Review: ‘Monster Summer,’ starring Mason Thames, Julian Lerner, Abby James Witherspoon, Noah Cottrell, Nora Zehetner, Patrick Renna, Lorraine Bracco and Mel Gibson

November 10, 2024

by Carla Hay

Mason Thames in “Monster Summer” (Photo courtesy of Pastime Pictures)

“Monster Summer”

Directed by David Henrie

Culture Representation: Taking place in Edgartown, Massachusetts, in 2000, the horror film “Monster Summer” features a predominantly white cast of characters (with a few African Americans) representing the working-class and middle-class.

Culture Clash: A group of teens and an ex-cop try to solve the mystery of an apparent witch who is targeting children for spells and kidnapping.

Culture Audience: “Monster Summer” will appeal mainly to people who like watching teen-oriented mysteries about the supernatural and don’t mind if the screenwriting and some of the acting are substandard.

Julian Lerner, Mason Thames and Abby James Witherspoon in “Monster Summer” (Photo courtesy of Pastime Pictures)

Corny to a fault, “Monster Summer” is a lightweight horror movie about a group of teens and an ex-cop trying to solve a supernatural mystery involving a witch. Amateurish acting and a weak screenplay lower the quality of the film. “Monster Summer” can be watchable to some viewers, but there are enough cringeworthy moments for the movie to not be worth the time for anyone looking for a compelling and interesting mystery story.

Directed by Davd Henrie and written by Bryan Schulz and Cornelius Uliano, “Monster Summer” takes place during the summer of 2000, in the Martha’s Vineyard small city of Edgartown, Massachusetts. It’s somewhat fitting that this movie takes place in 2000, because a lot of “Monster Summer” looks like a very outdated made-for-TV movie in a world where we now have Netflix’s “Stranger Things.” Much of the story’s mystery is clumsily told.

In “Monster Summer,” the protagonist is Noah Reed (played by Mason Thames), who’s about 13 or 14 years old. Noah, who is an aspiring journalist, lives with his kindergarten-aged sister Lilly Reed (played by Emma Fasano) and widowed mother Abby Reed (played by Nora Zehetner), who operates a bed-and-breakfast business from her home. The family is grieving over the death of Mason’s father, who was a journalist/writer. Like a lot of kids in Edgartown, Noah wants to eventually move out of Edgartown and do something ambitious with his life when he’s old enough to get his own place.

Noah (who is intuitive and likeable) is on a Martha’s Vineyard Little League baseball team with his three best friends: neurotic Eugene Wexler (played by Julian Lerner), tomboyish Sammy Devers (played by Abby James Witherspoon) and confident Ben Driskel (played by Noah Cottrell), who is the star player on the team. One day, all four pals are caught trespassing in the shed of a cranky neighbor named Gene Carruthers (played by Mel Gibson), a retired police detective who has a reputation for being a mysterious loner.

Gene, who is divorced, has a tragedy in his past: In 1965, his 5-year-old son disappeared. Gene was under suspicion for this disappearance, but no arrests were ever made, and his son was never found. Gene’s marriage did not survive this family tragedy. Gene’s ex-wife is still alive but hasn’t been in contact with Gene for years.

Noah has a semi-secret crush on a schoolmate named Ellie Evans (played by Lilah Pate), but Ellie is attracted to Ben, who asks her out on a date. Ellie eagerly says yes. Ben doesn’t find about Noah’s crush on Ellie until after Ben asks Ellie on the date, and Noah graciously tells Ben that he’s okay with Ben and Ellie dating. Ben and Ellie go swimming in a nearby lake for their first date.

But something bizarre happens on ths date: Ellie and Ben both see what looks like an elderly witch when they’re underwater. The witch attacks Ellie and Ben. And the next thing you know, Ben is recovering in a hospital and is soon discharged.

After this attack, Ben seems to be in a daze, and he barely talks. Ellie tells Noah that she and Ben were definitely attacked by a witch, who cackled right before a bright light flashed where they were. Ben isn’t talking much, but his version of the story is different from Ellie’s. According to Ben, there was no witch and everything was an accident. Ellie’s story sounds far-fetched, especially to people who don’t believe in the supernatural.

Noah tells Gene about this strange occurrence. Gene doubts Ellie’s story that Ben was pulled down in the water by a mysterious force because there’s no physical evidence that Ben had these types of injuries. But then, another “witch attack” happens to another teen named Kevin Lampkey (played by Gavin Bedell), who was at a campfire party in a wooded area called No Man’s Land, when he was lured into a secluded place by the witch disguised as a teenage girl. Kevin also become nearly mute after this encounter.

It’s enough to convince Gene to join Noah in this investigation because Gene confesses that he believes his missing son might have also been kidnapped by something supernatural. Other characters that appear in the movie are Miss Halverson (played by Lorraine Bracco), a bed-and-breakfast guest in Noah’s family home; a baseball umpire (played by Patrick Renna) who is always at the teenagers’ Little League games; and Edgar Palmer (played by Kevin James), the cynical editor of the local newspaper.

