Review: ‘Ghostbusters: Frozen Empire,’ starring Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Ernie Hudson and Annie Potts

March 20, 2024

by Carla Hay

Carrie Coon, Finn Wolfhard, Paul Rudd, Annie Potts, Mckenna Grace, Logan Kim, Dan Aykroyd, James Acaster and Celeste O’Connor in “Ghostbusters: Frozen Empire” (Photo by Jaap Buitendijk/Columbia Pictures)

“Ghostbusters: Frozen Empire”

Directed by Gil Kenan

Culture Representation: Taking place in New York City, the comedy/horror film “Ghostbusters: Frozen Empire” features a predominantly white cast of characters (with some African Americans and Asians) representing the working-class and middle-class.

Culture Clash: The Ghostbusters (a ghost-fighting team) battle against an ancient demon with freezing powers, as the mayor of New York City wants to shut down the Ghostbusters for causing destruction and violating various laws. 

Culture Audience: “Ghostbusters” will appeal primarily to people who are fans of the “Ghostbusters” franchise and the movie’s headlines, but the movie doesn’t have a good-enough story to justify its weak new characters and how the movie sidelines too many of the franchise’s likable familiar characters.

Dan Aykroyd and Kumail Nanjiani in “Ghostbusters: Frozen Empire” (Photo by Jaap Buitendijk/Columbia Pictures)

Unfocused and overstuffed, “Ghostbusters: Frozen Empire” is proof that fan-service nostalgia and too many underdeveloped characters cannot make up for a shoddy story. Bill Murray has the worst jokes in the movie. The fact that the Murray’s Peter Venkman character—who is supposed to be the funniest person in the “Ghostbusters” franchise—is stuck with uninspired, unfunny and embarrassing lines of dialogue in “Ghostbusters: Frozen Empire” tells you all you need to know about what a terrible, wasted opportunity this mess of a movie is.

“Ghostbusters: Frozen Empire” is the follow-up to 2021’s “Ghostbusters: Afterlife,” a somewhat flawed but still fun reboot of the “Ghostbusters” movie series. Both movies were co-written by Jason Reitman and Gil Kenan. Reitman directed “Ghostbusters: Afterlife.” Kenan directed “Ghostbusters: Frozen Empire.”

The “Ghostbusters” series began with 1984’s “Ghostbusters” (still the best movie in the series) and continued with 1989’s “Ghostbusters 2,” with both movies directed by Ivan Reitman (father of Jason Reitman) and written by Dan Aykroyd and Harold Ramis, two of the original “Ghostbusters” co-stars. There is also director Paul Feig’s divisive 2016 “Ghostbusters” reboot, led by an all-female Ghostbusters team, starring Kristen Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon.

The screenwriting is the weakest link in “Ghostbusters: Frozen Empire.” New characters are introduced but they are mostly hollow and have shallow personalities. The “sidekick” teenage characters who were introduced in “Ghostbusters: Afterlife”—Podcast (played by Logan Kim) and Lucky Domingo (played by Celeste O’Connor)—have their roles and screen time reduced in “Ghostbusters: Frozen Empire,” thereby robbing audiences of getting to know Podcast and Lucky better. And the franchise’s original characters from the first two “Ghostbusters” movies are given flat and unimaginative things to do in “Ghostbusters: Frozen Empire.”

“Ghostbusters: Frozen Empire” begins by showing that the core four Ghostbusters, who became a team in “Ghostbusters: Afterlife,” have relocated from Oklahoma, and are now living at the firehouse that is the Ghostbusters headquarters in New York City. The core four are seismologist and former science teacher Gary Grooberson (played by Paul Rudd); Callie Spengler (played by Carrie Coon), a divorcée who began dating Gary in “Ghostbusters: Afterlife”; Trevor Spengler (played by Finn Wolfhard), Callie’s impulsive 18-year-old son; and Phoebe Spengler (played by Mckenna Grace), Callie’s intelligent 15-year-old daughter.

