.” Media partner is Cumulus Media/Westwood One.
The “2018 American Music Awards” is produced by dick clark productions. Barry Adelman, Mark Bracco and Tracee Ellis Ross are Executive Producers. Larry Klein is Producer.

For the latest American Music Awards news, exclusive content and more, be sure to follow the AMAs on social and join the conversation by using the official hashtag for the show, #AMAs.

Facebook: Facebook.com/AMAs
Twitter: @AMAs
Instagram: @AMAs
Snapchat: TheAMAs
YouTube: YouTube.com/TheAMAs

Tickets are now on sale at www.axs.com.

About the American Music Awards
The American Music Awards, the world’s largest fan-voted award show, features performances from today’s hottest artists and presents fan-voted awards in the music genres of Pop/Rock, Alternative Rock, Country, Rap/Hip-Hop, Soul/R&B, Adult Contemporary, Contemporary Inspirational, Latin, EDM and Soundtrack, and the categories of Artist of the Year, New Artist of the Year presented by Capital One Savor Card, Collaboration of the Year, Tour of The Year, Favorite Social Artist presented by Xfinity and Favorite Music Video. The American Music Awards pays tribute to today’s most influential and iconic artists.  The show is produced by dick clark productions and is seen in more than 200 countries and territories around the world. For more information, visit www.theamas.com, www.dickclark.com or abc.go.com/shows/american-music-awards.

About dick clark productions
dick clark productions (dcp) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” and the “Streamy Awards.” Weekly television programming includes “So You Think You Can Dance” from 19 Entertainment and dcp. dcp also owns one of the world’s most unique and extensive entertainment archive libraries with over 60 years of award-winning shows, historic programs, specials, performances and legendary programming. dcp is a division of Valence Media, a diversified media company with divisions and strategic investments in premium television, wide release film, specialty film, live events and digital media. For additional information, visit www.dickclark.com.

About YouTube Music 
YouTube Music is a completely reimagined streaming music service with music videos, official albums, singles, remixes, live performances, covers and hard-to-find music you can only get on YouTube. It’s ALL here! YouTube Music serves music based on your tastes and what’s moving the community around you. Discover something new or keep up with what’s trending. Basic functions such as playing music and watching videos are totally free, but you can upgrade to YouTube Music Premium to explore the world of music ad-free, offline, and with the screen locked. Available on mobile and desktop.  For additional information, visit  www.youtube.com/musicpremium.

 

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