“Monster Summer” has an awkwardly constructed story that lurches from one scene to the next. One of the worst scenes is when Noah and his pals confront Miss Halverson when they suspect her of being the witch. Thames and Gibson (who seems to be permanently typecast as playing grouchy characters) show capable acting skills, but many of the supporting cast members don’t have this level of talent. Longtime actors Bracco and James aren’t in the movie for very long to make much of a difference.

The mystery in “Monster Summer” just isn’t very interesting. By the time secrets are revealed, and there’s an inevitable showdown scene, it all looks haphazardly thrown together. “Monster Summer” isn’t a complete waste of time, but viewers’ time is much better spent on the abundance of higher-quality entertainment about supernatural mysteries.

Pastime Pictures released “Monster Summer” in U.S. cinemas on October 4, 2024. The movie was released on digital and VOD on November 8, 2024.

Review: ‘Pinocchio’ (2022), starring Tom Hanks and the voices of Benjamin Evan Ainsworth and Joseph Gordon-Levitt

September 8, 2022

by Carla Hay

Tom Hanks and Pinocchio (voiced by Benjamin Evan Ainsworth) in “Pinocchio” (Image courtesy of Disney Enterprises Inc.)

“Pinocchio” (2022)

Directed by Robert Zemeckis

Culture Representation: Taking place in an unnamed magical world, the live-action/animated film “Pinocchio” features a predominantly white cast of characters (with some black people and Latin people) representing the working-class and middle-class.

Culture Clash: An elderly wood carver makes a puppet boy that comes alive and then goes on a quest to become a human being. 

Culture Audience: “Pinocchio” will appeal primarily to people who are fans of star Tom Hanks and the original 1940 “Pinocchio” movie, but all the star power of this “Pinocchio” remake can’t save the movie from being a lackluster retelling of a classic story.

Jiminy Cricket (voiced by Joseph Gordon-Levitt) and Pinocchio (voiced by Benjamin Evan Ainsworth) in “Pinocchio” (Image courtesy of Disney Enterprises Inc.)

Watching how Pinocchio’s nose grows in Disney’s original 1940 “Pinocchio” movie is much more interesting to look at than this unnecessary “Pinocchio” movie remake from filmmaker Robert Zemeckis. The original “Pinocchio” movie is a Disney animated classic. This Disney 2022 remake of “Pinocchio,” which is a live-action/animation hybrid, is like watching a substandard imitation dressed up with modern technology. Even having a talented cast isn’t enough to elevate Zemeckis’ version of “Pinocchio” out of its stagnant blandness.

Zemeckis is the director, co-writer (with Chris Weitz) and one of the producers of this version of “Pinocchio,” which is based on author Carlo Collodi’s 1883 Italian children’s novel “The Adventures of Pinocchio.” In addition to the 1940 animated film, there have been several other movie versions of “Pinocchio.” Italian actor/filmmaker Roberto Benigni directed, co-wrote and starred as the title character in a disastrous live-action reimagining of “Pinocchio,” released in 2002. Benigni then starred as Pinocchio creator Geppetto in director Matteo Garrone’s live-action “Pinocchio,” which was released in 2019 in Italy, and in 2020 and 2021 in other countries.

Zemeckis’ “Pinocchio” is the first of two “Pinocchio” movies releasing in 2022. Guillermo del Toro co-directed and co-wrote “Guillermo del Toro’s Pinocchio” (due out on Netflix in December 2022), featuring the voices of Gregory Mann as Pinocchio, Ewan McGregor as Sebastian J. Cricket and David Bradley as Geppetto. We don’t need two “Pinocchio” movies in one year. Enough already.

What viewers will see in Zemeckis’ version of “Pinocchio” is a lazy retread of Disney’s 1940 version, except for a few new characters (that don’t change the overall arc of the story), four new songs and a very different ending that’s the one truly unique thing about Zemeckis’ “Pinocchio.” Some people might not like this new ending, but the intentions are good in sending a message about celebrating self-acceptance. However, it’s not a good sign when a movie remake waits until the very end to show something that’s a surprise departure from the original movie story.

There’s no question that this version of “Pinocchio” has a talented cast, but their talents are not showcased in an exemplary way in the movie. Tom Hanks portrays Geppetto, the lonely and elderly wood carver, who makes a boy puppet named Pinocchio (voiced by Benjamin Evan Ainsworth) as a companion, because Geppetto is grieving over the deaths of his wife and son. (The movie doesn’t mention how and when they died, but Geppetto has a family photo showing him with his wife and underage son when Geppetto was a young man.) Geppetto also has a pet goldfish named Cleo and a pet cat named Figaro, whose animation makes this feline look very fake. These animal characters add nothing important to the movie.