Callie is the daughter of Egon Spengler (played by the late Ramis), who was a member of the original Ghostbusters team. Ramis died in 2014, at the age of 69, from complications from autoimmune inflammatory vasculitis. Phoebe is supposed to be a lot like a young, female version of Egon. She is a self-admitted “science nerd,” who is also a quick problem solver and the person most likely in the group to come up with invention ideas.

Podcast (whose real name is never revealed) and Lucky, who met Trevor and Phoebe when they all went to the same school together in Oklahoma, have also relocated from Oklahoma to New York City. “Ghostbusters: Frozen Empire” never explains why Lucky’s parents (who are never shown or talked about in the film) agreed to this move. Podcast is shown having a brief phone conversation with his parents, who think he is way at summer camp. Podcast and Lucky, who are supposed to still be under 18, are never shown in school in “Ghostbusters: Frozen Empire.” Podcast and Lucky are only in the movie to show up and give occasional help to the core four Ghostbusters.

An opening action scene “Ghostbusters: Frozen Empire” show Gary, Callie, Trevor and Phoebe chasing a sewer dragon ghost through the streets of New York City. This chase causes a lot of destruction and infuriates Walter Peck (played by William Atherton), the grouchy mayor of New York City. Mayor Peck despises the Ghostbusters and wants to shut down the entire Ghostbusters operation. In the meantime, he punishes them for violating child labor laws, because Phoebe is underage. Gary and Callie are forced to sideline Phoebe from Ghostbuster work. Phoebe is predictably unhappy about this decision, but she finds a way to rebel against her Ghostbusters ban anyway.

One night, Phoebe is playing chess by herself in Washington Square Park (why is she playing chess alone?), when she meets a ghost named Melody (played by Emily Alyn Lind), who died at the age of 16 in a tenement fire. Melody (whose ghostly body can light up in flames because of her fiery death) begins playing chess with Phoebe, who is never afraid of Melody and ends up becoming friendly with Melody. “Ghostbusters: Frozen Empire” drops major hints that Phoebe and Melody could have a romance—Phoebe, at least, is obviously romantically attracted to Melody—but the movie doesn’t go there, probably because Phoebe is only 15 years old. Phoebe’s sexuality could be addressed if this character continues in the “Ghostbusters” franchise as an adult.

Meanwhile, original Ghostbusters member Ray Stantz (played by Aykroyd) now owns a store called Ray’s Occult Books. On the side, Ray hosts a YouTube show produced by Podcast. One day, a man named Nadeem Razmaadi (played by Kumail Nanjiani) comes into to store to sell some family artifacts that used to be owned by his recently deceased grandmother. One of these artifacts is a dark gold brass orb, about the size of a grapefruit or bocce ball.

The movie has a long-winded way of revealing the obvious: The orb has trapped an evil demon named Garraka, which has the power to freeze things and people. Garraka wants to raise an army of the undead, according to librarian Hubert Wartzki (played by Patton Oswalt, in a quick cameo), who works at the New York City Library’s main branch. The branch’s famous lion statues Patience and Fortitude come to life n an action sequence that’s already revealed in the movie’s trailers. The way that Garraka looks is also revealed in the move’s trailers.

Winston Zeddemore (played by Ernie Hudson) is now a philanthropist who has opened the Paranormal Research Center. A somewhat snooty British parabiologist named Lars Pinfield (played by James Acaster) works for the Paranormal Research Center and is a completely useless and annyoing character. Original “Ghostbusters” character Janine Melnitz (played by Annie Potts) gets to wear a Ghostbusters team outfit but she isn’t gven much to do in her unnecessary cameo.

Grace and Nanjiani (who has talent to give charisma to even the most moronic lines of dialogue) give the best performances in this muddled movie. As for Murray, his Howard character is reduced to testing Nadeem to see if Nadeem is really human when Nadeem is suspected of possibly being a demon. He asks Nadeem a series of stupid questions, such as if he likes puppies or not. The movie makes half-hearted attempts at family sentimentality in showing how never-married bachelor Gary adjusts to being a father figure who is technically not a stepfather because he’s not married to Callie.

