2026 Grammy Awards: Kendrick Lamar is the top nominee

November 7, 2025

Kendrick Lamar at the 67th Annual Grammy Awards at Crypto.com Arena in Los Angeles, on  February 2, 2025. (Photo by Phil McCarten/CBS)

EDITOR’S NOTE: Kendrick Lamar has the most nominations (nine), followed by Lady Gaga, Jack Antonoff and music producer/songwriter Cirkut, who have seven nominations each.

The following is a press release from the Recording Academy:

The Recording Academy has officially released the full list of nominees for the 2026 GRAMMYS, marking the start of this year’s GRAMMY season and setting the stage for Music’s Biggest Night.

The nominees were announced today during a livestream, with artists including Chappell Roan, Doechii, KAROL G, Mumford & Sons, Sabrina Carpenter, Sam Smith, and more presenting all 95 GRAMMY Categories. This year’s nominations span a wide range of artists, genres, and projects — from established acts to first-time nominees — across pop, country, rap, R&B, Latin, global, jazz, and beyond, reflecting a year marked by wide-ranging creativity in music.

Winners will be determined by the Recording Academy’s Voting Members — a peer group composed of music creators, including artists, songwriters, producers, engineers, and more. Their GRAMMY votes decide every GRAMMY nominee and GRAMMY winner revealed on Music’s Biggest Night, reinforcing the GRAMMY Award as music’s only industry-recognized, peer-voted honor.

This year also marks a notable update to the GRAMMY Awards process: The 2026 GRAMMYS will introduce two new GRAMMY Categories — Best Traditional Country Album and Best Album Cover. These additions further the Recording Academy’s commitment to recognizing a broader spectrum of artistic craft and honoring the evolving ways music is created and experienced.

The 2026 GRAMMYS will take place Sunday, Feb. 1, live at Crypto.com Arena in Los Angeles, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+.

Check out the full list of nominees for the 2026 GRAMMY Awards below.

2026 GRAMMYS: See The Full Nominations List

2026 GRAMMYS: Official Nominations List


General Field

Category 1

Record Of The Year

Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

DtMF
Bad Bunny
Scotty Dittrich, Hydra Hitz, La Paciencia, JULiA LEWiS, MAG & Tyler Spry, producers; Antonio Caraballo, Josh Gudwin, Roberto Rosado & Tyler Spry, engineers/mixers; Colin Leonard, mastering engineer

Manchild
Sabrina Carpenter

Jack Antonoff & Sabrina Carpenter, producers; Jack Antonoff, Bryce Bordone, Jozef Caldwell, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger & Laura Sisk, engineers/mixers; Ruairi O’Flaherty, mastering engineer

Anxiety
Doechii

Doechii, producer; Jayda Love, engineer/mixer; Nicolas De Porcel, mastering engineer

WILDFLOWER
Billie Eilish

FINNEAS, producer; Jon Castelli, FINNEAS & Aron Forbes, engineers/mixers; Dale Becker, mastering engineer

Abracadabra
Lady Gaga

Cirkut, Lady Gaga & Andrew Watt, producers; Bryce Bordone, Serban Ghenea & Paul LaMalfa, engineers/mixers; Randy Merrill, mastering engineer

luther
Kendrick Lamar With SZA

Jack Antonoff, Bridgeway, M-Tech, roselilah, Sounwave & Kamasi Washington, producers; Jack Antonoff, Ray Charles Brown Jr., Hector Castro, Oli Jacobs, Jack Manning, Sean Matsukawa, Dani Perez, Tony Shepperd, Laura Sisk & Johnathan Turner, engineers/mixers; Ruairi O’Flaherty, mastering engineer

The Subway
Chappell Roan

Daniel Nigro, producer; Chris Kaysch, Mitch McCarthy & Daniel Nigro, engineers/mixers; Randy Merrill, mastering engineer

APT.
ROSÉ, Bruno Mars

Rogét Chahayed, Cirkut, Omer Fedi & Bruno Mars, producers; Serban Ghenea


Category 2

Album Of The Year

Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.

DeBÍ TiRAR MáS FOToS
Bad Bunny
Big Jay, La Paciencia, MAG & Tainy, producers; Antonio Caraballo, Josh Gudwin, Luis Amed Irizarry & Roberto José Rosado Torres, engineers/mixers; Benito Antonio Ocasio Martinez, Roberto José Rosado Torres, Marco Daniel Borrero, Jay Anthony Nuñez & Marcos Efrain Masis, songwriters; Colin Leonard, mastering engineer

SWAG
Justin Bieber

Eddie Benjamin, Justin Bieber, Daniel Chetrit, Dijon, Carter Lang & Dylan Wiggins, producers; Felix Byrne & Josh Gudwin, engineers/mixers; Eddie Benjamin, Justin Bieber, Daniel Chetrit, Dijon Duenas, Tobias Jesso Jr., Carter Lang, Jackson Lee Morgan & Dylan Wiggins, songwriters; Dale Becker, mastering engineer

Man’s Best Friend
Sabrina Carpenter

Jack Antonoff, Sabrina Carpenter & John Ryan, producers; Zem Adu, Jack Antonoff, Bryce Bordone, Jozef Caldwell, Serban Ghenea, Jeff Gunnell, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jack Manning, Joey Miller, Michael Riddleberger, John Ryan, Laura Sisk & Evan Smith, engineers/mixers; Amy Allen, Jack Antonoff, Sabrina Carpenter & John Ryan, songwriters; Nathan Dantzler & Ruairi O’Flaherty, mastering engineers

Let God Sort Em Out
Clipse, Pusha T & Malice

Pharrell Williams, featured artist; Pharrell Williams, producer; Mike Larson, Manny Marroquin, Rob Ulsh & Pharrell Williams, engineers/mixers; Gene Elliott Thornton Jr., Terrence Thornton & Pharrell Williams, songwriters; Zach Pereyra, mastering engineer

MAYHEM
Lady Gaga

Cirkut, Gesaffelstein, Lady Gaga & Andrew Watt, producers; Bryce Bordone, Serban Ghenea & Paul LaMalfa, engineers/mixers; Henry Walter, Mike Lévy, Lady Gaga, Michael Polansky & Andrew Watt, songwriters; Randy Merrill, mastering engineer

GNX
Kendrick Lamar

Jack Antonoff & Sounwave, producers; Jack Antonoff, Ray Charles Brown Jr., Jozef Caldwell, Oli Jacobs, Jack Manning, Dani Perez, Laura Sisk & Johnathan Turner, engineers/mixers; Jack Antonoff, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Matthew Bernard & Mark Anthony Spears, songwriters; Ruairi O’Flaherty, mastering engineer

MUTT
Leon Thomas

Freaky Rob, Peter Lee Johnson, D. Phelps & Leon Thomas, producers; Jean-Marie Horvat, engineer/mixer; Lazaro Andres Camejo, Freaky Rob, Peter Lee Johnson, D. Phelps & Leon Thomas, songwriters; Dave Kutch, mastering engineer

CHROMAKOPIA
Tyler, The Creator

Tyler, The Creator, producer; NealHPogue, Tyler Okonma & Vic Wainstein, engineers/mixers; Tyler Okonma, songwriter; Mike Bozzi, mastering engineer


Category 3

Song Of The Year

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Abracadabra
Lady Gaga, Henry Walter & Andrew Watt, songwriters (Lady Gaga)

Anxiety
Jaylah Hickmon, songwriter (Doechii)

**APT. **
Amy Allen, Christopher Brody Brown, Rogét Chahayed, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park, Theron Thomas & Henry Walter, songwriters (ROSÉ, Bruno Mars)

DtMF
Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Benito Antonio Martínez Ocasio, Hugo René Sención Sanabria, Tyler Thomas Spry & Roberto José Rosado Torres, songwriters (Bad Bunny)

**Golden [From “KPop Demon Hunters”]**
EJAE & Mark Sonnenblick, songwriters (HUNTR/X:EJAE, Audrey Nuna, REI AMI)

luther
Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Scott Bridgeway, Sam Dew, Ink, Kendrick Lamar, Solána Rowe, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar With SZA)

Manchild
Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)

WILDFLOWER
Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)


Category 4

Best New Artist

This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

Olivia Dean
KATSEYE
The Marias
Addison Rae
sombr
Leon Thomas
Alex Warren
Lola Young


Category 5

Producer Of The Year, Non-Classical

A Producer’s Award. (Artists names appear in parentheses.)

Dan Auerbach
Elegantly Wasted (Hermanos Gutiérrez Featuring Leon Bridges) (S)
Harsh & Exciting (Moonrisers) (A)
Holy Ghost Party (Robert Finley) (S)
Love Is Cruel (Miles Kane) (S)
Medium Raw (Early James) (A)
A Million Knives (The Velveteers) (A)
No Rain, No Flowers (The Black Keys) (A)
Our Time In The Sun (Jeremie Albino) (A)

Cirkut
Abracadabra (Lady Gaga) (S)
AEOMG (Coco Jones) (T)
APT. (ROSÉ & Bruno Mars) (S)
Big Sleep (The Weeknd Featuring Giorgio Moroder) (T)
Disease (Lady Gaga) (S)
IT girl (JADE) (S)
A Little More (Ed Sheeran) (S)
Mayhem (Lady Gaga) (A)
Red Terror (The Weeknd) (T)

Dijon
Baby (Dijon) (A)
DAISIES (Justin Bieber) (T)
DEVOTION (Justin Bieber & Dijon) (T)
THINGS YOU DO (Justin Bieber) (T)
YUKON (Justin Bieber) (T)

Blake Mills
For Melancholy Brunettes (& sad women) (Japanese Breakfast) (A)
Forever Is A Feeling (Lucy Dacus) (A)
Glory (Perfume Genius) (A)
That Wasn’t A Dream (Pino Palladino And Blake Mills)(A)

Sounwave
GNX (Kendrick Lamar) (A)


Category 6

Songwriter Of The Year, Non-Classical

A Songwriter’s Award. (Artists names appear in parentheses.)

Amy Allen
APT. (ROSÉ & Bruno Mars) (S)
Bad As The Rest (Jessie Murph) (S)
Hail Mary (Shaboozey, Sierra Ferrell) (T)
Handlebars (JENNIE Featuring Dua Lipa) (S)
Just Keep Watching (Tate McRae) (S)
Lost In Translation (Carín León & Kasey Musgraves) (S)
Manchild (Sabrina Carpenter) (S)
Tears (Sabrina Carpenter) (S)
WHY (Jon Bellion Featuring Luke Combs) (S)

Edgar Barrera
Birthday Behavior (BIA, Young Miko) (S)
Coleccionando Heridas (KAROL G, Marco Antonio Solís) (T)
Ese Vato No Te Queda (Carín León, Gabito Ballesteros) (S)
Me Jalo (Fuerza Regida, Grupo Frontera) (T)
Me Retiro (Santana, Grupo Frontera) (S)
Milagros (KAROL G) (S)
Sigueme Besando Asi (Manuel Turizo) (T)
Soltera (Shakira) (S)
Una Noche Contigo (Juanes) (S)

Jessie Jo Dillon
Bless Your Heart (Megan Moroney) (T)
Bottomland (HARDY) (S)
Dreams Don’t Die (Jelly Roll) (S)
First Rodeo (Kelsea Ballerini) (T)
Happen To Me (Russell Dickerson) (S)
Hello S—ty Day (Jake Worthington, Miranda Lambert)(S)
If You Were Mine (Morgan Wallen) (T)
Patterns (Kelsea Ballerini) (T)
To The Men That Love Women After Heartbreak (Kelsea Ballerini) (T)

**Tobias Jesso Jr.**
Another Baby! (Dijon) (T)
Baby! (Dijon) (T)
Daisies (Justin Bieber) (T)
From (Bon Iver) (T)
Go Baby (Justin Bieber) (T)
Golden Burning Sun (Miley Cyrus) (T)
Man I Need (Olivia Dean) (S)
Relationships (HAIM) (S)
Walking Away (Justin Bieber) (T)

Laura Veltz
About You (BigXthaPlug Featuring Tucker Wetmore) (T)
Blue Strips (Jessie Murph) (S)
Grand Bouquet (Maren Morris) (T)
Leave Me Too (Josh Ross) (S)
Parallel Universe (Lauren Spencer Smith) (T)
Someone In This Room (Jessie Murph Featuring Bailey Zimmerman) (T)
Touch Me Like A Gangster (Jessie Murph) (S)
What Tomorrow’s For (Blessing Offor) (T)
You’ll Be OK, Kid – From The Original Documentary “Child Star” (Demi Lovato) (S)


Field 1: Pop & Dance/Electronic

Category 7

Best Pop Solo Performance

For new vocal or instrumental pop recordings. Singles or Tracks only.

DAISIES
Justin Bieber

Manchild
Sabrina Carpenter

Disease
Lady Gaga

The Subway
Chappell Roan

Messy
Lola Young


Category 8

Best Pop Duo/Group Performance

For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

Defying Gravity
Cynthia Erivo & Ariana Grande

**Golden [From “KPop Demon Hunters”]**
HUNTR/X: EJAE, Audrey Nuna, REI AMI

Gabriela
KATSEYE

**APT.**
ROSÉ, Bruno Mars

30 For 30
SZA Featuring Kendrick Lamar


Category 9

Best Pop Vocal Album

For albums containing greater than 75% playing time of new pop vocal recordings.

SWAG
Justin Bieber

Man’s Best Friend
Sabrina Carpenter

Something Beautiful
Miley Cyrus

MAYHEM
Lady Gaga

**I’ve Tried Everything But Therapy (Part 2)**
Teddy Swims


Category 10

Best Dance/Electronic Recording

For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

No Cap
Disclosure & Anderson .Paak

Disclosure, producer; Guy Lawrence, mixer

Victory Lap
Fred again.., Skepta, & PlaqueBoyMax
Blake Cascoe, Berwyn Du Bois, Fred again.., Darcy Lewis, Dan Mayo & PlaqueBoyMax, producers; Tom Norris, mixer

SPACE INVADER
KAYTRANADA
KAYTRANADA, producer; KAYTRANADA, mixer

VOLTAGE
Skrillex
John Feldmann & Skrillex, producers; Luca Pretolesi, Skrillex & Virtual Riot, mixers

End Of Summer
Tame Impala
Kevin Parker, producer; Kevin Parker, mixer


Category 11

Best Dance Pop Recording

For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

Bluest Flame
Selena Gomez & benny blanco

benny blanco, Dylan Brady & Cashmere Cat, producers;benny blanco & Cashmere Cat, mixers

Abracadabra
Lady Gaga

Cirkut, Lady Gaga & Andrew Watt, producers; Serban Ghenea, mixer

Midnight Sun
Zara Larsson

Margo XS & MNEK, producers; Tom Norris, mixer

Just Keep Watching (From F1® The Movie)
Tate McRae

Tyler Spry & Ryan Tedder, producers; Manny Marroquin, mixer

Illegal
PinkPantheress

Aksel Arvid & PinkPantheress, producers; Nickie Jon Pabon


Category 12

Best Dance/Electronic Album

For vocal or instrumental albums. Albums only.

EUSEXUA
FKA twigs

Ten Days
Fred again..

Fancy That
PinkPantheress

Inhale / Exhale
RÜFÜS DU SOL

F— U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3
Skrillex


Category 13

Best Remixed Recording

A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

Abracadabra – Gesaffelstein Remix
Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)

Don’t Forget About Us
KAYTRANADA, remixer (Mariah Carey & KAYTRANADA)

A Dreams A Dream – Ron Trent Remix
Ron Trent, remixer (Soul II Soul)

Galvanize
Chris Lake, remixer (The Chemical Brothers & Chris Lake)

Golden – David Guetta REM/X
David Guetta, remixer (HUNTR/X: EJAE, Audrey Nuna, REI AMI)


Field 2: Rock, Metal & Alternative Music

Category 14

Best Rock Performance

For new vocal or instrumental solo, duo/group or collaborative rock recordings.

U Should Not Be Doing That
Amyl and The Sniffers

The Emptiness Machine
Linkin Park

NEVER ENOUGH
Turnstile

Mirtazapine
Hayley Williams

Changes (Live From Villa Park) Back To The Beginning
YUNGBLUD Featuring Nuno Bettencourt, Frank Bello, Adam Wakeman, II


Category 15

Best Metal Performance

For new vocal or instrumental solo, duo/group or collaborative metal recordings.

Night Terror
Dream Theater

Lachryma
Ghost

Emergence
Sleep Token

Soft Spine
Spiritbox

BIRDS
Turnstile


Category 16

Best Rock Song

A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

As Alive As You Need Me To Be
Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)

Caramel
Vessel1 & Vessel2, songwriters (Sleep Token)

Glum
Daniel James & Hayley Williams, songwriters (Hayley Williams)

NEVER ENOUGH
Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)

Zombie
Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)


Category 17

Best Rock Album

For albums containing greater than 75% playing time of new rock, hard rock or metal recordings.

private music
Deftones

I quit
HAIM

From Zero
Linkin Park

NEVER ENOUGH
Turnstile

Idols
YUNGBLUD


Category 18

Best Alternative Music Performance

For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.