Geppetto has a home workshop filled with clocks that he’s made, but he refuses to sell them because he says his wife adored these clocks. There’s no explanation for how Geppetto makes a living if he won’t sell what he’s made. However, it’s abundantly clear that this version of “Pinocchio” is a soulless Disney remake when it has blatant shilling of other Disney movies. Many of Geppetto’s cuckoo clocks are basically Disney merchandise, with the clocks revealing characters from Disney’s “Snow White and the Seven Dwarfs,” “Toy Story” (the Woody character, voiced by Hanks), “Cinderella,” the Zemeckis-directed “Who Framed Roger Rabbit?,” “Sleeping Beauty” and “Dumbo.”

Jiminy Cricket (voiced by Joseph Gordon-Levitt), the wise, talking cricket who becomes Pinocchio’s companion, is the narrator of this version of “Pinocchio,” and he tells the story as a flashback. This narration choice is awkward because viewers should feel like they’re going along for the ride and experiencing the journey as the characters are experiencing the story, not being guided by a know-it-all creature who tells this narration as a flashback. Jiminy Cricket’s hindsight narration ends up being a detriment to the movie.

One night, a northern star beams a light into Pinocchio, who is turned into a living, talking puppet. Jiminy Cricket is there to witness the whole thing. Shortly afterward, Pinocchio is visited by the Blue Fairy (played by Cynthia Erivo), who touches him with her wand and gives Pinocchio a mind of his own. The Blue Fairy tells Pinocchio that in order for him to become a real boy, “You have to be brave, truthful and unselfish.”

Pinocchio later finds out that when he tells a lie, his nose temporarily elongates. The bigger the lie, the longer his nose gets. When he tells the truth again, his nose goes back to its original size. This pivotal plot development gets very underwhelming treatment in this “Pinocchio” remake, compared to how it was better-used in the original “Pinocchio” movie.

Of course, Geppetto is shocked that Pinocchio has come to life. He treats Pinocchio like a son, but Pinocchio still longs to be human. There’s a lot of talk in the movie about Pinocchio wanting a conscience as part of his humanity. And it isn’t long before Pinocchio ends up being separated from Geppetto. Pinocchio unwittingly becomes part of a traveling circus and is financially exploited by a magician named Stromboli (played by Giuseppe Battiston), who is helped by two con artists: a sneaky red fox named Honest John (voiced by Keegan-Michael Key) and his mute alley cat sidekick Gideon.

Other familiar “Pinocchio” characters are in this remake: street urchin boy Lampwick (played by Lewin Lloyd) befriends Pinocchio. And the villainous Coachman (played by Luke Evans, hamming it up to the hilt) is also in the movie. This “Pinocchio” remake keeps the same story line for Pleasure Island, which has some of the movie’s best visual sequences.

There are three new characters that give this version of “Pinocchio” more female representation than the original “Pinocchio” movie: a talking seagull named Sofia (voiced by Lorraine Bracco); a circus puppeteer named Fabiana (played by Kyanne Lamaya), who wears a leg brace that’s mentioned in the movie; and a French ballerina puppet named Sabina (voiced by Jaquita Ta’le), who is Fabiana’s constant companion. These characters don’t change the basics of the story, but they just allow the movie to have more diverse characters interact with Pinocchio.

This version of “Pinocchio” has somewhat of a useless sequence of Pinocchio trying to fit in with human children at a school. The school has a teacher named Signora Vitelli (played by Sheila Atim) and a headmaster (played by Jamie Demetriou), who expels Pinocchio from the school when the headmaster finds out that Pinocchio is not a human boy. It’s just another way to show why Pinocchio is desperate to become human, because Pinocchio wants to please his father by going to school to get an education.

This remake of “Pinocchio” makes a half-hearted attempt to be a musical, but there are only seven songs that are sung in the movie. Alan Silvestri and Glen Ballard wrote four original songs for this movie, with all of them unremarkable and not worthy of praise: “When He Was Here With Me” and “Pinocchio Pinocchio,” performed by Hanks; “I Will Always Dance,” performed by Lamaya; and “The Coachman to Pleasure Island,” performed by Evans. The Leigh Harline/Ned Washington-written songs from 1940’s “Pinocchio” that are in this “Pinocchio” remake are “Hi-Diddle-Dee-Dee (An Actor’s Life for Me),” performed by Key; “I’ve Got No Strings,” performed by Ainsworth; and “When You Wish Upon a Star,” performed by Erivo.

This version of “Pinocchio” has a mishmash of international language accents, some delivered in better ways than others. Hanks’ Geppetto accent drifts in and out of sounding Italian and American. Lloyd’s version of Lampwick has an accent that sounds half-British, half-Brooklynite. It’s as if the actors know this “Pinocchio” movie is far from award-worthy, and some of them didn’t bother to work on having a consistent talking accent for their characters.

Disney has been getting criticism for doing inferior remakes of classic Disney animated films. This version of “Pinocchio” is an example of why this criticism exists. Disney had such little faith in this version of “Pinocchio,” it was not released in theaters. Disney also placed a review embargo on this version of “Pinocchio,” so that critics could not publish reviews of the movie before Disney+ released the movie to the public. This late embargo is always a sign of a bad film. Pinocchio should hold his nose for being in this stinker movie.

Disney+ premiered “Pinocchio” on September 8, 2022.

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