The adorable and mischievous Stay Puft marshmallows are barely in the in the movie. A mid-credits scene with the marshmallows is meant to be comedic but is very bland. The vibrant enthusiasm and engaging dialogue of “Ghostbusters: Afterlife” are missing in “Ghostbusters: Frozen Empire,” with many of the cast members giving “going through the motions” performances. “Ghostbusters: Frozen Empire” (which has mediocre visual effects) is a jumble of not-very-funny scenes that reach a very formulaic conclusion that you don’t need to be a ghostbusting psychic to easily predict.

Columbia Pictures will release “Ghostbusters: Frozen Empire” in U.S. cinemas on March 22, 2024.

Review: ‘Ghostbusters: Afterlife,’ starring Mckenna Grace, Finn Wolfhard, Carrie Coon, Paul Rudd, Logan Kim and Celeste O’Connor

October 9, 2021

by Carla Hay

Celeste O’Connor, Finn Wolfhard, Logan Kim and McKenna Grace in “Ghostbusters: Afterlife” (Photo by Kimberley French/Columbia Pictures)

“Ghostbusters: Afterlife”

Directed by Jason Reitman

Culture Representation: Taking place in the fictional U.S. city of Summerville, Oklahoma, and briefly in Chicago and New York City, the comedic horror film “Ghostbusters: Afterlife” features a predominantly white cast of characters (with a few African Americans, Asians and Latinos) representing the working-class and middle-class.

Culture Clash: The daughter and grandchildren of the late Dr. Egon Spengler (an original Ghostbuster) move to the isolated home in Summerville that they inherited from him, and they immediately have supernatural encounters with deadly entitities. 

Culture Audience: Besides appealing to the obvious target audience of “Ghostbusters” fans, “Ghostbusters: Afterlife” will appeal primarily to fans of people who like well-paced adventurous films that combine horror with comedy that’s suitable for most children over the age of 6.

Paul Rudd and Carrie Coon in “Ghostbusters: Afterlife” (Photo by Kimberley French/Columbia Pictures)

“Ghostbusters: Afterlife” is a “Ghostbusters” fan’s dream come true. The movie delivers almost everything that diehard fans of the franchise might want to see in a sequel. It also respects all the things that fans loved about the original “Ghostbusters” movie while introducing an exciting new storyline and appealing new characters. It’s the type of movie that is sure to win over legions of new fans to the franchise, which experienced some controversy and mixed-to-negative reviews from fans for the divisive, female-starring 2016 “Ghosbusters” reboot that was directed and co-written by Paul Feig.

Ivan Reitman, who directed 1984’s “Ghostbusters” and 1989’s “Ghostbusters II,” has been a producer of all “Ghostbusters” movies so far. For “Ghostbusters: Afterlife,” he handed over the directorial duties to his son Jason Reitman, who co-wrote the “Ghostbusters: Afterlife” screenplay with Gil Kenan, a filmmaker who’s a self-professed “Ghostbusters” superfan. The result is what happens when you put true fans in charge of making a sequel to a beloved classic about ghost hunters who call themselves Ghostbusters: You give the fans what they really want. And that’s probably why “Ghostbusters: Afterlife” had its first public screening at the 2021 edition of New York Comic Con at the Jacob K. Javits Convention Center in New York City. After a “Ghostbusters: Afterlife” discussion panel that featured Jason Reitman, Ivan Reitman, Kenan and members of the movie’s cast, people who were in attendance got a surprise treat when the entire film was shown after the panel ended.

In “Ghostbusters: Afterlife,” the daughter and two grandchildren of Dr. Egon Spengler (an original Ghostbuster) are at the center of the story when they find themselves involved in the same work that Egon did as a Ghostbuster in New York City. Egon was portrayed by Harold Ramis (who died of autoimmune inflammatory vasculitis in 2014, at the age of 69), whose presence is definitely felt in “Ghostbusters: Afterlife.” Ramis was also a co-writer on the 1984 “Ghostbusters” and “Ghostbusters II.” When watching “Ghostbusters: Afterlife,” fans will notice all the homages paid to these first two “Ghostbusters” movies.