Everything Is Peaceful Love
Bon Iver

Alone
The Cure

SEEIN’ STARS
Turnstile

mangetout
Wet Leg

Parachute
Hayley Williams


Category 19

Best Alternative Music Album

Vocal or Instrumental.

SABLE, fABLE
Bon Iver

Songs Of A Lost World
The Cure

DON’T TAP THE GLASS
Tyler, The Creator

moisturizer
Wet Leg

Ego Death At A Bachelorette Party
Hayley Williams


Field 3: R&B, Rap & Spoken Word Poetry

Category 20

Best R&B Performance

For new vocal or instrumental R&B recordings.

YUKON
Justin Bieber

It Depends
Chris Brown Featuring Bryson Tiller

Folded
Kehlani

MUTT — Live From NPR’s Tiny Desk
Leon Thomas

Heart Of A Woman
Summer Walker


Category 21

Best Traditional R&B Performance

For new vocal or instrumental traditional R&B recordings.

Here We Are
Durand Bernarr

UPTOWN
Lalah Hathaway

LOVE YOU TOO
Ledisi

Crybaby
SZA

VIBES DON’T LIE
Leon Thomas


Category 22

Best R&B Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Folded
Darius Dixson, Andre Harris, Donovan Knight, Don Mills, Kehlani Parrish, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani)

Heart Of A Woman
David Bishop & Summer Walker, songwriters (Summer Walker)

It Depends
Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown Featuring Bryson Tiller)

Overqualified
James John Abrahart Jr & Durand Bernarr, songwriters (Durand Bernarr)

YES IT IS
Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)


Category 23

Best Progressive R&B Album

For albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R&B.

BLOOM
Durand Bernarr

Adjust Brightness
Bilal

LOVE ON DIGITAL
Destin Conrad

Access All Areas
FLO

Come As You Are
Terrace Martin & Kenyon Dixon


Category 24

Best R&B Album

For albums containing greater than 75% playing time of new R&B recordings.

BELOVED
GIVĒON

**Why Not More?**
Coco Jones

The Crown
Ledisi

Escape Room
Teyana Taylor

MUTT
Leon Thomas


Category 25

Best Rap Performance

For a Rap performance. Singles or Tracks only.

Outside
Cardi B

Chains & Whips
Clipse, Pusha T & Malice Featuring Kendrick Lamar & Pharrell Williams

Anxiety
Doechii

tv off
Kendrick Lamar Featuring Lefty Gunplay

Darling, I
Tyler, The Creator Featuring Teezo Touchdown


Category 26

Best Melodic Rap Performance

For a solo or collaborative performance containing both elements of R&B melodies and Rap.

Proud Of Me
Fridayy Featuring Meek Mill

Wholeheartedly
JID Featuring Ty Dolla $ign & 6Lack

luther
Kendrick Lamar With SZA

WeMaj
Terrace Martin & Kenyon Dixon Featuring Rapsody

SOMEBODY LOVES ME
PARTYNEXTDOOR & Drake


Category 27

Best Rap Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Anxiety
Jaylah Hickmon, songwriter (Doechii)

The Birds Don’t Sing
Gene Elliott Thornton Jr., Terrence Thornton, Pharrell Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice Featuring John Legend & Voices Of Fire)

Sticky
Aaron Bolton, Dwayne Carter, Jr., Dudley Alexander Duverne, Tyler Okonma, Janae Wherry, Gloria Woods & Rex Zamor, songwriters (Tyler, The Creator Featuring GloRilla, Sexyy Red & Lil Wayne)

TGIF
Lucas Alegria, Dillon Brophy, Yakki Davis, Jess Jackson, Ronnie Jackson, Mario Mims, Jorge M. Taveras & Gloria Woods, songwriters (GloRilla)

tv off
Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar Featuring Lefty Gunplay)


Category 28

Best Rap Album

For albums containing greater than 75% playing time of new rap recordings.

Let God Sort Em Out
Clipse, Pusha T & Malice

GLORIOUS
GloRilla

God Does Like Ugly
JID

GNX
Kendrick Lamar

CHROMAKOPIA
Tyler, The Creator


Category 29

Best Spoken Word Poetry Album

For albums containing greater than 50% playing time of new spoken word poetry recordings.

A Hurricane in Heels: healed people don’t act like that — partially recorded live @City Winery & other places
Queen Sheba

Black Shaman
Marc Marcel

Pages
Omari Hardwick & Anthony Hamilton

Saul Williams Meets Carlos Niño & Friends At Treepeople
Saul Williams, Carlos Niño & Friends

Words For Days Vol. 1
Mad Skillz


Field 4: Jazz, Traditional Pop, Contemporary Instrumental & Musical Theater

Category 30

Best Jazz Performance

For new vocal or instrumental solo, duo/group or collaborative jazz recordings.

Noble Rise
Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield

Windows – Live
Chick Corea, Christian McBride & Brian Blade

Peace Of Mind / Dreams Come True
Samara Joy

Four
Michael Mayo

All Stars Lead To You – Live
Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth


Category 31

Best Jazz Vocal Album

For albums containing greater than 75% playing time of new vocal jazz recordings.

Elemental
Dee Dee Bridgewater & Bill Charlap

**We Insist 2025!**
Terri Lyne Carrington & Christie Dashiell

Portrait
Samara Joy

Fly
Michael Mayo

Live at Vic’s Las Vegas
Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth


Category 32

Best Jazz Instrumental Album

For albums containing greater than 75% playing time of new instrumental jazz recordings.

Trilogy 3 — Live
Chick Corea, Christian McBride & Brian Blade

Southern Nights
Sullivan Fortner Featuring Peter Washington & Marcus Gilmore

Belonging
Branford Marsalis Quartet

Spirit Fall
John Patitucci Featuring Chris Potter & Brian Blade

Fasten Up
Yellowjackets


Category 33

Best Large Jazz Ensemble Album

For albums containing greater than 75% playing time of new large ensemble jazz recordings.

Orchestrator Emulator
The 8-Bit Big Band

Without Further Ado, Vol 1
Christian McBride Big Band

Lumen
Danilo Pérez & Bohuslän Big Band

Basie Rocks
Deborah Silver & The Count Basie Orchestra

Lights on a Satellite
Sun Ra Arkestra

Some Days Are Better: The Lost Scores
Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra


Category 34

Best Latin Jazz Album

For vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

La Fleur de Cayenne
Paquito D’Rivera & Madrid-New York Connection Band

The Original Influencers: Dizzy, Chano & Chico Arturo O’Farrill & The Afro Latin Jazz Orchestra
Featuring Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa

Mundoagua – Celebrating Carla Bley
Arturo O’Farrill & The Afro Latin Jazz Orchestra

A Tribute to Benny Moré and Nat King Cole
Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro

Vanguardia Subterránea: Live at The Village Vanguard
Miguel Zenón Quartet


Category 35

Best Alternative Jazz Album

For vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.

honey from a winter stone
Ambrose Akinmusire

Keys To The City Volume One
Robert Glasper

Ride into the Sun
Brad Mehldau

LIVE-ACTION
Nate Smith

Blues Blood
Immanuel Wilkins


Category 36

Best Traditional Pop Vocal Album

For albums containing greater than 75% playing time of new traditional pop recordings.

Wintersongs
Laila Biali

The Gift Of Love
Jennifer Hudson

**Who Believes In Angels?**
Elton John & Brandi Carlile

Harlequin
Lady Gaga

A Matter Of Time
Laufey

The Secret Of Life: Partners, Volume 2
Barbra Streisand


Category 37

Best Contemporary Instrumental Album

For albums containing greater than 75% playing time of new contemporary instrumental recordings.

Brightside
ARKAI

Ones & Twos
Gerald Clayton

BEATrio
Béla Fleck, Edmar Castañeda, Antonio Sánchez

Just Us
Bob James & Dave Koz

Shayan
Charu Suri


Category 38

Best Musical Theater Album

For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50 % or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.

Buena Vista Social Club
Marco Paguia, Dean Sharenow & David Yazbek, producers (Original Broadway Cast)

Death Becomes Her
Taurean Everett, Megan Hilty, Josh Lamon, Christopher Sieber, Jennifer Simard & Michelle Williams, principal vocalists; Noel Carey, Sean Patrick Flahaven, Julia Mattison & Scott M. Riesett, producers; Noel Carey & Julia Mattison, composers/lyricists (Original Broadway Cast)

Gypsy
Danny Burstein, Kevin Csolak, Audra McDonald, Jordan Tyson & Joy Woods, principal vocalists; David Caddick, Andy Einhorn, David Lai & George C. Wolfe, producers (Jule Styne, composer; Stephen Sondheim, lyricist) (2024 Broadway Cast)

Just In Time
Emily Bergl, Jonathan Groff, Erika Henningsen, Gracie Lawrence & Michele Pawk, principal vocalists; Derik Lee, Andrew Resnick & Bill Sherman, producers (Bobby Darin, composer & lyricist) (Original Broadway Cast)

Maybe Happy Ending
Marcus Choi, Darren Criss, Dez Duron & Helen J Shen, principal vocalists; Deborah Abramson, Will Aronson, Ian Kagey & Hue Park, producers; Hue Park, lyricist; Will Aronson, composer & lyricist (Original Broadway Cast)


Field 5: Country & American Roots Music

Category 39

Best Country Solo Performance

For new vocal or instrumental solo country recordings.

Nose On The Grindstone
Tyler Childers

Good News
Shaboozey

Bad As I Used To Be [From “F1® The Movie”] Chris Stapleton

I Never Lie
Zach Top

Somewhere Over Laredo
Lainey Wilson


Category 40

Best Country Duo/Group Performance

For new vocal or instrumental duo/group or collaborative country recordings.

A Song To Sing
Miranda Lambert And Chris Stapleton

Trailblazer
Reba McEntire, Miranda Lambert, Lainey Wilson

Love Me Like You Used To Do
Margo Price & Tyler Childers

Amen
Shaboozey & Jelly Roll

Honky Tonk Hall Of Fame
George Strait, Chris Stapleton


Category 41

Best Country Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Bitin’ List
Tyler Childers, songwriter (Tyler Childers)

Good News
Michael Ross Pollack, Sam Elliot Roman & Jacob Torrey, songwriters (Shaboozey)

I Never Lie
Carson Chamberlain, Tim Nichols & Zach Top, songwriters (Zach Top)

Somewhere Over Laredo
Andy Albert, Trannie Anderson, Dallas Wilson & Lainey Wilson, songwriters (Lainey Wilson)

A Song To Sing
Jenee Fleenor, Jesse Frasure, Miranda Lambert & Chris Stapleton, songwriters (Miranda Lambert And Chris Stapleton)


Category 42

Best Traditional Country Album

For albums containing greater than 75% playing time of new traditional country recordings.

Dollar A Day
Charley Crockett

American Romance
Lukas Nelson

Oh What A Beautiful World
Willie Nelson

Hard Headed Woman
Margo Price

Ain’t In It For My Health
Zach Top


Category 43

Best Contemporary Country Album

For albums containing greater than 75% playing time of new contemporary country recordings.

Patterns
Kelsea Ballerini

Snipe Hunter
Tyler Childers

Evangeline Vs. The Machine
Eric Church

Beautifully Broken
Jelly Roll

Postcards From Texas
Miranda Lambert


Category 44

Best American Roots Performance

For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).

LONELY AVENUE
Jon Batiste Featuring Randy Newman

Ancient Light
I’m With Her

Crimson And Clay
Jason Isbell

Richmond On The James
Alison Krauss & Union Station

Beautiful Strangers
Mavis Staples


Category 45

Best Americana Performance

For new vocal or instrumental Americana performance. Award to the artist(s).

Boom
Sierra Hull

Poison In My Well
Maggie Rose & Grace Potter

Godspeed
Mavis Staples

That’s Gonna Leave A Mark
Molly Tuttle

Horses
Jesse Welles


Category 46

Best American Roots Song

A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Ancient Light
Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)

BIG MONEY
Jon Batiste, Mike Elizondo & Steve McEwan, songwriters (Jon Batiste)

Foxes In The Snow
Jason Isbell, songwriter (Jason Isbell)

Middle
Jesse Welles, songwriter (Jesse Welles)

Spitfire
Sierra Hull, songwriter (Sierra Hull)


Category 47

Best Americana Album

For albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.

BIG MONEY
Jon Batiste

Bloom
Larkin Poe

Last Leaf On The Tree
Willie Nelson

So Long Little Miss Sunshine
Molly Tuttle

Middle
Jesse Welles


Category 48

Best Bluegrass Album

For albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.

Carter & Cleveland
Michael Cleveland & Jason Carter

A Tip Toe High Wire
Sierra Hull

Arcadia
Alison Krauss & Union Station

Outrun
The Steeldrivers

Highway Prayers
Billy Strings


Category 49

Best Traditional Blues Album

For albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.

Ain’t Done With The Blues
Buddy Guy

Room On The Porch
Taj Mahal & Keb’ Mo’

One Hour Mama: The Blues Of Victoria Spivey
Maria Muldaur

Look Out Highway
Charlie Musselwhite

Young Fashioned Ways
Kenny Wayne Shepherd & Bobby Rush


Category 50

Best Contemporary Blues Album

For albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.

Breakthrough
Joe Bonamassa

Paper Doll
Samantha Fish

A Tribute To LJK
Eric Gales

Preacher Kids
Robert Randolph

Family
Southern Avenue


Category 51

Best Folk Album

For albums containing greater than 75% playing time of new vocal or instrumental folk recordings.

What Did The Blackbird Say To The Crow
Rhiannon Giddens & Justin Robinson

Crown Of Roses
Patty Griffin

Wild And Clear And Blue
I’m With Her

Foxes In The Snow
Jason Isbell

Under The Powerlines April 24 – September 24
Jesse Welles


Category 52

Best Regional Roots Music Album

For albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.

Live At Vaughan’s
Corey Henry & The Treme Funktet

For Fat Man
Preservation Brass & Preservation Hall Jazz Band

Church Of New Orleans
Kyle Roussel

Second Line Sunday
Trombone Shorty And New Breed Brass Band

A Tribute To The King Of Zydeco
(Various Artists)


Field 6: Gospel & Contemporary Christian Music

Category 53

Best Gospel Performance/Song

This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

Do It Again
Kirk Franklin; Kirk Franklin, songwriter

Church
Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters

Still Live
Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing III, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters

Amen
Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters

Come Jesus Come
Cece Winans Featuring Shirley Caesar


Category 54

Best Contemporary Christian Music Performance/Song

This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.)

I Know A Name
Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters

YOUR WAY’S BETTER
Forrest Frank; Forrest Frank & Pera, songwriters

Hard Fought Hallelujah
Brandon Lake With Jelly Roll; Chris Brown, Jason Bradley Deford, Steven Furtick, Benjamin William Hastings & Brandon Lake, songwriters

Headphones
Lecrae, Killer Mike, T.I.; Bongo ByTheWay, Clifford Harris, William Roderick Miller, Lecrae Moore, Michael Render & Tyshane Thompson, songwriters

Amazing
Darrel Walls, PJ Morton; PJ Morton & Darrel Walls,songwriters


Category 55

Best Gospel Album

For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

Sunny Days
Yolanda Adams

Tasha
Tasha Cobbs Leonard

Live Breathe Fight
Tamela Mann

Only On The Road Live
Tye Tribbett

Heart Of Mine
Darrel Walls, PJ Morton


Category 56

Best Contemporary Christian Music Album

For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

CHILD OF GOD II
Forrest Frank

Coritos Vol. 1
Israel & New Breed

King Of Hearts
Brandon Lake

Reconstruction
Lecrae

Let The Church Sing
Tauren Wells


Category 57

Best Roots Gospel Album

For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

I Will Not Be Moved — Live
The Brooklyn Tabernacle Choir

Then Came The Morning
Gaither Vocal Band

Praise & Worship: More Than A Hollow Hallelujah
The Isaacs

Good Answers
Karen Peck & New River

Back To My Roots
Candi Staton


Field 7: Latin, Global, Reggae & New Age, Ambient, or Chant

Category 58

Best Latin Pop Album

For albums containing greater than 75% playing time of new Latin pop recordings.

Cosa Nuestra
Rauw Alejandro

BOGOTÁ DELUXE
Andrés Cepeda

Tropicoqueta
KAROL G

Cancionera
Natalia Lafourcade

**¿Y ahora qué?**
Alejandro Sanz


Category 59

Best Música Urbana Album

For albums containing greater than 75% playing time of new Música Urbana recordings.

