Review: ‘The Lord of the Rings: The War of the Rohirrim,’ starring the voices of Brian Cox, Gaia Wise, Luke Pasqualino, and Miranda Otto

December 13, 2024

by Carla Hay

Héra (voiced by Gaia Wise), King Helm Hammerhand (voiced by Brian Cox), Haleth (voiced by Benjamin Wainwright) and Háma (voiced by Yazdan Qafouri) in “The Lord of the Rings: The War of the Rohirrim” (Image courtesy of Warner Bros. Pictures)

“The Lord of the Rings: The War of the Rohirrim”

Directed by Kenji Kamiyama

Culture Representation: Taking place in the fictional kingdom of Rohan, the animated film “The Lord of the Rings: The War of the Rohirrim” (based on characters created by J.R.R. Tolkien) features a cast of characters who are royalty and commoners.

Culture Clash: The king of Rohan and his family, including heroic princess Héra, come under attack by a ruthless lord who has a vendetta against them.

Culture Audience: “The Lord of the Rings: The War of the Rohirrim” will appeal mainly to people who are fans of “The Lord of the Rings” franchise and anime movies that are predictable.

Wulf (voiced by Luke Pasqualino) in “The Lord of the Rings: The War of the Rohirrim” (Image courtesy of Warner Bros. Pictures)

“The Lord of the Rings: The War of the Rohirrim” is the type of franchise movie that will have a hard time winning over fans who are not familiar with the original source material of “The Lord of the Rings” books by J.R.R. Tolkien. This prequel to the Oscar-winning “The Lord of the Rings” trilogy falls very short of expectations. Anime is a worthy format for “Lord of the Rings” filmmaking, but the movie’s visuals are often sloppy, and too many characters have bland personalities.

Directed by Kenji Kamiyama, “The Lord of the Rings: The War of the Rohirrim” was written by Jeffrey Addiss, Will Matthews, Phoebe Gittins and Arty Papageorgiou. Philippa Boyens, a screenwriter for the “Lord of the Rings” and “The Hobbit” movie trilogies, is a producer of “The Lord of the Rings: The War of the Rohirrim.” Oscar-winning director Peter Jackson, (who directed and produced “The Lord of the Rings” and “The Hobbit” movie trilogies) and his producer wife Fran Walsh are among the executive producers of “The Lord of the Rings: The War of the Rohirrim.”

The story in “The Lord of the Rings: The War of the Rohirrim” takes place 183 years before the events that took place before the original “Lord of the Rings” movie trilogy, which is a fantasy franchise with wizards and mythical creatures. The story of “The Lord of the Rings: The War of the Rohirrim” takes place in the kingdom of Rohan, whose people are called Rohirrim, and they have an affinity for horses. Some of the highlights of “The Lord of the Rings: The War of the Rohirrim” are stunning-looking scenes of people on horseback.

Rohan is ruled by King Helm Hammerhand (voiced by Brian Cox), who is a stereotypically bold and fearless leader. King Helm, who is a widower, has three children: virile son Haleth (voiced by Benjamin Wainwright), who is the eldest child; sensitive son Háma (voiced by Yazdan Qafouri), who is the middle child; and strong-willed daughter Héra (voiced by Gaia Wise), who is the youngest child. King Helm does not think Héra is fit to be a leader because she is female.

A cruel and ruthless lord named Wulf (voiced by Luke Pasqualino) leads an army to attack the family because he wants revenge. Why? Early in the movie, Wulf proposed marriage to Héra in the royal open court, but King Helm rejected this proposal: “You do not seek an alliance. You seek the throne,” the king told Wulf.

Héra and Wulf have known each other since childhood. She is also not keen on this idea of marriage to Wulf. When Wulf tells her that he loves her, Héra’s response is, “I do not want to marry any man.” After this rejection, Wulf turned into into a bitter and vengeful person.

Wulf is the son of Freca (voiced by Shaun Dooley), Lord of the West March. Freca was taunted by King Helm for having mixed heritage of being Rohirrim and Dunlending, the race of people from Dunland. A tragedy strikes Wulf’s family, which gives Wulf even more cause for revenge against King Helm. (You can easily predict what that tragedy is.)

Supporting characters in “The Lord of the Rings: The War of the Rohirrim” are underdeveloped. General Targg (voiced by Michael Wildman) is a loyal miltary strategist/adviser to Wulf. Éowyn (voiced by Mirando Otto), a noblewoman/shieldmaiden, is a wise mother figure to Héra. Éowyn is also the movie’s narrator. Otto also portrayed the Éowyn character in Jackson’s live-action “The Lord of the Rings” movies.

This family feud war is a simple idea for a story, but in “The Lord of the Rings: The War of the Rohirrim,” this concept gets convoluted and dragged down by many boring scenes and drab dialogue. The movie’s voice acting performances are mediocre and don’t bring a lot of life or energy to the story. The battle scenes are utterly formulaic.

Everything is so generically predictable in “The Lord of the Rings: The War of the Rohirrim,” the movie feels disconnected from the thrills and memorable characters in Jackson’s live-action “The Lord of the Rings” movies. “The Lord of the Rings: The War of the Rohirrim” doesn’t just feel disconnected from the other “Lord of the Rings” movies. The entire tone of the “The Lord of the Rings: The War of the Rohirrim” feels emotionally disconnected—and that is a problem that is too big to overcome.