Egon’s divorced daughter Callie (played by Carrie Coon), who was estranged from Egon for most of her life due to his workaholic ways, is having financial problems. It’s reached a point where Callie and her two kids, who all live in a Chicago apartment, have gotten an eviction notice from their landlord. Callie’s ex-husband, who is not seen in the movie, is not involved in raising the children. Later in the movie, Callie describes her ex-husband as a “dirtbag,” in order to leave no doubt that she doesn’t want him in her life anymore.

Instead of waiting to be evicted, Callie decides to take herself and her two kids—brainy 12-year-old Phoebe (played by Mckenna Grace) and socially awkward 15-year-old Trevor (played by Finn Wolfhard)—to the fictional small town of Summerville, Oklahoma, where Egon lived as a recluse until he died about a week before this story takes place. Even though Callie had not seen or spoken to her father in years, she inherited his run-down home. She decides to go there in person with her kids to see what to make of the place and to try to escape from her financial woes.

Egon’s home is a cluttered and dirty farmhouse located in an isolated area filled with corn fields and tall grass. Trevor quips when he looks at the dumpy condition of the house: “This is so much worse than I thought it would be.” Callie tells her children that they only plan to stay for a week while she gets some of Egon’s estate affairs in order. But there would be no “Ghostbusters: Afterlife” movie if that turned out to be true.

Before Callie, Phoebe and Trevor even arrived in Summerville, the movie shows that strange and spirits and creatures were inhabiting the area. And these sinister beings don’t plan on leaving anytime soon. There’s also an abandoned mine that was owned by the Shemdor Mining Company that plays a large role in explaining the mystery behind this story.

The mine used to be a big source of the town’s economy, but the mine was shut down years ago by the U.S. Air Force, because miners began leaping to their death in the mine shafts. Why did the U.S. Air Force get involved? It’s all explained in the movie, but viewers can figure it out as soon they hear that the U.S. Air Force and other military and federal law enforcement have had an interest in Summerville.

After Callie, Trevor and Phoebe arrive in Summerville, they find out that Egon wasn’t very well-liked by the locals, who gave him the unflattering nickname Dirt Farmer. Egon kept mostly to himself, and when he did interact with people, he was often gruff or aloof. Trevor and Phoebe never knew their grandfather Egon, but Phoebe seems more fascinated by Egon than Trevor is. During the course of the movie, viewers will see that Phoebe also inherited a lot of Egon’s analytical and personality traits. While Phoebe is very scientific-minded, Trevor is the more artistic sibling, because he is interested in filmmaking.

Callie already knows that Egon’s house is worthless. But to her dismay, she finds out that her estranged father left behind a lot of debts that she’s now responsible for paying, since she is his only heir. She tries to hide these problems from the children, but they are intuitive and are smart enough to figure out that things aren’t going so well for their family and they will be in Summerville for a while, since they have nowhere else to live rent-free.

Summerville is a quaint small town that has some characteristics of a bygone era. For example, Summerville has a drive-in diner called Spinners Roller Hop that has roller-skating servers. One of these servers is a teenager named Lucky (played by Celeste O’Connor), who immediately catches Trevor’s eye when he and his family eat at the diner one day. It’s attraction at first sight for Trevor.

Trevor is so infatuated with Lucky that he gets a job as a dishwasher at Spinners Roller Hop, in order to get to know her better. Trevor lies about his age (he says he’s 17) so that he can get the job. Callie takes a while to warm up to Trevor, and their possible romance is hinted at and teased throughout the movie. Later in the movie, Trevor does a lot of driving of a certain vehicle that “Ghostbusters” fans know and love, even though he’s not old enough to have a driver’s license.

Trevor and Callie also meet a precocious kid who’s about 12 or 13 years old. He calls himself Podcast (played by Logan Kim), because he has his own podcast where he likes to think of himself as an investigative journalist and historian for Summerville. Podcast is naturally inquisitive, and he quickly befriends Trevor and Callie. Podcast constantly carries around audio equipment with him, so he can be ready to record anything newsworthy. He’s also an aspiring paranormal investigator. How convenient.