DeBÍ TiRAR MáS FOToS
Bad Bunny

Mixteip
J Balvin

FERXXO VOL X: Sagrado
Feid

NAIKI
Nicki Nicole

EUB DELUXE
Trueno

SINFÓNICO — En Vivo
Yandel


Category 60

Best Latin Rock or Alternative Album

For albums containing greater than 75% playing time of new Latin rock or alternative recordings.

Genes Rebeldes
Aterciopelados

ASTROPICAL
Bomba Estéreo, Rawayana, ASTROPICAL

PAPOTA
CA7RIEL & Paco Amoroso

ALGORHYTHM
Los Wizzards

Novela
Fito Paez


Category 61

Best Música Mexicana Album (Including Tejano)

For albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

MALA MÍA
Fuerza Regida, Grupo Frontera

Y Lo Que Viene
Grupo Frontera

Sin Rodeos
Paola Jara

**Palabra De To’s [Seca]**
Carín León

**Bobby Pulido & Friends Una Tuya Y Una Mía – Por La Puerta Grande [En Vivo]**
Bobby Pulido


Category 62

Best Tropical Latin Album

For albums containing greater than 75% playing time of new tropical Latin recordings.

Fotografías
Rubén Blades, Roberto Delgado & Orquesta

Raíces
Gloria Estefan

Clásicos 1.0
Grupo Niche

Bingo
Alain Pérez

Debut y Segunda Tanda, Vol. 2
Gilberto Santa Rosa


Category 63

Best Global Music Performance

For new vocal or instrumental Global music recordings.

EoO
Bad Bunny

Cantando en el Camino
Ciro Hurtado

JERUSALEMA
Angélique Kidjo

**Inmigrante Y Que?**
Yeisy Rojas

**Shrini’s Dream [Live]**
Shakti

Daybreak
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar


Category 64

Best African Music Performance

Love
Burna Boy

With You
Davido Featuring Omah Lay

Hope & Love
Eddy Kenzo & Mehran Matin

Gimme Dat
Ayra Starr Featuring Wizkid

PUSH 2 START
Tyla


Category 65

Best Global Music Album

For albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.

Sounds Of Kumbha
Siddhant Bhatia

No Sign of Weakness
Burna Boy

Eclairer le monde – Light the World
Youssou N’Dour

**Mind Explosion [50th Anniversary Tour Live]**
Shakti

Chapter III: We Return To Light
Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Caetano e Bethânia Ao Vivo
Caetano Veloso And Maria Bethânia


Category 66

Best Reggae Album

For albums containing greater than 75% playing time of new reggae recordings.

Treasure Self Love
Lila Iké

Heart & Soul
Vybz Kartel

BLXXD & FYAH
Keznamdi

From Within
Mortimer

No Place Like Home
Jesse Royal


Category 67

Best New Age, Ambient, or Chant Album

For albums containing greater than 75% playing time of new vocal or instrumental new age recordings.

Kuruvinda
Kirsten Agresta-Copely

According To The Moon
Cheryl B. Engelhardt, GEM, Dallas String Quartet

Into The Forest
Jahnavi Harrison

NOMADICA
Carla Patullo Featuring The Scorchio Quartet & Tonality

The Colors In My Mind
Chris Redding


Field 8: Children’s, Comedy, Audio Books, Visual Media & Music Video/Film

Category 68

Best Children’s Music Album

For albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.

Ageless: 100 Years Young
Joanie Leeds & Joya

Buddy’s Magic Tree House
Mega Ran

Harmony
FYÜTCH & Aura V

Herstory
Flor Bromley

The Music Of Tori And The Muses
Tori Amos


Category 69

Best Comedy Album

For albums containing greater than 75% playing time of new recordings.

Drop Dead Years
Bill Burr

PostMortem
Sarah Silverman

Single Lady
Ali Wong

What Had Happened Was…
Jamie Foxx

Your Friend, Nate Bargatze
Nate Bargatze


Category 70

Best Audio Book, Narration, and Storytelling Recording

Elvis, Rocky & Me: The Carol Connors Story
Kathy Garver

Into The Uncut Grass
Trevor Noah

Lovely One: A Memoir
Ketanji Brown Jackson

Meditations: The Reflections Of His Holiness The Dalai Lama
Dalai Lama

You Know It’s True: The Real Story Of Milli Vanilli
Fab Morvan


Category 71

Best Compilation Soundtrack For Visual Media

Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

A Complete Unknown
Timothée Chalamet
Nick Baxter, Steven Gizicki & James Mangold, compilation producers; Steven Gizicki, music supervisor

F1® The Album
(Various Artists)
Brandon Davis, Joe Khoury, Kevin Weaver, compilation producers; David Taylor & Jake Voulgarides, music supervisors

KPop Demon Hunters
(Various Artists)
Spring Aspers & Dana Sano, compilation producers; Ian Eisendrath, music supervisor

Sinners
(Various Artists)
Ryan Coogler, Ludwig Göransson & Serena Göransson, compilation producers; Niki Sherrod, music supervisor

Wicked
Cynthia Erivo, Ariana Grande, (& Wicked Movie Cast)
Stephen Oremus, Stephen Schwartz & Greg Wells, compilation producers; Maggie Rodford, music supervisor


Category 72

Best Score Soundtrack For Visual Media (Includes Film And Television)

Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.

How To Train Your Dragon
John Powell, composer

Severance: Season 2
Theodore Shapiro, composer

Sinners
Ludwig Göransson, composer

Wicked
John Powell & Stephen Schwartz, composers

The Wild Robot
Kris Bowers, composer


Category 73

Best Score Soundtrack for Video Games and Other Interactive Media

Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.

Avatar: Frontiers of Pandora – Secrets of the Spires
Pinar Toprak, composer

Helldivers 2
Wilbert Roget, II, composer

Indiana Jones And The Great Circle
Gordy Haab, composer

Star Wars Outlaws: Wild Card & A Pirate’s Fortune
Cody Matthew Johnson & Wilbert Roget, II, composers

Sword of the Sea
Austin Wintory, composer


Category 74

Best Song Written For Visual Media

A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

**As Alive As You Need Me To Be — From “TRON: Ares”**
Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)

**Golden — From “KPop Demon Hunters”**
EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)

**I Lied to You — From “Sinners”**
Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)

**Never Too Late — From “Elton John: Never Too Late”**
Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)

**Pale, Pale Moon — From “Sinners”**
Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)

**Sinners — From “Sinners”**
Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Povilinus, songwriters (Rod Wave)


Category 75

Best Music Video

Award to the artist, video director, and video producer.

Manchild
Sabrina Carpenter

Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers

So Be It
Clipse

Hannan Hussain, video director; Daniel Order, video producer

Anxiety
Doechii

James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers

Love
OK Go

Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer

Young Lion
Sade

Sophie Muller, video director; Aaron Taylor Dean & Sade, video producers


Category 76

Best Music Film

For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

Devo
Devo

Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers

Live At The Royal Albert Hall
Raye

Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers

Relentless
Diane Warren

Bess Kargman, video director; Peggy Drexler, Michele Farinola & Kat Nguyen, video producers

Music By John Williams
John Williams

Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers

Piece By Piece
Pharrell Williams
Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers


Field 9: Package, Notes & Historical

Category 77

Best Recording Package

And The Adjacent Possible
Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)

Balloonerism
Bráulio Amado & Alim Smith, art directors (Mac Miller)

Danse Macabre: De Luxe
Rory McCartney, art director (Duran Duran)

Loud Is As
Farbod Kokabi & Emily Sneddon, art directors (Tsunami)

Sequoia
Tim Breen & Ken Shipley, art directors (Various Artists)

The Spins — Picture Disc Vinyl
Miller McCormick, art director (Mac Miller)

Tracks II: The Lost Albums
Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)


Category 78

Best Album Cover

CHROMAKOPIA
Shaun Llewellyn & Luis “Panch” Perez, art directors (Tyler, The Creator)

The Crux
William Wesley II, art director (Djo)

Debí Tirar Más Fotos
Benito Antonio Martinez Ocasio, art director (Bad Bunny)

Glory
Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)

moisturizer
Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)


Category 79

Best Album Notes

Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974
Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)

After The Last Sky
Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)

Árabe
Amanda Ekery, album notes writer (Amanda Ekery)

The First Family: Live At Winchester Cathedral 1967
Alec Palao, album notes writer (Sly & The Family Stone)

A Ghost Is Born — 20th Anniversary Deluxe Edition
Bob Mehr, album notes writer (Wilco)

Miles ’55: The Prestige Recordings
Ashley Kahn, album notes writer (Miles Davis)


Category 80

Best Historical Album

Joni Mitchell Archives – Volume 4: The Asylum Years — 1976-1980
Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)

The Making Of Five Leaves Left
Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers; John Wood, restoration engineer (Nick Drake)

Roots Rocking Zimbabwe – The Modern Sound Of Harare’ Townships 1975-1980 — Analog Africa No.41
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Various Artists)

Super Disco Pirata – De Tepito Para El Mundo 1965-1980 — Analog Africa No. 39
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Jordan McLeod, restoration engineer (Various Artists)

You Can’t Hip A Square: The Doc Pomus Songwriting Demos
Will Bratton, Sharyn Felder & Cheryl Pawelski,compilation producers; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Doc Pomus)


Field 10: Production, Engineering, Composition & Arrangement

Category 81

Best Engineered Album, Non-Classical

An Engineer’s Award. (Artists names appear in parentheses.)

All Things Light
Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence “Boo” Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)

Arcadia
Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)

For Melancholy Brunettes & sad women
Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)

That Wasn’t A Dream
Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)


Category 82

Best Engineered Album, Classical

An Engineer’s Award. (Artist names appear in parentheses.)

Cerrone: Don’t Look Down
Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)

Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2
Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)

Shostakovich: Lady Macbeth Of The Mtsensk District
Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)

Standard Stoppages
Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

Yule
Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)


Category 83

Producer Of The Year, Classical

A Producer’s Award. (Artist names appear in parentheses.)

Blanton Alspaugh
All Is Miracle – The Choral Music Of Kyle Pederson (Timothy J. Campbell & Transept) (A)
Heggie: Intelligence (Kwame Ryan, Janai Brugger, Jamie Barton, J’Nai Bridges & Houston Grand Opera) (A)
Marsalis: Blues Symphony (Jader Bignamini & Detroit Symphony Orchestra) (A)
Massenet: Werther (Robert Spano, Matthew Polenzani, sabel Leonard & Houston Grand Opera) (A)
The Mirage Calls (Charles Bruffy & Kansas City Chorale) (A)
Sheehan: Ukrainian War Requiem (Michael Zaugg, Axios Men’s Ensemble & Pro Coro Canada) (A)
Sun, Moon, Stars, Rain (Christopher Gabbitas & Phoenix Chorale) (A)

Sergei Kvitko
Biedenbender: Enigma; River Of Time (Kevin L. Sedatole & Michigan State University Wind Symphony) (A)
Chiaroscuro (Vedrana Subotic) (A)
Dancing In A Still Life (Tasha Warren) (A)
Excursions (Vuorovesi Trio) (A)
Four Hands. Two Hearts. One Hope. Ukrainian And American Music For Piano Duo (Mykhailo Diordiiev & Anastasiia Larchikova) (A)
Here And Now – Trumpet Music By Virginia Composers (Jason Crafton, Richard Masters, Annie Stevens & Paul Langosch) (A)
Lansky: Touch And Go (Gwendolyn Dease) (A)
Orbiting Garden (William Hobbs) (A)
Would That Loving Were Enough (Haven Trio) (A)

Morten Lindberg
Fred Over Jorden (Peace To The World) (Elisabeth Holte, Kjetil Bjerkestrand & Uranienborg Vokalensemble) (A)
Stjernebru (Anne Karin Sundal-Ask & Det Norske Jentekor) (A)
Yule (Trio Mediæval) (A)

Dmitriy Lipay
Heggie: Before It All Goes Dark (Joseph Mechavich, Megan Marino, Ryan McKinny & Music Of Remembrance Ensemble) (A)
Odyssey (Jorge Glem, Gustavo Dudamel & Simón Bolívar Symphony Orchestra Of Venezuela) (A)
Ortiz: Yanga (Gustavo Dudamel, Alisa Weilerstein & Los Angeles Philharmonic) (A)

Elaine Martone
Berlioz: Symphonie Fantastique (Franz Welser-Möst & The Cleveland Orchestra) (A)
Chopin & Rachmaninoff: Cello Sonatas (Brian Thornton & Spencer Myer) (A)
Dear Mrs. Kennedy (Ryan Townsend Strand) (A)
Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 (Franz Welser-Möst & The Cleveland Orchestra) (A)
LeFrak: Romántico (Sharon Isbin, Lopez-Yañez & Orchestra Of St. Luke’s) (A)
Mozart: Piano Concerto No. 27 & Symphony No. 29 (Garrick Ohlsson, Franz Welser-Möst & The Cleveland Orchestrea) (A)
The Poet & The Prodigy (Debra Nagy & Mark Edwards) (A)
Shapes In Collective Space (Tallā Rouge) (A)
Songs Of Orpheus (Kelley O’Connor) (A)


Category 84

Best Immersive Audio Album

For vocal or instrumental albums in any genre. Must be commercially released for physical sale or on an eligible streaming or download service and must provide a new immersive mix of four or more channels. Award to the immersive mix engineer, immersive producer (if any) and immersive mastering engineer (if any).

All American F—boy
Andrew Law, immersive mix engineer (Duckwrth)

Immersed
Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)

An Immersive Tribute To Astor Piazzolla — Live
Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)

Tearjerkers
Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)

Yule
Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)


Category 85

Best Instrumental Composition

A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only

First Snow
Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)

Live Life This Day: Movement I
Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)

Lord, That’s A Long Way
Sierra Hull, composer (Sierra Hull)

Opening
Zain Effendi, composer (Zain Effendi)

Train To Emerald City
John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)

Why You Here / Before The Sun Went Down
Ludwig Göransson, composer (Ludwig Göransson Featuring Miles Caton)


Category 86

Best Arrangement, Instrumental or A Cappella

An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

Be Okay
Cynthia Erivo, arranger (Cynthia Erivo)

A Child Is Born
Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)

Fight On
Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)

Super Mario Praise Break
Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)


Category 87

Best Arrangement, Instruments and Vocals

An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

Big Fish
Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith Featuring säje)

**How Did She Look?**
Nelson Riddle, arranger (Seth MacFarlane)

Keep An Eye On Summer
Jacob Collier, arranger (Jacob Collier)

Something In The Water — Acoustic-Ish
Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)

What A Wonderful World
Cody Fry, arranger (Cody Fry)


Field 11: Classical

Category 88

Best Orchestral Performance

Award to the Conductor and to the Orchestra.

**Coleridge-Taylor: Toussaint L’Ouverture, Ballade Op. 4, Suites From ’24 Negro Melodies’**
Michael Repper, conductor (National Philharmonic)

Messiaen: Turangalîla-Symphonie
Andris Nelsons, conductor (Boston Symphony Orchestra)

Ravel: Boléro, M. 81
Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)

Still & Bonds
Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

Stravinsky: Symphony In Three Movements
Esa-Pekka Salonen, conductor (San Francisco Symphony)


Category 89

Best Opera Recording

Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only.

Heggie: Intelligence
Kwamé Ryan, conductor; Jamie Barton, J’Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)

Huang Ruo: An American Soldier
Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang)

Kouyoumdjian: Adoration
Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O’Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)

O’Halloran: Trade & Mary Motorhead
Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O’Halloran, producers (Irish National Opera Orchestra; Mark O’Halloran)

Tesori: Grounded
Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D’Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)


Category 90

Best Choral Performance

Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

Advena – Liturgies For A Broken World
Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)

Childs: In The Arms Of The Beloved
Grant Gershon, conductor (Billy Childs, Dan Chmielinski, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)

Lang: Poor Hymnal
Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)

Ortiz: Yanga
Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic; Los Angeles Master Chorale)

Requiem Of Light
Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)


Category 91

Best Chamber Music/Small Ensemble Performance

For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

Dennehy: Land Of Winter
Alan Pierson & Alarm Will Sound

La Mer – French Piano Trios
Neave Trio

Lullabies For The Brokenhearted
Lili Haydn & Paul Cantelon

Slavic Sessions
Mak Grgić & Mateusz Kowalski

Standard Stoppages
Third Coast Percussion


Category 92

Best Classical Instrumental Solo

Award to the Instrumental Soloist(s) and to the Conductor when applicable.

**Coleridge-Taylor: 3 Selections From ’24 Negro Melodies’**
Curtis Stewart; Michael Repper, conductor (National Philharmonic)

Hope Orchestrated
Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)

Inheritances
Adam Tendler

Price: Piano Concerto In One Movement In D Minor
Han Chen; John Jeter, conductor (Malmö Opera Orchestra)

Shostakovich: The Cello Concertos
Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)

Shostakovich: The Piano Concertos; Solo Works
Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)


Category 93

Best Classical Solo Vocal Album

Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.