Review: ‘Medusa Deluxe,’ starring Anita-Joy Uwajeh, Clare Perkins, Darrell D’Silva, Debris Stevenson, Harriet Webb, Heider Ali, Kae Alexander, Kayla Meikle, Lilit Lesser and Luke Pasqualino

October 23, 2023

by Carla Hay

Clare Perkins and Lilit Lesser in “Medusa Deluxe” (Photo by Robbie Ryan/A24)

“Medusa Deluxe”

Directed by Thomas Hardiman

Culture Representation: Taking place in an unnamed city in England, the comedy/drama film “Medusa Deluxe” features a racially diverse (white, black, Latin and Asian) cast of characters portraying the working-class and middle-class.

Culture Clash: Hairstylists and their associates, who are preparing for a hairstyling competition, try to solve the mystery of who recently murdered a nearby salon owner.

Culture Audience: “Medusa Deluxe” will appeal primarily to people who are interested in watching offbeat murder mysteries with unusual characters.

Darrell D’Silva in “Medusa Deluxe” (Photo by Robbie Ryan/A24)

“Medusa Deluxe” is an ambitious and interesting but erratic murder mystery happening during a hairstyling contest. This frenetic dramedy would have worked better as a stage play. The characters are memorable though. The best scenes outshine any flaws. “Medusa Deluxe” made the rounds at several film festivals in 2022, including the Locarno Film Festival, where “Medusa Deluxe” had its world premiere. The film is acerbic, often weird, and filmed like it takes place in a neon-lit underground nightclub, where the amateur sleuths are neurotic hairdressers and their associates.

“Medusa Deluxe” is the feature-film debut of writer/director Thomas Hardiman. The movie is definitely not intended to have the same appeal as blockbuster films. It’s the type of quirky independent film where after the first 15 minutes, viewers will either be intrigued enough to want to watch more or will be turned off completely. Some of the characters talk in thick British accents (without English-language subtitles) and use a lot of British slang, so it might be difficult for some viewers to understand certain parts of the movie’s dialogue.

Filmed as if it’s in real time, “Medusa Deluxe” begins in a hair salon, just a few hours before the contest is set to begin. The movie takes place in an unnamed city in England. The people in the salon are abuzz about the death of a rival salon owner named Mosca (played by John Alan Roberts, shown in flashbacks), whose salon is nearby. Mosca had a particularly gruesome murder: He was scalped. No one in the salon seems to know exactly when Mosca was murdered, but they assume (based on what they’ve heard about the condition of his body), the murdered happened in the past 24 hours.

The people in the salon are waiting for investigating police to arrive to interview them. The hairstylist who is the loudest and most volatile in this group is salon worker Cleve (played by Clare Perkins), who is paranoid and superstitious about how this murder will affect her life and her chances in the upcoming contest. Cleve says that her father told her, “Evil will triumph” and “They follow me, dead people.”

Cleve had a tension-filled relationship with Mosca. She tells a story about hitting him over the head once with a shampoo bottle. What Cleve doesn’t say out loud right away but is pretty obvious is that because of her known history of conflicts with Mosca, she might become the prime suspect in his murder. Cleve can’t hide her nervousness about what she will say when the police arrive.

Also in the salon is hairstylist Kendra (played by Harriet Webb), who is another person who doesn’t get along well with Cleve. There’s been some gossip that Kendra and Mosca were conspiring to fix the contest so that Kendra would win. Not surprisingly, Cleve is furious about it. But does that mean Kendra killed Mosca to keep him quiet?

Another hair stylist is Divine (played by Kayla Meikle), who spreads gossip and misinformation, not necessarily to be malicious but because she likes to act as if she knows more than other people do. Three female models who are getting their hair styled for the contest are Timba (played by Anita-Joy Uwajeh), Angie (played by Lilit Lesser) and Etsy (played by Debris Stevenson), whose personalities aren’t as forceful as the hairstylists. Timba is the one who found Mosca’s body. Etsy starts to become suspicious of Kendra.

Some other characters might or might not be persons of interest in this murder. Mosca’s live-in boyfriend Angel (played by Luke Pasqualino), a very flamboyant Colombian immigrant, shows up and makes it known to everyone how much he is grieving. Mosca and Angel have an infant son named Pablo, whom Angel carries around with him, because apparently Angel couldn’t find a babysitter.

It turns out that Mosca was having a secret affair with a man named Rene (played by Darrell D’Silva), the director of a regional hairstyling competition who bankrolled Mosca’s salon. And that revelation adds more potential suspects to the list. Could Rene or Angel be the murderer? There’s also a socially awkward security guard named Gac (played by Heider Ali), who lurks about and seems to want to become friends with Rene.

“Medusa Deluxe” is often a cacophony of arguments, suspicions and resentments that erupt between this group of people. Although they want to know who killed Mosca, the hairstyling contest isn’t far from their minds. No one wants to drop out of the contest because of the murder.

Some of the fun in watching “Medusa Deluxe” is seeing the wild hairstyles that are being created for the contest. The styling of the hair is treated like avant-garde works of art, with wiring and extra materials infused in the hair to achieve the illusion that the hair is some type of art sculpture. (“The bigger, the better” is apparently one of the standards.)

The acting performances in “Medusa Deluxe” are adequate, with the exception of Pasqualino, whose over-the-top mugging for the camera looks amateurish and quickly gets annoying in how it becomes a shallow stereotype of gay men. However, “Medusa Deluxe” is unusual enough to hold the interest of people who don’t mind watching a bunch of unconventional people trying to solve a mystery while under the pressure of being in an upcoming contest that can affect their careers. The answer to the mystery isn’t too surprising, but there are a few clever surprises along the way.

A24 released “Medusa Deluxe” in select U.S. cinemas, digital and VOD on August 11, 2023.

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