Summerville is the type of town that doesn’t have many cops, but there are enough police officers who eventually notice some of the shenanigans that Trevor, Phoebe and Podcast get up to around town. Summerville’s Sheriff Domingo (played by Bokeem Woodbine) just happens to be Lucky’s father. Lucky ends up joining Trevor, Phoebe and Podcast in their ghostbusting activities when things get really dangerous.

Trevor isn’t the only family member to meet a potential love interest in Summerville. Carrie begins dating a seismologist named Gary Grooberson (played by Paul Rudd), who teaches at the local high school. Gary, who is a middle-aged bachelor with no children, is a little bit of a goofball nerd who would rather be a full-time scientist than be a teacher to help pay his bills. He’s so bored with teaching that one of the movie’s first scenes of Gary has him using a VCR and TV monitor in his classroom, to show old horror movies such as “Cujo (on VHS tape) to his students, as a way of babysitting them while he does other things that interest him.

“Ghostbusters: Afterlife” is a feast of references to the first “Ghostbusters” without copying any previous “Ghostbusters” plot. Is there anyone from the previous “Ghostbusters” movies who is in “Ghostbusters: Afterlife”? That information won’t be revealed in this review, although that information has already been leaked on the Internet Movie Database (IMDb) and other places where people can find out the details if they really want to know. Any “Ghostbusters: Afterlife” cameos from original “Ghostbusters” cast members also have updates on what their “Ghostbusters” characters have been up to since the 1990s.

It’s not just people from the first “Ghostbusters” movie that might or might not make a re-appearance. Don’t be surprised to see any ghosts, demons and monsters that look familiar. “Ghostbusters: Afterlife” also has done something hilarious and clever with the Stay Puft marshmallow presence in the movie. The visual effects for “Ghostbusters: Afterlife” are well-done and bring chills and laughs in all the right ways.

The filmmakers of “Ghostbusters: Afterlife” understand that all the visual effects and scary creatures in the world wouldn’t make this movie succeed. People have to root for the main characters. And the movie delivers on featuring characters that are relatable yet find themselves in extraordinary situations. It’s a well-cast movie where all of these talented actors inhabit their character roles with a great deal of believability, even when extraordinary things are happening to their characters on screen.

In “Ghostbusters: Afterlife,” Phoebe is portrayed as the smartest and most fearless hero of the movie, which is undoubtedly a star-making turn for Grace. Phoebe is serious about science, but she also likes to tell jokes that she knows are corny. For example, one of the jokes is: “What do a cigarette and a hamster have in common? They’re both completely harmless until you stick one in your mouth and light it on fire.”

Wolfhard also does a very credible job as Trevor, who can be adventurous or nervous, depending on the situation. Kim’s portrayal of Podcast is of someone who is endlessly curious, but he’s not a brat, which is what this character could have been but thankfully is not. Coon’s portrayal of Callie is of a concerned mother who’s trying to hold her family life together, even when things are starting to fall apart. Gary is smitten with Callie, so this infatuation is used for some lighthearted jokes in the movie.

Because “Ghostbusters: Afterlife” focuses most of the story on the adolescent characters, some people might say that the movie is trying to be like the Netflix series “Stranger Things,” which also co-stars Wolfhard. But make no mistake: This is a “Ghostbusters” movie in every way. It has comedy, scary thrills and plenty of adventure and mystery that all harken back to the original “Ghostbusters,” but told from young people’s perspectives. That doesn’t mean the adult characters are sidelined in the movie, but they really are supporting characters who don’t get involved in the action until it’s absolutely necessary.

“Ghostbusters: Afterlife” is escapist entertainment, but the movie also has some tearjerking, poignant moments, especially in the final scenes. Stick around for the mid-credits and end-credits scenes too, which will further delight fans of the original “Ghostbusters” movie. Even if people don’t see these credits scenes, it should come as no surprise that “Ghostbusters: Afterlife” already telegraphs that this film is not the end of the “Ghostbusters” movie series.

Columbia Pictures will release “Ghostbusters: Afterlife” in U.S. cinemas on November 19, 2021.

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