Alike – My Mother’s Dream
Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)

Black Pierrot
Sidney Outlaw, soloist; Warren Jones, pianist

In This Short Life
Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, artist

Kurtág: Kafka Fragments
Susan Narucki, soloist; Curtis Macomber, artist

Schubert Beatles
Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)

Telemann: Ino – Opera Arias For Soprano
Amanda Forsythe, soloist; Robert Mealy, Paul O’Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)


Category 94

Best Classical Compendium

Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only.

Cerrone: Don’t Look Down
Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers

The Dunbar/Moore Sessions, Vol. II
Will Liverman; Jonathan Estabrooks, producer

Ortiz: Yanga
Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Seven Seasons
Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Tombeaux
Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers


Category 95

Best Contemporary Classical Composition

A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

Cerrone: Don’t Look Down
Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)

Dennehy: Land Of Winter
Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)

León: Raíces — Origins
Tania León, composer (Edward Gardner & London Philharmonic Orchestra)

Okpebholo: Songs In Flight
Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)

Ortiz: Dzonot
Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

Review: ‘The Hand That Rocks the Cradle’ (2025), starring Maika Monroe, Mary Elizabeth Winstead, Raúl Castillo, Mileiah Vega and Martin Starr

October 22, 2025

by Carla Hay

Maika Monroe in “The Hand That Rocks the Cradle” (Photo by Suzanne Tenner/20th Century Studios/Hulu)

“The Hand That Rocks the Cradle” (2025)

Directed by Michelle Garza Cervera

Some language in Spanish with subtitles

Culture Representation: Taking place in Los Angeles, the horror film “The Hand That Rocks the Cradle” (a remake of the 1992 movie of the same name) features a predominantly white and Latin cast of characters (with a few Asians) representing the working-class and middle-class.

Culture Clash: A mysterious woman becomes the nanny for a married couple with two children under the age of 11, but the nanny has a deadly agenda.

Culture Audience: “The Hand That Rocks the Cradle” will appeal primarily to people who are fans of the movie’s headliners, the 1992 movie “The Hand That Rocks the Cradle,” and psychological thrillers that are slow-paced and have very little creativity.

Maika Monroe and Mary Elizabeth Winstead in “The Hand That Rocks the Cradle” (Photo by Suzanne Tenner/20th Century Studios/Hulu)

The 2025 version of “The Hand That Rocks the Cradle” is an example of a movie that didn’t need to exist. This dull re-imagining of 1992’s campy “The Hand That Rocks the Cradle” is more sluggish than scary. The effect of watching this revamped movie about a killer nanny is like falling asleep in a cradle. A plot twist can’t save this plodding and shallow dud.

Directed by Michelle Garza Cervera and written by Micah Bloomberg, the 2025 version of “The Hand That Rocks the Cradle” takes place in Los Angeles, where the movie was filmed on location. The 1992 version of “The Hand That Rocks the Cradle” was a crime drama directed by Curtis Hanson, written by Amanda Silver, and had Rebecca De Mornay, Annabella Sciorra and Matt McCoy in the starring roles. The 2025 version of “The Hand That Rocks the Cradle” is supposed to be more of a horror movie thriller, but there are very little thrills to be had in this mopey rehash with drab cinematography and a story that takes too long to get to any horror action.

The remake of “The Hand That Rocks the Cradle” begins by showing a 7-year-old blonde girl (played by Arabella Olivia Clark) staring at a house that’s directly across from her. The house is engulfed in flames and has no chance of being saved. It’s obvious that this girl will grow up to be one of the movie’s two main female characters, who are both blonde. It’s revealed later in the movie which of these characters is the adult version of the girl seen in the beginning of the movie and why the house was on fire.

The movie then fast-forwards to the present day. A blonde woman named Polly Murphy (played by Maika Monroe), who’s in her late 20s or early 30s, is being interviewed in an office by housing-rights attorney Caitlin Morales (played by Mary Elizabeth Winstead), who is also blonde and is about 10 years older than Polly. Caitlin is also about eight or nine months pregnant at the time of this interview.

Based on the conversation, Caitlin’s law firm is currently doing an “open house” event for potential clients who have legal disputes related to housing. Polly is apparently gearing up for a legal fight with her landlord, who raised the rent to an amount that Polly can no longer afford. Polly recently lost her job as a nanny because the family who hired her has moved away. Polly thinks the rate of the landlord’s rent increase is unfair and illegal.

Polly tells Caitlin that Polly also had to drop out of a school program that trains people on early childhood education because Polly can no longer afford the tuition. Caitlin assures Polly that Caitlin’s law firm does a lot of pro bono (free) work for people who can’t afford the law firm’s services. Polly notices that Caitlin is pregnant (“You look like you’re ready to pop,” Polly says tactlessly) and asks Caitlin to consider hiring Polly as a nanny if Caitlin needs a nanny.

About six or seven months later, Caitlin’s second daughter Josie Morales (played by twins Nora Contreras and Lola Contreras) has been born. Caitlin and her husband Miguel Morales (played by Raúl Castillo) have another daughter: 10-year-old Emma Morales (played by Mileiah Vega), who is prone to having temper tantrums. Emma and Caitlin have not been getting along with each other for an unspecified period of time.

Miguel’s occupation is unclear. The husband’s job is not relevant to the story, compared to how the husband’s job was part of a plot development in the 1992 version of “The Hand That Rocks the Cradle.” In both movies, the family lives in an upper-middle-class home. And whatever the household income is, the family can afford to hire a nanny. That’s what happens when Caitlin is at a farmer’s market with her kids, Caitlin sees Polly again, and Caitlin decides to hire Polly as the family’s nanny.

Polly says she’s still looking for a job, so Caitlin takes up Polly’s offer to be the family’s nanny when Caitlin sees how friendly Polly is with Josie and Emma. Polly provides a work reference to Caitlin: a woman named Rosanna (played by Shannon Cochran), who says that she used to employ Polly as a nanny. Caitlin calls Rosanna, who gives a glowing recommendation about Polly. Rosanna describes Polly as “amazing” and says about Polly: “She really became part of our family.”

The next hour of this 104-minute movie then drags with repetition. Polly secretly puts medication in food to make Caitlin, Emma and Josie sick. Caitlin (who cooks the family’s food) feels guilty because she thinks she’s being an irresponsible mother. Meanwhile, Polly earns the trust of Emma, who seems to like Polly a lot more than Emma likes Caitlin. Polly (who describes herself as being orphaned when she was a child) tells Emma that when Polly lived as a ward of the state in her childhood, she was fed only tuna and could only eat it from a tin can.

When Polly can no longer afford her rent, Caitlin invites Polly to live in the family’s guest house. Caitlin eventually gets suspicious of Polly because Polly defies Caitlin’s orders. Miguel thinks that Caitlin is being paranoid. Caitlin had some sort of nervous breakdown after Emma was born, so Miguel thinks Caitlin is experiencing something similar after the recent birth of Josie. These scenarios are presented as mostly monotonous conversations. The movie’s irritating music score by Ariel Marx sounds like it belongs in an industrial nightclub, not a movie that’s supposed to be a suspensful thriller.

Caitlin and Miguel don’t have a lot of close friends. Their closest friends (and the only friends who hang out with Caitlin and Miguel in this story) are a married couple named Stewart (played by Martin Starr) and Bethany (played by Riki Lindhome), who are a little bit snobby and pretentious. Stewart is a doctor and puts his medical knowledge to use later in the film. Miguel’s parents Javí Morales (played by Rafael Sigler) and Marta Morales (played by Elena Campbell-Martinez) are too far away to visit in person, but they are briefly seen in a video chat. Caitlin’s parents are not seen in the movie.

Early on in the movie, Polly mentions that she dates women and is currently “talking” to a woman who might end up being a love interest for Polly. Caitlin then mentions that Caitlin was dating a woman when Caitlin met Miguel. Polly says she’s not surprised because she says Caitlin gives off “that vibe.” Unlike the nanny in 1992 version of “The Hand That Rocks the Cradle,” the nanny in the 2025 version of the movie doesn’t plan to seduce anyone to break up a marriage—even though the 2025 movie has a few tepid and unconvincing attempts to make it look like there’s sexual tension between Polly and Caitlin.

Later, Polly invites her “friend” Amelia (played by Yvette Lu) over as Polly’s date when the family is having a small dinner party. After the party, Caitlin sees Polly having sex with Amelia in Polly’s bedroom and watches them through a window. Polly notices that Caitlin is watching and somewhat smirks. What does this sex scene have to do with the main story? Absolutely nothing. It’s just an example of how this dreadful movie has time-wasting scenes.

Another queerness scene that has no bearing on the plot is when Emma comes out as a lesbian to her parents while they are having a family dinner. Caitlin gets upset because she thinks Emma is too young to know what Emma’s sexual identity is. That’s about all you’ll learn about Emma, who is very underwritten as a character. Even though Caitlin is queer herself, Caitlin blames Polly for trying to influence Emma into prematurely declaring Emma’s lesbian identity. This movie has a misguided way of trying to make queerness look “provocative,” and queerness is misused as an irrelevant distraction in this movie’s boring plot.

In “The Hand That Rocks the Cradle,” the nanny has a secret motive for wanting to be the family’s nanny. This version of “The Hand That Rocks the Cradle” doesn’t reveal that motive until the last third of the movie. The 1992 version of the movie had a family-employed handyman named Solomon (played by Ernie Hudson), who figures out before the family does that the nanny is devious. There is no handyman character in the 2025 version of the movie, but it’s not really spoiler information to say that Stewart has the role of the person who is the first one to find out some damning information about the nanny.

The movie’s screenplay is so lackluster, most of the cast members of 2025’s “The Hand That Rocks the Cradle” just seem like they’re sleepwalking through their roles. Monroe has a vacant stare for most of her performance and acts more like someone who’s spaced out on painkillers instead of someone who should be laser-focused on causing havoc through a revenge scheme. Worst of all: These characters are so underdeveloped, by the time the mayhem starts and concludes in a very stereotypical way, most viewers won’t really care about seeing these characters again after the movie ends.

Hulu premiered “The Hand That Rocks the Cradle” on October 22, 2025.

Review: ‘Good Fortune’ (2025), starring Seth Rogen, Aziz Ansari, Keanu Reeves, Keke Palmer and Sandra Oh

October 17, 2025

by Carla Hay

Keanu Reeves, Seth Rogen Aziz Ansari in “Good Fortune” (Photo by Eddy Chen/Lionsgate)

“Good Fortune” (2025)

Directed by Aziz Ansari

Culture Representation: Taking place in Los Angeles, the comedy film “Good Fortune” features a racially diverse cast of characters (Asian, white, African American and Latin) representing the working-class, middle-class and wealthy.

Culture Clash: A gig economy worker, who has been living out of his car, trades lives with a millionaire business investor (the worker’s former boss), with the help of an angel, who wants to teach both men some life lessons.

Culture Audience: “Good Fortune” will appeal primarily to people who are fans of the movie’s headliners and comedies about people who switch lives.

Aziz Ansari and Keke Palmer in “Good Fortune” (Photo courtesy of Lionsgate)

“Good Fortune” is writer/director/co-star Aziz Ansari’s politically progressive and spiritual version of 1983’s “Trading Places,” but it’s not a remake or faith-based movie. There’s some salty comedy, but the core of “Good Fortune” is sweet sentimentality. The movie takes a broader sociopolitical look at economic equalities than the more individual-oriented “Trading Places.”

Most comedy fans already know that “Trading Places” starred Eddie Murphy as a poverty-level street-wise con artist and Dan Aykroyd as a pompous rich snob, who unknowingly trade lives with each other, due to manipulation from two wealthy business colleagues of the snob. “Good Fortune” takes a similar concept, but has an angel in control of switching the lives of two men on opposites ends of the financial spectrum. “Trading Places” takes place in New York City, while “Good Fortune” is set in Los Angeles, where “Good Fortune” was filmed on location.

“Good Fortune” (which had its world premiere at the 2025 Toronto International Film Festival) begins by showing a lower-level angel named Gabriel (played by Keanu Reeves) doing his assigned duties in Los Angeles: He has been tasked by his angel supervisor Martha (played by Sandra Oh) to prevent people from crashing their cars if they’re texting and driving at the same time. Gabriel eventually becomes bored with this assignment and asks Martha for more meaningful work, such as saving lost souls.

Martha tells Gabriel that he isn’t ready for that type of job. The movie briefly shows other angels who are under Martha’s supervision. One of them is Azreal (played by Stephen McKinley Henderson), who has the type of soul-saving responsibilities that Gabriel wants. Unfortunately, Martha thinks compassionate and well-meaning Gabriel is too inept and simple-minded to handle those duties.

Meanwhile, aspiring documentarian Arj Ibrahim (played by Ansari) is at a low point in his life: He’s living out of his car and juggling multiple part-time jobs that can barely pay his expenses. One of his jobs is working as a tasker/virtual assistant for a company called Task Sergeant, which is an obvious parody of the real-life Taskrabbit.

His other job is working as a floor associate at a True Value-type retailer named Hardware Heaven. Arj has a crush on a Hardware Heaven co-worker named Elena (played by Keke Palmer), who is bright and resourceful. She works in the store’s furniture section and dreams of having her own furniture-making business. Elena is also passionate about forming a union for Hardware Heaven workers and is leading the effort to unionize the employees.

Arj is ashamed to tell his family about his dire financial situation. Instead, he tells his status-conscious father Saleem (played by Shoukath Ansari, Aziz Ansari’s real-life father)—the relative whom Arj keeps in touch with the most—that Arj has been getting steady work as a freelance documentary editor. Privately, Arj is bitter that his life didn’t turn out the way that he planned. “The American Dream is dead,” Arj tells a pre-teen relative named Navid (played by Aditya Geddada) near the beginning of the movie.

One of the movie’s first scenes shows Arj doing a Task Sergeant assignment of getting some highly anticipated cinammon buns at a local pastry store. Arj and some other customers are waiting in line when they are told the store has sold out of the buns. Just as a disappointed Arj is leaving, he notices a man arriving and happily getting some of the buns that were announced as “sold out.” When Arj asks an employee why this man got special treatment, Arj is told it’s because the man is an investor in the store.

As fate would have it, Arj is hired (through Task Sergeant) to be a temporary personal assistant for a millionaire venture capitalist named Jeff (played by Seth Rogen), who happens to be the same man who got the cinammon buns that Arj wanted. Jeff, just like Arj, is a bachelor who lives alone and has no children. When Arj goes to Jeff’s home for the assignment and sees how rich Jeff is, Arj does an excellent job of fulfulling all of Jeff’s tasks and asks Jeff to permanently hire him as a personal assistant.

Jeff barely knows Arj, so Jeff only agrees to hire Arj on a week-long trial basis. Arj will be hired (or not hired) as a permanent employee based on this probation period. Even though Jeff and Arj are still strangers to each other, Jeff foolishly shows Arj where Jeff keeps a loaded gun locked in a safe, and he tells Arj what the safe’s combination numbers are to unlock the safe. It’s at this point in the movie that you know that gun will be used.

Arj is confident that he can be a successful personal assistant for Jeff, so Arj quits his job at Hardware Heaven. Arj quickly earns Jeff’s trust to get a company credit card with Arj’s name on it. Jeff tells Arj that the credit card can only be used for business expenses. And that’s when you know that Arj will make the mistake of using the credit card for a personal expense.

It happens when Arj takes Elena out to dinner to an upscale restaurant for their first date. Arj doesn’t have enough of his own money to pay for their dinner date, so he uses the company credit card to pay for it. When Jeff finds out, he immediately fires Arj and ignores Arj’s pleas to give Arj a chance to pay back the money if Arj can keep the job.

Things go from bad to worse for Arj when his car gets towed due to his unpaid parking tickets. Arj can’t afford to get his car out of the impound lot, so he has nowhere to sleep, and all of his belongings (except his cell phone and the clothes on his back) are in the car. Arj tries to find work with Task Sergeant but sees on his phone that Task Sergeant is currently “at capacity” in giving out new tasks.

Gabriel sees Arj’s dire situation and introduces himself to Arj as his guardian angel. Even though Gabriel knows that he’s overstepping his bounds on how to help Arj, Gabriel does it anyway because he wants to prove to Martha that he can handle helping a “lost soul.” Gabriel has a heart-to-heart talk with Arj, who says that Arj’s life would be better if Arj were rich like Jeff.

Gabriel disagrees and says he can prove that Arj wouldn’t be happier if Arj had Jeff’s life. Gabriel puts his hand on Arj’s shoulder. And just like that: Arj and Jeff have switched lives. Naturally, Arj loves living Jeff’s life and doesn’t want to go back to Arj’s previous life. Jeff doesn’t know at first why he’s now living Arj’s life, but Jeff eventually finds out. Jeff is infuriated and does what he thinks he needs to do to get his previous life back.

But there’s a catch: When Gabriel tells Martha about this life switch, she scolds him and says that the only way that the mistake can be corrected is if Jeff and Arj truly appreciate their previous lives and genuinely want to go back to their previous lives. Obviously, it’ll be harder to convince Arj than Jeff to go back to the way things were.

“Good Fortune” takes a while before it gets to this conflict part of the story. And then, the movie turns into several slapstick comedy scenes, where some moments are much funnier than others. The movie has a predictable story arc of Jeff and Arj learning how to see life from the other’s perspective and possibly mending what started off as a budding friendship.

“Good Fortune” also has some blatant preaching against capitalistic greed and worker exploitation. The preaching is wrapped in a comedic context, but there’s also a lot of anger and frustration in some of the rants that certain characters have about economic inequalities. You can easily guess which lessons Jeff will learn.

Rogen, Aziz Ansari and Reeves have a Three Stooges dynamic in “Good Fortune” that mostly works well when the movie doesn’t drag with repetition and or doesn’t recycle stereotypical scenarios. Rogen’s Jeff is like the bossy and impatient Mo Howard of the Three Stooges. Aziz Ansari’s Arj is similar to the confused and hapless Larry Fine. Reeves’ Gabriel is modeled after simplistic man-child Curly Howard, except Gabriel is much more laid-back than hyper Curly.

The supporting cast members also mesh well with the story. Palmer plays her role with a natural effervescence that is very charming, even though many people might think that Elena deserves a better love partner than perpetually insecure Arj. Oh’s Martha character is essentially an elevated cameo role, but she also skillfully balances the movie’s serious and comedic aspects. As Arj’s overbearing father Saleem, Shoukath Ansari has a short amount of screen time (less than 10 minutes), but his comedic timing is hilarious.

As far as comedy movies go, “Good Fortune” won’t be considered a classic. However, it’s still entertaining and falls right in the middle of comedies that are ultra-provocative and comedies that are ultra-corny. The movie has a cute recurring joke about how Jeff, Arj and Gabriel all share a love of tacos. If you can tolerate some of the movie’s “life lecture” tone and non-denominational spirtuality aspects (Gabriel being an angel automatically makes “Good Fortune” a movie about spirituality), then “Good Fortune” can be an enjoyable movie choice that succeeds in its heart-warming intentions.

Lionsgate released “Good Fortune” in U.S. cinemas on October 17, 2025. The movie will be released on digital and VOD on November 7, 2025. “Good Fortune” will be released on Blu-ray, DVD and an Amazon-exclusive 4K UHD combo pack on December 9, 2025.

Review: ‘Coyotes’ (2025), starring Justin Long, Kate Bosworth, Mila Harris, Katherine McNamara, Brittany Allen, Keir O’Donnell and Norbert Leo Butz

October 13, 2025

by Carla Hay

Mila Harris in “Coyotes” (Photo courtesy of Aura Entertainment)

“Coyotes” (2025)

Directed by Colin Minihan

Culture Representation: Taking place in Los Angeles, the horror film “Coyotes” features an all-white cast of characters representing the working-class and middle-class.

Culture Clash: Several people encounter deadly coyotes that are running loose in the city. 

Culture Audience: “Coyotes” will appeal primarily to people who are fans of the movie’s headliners and “creature feature” movies that are tacky, mindless and boring.

Justin Long in “Coyotes” (Photo courtesy of Aura Entertainment)

“Coyotes” is a deliberately campy horror comedy movie about killer coyotes on the loose in Los Angeles. However, this sloppily made flop fails to be amusing, scary or interesting, with repetitive scenes of people making incredibly idiotic decisions. And even though “Coyotes” is only 91 minutes long, it feels like longer because this garbage movie is so dull.

Directed by Colin Minihan, “Coyotes” was written by Tad Daggerhart and Nick Simon. The movie had its world premiere at the 2025 edition of Fantastic Fest. “Coyotes” takes place in Los Angeles but was actually filmed in Colombia. In reality, coyotes usually don’t attack humans unless they feel threatened, but since this is a fictional horror movie about killer coyotes, that fact can be overlooked. The movie throws in a not-very-believable “reveal” toward the end to explain why these particular coyotes have been targeting people.

“Coyotes” begins by showing a vain and vapid social media influencer named Kat (played by Katherine McNamara), who is walking her pet Chihuahua named Gigi on a seemingly deserted Los Angeles street. Kat has just come from a nightclub or a party and is yapping on her phone with a friend about how irrisistible Kat thinks she is. “I swear, it’s not intentional, but people just follow my vibe,” Kat says in a phony humble brag. “I’m just magnetic.”

It starts raining when Kat decides to take selfie photos on the street. Gigi goes into some bushes when Kat feels strong tugging on the dog’s leash. She also hears strange rustling in the bushes and the sound of Gigi crying out in pain. Kat doesn’t notice that a coyote is in the background in one of her selfie photos.

You can easily predict the rest: Kat goes into the bushes and sees that Gigi was killed by a coyote. A coyote leaps out and mauls Kat, who stumbles into the street and gets hit by a car. (The driver barely stops before driving away.) Two coyotes then come out of the bushes and look at Kat’s mangled body like fresh prey.

This scene (which is partially shown in the “Coyotes” trailer) is very cliché. However, it’s actually one of the better scenes in the movie because McNamara plays the role with good comedic timing. Unfortunately, she’s in the movie for less than 10 minutes. After Kat dies, the movie has a montage of clips explaining that recent wildfires in the area have driven coyotes closer to highly populated areas of the city.

The rest of “Coyotes” (which has small number of people in its cast) is about other people who encounter the coyotes in the Hollywood Hills area of Los Angeles. The three-person family at the center of this deadly coyote story consists of workaholic writer Scott (played by Justin Long); his homemaker wife Liv (played by Kate Bosworth); and their moody daughter Chloe (played by Mila Harris), who’s about 15 or 16 years old. When Scott first sees the coyotes, even after hearing that they kill people, he acts like they’re just friendly stray dogs. Scott changes his mind when he sees how vicious these coyotes can be.

Other characters in the movie are completely hollow and written as empty-headed shells. Devon (played by Keir O’Donnell) is a fanatical exterminator who was hired by Scott to get rid of a rat infestation in the family home the day before the coyotes show up near the home and go on a rampage. Trip (played by Norbert Leo Butz) is the cocaine-snorting slob who lives next door to the family. Julie (played by Brittany Allen) is a sex worker hired by Trip to spend the night at his place. Tony (played by Kevin Glynn) is Scott’s goofy Irish friend. Sheila (played by Norma Nivia) is a famous actress who is Tony’s nagging wife.

News reports mention that Kat was one of a growing number of people in the area who’ve been recently killed by coyotes. Because coyotes tend to hunt at night, you would think there would be a temporary curfew in the city. You would think that fire department officials (which usually handle wild animal control issues) would be making efforts to find and capture these homicidal coyotes. But no, not in this stupid movie.

On the night before the big rampage, a severe rainstorm hits the area and causes a power outage and several trees to fall down. The day after the storm, Tony comes over to Scott’s house to help Scott remove fallen trees from the family’s front yard. Meanwhile, Trip is distraught because his cat Lucy has gone missing. (Liv found Lucy’s collar, which is not a good indication that Lucy is still alive.)

“Coyotes” has too many plot holes and annoyingly moronic actions to make this an enjoyable movie to watch. The terror scenes are dragged out by making not-believable-at all excuses that certain characters in the movie just happen to have cell phones with dead batteries at the same time. These batteries can’t be recharged because of the power outage. (Apparently, no one in this movie has battery chargers that don’t need electricity.)

Certain people get severely mauled and bitten by coyotes, but their injuries suddenly disappear in later scenes that take place on the same night. (That’s how you know who will be the survivors by the end of the movie.) There are no science-fiction elements in “Coyotes,” so there’s no excuse for these quickly disappearing wounds.

When a family member needs immediately medical care, no effort is made to get medical help for that person. When a phone call for help is finally made, the person making the call decides to contact Devon the exterminator, not emergency services. The same family member who gets a serious wound from a coyote bite worries aloud that the wound will leave a scar, like a “vampire bite.” A family member makes this garbage comment in response: “That’d be cool.”

The movie is also annoying for how it makes Scott a walking contradiction. In the beginning of the movie, he’s so compassionate and concerned about animals, he asks exterminator Devon if there’s a way to trap the house-invading rats and let the rats loose in the wild instead of killing the rats. And yet, later in the movie, Scott shows that he’s not really thinking about getting himself and his family members to safety when they’re in peril. Liv isn’t much better and is also a horribly irresponsible parent, but she’s more likely to take effective action, compared to foolish and incompetent Scott.

The visual effects are what you might expect for a low-budget trashy flick, but it still takes you out of the movie to see the obviously fake coyotes, which look and act more like wolves in the movie. In one absolutely ridiculous scene, a fully grown adult coyote sneaks into the family’s house by going through a dog door that’s small enough to only fit the family’s Yorkshire Terrier named Charlie. The filmmakers of “Coyotes” obviously don’t care about insulting viewers’ intelligence.

Certain people in the story have access to loaded guns, but the movie is mostly pathetic in how it depicts gun action. “Coyotes” tries to be a bit “artsy,” by having occasional freeze frames that look like comic book panels. This visual style looks somewhat random until it’s explained in one of the very last scenes in the movie that Scott is a longtime comic book collector.

The acting in “Coyotes” is nothing special and is mediocre at best. The dialogue is mostly awful or forgettable. Allen has the most entertaining character in the movie and does sufficiently well in the role, but the rest of the characters are just lackluster stereotypes. Long and Bosworth (who are a married couple in real life) have played these types of characters (dorky neurotic for Long, strong-willed love interest for Bosworth) many times before, so there’s nothing new to see here.

“Coyotes” is the type of terribly made “killer animals on the loose” film where even after someone knows that these animals are on a rampage and are close by, that person leaves a front door of the house open, and a killer animal goes into the house. Yes, that really happens in “Coyotes.” And the person who left the door open gets exactly what’s coming. Viewers who’ve been warned about “Coyotes” being time-wasting junk will also get exactly what they deserve if they still want to watch this irritating and monotonous dreck.

Aura Entertainment released “Coyotes” in select U.S. cinemas on October 3, 2025. The movie will be released on digital and VOD on October 21, 2025.

Review: ‘London Calling’ (2025), starring Josh Duhamel, Jeremy Ray Taylor, Rick Hoffman and Aidan Gillen

September 20, 2025

by Carla Hay

Jeremy Ray Taylor and Josh Duhamel in “London Calling” (Photo courtesy of Quiver Distribution)

“London Calling” (2025)

Directed by Allan Ungar

Culture Representation: Taking place in London and in the Los Angeles area, the action/comedy film “London Calling” features a predominantly white cast of characters (with a few black people) representing the working-class, middle-class and wealthy.

Culture Clash: A jaded assassin agrees to be an assassin mentor to the dorky 18-year-old son of the assassin’s crime boss, who wants the son to be groomed to take over his criminal activities.

Culture Audience: “London Calling” will appeal mainly to people who are fans of the movie’s headliners and unimaginative and silly movies about assassins and other criminals.

Jeremy Ray Taylor and Josh Duhamel in “London Calling” (Photo courtesy of Quiver Distribution)

The vapid action comedy “London Calling” has the mentality of a kid who doesn’t know that the 1994 movie “Léon: The Professional” exists. The stale jokes don’t help London Calling’s predictable story about an assassin mentoring a criminal’s adolescent child. Some of the cast members are clearly having fun in their “London Calling” roles, but this violent movie’s comedy is too cornball and repetitive to be fun to watch.

Directed by Allan Ungar, “London Calling” was co-written by Ungar, Omer Levin Menekse and Quinn Wolfe. The movie takes place in London and in the Los Angeles area. “London Calling” was actually filmed in South Africa. The movie has no connection to the Clash’s 1979 “London Calling” album and title track, except for sharing the same title, and the Clash’s “London Calling” song can be heard in its entirety during the movie’s end credits.

“London Calling” begins by showing an American assassin in London. His name is Thomas “Tommy” Ward (played by Josh Duhamel), and he’s arrived at an upscale nightclub where the attendees are wearing masks. (It could easily be mistaken for an “Eyes Wide Shut” fan convention.) Thomas is on a hit job where he’s supposed to shoot and kill a man wearing a horse mask.

Instead, Tommy follows a man (played by Tristan de Beer) who’s wearing a donkey mask. It’s mentioned multiple times later in the movie that middle-aged Tommy has become near-sighted as he’s gotten older. Tommy corners the man outside the nightclub and is ready to shoot.

The man takes off his mask and says that this is a case of mistaken identity. The man says he shouldn’t be killed and warns Tommy that Tommy would be making a huge mistake if he commits this murder. The man identifies himself as the cousin of Freddy Darby’s wife. Freddy Darby (played by Aiden Gillen) is a crime lord who is Tommy’s boss.

Tommy is arrogant because he’s never before made a mistake in an assassination. He tells the man that the mask is a horse mask, not a donkey’s mask. And then, Tommy shoots and kills the man. After the murder, Tommy gets a closer look at the mask and finds out it really is a donkey mask, and the person wearing the horse mask got away.

Tommy leaves the scene and commiserates with his colleague Harry (played by Arnold Vosloo) about this big mistake. Harry mildly scolds Tommy about Tommy not taking Harry’s advice to get an eye exam. Tommy and Harry know it’s only a matter of time before Freddy finds out that Tommy killed a member of Freddy’s family, and Tommy will be put on Freddy’s hit list. Harry gets Tommy a one-way plane ticket out of London to Los Angeles.

Before Tommy leaves London, he goes to the apartment where his ex-wife Judi (played by Erica Wessels) lives with their son Oliver (played by Finnley Barnett), who’s about 9 or 10 years old. Judi has a live-in boyfriend named Ricky (played by Karl Thaning), who is a gym teacher at Oliver’s school. Tommy’s visit is so he can say a quick goodbye to Oliver, who isn’t allowed to spend time with Tommy because, as he tells Tommy, Judi frequently tells Oliver that Tommy is a “loser” who does dangerous things.

One year later, Tommy is living in Los Angeles, where he is working as an assassin for a crime boss named Benson (played by Rick Hoffman), a fast-talking sleaze who is rude and impatient. Benson is a widower (his wife died in a car accident) who has an 18-year-old son named Julian (played by Jeremy Ray Taylor), a geeky loner. Julian would rather play video games and go to live-action role playing (LARP) events (where people wear costumes as fantasy characters) than learn from his father on how to be a violent criminal. Benson is disappointed in Julian for not being equipped to take over the “family business.”

Benson has a subservient live-in girlfriend named Darya (played by Jazzara Jaslyn), whom he met at a Russian brothel, according to what Benson tells Tommy. A recurring “joke” in the movie is that Benson is always giving criticism to Darya for doing something that Benson thinks is incorrect. In other words, Benson is depicted as an irredeemable jerk who is cruel to just about everyone.

“London Calling” wastes nearly half of the movie before it gets to the central conflict of the story. Before that central conflict plays out in the film, “London Calling” shows that Julian is the target of a snobbish teenage bully named Barnabus (played by Daniel Lasker), a LARP enthusiast who wants to be the “alpha male” at all the LARP events that he attends. It just so happens that Julian has a crush on Barnabus’ sister Erika (played by (played by Daniah De Villiers), who attends the same LARP events.

The movie’s central conflict is revealed when Tommy finds out that Judi is going to marry Ricky. Tommy doesn’t respect Ricky because he thinks Ricky is a wimpy nerd. Tommy hasn’t seen Oliver for more than a year and wants to go back to London to make up for lost time and become an attentive father to Oliver. However, Tommy is apprehensive that Freddy has put a target on Tommy’s back for the killing of Freddy’s cousin-in-law.

Tommy and Benson make a deal: Benson will give Tommy extra protection that will be provided by Benson’s criminal connections in London. In exchange, Tommy has to train Julian on how to be an assassin so that Tommy and Julian can kill two of Benson’s enemies: Alistair McRory (played by Neil Sandilands) and Seamus McRory (played by Brandon Auret), who are gangster brothers. As already revealed in the “London Calling” trailer, Freddy finds out that Tommy is living in the Los Angeles area, so Freddy arrives in the area to get revenge on Tommy.

The rest of “London Calling” goes exactly how you think it will, with shootouts, fist fights, explosions and car chases—and plenty of bumbling along the way. Duhamel and Taylor have fairly good chemistry in their scenes together, but their dialogue is so mindless, the characters of Tommy and Julian just aren’t interesting enough to be entertaining for the entire movie. Meanwhile, all the other characters are one-dimensional. “London Calling” has some cheap laughs, but there’s nothing special about this derivative movie that is the very definition of a “hack job.”

Quiver Distribution released “London Calling” in select U.S. cinemas on September 19, 2025.

2025 Primetime Emmy Awards: ‘The Studio,’ ‘The Pitt,’ ‘Adolesence’ among the big winners

September 14, 2025

by Carla Hay

Team members from “The Studio” at the 77th annual Primetime Emmy Awards at the Peacock Theater in Los Angeles on September 14, 2025. (Photo by Sonja Flemming/CBS)

With 13 prizes, including Outstanding Comedy Series, Apple TV+’s “The Studio” was the top winner at the 77th annual Primetime Emmy Awards, which were presented at Peacock Theater at L.A. Live in Los Angeles, on September 14, 2025. CBS had the U.S. telecast of the ceremony, which was livestreamed on Paramount+ Premium. Nate Bargatze hosted the show. The Primetime Emmy Awards are voted for by members of the Television Academy.

“The Studio” went into the ceremony with 23 nominations. “The Studio” also received Emmys for Outstanding Lead Actor in a Comedy Series (for Seth Rogen); Outstanding Writing for a Comedy Series; and Outstanding Directing for a Comedy Series.

HBO Max’s “The Pitt” had 13 nominations and won five Emmys, including Outstanding Drama Series. “The Pitt” also won Emmys for Outstanding Lead Actor in a Drama Series (for Noah Wylie) and Outstanding Supporting Actress in a Drama Series (for Katherine LaNasa).

Netflix’s “Adolescence” was also a big winner, taking the prize for Outstanding Limited or Anthology Series, one of the eight Emmys the show won from 13 nominations. “Adolescence” also won Emmys for Outstanding Lead Actor in a Limited or Anthology Series or Movie (for Stephen Graham); Outstanding Supporting Actor in a Limited or Anthology Series or Movie (for Owen Cooper); Outstanding Supporting Actress in a Limited or Anthology Series or Movie (for Erin Doherty); Outstanding Writing for a Limited or Anthology Series or Movie; and Outstanding Directing for a Limited or Anthology Series or Movie.

Apple TV+’s “Severance” had the most nominations (27) going into the ceremony. The show ended up winning eight Emmys, including Outstanding Lead Actress in a Drama Series (for Britt Lower) and Outstanding Supporting Actor in a Drama Series (for Tramell Tillman).

Presenters at the show included Cris Abrego, Elizabeth Banks, Ike Barinholtz, Angela Bassett, Jason Bateman, Kathy Bates, Kristen Bell, Alexis Bledel, Sterling K. Brown, Stephen Colbert, Jennifer Coolidge, Alan Cumming, Eric Dane, Colman Domingo, Tina Fey, Walton Goggins, Tony Goldwyn, Lauren Graham, Kathryn Hahn, Mariska Hargitay, Justin Hartley, Charlie Hunnam, Ice-T, Jude Law, James Marsden, Christopher Meloni, S. Epatha Merkerson, Leanne Morgan, Julianne Nicholson, Jenna Ortega, Sarah Paulson, Evan Peters, Parker Posey, Jeff Probst, Phylicia Rashad, Hiroyuki Sanada, Anna Sawai, Michael Schur, Sydney Sweeney, Sofia Vergara, Jesse Williams, Young Manzino and Catherine Zeta-Jones.

Special segments included anniversary celebrations for popular shows, such as a “Law & Order” 35th anniversary tribute featuring past and present cast members Hargitay, Goldwyn, Ice-T, Christopher Meloni and Merkerson. The 20th anniversary of “Grey’s Anatomy” was celebrated by former “Grey’s Anatomy” cast members Eric Dane and Jesse Williams. “Gilmore Girls” stars Graham and Bledel paid tribute to the show’s 25th anniversary. The 40th anniversary segment for “The Golden Girls” featured Reba McEntire, Karen Fairchild and Kimberly Schlapman singing “The Golden Girls” theme song “Thank You for Being a Friend.”

“In Memoriam” segment was introduced by Phylicia Rashad and featuring a performance by Lainey Wilson and Vince Gill, who duetted on Gill’s song “Go Rest High on That Mountain.” Meanwhile, “Survivor” host Jeff Probst did a segment to celebrate the show’s 50th season.

The Creative Arts Emmy Awards (for mostly technical categories) took place at the Peacock Theater at L.A. Live on September 6 and September 7, 2025. FXX televised an edited version of the two-part ceremony on September 13, 2025.

Team members from “The Pitt” at the 77th annual Primetime Emmy Awards at the Peacock Theater in Los Angeles on September 14, 2025. (Photo by Sonja Flemming/CBS)

Here is a list of nominees and winners for the 2025 Primetime Emmy Awards:

Outstanding Drama Series

  • Andor
  • The Diplomat
  • The Last of Us
  • Paradise
  • The Pitt — WINNER
  • Severance
  • Slow Horses
  • The White Lotus

Outstanding Comedy Series

  • Abbott Elementary
  • The Bear
  • Hacks
  • Nobody Wants This
  • Only Murders in the Building
  • Shrinking
  • The Studio — WINNER
  • What We Do in the Shadows

Outstanding Limited or Anthology Series

  • Adolescence — WINNER
  • Black Mirror
  • Dying for Sex
  • Monsters: The Lyle and Erik Menendez Story
  • The Penguin

Outstanding Reality Competition Program

  • The Amazing Race
  • RuPaul’s Drag Race
  • Survivor
  • Top Chef
  • The Traitors — WINNER

Outstanding Talk Series

  • The Daily Show
  • Jimmy Kimmel Live!
  • The Late Show With Stephen Colbert — WINNER

Outstanding Scripted Variety Series

  • Last Week Tonight With John Oliver — WINNER
  • Saturday Night Live

Outstanding Variety Special (Live)

  • The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar
  • Beyoncé Bowl
  • The Oscars
  • SNL50: The Anniversary Special — WINNER
  • SNL50: The Homecoming Concert

Outstanding Lead Actor in a Drama Series

  • Sterling K. Brown (Paradise)
  • Gary Oldman (Slow Horses)
  • Pedro Pascal (The Last of Us)
  • Adam Scott (Severance)
  • Noah Wyle (The Pitt) — WINNER

Outstanding Lead Actress in a Drama Series

  • Kathy Bates (Matlock)
  • Sharon Horgan (Bad Sisters)
  • Britt Lower (Severance) — WINNER
  • Bella Ramsey (The Last of Us)
  • Keri Russell (The Diplomat)

Outstanding Supporting Actor in a Drama Series

  • Zach Cherry (Severance)
  • Walton Goggins (The White Lotus)
  • Jason Isaacs (The White Lotus)
  • James Marsden (Paradise)
  • Sam Rockwell (The White Lotus)
  • Tramell Tillman (Severance) — WINNER
  • John Turturro (Severance)

Outstanding Lead Actor in a Limited or Anthology Series or Movie

  • Colin Farrell (The Penguin)
  • Stephen Graham (Adolescence) — WINNER
  • Jake Gyllenhaal (Presumed Innocent)
  • Brian Tyree Henry (Dope Thief)
  • Cooper Koch (Monsters: The Lyle and Erik Menendez Story)

Outstanding Supporting Actress in a Drama Series

  • Patricia Arquette (Severance)
  • Carrie Coon (The White Lotus)
  • Katherine LaNasa (The Pitt) — WINNER
  • Julianne Nicholson (Paradise)
  • Parker Posey (The White Lotus)
  • Natasha Rothwell (The White Lotus)
  • Aimee Lou Wood (The White Lotus)

Outstanding Lead Actress in a Comedy Series

  • Uzo Aduba (The Residence)
  • Kristen Bell (Nobody Wants This)
  • Quinta Brunson (Abbott Elementary)
  • Ayo Edebiri (The Bear)
  • Jean Smart (Hacks) — WINNER

Outstanding Lead Actor in a Comedy Series

  • Adam Brody (Nobody Wants This)
  • Seth Rogen (The Studio) — WINNER
  • Jason Segel (Shrinking)
  • Martin Short (Only Murders in the Building)
  • Jeremy Allen White (The Bear)

Outstanding Supporting Actor in a Comedy Series

  • Ike Barinholtz (The Studio)
  • Colman Domingo (The Four Seasons)
  • Harrison Ford (Shrinking)
  • Jeff Hiller (Somebody Somewhere) — WINNER
  • Ebon Moss-Bachrach (The Bear)
  • Michael Urie (Shrinking)
  • Bowen Yang (Saturday Night Live)

Outstanding Supporting Actress in a Comedy Series

  • Liza Colón-Zayas (The Bear)
  • Hannah Einbinder (Hacks) — WINNER
  • Kathryn Hahn (The Studio)
  • Janelle James (Abbott Elementary)
  • Catherine O’Hara (The Studio)
  • Sheryl Lee Ralph (Abbott Elementary)
  • Jessica Williams (Shrinking)

Outstanding Lead Actress in a Limited or Anthology Series or Movie

  • Cate Blanchett (Disclaimer)
  • Meghann Fahy (Sirens)
  • Rashida Jones (Black Mirror)
  • Cristin Milioti (The Penguin) — WINNER
  • Michelle Williams (Dying for Sex)

Outstanding Supporting Actor in a Limited or Anthology Series or Movie

  • Javier Bardem (Monsters: The Lyle and Erik Menendez Story)
  • Bill Camp (Presumed Innocent)
  • Owen Cooper (Adolescence) — WINNER
  • Rob Delaney (Dying for Sex)
  • Peter Sarsgaard (Presumed Innocent)
  • Ashley Walters (Adolescence)

Outstanding Supporting Actress in a Limited or Anthology Series or Movie

  • Erin Doherty (Adolescence) — WINNER
  • Ruth Negga (Presumed Innocent)
  • Deirdre O’Connell (The Penguin)
  • Chloë Sevigny (Monsters: The Lyle and Erik Menendez Story)
  • Jenny Slate (Dying for Sex)
  • Christine Tremarco (Adolescence)

Outstanding Writing for a Comedy Series

  • Quinta Brunson (Abbott Elementary)
  • Lucia Aniello, Paul W. Downs, Jen Statsky (Hacks)
  • Nathan Fielder, Carrie Kemper, Adam Locke-Norton, Eric Notarnicola (The Rehearsal)
  • Hannah Bos, Paul Thureen, Bridget Everett (Somebody Somewhere)
  • Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory, Frida Perez (The Studio) — WINNER
  • Sam Johnson, Sarah Naftalis, Paul Simms (What We Do in the Shadows)

Outstanding Writing for a Drama Series

  • Dan Gilroy (Andor) — WINNER
  • Joe Sachs (The Pitt)
  • R. Scott Gemmill (The Pitt)
  • Dan Erickson (Severance)
  • Will Smith (Slow Horses)
  • Mike White (The White Lotus)

Outstanding Writing for a Limited or Anthology Series or Movie

  • Jack Thorne, Stephen Graham (Adolescence) — WINNER
  • Charlie Brooker, Bisha K. Ali (Black Mirror)
  • Kim Rosenstock, Elizabeth Meriwether (Dying for Sex)
  • Lauren LeFranc (The Penguin)
  • Joshua Zetumer (Say Nothing)

Outstanding Directing for a Comedy Series

  • Ayo Edebiri (The Bear)
  • Lucia Aniello (Hacks)
  • James Burrows (Mid-Century Modern)
  • Nathan Fielder (The Rehearsal)
  • Seth Rogen (The Studio) — WINNER

Outstanding Directing for a Drama Series

  • Janus Metz (Andor)
  • Amanda Marsalis (The Pitt)
  • John Wells (The Pitt)
  • Jessica Lee Gagné (Severance)
  • Ben Stiller (Severance)
  • Adam Randall (Slow Horses) — WINNER
  • Mike White (The White Lotus)

Outstanding Directing for a Limited or Anthology Series or Movie

  • Philip Barantini (Adolescence) — WINNER
  • Shannon Murphy (Dying for Sex)
  • Helen Shaver (The Penguin)
  • Jennifer Getzinger (The Penguin)
  • Nicole Kassell (Sirens)
  • Lesli Linka Glatter (Zero Day)

Review: ‘The Bad Guys 2,’ starring the voices of Sam Rockwell, Marc Maron, Craig Robinson, Anthony Ramos, Awkwafina, Danielle Brooks, Natasha Lyonne, Maria Bakalova and Zazie Beetz

July 30, 2025

by Carla Hay

Snake (voiced by Marc Maron), Wolf (voiced by Sam Rockwell), Tarantula (voiced by Awkwafina), Piranha (voiced by Anthony Ramos) and Shark (voiced by Craig Robinson) in “The Bad Guys 2” (Image courtesy of DreamWorks Animation/Universal Pictures)

“The Bad Guys 2”

Directed by Pierre Perifel; co-directed by JP Sans

Culture Representation: Taking place in the Los Angeles area and in outer space, the animated film “The Bad Guys 2” (based on the book series of the same name) features a cast of characters who are talking animals and humans.

Culture Clash: The Bad Guys, a group of five animals who are reformed criminals, are forced back into committing crimes by a trio called the Bad Girls, who want to steal a rocket ship for reasons that are revealed in the movie.  

Culture Audience: “The Bad Guys 2” will appeal primarily to people who are fans of “The Bad Guys” franchise and animated adventures where talking animals are the main characters.

Pigtail (voiced by Maria Bakalova), Kitty Kat (voiced by Danielle Brooks) and Doom (voiced by Natasha Lyonne) in “The Bad Guys 2” (Image courtesy of DreamWorks Animation/Universal Pictures)

In trying to outdo its predecessor movie, “The Bad Guys 2” almost falls into a sequel trap of overstuffing the plot. Despite some distractions, this animated film still presents an engaging adventure story in a crime caper comedy about anti-hero animals. The action scenes are more elaborate but they’re also more cluttered, compared to 2022’s “The Bad Guys” movie.

Directed by Pierre Perifel and co-directed by JP Sans, “The Bad Guys 2” was written by Yoni Brenner and Etan Cohen. “The Bad Guys” movies are based on Aaron Blabey’s book series of the same name. The first “Bad Guys” movie was directed by Perifel and written by Cohen. Damon Ross is a producer of both movies.

In the “Bad Guys 2” production notes, Ross comments: “The first movie was our love letter to heist films like ‘Ocean’s Eleven,’ with a touch of Quentin Tarantino. For the sequel, we wanted to go bigger and explore other genres. We looked to ‘Mission: Impossible’ and James Bond for inspiration—bigger action, bigger spectacle and much higher stakes.”

The titular main characters in “The Bad Guys” movies are five talking animals:

  • Mr. Wolf (voiced by Sam Rockwell), the group’s leader, has a cool and charming personality. He prides himself on being able to talk himself out of almost any tricky situation.
  • Ms. Tarantula (voiced by Awkwafina) is an expert hacker and the most logical member of the group. She is usually calm and level-headed under pressure.
  • Mr. Snake (voiced by Marc Maron) is a pessimistic safecracker who is Wolf’s best friend. Snake’s prickly personality is softened when he gets an unexpected love interest in the story.
  • Mr. Shark (voiced by Craig Robinson) is a master of disguise and is the one most likely in the group to be in a good mood and entertain the others. Shark also has a soft spot for children.
  • Mr. Piranha (voiced by Anthony Ramos) is hot-tempered and unpredictable. This “loose cannon” also tends to fart when he gets nervous, which is a personal trait that is used more than once as comedy in the movie.

“The Bad Guys 2” explains how “The Bad Guys” ended: The five members of the Bad Guys became reformed criminals and decided to start over as law-abiding citizens. The beginning of “The Bad Guys 2” shows that this intention is easier said than done.

Because of their criminal records, the Bad Guys have a hard time getting hired for legitimate jobs or applying for apartment rentals. For example, Wolf mistakenly applies to work at a bank that he forgot that he robbed three times. The Bad Guys all live together in a space where they are about to be evicted for non-payment of rent.

In “The Bad Guys,” Wolf became friendly with a fox named Diane Foxington (voiced by Zazie Beetz), who is now the governor of California. In an early scene in the movie, Wolf and Diane are doing some boxing training at a local gym. He tells her about the Bad Guys’ unemployment and financial woes in trying to have law-abiding lives.

Wolf and Diane mildly flirt with each other, which hints that they have a mutual attraction. However, in this moment, Diane wants to keep things between them strictly platonic. And during this boxing session, Diane easily defeats Wolf. Diane has a secret past as a master thief called Crimson Paw. This past comes back to haunt her in “The Bad Guys 2.”

Meanwhile, a mysterious criminal that the media and the public have called the Phantom Bandit has been committing a slew of robberies in the area. The Phantom Bandit hacks into computer systems to gain access to the places that are robbed. Everything that the Phantom Bandit has stolen is made of a rare metal called MacGuffinite.

The Belt of Guatelemango, which is the grand prize in a Lucha Libre wrestling match, is the most famous MacGuffnite item. The Bad Guys are under suspicion for being the Phantom Bandit. And that’s why the Bad Guys end up at the wrestling match, where they think they can catch the real culprit in the act.

At the wrestling match, they meet a raven named Susan (voiced by Natasha Lyonne), who is working as a snack vendor at the event. Snake reveals that he and Susan have been dating each other. And he really seems to be falling in love. Snake’s friends tease him about this relationship because Snake doesn’t seem like the romantic type, and Susan seems too “book smart” and “nerdy” for Snake.

It’s soon revealed (as shown in the movie’s trailers) that Susan’s real name is Doom, who is a master manipulator/con artist. She’s part of a female criminal trio called the Bad Girls, led by a ruthless snow leopard named Kitty Kat (voiced by Danielle Brooks), who is the mastermind of the heist at the center of the movie. The other member of the Bad Girls is Pigtail Petrova (voiced by Maria Bakalova), a Bulgarian wild boar who is the group’s mild-mannered technical engineer.

After a chaotic ambush at the wrestling match, the Bad Guys find out that they’ve been abducted by the Bad Girls, who are the real criminals behind the Phantom Bandit thefts. Kitty Kat orders the Bad Guys to help the Bad Girls steal a rocket ship. In exchange, the Bad Girls will release a video proving that the Bad Guys did not commit the Phantom Bandit thefts.

The rest of “The Bad Guys 2” involves a series of hyperactive scenes, including action sequences in outer space. One of the clumsiest parts of the movie is when the Bad Guys and Bad Girls show up uninvited (and in disguise) at the wedding of a tech billionaire named Jeremiah Moon (voiced by Colin Jost), who is a huge dolt for not noticing all the weird things that these uninvited guests do to call attention to themselves. Let’s put it this way: The Bad Guys are better at being thieves than at being spies.

Reprising their roles from “The Bad Guys” are TV reporter Tiffany Fluffit (voiced by Lilly Singh), who has takes a tabloid approach to her journalism; imprisoned Professor Rupert Marmalade IV (voiced by Richard Ayoade), who was the villain in the first “Bad Guys” movie; and Misty Luggins (voiced by Alex Borstein), who has been promoted from police chief to police commissioner and loves to remind people about this promotion. New to “The Bad Guys 2” is an Egyptian billionaire named Mr. Soliman (voiced by Omid Djalili), an art collector who was robbed by the Bad Guys five years earlier.

Although “The Bad Guys 2” story is messier and not as entertaining as the story in the first “Bad Guys” movie, the voice cast performances remain among the best assets of this animated film series. Rockwell, Awkwafina, Brooks and Lyonne are the standouts because they bring personalities to their characters that make them instantly memorable. Borstein also brings some laughs as a sometimes-bumbling law-enforcement official.

Daniel Pemberton’s musical score (he also wrote the score for “The Bad Guys”) is a highlight that keeps up with energetic pace of the movie. The movie’s visuals are very competent but not award-worthy. This is a sequel that could’ve used the concept of “less is more.”

For better and for worse, the Bad Girls get almost as much screen time as the Bad Guys. On the one hand, the Bad Girls are undoubtedly interesting characters that keep the story lively. However, some of the Bad Guys and their camaraderie get sidelined in the process. For example, the friendship between Wolf and Snake is solid but not as strong as it was in “The Bad Guys.”

“The Bad Guys 2” makes the Bad Girls such a huge part of the story, it seems almost like a test for a spinoff series for the Bad Girls. Professor Marmalade’s brief appearances in the movie (including a mid-credits scene) seem to be purely for nostalgia purposes. There’s no need to bring back past villains into every “Bad Guys” movie.

“The Bad Guys 2” doesn’t surpass “The Bad Guys” in terms of overall quality. However, it’s a very good option for an animated film with an entertaining story. “The Bad Guys” movies need to stick to using the “Ocean’s” and “Mission: Impossible” movies as inspirations—or “The Bad Guys” could easily lose their way and turn into the animated equivalent of the bloated and ridiculous “Fast and Furious” franchise.

Universal Pictures will release “The Bad Guys 2” in U.S. cinemas on August 1, 2025. The movie will be released on digital and VOD on August 19, 2025. “The Bad Guys 2” will be released on 4K UHD and Blu-ray on October 7, 2025.

2025 Primetime Emmy Awards: ‘Severance’ is the top nominee

July 15, 2025

Adam Scott and Britt Lower in “Severance” (Photo courtesy of Apple TV+)

The following is a press release from the Television Academy:

Nominations for the 77th Emmy Awards were announced on July 16, 2025, from the Wolf Theatre in the Saban Media Center, the result of the largest voting member turnout in the history of the Emmys.

The live ceremony was hosted by Harvey Guillén (What We Do In The Shadows) and Brenda Song (Running Point) along with Television Academy Chair Cris Abrego. 

“In a year when the industry has continued to evolve — creatively, structurally and economically — one thing remains clear, powerful performances and compelling stories still cut through. Emmy voters took notice this year as more members voted in the competition than ever before,” said Television Academy Chair Cris Abrego. “It’s a reminder of the impact incredible television and exceptional artists have on all of us. We’re looking forward to recognizing the teams and individuals that rose to the top this season as we celebrate the best of television.” 

The Studio tied the record for the most nominations in a single year in the Comedy category with 23 (set by The Bear in 2024) and Severance led this year’s Drama category with 27 nominations.

At 15, first-time nominee Owen Cooper (Adolescence) is the youngest nominee in the history of the outstanding supporting actor in a limited/anthology series or TV movie category*. There were 33 first-time performer nominees across all performer categories this year including Javier Bardem(Monsters: The Lyle And Erik Menendez Story), Ike Barinholtz (The Studio), Kristen Bell (Nobody Wants This), Adam Brody (Nobody Wants This), Zach Cherry (Severance), Erin Doherty (Adolescence), Colin Farrell (The Penguin), Harrison Ford (Shrinking), Scott Glenn (The White Lotus), Stephen Graham (Adolescence), Jake Gyllenhaal (Presumed Innocent), Shawn Hatosy (The Pitt), Jeff Hiller (Somebody Somewhere), Robby Hoffman (Hacks), Jason Isaacs (The White Lotus), Cooper Koch (Monsters: The Lyle And Erik Menendez Story), Zoë Kravitz (The Studio), Katherine LaNasa (The Pitt), Britt Lower (Severance), Anthony Mackie (The Studio), Cristin Milioti (The Penguin), Ruth Negga (Presumed Innocent), Deirdre O’Connell (The Penguin), Tom Segura (Bad Thoughts), Chloë Sevigny (Monsters: The Lyle And Erik Menendez Story), J.K. Simmons (Die Hart: Hart To Kill), Jenny Slate (Dying For Sex), Tramell Tillman (Severance), Christine Tremarco (Adolescence), Michael Urie (Shrinking), Ashley Walters (Adolescence) and Aimee Lou Wood (The White Lotus).

Seth Rogen received three nominations for performance, writing and directing for The Studio. Additional performers with multiple nominations this year include Quinta Brunson (performance and writing for Abbott Elementary), Ayo Edebiri (performance and directing for The Bear), Colin Farrell (performance and producing for The Penguin), Stephen Graham (performance and producing for Adolescence), Julianne Nicholson (performance for Paradise and Hacks), Catherine O’Hara (performance for The Studio and The Last Of Us) and Michelle Williams (performance and producing for Dying For Sex).

The nominations rosters may be revised in cases where names or titles are incorrect or appeals for changes—including the addition or removal of names—are approved by the Television Academy’s Emmy Awards Committee. Producer eligibility is based primarily on title; producer nominees in certain program categories will be announced early August and may increase the number of multiple nominees. Final-round online voting begins August 18, 2025.

The complete list of Emmy nominations is compiled by the independent accounting firm of Ernst & Young LLP, is attached along with key categories. This and other Academy news and updates are available at Emmys.com.

The 77th Emmy Awards will be broadcast live Sunday, Sept. 14, (8:00-11:00 PM EDT/5:00-8:00 PM PDT) on the CBS Television Network and available to stream live and on demand on Paramount+.**

As previously announced, comedian Nate Bargatze will host the telecast and Jesse Collins Entertainment is set to return as executive producer for the third consecutive year.

The 2025 Creative Arts EmmyAwards, will be held over two consecutive nights, Saturday, Sept. 6, and Sunday, Sept. 7, at the Peacock Theater at L.A. LIVE, helmed by executive producer Bob Bain and Bob Bain Productions. An edited presentation of the ceremonies will air Saturday, Sept. 13, at 8:00 PM PDT on FXX. Available to stream on Hulu through October 7.

*For historical context, in 1984, Roxana Zal was nominated and won outstanding supporting actress in a limited series or special at the age of 14 for Something About Amelia.

2025 Academy Awards: ‘Anora’ is the top winner

March 2, 2025

by Carla Hay

“Anora” writer/director/producer/editor Sean Baker (pictured in front) at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Stewart Cook/Disney)

With five prizes, including Best Picture, Neon’s comedy/drama “Anora” was the top winner for the 97th annual Academy Awards, which took place at the Dolby Theatre in Los Angeles on March 2, 2025. ABC had the U.S. telecast of the show, which was hosted by Conan O’Brien and livestreamed on Hulu. The nominations and awards are voted for by the Academy of Motion Picture Arts and Sciences.

“Anora” (about an American sex worker who marries a wealthy Russian heir) won Oscars for Best Picture, Best Director, Best Original Screenplay, and Best Film Editing for producer/director/writer/editor Sean Baker. With these victories, Baker became the first person in Academy Awards history to win four Oscars for the same movie and for these four categories in the same year. (In 1954, Walt Disney was the first person to win four Oscars in the same year, when he won for “The Living Desert,” “Bear Country,” “The Alaskan Eskimo” and “Toot, Whistle, Plunk and Boom.”) Mikey Madison, who plays the movie’s title character, won the Oscar for Best Actress in a Leading Role.

A24’s drama “The Brutalist” (about a Hungarian immigrant architect) won three Oscars: Best Actor (for Adrien Brody), Best Cinematography and Best Original Score. Netflix’s “Emilia Pérez” (a Spanish-language musical about a transgender woman who becomes a former drug-trafficking crime boss) had the most Oscar nominations (13) going into the ceremony, and ultimately ended up winning two Oscars: Best Actress in a Supporting Role (for Zoe Saldaña) and Best Original Song (for “El Mal”).

Other winners included Kieran Culkin of Searchlight Pictures’ comedy/drama “A Real Pain” (Best Actor in a Supporting Role); Focus Features’ drama “Conclave” (Best Adapted Screenplay); Sideshow/Janus Films’ “Flow” (Best Animated Feature Film); and Sony Pictures Classics’ drama “I’m Still Here” (Best International Feature Film), the first movie from Brazil to win in this category. “Flow,” which was also nominated for Best International Feature Film, is the first movie from Latvia to win an Oscar.

Instead of performances of the Best Original Song nominations, there were other musical performances. “Wicked” co-stars Cynthia Erivo and Ariana Grande did a medley of “Somewhere Over the Rainbow,” “Here” and “Defying Gravity.” There was a tribute to James Bond movies, with performances of James Bond movie theme songs: Blackpink singer Lisa performed “Live and Let Die”; Doja Cat performed “Diamonds Are Forever”; and Raye performed “Skyfall.” In a tribute to Quincy Jones (who died in November 2024), Queen Latifah performed “Ease on Down the Road” from “The Wiz” musical because Jones was a music supervisor and songwriter for the 1978 movie version of “The Wiz.”

Presenters at the show included Joe Alwyn, Halle Berry, Sterling K. Brown, Billy Crystal, Penélope Cruz, Willem Dafoe, Ana de Armas, Dave Bautista, Lily-Rose Depp, Robert Downey Jr., Elle Fanning, Morgan Freeman, Gal Gadot, Andrew Garfield, Whoopi Goldberg, Selena Gomez, Goldie Hawn, Samuel L. Jackson, Mick Jagger, Scarlett Johansson, John Lithgow, Cillian Murphy, Connie Nielsen, Amy Poehler, Margaret Qualley, Da’Vine Joy Randolph, Alba Rohrwacher, Meg Ryan, Saldaña, June Squibb, Ben Stiller, Emma Stone, Quentin Tarantino, Oprah Winfrey, Bowen Yang and Rachel Zegler.

Adrien Brody, Mikey Madison, Zoe Saldaña and Kieran Culkin at the 97th annual Academy Awards at the Dolby Theatre in Los Angeles on March 2, 2025. (Photo by Scott Kirkland/Disney)

Here is the complete list of nominations and winners for the 2025 Academy Awards:

*=winner

Best Picture

“Anora”*
“The Brutalist”
“A Complete Unknown”
“Conclave”
“Dune: Part Two”
“Emilia Pérez”
“I’m Still Here”
“Nickel Boys”
“The Substance”
“Wicked”

Best Director

Sean Baker (“Anora”)*
Brady Corbet (“The Brutalist”)
James Mangold (“A Complete Unknown”)
Jacques Audiard (“Emilia Pérez”)
Coralie Fargeat (“The Substance”

Best Actor in a Leading Role

Adrien Brody (“The Brutalist”)*
Timothée Chalamet (“A Complete Unknown”)
Colman Domingo (“Sing Sing”)
Ralph Fiennes (“Conclave”)
Sebastian Stan (“The Apprentice”)

Best Actress in a Leading Role

Cynthia Erivo (“Wicked”)
Karla Sofía Gascón (“Emilia Pérez”)
Mikey Madison (“Anora”)*
Demi Moore (“The Substance”)
Fernanda Torres (“I’m Still Here”)

Best Actor in a Supporting Role

Yura Borisov (“Anora”)
Kieran Culkin (“A Real Pain”)*
Edward Norton (“A Complete Unknown”)
Guy Pearce (“The Brutalist”)
Jeremy Strong (“The Apprentice”)

Best Actress in a Supporting Role

Monica Barbaro (“A Complete Unknown”)
Ariana Grande (“Wicked”)
Felicity Jones (“The Brutalist”)
Isabella Rossellini (“Conclave”)
Zoe Saldaña (“Emilia Pérez”)*

Best Adapted Screenplay

“A Complete Unknown,” screenplay by James Mangold and Jay Cocks
“Conclave,” screenplay by Peter Straughan*
“Emilia Pérez,” screenplay by Jacques Audiard, in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
“Nickel Boys,” screenplay by RaMell Ross and Joslyn Barnes
“Sing Sing,” screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin and John “Divine G” Whitfield

Best Original Screenplay

“Anora,” written by Sean Baker*
“The Brutalist,” written by Brady Corbet and Mona Fastvold
“A Real Pain,” written by Jesse Eisenberg
“September 5,” written by Moritz Binder and Tim Fehlbaum; co-written by Alex David
“The Substance,” written by Coralie Fargeat

Best Cinematography

“The Brutalist”*
“Dune: Part Two”
“Emilia Pérez”
“Maria”
“Nosferatu”

Best Film Editing

“Anora,” Sean Baker*
“The Brutalist,” David Jancso
“Conclave,” Nick Emerson
“Emilia Pérez,” Juliette Welfling
“Wicked,” Myron Kerstein

Best Sound

“A Complete Unknown”
“Dune: Part Two”*
“Emilia Pérez”
“Wicked”
“The Wild Robot”

Best Original Score

“The Brutalist,” Daniel Blumberg*
“Conclave,” Volker Bertelmann
“Emilia Pérez,” Clément Ducol and Camille
“Wicked,” John Powell and Stephen Schwartz
“The Wild Robot,” Kris Bowers

Best Original Song

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)*
“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)
“Like a Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)
“Mi Camino” from “Emilia Pérez” (Music and lyric by Camille and Clément Ducol)
“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Animated Feature Film

“Flow”*
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best International Feature Film

“I’m Still Here” (Brazil)*
“The Girl With the Needle” (Denmark)
“Emilia Pérez” (France)
“The Seed of the Sacred Fig” (Germany)
“Flow” (Latvia)

Best Documentary Feature

“Black Box Diaries”
“No Other Land”*
“Porcelain War”
“Soundtrack to a Coup d’Etat”
“Sugarcane”

Best Makeup and Hairstyling

“A Different Man”
“Emilia Pérez”
“Nosferatu”
“The Substance”*
“Wicked”

Best Costume Design

“A Complete Unknown,” Arianne Phillips
“Conclave,” Lisy Christl
“Gladiator II,” Janty Yates and Dave Crossman
“Nosferatu,” Linda Muir
“Wicked,” Paul Tazewell*

Best Production Design

“The Brutalist”
“Conclave”
“Dune: Part Two”
“Nosferatu”
“Wicked”*

Best Visual Effects

“Alien: Romulus”
“Better Man”
“Dune: Part Two”*
“Kingdom of the Planet of the Apes”
“Wicked”

Best Documentary Short Subject

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”*

Best Animated Short Film

“Beautiful Men”
“In the Shadow of the Cypress”*
“Magic Candies”
“Wander to Wonder”
“Yuck!”

Best Live-Action Short Film

“A Lien”
“Anuja”
“I’m Not a Robot”*
“The Last Ranger”
“The Man Who Could Not Remain Silent”

2025 Screen Actors Guild Awards: ‘Shōgun’ is the top winner

February 23, 2025

Hiroyuki Sanada and Anna Sawai in “Shōgun” (Photo by Katie Yu/FX)

EDITOR’S NOTE: The 31st Annual Screen Actors Guild Awards took place at the Shrine Auditorium & Expo Hall in Los Angeles on February 23, 2025. Netflix livestreamed the ceremony which was hosted by Kristin Bell. With four awards, FX’s drama series “Shōgun” was the top winner of this ceremony. The only other movie or TV show to win more than one award at the ceremony was the Hulu comedy series “Only Murders in the Building,” which won two awards. Jane Fonda received the Life Achievement Award.

Presenters at the show were Ariana Grande, Ayo Edebiri, Bowen Yang, Colin Farrell, Colman Domingo, Cynthia Erivo, David Duchovny, Drew Starkey, Edward Norton, Elle Fanning, Fran Drescher, Gillian Anderson, Harrison Ford, Isabella Rossellini, Jack Quaid, Jamie Lee Curtis, Jessica Williams, Jodie Foster, Joey King, John Lithgow, Julia Louis-Dreyfus, Keke Palmer, Keri Russell, Kerry Washington, Kumail Nanjiani, Lily Gladstone, Lisa Kudrow, Marissa Bode, Mark Eydelshteyn, Max Greenfield, Michelle Yeoh, Mikey Madison, Millie Bobby Brown, Molly Shannon, Monica Barbaro, Pamela Anderson, Quinta Brunson, Ralph Fiennes, Selena Gomez, Sergio Castellitto, Timothée Chalamet, Yura Borisov, Zoe Saldaña and Zooey Deschanel.

The following is a complete list of nominees and winners for the 2025 Screen Actors Guild Awards:

*=winner

Motion Pictures

Outstanding Performance by a Male Actor in a Leading Role
ADRIEN BRODY / László Tóth – “THE BRUTALIST”
TIMOTHÉE CHALAMET / Bob Dylan – “A COMPLETE UNKNOWN”*
DANIEL CRAIG / William Lee – “QUEER”
COLMAN DOMINGO / Divine G – “SING SING”
RALPH FIENNES / Lawrence – “CONCLAVE”

Outstanding Performance by a Female Actor in a Leading Role
PAMELA ANDERSON / Shelly – “THE LAST SHOWGIRL”
CYNTHIA ERIVO / Elphaba – “WICKED”
KARLA SOFÍA GASCÓN / Emilia/Manitas – “EMILIA PÉREZ”
MIKEY MADISON / Ani – “ANORA”
DEMI MOORE / Elisabeth – “THE SUBSTANCE”*

Outstanding Performance by a Male Actor in a Supporting Role
JONATHAN BAILEY / Fiyero – “WICKED”
YURA BORISOV / Igor – “ANORA”
KIERAN CULKIN / Benji Kaplan – “A REAL PAIN”*
EDWARD NORTON / Pete Seeger – “A COMPLETE UNKNOWN”
JEREMY STRONG / Roy Cohn – “THE APPRENTICE”

Outstanding Performance by a Female Actor in a Supporting Role
MONICA BARBARO / Joan Baez – “A COMPLETE UNKNOWN”
JAMIE LEE CURTIS / Annette – “THE LAST SHOWGIRL”
DANIELLE DEADWYLER / Berniece – “THE PIANO LESSON”
ARIANA GRANDE / Galinda/Glinda – “WICKED”
ZOE SALDAÑA / Rita – “EMILIA PÉREZ”*

Outstanding Performance by a Cast in a Motion Picture
A COMPLETE UNKNOWN
MONICA BARBARO / Joan Baez
NORBERT LEO BUTZ / Alan Lomax
TIMOTHÉE CHALAMET / Bob Dylan
ELLE FANNING / Sylvie Russo
DAN FOGLER / Albert Grossman
WILL HARRISON / Bobby Neuwirth
ERIKO HATSUNE / Toshi Seeger
BOYD HOLBROOK / Johnny Cash
SCOOT MCNAIRY / Woody Guthrie
BIG BILL MORGANFIELD / Jesse Moffette
EDWARD NORTON / Pete Seeger

ANORA
YURA BORISOV / Igor
MARK EYDELSHTEYN / Ivan
KARREN KARAGULIAN / Toros
MIKEY MADISON / Ani
ALEKSEY SEREBRYAKOV / Nikolai Zakharov
VACHE TOVMASYAN / Garnick

CONCLAVE*
SERGIO CASTELLITTO / Tedesco*
RALPH FIENNES / Lawrence*
JOHN LITHGOW / Tremblay*
LUCIAN MSAMATI / Adeyemi*
ISABELLA ROSSELLINI / Sister Agnes*
STANLEY TUCCI / Bellini*

EMILIA PÉREZ
KARLA SOFÍA GASCÓN / Emilia/Manitas
SELENA GOMEZ / Jessi
ADRIANA PAZ / Epifania
ZOE SALDAÑA / Rita

WICKED
JONATHAN BAILEY / Fiyero
MARISSA BODE / Nessarose
PETER DINKLAGE / Dr. Dillamond
CYNTHIA ERIVO / Elphaba
JEFF GOLDBLUM / The Wonderful Wizard of Oz
ARIANA GRANDE / Galinda/Glinda
ETHAN SLATER / Boq
BOWEN YANG / Pfannee
MICHELLE YEOH / Madame Morrible

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
DEADPOOL & WOLVERINE
DUNE: PART TWO
THE FALL GUY*
GLADIATOR II
WICKED

Television:

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
JAVIER BARDEM / Jose Menendez – “MONSTERS: THE LYLE AND ERIK MENENDEZ STORY”
COLIN FARRELL / Oz Cobb – “THE PENGUIN”*
RICHARD GADD / Donny – “BABY REINDEER”
KEVIN KLINE / Stephen Brigstocke – “DISCLAIMER”
ANDREW SCOTT / Tom Ripley – “RIPLEY”

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
KATHY BATES / Edith Wilson – “THE GREAT LILLIAN HALL”
CATE BLANCHETT / Catherine Ravenscroft – “DISCLAIMER”
JODIE FOSTER / Det. Elizabeth Danvers – “TRUE DETECTIVE: NIGHT COUNTRY”
LILY GLADSTONE / Cam Bentland – “UNDER THE BRIDGE”
JESSICA GUNNING / Martha – “BABY REINDEER”*
CRISTIN MILIOTI / Sofia Falcone – “THE PENGUIN”

Outstanding Performance by a Male Actor in a Drama Series
TADANOBU ASANO / Kashigi Yabushige – “SHŌGUN”
JEFF BRIDGES / Dan Chase – “THE OLD MAN”
GARY OLDMAN / Jackson Lamb – “SLOW HORSES”
EDDIE REDMAYNE / The Jackal – “THE DAY OF THE JACKAL”
HIROYUKI SANADA / Yoshii Toranaga – “SHŌGUN”*

Outstanding Performance by a Female Actor in a Drama Series
KATHY BATES / Madeline Matlock – “MATLOCK”
NICOLA COUGHLAN / Penelope Featherington – “BRIDGERTON”
ALLISON JANNEY / Vice President Grace Penn – “THE DIPLOMAT”
KERI RUSSELL / Kate Wyler – “THE DIPLOMAT”
ANNA SAWAI / Toda Mariko – “SHŌGUN”*

Outstanding Performance by a Male Actor in a Comedy Series
ADAM BRODY / Noah Roklov – “NOBODY WANTS THIS”
TED DANSON / Charles Nieuwendyk – “A MAN ON THE INSIDE”
HARRISON FORD / Paul – “SHRINKING”
MARTIN SHORT / Oliver Putnam – “ONLY MURDERS IN THE BUILDING”*
JEREMY ALLEN WHITE / Carmen “Carmy” Berzatto – “THE BEAR”

Outstanding Performance by a Female Actor in a Comedy Series
KRISTEN BELL / Joanne – “NOBODY WANTS THIS”
QUINTA BRUNSON / Janine Teagues – “ABBOTT ELEMENTARY”
LIZA COLÓN-ZAYAS / Tina – “THE BEAR”
AYO EDEBIRI / Sydney Adamu – “THE BEAR”
JEAN SMART / Deborah Vance – “HACKS”*

Outstanding Performance by an Ensemble in a Drama Series
BRIDGERTON
GERALDINE ALEXANDER / Mrs. Wilson
VICTOR ALLI / John Stirling
ADJOA ANDOH / Lady Danbury
JULIE ANDREWS / Lady Whistledown
LORRAINE ASHBOURNE / Mrs. Varley
SIMONE ASHLEY / Kate Bridgerton
JONATHAN BAILEY / Anthony Bridgerton
JOE BARNES / Lord Wilding
JOANNA BOBIN / Lady Cowper
JAMES BRYAN / Nicky Mondrich
HARRIET CAINS / Philipa Featherington
BESSIE CARTER / Prudence Featherington
GENEVIEVE CHENNEOUR / Miss Livingston
DOMINIC COLEMAN / Lord Cowper
NICOLA COUGHLAN / Penelope Featherington
KITTY DEVLIN / Miss Stowell
HANNAH DODD / Francesca Bridgerton
DANIEL FRANCIS / Lord Marcus Anderson
RUTH GEMMELL / Violet Bridgerton
ROSA HESMONDHALGH / Rae
SESLEY HOPE / Miss Kenworthy
FLORENCE HUNT / Hyacinth Bridgerton
MARTINS IMHANGBE / Will Mondrich
MOLLY JACKSON-SHAW / Miss Hartigan
CLAUDIA JESSIE / Eloise Bridgerton
LORN MACDONALD / Albion Finch
JESSICA MADSEN / Cressida Cowper
EMMA NAOMI / Alice Mondrich
HANNAH NEW / Lady Tilley Arnold
LUKE NEWTON / Colin Bridgerton
CALEB OBEDIAH / Lord Cho
JAMES PHOON / Harry Dankworth
VINEETA RISHI / Lady Malhotra
GOLDA ROSHEUVEL / Queen Charlotte
HUGH SACHS / Brimsley
BANITA SANDHU / Miss Malhotra
LUKE THOMPSON / Benedict Bridgerton
WILL TILSTON / Gregory Bridgerton
POLLY WALKER / Lady Featherington
ANNA WILSON-JONES / Lady Livingston
SOPHIE WOOLLEY / Lady Stowell

THE DAY OF THE JACKAL
KHALID ABDALLA / Ulle Dag Charles
JON ARIAS / Álvaro
NICK BLOOD / Vince Pyne
ÚRSULA CORBERÓ / Nuria
CHARLES DANCE / Timothy Winthrop
BEN HALL / Damian Richardson
CHUKWUDI IWUJI / Osita Halcrow
PATRICK KENNEDY / Teddy
PUCHI LAGARDE / Marisa
LASHANA LYNCH / Bianca Pullman
ELEANOR MATSUURA / Zina Jansone
JONJO O’NEILL / Edward Carver
EDDIE REDMAYNE / The Jackal
SULE RIMI / Paul Pullman
LIA WILLIAMS / Isabel Kirby

THE DIPLOMAT
ALI AHN / Eidra Park
SANDY AMON-SCHWARTZ / Sandy
TIM DELAP / Byron
PENNY DOWNIE / Frances Munning
ATO ESSANDOH / Stuart Hayford
DAVID GYASI / Foreign Secretary Austin Dennison
CELIA IMRIE / Margaret Roylin
RORY KINNEAR / Prime Minister Nicol Trowbridge
PEARL MACKIE / Alysse
NANA MENSAH / Billie Appiah
GRAHAM MILLER / Neil Barrow
KERI RUSSELL / Kate Wyler
RUFUS SEWELL / Hal Wyler
ADAM SILVER / Howard
KENICHIRO THOMSON / Martin

SHŌGUN*
SHINNOSUKE ABE / Buntaro*
TADANOBU ASANO / Kashigi Yabushige*
TOMMY BASTOW / Father Martin Alvito*
TAKEHIRO HIRA / Ishido Kazunari*
MOEKA HOSHI / Usami Fuji*
HIROMOTO IDA / Lord Kiyama*
COSMO JARVIS / John Blackthorne*
HIROTO KANAI / Kashigi Omi*
YUKI KURA / Yoshii Nagakado*
TAKESHI KUROKAWA / Lord Ohno*
FUMI NIKAIDO / Ochiba No Kata*
TOKUMA NISHIOKA / Toda Hiromatsu*
HIROYUKI SANADA / Yoshii Toranaga*
ANNA SAWAI / Toda Mariko
*

SLOW HORSES
RUTH BRADLEY / Emma Flyte
TOM BROOKE / JK Coe
JAMES CALLIS / Claude Whelan
CHRISTOPHER CHUNG / Roddy Ho
AIMEE-FFION EDWARDS / Shirley Dander
ROSALIND ELEAZAR / Louisa Guy
SEAN GILDER / Sam Chapman
KADIFF KIRWAN / Marcus Longridge
JACK LOWDEN / River Cartwright
GARY OLDMAN / Jackson Lamb
JONATHAN PRYCE / David Cartwright
SASKIA REEVES / Catherine Standish
JOANNA SCANLAN / Moira Tregorian
KRISTIN SCOTT THOMAS / Diana Taverner
HUGO WEAVING / Frank Harkness
NAOMI WIRTHNER / Molly Doran
TOM WOZNICZKA / Patrice

Outstanding Performance by an Ensemble in a Comedy Series

ABBOTT ELEMENTARY
QUINTA BRUNSON / Janine Teagues
WILLIAM STANFORD DAVIS / Mr. Johnson
JANELLE JAMES / Ava Coleman
CHRIS PERFETTI / Jacob Hill
SHERYL LEE RALPH / Barbara Howard
LISA ANN WALTER / Melissa Schemmenti
TYLER JAMES WILLIAMS / Gregory Eddie

THE BEAR
LIONEL BOYCE / Marcus
LIZA COLÓN-ZAYAS / Tina
AYO EDEBIRI / Sydney Adamu
ABBY ELLIOTT / Natalie “Sugar” Berzatto
EDWIN LEE GIBSON / Ebraheim
COREY HENDRIX / Sweeps
MATTY MATHESON / Neil Fak
EBON MOSS-BACHRACH / Richard “Richie” Jerimovich
RICKY STAFFIERI / Theodore Fak
JEREMY ALLEN WHITE / Carmen “Carmy” Berzatto

HACKS
ROSE ABDOO / Josefina
CARL CLEMONS-HOPKINS / Marcus Vaughan
PAUL W. DOWNS / Jimmy Lusaque, Jr.
HANNAH EINBINDER / Ava Daniels
MARK INDELICATO / Damien
JEAN SMART / Deborah Vance
MEGAN STALTER / Kayla Schaeffer

ONLY MURDERS IN THE BUILDING*
MICHAEL CYRIL CREIGHTON / Howard Morris*
ZACH GALIFIANAKIS / Zach Galifianakis*
SELENA GOMEZ / Mabel Mora*
RICHARD KIND / Vince Fish*
EUGENE LEVY / Eugene Levy*
EVA LONGORIA / Eva Longoria*
STEVE MARTIN / Charles-Haden Savage*
KUMAIL NANJIANI / Rudy Thurber*
MOLLY SHANNON / Bev Melon*
MARTIN SHORT / Oliver Putnam
*

SHRINKING
HARRISON FORD / Paul
BRETT GOLDSTEIN / Louis
DEVIN KAWAOKA / Charlie
GAVIN LEWIS / Connor
WENDIE MALICK / Dr. Julie Baram
LUKITA MAXWELL / Alice
TED MCGINLEY / Derek
CHRISTA MILLER / Liz
JASON SEGEL / Jimmy
RACHEL STUBINGTON / Summer
LUKE TENNIE / Sean
MICHAEL URIE / Brian
JESSICA WILLIAMS / Gaby

Outstanding Action Performance by a Stunt Ensemble in a Television Series
THE BOYS
FALLOUT
HOUSE OF THE DRAGON
THE PENGUIN
SHŌGUN*

Copyright 2017-2025 Culture Mix
CULTURE MIX